Pesquisando por: "Early Earth, artwork" - Fotoarena - Agência de fotojornalismo

3E9PY5D Homeland of the Early Birds. Lush prehistoric jungle scene with ancient ferns and palm-like trees by a river. A vibrant oil painting depicts a dense, verdant prehistoric landscape featuring towering tree ferns and cycads surrounding a tranquil body of water under a hazy sky.

3DXM2ER Fauna and Flora of Devonian Coastal Shallow. Ancient prehistoric fish swim in a lush prehistoric landscape with unique flora. A vibrant illustration depicts a prehistoric aquatic environment teeming with diverse ancient fish species and primitive plant life.

3DJPJYT 1999 ad for 2000 game Mayday: Conflict Earth

3E96FJE Juan Sebastián Elcano (1476–1526) was a Spanish navigator and explorer who completed the first circumnavigation of the Earth after Magellan's death. The historical photographic print reproduces a 19th-century portrait at Museo Naval de Madrid.

2WPC4K1 Two 1840 biblical paintings by Ludwik Kosicki illustrating spiritual journeys and the vision of heaven and earth, showing New Testament subjects with figure composition.

2WPC396 This 1840 painting by Ludwik Kosicki depicts four angels on earth and scenes of the world's death, reflecting early 19th-century Polish biblical painting.

2WPC7F8 Ludwik Kosicki's 1840 painting depicts the opening of the sixth seal, illustrating the state of the earth, reflecting 19th-century Polish biblical art.

2RNAG34 National Tackle Kids Cancer Day Vector Illustration. September 15. Holiday concept. Template for background, banner, card, poster with text

2HYYGFB Terrestrial Globe. Italy, 1575-1625 and later. Tools and Equipment; globes. Bronze, gilt bronze, gilt copper, lapis lazuli

2J01KK7 Mount Monadnock. Abbott Handerson Thayer (United States, Massachusetts, Boston, 1849-1921). United States, circa 1918. Paintings. Oil on panel

2J00AGK God Creating Heaven and Earth. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, circa 1600. Prints; etchings. Etching

2HWG912 Study for “Science Revealing the Treasures of the Earth,” mural at the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent). Artist: Edwin Austin Abbey, American, 1852–1911, M.A. (HON.) 1897

2HWC9EB Green Meadow. Artist: Louis Michel Eilshemius, American, 1864–1941

2MP1G36 North Korean souvenir sheet of postage stamps from 2001 featuring space exploration, Yuri Gagarin, Isaac Newton, and early satellites.

2HHAHEE The Fall of Phaeton late 16th–early 17th century Hendrick Goltzius Netherlandish Phaeton, who recklessly drove Apollo's chariot through the heavens, tumbles from the shattered vehicle toward the earth. Zeus holds high a thunderbolt as he puts an end to Phaeton's rampage. This is one of at least fifty-two designs Goltzius made for an engraved series of Ovid's Metamorphoses. The engravings for the series do not display the virtuosity of his autograph works and were no doubt made by members of his workshop.The drawing exemplifies a chiaroscuro technique that Goltzius had perfected for print desig

2HHB22E The Four Horsemen, from The Apocalypse 1498 Albrecht Dürer German The third and most famous woodcut from Dürer's series of illustrations for The Apocalypse, the Four Horsemen presents a dramatically distilled version of the passage from the Book of Revelation (6:1–8): "And I saw, and behold, a white horse, and its rider had a bow; and a crown was given to him, and he went out conquering and to conquer. When he opened the second seal, I heard the second living creature say, 'Come!' And out came another horse, bright red; its rider was permitted to take peace from the earth, so that men should s

2HHBADE Salvator Mundi ca. 1505 Albrecht Dürer German This picture of Christ as Savior of the World, who raises his right hand in blessing and in his left holds a globe representing the Earth, can be appreciated both as a painting and a drawing. Albrecht Dürer, the premier artist of the German Renaissance, probably began this work shortly before he departed for Italy in 1505, but completed only the drapery. His unusually extensive and meticulous preparatory drawing on the panel is visible in the unfinished portions of Christ's face and hands. Listen to experts illuminate this artwork's story Listen Pl

