Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

59946628 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Albert Bartlett Stadium, AirdriePicture by Fred Palmer/Focus Images/Sipa USA 0751055622604/03/2025

59519580 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379515/02/2025

59520251 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379515/02/2025

59337174 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/02/2025

59337175 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/02/2025

59188661 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622631/01/2025

58575736 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575737 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575740 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575014 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

56824271 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at ZLX Stadium, HamiltonPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379518/10/2024

56824228 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at ZLX Stadium, HamiltonPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379518/10/2024

56510029 Nicky Hogarth of Falkirk catches a shot during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56510042 Nicky Hogarth of Falkirk catches the ball as Scott Pittman of Livingston closes in during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509885 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509862 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509881 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

54978571 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622602/08/2024

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

alb3671303 Hudibras Wooing the Widow (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 13). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 4 11/16 x 2 5/8 in. (11.9 x 6.7 cm) (trimmed). Date: 1721-26. Museum: Metropolitan Museum of Art, New York, USA.

alb3738906 Gin Lane. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb18732194 Samuel Butler's Hudibras vanquished by Trulla. A giant woman Trulla stands over Hubibras with his cutlass, and stops a mob of angry men with cudgels from killing him. Two armed men are about to hang Ralpho from a tree with a noose. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.

alb18736932 Frontispiece to Butler's Hudibras. Oval portrait of the author Samuel Butler, allegorical figure of Britannia with lance, shield and mirror, cherub with chisel and mallet, satyr with open book. The bas-relief shows Hudibras and Ralpho pulling a carriage with the Genius of Butler dragging the clownish figures of Rebellion, Hypocrisy and Ignorance. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.

alb18733284 Hudibras beats Sidrophel and his man Whacum. Hudibras draws his cutlass on the apothecary while Ralpho goes to fetch a law officer. The apothecary's room is decorated with crocodile, frog, bat, snake, turtle, human skeleton, globes and arcane horoscope charts. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.

alb18734282 Samuel Butler's Hudibras sallies forth. Hudibras and his squire Ralpho set off on horseback on their adventure. A vagabond bumps a table and knocks over a fruit-seller's baskets. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.

alb18718527 Samuel Butler's Hudibras in Tribulation. Hudibras languishes in the stocks with his squire Ralpho. The Widow in mourning dress comes to visit him in his shame. The knight's sword, flintlock pistol and boot hang from the stocks, while a yokel hoists his hat on a stick. Copperplate engraving by Thomas Cook from The Genuine Works of William Hogarth, Longman, Hurst, London, 1808.

alb3742586 The Idle 'Prentice return'd from Sea & in a Garret with a common Prostitute. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3745818 Credulity, Superstition, and Fanaticism. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3747219 The Times, pl.1. Dated: 1762. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3740741 The Industrious 'Prentice a Favorite, and entrusted by his Master. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3714466 Moses Brought to Pharaoh's Daughter. Dated: 1752. Dimensions: plate: 42.6 x 52.7 cm (16 3/4 x 20 3/4 in.) sheet: 45.5 x 61.8 cm (17 15/16 x 24 5/16 in.). Medium: engraving and etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Luke Sullivan.

alb3713536 Evening. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3659639 The Parson's Head. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 6 1/4 x 5 3/8 in. (15.9 x 13.7 cm)sheet: 11 x 17 3/8 in. (28 x 44.2 cm). Etcher: Richard Livesay (British, 1753-1823 Southsea). Date: October 1788. Museum: Metropolitan Museum of Art, New York, USA.

alb3720929 Canvassing for Votes. Dated: 1757. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Grignion after William Hogarth.

alb3720471 Paul before Felix. Dated: 1752. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3727993 A Rake's Progress: pl.1. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3720732 Marriage a la Mode: pl.5. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb3668726 Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3705763 A Rake's Progress: pl.4. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3706214 A Harlot's Progress: pl.6. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3701176 The Laughing Audience. Dated: 1733. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3699758 Noon. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3623812 Masquerades and Operas. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 4 15/16 x 6 7/8 in. (12.5 x 17.5 cm). Date: 1724. Museum: Metropolitan Museum of Art, New York, USA.

alb3628040 Thomas Morell, S.T.P.- S.S.A. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 8 1/4 x 5 7/8 in. (21 x 14.9 cm). Engraver: James Basire, the elder (British, London 1730-1802 London). Sitter: Thomas Morell (British, 1730-1784). Date: February 1762. Museum: Metropolitan Museum of Art, New York, USA.

