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1648739 Apesar do sucesso da fábrica, para o crescimento da produção e boa administração da Vila Maria Zélia, Jorge Street acumulou dívidas e precisou vender o complexo em 1924 ? e viria a falecer catorze anos mais tarde, em fevereiro de 1938. Em 1939, a fábrica foi reaberta pela Goodyear. A empresa havia comprado parte do terreno ainda em 1938, demolindo a fábrica de tecidos, a creche, o jardim de infância e aproximadamente 18 casas.
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1648723 Apesar do sucesso da fábrica, para o crescimento da produção e boa administração da Vila Maria Zélia, Jorge Street acumulou dívidas e precisou vender o complexo em 1924 ? e viria a falecer catorze anos mais tarde, em fevereiro de 1938. Em 1939, a fábrica foi reaberta pela Goodyear. A empresa havia comprado parte do terreno ainda em 1938, demolindo a fábrica de tecidos, a creche, o jardim de infância e aproximadamente 18 casas.
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1648733 Apesar do sucesso da fábrica, para o crescimento da produção e boa administração da Vila Maria Zélia, Jorge Street acumulou dívidas e precisou vender o complexo em 1924 ? e viria a falecer catorze anos mais tarde, em fevereiro de 1938. Em 1939, a fábrica foi reaberta pela Goodyear. A empresa havia comprado parte do terreno ainda em 1938, demolindo a fábrica de tecidos, a creche, o jardim de infância e aproximadamente 18 casas.
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1648722 Apesar do sucesso da fábrica, para o crescimento da produção e boa administração da Vila Maria Zélia, Jorge Street acumulou dívidas e precisou vender o complexo em 1924 ? e viria a falecer catorze anos mais tarde, em fevereiro de 1938. Em 1939, a fábrica foi reaberta pela Goodyear. A empresa havia comprado parte do terreno ainda em 1938, demolindo a fábrica de tecidos, a creche, o jardim de infância e aproximadamente 18 casas.
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1648721 Apesar do sucesso da fábrica, para o crescimento da produção e boa administração da Vila Maria Zélia, Jorge Street acumulou dívidas e precisou vender o complexo em 1924 ? e viria a falecer catorze anos mais tarde, em fevereiro de 1938. Em 1939, a fábrica foi reaberta pela Goodyear. A empresa havia comprado parte do terreno ainda em 1938, demolindo a fábrica de tecidos, a creche, o jardim de infância e aproximadamente 18 casas.
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akg1009112 Womacka, Walter, 1925 - 2010, German Socialist Realist artist. "Scenes from the lives of children". Stained glass window, 1956, at a nursery, in Eisenhüttenstadt, Brandenburg, Germany.
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akg321254 Education / Creche. Four infants in a playpen at a creche in Neuilly-sur-Seine (France). Photo, undated, c. 1960 (?). From a series: "Crèches de la région parisienne".
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alb9875351 The Virgin Mary giving alms to unfortunates at the manger. Joseph seated at right, Jesus in a cradle in the barn. From an Italian manuscript, Meditations of St Francis Assisi, attributed to Taddeo Gaddi, Bibliotheque Imperiale, 14th century. La Vierge a la Creche, Italie, XIVe siecle. Chromolithograph by F. Krause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
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alb5180084 Design for Crèche (Nativity Scene), Pen and ink, brush and sepia wash on white paper, Horizontal rectangle. Architectural ruins, open to the sky, used as setting for the Nativity group, seen near center, middleground. Rays of light rise from the figure of the Child. Shepherd kneels in foreground. Woman with bundle on her head, at right., Italy, ca. 1770, figures, Drawing, Drawing.
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akg8372931 Figure from a Crèche: Standing Man, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.6, Cleveland, Museum of Art.
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akg8372927 Figure from a Crèche, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.2, Cleveland, Museum of Art.
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akg8372941 Figure from a Crèche: Standing Man, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.16, Cleveland, Museum of Art.
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akg8372944 Figure from a Crèche: Angel, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.19, Cleveland, Museum of Art.
