Pesquisando por: "WILLIAM HOGARTH" - Fotoarena - Agência de fotojornalismo

59946628 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Albert Bartlett Stadium, AirdriePicture by Fred Palmer/Focus Images/Sipa USA 0751055622604/03/2025

59519580 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379515/02/2025

59520251 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379515/02/2025

59337174 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/02/2025

59337175 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/02/2025

59188661 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622631/01/2025

58575736 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575737 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575740 Nicky Hogarth of Falkirk (left) dives to block a cross from Ewan Otoo of Dunfermline Athletic during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

58575014 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at East End Park, DunfermlinePicture by Fred Palmer/Focus Images/Sipa USA 0751055622627/12/2024

56824271 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at ZLX Stadium, HamiltonPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379518/10/2024

56824228 Nicky Hogarth of Falkirk makes a save during the William Hill Championship match at ZLX Stadium, HamiltonPicture by Jamie Johnston/Focus Images/Sipa USA 0771437379518/10/2024

56510029 Nicky Hogarth of Falkirk catches a shot during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56510042 Nicky Hogarth of Falkirk catches the ball as Scott Pittman of Livingston closes in during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509885 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509862 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

56509881 Nicky Hogarth of Falkirk during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622608/10/2024

54978571 Nicky Hogarth of Falkirk warms up during the William Hill Championship match at the Falkirk Stadium, FalkirkPicture by Fred Palmer/Focus Images/Sipa USA 0751055622602/08/2024

902_05_12290523HighRes Henry Fielding, 1707 ? 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944.

917_05_WHA_091_0449 Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) depicting the Rake in the Debtor's Prison. Dated 18th Century.

917_05_WHA_091_0431 Illustration titled 'Industry and Idleness'. The illustration depicts arrest of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0344 Illustration depicting Hudibras visiting the lawyer. Illustrated by William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Dated 18th Century.

917_05_WHA_091_0319 Illustration titled 'Industry and Idleness'. The illustration depicts the industrious apprentice gets on with his weaving while the idle apprentice sleeps off his hangover. First plate in William Hogarth's series. Dated 18th Century.

917_05_WHA_091_0280 Illustration titled 'Industry and Idleness'. The illustration depicts an execution at Tyburn for the execution of the idle apprentice. Illustrated William Hogarth (1697-1764) an English painter, printmaker, pictorial satirist, and social critic. Dated 18th Century.

917_05_WHA_091_0005 Engraving titled 'Marriage a-la-mode' depicting a breakfast scene. Dated 18th Century.

akg1557081 Hogarth, William, 1697 - 1764, English painter. "Marriage A-la-Mode: 4, The Toilette", c.1743. Oil on canvas, 70.5 × 90.8 cm. Inv. No. NG116. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg5091681 Hogarth, William 1697-1764. The Mystery of Masonry Brought to Light by the Gormagons, Print, 1724. Etching and engraving; third state of three, 24.3 × 34.9 cm. Inv. Nr. 32.35 (114). New York, Metropolitan Museum of Art.

akg5091690 Hogarth, William 1697-1764. Fodina argentea Sahlensis - A Silver Mine at Sala - II (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 2), Print, ca. 1723-1724. Etchng and engraving, 25 × 16.5 cm. Inv. Nr. 32.35 (227). New York, Metropolitan Museum of Art.

akg5091742 Hogarth, William 1697-1764. Cassandra, Frontispiece, Vol. 4, Print, 1725. Etching and engraving, 13.4 × 7.3 cm. Inv. Nr. 32.35 (181). New York, Metropolitan Museum of Art.

akg5091743 Hogarth, William 1697-1764. Cassandra, Frontispiece, Vol. 5, Print, 1725. Etching and engraving, 13.5 × 7.4 cm. Inv. Nr. 32.35 (182). New York, Metropolitan Museum of Art.

akg5091752 Hogarth, William 1697-1764. Decimation (John Beaver, Roman Military Punishments, 1725), Print, ca. 1725-1779. Etching, 4.4 × 7.7 cm. Inv. Nr. 32.35 (93). New York, Metropolitan Museum of Art.

akg5092004 Hogarth, William 1697-1764. Henry Fielding, Print, ca. 1830-1840. Etching, 12.7 × 10.3 cm. Inv. Nr. 17.3.756-1674. New York, Metropolitan Museum of Art.

akg5092258 Hogarth, William 1697-1764. Justice Welch, Print, 1794. Etching, 14 × 11.5 cm. Inv. Nr. 17.3.756-2320. New York, Metropolitan Museum of Art.

