Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

alb3697992 Southwark Fair. Dated: 1733/1734. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3727701 A Harlot's Progress: pl.2. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb4142461 An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

alb30871243 William Hogarth/ The Strode Family. 1738. Oil on canvas. 117.5 cm x 112.6 cm. Museum: TATE GALLERY, LONDRES, UK.

alb3714466 Moses Brought to Pharaoh's Daughter. Dated: 1752. Dimensions: plate: 42.6 x 52.7 cm (16 3/4 x 20 3/4 in.) sheet: 45.5 x 61.8 cm (17 15/16 x 24 5/16 in.). Medium: engraving and etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Luke Sullivan.

alb3713013 Columbus Breaking the Egg. Dated: 1752. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3713443 The Polling. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Francois Morellon de La Cave.

alb3714328 The Gate of Calais, or The Roast Beef of Old England. Dated: 1748/1749. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Charles Mosley.

alb3706282 Chairing the Members. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Francois-Antoine Aveline.

alb3677638 The Beggar's Opera. Artist: Anonymous, British, 18th century; Design formerly attributed to William Hogarth (British, London 1697-1764 London). Author: Illustrates John Gay (British, Barnstaple, Devon 1685-1732). Dimensions: sheet: 9 13/16 x 10 13/16 in. (25 x 27.4 cm). Publisher: John Bowles (British, 1701?-1779). Date: 1728. Museum: Metropolitan Museum of Art, New York, USA.

alb3736829 The First Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3730806 A Rake's Progress: pl.7. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3730812 Bishop Hoadly. Dated: 1743. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Bernard Baron after William Hogarth.

alb3730383 The South Sea Scheme. Dated: 1721. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3734722 A Rake's Progress: pl.6. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3697245 Simon Lord Lovat. Dated: 1746. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3743154 A Rake's Progress: pl.3. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3741038 The Second Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3743296 A Rake's Progress: pl.2. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3747425 The Distressed Poet. Dated: 1736/1737. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3745818 Credulity, Superstition, and Fanaticism. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3744568 Vauxhall Gardens. Dated: 1785. Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

alb3613317 Time Smoking a Picture. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 9 11/16 x 7 1/16 in. (24.6 x 18 cm). Date: March 1761. Museum: Metropolitan Museum of Art, New York, USA.

alb3729894 Time Smoking a Picture. Dated: 1761. Dimensions: sheet: 22.5 x 18.1 cm (8 7/8 x 7 1/8 in.). Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3721480 A Rake's Progress: pl.5. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3720471 Paul before Felix. Dated: 1752. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3723568 The Pool of Bethesda. Dated: 1772. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I and Victor Marie Picot after William Hogarth.

alb3727993 A Rake's Progress: pl.1. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3720732 Marriage a la Mode: pl.5. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb31130251 Portrait of John Pine, print, printmaker: attributed to James McArdell, London, after painting by William Hogarth, c. 1755 - 1765, Attributed to, paper, mezzotint, proof print, height 349 mm x width 249 mm, Person, John Pine, historical persons, portrait, self-portrait of graphic artist., A dark monochrome portrait of a person shown from the shoulders up wearing a wide, rounded hat with a decorative band and curly hair peeking from beneath it, a round face with pronounced cheekbones and a neutral expression, heavy-lidded eyes, a broad nose, a mustache and small goatee, a dangling earring in one ear, a high collar and draped dark cloak or robe around the shoulders, and a plain dark background with subtle texture.

alb31018900 The Sleepy Congregation, Sleeping parish, cartoon, print, Text in English in the bottom margin., printmaker: Richard Purcell, after design by William Hogarth, publisher: Robert Sayer, London, 1745 - 1794, paper, mezzotint, etching, height 354 mm x width 253 mm, the Congregation, sleeping, unconsciousness., A sepia-toned interior scene of a church or chapel showing a pulpit with a clergyman in a wig leaning forward, one hand holding a small open book and the other a magnifying glass, a cloth draped over the pulpit and an hourglass mounted nearby; below him a portly man in clerical dress stands behind a lectern with a large open book and a chalice on a shelf behind him, his hands clasped around a pair of opera glasses, while a row of sleeping parishioners occupy pews with bowed heads and closed eyes, some slumped forward and some leaning against each other; a woman in an ornate dress and cap sits to the right with her eyes closed and a folded fan in her hand and a small book resting in her lap; high arched leaded windows with decorative panes fill the background and a pair of carved columns and archways frame the space, with an angelic figure floating near the ceiling and various carved and painted decorative motifs on the walls and balcony.

