Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

3D15TA0 Liverpool, UK, Sunday 26th October 2025; Hitman and jockey Freddie Gingell win the William Hill Old Roan Limited Handicap Steeple Chase (Grade 2) for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News.

3D15T9W Liverpool, UK, Sunday 26th October 2025; Hitman and jockey Freddie Gingell win the William Hill Old Roan Limited Handicap Steeple Chase (Grade 2) for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News.

3D15T9N Liverpool, UK, Sunday 26th October 2025; Hitman and jockey Freddie Gingell win the William Hill Old Roan Limited Handicap Steeple Chase (Grade 2) for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News.

3D15T9K Liverpool, UK, Sunday 26th October 2025; Hitman and jockey Freddie Gingell win the William Hill Old Roan Limited Handicap Steeple Chase (Grade 2) for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News.

3D15T9G Liverpool, UK, Sunday 26th October 2025; Hitman and jockey Freddie Gingell win the William Hill Old Roan Limited Handicap Steeple Chase (Grade 2) for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News.

3D15FBF Liverpool, United Kingdom. Sunday 26th October 2025. Hitman and Freddie Gingell win the William Hill Old Roan Limited Handicap Chase for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News

3D15FBM Liverpool, United Kingdom. Sunday 26th October 2025. Hitman and Freddie Gingell win the William Hill Old Roan Limited Handicap Chase for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News

3D15FB3 Liverpool, United Kingdom. Sunday 26th October 2025. Hitman and Freddie Gingell win the William Hill Old Roan Limited Handicap Chase for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News

3D15FAT Liverpool, United Kingdom. Sunday 26th October 2025. Hitman and Freddie Gingell win the William Hill Old Roan Limited Handicap Chase for trainer Paul Nicholls and owners Mason, Hogarth, Ferguson & Done. Credit JTW Equine Images / Alamy Live News

3D08K2P Bart's 300 year old Great Hall and Hogarth Stair opened to the public for free in October 2025, after several years of careful restoration, one of the City of London's grandest historic interiors.

3D08K2G Bart's 300 year old Great Hall and Hogarth Stair opened to the public for free in October 2025, after several years of careful restoration, one of the City of London's grandest historic interiors.

3D08K2B Bart's 300 year old Great Hall and Hogarth Stair opened to the public for free in October 2025, after several years of careful restoration, one of the City of London's grandest historic interiors.

3D08K2H Bart's 300 year old Great Hall and Hogarth Stair opened to the public for free in October 2025, after several years of careful restoration, one of the City of London's grandest historic interiors.

3D08K2D Bart's 300 year old Great Hall and Hogarth Stair opened to the public for free in October 2025, after several years of careful restoration, one of the City of London's grandest historic interiors.

3D330C9 A 19th century portrait engraving of Edward Cave (1691-1754), printer, editor, publisher of The Gentleman's Magazine in 1731.

3CTBNB7 A member of lighting design practice Sutton Vane Associates takes a photograph of the large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), which decorate the Grand Staircase, during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CTBNB4 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CTBNB5 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CTBNB2 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CTBNB1 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CTBNAN Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CT6G9B EMBARGOED TO 0001 MONDAY OCTOBER 6 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CT6G9A EMBARGOED TO 0001 MONDAY OCTOBER 6 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CT6G97 EMBARGOED TO 0001 MONDAY OCTOBER 6 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CT6G99 EMBARGOED TO 0001 MONDAY OCTOBER 6 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CT6G98 EMBARGOED TO 0001 MONDAY OCTOBER 6 Wendy Porter, a nurse at the hospital, stands in the Grand Staircase, which is decorated with large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CT6G84 EMBARGOED TO 0001 MONDAY OCTOBER 6 A member of lighting design practice Sutton Vane Associates takes a photograph of the large-scale history paintings by William Hogarth, The Good Samaritan (left) and The Pool of Bethesda (1735-1737), which decorate the Grand Staircase, during a preview of the new North Wing of St Bartholomew's Hospital in West Smithfield, central London. The North Wing of Barts Hospital is opening fully to the public on October 6, for the first time since it was built in 1732, following a £9.5m conservation project. Picture date: Thursday October 2, 2025.

3CJX1F1 The crowd confronted by Hubridas, engraving by artist William Hogarth, illustration, 1700s

3CER7XT Ecton Northampton Northamptonshire UK Britain England Benjamin Franklin Pub The Horse shoes relatives lived on these premises historic American

3C5D4KP A RAKE'S PROGRESS - The Brothel scene by William Hogarth, 1735

3C3NB9G Ann Hogarth. William Hogarth. ca. 1740.

3C3NB9F John Palmer, Barrister of the Inner Temple by William Hogarth. 1749.

3BPKFFD London, UK - June 2nd 2025: A sculpture of famous artist William Hogarth, on the exterior of the National Portrait Gallery in London, UK.

3BPKF5N London, UK - June 2nd 2025: A sculpture of famous artist William Hogarth, on the exterior of the National Portrait Gallery in London, UK.

