Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

alb3900568 Sign for a paviour. Date/Period: Ca. 1725. Painting. Oil on panel. Height: 559 mm (22 in); Width: 559 mm (22 in). Author: William Hogarth.

alb3736542 The Industrious 'Prentice Alderman of London,the Idle one brought before him & impea ch'd by his Accomplice. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3747219 The Times, pl.1. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3740741 The Industrious 'Prentice a Favorite, and entrusted by his Master. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3659639 The Parson's Head. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 6 1/4 x 5 3/8 in. (15.9 x 13.7 cm)sheet: 11 x 17 3/8 in. (28 x 44.2 cm). Etcher: Richard Livesay (British, 1753-1823 Southsea). Date: October 1788. Museum: Metropolitan Museum of Art, New York, USA.

alb3668726 Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3705763 A Rake's Progress: pl.4. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3704841 Politician. Dated: 1775. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Keyse Sherwin after William Hogarth.

alb3698246 The Bench. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3699758 Noon. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3623812 Masquerades and Operas. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 4 15/16 x 6 7/8 in. (12.5 x 17.5 cm). Date: 1724. Museum: Metropolitan Museum of Art, New York, USA.

alb3646038 Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden. Artist: After William Hogarth (British, London 1697-1764 London); Charles Grignion, I (British, London baptised 1721-1810 London). Dimensions: sheet: 7 1/4 x 9/16 in. (18.4 x 1.5 cm). Date: May 7, 1761. Museum: Metropolitan Museum of Art, New York, USA.

alb3616308 Martin Folkes. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm). Sitter: Martin Folkes (British, 1690-1754). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

alb3619212 Taste in High Life. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet (trimmed to plate line): 15 1/16 x 18 1/8 in. (38.2 x 46 cm). Engraver: Engraved by Samuel Phillips (British, active 1797-1808). Date: May 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

alb15582524 Boy with a nest of young birds, Too Young to Fly (title on object), print, print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height, 151 mm × width, 113 mm.

alb15595525 Boy with two young birds in a cage, Secur'd from flight (title on object), print, print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height, 152 mm × width, 114 mm.

alb15591047 Laughing audience at a theater performance, The laughing audience (title on object), print, print maker: anonymous, after design by: William Hogarth, (mentioned on object), publisher: Robert Sayer, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height, 155 mm × width, 122 mm.

alb15862404 Four drinking men next to a stand with sheet music, Night Amusement (title on object), print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height 152 mm × width 113 mm, print.

alb15883653 The Diligent Disciple Performs His Christian Duty (Plate 2), The Industrious Prentice performing the Duty of a Christian (title on object), Industry and Idleness (original series title), The Diligent Disciple Goodchild attends church service at St. Martin-in- the-Fields, together with his master's daughter. Below the scene is a cartouche with a text from Psalms. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1797, paper, etching, engraving, height 302 mm × width 367 mm, print.

alb15881048 The diligent student gives money to musicians (plate 6), The Industrious Prentice out of his Time and Married to his Master's Daughter (title on object), Industry and Idleness (original series title), The diligent student Goodchild is no longer a student but a partner joined his former boss's business and is married to his daughter. He hands out money and food to a group of musicians and beggars. In the background the Monument to the Great Fire of London, the monument for the fire of 1666. Below the scene is a cartouche with a text from Proverbs. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1796, paper, etching, engraving, height 289 mm × width 368 mm, print.

alb15849949 Sleeping parish, The Sleepy Congregation (title on object), Text in English in the bottom margin., print maker: Richard Purcell, after design by: William Hogarth, publisher: Robert Sayer, London, 1745 - 1794, paper, etching, height 354 mm × width 253 mm, print.

alb15527782 Hogarth, William, Before and after, Voor en na, Before, Man pulling a struggling woman towards him in a bedroom, verso - stamped, The contents in the drawer of the falling bedside table and the dog at the woman's feet suggest a wavering chastity and morality. In the painting next to the canopy, Cupid fires a rocket to illustrate what is to come. The woman appears to be pushing the man away but has already removed her corset, which lies on the chair at the foot of the bed., print, prints, height 424 mm, width 327 mm, English, 1697-11-10 - 1764-10-25, print maker, printmaker, 1736-12-15 - 1736-12-15, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Work conception, after design by, Publication (Event), Publication, publisher.

