Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

alb3698288 A Harlot's Progress: pl.1. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

akg045278 Hogarth, William 1697-1764. "The Dance" (The Wanstead Assembly), c. 1728. No. 6 from series "The Happy Marriage". Oil on canvas, 67.5 × 90cm. London, Camberwell Art Gallery.

akg045276 Hogarth, William. 1697-1764. "Evening Music Society". Painting. Cambridge, Fitzwilliam Museum. Museum: Cambridge, Fitzwilliam Museum.

akg045256 Hogarth, William. 1697-1764. "The Arrest" (Mary is arrested in Drury Lane, the 'red-light' district). Page 3 in series: "A Harlot's Progress". 1732. Copper engraving and etching, coloured. 30 × 37.5cm.

alb3608052 Self-Portrait. Artist: John Vanderbank, the younger (British, London (?) 1694-1739 London). Dimensions: Sheet: 14 9/16 × 13 in. (37 × 33 cm). Date: ca. 1720.The son of the proprietor of the Soho Tapestry Manufactory, Vanderbank attended the academy that Godfrey Kneller (1646-1723) established in Great Queen Street in 1711. In 1720, he partnered with Louis Chéron (1660-1725) to open a new academy in St. Martin's Lane that held life classes with male and female models and was attended by William Hogarth (1697-1764) and Joseph Highmore (1692-1780). That same year Vanderbank began to practice as a portrait painter and drew this self-portrait around that time. As a draftsman and illustrator Vanderbank demonstrates verve and originality that his paintings often lacki and the present sheet reflects appreciation for the Flemish tradition of Rubens and Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3647492 The Industrious 'Prentice Out of his Time and Married to his Master's Daughter (Industry and Idleness, plate 6). Artist: William Hogarth (British, London 1697-1764 London). Dimensions: plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm)sheet: 10 9/16 x 13 7/8 in. (26.8 x 35.2 cm). Date: September 30, 1747. Museum: Metropolitan Museum of Art, New York, USA.

alb3720929 Canvassing for Votes. Dated: 1757. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Grignion after William Hogarth.

alb3720732 Marriage a la Mode: pl.5. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb3700069 Marriage a la Mode: pl.4. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb3900568 Sign for a paviour. Date/Period: Ca. 1725. Painting. Oil on panel. Height: 559 mm (22 in); Width: 559 mm (22 in). Author: William Hogarth.

alb3900528 Dr Benjamin Hoadly, MD. Date/Period: Early 1740s. Painting. Oil on canvas. Height: 985 mm (38.77 in); Width: 862 mm (33.93 in). Author: William Hogarth.

alb3900510 Portrait of a Man. Date/Period: 1741. Painting. Oil on canvas Oil. Height: 762 mm (30 in); Width: 638 mm (25.11 in). Author: WILLIAM HOGARTH.

alb3724657 The Reward of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3731611 Analysis of Beauty: pl.2. Dated: 1753. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

orz004377 LA MARQUESA DE LA VALLETTE. Author: William Hogarth (1697-1764). Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.

orz011799 English school. George Graham in his cabin. George Graham en su camarote. Greenwich, National Maritime Museum. England. Author: William Hogarth (1697-1764). Location: NATIONAL MARITIME MUSEUM. GREENWICH. ENGLAND.

alb3900526 David Garrick (1717-79) with his wife Eva-Maria Veigel, "La Violette" or "Violetti" (1725 - 1822). Date/Period: 1757 - 1764. Painting. Oil on canvas. Height: 132.7 cm (52.2 in); Width: 104.2 cm (41 in). Author: William Hogarth.

alb3724135 Morning. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3708696 The Fellow 'Prentices at Their Looms. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900522 Before. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 15.2 in (38.7 cm); Width: 13.2 in (33.6 cm). Author: William Hogarth.