2HHBNDG Spring Trees and Grasses by a Stream late 17th–early 18th century Japan The gently meandering stream, flowing through time and space, is unpainted except for the lines of ink that accentuate its softly curving form. A single clump of red azalea contrasts with the intense green of the pines. A glimpse of cherry blossoms in evanescent glory before they scatter on the stream marks the peak of spring, while the mountain rose (kerria) on the far bank betokens its passing. The stream flows into autumn on the left screen (15.127), through sunlit plumes of grass and huge, already brown leaves on a mag

2HHH1B3 Model Tipi late 1860s–76 Blackfoot Native American tipis are made in many sizes. From the large “skin tents” reported by early sixteenth-century travelers to those made by children three hundred years later, tipis are identified with Plains peoples. Distinctive features of construction mark each group’s forms, and the ornamentation of exteriors was equally distinctive, with individual men frequently specializing in painting them. Warrior deeds and hunting scenes appear on small tipis, as they also do on large ones. Symbols of the earth—mountains, the four world directions, the sky, sun and moo

2HJ3CGD Landscape with Figures 18th or early 19th century Possibly by George Frost. Landscape with Figures 341787

2HH3HCJ The Elements: Earth early 17th century Attributed to the workshop of Christoph Murer Swiss. The Elements: Earth 194915

2HH8F21 The Creation of the Fish and the Birds mid-16th–early 17th century Jan (Johannes) Wierix Netherlandish. The Creation of the Fish and the Birds 337930

2HH6XW1 A Peacock Perched on a Maple Tree ca. 1833 Utagawa Hiroshige Japanese Occasionally, Hiroshige incorporated lines from Chinese poems, rather than Japanese ones, into his bird-and-flower compositions. Here, the verse by the Chinese poet Bai Juyi (772–846) is among those included in the early eleventh-century anthology Japanese and Chinese Poems to Sing (Wakan r?eish?):???????????????Taezu k?y? seitai no chi mata kore ry?f? bou no tenHow moving: Earth covered with green moss scattered with crimson leaves. And then even more so: Skies filled with evening rainas a cool wind blows. —Trans. John T. C

2HH33KJ Pandora ca. 1914 Odilon Redon French In classical mythology, Pandora was a supremely beautiful woman created by the gods and sent to Earth to live among mortals. Redon depicts her nude, in a state of perfect innocence, and surrounded by flowers, like the biblical Eve in the Garden of Eden. According to legend, when Pandora opened the box cradled in her arms, she released all the evils destined to plague humanity, bringing to an end the idyllic Golden Age. This painting is thought to have been made about 1914, on the eve of World War I, when the themes of harmony destroyed and chaos unleashed m

2HGYM14 Buddha Shakyamuni with disciples early 18th century China Commissioned by the Qing imperial court, this stunning embroidery hanging features Tibetan-style Buddhist images. The large central Buddha sits on a lotus throne carried by lions, with his right hand in earth-touching mudra and his left in meditation mudra. The two small figures in front are the Buddha’s primary disciples: the youthful Ananda and the older Kashyapa. At the top, Tsongkhapa (1357–1419), the founder of the Gelug school of Tibetan Buddhism, is joined by two disciples. The uncommonly delicate embroidery successfully displays

2HHTH7T Plate Depicting a Female Figure Riding a Fantastic Winged Beast probably 8th century Like Sasanian examples, this plate depicts a female figure riding a fantastic winged beast with a feline head, feathered body, and canine legs. Her figure is unnaturalistically twisted, a quality seen on late seventh? and early eighth?century Central Asian wall paintings from Panjikent. The lower part of the plate contains a symbolic representation of earth, water, and sky.. Plate Depicting a Female Figure Riding a Fantastic Winged Beast. probably 8th century. Silver; gilded, chased, and engraved, with applied

2WTJRDB Mud volcano, Rotokanapanapa Hot Springs stereoscopic photographs, albumen prints, black-and-white prints

2WPDPYW An illustration by Julius Scholtz from 1859 depicting two horses, titled 'Mróna Ziemia Earth Two Horses,' reflecting 19th-century European illustrative style.