alb4142461 An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

akg5091742 Hogarth, William 1697-1764. Cassandra, Frontispiece, Vol. 4, Print, 1725. Etching and engraving, 13.4 × 7.3 cm. Inv. Nr. 32.35 (181). New York, Metropolitan Museum of Art.

akg5092004 Hogarth, William 1697-1764. Henry Fielding, Print, ca. 1830-1840. Etching, 12.7 × 10.3 cm. Inv. Nr. 17.3.756-1674. New York, Metropolitan Museum of Art.

akg045239 Hogarth, William. 1697-1764. "Southwark Fair", 1733. Painting.

alb3698288 A Harlot's Progress: pl.1. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

akg045256 Hogarth, William. 1697-1764. "The Arrest" (Mary is arrested in Drury Lane, the 'red-light' district). Page 3 in series: "A Harlot's Progress". 1732. Copper engraving and etching, coloured. 30 × 37.5cm.

alb3738906 Gin Lane. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: William Hogarth (1697-1764). Location: NATIONAL GALLERY. LONDON. ENGLAND.

orz011799 English school. George Graham in his cabin. George Graham en su camarote. Greenwich, National Maritime Museum. England. Author: William Hogarth (1697-1764). Location: NATIONAL MARITIME MUSEUM. GREENWICH. ENGLAND.

alb3724135 Morning. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900522 Before. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 15.2 in (38.7 cm); Width: 13.2 in (33.6 cm). Author: William Hogarth.

akg1043705 University / Lecture.-"Scholars at a Lecture" (Caricature of a lecture in law at the Jesus College in Oxford; the headwear indicates the social position of the students: angular hats for scholarship students, round ones for those paying themselves.-Copper engr., 1736, by William Hogarth.

akg1062129 Universität / Vorlesung.-"Scholars at a Lecture" (Studenten bei der Vorlesung: Karikatur einer rechtswissenschaftlichen Vorlesung am Jesus College in Oxford; die Kopfbedeckungen verraten die soziale Stellung der Studenten: eckige Mützen f. Stipendiaten, runde f. Selbstzahler.-Spät. Kolorierung. Kupferstich, 1736, v. W. Hogarth.

les39170210 Marriage A-la-Mode: 5. The Bagnio 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. Oil on canvas; 70,5 x 90,8 cm about 1743 NG117. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les40060105 Mariage a la mode, a series of six satyrical paintings, also issued in very popular prints, describes the boredom and sad end of a fashionable marriage-The settlement,1742-44. Canvas,90,8 x 69,9 cm NG 113. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les40060428 The rake's progress-the marriage. Canvas. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

alb9169829 Series "Industry and Idleness", Plate 8: The Industrious 'Prentice grown rich, and Sheriff of London. Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

alb4091991 Beer Street. Hogarth Moralized. Being a complete edition of Hog. S. Hooper; Mrs. Hogarth: London, 1768. People drinking outside a public house in London. Image taken from Hogarth Moralized. Being a complete edition of Hogarth's works containing near fourscore copper-plates with an explanation and a comment on their moral tendency [by John Trusler], etc. Originally published/produced in S. Hooper; Mrs. Hogarth: London, 1768. Source: G.2585, 146. Language: English. Author: WILLIAM HOGARTH. DENT.

ibxsuc10432653 Sir Joshua Reynolds (born 16 July 1723 in Plympton near Plymouth, died 23 February 1792 in London) was, alongside William Hogarth and Thomas Gainsborough, the most famous and, through his artistic and art-theoretical work, the most influential English painter of the 18th century, Historic, digitally restored reproduction from a 19th century original, Record date not stated

alb3669207 Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 10 x 13 1/16 in. (25.4 x 33.2 cm) (trimmed within platemark). Publisher: Philip Overton (British, active from 1707, died 1744); John Cooper (London). Date: February 1725-26. Museum: Metropolitan Museum of Art, New York, USA.

akg086368 Hogarth, William; English painter, engraver and etcher. London 10.11.1697 - 25.10.1764. "Self-portrait" (The painter and his dog), 1745. Oil on canvas, 90 × 70cm. London, Tate Britain. Museum: London, Tate Britain.