les39170210 Marriage A-la-Mode: 5. The Bagnio 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. Oil on canvas; 70,5 x 90,8 cm about 1743 NG117. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb9169297 Four Prints of an Election: An Election Entertainment, Plate I. Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

alb3347396 Portrait of the novelist and playwright Henry Fielding (1707-1754). Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

alb3351792 Illustration to the book "Don Quijote de la Mancha" by M. de Cervantes. Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

ibxsuc10432653 Sir Joshua Reynolds (born 16 July 1723 in Plympton near Plymouth, died 23 February 1792 in London) was, alongside William Hogarth and Thomas Gainsborough, the most famous and, through his artistic and art-theoretical work, the most influential English painter of the 18th century, Historic, digitally restored reproduction from a 19th century original, Record date not stated

alb3743154 A Rake's Progress: pl.3. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3747425 The Distressed Poet. Dated: 1736/1737. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3703306 A Harlot's Progress: pl.4. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3741038 The Second Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3728701 A Harlot's Progress: pl.5. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3727993 A Rake's Progress: pl.1. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3669207 Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 10 x 13 1/16 in. (25.4 x 33.2 cm) (trimmed within platemark). Publisher: Philip Overton (British, active from 1707, died 1744); John Cooper (London). Date: February 1725-26. Museum: Metropolitan Museum of Art, New York, USA.

akg086368 Hogarth, William; English painter, engraver and etcher. London 10.11.1697 - 25.10.1764. "Self-portrait" (The painter and his dog), 1745. Oil on canvas, 90 × 70cm. London, Tate Britain. Museum: London, Tate Britain.

ibxsuc10093873 William Hogarth 1697-1764, English artist. From the book Gallery of Portraits, published in 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

akg1557083 Hogarth, William. English painter, 1697-1764. "Marriage A-la-Mode: 6, The Lady's Death", c.1743. Oil on canvas, 69.9 × 90.8 cm. Inv. No. NG118. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg7642653 William Hogarth, English, 1697-1764, Portrait of a Lady, ca. 1740, oil on canvas, Unframed: 30 1/8 × 25 3/8 inches (76.5 × 64.5 cm).

akg869923 Hogarth, William 1697-1764. "An emblematical print on the South Sea scheme", 1721. (Caricature about the South Sea Bubble, England 1720). Copper engraving, colourised at a later stage.

alb5110042 The Royal Sport, Pit Ticket, unknown artist, eighteenth century, after William Hogarth, 16971764, British, undated, Gouache on ivory, Image: 5 1/8 x 6 11/16 inches (13 x 17 cm), animals, anxiety, arena, betting, carpenter, chaos, coats, cock-fight, cockpit (recreation space), coins, criminal, crowd, deaf, death, dog (animal), drunk, gallows, gambling, genre subject, gentlemen, gesture, hangman, helmet, laughing, leisure, men, messenger, money, nobility, pipe (smoking equipment), pointing, roosters, rule (measuring device), servant, smoking, snuff, snuffboxes, sporting art, stealing, theft, thief, tickets, tricornes.

alb4554199 William Hogarth (1697-1764). English painter and engraver. Self-portrait depicting Hogarth painting Thalia, the Muse of Comedy. Oil on canvas (45,1 x 42,5 cm), ca. 1757-1758. National Portrait Gallery. London, England, United Kingdom.

alb3628010 Ticket for Henry Fielding's The Mock Doctor. Artist: Formerly attributed to William Hogarth (British, London 1697-1764 London); Formerly attributed to Joseph Sympson, Jr. (British, active 1727-36). Dimensions: Plate: 5 1/4 x 5 7/16 in. (13.4 x 13.8 cm)Sheet: 5 7/8 x 6 1/8 in. (15 x 15.5 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.

alb3643175 Benefit Ticket for Joe Miller. Artist: Formerly attributed to William Hogarth (British, London 1697-1764 London); Formerly attributed to Joseph Sympson, Jr. (British, active 1727-36). Dimensions: sheet: 6 1/8 x 9 in. (15.5 x 22.9 cm). Etcher: Samuel Ireland (British, active from ca. 1760, died London 1800). Subject: Joseph Miller (British, 1684-1738); Relates to Sir William Congreve (British, 1772-1828). Date: 1794-99. Museum: Metropolitan Museum of Art, New York, USA.