alb3609578 After. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 15 1/4 x 12 5/8 in. (38.8 x 32 cm). Date: December 15, 1736. Museum: Metropolitan Museum of Art, New York, USA.

alb3616308 Martin Folkes. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm). Sitter: Martin Folkes (British, 1690-1754). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

alb3619212 Taste in High Life. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet (trimmed to plate line): 15 1/16 x 18 1/8 in. (38.2 x 46 cm). Engraver: Engraved by Samuel Phillips (British, active 1797-1808). Date: May 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

alb3669370 Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 11). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: sheet: 10 3/4 x 19 3/4 in. (27.3 x 50.1 cm). Date: 1725-68. Museum: Metropolitan Museum of Art, New York, USA.

alb15862404 Four drinking men next to a stand with sheet music, Night Amusement (title on object), print maker: anonymous, after design by: William Hogarth, (possibly), publisher: Robert Sayer, print maker: England, after design by: England, publisher: London, 1734 - 1794, paper, etching, height 152 mm × width 113 mm, print.

alb15883653 The Diligent Disciple Performs His Christian Duty (Plate 2), The Industrious Prentice performing the Duty of a Christian (title on object), Industry and Idleness (original series title), The Diligent Disciple Goodchild attends church service at St. Martin-in- the-Fields, together with his master's daughter. Below the scene is a cartouche with a text from Psalms. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1797, paper, etching, engraving, height 302 mm × width 367 mm, print.

alb15881048 The diligent student gives money to musicians (plate 6), The Industrious Prentice out of his Time and Married to his Master's Daughter (title on object), Industry and Idleness (original series title), The diligent student Goodchild is no longer a student but a partner joined his former boss's business and is married to his daughter. He hands out money and food to a group of musicians and beggars. In the background the Monument to the Great Fire of London, the monument for the fire of 1666. Below the scene is a cartouche with a text from Proverbs. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1796, paper, etching, engraving, height 289 mm × width 368 mm, print.

alb15853273 The diligent apprentice has become rich and appointed Sheriff of London (plate 8), The Industrious 'Prentice grown rich, & Sheriff of London (title on object), Industry and Idleness (original series title), The diligent apprentice Goodchild and his wife are presiding over a large banquet in the Fishmongers' Hall. Below the scene is a cartouche with a text from Proverbs. Part of a series of twelve plates about the rise and fall of two students Francis Goodchild and Thomas Idle, after the original plates by William Hogarth from 1747., print maker: Thomas Cook, after design by: William Hogarth, publisher: Thomas Cook, London, 1-Feb-1796, paper, etching, engraving, height 289 mm × width 368 mm, print.

alb15849949 Sleeping parish, The Sleepy Congregation (title on object), Text in English in the bottom margin., print maker: Richard Purcell, after design by: William Hogarth, publisher: Robert Sayer, London, 1745 - 1794, paper, etching, height 354 mm × width 253 mm, print.

alb15527782 Hogarth, William, Before and after, Voor en na, Before, Man pulling a struggling woman towards him in a bedroom, verso - stamped, The contents in the drawer of the falling bedside table and the dog at the woman's feet suggest a wavering chastity and morality. In the painting next to the canopy, Cupid fires a rocket to illustrate what is to come. The woman appears to be pushing the man away but has already removed her corset, which lies on the chair at the foot of the bed., print, prints, height 424 mm, width 327 mm, English, 1697-11-10 - 1764-10-25, print maker, printmaker, 1736-12-15 - 1736-12-15, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Work conception, after design by, Publication (Event), Publication, publisher.

alb4142461 An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

alb15421827 From London in a Straight Line. The Political Puff Politician. A Dialogue between Pluto and Proserpine., Date Created: 1762, Hogarth, William, 1697-1764, Etchings, Extent: 1 print, plate mark 26.2 x 20 cm (10 5/16 x 7 7/8 in.), on sheet 31.6 x 21.8 cm (12 7/16 x 8 9/16 in.), Etchings deceive eye, Politician's words unwind, Truth in shadows lies.

akg5091681 Hogarth, William 1697-1764. The Mystery of Masonry Brought to Light by the Gormagons, Print, 1724. Etching and engraving; third state of three, 24.3 × 34.9 cm. Inv. Nr. 32.35 (114). New York, Metropolitan Museum of Art.

akg5091742 Hogarth, William 1697-1764. Cassandra, Frontispiece, Vol. 4, Print, 1725. Etching and engraving, 13.4 × 7.3 cm. Inv. Nr. 32.35 (181). New York, Metropolitan Museum of Art.

