Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

59946628 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Albert Bartlett Stadium, AirdriePicture by Fred Palmer/Focus Images/Sipa USA 0751055622604/03/2025

59519580 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379515/02/2025

59520251 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379515/02/2025

59337174 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/02/2025

59337175 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/02/2025

59188661 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622631/01/2025

58575736 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575737 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575740 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575014 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

56824271 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at ZLX Stadium, HamiltonPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379518/10/2024

56824228 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at ZLX Stadium, HamiltonPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379518/10/2024

56510029 Nicky Hogarth of Falkirk catches a shot during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56510042 Nicky Hogarth of Falkirk catches the ball as Scott Pittman of Livingston closes in during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509885 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509862 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509881 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

54978571 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622602/08/2024

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

akg045276 Hogarth, William. 1697-1764. "Evening Music Society". Painting. Cambridge, Fitzwilliam Museum. Museum: Cambridge, Fitzwilliam Museum.

alb3738906 Gin Lane. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3608052 Self-Portrait. Artist: John Vanderbank, the younger (British, London (?) 1694-1739 London). Dimensions: Sheet: 14 9/16 × 13 in. (37 × 33 cm). Date: ca. 1720.The son of the proprietor of the Soho Tapestry Manufactory, Vanderbank attended the academy that Godfrey Kneller (1646-1723) established in Great Queen Street in 1711. In 1720, he partnered with Louis Chéron (1660-1725) to open a new academy in St. Martin's Lane that held life classes with male and female models and was attended by William Hogarth (1697-1764) and Joseph Highmore (1692-1780). That same year Vanderbank began to practice as a portrait painter and drew this self-portrait around that time. As a draftsman and illustrator Vanderbank demonstrates verve and originality that his paintings often lacki and the present sheet reflects appreciation for the Flemish tradition of Rubens and Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3720929 Canvassing for Votes. Dated: 1757. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Grignion after William Hogarth.

alb3720732 Marriage a la Mode: pl.5. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb4142461 An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

alb3699758 Noon. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900510 Portrait of a Man. Date/Period: 1741. Painting. Oil on canvas Oil. Height: 762 mm (30 in); Width: 638 mm (25.11 in). Author: WILLIAM HOGARTH.

alb3731611 Analysis of Beauty: pl.2. Dated: 1753. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: William Hogarth (1697-1764). Location: NATIONAL GALLERY. LONDON. ENGLAND.

orz004377 LA MARQUESA DE LA VALLETTE. Author: William Hogarth (1697-1764). Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.

akg1043705 University / Lecture.-"Scholars at a Lecture" (Caricature of a lecture in law at the Jesus College in Oxford; the headwear indicates the social position of the students: angular hats for scholarship students, round ones for those paying themselves.-Copper engr., 1736, by William Hogarth.

akg1062129 Universität / Vorlesung.-"Scholars at a Lecture" (Studenten bei der Vorlesung: Karikatur einer rechtswissenschaftlichen Vorlesung am Jesus College in Oxford; die Kopfbedeckungen verraten die soziale Stellung der Studenten: eckige Mützen f. Stipendiaten, runde f. Selbstzahler.-Spät. Kolorierung. Kupferstich, 1736, v. W. Hogarth.

les40060105 Mariage a la mode, a series of six satyrical paintings, also issued in very popular prints, describes the boredom and sad end of a fashionable marriage-The settlement,1742-44. Canvas,90,8 x 69,9 cm NG 113. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les40060428 The rake's progress-the marriage. Canvas. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

alb9169829 Series "Industry and Idleness", Plate 8: The Industrious 'Prentice grown rich, and Sheriff of London. Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

alb4091991 Beer Street. Hogarth Moralized. Being a complete edition of Hog. S. Hooper; Mrs. Hogarth: London, 1768. People drinking outside a public house in London. Image taken from Hogarth Moralized. Being a complete edition of Hogarth's works containing near fourscore copper-plates with an explanation and a comment on their moral tendency [by John Trusler], etc. Originally published/produced in S. Hooper; Mrs. Hogarth: London, 1768. Source: G.2585, 146. Language: English. Author: WILLIAM HOGARTH. DENT.

alb3705763 A Rake's Progress: pl.4. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3741038 The Second Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3728701 A Harlot's Progress: pl.5. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3727993 A Rake's Progress: pl.1. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

ibxsuc10093873 William Hogarth 1697-1764, English artist. From the book Gallery of Portraits, published in 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

alb3616308 Martin Folkes. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm). Sitter: Martin Folkes (British, 1690-1754). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

akg7642653 William Hogarth, English, 1697-1764, Portrait of a Lady, ca. 1740, oil on canvas, Unframed: 30 1/8 × 25 3/8 inches (76.5 × 64.5 cm).

akg045239 Hogarth, William. 1697-1764. "Southwark Fair", 1733. Painting.