akg1557083 Hogarth, William. English painter, 1697-1764. "Marriage A-la-Mode: 6, The Lady's Death", c.1743. Oil on canvas, 69.9 × 90.8 cm. Inv. No. NG118. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

alb3643175 Benefit Ticket for Joe Miller. Artist: Formerly attributed to William Hogarth (British, London 1697-1764 London); Formerly attributed to Joseph Sympson, Jr. (British, active 1727-36). Dimensions: sheet: 6 1/8 x 9 in. (15.5 x 22.9 cm). Etcher: Samuel Ireland (British, active from ca. 1760, died London 1800). Subject: Joseph Miller (British, 1684-1738); Relates to Sir William Congreve (British, 1772-1828). Date: 1794-99. Museum: Metropolitan Museum of Art, New York, USA.

les39170209 Marriage A-la-Mode: 4. The Toilette 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 70,5 x 90,8 cm NG116. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les39170202 The Orgy aka The Rake at the Rose-Tavern (A Rake's Progress) 1735 The Tavern Scene shows the Rake amusing himself in a notorious brothel, the Rose Tavern in Covent Garden, after an evening of drinking and hooliganism. Next to the Rake on the floor are the lantern and staff he has captured of a watchman earlier in the night (another sign that he has been in a fight is that his sword is unsheathed). The picture is full of sordid details: on the far left the contents of a chamberpot are spilled over a dish of roast chicken, one of the prostitutes at the table spits at another one (who is holding a knife), a stripper in the foreground is undressing herself for an obscene show which she will perform on a silver plate (which her pimp is holding together with a candle that she will extinguish in her vagina after the dance)and a street singer by the door on the left is singing 'The Black Joke', a notoriously obscene song. The prostitutes, who are stealing the Rake's watch, have pockmarks on their face (a sign that they have caught syphilis), while the pills on the floor next to the Rake suggest that he has caught the disease too. Oil on canvas; 62,5 x 75 cm. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

alb9877827 Columbus and the egg. Christopher Columbus stands an egg on the table in a wager with several noble Spaniards. Woodblock engraving after William Hogarth from The Penny Magazine, of the Society for the Diffusion of Useful Knowledge, printed by William Clowes, Lambeth, 1833.

akg5862588 Group pictures. - "ANGLETERRE / XVIIe et XVIIe siècle, Scènes d'intérieur, Puritains et bourgeois" (England, 17th and 18th centuries: Scenes from domestic life, Puritans and citizens). - (Above: "The Committie", illustration to William Butler's Hudibras after the engraving by William Hogarth, 1697-1764. Below: family portrait of a merchant after a copper engraving from 1766 by Miller). Lithograph by Carred. Print: Firmin-Didot et Cie., Paris. From: A. Racinet (Auguste Racinet, 1825-1893), Le Costume Historique, Cinq cents planches (...), Types principaux du vêtement et de la parure rapprochés de ceux de l 'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc., Paris (Librairie Firmin-Didot et Cie.) 1888, Volume V, Plate 379. Private collection.

akg1642492 Butler, Samuel; engl. Satiriker; 1612-1680. / Werke: Hudibras (Burleskes Heldengedicht (1663, 1664 u. 1678).-" HUDIBRAS".-(Illustration zu Teil 2, 3.Gesang, II). Kupferstich, von Thomas Cook (um 1744-1818) nach William Hogarth (1697-1764), London (Longman, Hurst, Rees, Orme), 1.3.1808, Tafel VIII.

alb3620412 Vauxhall Gardens. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Robert Pollard (British, Newcastle-upon-Tyne 1755-1838 London); Francis Jukes (British, Hertfordshire 1747-1812 London). Dimensions: Sheet: 21 x 30 in. (53.3 x 76.2 cm). Publisher: Published London by John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Date: June 28, 1785.Like his predecessor William Hogarth, Rowlandson satirized Regency society in all its squalor and splendor. At this evening outdoor concert in the poshest of London's pleasure gardens, he turned the fashionable crowd of spectators into the object of amusement. In the foreground, Georgiana, Duchess of Devonshire, and her sister Lady Duncannon stand arm in arm while, at right, the Prince of Wales whispers to his mistress Mary "Perdita" Robinson. Jukes and Pollard effectively captured in aquatint the delicate tonal gradations and animated line of Rowlandson's lively watercolor. Museum: Metropolitan Museum of Art, New York, USA.