alb3666750 Paul Before Felix. Artist: Luke Sullivan (Irish, 1705-1771 London). Dimensions: sheet: 16 7/8 x 20 11/16 in. (42.8 x 52.6 cm). Date: February 5, 1752. Museum: Metropolitan Museum of Art, New York, USA. Author: LUKE SULLIVAN.

alb3660481 The Good Samaritan (St. Luke, Chap. 10, verse 30). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Plate: 16 3/4 x 22 5/16 in. (42.5 x 56.7 cm)Small lower plate: 2 5/16 x 22 5/16 in. (5.8 x 56.7 cm)Sheet: 19 7/8 x 23 in. (50.5 x 58.4 cm). Engraver: Simon Francis Ravenet, the elder (French, 1706-1774); Jean Marie Delattre (French, Abbeville 1745-1840 Fulham, London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: February 24,1772. Museum: Metropolitan Museum of Art, New York, USA. Author: after William Hogarth.

alb30965201 Shrimps!, Shrimp seller, print, Portrait of a shrimp seller. Drawing of a face on verso., printmaker: Francesco Bartolozzi, after painting by William Hogarth, publisher: Hogarth & R. Livesay, Jane, London, 1782-03-25, paper, pencil, etching, stipple engraving, etching and stipple engraving, drawing in pencil on verso, height 265 mm x width 205 mm, street-trader., A stippled portrait of a smiling woman shown from the chest up wearing a wide, flat-brimmed hat with a small decoration on top and a light scarf tied under her chin, her hair in loose curls at the sides, dressed in a dark, draped garment with visible folds and textured shading, all rendered in monochrome dotwork against a plain background.

alb30951091 Nightly Bacchanal in London, Midnight Modern Conversation, cartoon, print, A smoking and drinking company of gentlemen around a table in a room. In the center of the table is a bowl of punch. The gentlemen (merchants, lawyers, physicians, and ministers) are in various stages of drunkenness. In the foreground, a man falls to the ground; he is doused with drink. The print has a French caption. The caption describes the print. The caption is written in rhyme and mocks the British love of drink and tobacco., printmaker: Ernst Ludwig Creite, The Hague, after print by William Hogarth, London, writer (clerical worker): anonymous, 1739 - 1765, William Hogarth, after print by, writer (clerical worker), paper, etching, engraving, letterpress printing, etching and engraving, text in letterpress, width 492 mm x height 338 mm, )., A crowded interior scene showing a group of men gathered around a long table laden with a large punch bowl and drinking vessels, some men seated and others standing or leaning; several men wear ornate period clothing with wigs, coats, and frilled collars, and a few hold pipes or cups while one man raises a glass; some men appear slumped or reclining in chairs and on the floor near the table, with scattered chairs and a fallen figure in the foreground; a tall clock stands against the left wall and a fireplace with hanging utensils is visible on the right, flanked by decorative grapevine borders on both sides of the image.

alb30952724 List of prints published by William Hogarth, print, list, maker: William Hogarth, 1762, paper, letterpress printing, text in letterpress, height 326 mm x width 204 mm., A vertically oriented aged paper sheet with a list-like layout showing multiple lines of printed words on the left and aligned columns of small circular marks and dots on the right, printed in a dark serif type. The paper has a warm beige tone with visible vertical and horizontal fold creases and small scattered brown spots and stains. The left margin shows evenly spaced line entries ending before the crease in the center, while the right side contains narrow columns of tiny round marks aligned with those entries. A slightly darker central vertical fold runs top to bottom, and a horizontal fold crosses the middle. The bottom portion shows a block of denser printed lines and a short line of centered italicized-looking text above a small blank area near the very bottom. The print density and ink tone vary slightly across the sheet, with some letters appearing darker and others lighter, and the edges of the paper are slightly irregular.

orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: William Hogarth (1697-1764). Location: NATIONAL GALLERY DE LONDRES. LONDON. ENGLAND.

alb30946355 Caricature of John Wilkes, John Wilkes Esqr., cartoon, Caricatural portrait of John Wilkes, seated on a chair with the Liberty Cap on a stick. Numbered 56 in the upper right. Portrait produced following the trial of Wilkes in May 1763 for his attack on King George III in an article in a satirical magazine., printmaker: unknown, England, after print by William Hogarth, 1763 - 1773, William Hogarth, after print by, paper, etching, engraving, etching and engraving, height 231 mm x width 183 mm, Person, John Wilkes, Freedom, Liberty, 'Libertà' (Ripa), political caricatures and satires, freedom of the press., A seated man in period clothing with a curled wig and a smiling expression holds a long staff topped by a rounded object; he sits on a carved chair with an upholstered back and rests one arm on the chair while the other hand grips the staff near its base, his coat has decorative buttons and turned-back cuffs, his breeches and stockings are visible and he wears low-heeled shoes with buckles, a small table beside him holds stacked papers and a small open box, and the scene is rendered as a finely detailed line engraving with crosshatching throughout.

alb30938589 Man reading the newspaper with a candle, The politician, print, A man sits behind a table with a newspaper in his right hand and a candle in his left hand. He reads so intently that he does not notice that the flame is burning a hole in his hat. The empty candlestick stands on the table., after design by William Hogarth, c. 1775, printmaker, paper, etching, height 220 mm x width 177 mm, reading, newspaper, news-sheet, candle., A monochrome engraved image shows a seated man in period clothing holding a folded sheet of paper in one hand and a small lit candle in the other, smoke rising from the candle above his head; he wears a hat with a wide brim, a long curly wig, a coat with full sleeves and ruffled cuffs, and buckled shoes, and he sits sideways on a simple wooden chair with one leg crossed over the other beside a wooden table that holds an unlit candlestick and a coiled piece of something on the tabletop.

alb3634835 The March to Finchley (A Representation of the March of the Guards towards Scotland in the Year 1745). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 17 x 21 15/16 in. (43.2 x 55.8 cm). Engraver: Luke Sullivan (Irish, 1705-1771 London). Date: December 31, 1750. Museum: Metropolitan Museum of Art, New York, USA.

alb30890532 Three soldiers, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, the soldier, the soldier's life., A detailed ink drawing shows three men dressed in period clothing. One man stands facing right, wearing a tricorne hat and a textured waistcoat with buttons and a belt, carrying a long musket over his shoulder. Below him and slightly to the left, a younger man looks upward with a surprised expression, his mouth open and eyes wide; he wears a cap with a decorative element, a buttoned waistcoat, and holds a bowl with a spoon and a dripping liquid. Above and to the left, a third man with a large floppy hat leans forward holding a bowl and spoon toward the standing man; his face is rounder and his hair peeks from under the hat. The image is composed of fine crosshatching and line work, with varied textures for clothing, hair, and facial features, and a narrow border around the scene.

alb30890486 Group of soldiers, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, adult man, the soldier, the soldier's life., A vertical ink drawing of several people shown from the chest up, rendered with dense crosshatching and line work; at the top a figure with curly hair and a large loose garment raises one hand toward their head while a long ribbon or cord hangs down the front; below, a cluster of faces and heads in various hats and hairstyles faces inward toward a sheet of paper held by one person, with tricorn and brimmed hats, curled wigs, and wavy hair visible; the expressions are shown through detailed lines around eyes and mouths, and the composition is tightly packed with textured clothing and hair against a plain background.

alb30888750 A monk and three men, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, adult man, monk(s), friar(s)., A vertical ink drawing showing several caricatured heads and hands. At the top left, a man in a soft cap and loose shirt leans forward with a long nose and mustache, his face turned toward a large hat or folded cloth in the center. To the right, a round-faced figure with a snug cap and a textured garment raises both hands toward the central object, one hand splayed and the other with fingers curved. The central object appears as a ribbed, rounded form with draped fabric underneath and a slender stick or rod protruding from its side. Below that, a profile of a man wearing a slouching cap and a long tied ponytail faces left, his hands raised as if gesturing. Portions of other heads and garments are visible at the edges, and the image is rendered with fine crosshatching and contour lines on a light background.