akg5092004 Hogarth, William 1697-1764. Henry Fielding, Print, ca. 1830-1840. Etching, 12.7 × 10.3 cm. Inv. Nr. 17.3.756-1674. New York, Metropolitan Museum of Art.

akg5092474 Hogarth, William 1697-1764. Trade card for James Figg, Print, ca. 1790-1799. Etching, 19.5 × 16.6 cm. Inv. Nr. 91.1.29. New York, Metropolitan Museum of Art.

akg045239 Hogarth, William. 1697-1764. "Southwark Fair", 1733. Painting.

akg045276 Hogarth, William. 1697-1764. "Evening Music Society". Painting. Cambridge, Fitzwilliam Museum. Museum: Cambridge, Fitzwilliam Museum.

alb3608052 Self-Portrait. Artist: John Vanderbank, the younger (British, London (?) 1694-1739 London). Dimensions: Sheet: 14 9/16 × 13 in. (37 × 33 cm). Date: ca. 1720.The son of the proprietor of the Soho Tapestry Manufactory, Vanderbank attended the academy that Godfrey Kneller (1646-1723) established in Great Queen Street in 1711. In 1720, he partnered with Louis Chéron (1660-1725) to open a new academy in St. Martin's Lane that held life classes with male and female models and was attended by William Hogarth (1697-1764) and Joseph Highmore (1692-1780). That same year Vanderbank began to practice as a portrait painter and drew this self-portrait around that time. As a draftsman and illustrator Vanderbank demonstrates verve and originality that his paintings often lacki and the present sheet reflects appreciation for the Flemish tradition of Rubens and Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3900510 Portrait of a Man. Date/Period: 1741. Painting. Oil on canvas Oil. Height: 762 mm (30 in); Width: 638 mm (25.11 in). Author: WILLIAM HOGARTH.

alb3731611 Analysis of Beauty: pl.2. Dated: 1753. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: William Hogarth (1697-1764). Location: NATIONAL GALLERY. LONDON. ENGLAND.

orz004377 LA MARQUESA DE LA VALLETTE. Author: William Hogarth (1697-1764). Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.

akg1043705 University / Lecture.-"Scholars at a Lecture" (Caricature of a lecture in law at the Jesus College in Oxford; the headwear indicates the social position of the students: angular hats for scholarship students, round ones for those paying themselves.-Copper engr., 1736, by William Hogarth.

akg1062129 Universität / Vorlesung.-"Scholars at a Lecture" (Studenten bei der Vorlesung: Karikatur einer rechtswissenschaftlichen Vorlesung am Jesus College in Oxford; die Kopfbedeckungen verraten die soziale Stellung der Studenten: eckige Mützen f. Stipendiaten, runde f. Selbstzahler.-Spät. Kolorierung. Kupferstich, 1736, v. W. Hogarth.

les40060105 Mariage a la mode, a series of six satyrical paintings, also issued in very popular prints, describes the boredom and sad end of a fashionable marriage-The settlement,1742-44. Canvas,90,8 x 69,9 cm NG 113. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les40060428 The rake's progress-the marriage. Canvas. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

alb9169829 Series "Industry and Idleness", Plate 8: The Industrious 'Prentice grown rich, and Sheriff of London. Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

alb4091991 Beer Street. Hogarth Moralized. Being a complete edition of Hog. S. Hooper; Mrs. Hogarth: London, 1768. People drinking outside a public house in London. Image taken from Hogarth Moralized. Being a complete edition of Hogarth's works containing near fourscore copper-plates with an explanation and a comment on their moral tendency [by John Trusler], etc. Originally published/produced in S. Hooper; Mrs. Hogarth: London, 1768. Source: G.2585, 146. Language: English. Author: WILLIAM HOGARTH. DENT.

alb3741038 The Second Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3728701 A Harlot's Progress: pl.5. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

ibxsuc10093873 William Hogarth 1697-1764, English artist. From the book Gallery of Portraits, published in 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

akg7642653 William Hogarth, English, 1697-1764, Portrait of a Lady, ca. 1740, oil on canvas, Unframed: 30 1/8 × 25 3/8 inches (76.5 × 64.5 cm).

alb5110042 The Royal Sport, Pit Ticket, unknown artist, eighteenth century, after William Hogarth, 16971764, British, undated, Gouache on ivory, Image: 5 1/8 x 6 11/16 inches (13 x 17 cm), animals, anxiety, arena, betting, carpenter, chaos, coats, cock-fight, cockpit (recreation space), coins, criminal, crowd, deaf, death, dog (animal), drunk, gallows, gambling, genre subject, gentlemen, gesture, hangman, helmet, laughing, leisure, men, messenger, money, nobility, pipe (smoking equipment), pointing, roosters, rule (measuring device), servant, smoking, snuff, snuffboxes, sporting art, stealing, theft, thief, tickets, tricornes.