akg5092262 Hogarth, William 1697-1764. Caricatures of Lord Melcombe and Lord Winchelsea, Print, 1781. Etching; third state of three, 14.9 × 18.5 cm. Inv. Nr. 32.35 (251). New York, Metropolitan Museum of Art.

akg5091972 Hogarth, William 1697-1764. Frontispiece to Moliere's "L'Avare" (The Miser), Print, 1732. Etching and engraving; second state of three, 13.4 × 7.7 cm. Inv. Nr. 32.35 (254). New York, Metropolitan Museum of Art.

akg5091828 Hogarth, William 1697-1764. Hudibras Vanquished by Trulla (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 5), Print, ca. 1721-1726. Etching and engraving, 12.2 × 7 cm. Inv. Nr. 32.35 (103). New York, Metropolitan Museum of Art.

akg5092471 Hogarth, William 1697-1764. The Author's Benefit: Pasquin, Print, 1736. Etching, 14.8 × 15.2 cm. Inv. Nr. 91.1.38. New York, Metropolitan Museum of Art.

akg5092474 Hogarth, William 1697-1764. Trade card for James Figg, Print, ca. 1790-1799. Etching, 19.5 × 16.6 cm. Inv. Nr. 91.1.29. New York, Metropolitan Museum of Art.

akg045239 Hogarth, William. 1697-1764. "Southwark Fair", 1733. Painting.

akg045298 Hogarth, William. 1697-1764. "Morning". Page I in the series: Four Stages of the Day. Copper engr. copy, 1794/99, by Ernst Ludwig Riepenhausen (1765-1840), of the coper engr., 1738, by Hogarth. 21.8 × 18.2 cm. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb3698288 A Harlot's Progress: pl.1. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

akg333481 Hogarth, William. 1697-1764. "Chiswick House, Middlesex", 1741. Oil on canvas, 77.5 × 103cm. London, Sotheby's. Lot 98, 14/11/90. Author: George Lambert.

alb3671346 Scholars at a Lecture. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 2 15/16 x 2 11/16 in. (7.5 x 6.8 cm). Engraver: Dent (British, active ca. 1800). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

akg045278 Hogarth, William 1697-1764. "The Dance" (The Wanstead Assembly), c. 1728. No. 6 from series "The Happy Marriage". Oil on canvas, 67.5 × 90cm. London, Camberwell Art Gallery.

akg096854 Hogarth, William. 1697-1764. "Hogarth's Servants", c. 1758/59. Oil on canvas, 62 × 75cm. London, Tate Britain. Museum: London, Tate Britain.

akg045276 Hogarth, William. 1697-1764. "Evening Music Society". Painting. Cambridge, Fitzwilliam Museum. Museum: Cambridge, Fitzwilliam Museum.

akg045256 Hogarth, William. 1697-1764. "The Arrest" (Mary is arrested in Drury Lane, the 'red-light' district). Page 3 in series: "A Harlot's Progress". 1732. Copper engraving and etching, coloured. 30 × 37.5cm.

akg045260 Hogarth, William. 1697-1764. "The Funeral" (the harlots taking leave by the side of Mary's coffin). Page 5 from series: "A Harlot's Progress". 1732. Etched copy, 1793/99 by Ernst Ludwig Riepenhausen (176501840), 16.8 × 21.7cm. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb3738906 Gin Lane. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3697992 Southwark Fair. Dated: 1733/1734. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900552 John Palmer, Barrister of the Inner Temple. Date/Period: 1749. Painting. Oil on canvas. Height: 760 mm (29.92 in); Width: 635 mm (25 in). Author: William Hogarth.

alb3670089 Frontispiece to Moliere's "Sganarelle, ou le Cocu Imaginaire" (The Imaginary Cuckold). Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates Jean-Baptiste Poquelin Molière (French, 1622-1673). Dimensions: sheet: 5 3/8 x 3 1/8 in. (13.7 x 8 cm). Etcher: John Vandergucht (British, London 1697-possibly 1732 London). Date: ca. 1732. Museum: Metropolitan Museum of Art, New York, USA.

alb3743296 A Rake's Progress: pl.2. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3608052 Self-Portrait. Artist: John Vanderbank, the younger (British, London (?) 1694-1739 London). Dimensions: Sheet: 14 9/16 × 13 in. (37 × 33 cm). Date: ca. 1720.The son of the proprietor of the Soho Tapestry Manufactory, Vanderbank attended the academy that Godfrey Kneller (1646-1723) established in Great Queen Street in 1711. In 1720, he partnered with Louis Chéron (1660-1725) to open a new academy in St. Martin's Lane that held life classes with male and female models and was attended by William Hogarth (1697-1764) and Joseph Highmore (1692-1780). That same year Vanderbank began to practice as a portrait painter and drew this self-portrait around that time. As a draftsman and illustrator Vanderbank demonstrates verve and originality that his paintings often lacki and the present sheet reflects appreciation for the Flemish tradition of Rubens and Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3713443 The Polling. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Francois Morellon de La Cave.