alb5178548 False Perspective Exemplified, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A river landscape with a bridge and an arch. The bridge and tower drawn in wrong perspective. At right foreground, a tree, hills in background., England, 1754, Print, Print.

alb5175835 Theodore Gardelle, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Aquatint and etching in brown ink on paper, An old man in side view towards right. Half-length, he holds in his right hand an opened book. He wears a white nightcap, white shirt and a dark coat. Illustration for Ireland, 'Graphic Illustrations' I, 172., England, 1786, Print, Print.

alb5088120 Ann Hogarth, William Hogarth, 16971764, British, ca. 1740, Oil on canvas, Support (PTG): 18 3/8 x 16 3/8 inches (46.7 x 41.6 cm), bonnet, costume, oval, portrait, profile, woman.

alb5209588 Ellis Gamble's Book Plate, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A small coat-of-arms surrounded by a head of Mercury, caryatids, basket of flowers and a head in a cartouche. Below, a banderole with inscription., England, 1786, Print, Print.

alb5206425 Self Portrait of William Hogarth, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Youthful half-length portrait of Hogarth. The sitter is in three-quarter view towards right. In his right hand, he holds a palette., England, 1786-1794, figures, Print, Print.

alb5100883 3 Characters, 4 Caricaturas, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5109530 Humours of an Election Entertainment, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5103491 Analysis of Beauty, Plate I, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5105052 Chairing the Member, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5106408 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5098216 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5099232 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5190093 Plate IV, from from 'Characters who Frequented Button's Coffeehouse About the Year 1720', William Hogarth, English, 1697 - 1764, Samuel Ireland, English, ca. 17441800, Aquatint on paper, Interior scene with four men around a table. Two of them are seated in the middle, two are standing: one at left has placed his hat upon table; the other one at right pointing with his finger. Two men with names inscribed above their heads., England, 1786, Print, Print.

alb5188656 John Wilkes Esqr., Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Etching after a pen drawing. A man (Wilkes) seated on a chair turned to left. With his left hand he supports a stick with a cap inscribed 'Liberty'. The original paper with torn corners. Illustration for Ireland, 'Graphic Illustrations' I, 176., England, 1763, Print, Print.

alb5110009 First Design for the Enraged Musician, Print made by Thomas Ryder, 17461810, Irish, after William Hogarth, 16971764, British, Print made by Samuel Ireland, active 1760died 1800, British, 1799, Etching and roulette on medium, slightly textured, cream wove paper.

alb5098194 First Stage of Cruelty, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5106470 A Midnight Modern Conversation, Print made by Elisha Kirkall, ca. 16821742, British, after William Hogarth, 16971764, British, Published by Robert Wilkinson, 17581825, British, ca. 1733, printed after 1779, Mezzotint on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 17 3/4 inches (37.1 × 45.1 cm) and Image: 13 1/4 × 17 5/8 inches (33.7 × 44.8 cm), bottles, candlesticks, clock, conversation piece, drinking, food, furniture, genre subject, lemons, midnight, wine.

akg8553919 Edwards, Mary; Engl. heiress and art patron; said to be the richest woman in England of her time; London 1704 - London 23.8.1743. "Miss Mary Edwards". Painting, 1742, by William Hogarth (1697-1764). Oil on canvas, 126.4 x 101.3 cm. Acc.No.: 1914.1.75. Henry Clay Frick Bequest. New York, Frick Collection.

akg8941327 William Hogarth. Ann Hogarth, ca. 1740. Oil on canvas, 46.7 × 41.6 cm. Inv. No. B2002.2.1. New Haven, Yale Center for British Art.

alb5177514 The Jacobite's Journal, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Woodcut on paper, With an arched upper part. A donkey led by a monk carries a man and a woman. The man holds a wine glass in his left hand, raises his hat with his right hand and shouts 'Huzza'; the woman holds a sword and a pack of cards marked 'Harrington'. In background, silhouette of London. Illustration for Ireland, 'Graphic Illustrations' I, 149., England, 1794, Print, Print.

alb4065601 Scene 2: Her innocence lost, she becomes the kept mistress of a rich Jew, and cheats on him. The Lure of Venus: or, a Harlot's progress. An heroi-comical poem. In six cantos ... Founded upon Mr. Hogarth's six paintings; and illustrated with prints of them. London, 1733. 'Behold the Prostitute with saucy pride, spurn at her keeper and his gifts deride.'. Source: 11661.b.27. Plate II. Author: WILLIAM HOGARTH. John Durant Breval.