alb3646038 Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden. Artist: After William Hogarth (British, London 1697-1764 London); Charles Grignion, I (British, London baptised 1721-1810 London). Dimensions: sheet: 7 1/4 x 9/16 in. (18.4 x 1.5 cm). Date: May 7, 1761. Museum: Metropolitan Museum of Art, New York, USA.

les40060103 Marriage A-la-Mode: 6. The Lady's Death 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG118. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb9871426 Sir James Thornhill, English painter, 1675-1734. Artist of historical subjects working in the Italian baroque tradition.. In wig, cravatte and coat. Original print engraved by Samuel Ireland after William Hogarth. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

alb9877827 Columbus and the egg. Christopher Columbus stands an egg on the table in a wager with several noble Spaniards. Woodblock engraving after William Hogarth from The Penny Magazine, of the Society for the Diffusion of Useful Knowledge, printed by William Clowes, Lambeth, 1833.

alb3714466 Moses Brought to Pharaoh's Daughter. Dated: 1752. Dimensions: plate: 42.6 x 52.7 cm (16 3/4 x 20 3/4 in.) sheet: 45.5 x 61.8 cm (17 15/16 x 24 5/16 in.). Medium: engraving and etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Luke Sullivan.

akg5862588 Group pictures. - "ANGLETERRE / XVIIe et XVIIe siècle, Scènes d'intérieur, Puritains et bourgeois" (England, 17th and 18th centuries: Scenes from domestic life, Puritans and citizens). - (Above: "The Committie", illustration to William Butler's Hudibras after the engraving by William Hogarth, 1697-1764. Below: family portrait of a merchant after a copper engraving from 1766 by Miller). Lithograph by Carred. Print: Firmin-Didot et Cie., Paris. From: A. Racinet (Auguste Racinet, 1825-1893), Le Costume Historique, Cinq cents planches (...), Types principaux du vêtement et de la parure rapprochés de ceux de l 'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc., Paris (Librairie Firmin-Didot et Cie.) 1888, Volume V, Plate 379. Private collection.

akg151409 Butler, Samuel; Engl. satirist. 1612-1680. Works: Hudibras (burlesque poem (1663, 1664 and 1678). "The bear hunt". Engraving, 1726, by William Hogarth (1697-1764).

akg1642492 Butler, Samuel; engl. Satiriker; 1612-1680. / Werke: Hudibras (Burleskes Heldengedicht (1663, 1664 u. 1678).-" HUDIBRAS".-(Illustration zu Teil 2, 3.Gesang, II). Kupferstich, von Thomas Cook (um 1744-1818) nach William Hogarth (1697-1764), London (Longman, Hurst, Rees, Orme), 1.3.1808, Tafel VIII.

alb5274474 Scholars at a Lecture, still image, Prints, 1736, Hogarth, William, 1697-1764.

alb3620412 Vauxhall Gardens. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Robert Pollard (British, Newcastle-upon-Tyne 1755-1838 London); Francis Jukes (British, Hertfordshire 1747-1812 London). Dimensions: Sheet: 21 x 30 in. (53.3 x 76.2 cm). Publisher: Published London by John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Date: June 28, 1785.Like his predecessor William Hogarth, Rowlandson satirized Regency society in all its squalor and splendor. At this evening outdoor concert in the poshest of London's pleasure gardens, he turned the fashionable crowd of spectators into the object of amusement. In the foreground, Georgiana, Duchess of Devonshire, and her sister Lady Duncannon stand arm in arm while, at right, the Prince of Wales whispers to his mistress Mary "Perdita" Robinson. Jukes and Pollard effectively captured in aquatint the delicate tonal gradations and animated line of Rowlandson's lively watercolor. Museum: Metropolitan Museum of Art, New York, USA.

alb3654717 William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA.

akg014617 William Hogarth; English Painters, copper cutters and erasers London 10.11.1697 - ebenda 26.10.1764. - "Hogarth painting the comic muse". (Self-portrait Hogarths at the easel, painting the comic muse). Steel engraving, c. 1850, by J. Moore, after painting, 1758, by Hogarth. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

les40060104 Marriage A-la-Mode: 2. The Tête à Tête 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG114. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb5175835 Theodore Gardelle, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Aquatint and etching in brown ink on paper, An old man in side view towards right. Half-length, he holds in his right hand an opened book. He wears a white nightcap, white shirt and a dark coat. Illustration for Ireland, 'Graphic Illustrations' I, 172., England, 1786, Print, Print.