alb30889932 Smoking, drinking and eating men, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, drinking, adult man, pipe, tobacco, eating., Two men occupy the upper part of the image, each shown from the shoulders up in a detailed engraved style; the man on the left has a round face, curly hair, a closed eye, and holds a long thin pipe to his mouth while his hand rests on the table near small cylindrical objects, and the man on the right has a more angular profile with wavy hair, an open mouth exhaling a puff of smoke, and one hand gripping the handle of a large tankard placed on the table between them; below them, two other men are shown from the chest up, one with long hair and a neutral expression and the other turned slightly away, both rendered with dense crosshatching and textured clothing.

alb30882406 Four magistrates, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, adult man, magistracy, judges., A detailed black and white line drawing shows five men dressed in old-fashioned coats and wigs, their faces rendered with crosshatching and stippling; one man at the top left looks upward with mouth slightly open and a full curly wig, another at the top right faces inward with a tied-back wig and a turned profile, a man at left center wears a short curled wig and leans forward, a man at lower right rests his hand against his chin with a contemplative expression, and a partially visible hand and forearm appear at the bottom reaching toward an object, with elaborate textured shading throughout the clothing and hair.

alb30887923 Men and a skull with glasses, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, ets, height 102 mm x width 58 mm, the soldier, the soldier's life, (human) skull, eyeglasses, spectacles., A detailed monochrome engraving showing three figures and a skull with crossed bones, the top figure wearing a wrapped head covering and smiling with visible teeth, a second figure partially obscured by shading and wearing a similar head covering, a prominent skull with hollow eye sockets held near the center and a bone held between teeth, a bearded figure below wearing a wide-brimmed hat and looking upward, textured crosshatch shading throughout, and areas of lighter background with small marks.

alb30875853 Fat man being carried on a chair, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, the soldier, the soldier's life, fat (human type), carrying a person., A detailed ink drawing shows a reclining figure with a rounded torso and loose drapery, visible profile of a face with a pronounced nose and textured hair, a hand holding a cylindrical object, and layered fabrics and patterned shading around the body; additional partial figures and hands are visible near the lower edge, and dense crosshatching fills the background and contours throughout the image.

alb30858298 Three men and a lion, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, beasts of prey, predatory animals: lion, adult man, the soldier, the soldier's life., A tightly cropped black and white engraving showing a group of three people closely gathered around a central figure wearing a hooded cloak and a neck scarf, with wavy hair visible beneath the hood; two other figures flank the central person, one on each side, their faces turned inward as they look toward the center, and one of them wears a hat with a brim. The three figures hold a folded piece of paper together, their hands meeting over it. Below them is a large, furry creature with a shaggy mane and a rounded snout, its face turned upward. The image is rendered with fine cross-hatching and dense line work, creating textured shading across clothing, faces, and fur.

alb30859316 Carding soldiers, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, adult man, the soldier, the soldier's life, playing cards., A detailed ink illustration showing a group of people engaged in a scene; at the top, two seated figures wearing wide-brimmed hats hold a fan of cards, visible from behind and in profile, with layered clothing and textured hair coverings. Below them, a seated figure with a large hat leans forward, featuring curly hair and an expressive face with wide eyes and an open mouth. To the right, a profile of a powdered hairstyle and formal attire faces the expressive figure, one hand extended toward the foreground where another hand and wrist with ruffled cuff appear. The composition uses fine hatching and crosshatching to render fabric folds, hair texture, and shading, and a rope-like horizontal line runs across the upper section behind the seated card players.