3BPKF2R London, UK - June 2nd 2025: A sculpture of famous artist William Hogarth, on the exterior of the National Portrait Gallery in London, UK.

3BM3XEX The Graham Children by English painter William Hogarth at the National Gallery, London, UK

3BB257R Chairing the Member replaced Sigismunda after only ten days William Hogarth

3BB257M The Lady's Last Stake (c. 1759), Albright-Knox Art Gallery, Buffalo, New York William Hogarth - 1

3BB24YE Sigismunda Mourning over the Heart of Guiscardo, fully titled Sigismunda mourning over the Heart of Guiscardo, her murder'd Husband is an oil painting by British artist William Hogarth - t painting illustrates a scene from the first tale on Day 4 of The Decameron, a medieval collection of short stories (novelle) by Italian author and poet, Giovanni Boccaccio

3B9MPPK The Arrest - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPPJ The Gaming House - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPH The Marriage - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPG The Levée - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPPF The Heir - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPPE The Madhouse - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPD The Prison - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPC A scene from The Beggar's Opera by William Hogarth, c. 1728

3B9MPP8 The Orgy - painting - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPP6 The Madhouse (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPP4 The Prison (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPP2 The Gaming House (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPKN The Marriage (engraving) A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPKK The Arrest (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPKG The Orgy (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPKE The Levée (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPKC The Heir (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3AWTK85 Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper Nicky Hogarth passes the ball during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AWE245 Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper Nicky Hogarth lays injured on the surface during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AWDYW0 Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper Nicky Hogarth collects the ball with Lewis Vaughan of Raith Rovers challenging during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AWDYHW Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper bbNicky Hogarth collects the ball in the air with Brad Spencer of Falkirk on the ground during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AHFA16 William Hogarth (1697-1764), English artist, portrait miniature in enamel on copper by Jean André Rouquet (attributed), 1740-1745

3AAXF8C Hogarth Monument

3AAXF7R Hogarth Monument

3AAXF7C Hogarth Monument

3AGG438 Cockfighting, detail, illustration by English artist William Hogarth, 1700s

2S40T27 aptain Lord George Graham in his Cabin is a 1745 oil-on-canvas painting by the English artist William Hogarth

2S3B8HY The Assembly at Wanstead House is a c. 1728–1732 group portrait painting by the English artist William Hogarth.

2YR2DYF William Hogarth, The Lady's Last Stake, 1759

2YHK0C2 William Hogarth, 1697-1764, By Louis François Roubiliac, Terracotta bust, about 1741, National Portrait Gallery, London, UK

2YHJYPK William Jones, 1675-1749, 1740, By William Hogarth, National Portrait Gallery, London, UK

2YHJYPF Self-portrait, William Hogarth, 1697-1764, 1757-1758, National Portrait Gallery, London, UK

2YEMFH1 Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFGX Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFGW Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFGR Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFG8 Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFH2 Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFC5 The Graham Children, 1742, William Hogarth (1697-1764), The National Gallery, London, UK

2Y7GBJ2 William Hogarth (1697-1764), Self Portrait painting of the English artist in oil on canvas, circa 1757

2Y67DC8 Self-portrait of W. Hogarth in a Montero cap, with his dog Trump. Stipple engraving by B. Smith after W. Hogarth. William Hogarth FRSA was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. Hogarth, William, 1697-1764. Date: 1 June 1795

2Y4H196 Photo of a 1 Qatari riyal postage stamp from Umm al-Qiwain English artist William Hogarth Self portraits of famous painter series issued 1967

2Y40H2B In a somber procession, spectators crowd around as Tom Idle's coffin is driven towards the gallows at Tyburn, reflecting public interest and morbid curiosity on September 30, 1747.

2Y33MKA Recruitment of soldiers at a village inn with music and merriment, December 1st, 1799. Engraving by T. Cook after W. Hogarth. Hogarth, William, 1697-1764.

2Y33MK3 Courtroom drama unfolds with a judge, a pregnant woman, a distressed man, and an agitated wife, captured in an engraving by Hogarth. Hogarth, William, 1697-1764.

2XW2EEK Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW2ECP Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW2EH3 Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW2EC9 Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW161A Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?-1680), satirising the Cromwellians and Presbyterian Church. Plate I: 'Frontispiece' which includes a portrait of Samuel Butler.

2XW1612 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate X: 'Hudibras Encounters the Skimmington'.

2XW160M Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate XI: 'The Burning of the Rumps at Temple Bar'.

2XW15YX Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate X: 'Hudibras Leading Crowdero in Triumph'.

2XW15YH Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate IX; 'The Committee'.

2XW15YD Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate VIII: 'Hudibras Beats Sidrophel, and his Man Whacum'.

2XW15Y8 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate VII: 'Hudibras and the Lawyer'.

2XW15Y1 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate V: 'The Knight Submits to Trulla'.

2XW15Y5 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate VI: 'Hudibras and Ralpho in the Stocks'.

2XW15XW Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate IV: 'The Masquerade Adventure'.

2XW15XJ Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate III: 'Hudibras's First Adventure'

2XW15XD Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate II: 'The Manner How he Sallies Forth'.