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akg8372942 Figure from a Crèche: Angel, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.17, Cleveland, Museum of Art.
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akg8372945 Figure from a Crèche: Group of Four Sheep, 1780-1830. Sculpture, Painted terracotta. Inv. No. 1972.368.20, Cleveland, Museum of Art.
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akg8372928 Figure from a Crèche: Piper, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.3, Cleveland, Museum of Art.
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akg8372940 Figure from a Crèche: Infant Christ with Crib and Straw, 1780-1830. Sculpture, Painted terracotta. Inv. No. 1972.368.15, Cleveland, Museum of Art.
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akg8372937 Figure from a Crèche: Youthful Magus, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.12, Cleveland, Museum of Art.
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akg8372943 Figure from a Crèche: Angel, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.18, Cleveland, Museum of Art.
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akg8372939 Figure from a Crèche: Joseph, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.14, Cleveland, Museum of Art.
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akg8372948 Figures from a Crèche, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368, Cleveland, Museum of Art.
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akg8372930 Figure from a Crèche: Standing Man, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.5, Cleveland, Museum of Art.
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akg8372938 Figure from a Crèche: Virgin Mary, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.13, Cleveland, Museum of Art.
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akg8372929 Figure from a Crèche: Standing Man, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.4, Cleveland, Museum of Art.
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akg8372935 Figure from a Crèche: Negro Magus, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.10, Cleveland, Museum of Art.
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akg8372946 Figure from a Crèche: Sitting Ram, 1780-1830. Sculpture, Painted terracotta, 12.3 × 17 cm. Inv. No. 1972.368.21, Cleveland, Museum of Art.
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akg8372932 Figure from a Crèche: Attendant of the Magi, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.7, Cleveland, Museum of Art.
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akg8372926 Figure from a Crèche: Shepherd, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.1, Cleveland, Museum of Art.
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akg8372934 Figure from a Crèche: Attendant of the Magi, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.9, Cleveland, Museum of Art.
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akg8372933 Figure from a Crèche: Attendant of the Magi, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.8, Cleveland, Museum of Art.
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akg8372947 Figure from a Crèche: Standing Mountain Goat, 1780-1830. Sculpture, Painted wood and terracotta with various textiles, 17 × 19.2 cm. Inv. No. 1972.368.22, Cleveland, Museum of Art.
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akg8372936 Figure from a Crèche: Magus, 1780-1830. Sculpture, Painted wood and terracotta with various textiles. Inv. No. 1972.368.11, Cleveland, Museum of Art.
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alb3405222 Poor Victorian children at the creche of Sister Rosalie in Rouen. Colour woodblock after an illustration by Thomas Crane and Ellen Houghton from Abroad, Marcus Ward, London, 1882.
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alb3506143 Group of rustic figures, 18th century, Italian, Sicily, Polychromed wood, gesso and stiffened cloth, Gr. H. 11 1/4 in. (28.5 cm); , Crèche, The nature of the Sicilian crèche technique is very different from that of the Neopolitan. The latter is the work of numerous hands not only in the production of the figures themselves but also in their orchestration within the assembled crèche.
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alb4084746 A child learning the alphabet in a classroom of a creche. Colour Illustration from ‘Abroad’. Abroad. Marcus Ward & Co.: London, 1882. Source: 12810.d.28 page 22. Language: English. Author: Thomas Crane. Ellen Houghton.
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alb4074294 The school-room of a creche. Children with a nun. Colour Illustration from ‘Abroad’. Abroad. Marcus Ward & Co.: London, 1882. Source: 12810.d.28 page 23. Language: English. Author: Thomas Crane. Ellen Houghton.
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alb3682348 The Chapel of the Enfants-Trouvés in Paris: Religieuse et petites filles regardant la crèche. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 22 7/16 × 11 1/8 in. (57 × 28.2 cm). Date: 1756.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.
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alb3637543 Cherub. Culture: Italian, Naples. Dimensions: H. 4 9/16 in. (11.6 cm.). Date: second half 18th century.In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem -- the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes.According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720-1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib.Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season. Museum: Metropolitan Museum of Art, New York, USA.
