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902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.
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917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.
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917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.
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917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.
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917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.
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917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.
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917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.
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alb4138074 Hudibras' First Adventure, plate three from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 246 × 334 mm (image); 273 × 345 mm (plate); 276 × 348 mm (primary support); 360 × 459 mm (secondary support). Etching and engraving in black on cream paper edge mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.
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alb3671303 Hudibras Wooing the Widow (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 13). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 4 11/16 x 2 5/8 in. (11.9 x 6.7 cm) (trimmed). Date: 1721-26. Museum: Metropolitan Museum of Art, New York, USA.
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alb3738906 Gin Lane. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb18732194 Samuel Butler's Hudibras vanquished by Trulla. A giant woman Trulla stands over Hubibras with his cutlass, and stops a mob of angry men with cudgels from killing him. Two armed men are about to hang Ralpho from a tree with a noose. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18736932 Frontispiece to Butler's Hudibras. Oval portrait of the author Samuel Butler, allegorical figure of Britannia with lance, shield and mirror, cherub with chisel and mallet, satyr with open book. The bas-relief shows Hudibras and Ralpho pulling a carriage with the Genius of Butler dragging the clownish figures of Rebellion, Hypocrisy and Ignorance. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18733284 Hudibras beats Sidrophel and his man Whacum. Hudibras draws his cutlass on the apothecary while Ralpho goes to fetch a law officer. The apothecary's room is decorated with crocodile, frog, bat, snake, turtle, human skeleton, globes and arcane horoscope charts. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18734282 Samuel Butler's Hudibras sallies forth. Hudibras and his squire Ralpho set off on horseback on their adventure. A vagabond bumps a table and knocks over a fruit-seller's baskets. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18740328 Samuel Butler's Hudibras and the Lawyer. Lawyer in wig and robes seated in a pew beside a bookshelf laden with leather-bound volumes. Two law clerks writing legal documents in quill pen and ink. Statue of justice on the wall. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18728178 Samuel Butler's Hudibras catechiz'd. Hudibras is set upon and beaten by a group of masked men with cudgels when he visits the Widow. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18718527 Samuel Butler's Hudibras in Tribulation. Hudibras languishes in the stocks with his squire Ralpho. The Widow in mourning dress comes to visit him in his shame. The knight's sword, flintlock pistol and boot hang from the stocks, while a yokel hoists his hat on a stick. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18725240 The Committee. A man enters a meeting room where a group of Puritan men are drafting The League & Convenant. Parody of the English Civil War. From Samuel Butler's Hudibras. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18720856 Samuel Butler's Hudibras meets the Skimmington Riders. Hudibras and Ralpho mistake the traditional charivari parade for a Devil's Procession. The rowdy crowd throw eggs and flambeaux at them during his Puritanical speech. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb18720614 Hudibras's first adventure. Hudbras aims a flintlock pistol at a mob of angry bear-baiters. One man drags a bear on a chain, a one-legged fiddler Crowdero plays a violin, and the crowd wave cudgels. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.
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alb3747425 The Distressed Poet. Dated: 1736/1737. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3900568 Sign for a paviour. Date/Period: Ca. 1725. Painting. Oil on panel. Height: 559 mm (22 in); Width: 559 mm (22 in). Author: William Hogarth.
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alb3680966 The Company of Undertakers. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 10 5/16 x 7 1/16 in. (26.2 x 18 cm). Date: after 1736. Museum: Metropolitan Museum of Art, New York, USA.
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alb3679330 The Innkeeper's Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustration of Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: Sheet: 9 15/16 x 7 3/16 in. (25.2 x 18.3 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.
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alb3732780 The Lottery. Dated: 1721. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3736542 The Industrious 'Prentice Alderman of London,the Idle one brought before him & impea ch'd by his Accomplice. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3742586 The Idle 'Prentice return'd from Sea & in a Garret with a common Prostitute. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3743154 A Rake's Progress: pl.3. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3745818 Credulity, Superstition, and Fanaticism. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3747219 The Times, pl.1. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3740741 The Industrious 'Prentice a Favorite, and entrusted by his Master. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3714466 Moses Brought to Pharaoh's Daughter. Dated: 1752. Dimensions: plate: 42.6 x 52.7 cm (16 3/4 x 20 3/4 in.) sheet: 45.5 x 61.8 cm (17 15/16 x 24 5/16 in.). Medium: engraving and etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Luke Sullivan.