alb5206761 Garrick in the 'Farmer's Return', Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching and aquatint on paper, Seated figure of a man in frontal view. He (garrick) is dressed as a farmer; in his right hand he holds a long pipe. Illustration for Ireland, 'Graphic Illustrations' I, 171., England, 1794, Print, Print.

alb5205684 Justice Welsh, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Engraving after a pen and ink drawing. A half-length portrait slightly turned toward right. The sitter wears a wig. Inscribed, lower center: Justice Welch. Illustration for Ireland, 'Graphic Illustrations' I, 155., England, 1788, Print, Print.

alb5202270 Sketches From Pen and Ink Drawings, Jane Ireland, British, William Hogarth, English, 1697 - 1764, Etching on paper, Six drawings of half-length figures in three rows. They represent - from upper left: a woman hitting a man; a woman and two men in profile, facing left smiling; a boy, facing left; a sleeping man, in frontal view; a man in frontal view, a woman in side view; a young man, head turned to left., England, 1794, Print, Print.

alb5206425 Self Portrait of William Hogarth, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Youthful half-length portrait of Hogarth. The sitter is in three-quarter view towards right. In his right hand, he holds a palette., England, 1786-1794, figures, Print, Print.

alb5100883 3 Characters, 4 Caricaturas, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5100218 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5100259 The Enraged Musician, Print made by Thomas Cook, 17441818, British, William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1806, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5109530 Humours of an Election Entertainment, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5107653 None, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5105052 Chairing the Member, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5106408 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5104077 Canvassing for Votes, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5099600 The Invasion, Plate II, England, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5098216 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5099232 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5190093 Plate IV, from from 'Characters who Frequented Button's Coffeehouse About the Year 1720', William Hogarth, English, 1697 - 1764, Samuel Ireland, English, ca. 17441800, Aquatint on paper, Interior scene with four men around a table. Two of them are seated in the middle, two are standing: one at left has placed his hat upon table; the other one at right pointing with his finger. Two men with names inscribed above their heads., England, 1786, Print, Print.

alb5188656 John Wilkes Esqr., Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Etching after a pen drawing. A man (Wilkes) seated on a chair turned to left. With his left hand he supports a stick with a cap inscribed 'Liberty'. The original paper with torn corners. Illustration for Ireland, 'Graphic Illustrations' I, 176., England, 1763, Print, Print.

alb5110009 First Design for the Enraged Musician, Print made by Thomas Ryder, 17461810, Irish, after William Hogarth, 16971764, British, Print made by Samuel Ireland, active 1760died 1800, British, 1799, Etching and roulette on medium, slightly textured, cream wove paper.

alb3713536 Evening. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3701176 The Laughing Audience. Dated: 1733. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3730758 The Industrious 'Prentice Lord-Mayor of London. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3744091 John Wilkes Esq. Dated: 1763. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900527 David Garrick as Richard III. Date/Period: Ca. 1745. Painting. Oil on canvas. Height: 1,905 mm (75 in); Width: 2,508 mm (98.74 in). Author: William Hogarth.

alb5095602 Polling at the Hustings, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5098194 First Stage of Cruelty, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5110379 Specimens of Beaver's Military Punishments, 1725, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5103473 First Stage of Cruelty, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5107486 Humours of an Election Entertainment, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5107948 William Hogarth, Print made by Thomas Chambars, ca. 17241789, British, after William Hogarth, 16971764, British, undated, Etching on moderately thick, smooth, beige wove paper, Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm), Plate: 6 7/8 x 5 1/4 inches (17.4 x 13.3 cm), and Image: 6 x 4 3/4 inches (15.3 x 12.1 cm), artist, books, coat, collar, dog (animal), dowel, drapery, fur cap, gaze, man, oval, paint, paint brushes, palette, portrait, posing, shelf, vest.

