Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

3BM3XEX The Graham Children by English painter William Hogarth at the National Gallery, London, UK

3BB257R Chairing the Member replaced Sigismunda after only ten days William Hogarth

3BB257M The Lady's Last Stake (c. 1759), Albright-Knox Art Gallery, Buffalo, New York William Hogarth - 1

3BB24YE Sigismunda Mourning over the Heart of Guiscardo, fully titled Sigismunda mourning over the Heart of Guiscardo, her murder'd Husband is an oil painting by British artist William Hogarth - t painting illustrates a scene from the first tale on Day 4 of The Decameron, a medieval collection of short stories (novelle) by Italian author and poet, Giovanni Boccaccio

3B9MPPK The Arrest - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPPJ The Gaming House - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPH The Marriage - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPG The Levée - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPPF The Heir - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPPE The Madhouse - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPD The Prison - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPPC A scene from The Beggar's Opera by William Hogarth, c. 1728

3B9MPP8 The Orgy - painting - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPP6 The Madhouse (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPP4 The Prison (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPP2 The Gaming House (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPKN The Marriage (engraving) A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth.[1] The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735.[2] The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling,

3B9MPKK The Arrest (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPKG The Orgy (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPKE The Levée (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3B9MPKC The Heir (engraving) - A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling.

3AWTK85 Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper Nicky Hogarth passes the ball during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AWE245 Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper Nicky Hogarth lays injured on the surface during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AWDYW0 Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper Nicky Hogarth collects the ball with Lewis Vaughan of Raith Rovers challenging during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AWDYHW Falkirk, Scotland, UK. 19th April, 2025. Falkirk goalkeeper bbNicky Hogarth collects the ball in the air with Brad Spencer of Falkirk on the ground during the William Hill Championship match between Falkirk and Raith Rovers at the Falkirk Stadium. Credit: Damon Thomson/Alamy Live News

3AP5Y4P The print engraving by William Hogarth, the Industrious Prentice Lord Mayor of London 1747, georgian era antique vintage print

3AP5XK6 The print engraving by William Hogarth, The Industrious Prentice Alderman of London, the idle one brought before him and impeeched by his accomplice 1747 , georgian era antique vintage print

3AHFA16 William Hogarth (1697-1764), English artist, portrait miniature in enamel on copper by Jean André Rouquet (attributed), 1740-1745

3AAXF8C Hogarth Monument

3AAXF7R Hogarth Monument

3AAXF7C Hogarth Monument

3AGG438 Cockfighting, detail, illustration by English artist William Hogarth, 1700s

2S40T27 aptain Lord George Graham in his Cabin is a 1745 oil-on-canvas painting by the English artist William Hogarth

2S3B8HY The Assembly at Wanstead House is a c. 1728–1732 group portrait painting by the English artist William Hogarth.

2YR2DYF William Hogarth, The Lady's Last Stake, 1759

2YHK0C2 William Hogarth, 1697-1764, By Louis François Roubiliac, Terracotta bust, about 1741, National Portrait Gallery, London, UK

2YHJYPK William Jones, 1675-1749, 1740, By William Hogarth, National Portrait Gallery, London, UK

2YHJYPF Self-portrait, William Hogarth, 1697-1764, 1757-1758, National Portrait Gallery, London, UK

2YEMFH1 Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFGX Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFGW Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFGR Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFG8 Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFH2 Marriage A-la-Mode, about 1743, William Hogarth (1697-1764), The National Gallery, London, UK

2YEMFC5 The Graham Children, 1742, William Hogarth (1697-1764), The National Gallery, London, UK

2Y7GBJ2 William Hogarth (1697-1764), Self Portrait painting of the English artist in oil on canvas, circa 1757

2Y742HM Night (The Four Times of Day) March 25, 1738. William Hogarth.

2Y742J6 A Rake's Progress, Plate 7. June 25, 1735. William Hogarth.

2Y742HX Evening (The Four Times of Day) March 25, 1738. William Hogarth.

2Y67DC8 Self-portrait of W. Hogarth in a Montero cap, with his dog Trump. Stipple engraving by B. Smith after W. Hogarth. William Hogarth FRSA was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. Hogarth, William, 1697-1764. Date: 1 June 1795

2Y4H196 Photo of a 1 Qatari riyal postage stamp from Umm al-Qiwain English artist William Hogarth Self portraits of famous painter series issued 1967

2Y40H2B In a somber procession, spectators crowd around as Tom Idle's coffin is driven towards the gallows at Tyburn, reflecting public interest and morbid curiosity on September 30, 1747.