alb4554199 William Hogarth (1697-1764). English painter and engraver. Self-portrait depicting Hogarth painting Thalia, the Muse of Comedy. Oil on canvas (45,1 x 42,5 cm), ca. 1757-1758. National Portrait Gallery. London, England, United Kingdom.

les39170209 Marriage A-la-Mode: 4. The Toilette 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 70,5 x 90,8 cm NG116. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les39170202 The Orgy aka The Rake at the Rose-Tavern (A Rake's Progress) 1735 The Tavern Scene shows the Rake amusing himself in a notorious brothel, the Rose Tavern in Covent Garden, after an evening of drinking and hooliganism. Next to the Rake on the floor are the lantern and staff he has captured of a watchman earlier in the night (another sign that he has been in a fight is that his sword is unsheathed). The picture is full of sordid details: on the far left the contents of a chamberpot are spilled over a dish of roast chicken, one of the prostitutes at the table spits at another one (who is holding a knife), a stripper in the foreground is undressing herself for an obscene show which she will perform on a silver plate (which her pimp is holding together with a candle that she will extinguish in her vagina after the dance)and a street singer by the door on the left is singing 'The Black Joke', a notoriously obscene song. The prostitutes, who are stealing the Rake's watch, have pockmarks on their face (a sign that they have caught syphilis), while the pills on the floor next to the Rake suggest that he has caught the disease too. Oil on canvas; 62,5 x 75 cm. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.

les40060103 Marriage A-la-Mode: 6. The Lady's Death 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG118. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb9871426 Sir James Thornhill, English painter, 1675-1734. Artist of historical subjects working in the Italian baroque tradition.. In wig, cravatte and coat. Original print engraved by Samuel Ireland after William Hogarth. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

akg151409 Butler, Samuel; Engl. satirist. 1612-1680. Works: Hudibras (burlesque poem (1663, 1664 and 1678). "The bear hunt". Engraving, 1726, by William Hogarth (1697-1764).

alb5274474 Scholars at a Lecture, still image, Prints, 1736, Hogarth, William, 1697-1764.

alb3654717 William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA.

les40060104 Marriage A-la-Mode: 2. The Tête à Tête 1743 " Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. about 1743 Oil on canvas; 69,9 x 90,8 cm NG114. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

alb5178548 False Perspective Exemplified, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A river landscape with a bridge and an arch. The bridge and tower drawn in wrong perspective. At right foreground, a tree, hills in background., England, 1754, Print, Print.

alb5088120 Ann Hogarth, William Hogarth, 16971764, British, ca. 1740, Oil on canvas, Support (PTG): 18 3/8 x 16 3/8 inches (46.7 x 41.6 cm), bonnet, costume, oval, portrait, profile, woman.

alb5205684 Justice Welsh, Samuel Ireland, English, ca. 17441800, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, Engraving after a pen and ink drawing. A half-length portrait slightly turned toward right. The sitter wears a wig. Inscribed, lower center: Justice Welch. Illustration for Ireland, 'Graphic Illustrations' I, 155., England, 1788, Print, Print.

alb5202270 Sketches From Pen and Ink Drawings, Jane Ireland, British, William Hogarth, English, 1697 - 1764, Etching on paper, Six drawings of half-length figures in three rows. They represent - from upper left: a woman hitting a man; a woman and two men in profile, facing left smiling; a boy, facing left; a sleeping man, in frontal view; a man in frontal view, a woman in side view; a young man, head turned to left., England, 1794, Print, Print.

alb5209588 Ellis Gamble's Book Plate, Samuel Ireland, English, ca. 17441800, William Hogarth, English, 1697 - 1764, Etching on paper, A small coat-of-arms surrounded by a head of Mercury, caryatids, basket of flowers and a head in a cartouche. Below, a banderole with inscription., England, 1786, Print, Print.

alb5100218 Frontispiece to the Artist's Catalogue, 1761, Print made by Thomas Cook, 17441818, British, after William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1807, Etching and line engraving on medium, slightly textured, cream wove paper.

alb5100259 The Enraged Musician, Print made by Thomas Cook, 17441818, British, William Hogarth, 16971764, British, Published by Longman, active 18041914, British, 1806, Etching and line engraving on medium, slightly textured, cream wove paper.