alb5110042 The Royal Sport, Pit Ticket, unknown artist, eighteenth century, after William Hogarth, 16971764, British, undated, Gouache on ivory, Image: 5 1/8 x 6 11/16 inches (13 x 17 cm), animals, anxiety, arena, betting, carpenter, chaos, coats, cock-fight, cockpit (recreation space), coins, criminal, crowd, deaf, death, dog (animal), drunk, gallows, gambling, genre subject, gentlemen, gesture, hangman, helmet, laughing, leisure, men, messenger, money, nobility, pipe (smoking equipment), pointing, roosters, rule (measuring device), servant, smoking, snuff, snuffboxes, sporting art, stealing, theft, thief, tickets, tricornes.

alb4554199 William Hogarth (1697-1764). English painter and engraver. Self-portrait depicting Hogarth painting Thalia, the Muse of Comedy. Oil on canvas (45,1 x 42,5 cm), ca. 1757-1758. National Portrait Gallery. London, England, United Kingdom.

les39170209 Marriage A-la-Mode: 4. The Toilette 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 70,5 x 90,8 cm NG116. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les39170202 The Orgy aka The Rake at the Rose-Tavern (A Rake's Progress) 1735 The Tavern Scene shows the Rake amusing himself in a notorious brothel, the Rose Tavern in Covent Garden, after an evening of drinking and hooliganism. Next to the Rake on the floor are the lantern and staff he has captured of a watchman earlier in the night (another sign that he has been in a fight is that his sword is unsheathed). The picture is full of sordid details: on the far left the contents of a chamberpot are spilled over a dish of roast chicken, one of the prostitutes at the table spits at another one (who is holding a knife), a stripper in the foreground is undressing herself for an obscene show which she will perform on a silver plate (which her pimp is holding together with a candle that she will extinguish in her vagina after the dance)and a street singer by the door on the left is singing 'The Black Joke', a notoriously obscene song. The prostitutes, who are stealing the Rake's watch, have pockmarks on their face (a sign that they have caught syphilis), while the pills on the floor next to the Rake suggest that he has caught the disease too. Oil on canvas; 62,5 x 75 cm. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

les40060103 Marriage A-la-Mode: 6. The Lady's Death 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG118. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb9871426 Sir James Thornhill, English painter, 1675-1734. Artist of historical subjects working in the Italian baroque tradition.. In wig, cravatte and coat. Original print engraved by Samuel Ireland after William Hogarth. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

alb3714466 Moses Brought to Pharaoh's Daughter. Dated: 1752. Dimensions: plate: 42.6 x 52.7 cm (16 3/4 x 20 3/4 in.) sheet: 45.5 x 61.8 cm (17 15/16 x 24 5/16 in.). Medium: engraving and etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Luke Sullivan.

akg151409 Butler, Samuel; Engl. satirist. 1612-1680. Works: Hudibras (burlesque poem (1663, 1664 and 1678). "The bear hunt". Engraving, 1726, by William Hogarth (1697-1764).

alb5274474 Scholars at a Lecture, still image, Prints, 1736, Hogarth, William, 1697-1764.

alb3654717 William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA.

les40060104 Marriage A-la-Mode: 2. The Tête à Tête 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG114. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb5178548 False Perspective Exemplified, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A river landscape with a bridge and an arch. The bridge and tower drawn in wrong perspective. At right foreground, a tree, hills in background., England, 1754, Print, Print.

alb5088120 Ann Hogarth, William Hogarth, 16971764, British, ca. 1740, Oil on canvas, Support (PTG): 18 3/8 x 16 3/8 inches (46.7 x 41.6 cm), bonnet, costume, oval, portrait, profile, woman.

alb5205684 Justice Welsh, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Engraving after a pen and ink drawing. A half-length portrait slightly turned toward right. The sitter wears a wig. Inscribed, lower center: Justice Welch. Illustration for Ireland, 'Graphic Illustrations' I, 155., England, 1788, Print, Print.

alb5202270 Sketches From Pen and Ink Drawings, Jane Ireland, British, William Hogarth, English, 1697 - 1764, Etching on paper, Six drawings of half-length figures in three rows. They represent - from upper left: a woman hitting a man; a woman and two men in profile, facing left smiling; a boy, facing left; a sleeping man, in frontal view; a man in frontal view, a woman in side view; a young man, head turned to left., England, 1794, Print, Print.

alb5209588 Ellis Gamble's Book Plate, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A small coat-of-arms surrounded by a head of Mercury, caryatids, basket of flowers and a head in a cartouche. Below, a banderole with inscription., England, 1786, Print, Print.

alb5100218 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5100259 The Enraged Musician, Print made by Thomas Cook, 17441818, British, William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1806, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5103491 Analysis of Beauty, Plate I, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5104077 Canvassing for Votes, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb3713536 Evening. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3701176 The Laughing Audience. Dated: 1733. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3730758 The Industrious 'Prentice Lord-Mayor of London. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900527 David Garrick as Richard III. Date/Period: Ca. 1745. Painting. Oil on canvas. Height: 1,905 mm (75 in); Width: 2,508 mm (98.74 in). Author: William Hogarth.