2Y33MKA Recruitment of soldiers at a village inn with music and merriment, December 1st, 1799. Engraving by T. Cook after W. Hogarth. Hogarth, William, 1697-1764.

2Y33MK3 Courtroom drama unfolds with a judge, a pregnant woman, a distressed man, and an agitated wife, captured in an engraving by Hogarth. Hogarth, William, 1697-1764.

2XW2EEK Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW2ECP Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW2EH3 Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW2EC9 Engraving after William Hogarth (1697 - 1764) from his series, 'The Four Stages of Cruelty', first published in 1751. This series charts stages in the life of the fictional character Tom Nero.

2XW161A Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?-1680), satirising the Cromwellians and Presbyterian Church. Plate I: 'Frontispiece' which includes a portrait of Samuel Butler.

2XW1612 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate X: 'Hudibras Encounters the Skimmington'.

2XW160M Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate XI: 'The Burning of the Rumps at Temple Bar'.

2XW15YX Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate X: 'Hudibras Leading Crowdero in Triumph'.

2XW15YH Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate IX; 'The Committee'.

2XW15YD Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate VIII: 'Hudibras Beats Sidrophel, and his Man Whacum'.

2XW15Y8 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate VII: 'Hudibras and the Lawyer'.

2XW15Y1 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate V: 'The Knight Submits to Trulla'.

2XW15Y5 Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate VI: 'Hudibras and Ralpho in the Stocks'.

2XW15XW Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate IV: 'The Masquerade Adventure'.

2XW15XJ Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate III: 'Hudibras's First Adventure'

2XW15XD Engraving after William Hogarth (1697 - 1764) from his series, 'Hudibras', a poem by Samuel Bulter (1613?1680), satirising the Cromwellians and Presbyterian Church. Plate II: 'The Manner How he Sallies Forth'.

2XPMX6P The Painter and his Pug (Self-portrait) - painting by William Hogarth

2XGKEWA London, UK. 9 July 2024. A staff member with 'The Annunciation of the Virgin Deal', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit

2XGKEW0 London, UK. 9 July 2024. A visitor with 'The Upper Class at Bay', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: Stephen Chung /

2XGKET6 London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XGKET3 London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XGKETJ London, UK. 9 July 2024. Visitors with 'The Upper Class at Bay', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: Stephen Chung / A

2XGKEW2 London, UK. 9 July 2024. Staff members with '#Lamentation', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: Stephen Chung / Alamy

2XGKET1 London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XGKERY London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XGKETY London, UK. 9 July 2024. A staff member with 'The Adoration of the Cage Fighters, 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: S

2XGKETM London, UK. 9 July 2024. A general view at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: Stephen Chung / Alamy Live News

2XGKETR London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XGKETG London, UK. 9 July 2024. Visitors with 'The Upper Class at Bay', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: Stephen Chung / A

2XGKETK London, UK. 9 July 2024. A staff member with 'The Upper Class at Bay', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit: Stephen Chu

2XGKERT London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XGKETP London, UK. 9 July 2024. A staff member with 'The Annunciation of the Virgin Deal', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit

2XGKEPP London, UK. 9 July 2024. Staff members with 'Expulsion from Number 8 Eden Close', 2012, at a preview of ‘Grayson Perry: The Vanity of Small Differences’, 2012, a new exhibition at Pitzhanger Manor & Gallery in Ealing, west London. Six large-scale tapestries by the Turner-Prize-winning artist, inspired by William Hogarth’s A Rake’s Progress (the riches-to-rags tale of Tom Rakewell in 18th-century London), are on display where Hogarth’s A Rake’s Progress were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The exhibition runs 10 July to 8 December 2024. Credit:

2XT2E2X An old portrait of William Hogarth, British painter and satirical artist (1697-1764). Hogarth died on 25 October 1764, aged 66.. His tomb which was restored in 2010 includes a plaque with an epitaph to Hogarth composed by his friend, the actor David Garrick. Hogarth was a well-respected artist , engraver, cartoonist and print-maker who is well remembered for his satirical works. He was patron of many charities and he and his wife fostered foundling children, being patrons of the Foundling Hospital in London. The couple had no children of their own.