alb3706282 Chairing the Members. Dated: 1758. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Francois-Antoine Aveline.

alb3738983 Beer Street. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3743461 Marriage a la Mode: pl. 2. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Bernard Baron after William Hogarth.

alb3656842 The Wedding of Stephen Beckingham and Mary Cox. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: 50 1/2 x 40 1/2 in. (128.3 x 102.9 cm). Date: 1729.This wedding group is one of the artist's first essays in the fashionable genre of the conversation piece. Beckingham, a London lawyer, and his bride are flanked by members of their families. The marriage took place at St. Benet's but the setting is based on the church of St. Martin-in-the-Fields in Trafalgar Square. Although Hogarth was sought after for his ability to capture a likeness, the solemn event depicted here seems to have had limited appeal to him by comparison with his famous satirical subjects. Museum: Metropolitan Museum of Art, New York, USA.

alb3647492 The Industrious 'Prentice Out of his Time and Married to his Master's Daughter (Industry and Idleness, plate 6). Artist: William Hogarth (British, London 1697-1764 London). Dimensions: plate: 10 3/8 x 13 9/16 in. (26.4 x 34.4 cm)sheet: 10 9/16 x 13 7/8 in. (26.8 x 35.2 cm). Date: September 30, 1747. Museum: Metropolitan Museum of Art, New York, USA.

alb3900523 After. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 38.7 cm (15.2 in); Width: 33.7 cm (13.2 in). Author: William Hogarth.

alb3729448 Strolling Actresses Dressing in a Barn. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3720929 Canvassing for Votes. Dated: 1757. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Grignion after William Hogarth.

alb3720732 Marriage a la Mode: pl.5. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb4142461 An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

alb3711164 The Enraged Musician. Dated: 1741. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3700069 Marriage a la Mode: pl.4. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I after William Hogarth.

alb3699758 Noon. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900568 Sign for a paviour. Date/Period: Ca. 1725. Painting. Oil on panel. Height: 559 mm (22 in); Width: 559 mm (22 in). Author: William Hogarth.

alb3900569 Southwark Fair. Date/Period: 1733. Painting. Oil on canvas. Width: 151.1 cm. Height: 120.7 cm. Author: William Hogarth.

alb3900528 Dr Benjamin Hoadly, MD. Date/Period: Early 1740s. Painting. Oil on canvas. Height: 985 mm (38.77 in); Width: 862 mm (33.93 in). Author: William Hogarth.

alb3900567 Self-portrait. Date/Period: Ca. 1735. Painting. Oil on canvas. Height: 546 mm (21.49 in); Width: 508 mm (20 in). Author: William Hogarth.

alb3900510 Portrait of a Man. Date/Period: 1741. Painting. Oil on canvas Oil. Height: 762 mm (30 in); Width: 638 mm (25.11 in). Author: WILLIAM HOGARTH.

alb3724657 The Reward of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3700018 Marriage a la Mode: pl.1. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Louis Gerard Scotin after William Hogarth.

alb3744568 Vauxhall Gardens. Dated: 1785. Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

alb3731611 Analysis of Beauty: pl.2. Dated: 1753. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3660481 The Good Samaritan (St. Luke, Chap. 10, verse 30). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Plate: 16 3/4 x 22 5/16 in. (42.5 x 56.7 cm)Small lower plate: 2 5/16 x 22 5/16 in. (5.8 x 56.7 cm)Sheet: 19 7/8 x 23 in. (50.5 x 58.4 cm). Engraver: Simon Francis Ravenet, the elder (French, 1706-1774); Jean Marie Delattre (French, Abbeville 1745-1840 Fulham, London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: February 24,1772. Museum: Metropolitan Museum of Art, New York, USA. Author: after William Hogarth.

alb4142628 Plate One, from The Analysis of Beauty. William Hogarth; English, 1697-1764. Date: 1753. Dimensions: 366 × 490 mm (image); 410 × 540 mm (plate); 420 × 565 mm (sheet). Etching and engraving in black on cream laid paper (now in two parts, with the right side laid down on front book cover). Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA.