2WPA7PD Sketches by Arthur Blaschnik showing three landslides near Cieplice, illustrating terrain, rock formations, and natural landscape features between 1860 and 1918.

2WPCPD5 Drawing by Arthur Blaschnik from 1883 depicting seven mountain landslides on recto and verso, showing geological formations and terrain features.

2G4HGC7 . Cloud cover with the God Apollo as a personification of the east wind (Eurus). He holds a scepter and a winch in his hands and is accompanied by Ortus (morning), which is depicted as a blowing head without body. On the earth, the Asia and spring continents are personalized. On the right in the background a face on Bantam and the people of India. In the margin a four-line caption, in two columns, in Latin. Below a two-person caption with an assignment in Latin.

2G4F1FB . Adam plows the earth with a spade. Eva watches with a spin skirts in hand. Young children Cain and Abel play with a dog. In the margin a two-person caption in Dutch.

2G23J5T Three unit on a cloud. Christ with a cross and God the father with a globe sitting on a cloud. Between them in the Holy Spirit in the form of a pigeon. On the earth people are worshiping the three-unit. On the Verso a prayer for Johanna Francyna Claasens, died in Breda in 1821.

2G24ABK Creation of the air and the water; Creation of the world. In the form of a tetragram, God floats between heaven and the sea. On the second day of creation, God created the sky and the water. The print has a Latin caption.

2G006H1 Fifth Day of Creation: God creates fish and birds; From creation to expulsion from paradise. Fifth Day of Creation: God creates fish and birds so that the water flies from the living creatures and flying along the sky-vibrant birds. In medallion with a letter text in Latin from Genesis 1, within rectangular frame.

2FYYN40 Third Day of Creation: God creates land and sparking plants and trees with fruits wearing seeds; From creation to expulsion from paradise. Third Day of Creation: God creates land and sparking plants and trees with fruits wearing seeds. The water pulls itself back into rivers and the sea. In medallion with a letter text in Latin from Genesis 1, within rectangular frame.

2FYXPFX Triumphar of the world; Circulus vicissitudinis Rerum Humanarum. Triumphar with broken wheels, drawn by two winged horses. The right horse has the sun on its head and proposes the day (dies); The left horse is the night (NOx) and has a crowbar on the head. The car is laid down by time as an old man with zeis and hourglass. On the four corners of the cart are the personnifications of the four elements: Ignis, Terra, Aer and Aqua with their attributes. The globe is in the middle on a standard. The four winds blink in the clouds. Print from a series of nine prints with triumph carts from the Antw

2TDNKJK Skeleton of Iguanodon from the book ' The story of our planet ' by Thomas George Bonney, 1833-1923 published in 1902 by Cassell and Company Massive herbivorous bipedal dinosaur with a long heavy tail; common in Europe and northern Africa; early Cretaceous period

2H10A9E Finial with the temptation of Buddha by Mara, late 1100s–early 1200s. Cambodia, reign of Jayavarman 7th. Bronze; overall: 42 x 18.5 x 3 cm (16 9/16 x 7 5/16 x 1 3/16 in.); top: 22 x 17 x 3 cm (8 11/16 x 6 11/16 x 1 3/16 in.). The Buddha sits surrounded by a circle of flaming jewels and full-blown lotus petals. Two rearing serpents emblematic of the glory of the Khmer Empire emerge from either side of his lotus pedestal. The Buddha’s right hand points down in the earth-touching gesture, and his left hand holds a round object, probably a special rice offering that indicates the Buddha’s power t

2BWPYCX About 3.5 million years ago - just a blink of an eye in cosmic time - a tremendous explosion rocked the center of our galaxy. Our distant hominid ance

2WPCMWK Illustration from 1868 depicting a gathering of the Earth Society in the province, from the Chudo Estvienny Listok series, published in St. Petersburg by Brese, Trutovsky, and Henkel.