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alb3680768 The Chapel of the Enfants-Trouvés in Paris: Religieuses et garçonnets regardant la crèche. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 22 1/2 × 11 1/4 in. (57.2 × 28.6 cm). Date: 1757.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.
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alb3595062 We'll build the creches. Museum: Russian State Library, Moscow. Author: ANONYMOUS. Copyright: This artwork is not in public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.
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alb4253356 Figure from a Crèche: Standing Man, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 26.9 cm (10 9/16 in.).
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alb4253313 Figure from a Crèche: Angel, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.).
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alb4252231 Figure from a Crèche: Joseph, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 30.7 cm (12 1/16 in.).
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alb4252232 Figure from a Crèche: Standing Man, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 27 cm (10 5/8 in.).
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alb4252230 Figure from a Crèche: Negro Magus, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 28.7 cm (11 5/16 in.).
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alb4252233 Figure from a Crèche: Shepherd, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.).
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alb4252234 Figure from a Crèche: Attendant of the Magi, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.).
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alb4239486 Figure from a Crèche: Youthful Magus, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.).
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alb4242539 Figure from a Crèche: Attendant of the Magi, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 36.1 cm (14 3/16 in.).
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alb4242856 Figures from a Crèche, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles;.
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alb4243688 Figure from a Crèche, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 31.4 cm (12 3/8 in.).
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alb4243194 Figure from a Crèche: Piper, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 27.3 cm (10 3/4 in.).
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alb4249466 Figure from a Crèche: Angel, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 22.2 cm (8 3/4 in.).
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alb4246919 Figure from a Crèche: Attendant of the Magi, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 21.7 cm (8 9/16 in.).
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alb4244237 Figure from a Crèche: Magus, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 28.7 cm (11 5/16 in.).
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alb4241183 Figure from a Crèche: Sitting Ram, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted terracotta; overall: 12.3 x 17 cm (4 13/16 x 6 11/16 in.).
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alb4236848 Figure from a Crèche: Angel, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 30.9 cm (12 3/16 in.).
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alb4231750 Figure from a Crèche: Infant Christ with Crib and Straw, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted terracotta; overall: 36.1 cm (14 3/16 in.).
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alb4231754 Figure from a Crèche: Standing Man, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 27.7 cm (10 7/8 in.).
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alb4232285 Figure from a Crèche: Standing Man, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 32.7 cm (12 7/8 in.).
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alb4233267 Figure from a Crèche: Virgin Mary, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 30.7 cm (12 1/16 in.).
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alb4231884 Figure from a Crèche: Standing Mountain Goat, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted wood and terracotta with various textiles; overall: 17 x 19.2 cm (6 11/16 x 7 9/16 in.).
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alb4232305 Figure from a Crèche: Group of Four Sheep, 1780-1830. Italy, Naples, late 18th-early 19th century. Painted terracotta; overall: 12.4 cm (4 7/8 in.).
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alb3667414 Angel. Culture: Italian, Naples. Dimensions: H. 17 1/4 in. (43.8 cm.). Maker: Giuseppe Sanmartino (Italian, 1720-1793). Date: second half 18th century.In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem -- the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes.According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720-1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib.Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season. Museum: Metropolitan Museum of Art, New York, USA.
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alb3602694 Virgin. Culture: Italian, Naples. Dimensions: (a) H. 14 1/4 in. (36.2 cm.); (b) Diam. 3 5/8 in. (9.2 cm.). Maker: Attributed to Salvatore di Franco (active 18th century). Date: second half 18th century.In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem -- the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes.According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720-1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib.Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season. Museum: Metropolitan Museum of Art, New York, USA.
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alb3655150 Camel. Culture: Italian, Naples. Dimensions: H. 16 1/4 in. (41.3 cm.). Date: second half 18th century.In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem -- the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes.According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720-1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib.Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season. Museum: Metropolitan Museum of Art, New York, USA.