orz052231 March of the Guards to Finchley - 1750 - 101,5x133, cm - oil on canvas. Author: William Hogarth (1697-1764). Location: NATIONAL GALLERY. LONDON. ENGLAND.

orz004377 LA MARQUESA DE LA VALLETTE. Author: William Hogarth (1697-1764). Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.

orz011799 English school. George Graham in his cabin. George Graham en su camarote. Greenwich, National Maritime Museum. England. Author: William Hogarth (1697-1764). Location: NATIONAL MARITIME MUSEUM. GREENWICH. ENGLAND.

alb3728330 A Rake's Progress: pl.8. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900526 David Garrick (1717-79) with his wife Eva-Maria Veigel, "La Violette" or "Violetti" (1725 - 1822). Date/Period: 1757 - 1764. Painting. Oil on canvas. Height: 132.7 cm (52.2 in); Width: 104.2 cm (41 in). Author: William Hogarth.

alb3724135 Morning. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3731074 Tailpiece , or The Bathos. Dated: 1764. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3611892 A Midnight Modern Conversation. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 13 7/16 x 18 7/16 in. (34.2 x 46.8 cm). Date: March, 1732. Museum: Metropolitan Museum of Art, New York, USA.

alb3708696 The Fellow 'Prentices at Their Looms. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3707987 Hudibras beats Sidrophel and his man Whacum. Dated: 1725/1726. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3698567 Cunicularii, or The Wise Men of Godliman in Consultation. Dated: 1726. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3900522 Before. Date/Period: Ca. 1730 - 1731. Painting. Oil on canvas. Height: 15.2 in (38.7 cm); Width: 13.2 in (33.6 cm). Author: William Hogarth.

alb11599534 Portrait of Simon Fraser, 11th Lord Lovat (1667-1747). Museum: PRIVATE COLLECTION. Author: WILLIAM HOGARTH.

akg1043705 University / Lecture.-"Scholars at a Lecture" (Caricature of a lecture in law at the Jesus College in Oxford; the headwear indicates the social position of the students: angular hats for scholarship students, round ones for those paying themselves.-Copper engr., 1736, by William Hogarth.

akg1062129 Universität / Vorlesung.-"Scholars at a Lecture" (Studenten bei der Vorlesung: Karikatur einer rechtswissenschaftlichen Vorlesung am Jesus College in Oxford; die Kopfbedeckungen verraten die soziale Stellung der Studenten: eckige Mützen f. Stipendiaten, runde f. Selbstzahler.-Spät. Kolorierung. Kupferstich, 1736, v. W. Hogarth.

les39170206 Sigismunda Mourning over the Heart of Guiscardo 1759 This was Hogarth's most deliberate attempt to prove that modern English painters could handle heroic themes as convincingly as the revered Italian Old Masters. His chosen subject was the moment from Boccaccio's "Decameron" when the tragic princess discovers the murder of her lover after the murderers send her his heart in a golden goblet. The work was received with such harsh criticism that Hogarth all but abandoned painting for the last years of his life. Canvas; 1004 x 1265 mm N01046. Author: WILLIAM HOGARTH. Location: Tate Gallery, London, Great Britain.

les39170207 A Scene from "The Beggar's Opera" VI 1731 This is among the first paintings ever made of an English stage performance. It depicts a climactic scene from John Gay?s The Beggar?s Opera, first performed at the Lincoln?s Inn Theatre in 1728. Oil on canvas support: 572 x 762 mm frame: 820 x 900 x 90 mm N02437. Author: WILLIAM HOGARTH. Location: Tate Gallery, London, Great Britain.

les39170210 Marriage A-la-Mode: 5. The Bagnio 1743 "Marriage A-la-Mode" was the first of Hogarth's satirical moralising series of engravings about the upper echelons of society. The paintings were models from which the engravings would be made. The engravings reverse the compositions. Oil on canvas; 70,5 x 90,8 cm about 1743 NG117. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les40060101 The painter and his pug, 1745 Oil on canvas, 90 x 69 cm NOO112. Author: WILLIAM HOGARTH. Location: Tate Gallery, London, Great Britain.

les40060105 Mariage a la mode, a series of six satyrical paintings, also issued in very popular prints, describes the boredom and sad end of a fashionable marriage-The settlement,1742-44. Canvas,90,8 x 69,9 cm NG 113. Author: WILLIAM HOGARTH. Location: National Gallery, London, Great Britain.

les40060428 The rake's progress-the marriage. Canvas. Author: WILLIAM HOGARTH. Location: Sir John Soane's Museum, London, Great Britain.