alb30858089 Four soldiers and a lawyer, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after drawing by William Hogarth, 1775 - 1840, paper, etching, ets, height 102 mm x width 58 mm, adult man, magistracy, judges, the soldier, the soldier's life., A detailed engraving showing a group of figures in profile and three-quarter views, each rendered with dense crosshatching; a prominent figure at left wears a textured garment and has curled hair, holding a vertical staff, while another nearby figure wears a wide-brimmed hat tilted forward with curled hair visible beneath; a figure at right grips a long pole and wears a hooded or capped head covering, with a bearded face shown in close-up and a pronounced nose and mouth; below, a person seen from behind has hair arranged in coiled buns, and another lower figure holds up a cloth or paper displaying a small portrait; the composition is monochrome, made of finely hatched lines and dots creating shadows and fabric folds.

alb30840571 Carriage in the courtyard of an inn, print, printmaker: Ernst Ludwig Riepenhausen, after painting by William Hogarth, 1775 - 1840, paper, etching, height 214 mm x width 268 mm, hotel, hostelry, inn, passenger carriage., An engraving showing a crowded street scene with a large wooden cart and a tall covered wagon at center, a group of people gathered around the wagon including a person climbing into it and several others gesturing and looking on, two men sitting on the wagon roof holding long poles, a man leaning on a cane and a small child standing beside him near the cart wheel, an older woman seated on the cart handling boxes, a cluster of musicians leaning from a window on the left playing horns, a woman bathing in a tub at lower left, a balcony filled with onlookers on the right, and various architectural elements such as brick walls, windows, stair steps, and wooden beams filling the background.

alb30836599 Four mutilated men, Eleven sketches and studies of persons, print, printmaker: Ernst Ludwig Riepenhausen, after design by William Hogarth, 1775 - 1840, paper, etching, height 102 mm x width 58 mm, adult man, mutilated person., A vertical ink drawing showing a group of four profile busts and heads arranged from top to bottom; at the top is a head wearing a bonnet with a ribbon and an open mouth, rendered with stippled and hatched shading, beneath it and slightly left is a head in a cap shown in three-quarter profile with heavy crosshatching, to the right is a skull-like face smoking a pipe with curling smoke lines, and at the bottom is a full-profile figure wearing a wide-brimmed hat with a ribbon and curly hair, all figures depicted with detailed linework and varied hatching on a light background.

alb3619212 Taste in High Life. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet (trimmed to plate line): 15 1/16 x 18 1/8 in. (38.2 x 46 cm). Engraver: Engraved by Samuel Phillips (British, active 1797-1808). Date: May 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

alb30811915 Angels in glory, print, album page, Angels or naked figures floating among the clouds., inscription: 'Pisces, One of the Signs in the Zodiac... William Hogarth sculpsit, circa annum 1730 ... Printed for John and Josiah Boydell.', printmaker: William Baillie, after drawing by Correggio, 1777, paper, print drawing, pasting, crayon manner, etching, etching in crayon manner, pasted on album page, height 191 mm x width 210 mm, angels, the (nude) human figure, 'Corpo humano' (Ripa)., A rectangular grayscale etching of many nude cherubic figures clustered together against a textured background, with flowing hair and rounded faces, some figures reaching upward or holding hands, others reclining or leaning into one another, all depicted with soft shading and stippling that creates cloudlike forms around their bodies.

alb3712899 The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically. Dated: 1761. Dimensions: sheet (trimmed to plate mark): 29.6 x 21.9 cm (11 5/8 x 8 5/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3637587 Hogarth's Shop Card. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 3 7/8 x 5 in. (9.9 x 12.7 cm)sheet: 5 1/4 x 6 5/8 in. (13.4 x 16.9 cm). Engraver: Samuel Ireland (British, active from ca. 1760, died London 1800). Date: 1790s. Museum: Metropolitan Museum of Art, New York, USA.

alb3747219 The Times, pl.1. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3654717 William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA.

orz011799 English school. George Graham in his cabin. George Graham en su camarote. Greenwich, National Maritime Museum. England. Author: William Hogarth (1697-1764). Location: NATIONAL MARITIME MUSEUM DE GREENWICH. LONDON. ENGLAND.

alb30347936 Portrait of a Young Woman. Museum: Museum voor Schone Kunsten, Ghent. Author: WILLIAM HOGARTH.