alb5095602 Polling at the Hustings, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5107486 Humours of an Election Entertainment, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5106470 A Midnight Modern Conversation, Print made by Elisha Kirkall, ca. 16821742, British, after William Hogarth, 16971764, British, Published by Robert Wilkinson, 17581825, British, ca. 1733, printed after 1779, Mezzotint on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 17 3/4 inches (37.1 × 45.1 cm) and Image: 13 1/4 × 17 5/8 inches (33.7 × 44.8 cm), bottles, candlesticks, clock, conversation piece, drinking, food, furniture, genre subject, lemons, midnight, wine.

alb5107948 William Hogarth, Print made by Thomas Chambars, ca. 17241789, British, after William Hogarth, 16971764, British, undated, Etching on moderately thick, smooth, beige wove paper, Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm), Plate: 6 7/8 x 5 1/4 inches (17.4 x 13.3 cm), and Image: 6 x 4 3/4 inches (15.3 x 12.1 cm), artist, books, coat, collar, dog (animal), dowel, drapery, fur cap, gaze, man, oval, paint, paint brushes, palette, portrait, posing, shelf, vest.

akg8553919 Edwards, Mary; Engl. heiress and art patron; said to be the richest woman in England of her time; London 1704 - London 23.8.1743. "Miss Mary Edwards". Painting, 1742, by William Hogarth (1697-1764). Oil on canvas, 126.4 x 101.3 cm. Acc.No.: 1914.1.75. Henry Clay Frick Bequest. New York, Frick Collection.

alb5165164 Head of Diana, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching and aquatint on paper, A portrait of a young woman in three-quarter view towards left. Helf-length, her hair is held together by a ribbon upon which is fastened the half-moon in front. Illustration for Ireland, 'Graphic Illustrations' I, 170., England, 1786, Print, Print.

alb5170498 Ticket for the School of Tiverton, Devonshire, A.M. Ireland, William Hogarth, English, 1697 - 1764, Etching on paper, In a cartouche frame a view of a library at right; at left two houses. In center, an allegorical female figure (Athena) pointing to the house. With her are two little boys. Another woman with a boy waters a plant at right., England, 1794, Print, Print.

akg586207 Hogarth, William. 1697-1764. "Turkish Bath", 1723/24. Copper engraving, 34 × 39.4 cm. Fr.: Aubry de la Motraye, "Travels through Europe, Asia and Part of Africa (...) ". Inv. no. Bi 1259/c. Vienna, Gesellschaft der Musikfreunde. Museum: Vienna, Gesellschaft Der Musikfreunde.

alb5094450 3 Characters, 4 Caricaturas, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5084883 Humours of an Election Entertainment, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5084711 Plate II, Halberd Men, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1809, Etching on medium, slightly textured, cream wove paper.

alb5084743 Cruelty in Perfection, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5085002 Plate 12, The Industrious 'Prentice Lord-Mayor of London, Print made by F. F. Walker, active 18051836, British, after William Hogarth, 16971764, British, 1833, Line engraving on medium, slightly textured, cream wove paper, Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm) and Image: 4 3/8 × 6 1/8 inches (11.1 × 15.6 cm).

alb5080469 Columbus Breaking the Egg, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5084318 Columbus Breaking the Egg, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5084391 A Chorus of Singers, Rehearsal of the Oratorio of Judith, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5091382 A Chorus of Singers, Rehearsal of the Oratorio of Judith, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1808, Etching on medium, slightly textured, cream wove paper.

alb5091701 Tail Piece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Line engraving and etching on medium, slightly textured, cream wove paper.

alb5092367 3 Characters, 4 Caricaturas, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb1948834 Dress of the reign of George II, 1727~1760. She wears a headdress in the shape of a carriage, beauty spots, necklaces and chokers, a dress with fitted bodice, short sleeves and long lace cuffs, a lace apron, and a watch hanging from her belt. Based on Hogarth, Grays Inn Journal, Thomas Jefferys Collection of Dresses, and "The Connoisseur." Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

akg198213 aft.: Hogarth, William. 1697-1764. "Shrimps!". Copper engr., 1794/99, by Ernst Ludwig Riepenhausen (1765-1840) after the oil sketch "The Shrimp Girl", c. 1750-55, by Hogarth. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb3747219 The Times, pl.1. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3720240 The Sleeping Congregation. Dated: 1736. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb9519028 A violinist in a window frame keeps his ears firmly close to the noise made by various figures in front of his house, including a singer with a crying baby, children with noisy instruments, a knife sharpener with his sharpening stone, a postman with his horn, a barking dog and two fighting cats., Street scene, print maker: Popko van Groningen, (mentioned on object), William Hogarth, Netherlands, 1832 - 1888, paper, letterpress printing, h 160 mm × w 202 mm.

alb9494219 Since the son of a bald but noble gentleman is coupled (...) Le mariage à la Mode (series title), draughtsman: Cornelis Ploos van Amstel, William Hogarth, 1748, paper, brush, h 330 mm × w 435 mm.

akg178628 Hogarth, William ; 1697-1764. "The Four Times of Day: Night" (Les quatre moments de la journée : la nuit), v. 1736. Huile sur toile, H. 0,74 ; L. 0,61. Upton House, Warwickshire (The National Trust).