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alb3713536 Evening. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3659639 The Parson's Head. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 6 1/4 x 5 3/8 in. (15.9 x 13.7 cm)sheet: 11 x 17 3/8 in. (28 x 44.2 cm). Etcher: Richard Livesay (British, 1753-1823 Southsea). Date: October 1788. Museum: Metropolitan Museum of Art, New York, USA.
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alb3657802 The Encounter with Talgol and Magnano (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 3). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 4 7/16 x 4 15/16 in. (11.2 x 12.6 cm) (trimmed). Date: 1721-26. Museum: Metropolitan Museum of Art, New York, USA.
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alb3720929 Canvassing for Votes. Dated: 1757. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Grignion after William Hogarth.
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alb3721480 A Rake's Progress: pl.5. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3720471 Paul before Felix. Dated: 1752. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3727993 A Rake's Progress: pl.1. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3720732 Marriage a la Mode: pl.5. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.
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alb3668726 Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3633438 Dismemberment, etc. (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates John Beaver (British, active 1725-27). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3708696 The Fellow 'Prentices at Their Looms. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3705763 A Rake's Progress: pl.4. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3704841 Politician. Dated: 1775. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Keyse Sherwin after William Hogarth.
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alb3706214 A Harlot's Progress: pl.6. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3705999 The Inside of a Mosque. Dated: published 1723. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3701176 The Laughing Audience. Dated: 1733. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3698153 The Idle 'Prentice turn'd away, and sent to Sea. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3698246 The Bench. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3699758 Noon. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3623812 Masquerades and Operas. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 4 15/16 x 6 7/8 in. (12.5 x 17.5 cm). Date: 1724. Museum: Metropolitan Museum of Art, New York, USA.
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alb3628040 Thomas Morell, S.T.P.- S.S.A. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 8 1/4 x 5 7/8 in. (21 x 14.9 cm). Engraver: James Basire, the elder (British, London 1730-1802 London). Sitter: Thomas Morell (British, 1730-1784). Date: February 1762. Museum: Metropolitan Museum of Art, New York, USA.
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alb3641305 Cassandra, Frontispiece, Vol. 2:. Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Gautier de Coste de La Calprenède (French, 1609-1663). Dimensions: sheet: 5 3/8 x 2 15/16 in. (13.6 x 7.5 cm). Date: 1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3646038 Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden. Artist: After William Hogarth (British, London 1697-1764 London); Charles Grignion, I (British, London baptised 1721-1810 London). Dimensions: sheet: 7 1/4 x 9/16 in. (18.4 x 1.5 cm). Date: May 7, 1761. Museum: Metropolitan Museum of Art, New York, USA.
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alb3609578 After. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 15 1/4 x 12 5/8 in. (38.8 x 32 cm). Date: December 15, 1736. Museum: Metropolitan Museum of Art, New York, USA.
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alb3605960 Benefit Ticket for Spiller. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 4 3/16 x 5 11/16 in. (10.7 x 14.5 cm)sheet: 6 3/16 x 9 in. (15.7 x 22.8 cm). Etcher: Samuel Ireland (British, active from ca. 1760, died London 1800). Publisher: Molton and Co. (London). Subject: James Spiller (British, 1692-1729). Date: 1788. Museum: Metropolitan Museum of Art, New York, USA.
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alb3616308 Martin Folkes. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm). Sitter: Martin Folkes (British, 1690-1754). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.
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alb3619212 Taste in High Life. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet (trimmed to plate line): 15 1/16 x 18 1/8 in. (38.2 x 46 cm). Engraver: Engraved by Samuel Phillips (British, active 1797-1808). Date: May 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.
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alb3647492 The Industrious 'Prentice Out of his Time and Married to his Master's Daughter (Industry and Idleness, plate 6). Artist: William Hogarth (British, London 1697-1764 London). Dimensions: plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm)sheet: 10 9/16 x 13 7/8 in. (26.8 x 35.2 cm). Date: September 30, 1747. Museum: Metropolitan Museum of Art, New York, USA.
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alb3724657 The Reward of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3669370 Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 10 3/4 x 19 3/4 in. (27.3 x 50.1 cm). Date: 1725-68. Museum: Metropolitan Museum of Art, New York, USA.
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alb15582524 Boy with a nest of young birds, Too Young to Fly (title on object), print, print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height, 151 mm × width, 113 mm.
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alb15595525 Boy with two young birds in a cage, Secur'd from flight (title on object), print, print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height, 152 mm × width, 114 mm.
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alb15590921 Three singing monks, The singing friars (title on object), print, print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Carington Bowles, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1793, paper, etching, height, 151 mm × width, 113 mm.