2XE5G90 Engraving after William Hogarth: 'Daniel Lock Esq'. This engraving by B. Holl is a copy of Hogarth's 1762 portrait of the eminent British architect, Daniel Lock F.S.A. printed by E. T. Brain & Co. London, circa 1830s.

2XE5G8W Engraving after William Hogarth: 'Daniel Lock Esq'. This engraving by B. Holl is a copy of Hogarth's 1762 portrait of the eminent British architect, Daniel Lock F.S.A. printed by E. T. Brain & Co. London, circa 1830s.

2XE5G8R Engraving after William Hogarth: 'Consultation of Physicians', a satire on the so-called 'Meidcal Profession' of the time. The gaggle of heads are represented in an imaginary coat of arms with the motto, 'ET PLURIMA MORTIS IMAGO', roughly translated as, 'And I picture many types of death'. The three figures at the top of the image represent real-life quacks Joshua Ward, perhaps the most infamous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an occultist. Each head is shown sniffing a pomander attached to the top of their canes to alleviate the stench of death and

2XE5G8K Engraving after William Hogarth: 'Consultation of Physicians', a satire on the so-called 'Meidcal Profession' of the time. The gaggle of heads are represented in an imaginary coat of arms with the motto, 'ET PLURIMA MORTIS IMAGO', roughly translated as, 'And I picture many types of death'. The three figures at the top of the image represent real-life quacks Joshua Ward, perhaps the most infamous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an occultist. Each head is shown sniffing a pomander attached to the top of their canes to alleviate the stench of death and

2XE5G8D Engraving after William Hogarth: 'A Midnight Modern Conversation'. The print shows a scene in a private room in a tavern, depicting eleven figures drinking punch from a large bowl on the table, and in various states of inebriation. A facsimile of Hogarth's own Engraving of circa 1733. Printed by E. T. Brain & Co. London, circa 1830s.

2XE5G89 Engraving after William Hogarth: 'A Midnight Modern Conversation'. The print shows a scene in a private room in a tavern, depicting eleven figures drinking punch from a large bowl on the table, and in various states of inebriation. A facsimile of Hogarth's own Engraving of circa 1733. Printed by E. T. Brain & Co. London, circa 1830s.

2XE5G87 Original antique steel engraving on heavy paper, after William Hogarth: 'Columbus Breaking the Egg'. The original engraving was issued as the subscription ticket for his treatise on art, 'The Analysis of Beauty'. It depicts an apocryphal tale (the 'Egg of Columbus') which relates Christopher Columbus's response to those who doubted his discovery of the New World.

2XE5G83 Original antique steel engraving on heavy paper, after William Hogarth: 'Columbus Breaking the Egg'. The original engraving was issued as the subscription ticket for his treatise on art, 'The Analysis of Beauty'. It depicts an apocryphal tale (the 'Egg of Columbus') which relates Christopher Columbus's response to those who doubted his discovery of the New World.

2XE5G4Y Black and White Illustration: 'The Chorus of Singers' or 'The Oratorio'. Engraving after William Hogarth (1697 - 1764). It was made in 1732 as a subscription ticket for his large engraving, 'A Midnight Modern Conversation'. This facsimile appeared in E T Brain & Co's book of Hogarth's Works in circa 1830-35.

2XE5G4C Black and White Illustration: 'The Chorus of Singers' or 'The Oratorio'. Engraving after William Hogarth (1697 - 1764). It was made in 1732 as a subscription ticket for his large engraving, 'A Midnight Modern Conversation'. This facsimile appeared in E T Brain & Co's book of Hogarth's Works in circa 1830-35.

2XCA2W9 This is a steel engraving by J. Moore, after a work by William Hogarth, titled The Shrimp Girl. The image portrays a young woman, possibly a street vendor, wearing a large, wide-brimmed hat and a modest, simple dress. The engraving captures the fine details of the subjects clothing and facial features, suggesting a portrait of a real person from the 18th or 19th century.

2SC0X73 Horace Walpole as a Child, by William Hogarth, 1727-1728, oil on canvas - Strawberry Hill House - London, UK