Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

uigphotos567456 Sir Joshua Reynolds, PRA FRSA, (born 16 July 1723 in Plympton near Plymouth, Devon, died 23 February 1792 in London) was, alongside William Hogarth and Thomas Gainsborough, the most famous and, through his artistic and art-theoretical work, the mostUnspecified//

hiphotos564626 A rake's progress. Plate 3. The tavern scene, 1735//

hiphotos563756 March to Finchley, 1806//

hiphotos560170 The distressed Poet, 1741. Found in the Collection of the Private Collection//

hiphotos560171 The Enraged Musician, 1740. Found in the Collection of the Private Collection//

hiphotos555333 Portrait of Simon Fraser, 11th Lord Lovat (1667-1747) , c1747. Private Collection//

hiphotos548865 Before, 1730-1731. This narrative painting describes the moments before a seduction. A young man in red breeches attempts to pull a young woman onto a bed. Struggling, she tries to push him away, dragging her dressing table down with her. Ironically, an open drawer reveals a book on the rules of courtship. Below, a small dog barks, alarmed by the commotion//

hiphotos548864 After, 1730-1731. In this companion piece to Before [the Seduction], a man stands and hurriedly pulls up his breeches after successfully seducing a young woman. Cap and clothing askew, the dishevelled woman implores his discretion. The overturned table and broken mirror symbolize the woman's shattered life now that she has lost her virginity. The dog sleeping in the foreground refers to post-coital exhaustion//

hiphotos537979 Analysis of Beauty, plate 1, 1753. From "The Analysis Of Beauty. Written with a view of fixing the fluctuating Ideas Of Taste" by William Hogarth. - [Epigraph] - A New Edition. [London, 1772//

hiphotos537977 Analysis of Beauty, plate 2, 1753. From "The Analysis Of Beauty. Written with a view of fixing the fluctuating Ideas Of Taste" by William Hogarth. - [Epigraph] - A New Edition. [London, 1772//

hiphotos537976 The Pool of Bethesda, 1772. Biblical scene from John's Gospel: Jesus healing a paralysed man at a pool of water in Jerusalem//

hiphotos537975 Beer Street, 1 February 1751. "Beer, happy Produce of our Isle, Can sinewy Strength impart, And wearied with Fatigue and Toil Can cheer each manly Heart. Labour and Art upheld by Thee Successfully advance, We quaff Thy balmy Juice with Glee And Water leave to France. Genius of Health, thy grateful Taste Rivals the Cup of Jove, And warms each English generous Breast With Liberty and Love!" This print was published in support of a campaign directed against gin-drinking among London's poor. Consumption of cheap spirits by the poor had soared in the early eighteenth century, with dire social consequences. Beer Street celebrates the virtues of the mildly intoxicating traditional national drink//

hiphotos537965 The Good Samaritan, 1772. Biblical scene in the Gospel of Luke: a Samaritan happens upon a traveller (implicitly understood to be Jewish) who has been stripped of his clothing, beaten, and left half dead by the side of the road. Although Samaritans and Jews were generally antagonistic toward each other, the Samaritan helps the traveller. In the background are a Jewish priest and a Levite who had both previously refused their assistance//

hiphotos528938 Fortune Telling, by Hogarth, (specially painted for Vauxhall Gardens), 18th century, (late 19th century). Illustration for "The History of Kennington&quot//

hiphotos528735 Hogarth's House at Chiswick, 1873. 'William Hogarth the truthful English artist of the last century, painted the common life and manners of his countrymen The painter of "Marriage à la Mode," of "The Rake's Progress," and of "The Two Apprentices," he who did more than a dozen bishops of that day for the cause of true religion and morality, and for the cause of patriotism as much as Lord Chatham, is not yet forgotten William Hogarth, it is well known, was a thorough Londoner, born in St. Bartholomew's parish in 1697, and bred in the City; he usually dwelt, when he had grown prosperous and famous, in Leicester-fields, near Sir Joshua Reynolds, and near Captain Coram, the benevolent founder of the Foundling, whose portrait Hogarth loved to draw, for he loved the noble charity of that tender-hearted English sailor. But Hogarth had bought a small house at Chiswick in 1750, and here he used to spend the summer months; he remained here during a greater part of the year//

uigphotos504041 The Times Plate 1' cartoon engraving by William Hogarth 1762United Kingdom//

uigphotos504042 The Times Plate 2' cartoon engraving by William Hogarth 1790United Kingdom//

uigphotos504043 The Enraged Musician' cartoon engraving by William Hogarth 1741United Kingdom//

uigphotos504044 The Invasion of France Plate 1' cartoon engraving by William Hogarth 1756United Kingdom//

uigphotos504045 Second Stage of Cruelty' cartoon engraving by William Hogarth 1751United Kingdom//

uigphotos474313 Sir Joshua Reynolds, (July 16, 1723 - February 23, 1792) was, along with William Hogarth and Thomas Gainsborough, the most famous and, through his artistic and art-theoretical work, the most influential English painter of the 18th century,Unspecified//