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alb15591047 Laughing audience at a theater performance, The laughing audience (title on object), print, print maker: anonymous, after design by: William Hogarth, (mentioned on object), publisher: Robert Sayer, (mentioned on object), print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height, 155 mm × width, 122 mm.
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alb15862404 Four drinking men next to a stand with sheet music, Night Amusement (title on object), print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height 152 mm × width 113 mm, print.
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alb15883653 The Diligent Disciple Performs His Christian Duty (Plate 2), The Industrious Prentice performing the Duty of a Christian (title on object), Industry and Idleness (original series title), The Diligent Disciple Goodchild attends church service at St. Martin-in- the-Fields, together with his master's daughter. Below the scene is a cartouche with a text from Psalms. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1797, paper, etching, engraving, height 302 mm × width 367 mm, print.
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alb15881048 The diligent student gives money to musicians (plate 6), The Industrious Prentice out of his Time and Married to his Master's Daughter (title on object), Industry and Idleness (original series title), The diligent student Goodchild is no longer a student but a partner joined his former boss's business and is married to his daughter. He hands out money and food to a group of musicians and beggars. In the background the Monument to the Great Fire of London, the monument for the fire of 1666. Below the scene is a cartouche with a text from Proverbs. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1796, paper, etching, engraving, height 289 mm × width 368 mm, print.
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alb15881817 Portrait of John Pine, print maker: James McArdell, (attributed to), after painting by: William Hogarth, London, c. 1755 - 1765, paper, height 349 mm × width 249 mm, print.
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alb15853273 The diligent apprentice has become rich and appointed Sheriff of London (plate 8), The Industrious 'Prentice grown rich, & Sheriff of London (title on object), Industry and Idleness (original series title), The diligent apprentice Goodchild and his wife are presiding over a large banquet in the Fishmongers' Hall. Below the scene is a cartouche with a text from Proverbs. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1796, paper, etching, engraving, height 289 mm × width 368 mm, print.
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alb15854256 The diligent apprentice a favorite and confidante of his boss (plate 4), The Indoustrious 'Prentice a Favorite, and entrusted by his Master (title on object), Industry and Idleness (original series title), The diligent apprentice Goodchild wins the trust and the friendship of his boss. In the background the looms in the factory. Below the scene is a cartouche with a text from Matthew. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Dec-1795, paper, etching, engraving, height 291 mm × width 371 mm, print.
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alb15849949 Sleeping parish, The Sleepy Congregation (title on object), Text in English in the bottom margin., print maker: Richard Purcell, after design by: William Hogarth, publisher: Robert Sayer, London, 1745 - 1794, paper, etching, height 354 mm × width 253 mm, print.
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alb15527782 Hogarth, William, Before and after, Voor en na, Before, Man pulling a struggling woman towards him in a bedroom, verso - stamped, The contents in the drawer of the falling bedside table and the dog at the woman's feet suggest a wavering chastity and morality. In the painting next to the canopy, Cupid fires a rocket to illustrate what is to come. The woman appears to be pushing the man away but has already removed her corset, which lies on the chair at the foot of the bed., print, prints, height 424 mm, width 327 mm, English, 1697-11-10 - 1764-10-25, print maker, printmaker, 1736-12-15 - 1736-12-15, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Work conception, after design by, Publication (Event), Publication, publisher.
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alb15522697 Hogarth, William, Groot-Brittannië, Moore, J., Hogarth's Works, Vrouw met emmer melk, Great Britain, verso - stamped, A young woman with a milk pail on her head., print, engraving, prints, engravings, height 300 mm, width 226 mm, print maker, printmaker, 1800 - 1900, paper, papier, lithografie (technique), Work conception, English, 1697-11-10 - 1764-10-25.
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alb4142461 An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.
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alb15421827 From London in a Straight Line. The Political Puff Politician. A Dialogue between Pluto and Proserpine., Date Created: 1762, Hogarth, William, 1697-1764, Etchings, Extent: 1 print, plate mark 26.2 x 20 cm (10 5/16 x 7 7/8 in.), on sheet 31.6 x 21.8 cm (12 7/16 x 8 9/16 in.), Etchings deceive eye, Politician's words unwind, Truth in shadows lies.
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akg1557081 Hogarth, William, 1697 - 1764, English painter. "Marriage A-la-Mode: 4, The Toilette", c.1743. Oil on canvas, 70.5 × 90.8 cm. Inv. No. NG116. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.
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akg5091681 Hogarth, William 1697-1764. The Mystery of Masonry Brought to Light by the Gormagons, Print, 1724. Etching and engraving; third state of three, 24.3 × 34.9 cm. Inv. Nr. 32.35 (114). New York, Metropolitan Museum of Art.