akg8941327 William Hogarth. Ann Hogarth, ca. 1740. Oil on canvas, 46.7 × 41.6 cm. Inv. No. B2002.2.1. New Haven, Yale Center for British Art.

alb4091847 Scene 6: Her coffin, surrounded by other whores and their acolytes. The Lure of Venus: or, a Harlot's progress. An heroi-comical poem. In six cantos ... Founded upon Mr. Hogarth's six paintings; and illustrated with prints of them. London, 1733. 'Her progress Run, the certain End you see, What Harlots, Empresses and Queens must be.'. Source: 11661.b.27. Plate VI. Author: WILLIAM HOGARTH. John Durant Breval.

alb5185113 Ticket for Milward's Benefit, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Scene in a prison cell with four figures: two women and two men. One man is trying to kiss the hand of one woman whose other hand is held by the second man. The second woman is holding the coat tails of the first man., England, 1794, Print, Print.

alb5177514 The Jacobite's Journal, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Woodcut on paper, With an arched upper part. A donkey led by a monk carries a man and a woman. The man holds a wine glass in his left hand, raises his hat with his right hand and shouts 'Huzza'; the woman holds a sword and a pack of cards marked 'Harrington'. In background, silhouette of London. Illustration for Ireland, 'Graphic Illustrations' I, 149., England, 1794, Print, Print.

alb4463114 Bowl, with a depiction or 'A Midnight Modern Conversation' by William Hogarth (1697-1764) Bowl, multi-colored painted with a performance after 'A Midnight Modern Conversation' by William Hogarth, hemispherical bowl on a stand ring, from painted porcelain. The border is decorated with the Ozier pattern. The inside of the bowl is painted with 'deutsche Blumen', the outside with two representations: one after a print by William Hogarth (A midnight Modern Conversation) and one with a landscape in which a woman serves coffee or tea to a smoking man at a table and a servant who has fallen to the ground with a tray of sweets. Behind the woman a clock on a pedestal. Both scenes are situated in a garden. A gold band with leafwork has been painted along the inside of the edge. The painting is executed in blue, red, two colors green, yellow, two colors purple, brown and black, drinking, tobacco (taking (particular) foodstuffs: eating, smoking, chewing, etc.), carousal, drinking-bolt, orgy, drunkenness, falling, serving-platter, Meissener Porzellan Manufaktur, Meissen, c. 1760, porcelain (material), h 16.0 cm × d 30.0 cm.

alb4065601 Scene 2: Her innocence lost, she becomes the kept mistress of a rich Jew, and cheats on him. The Lure of Venus: or, a Harlot's progress. An heroi-comical poem. In six cantos ... Founded upon Mr. Hogarth's six paintings; and illustrated with prints of them. London, 1733. 'Behold the Prostitute with saucy pride, spurn at her keeper and his gifts deride.'. Source: 11661.b.27. Plate II. Author: WILLIAM HOGARTH. John Durant Breval.

alb4065834 Scene 3: The harlot's lodgings are raided by supporters of the societies for reformation of manners. The Lure of Venus: or, a Harlot's progress. An heroi-comical poem. In six cantos ... Founded upon Mr. Hogarth's six paintings; and illustrated with prints of them. London, 1733. 'The Harlot dwindles to an humbler strain, survey the equipage of Drury-Lane:'. Source: 11661.b.27. Plate III. Author: WILLIAM HOGARTH. John Durant Breval.

akg1999210 Hogarth, William. 1697-1764. "Frauenakt neben einer Pyramide", 1720-1725(?). Schwarze Kreide, weiß gehöht, auf grauem Papier, 43,6 × 28,7 cm. Inv. Nr. 1960,0409.113. London, British Museum. Museum: London, British Museum.

alb5165164 Head of Diana, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching and aquatint on paper, A portrait of a young woman in three-quarter view towards left. Helf-length, her hair is held together by a ribbon upon which is fastened the half-moon in front. Illustration for Ireland, 'Graphic Illustrations' I, 170., England, 1786, Print, Print.