2WPADJH 'Our Earth,' by Stefan Filipkiewicz (1879–1944), is a 20th-century painting that depicts natural landscapes and reflects the artist’s focus on Polish visual art and illustrative style.

3BJNEJ2 Watercolor landscape painted by Sidney Goodwin in 1908 depicting a rural scene near Netley, England.

2A94E9D Fresco, Transfiguration Cathedral, Monastery of St Euthymius; Suzdal, Vladimir Oblast, Russia

2JRJ5XE Earth Meets Sky, circa 1910, New Zealand, by Fred Brockett.

T2PY7K Old Neolithic cave paintings, neolithic and early Bronze age. The Magura cave. Bulgaria.

MC868N ELEMENTALS Four Elements relating to the four corresponding temperaments - Phlegmatic to Water, Sanguine to Air, Choleric to Fire and the Melancholic to Earth. Early 16th century alchemical print

MC6H2B MAGICIANS - Sacrifical goat being disembowelled while a warlock or magician stands in the middle of a circle, grasping the skull (symbol of earth, and the symbol of the skies. Early 16th century woodcut

MC6EAG ASTROLOGY - ECLIPSE Mediaeval woodcut depicting the nature of an eclipse, regulated by the movitori, or planetary angels, operating from outside the zodiacal band. The clothed figure (right) is holding the shadow cone thrown by the light of the Sun (in zodiacal Cancer) on to the Earth. The shadow falls on the face of the Moon (itself in Capricorn), and reduces this to darkness. Woodcut vignette of early 16th century.

MP7DN8 Creation of the Earth by Francesco Salviati . Drawing of a painting in the Chigi Chapel in Santa Maria del Popolo . 17th century. 1088 Salviati creation drawing

2F28NJJ God creates heaven and earth; The creation. God the Father floating on a cloud far above the earth. He separates heaven and earth.