uigphotos473619 The Release of the Galley Slaves, 1726, Historical, digitally restored reproduction from a 19th century originalUnspecified//

uigphotos473587 Characters and caricatures; the idealised heads of St John and St Paul are contrasted with grotesque heads, above them rises a cloud of faces with different expressions, 1743, Historic, digitally restored reproduction from a 19th century originalUnspecified//

uigphotos473582 The First Stage of Cruelty, Children Torturing Animals, by William Hogarth (1697-1764), Historical, digitally restored reproduction from a 19th century originalUnspecified//

uigphotos473583 The Fourth Stage of Cruelty, The Reward of Cruelty, by William Hogarth (1697-1764), The victim lies on the table with his body cut open and the intestines eaten by the dog, Historical, digitally restored reproduction from a 19th century originalUnspecified//

uigphotos473498 Torture, a London scene with young boys inflicting various forms of cruelty on animals. In the centre, a boy plunges an arrow into the anus of a dog. The young gentleman offering his pie to save the dog is said to represent Hogarth's compliment toUnspecified//

uigphotos473033 Story of Prophet Moses, Moses is brought to Pharaoh's daughter, 1752, Ireland, Historic, digitally restored reproduction from an 18th or 19th century originalUnspecified//

uigphotos473025 Moll Hackabout is greeted by the brothel landlady Mother Needham. The scene takes place in the courtyard of the Bell Inn, where a carriage has stopped. Moll, in country dress, carries a pincushion and scissors and stands with her luggage, includingUnspecified//

hiphotos515937 Self-portrait (Hogarth painting the Comic Muse), 1764. Private Collection//

hiphotos515930 Portrait of Martin Folkes (1690-1754) , 1742. Private Collection//

hiphotos472964 Four Prints of an Election: The Polling, Plate III, 1758. Private Collection//

hiphotos472966 Four Prints of an Election: Canvassing for Votes, Plate II, 1758. Private Collection//

hiphotos472965 Four Prints of an Election: An Election Entertainment, Plate I, 1758. Private Collection//

hiphotos472963 Four Prints of an Election: Chairing the Member, Plate IV, 1758. Private Collection//

hiphotos472962 A Harlot's Progress. Plate 2: Moll is now a kept woman, the mistress of a wealthy merchant, 1732. Private Collection//

hiphotos472960 A Harlot's Progress. Plate 3: Moll has gone from kept woman to common prostitute, 1732. Private Collection//

hiphotos472961 A Harlot's Progress. Plate 1: Moll Hackabout arrives in London at the Bell Inn, Cheapside, 1732. Private Collection//

hiphotos472958 A Harlot's Progress. Plate 6: Moll's wake, 1732. Private Collection//

hiphotos472959 A Harlot's Progress. Plate 4: Moll beats hemp in Bridewell Prison, 1732. Private Collection//

hiphotos472956 Series "Industry and Idleness", Plate 3: The Idle 'Prentice at Play in the Church Yard, during Divine Service, 1747. Private Collection//

hiphotos472957 A Harlot's Progress. Plate 5: Moll dying of syphilis, 1732. Private Collection//

hiphotos472955 Series "Industry and Idleness", Plate 5: The Idle 'Prentice turn'd away, and sent to Sea, 1747. Private Collection//

hiphotos472953 Series "Industry and Idleness", Plate 7: The Idle 'Prentice return'd from Sea, and in a Garret with common Prostitute, 1747. Private Collection//

hiphotos472952 Series "Industry and Idleness", Plate 10: The Industrious 'Prentice Alderman of London, the Idle one brought before him , 1747. Private Collection//

hiphotos472954 Series "Industry and Idleness", Plate 6: The Industrious 'Prentice out of his Time, and Married to his Master's Daughter, 1747. Private Collection//

hiphotos472948 Series "Industry and Idleness", Plate 12: The Industrious 'Prentice Lord-Mayor of London, 1747. Private Collection//

hiphotos472950 Series "Industry and Idleness", Plate 11: The Idle 'Prentice Executed at Tyburn, 1747. Private Collection//

hiphotos472951 Series "Industry and Idleness", Plate 8: The Industrious 'Prentice grown rich, and Sheriff of London, 1747. Private Collection//

hiphotos482648 Sigismonda, published June 4, 1795. The weeping princess presses to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet. 'Let the picture rust, Perhaps Time's price enhancing dust, As statues moulder into earth, When I'm no more, may mark its worth; And future connoisseurs may rise, Honest as ours, and full as wise, To puff the piece, and painter too, And make me then what Guido's now//

hiphotos410764 Bedcover, England, 1780s//

hiphotos401483 Noon, From the Series "The Four Times of the Day", 1738. Private Collection//

hiphotos401485 Evening, From the Series "The Four Times of the Day", 1738. Private Collection//

hiphotos401484 Morning, From the Series "The Four Times of the Day", 1738. Private Collection//