alb3710978 The Cockpit. Dated: 1759. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900571 Study for the Foundlings. Drawing. Black ink with gray wash on medium, smooth, cream laid paper. Height: 111 mm (4.37 in); Width: 213 mm (8.38 in). Author: William Hogarth.

alb3604831 A Stand of Arms, Musical Instruments, etc. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: plate: 7 1/16 x 9 1/8 in. (18 x 23.2 cm)sheet: 7 7/8 x 10 1/8 in. (20 x 25.7 cm). Date: March 1749-50. Museum: Metropolitan Museum of Art, New York, USA.

alb3698246 The Bench. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3621232 Boys Peeping at Nature. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: plate: 6 x 4 15/16 in. (15.2 x 12.5 cm)sheet: 7 x 6 1/4 in. (17.8 x 15.8 cm). Date: 1751. Museum: Metropolitan Museum of Art, New York, USA.

alb15431443 The Charmers of the Age, by William Hogarth (1697-1764), created in 1782. Etching.

alb29171613 The Industrious Pupil a Favorite and Confidant of His Master (plate 4), The Indoustrious 'Prentice a Favorite, and entrusted by his Master, Industry and Idleness (original series title), print, Series number, 4, 12, The industrious pupil Goodchild wins the trust and friendship of his master. In the background, the looms in the factory. Below the image, a cartouche with a text from Matthew. Part of a series of twelve plates depicting the rise and fall of two pupils, Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., printmaker: Thomas Cook, London, after design by William Hogarth, publisher: Thomas Cook, publisher: Robinson, George, George & John, 1795-12-01, Thomas Cook, William Hogarth, Robinson, printmaker, after design by, publisher, paper, etching, engraving, height 291 mm x width 371 mm, weaving-loom, factory-interior, machine shop, employer, employee, An engraving shows an interior scene with two men standing near a doorway, one resting an arm on the other's shoulder while the other holds an open book and a quill; both wear period clothing with coats, waistcoats, breeches, and buckled shoes, and one has a hat. To the left, a man with a round object strapped to his chest stands near stacked rolls or barrels and looks toward the doorway, while a dog lies on the floor nearby. In the background, several seated figures work at spinning wheels arranged in a row beneath a high-beamed ceiling supported by columns. A cat stretches on a small raised platform in the foreground. A small table or shelf beside the standing men holds papers, an inkwell with a quill, and other objects, and a sheet is tacked to the wall above it. Decorative borders frame the scene.

alb29175496 The Industrious Prentice out of his Time and Married to his Master's Daughter, The diligent pupil gives money to musicians (plate 6), Industry and Idleness (original series title), print, Series number, 6, 12, The diligent pupil Goodchild is no longer a pupil but has become a partner in his former boss's business and is married to his daughter. He distributes money and food to a group of musicians and beggars. In the background is the Monument to the Great Fire of London, the monument to the fire of 1666. Below the image is a cartouche with a text from Proverbs. Part of a series of twelve plates depicting the rise and fall of two pupils, Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., printmaker: Thomas Cook, London, after design by William Hogarth, publisher: Robinson, George, George & John, 1796-02-01, paper, etching, engraving, height 289 mm x width 368 mm, giving alms or other charity, eg: handing out food, giving food, brass band, street band - CC - out of doors, Monument to the Great Fire of London, A detailed engraved scene shows a crowded street in front of a building entrance where a woman kneels on the steps holding a hat while a child peeks from behind her; a man stands in the doorway leaning forward as another woman leans out of a window offering a coin to a soldier who bends toward her holding a drum; several drummers and other men with varied hats and coats form a procession along the street, some carrying instruments and one carrying a cello-like instrument; a reclining man in rough clothing lies on the pavement near a small barrel and stool, a paper pinned to his chest, while another figure crouches beside him; architectural details include tall buildings with many windows, a projecting sign above the street, columned facades, and fra.