2HTTCD3 Art inspired by Handle with Intertwined Figures, early Malla period, 13th century, Nepal (Kathmandu Valley), Copper alloy, H. 6 1/8 in. (15.5 cm); Gr. W. 1 9/16 in. (4 cm), Metalwork, This elaborate openwork handle for a ritual vessel is composed of a five intertwined nagas, snake, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW4W4N Art inspired by Earth Monster (Tlaltecuhtli), 15th–early 16th century, Mexico, Mesoamerica, Aztec, Stone, Overall: 20 x 16 1/2 x 5 in. (50.8 x 41.91 x 12.7 cm), Stone-Sculpture, Many ancient American peoples conceived the earth to be a giant crocodile, turtle, or toadlike monster, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTX2EK Art inspired by Coiled Serpent, 15th–early 16th century, Mexico, Mesoamerica, Aztec, Stone, H. 11 1/2 x W. 9 x D.10 5/8 in. (29.21 x 22.86 x 27.03 cm), Stone-Sculpture, Serpents held an important place in the belief systems of many peoples in ancient Mexico and they are the most, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW52G3 Art inspired by The Fall of Phaeton, late 16th–early 17th century, Pen and brown ink, brown wash, heightened with white (slightly oxidized); brown ink framing lines; incised for transfer, 6 1/2 x 9 15/16 in. (16.5 x 25.3 cm), Drawings, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTX71N Art inspired by Textile Fragment, 4th–3rd century B.C., Peru, Chavin, Cotton, refined iron earth pigments, H. 5 3/4 x W. 12 1/4in. (14.6 x 31.1cm), Textiles-Woven, Cloth making began in the Andes at least as early as the third millennium B.C. and remained a medium of artistic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW4GEF Art inspired by Ichnographs from the Sandstone of Connecticut River, published 1861, Salted paper prints, Books, James Deane (American, 1801–1858), Early on, photography was recognized as a potential tool for scientific investigation. In England and France, where scientists applied, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW4MF2 Art inspired by Jérusalem, Chemin de Naplouse, 1854, Salted paper print from paper negative, Image: 23.1 x 33 cm (9 1/8 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872), Centrally placed olive trees stretch toward a vacated sky, while rocky terrain leads to a stone wall, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW46Y6 Art inspired by Marble statue of Eirene (the personification of peace), Early Imperial, Julio-Claudian, ca. A.D. 14–68, Roman, Marble, Pentelic ?, H. without plinth 69 3/4 in. (177.2 cm), Stone Sculpture, Copy of a Greek bronze statue of 375/374–360/359 B.C. by Kephisodotos, Eirene, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTTHBF Art inspired by Welcoming Descent of Jizō, 地蔵来迎図, early 14th century, Japan, Hanging scroll; ink, color, gold, and cut gold on silk, Image: 42 in. × 15 7/8 in. (106.7 × 40.3 cm), Paintings, Among the many iconographies of the bodhisattva Jizō (Sanskrit: Kshitigarbha) that originated in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW38D3 Art inspired by Demons on an Elephant with Nan Brah Dharani, the Earth Goddess, Wringing Water from Her Hair, Angkor period, late 12th–early 13th century, Cambodia, Bronze, H. 6 5/16 in. (16.1cm), Metalwork, The presence of demonic figures and of Nan Brah Dharani suggests that this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW9JGP Art inspired by Design for mausoleum window, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper, 5 5/8 x 4 3/4 in. (14.3 x 12.1 cm), Drawings, Tiffany Studios (1902–32), While many of Tiffany Studios’ mausoleum windows refer to religious, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTTC4R Art inspired by Gaja Lakshmi, Goddess of Fortune, 8th century, India (Kashmir), Stone, H. 5 1/16 in. (12.9 cm), Sculpture, Gaja Lakshmi, crowned with tripartite diadem and enthroned on a lion seat, is venerated as a bringer of good fortune and well-being to the earth, of which she was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

MY8B1G . English: Landscape with watercourse. Oil on canvas, 55 x 43 cm. Late 19th or early 20th century. Carl Ferdinand Hernlund 312 Landskap med vattendrag

2B94M2Y Pont des Invalides / Victory Road / A Mr. Prefect / Tribute respectful of the author / Victor Vilain. Earth Victory, the round of Nicolas Victor Vilain, adorning the central pier of the bridge of the Invalides, Paris "La Victoire terrestre", ronde-bosse de Nicolas-Victor Vilain ("A Monsieur le Préfet"), ornant la pile centrale du pont des Invalides, Paris. Photographie anonyme. Tirage au gélatino-bromure d'argent. Paris, musée Carnavalet.

2JARD3X Die Grosse Brucke Den Schuylkill Bey Philadelphia (Table XXXXII) in: Meyra universum, i.e. describing the most convenient visions and comments of objects of nature and art all over the earth , vol. 1, p. 1 12, Warsaw, U August Emmanuel Glücksberg, 1834 Martin, Johann Georg (1785 1842)

3E6GXTH Paul Klee – Earth Witches (Erd-Hexen), 1921 – oil painting, symbolic figures, Expressionist, dark tones

MYRD5W 74 Nemes-Lampérth - Landscape, 1917

2G3WMYT Fireplace of baked earth with diamond-shaped distribution. Fireplace of baked earth with diamond-shaped distribution. In the full windows the portrait of a king and the year 1581. In the other windows rosettes.

2G3YTK0 Fair stone, a portrait with striking hair like in a medallion. Fair stone, a portrait with striking hair like in a medallion. In late gothic edge. Of fine baked earth.