akg586207 Hogarth, William. 1697-1764. "Turkish Bath", 1723/24. Copper engraving, 34 × 39.4 cm. Fr.: Aubry de la Motraye, "Travels through Europe, Asia and Part of Africa (...) ". Inv. no. Bi 1259/c. Vienna, Gesellschaft der Musikfreunde. Museum: Vienna, Gesellschaft Der Musikfreunde.

alb2607717 Ann Hogarth Anne Hogarth, William Hogarth, 1697-1764, British.

akg045251 Hogarth, William. 1697-1764. "Arrival in London" (Mary Approached by Procurer). Page 1 from series: "A Harlot's Progress". 1732. Engraving, 1794/99, by Ernst Ludwig Riepenhausen (1765-1840) after Hogarth. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg334816 Hogarth, William, Attributed to 1697-1764. "The Beautiful Drummeress". Oil on canvas, 29.5 × 24.5cm. No date. London, Sotheby's. Lot 115, 13/4/94.

alb5084711 Plate II, Halberd Men, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching on medium, slightly textured, cream wove paper.

alb5084743 Cruelty in Perfection, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5086147 Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter, Print made by William Henry Worthington, ca. 1790active 1839, British, after William Hogarth, 16971764, British, Published by Jones & Co., active 18221850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5084318 Columbus Breaking the Egg, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5091382 A Chorus of Singers, Rehearsal of the Oratorio of Judith, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching on medium, slightly textured, cream wove paper.

alb5091858 Chairing the Members, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5092367 3 Characters, 4 Caricaturas, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5079973 Ticket of the London Hospital, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper.

alb3646904 Marriage A-la-Mode, Plate III. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 1/4 x 16 in. (38.7 x 40.7 cm). Engraver: Bernard Baron (French, Paris 1696-1762 London). Date: April 1, 1745. Museum: Metropolitan Museum of Art, New York, USA.

alb9494219 Since the son of a bald but noble gentleman is coupled (...) Le mariage à la Mode (series title), draughtsman: Cornelis Ploos van Amstel, William Hogarth, 1748, paper, brush, h 330 mm × w 435 mm.

akg178628 Hogarth, William ; 1697-1764. "The Four Times of Day: Night" (Les quatre moments de la journée : la nuit), v. 1736. Huile sur toile, H. 0,74 ; L. 0,61. Upton House, Warwickshire (The National Trust).

alb9451788 Man reads newspaper with a candle, The politician (title on object), A man sits behind a table with a newspaper in his right hand and a candle in his left. He is reading so intently that he does not realize the flame is burning a hole in his hat. On the table is the empty candlestick., print maker: anonymous, after design by: William Hogarth, (mentioned on object), c. 1775, paper, etching, height 220 mm × width 177 mm.

alb9451007 Portrait of a shrimp seller. Drawing of a face on verso, Shrimp seller Shrimps!, print maker: Francesco Bartolozzi, (mentioned on object), after: William Hogarth, (mentioned on object), publisher: Jane Hogarth & R. Livesay, (mentioned on object), London, 25-Mar-1782, paper, etching, h 265 mm × w 205 mm.

alb9396321 The Sleeping Congregation, 1728, William Hogarth, British, 16971764, 21 3/4 x 18 1/4 in. (55.25 x 46.36 cm) (canvas), Oil on canvas, England, 18th century, This rough oil sketch is Hogarths earliest dated painting. As a social satirist, Hogarth favored familiar, everyday subjects presented with a wry, comic twist. Here, the ministers dull sermon has put the entire congregation to sleep before he is halfway through (note the hourglass by the pulpit).

alb9401604 William Hogarth, 1697, 1764, Before and after II, 1736, 36.9 × 30.8 cm, etching.

alb3660805 Concert Ticket - Mary's Chappel, Five at Night. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 5 7/8 x 6 11/16 in. (15 x 17 cm). Etcher: Jane Ireland (British, active 1790s). Publisher: Samuel Ireland (British, active from ca. 1760, died London 1800). Date: May 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb9365823 Before from 'Before and After', William Hogarth, British, 1697-1764, Engraving on laid paper, 1736, 16 7/8 x 12 15/16 in., 42.8 x 32.9 cm.