Pesquisando por: "SS Great Eastern, illustration" - Fotoarena - Agência de fotojornalismo

alb3649592 [Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern]. Artist: Robert Howlett (British, 1831-1858). Dimensions: Image: 27.9 x 21.5 cm (11 x 8 7/16 in.)Mount: 36.4 x 26.6 cm (14 5/16 x 10 1/2 in.). Date: 1857, printed 1863-64.Four years in the making, 692 feet in length and weighing 22,500 tons, the Great Eastern was six times the tonnage of any ship yet built and was to be propelled by all the technology then available-screw, paddle, and sail. Because of its size, it had to be moved sideways, foot by foot, and it would take an unprecedented three months to launch. Its success was seen as a matter of national pride, a confirmation of Britain's supremacy at sea.Robert Howlett, a partner at the Photographic Institution, a leading professional studio in London, was commissioned by the Illustrated London Times to document the ship's construction. Howlett photographed the ship's designer, Isambard Kingdom Brunel (1806-1859), at the time of the launching. More than anyone else of his generation, Brunel had been responsible for the transformation wrought upon Britain by the Industrial Revolution, building railways, terminals, tunnels, dry docks, piers, and bridges. Two steamships of his design were the largest ships afloat. The Great Eastern, which incorporated many novel solutions to shipbuilding, was intended to be his crowning achievement. It proved, however, to be unsuccessful as a passenger ship and, after several runs on the Atlantic line, was used to lay telegraphic cables.The photographer posed the engineer in front of the giant chains that were wound around the huge checking drums to serve as restraints in the launching. A man of modest stature and strength but of great nervous energy, Brunel was seldom seen in public without a cigar and the cigar box he carried on a strap over his shoulder. The pose and expression convey self-assurance and determination, and the mud-spattered trousers and boots show a man of action involved in all the aspects of the job. A memorable depiction of the engineer as hero, this portrait, which bears Brunel's facsimile signature, was published as a memento in 1863-64, after the deaths of photographer and subject. Museum: Metropolitan Museum of Art, New York, USA.