MX1P63 . Nederlands: Landscape. 1907-1920. between 1907 and 1920. Georges Darel 359 Landscape by Georges Darel

KPJ7MC Macro nature

KPJ7MW Macro nature

KPJ7NK Macro nature

KPJ7PW Macro nature

HN4J8P Stickman Illustration of Kids Using a Hologram in Class

MEH50R Water splashes on stones

3BJMMHA Stothard, Thomas; Peace Came Down upon the Earth; Tate; http://www.artuk.org/artworks/peace-came-down-upon-the-earth-202112

MW5D1P . Джон Лавери (англ. John Lavery) (1856—1941) — ирландский художник, мастер портретной и пейзажной живописи. ================== Sir John Lavery RA (20 March 1856 – 10 January 1941) was an Irish painter best known for his portraits and wartime depictions. www.youtube.com/watch?v=yRaCb7czsQI . 16 February 2016, 22:16. Leonid Ll 601 The Van Dyck Room, Wilton (38543835712)

2G42GNW Introduction to the four elements; Of the four elements; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Text over the four elements. The text catches with a decorated initial O. The magazine is part of an album.

MP6MXJ . English: Pangu by Dong Qichang, Osaka City Museum of Fine Arts 日本語: 絹本淡彩盤谷図〈董其昌筆／〉 . C16/17. 956 Pangu by Dong Qichang (Osaka City Museum of Fine Arts)

3DRF90M Woodcut from 1544–1558 depicting the vision of the First Angel blowing the trumpet as described in Revelation 8:7. Seven angels hold trumpets in Heaven at the top; flames descend toward Earth where a town, plants, and a tree are destroyed by fire. Part of a series of forty-eight Apocalypse woodcuts illustrating satirical allegories on the Church. The print demonstrates sixteenth century European religious iconography, compositional structure, and detailed depiction of celestial and terrestrial elements.

3E6HJCW Paul Klee – Red Earth (Rote Erde), 1926 – oil painting, landscape abstraction, Expressionist, earthy palette

MY8J65 . English: Mountains overlook a wide river at sunrise or sunset. Oil on panel, 6-1/2' x 14-1/2'. Probably early 20th century. Daniel Sherrin 312 Landscape with River and Trees

2BF2YA7 Study for The Creation of Light Plate 3 Physica Sacra. Scene depicting the creation of light, featuring a sun with extended rays shining down from the top right corner. The sunlight is breaking apart the multitude of grey clouds, which appear in front of a large circular structure, possibly representing earth.

F4MRHR Planet Earth sunrise over cloudy ocean from outer space (3d artwork)

EG44PW Earth sunrise with moon in deep space ( Texture maps for 3D models furnished by NASA )

3DJ8832 City in Twilight (The Small City II), 1913 painting by Egon Schiele

3DJ86R3 Krumau on the Moldau (Die kleine Stadt IV), 1916 painting by Egon Schiele

3DJ85NT Summer Landscape, Krumau, 1917 painting by Egon Schiele

3E70EAW Edvard Munch – Grave Workers, 1919 – oil painting, laborers, cemetery scene, dark earth tones

3DJ8A07 Town among Greenery (The Old City III), 1917 painting by Egon Schiele

3DJ85A6 Krumau Crescent of Houses (The Small City V), 1915 painting by Egon Schiele

3E7067D Edvard Munch – The Grave Digger, 1915 – oil painting, laborer figure, cemetery scene, dark earth tones

3DJ84XF Stein on the Danube, Seen from the South, 1913 painting by Egon Schiele

2B8MXYW The creation of the world, the creation of animals Anonyme. La création du monde, la création des animaux. Gravure inspirée d'une composition de Raphaël. Gravure. Paris, musée de la Vie romantique.

MW4W3J . Nederlands: Detail van het maaswerk in het middendeel van de Kruisafneming door Rogier van der Weyden; Doornikse lelie in het maaswerk. 1 December 2014, 18:30:14. The Prado in Google Earth 349 Kruisafneming VDWeyden Det1

EW45D6 Marsupials, early mammals, vintage engraved illustration. Earth before man – 1886.

EW45C8 Early stages of the creation of a mammal, vintage engraved illustration. Earth before man – 1886.

2C2NMC7 A forest in the early centuries of the Cretaceous Period, vintage engraved illustration. Earth before man – 1886.