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akg6164420 Europe, Germany, sandman from the 1950th , wood works, company unknown .
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alb3661576 Cherub. Culture: Italian, Naples. Dimensions: H. 5 1/4 in. (13.3 cm.). Date: second half 18th century.In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem -- the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes.According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720-1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib.Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season. Museum: Metropolitan Museum of Art, New York, USA.
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akg445907 Berlin-Pankow, Jewish Children's Home on Fehrbelliner Strasse 92 (creche, pre-school, afterschool programme and haven for temporarily abandoned children): resident of the home, Sylvia Wagenberg (centre, 1928-2003, survived Auschwitz as member of the girls' orchestra) with friends from Jewish middles school.- / Photo, 1941.
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akg420645 History / Germany / Jews / Berlin /. Photo / Nazi era (1933-45). Creche and after-school care run by the Children's Aid of the Berlin Jewish Community on Auguststrasse in Mitte: Children from the creche in a sandbox. Photo, 1936 (Abraham Pisarek).
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akg420643 History / Germany / Jews / Berlin /. Photo / Nazi era (1933-45). Creche and after-school care run by the Children's Aid of the Berlin Jewish Community on Auguststrasse in Mitte: Children from the creche. Photo, 1936 (Abraham Pisarek).
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akg420640 History / Germany / Jews / Berlin /. Photo / Nazi era (1933-45). Creche and after-school care run by the Children's Aid of the Berlin Jewish community on Auguststrasse in Mitte: children from the creche. Photo, 1936 (Abraham Pisarek).
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akg420648 History / Germany / Jews / Berlin /. Photo / Nazi era (1933-45). Creche and after-school care run by the Children's Aid of the Berlin Jewish Community on Auguststrasse in Mitte: children from the creche in a playpen. Photo, 1936 (Abraham Pisarek).
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akg420719 History / Germany / Jews / Photo /. Nazi era (1933-45). Jewish children's home at Fehrbelliner Strasse 92 in Berlin-Pankow (creche, preschool, after-school club, and temporary shelter for abandoned children): children from after-school care taking an afternoon nap. Photo, Abraham Pisarek, c. 1934/36.
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00551922 "Christmas, cribs, nativity scene, figures, ""Palace Crib"" of King Charles III of Naples, Italy, second half of the 18th century, Bavarian National Museum, Munich,"
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akg4054835 Zinc [La Crèche]. 1890.Rivière, HenripeintreNaissance: 1864Décès: 1951Théâtre d'ombres [La Marche à l'Etoile]Théâtre d'ombresZinc de la pièce "La Marche à l'Etoile", composée de 12 tableaux d'après un poème et une musique de Georges Fragerolle et des dessins de Henri Rivière. La première fut jouée dans le cabaret du Chat Noir de Rodolphe Salis à Paris, le 6 janvier 1890.Zinc découpé et peintH. cm : 117 l. cm : 147 don Madame Lemoine, 1966 n° inventaire: 48846. Paris, Les Arts Décoratifs. . Museum: Paris, Les Arts Décoratifs. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.
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akg4054834 Zinc [La Crèche]. 1890.Rivière, HenripeintreNaissance: 1864Décès: 1951Théâtre d'ombres [La Marche à l'Etoile]Théâtre d'ombresZinc de la pièce "La Marche à l'Etoile", composée de 12 tableaux d'après un poème et une musique de Georges Fragerolle et des dessins de Henri Rivière. La première fut jouée dans le cabaret du Chat Noir de Rodolphe Salis à Paris, le 6 janvier 1890.Zinc découpé et peintH. cm : 69 l. cm : 147 don Madame Lemoine, 1966 n° inventaire: 48847. Paris, Les Arts Décoratifs. . Museum: Paris, Les Arts Décoratifs. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.
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dpa7360054 (dpa) - The miniature Christmas creche made of a matchbox is presented by an employee of the museum in Waldkirch, Germany, 22 November 2002. Until 12 January 2003 nativity creches from two centuries will be exhibited in Waldkirch.
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