hiphotos401481 Night, From the Series "The Four Times of the Day", 1738. Private Collection//

hiphotos401482 First stage of cruelty. Series "The four stages of cruelty", 1751. Private Collection//

hiphotos401480 Second stage of cruelty. Series "The four stages of cruelty", 1751. Private Collection//

hiphotos401479 The reward of cruelty. Series "The four stages of cruelty", 1751. Private Collection//

hiphotos401476 Marriage a la Mode. Plate II: The Tête à Tête, 1745. Private Collection//

hiphotos401477 Marriage a la Mode. Plate I: The Marriage Settlement, 1745. Private Collection//

hiphotos401478 Cruelty in Perfection. Series "The four stages of cruelty", 1751. Private Collection//

hiphotos401475 Marriage a la Mode. Plate IV: The Toilette, 1745. Private Collection//

hiphotos401473 Marriage a la Mode. Plate VI: The Lady's Death, 1745. Private Collection//

hiphotos401474 Marriage a la Mode. Plate III: The Inspection, 1745. Private Collection//

hiphotos401472 Marriage a la Mode. Plate V: The Bagnio, 1745. Private Collection//

hiphotos399771 The Reward of Cruelty, 1750//

hiphotos399769 Cruelty in Perfection, 1750//

hiphotos399342 Evening, plate three from The Four Times of the Day, May 1738//

hiphotos399343 Evening, plate three from The Four Times of Day, May 1738//

hiphotos399341 Plate Two, from Marriage à la Mode, 1745//

hiphotos399335 Plate Three, from Marriage à la Mode, 1746//

hiphotos390735 The Tired Sportsman, n.d//

hiphotos375549 A Rake's Progress, Plate 1: The Young Heir Takes Possession Of The Miser's Effects, ca 1735. Private Collection//

hiphotos375546 A Rake's Progress, Plate 4: Arrested For Debt, ca 1735. Private Collection//

hiphotos375548 A Rake's Progress, Plate 2: Surrounded By Artists And Professors, ca 1735. Private Collection//

hiphotos375547 A Rake's Progress, Plate 3: The Tavern Scene, ca 1735. Private Collection//

hiphotos375543 A Rake's Progress, Plate 7: The Prison Scene, ca 1735. Private Collection//

hiphotos375544 A Rake's Progress, Plate 5: Married To An Old Maid, ca 1735. Private Collection//

hiphotos375545 A Rake's Progress, Plate 6: Scene In A Gaming House, ca 1735. Private Collection//

hiphotos375542 A Rake's Progress, Plate 8: In The Madhouse, ca 1735. Private Collection//

hiphotos371942 Hogarth Cordial Glass, England, 1752//

hiphotos357896 Scene from John Gay's The Beggar's Opera, 1728. The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch//

hiphotos357895 The Distressed Poet, 1733-1735//

hiphotos355928 Mary, Queen of Scots, January 12, 1803//

hiphotos351900 The Beggar's Opera;The Beggar's Opera, III, xi;Scene from the Beggar's Opera, 1729//

hiphotos351901 John and Elizabeth Jeffreys and Their Children;The Jeffreys Family, 1730//

hiphotos351898 William Cavendish, Marquess of Hartington, Later fourth Duke of Devonshire;William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire;William Cavendish, Marquess of Hartington (later 4th Duke of Devonshire), 1741//

hiphotos351899 The Revd. John Lloyd, DD;The Reverend Dr. John Lloyd, Curate of St. Mildred's Church, Bread Street;The Reverend Dr. John Lloyd, Curate of St. Mildred's Church, Broad Street, 1738//

hiphotos351897 John Palmer, Barrister of the Inner Temple;John Palmer, 1749//

hiphotos351896 William Augustus, Duke of Cumberland;H.R.H. William Augustus, Duke of Cumberland, 1732//

hiphotos351811 The Brothers Clarke with Other Gentlemen Taking Wine, between 1730 and 1735. Formerly attributed to William Hogarth//

hiphotos351810 Study for a Group Portrait, between 1729 and 1730. Formerly attributed to William Hogarth//

hiphotos351765 Sign for a paviour, ca. 1725//

hiphotos351766 The Billiard Room, ca. 1725. Formerly circle of William Hogarth//

hiphotos351762 Miss Wood;Miss Wood with her Dog, ca. 1730//

hiphotos351763 Figures in a Tavern or Coffee House;The Coffee House Politicians;Figures in a Coffee-House, ca. 1725 or after 1750. Formerly attributed to William Hogarth//

hiphotos351759 Studies of Heads, ca. 1733//

hiphotos351760 A Midnight Modern Conversation, ca. 1732. after William Hogarth//

hiphotos351761 A Club of Gentlemen, ca. 1730. Formerly attributed to William Hogarth//

hiphotos351756 Self-Portrait, ca. 1735//

hiphotos351757 Portrait of a Family;A Family Party;Family Party, ca. 1735//