alb29149919 Night Amusement, Four drinking men next to a stand with sheet music, print, number: '30', inscription: 'poelman', England, after design by William Hogarth (possibly), publisher: Robert Sayer, London, 1734 - 1794, printmaker, paper, mezzotint, etching, height 152 mm x width 113 mm, viola, violoncello, double bass, alcoholic drinks, notation of music, A sepia-toned engraving shows four men dressed in historical clothing gathered closely together, their facial expressions animated; one man wearing a tricorne hat holds a bowl and looks forward with a slight smile, a second man with a tall powdered wig leans in from the left and appears to be speaking while pointing, a third man behind them has rolled hair and a neutral expression, and a fourth, smaller-looking man on the right looks up toward the bowl while clutching a goblet and wearing a coat with decorative buttons; in the lower left a candle on a stand illuminates a music stand with sheet music, and the composition includes detailed folds in garments and textured shading throughout.

alb29101366 The diligent pupil has grown rich and been appointed Sheriff of London (plate 8), The Industrious 'Prentice grown rich, & Sheriff of London, Industry and Idleness (original series title), print, Series number, 8, 12, The diligent pupil Goodchild and his wife are presiding over a grand banquet in the Fishmongers' Hall. Below the image is a cartouche with a text from Proverbs. Part of a series of twelve plates depicting the rise and fall of two pupils, Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., printmaker: Thomas Cook, London, after design by William Hogarth, publisher: Robinson, George, George & John, 1796-02-01, paper, etching, engraving, height 289 mm x width 368 mm, celebration meal, feast, banquet, Gluttony, Intemperance, 'Gula', 'Gola', 'Ingordigia', 'Ingordigia overo Avidità', 'Voracità' (Ripa), personification of one of the Seven Deadly Sins, Fishmongers' Hall, An engraved interior scene shows a large hall with high paneled walls and tall windows, a checkered floor, long benches and tables, and many seated and standing figures in period clothing engaged in eating, serving, and conversation; a group at a foreground table are dining with plates, cups, a pitcher, and pieces of food, while servants carry dishes across the floor; a robed figure with a staff stands near an entrance where a crowd gathers and a person nearby holds up a sheet; framed portraits and decorative moldings hang on the walls, and a balcony with observers is visible above the windows; architectural detailing, patterned borders, and an ornamental cartouche appear along the image edges.

alb29105522 Portrait of John Pine, print, printmaker: James McArdell, London, after painting by William Hogarth, c. 1755 - 1765, paper, mezzotint, proof print, height 326 mm x width 225 mm, Person, John Pine, historical persons, portrait, self-portrait of graphic artist, A sepia-toned portrait of a person shown from the chest up wearing a dark wide-brimmed hat with a patterned band, curly hair visible around the hat, an earring with a drop-shaped pendant in one ear, a fur-collared dark garment, and a neutral facial expression with slightly furrowed brows and a mustache, set against a dark circular vignette background.

alb29104907 Street scene, print, book illustration, A violinist in a window frame holds his ears tightly closed against the noise made by various figures in front of his house, including a singer with a crying baby, children with noisy instruments, a knife sharpener with his whetstone, a postman with his horn, a barking dog and two fighting cats., printmaker: Popko van Groningen, Netherlands, after design by William Hogarth, 1832 - 1888, paper, wood engraving, letterpress printing, wood engraving and text in letterpress, height 160 mm x width 202 mm, A crowded street scene rendered in a detailed monochrome engraving showing a group of people of various ages and appearances gathered in front of a tall brick building with an open window where a man peers out and gestures while holding a violin and bow, and a bird perches on an ornate bracket nearby; several women are present wearing long dresses and bonnets, one standing with a hand raised to her hat and another seated holding fabric, while children and a bearded man play instruments including a drum and a wind pipe; other figures cluster around a table where a seated man leans over papers and writing implements, and another man blows a horn; architectural elements such as chimneys, rooftops, and a tower are visible in the background, and various street objects like a coil of rope, small boxes, and loose sheets lie on the ground.

alb15421827 From London in a Straight Line. The Political Puff Politician. A Dialogue between Pluto and Proserpine., 1762, Hogarth, William, 1697-1764, Etchings, 1 print; plate mark 26.2 x 20 cm (10 5/16 x 7 7/8 in.), on sheet 31.6 x 21.8 cm (12 7/16 x 8 9/16 in.).