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akg5091690 Hogarth, William 1697-1764. Fodina argentea Sahlensis - A Silver Mine at Sala - II (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 2), Print, ca. 1723-1724. Etchng and engraving, 25 × 16.5 cm. Inv. Nr. 32.35 (227). New York, Metropolitan Museum of Art.
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akg5091742 Hogarth, William 1697-1764. Cassandra, Frontispiece, Vol. 4, Print, 1725. Etching and engraving, 13.4 × 7.3 cm. Inv. Nr. 32.35 (181). New York, Metropolitan Museum of Art.
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akg5092004 Hogarth, William 1697-1764. Henry Fielding, Print, ca. 1830-1840. Etching, 12.7 × 10.3 cm. Inv. Nr. 17.3.756-1674. New York, Metropolitan Museum of Art.
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akg5092474 Hogarth, William 1697-1764. Trade card for James Figg, Print, ca. 1790-1799. Etching, 19.5 × 16.6 cm. Inv. Nr. 91.1.29. New York, Metropolitan Museum of Art.
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akg045239 Hogarth, William. 1697-1764. "Southwark Fair", 1733. Painting.
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alb3698288 A Harlot's Progress: pl.1. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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akg045278 Hogarth, William 1697-1764. "The Dance" (The Wanstead Assembly), c. 1728. No. 6 from series "The Happy Marriage". Oil on canvas, 67.5 × 90cm. London, Camberwell Art Gallery.
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akg045276 Hogarth, William. 1697-1764. "Evening Music Society". Painting. Cambridge, Fitzwilliam Museum. Museum: Cambridge, Fitzwilliam Museum.
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akg045256 Hogarth, William. 1697-1764. "The Arrest" (Mary is arrested in Drury Lane, the 'red-light' district). Page 3 in series: "A Harlot's Progress". 1732. Copper engraving and etching, coloured. 30 × 37.5cm.
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alb3608052 Self-Portrait. Artist: John Vanderbank, the younger (British, London (?) 1694-1739 London). Dimensions: Sheet: 14 9/16 × 13 in. (37 × 33 cm). Date: ca. 1720.The son of the proprietor of the Soho Tapestry Manufactory, Vanderbank attended the academy that Godfrey Kneller (1646-1723) established in Great Queen Street in 1711. In 1720, he partnered with Louis Chéron (1660-1725) to open a new academy in St. Martin's Lane that held life classes with male and female models and was attended by William Hogarth (1697-1764) and Joseph Highmore (1692-1780). That same year Vanderbank began to practice as a portrait painter and drew this self-portrait around that time. As a draftsman and illustrator Vanderbank demonstrates verve and originality that his paintings often lacki and the present sheet reflects appreciation for the Flemish tradition of Rubens and Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.
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alb3700069 Marriage a la Mode: pl.4. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.
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alb3900528 Dr Benjamin Hoadly, MD. Date/Period: Early 1740s. Painting. Oil on canvas. Height: 985 mm (38.77 in); Width: 862 mm (33.93 in). Author: William Hogarth.
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alb3900510 Portrait of a Man. Date/Period: 1741. Painting. Oil on canvas Oil. Height: 762 mm (30 in); Width: 638 mm (25.11 in). Author: WILLIAM HOGARTH.
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alb3731611 Analysis of Beauty: pl.2. Dated: 1753. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: William Hogarth (1697-1764). Location: NATIONAL GALLERY. LONDON. ENGLAND.
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orz004377 LA MARQUESA DE LA VALLETTE. Author: William Hogarth (1697-1764). Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.
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orz011799 English school. George Graham in his cabin. George Graham en su camarote. Greenwich, National Maritime Museum. England. Author: William Hogarth (1697-1764). Location: NATIONAL MARITIME MUSEUM. GREENWICH. ENGLAND.
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alb3900526 David Garrick (1717-79) with his wife Eva-Maria Veigel, "La Violette" or "Violetti" (1725 - 1822). Date/Period: 1757 - 1764. Painting. Oil on canvas. Height: 132.7 cm (52.2 in); Width: 104.2 cm (41 in). Author: William Hogarth.
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alb3724135 Morning. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3900522 Before. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 15.2 in (38.7 cm); Width: 13.2 in (33.6 cm). Author: William Hogarth.
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akg1043705 University / Lecture.-"Scholars at a Lecture" (Caricature of a lecture in law at the Jesus College in Oxford; the headwear indicates the social position of the students: angular hats for scholarship students, round ones for those paying themselves.-Copper engr., 1736, by William Hogarth.
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