alb29101200 The diligent pupil fulfills his Christian duty (plate 2), The Industrious Prentice performing the Duty of a Christian, Industry and Idleness (original series title), print, Series number, 2, 12, The diligent pupil Goodchild attends the church service in St. Martin-in-the-Fields, together with his master's daughter. Below the image is a cartouche with a text from Psalms. Part of a series of twelve plates depicting the rise and fall of two pupils, Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., printmaker: Thomas Cook, London, after design by William Hogarth, publisher: Thomas Cook, publisher: Robinson, George, George & John, 1797-02-01, Thomas Cook, William Hogarth, Robinson, printmaker, after design by, publisher, paper, etching, engraving, height 302 mm x width 367 mm, Protestant service, singing (in church), St Martin-in-the-Fields, An engraved scene of an interior with arched ceilings and rows of seating, showing a central raised area with organ pipes and balcony levels filled with seated figures, a foreground platform with a young man and woman standing together holding an open book, an older seated woman holding a smaller book on the left, additional seated and standing figures around wooden partitions, decorative columns and balustrades, and detailed cross-hatching shading throughout.

akg045250 Hogarth, William. 1697-1764. "Arrival in London" (Mary is approached by the procuress). Plate 1 of the series: "A Harlot's Progress", 1732. Engraving and etching, coloured, 30 × 37.5cm.

akg238208 Hogarth, William. 1697-1764. "The Harlot Beating Hemp in Bridewell.". Plate 4 of the series: "A Harlot's Progress", 1732. Engraving and etching, 30.1 × 37.7cm. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg045255 Hogarth, William. 1697-1764. "The Arrest" (Mary is arrested in Drury Lane in London). Folio 3 of the series: "A Harlot's Progress", copy of an engraving, 1794/99, by Ernst Ludwig Riepenhausen (1765-1840); 17 × 21.4cm. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg5105543 David Garrick. English actor. 1717-1779. "Garrick and Hogarth or The artist puzzled". ("Garrick and Hogarth or the Perplexed Artist"). Turning: Instead of the faces of the portrayed David Garrick and his portrait, there are cutouts in which 30 different faces can appear by turning. With palette of English painter William Hogarth (1697-1764). Color lithograph, England, circa 1830. Mülheim (retired) Ruhr, Nekes Collection. Museum: Liverpool, Walker Art Gallery.

akg151409 Butler, Samuel; Engl. satirist. 1612-1680. Works: Hudibras (burlesque poem (1663, 1664 and 1678). "The bear hunt". Engraving, 1726, by William Hogarth (1697-1764).

akg045251 Hogarth, William. 1697-1764. "Arrival in London" (Mary Approached by Procurer). Page 1 from series: "A Harlot's Progress". 1732. Engraving, 1794/99, by Ernst Ludwig Riepenhausen (1765-1840) after Hogarth. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb3900522 Before. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 15.2 in (38.7 cm); Width: 13.2 in (33.6 cm). Author: William Hogarth.

alb3900523 After. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 38.7 cm (15.2 in); Width: 33.7 cm (13.2 in). Author: William Hogarth.

alb3900562 O the Roast Beef of Old England ('The Gate of Calais'). Date/Period: 1748. Painting. Oil paint on canvas. Width: 945 mm. Height: 788 mm. Author: William Hogarth.

alb3669370 Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 10 3/4 x 19 3/4 in. (27.3 x 50.1 cm). Date: 1725-68. Museum: Metropolitan Museum of Art, New York, USA.

alb3714831 The Idle 'Prentice at Play in the Church Yard, during Divine Service. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3700018 Marriage a la Mode: pl.1. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Louis Gerard Scotin after William Hogarth.

alb3900527 David Garrick as Richard III. Date/Period: Ca. 1745. Painting. Oil on canvas. Height: 1,905 mm (75 in); Width: 2,508 mm (98.74 in). Author: William Hogarth.

alb3720929 Canvassing for Votes. Dated: 1757. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Grignion after William Hogarth.

alb3724657 The Reward of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3737199 Night. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3698153 The Idle 'Prentice turn'd away, and sent to Sea. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3710801 The Idle 'Prentice Executed at Tyburn. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3699495 A Chorus of Singers. Dated: 1732. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.