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3BPAPFH Apart from well developed sensitive facial whiskers, the Bush Hyrax has sensitive or sessile hairs spread around the body. These help them feel
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3BP91K9 Bush Hyrax get the last warmth of the day from the granite rock before they retire into tight recesses in the granite rock that will protect them
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3BN95B8 A male Bush Hyrax displays from a prominent position in his territory with an obvious show of dominance. This is to warn other males
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3BN959W A male Bush Hyrax displays from a prominent position in his territory with an obvious show of dominance. This is to warn other males
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3A4RYD8 Queen Camilla receives a bouquet of flowers as she meets children and their mothers in the creche area during a visit to Atlas Women's Centre in Belfast, to meet representatives from Atlas and see the facilities and services they offer, including courses, workshops, counselling and childcare, on the first day of the royal visit to Northern Ireland. Picture date: Wednesday March 19, 2025.
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3BJWJA8 Boulogne-sur-Mer (northern France): the “pointe de la Crèche” headland overlooking the harbor of Boulogne-sur-Mer along the “côte d’Opale” coastal are
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3BJWJAB Boulogne-sur-Mer (northern France): the “pointe de la Crèche” headland overlooking the harbor of Boulogne-sur-Mer along the “côte d’Opale” coastal are
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2Y49T3F The Greylag Goose is a common breeding bird on the lakes and waterways of the UK. Their numbers are boosted by migrants from Iceland in winter.
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2XERFAF A young Giraffe is never far from its mother who keeps a watchful eye over any that might be in the creche. Young Giraffe will instinctively creche
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2XBR9XN A young Bush Hyrax stares curiously from the branches of a tree it is resting in. Their diet is leaves of herbaceous plants and trees
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2WW50EC Christians believe 'the word became flesh' John1:14. Jesus born, died, & arose from the dead to give everlasting life to all. See White empty cross.
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2WW0RDW Handcrafted leather cross with triune God symbol rests in a manger bed of straw to remind us that the star of Bethlehem shines where Jesus was born.
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2XYD3N5 A group of Bush Hyrax rest in a rocky retreat. They hide from the heat of the day in the shade as they are poor thermoregulators.
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2XMBKRH Bush Hyrax live in family clans in rocky habitats. They seek shelter for protection from predators and from the heat of the day.
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2XE2392 A group of Bush Hyrax seek shelter in the granite boulders where the family shelters from the hear of the day. They also use the shelter at night
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2T11925 Aline Milato from Athy Co Kildare drops her children Amanda, two, and Liam, three, to creche, ahead of the Government's Budget for 2024. Picture date: Tuesday October 10, 2023.
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2RE8MDJ Hamburg, Germany. 26th July, 2023. Rubber boots dry on a rack at the Elbkinder daycare center in Uffelnsweg. Founded in 2003, the daycare center in Veddel cares for up to 130 children from crèche to preschool age. Credit: Christian Charisius/dpa/Alamy Live News
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2RE8MD2 Hamburg, Germany. 26th July, 2023. Rubber boots dry on a rack at the Elbkinder daycare center in Uffelnsweg. Founded in 2003, the daycare center in Veddel cares for up to 130 children from crèche to preschool age. Credit: Christian Charisius/dpa/Alamy Live News
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2MP09TE vintage moment / vintage funny moment / vintage photograph / power of the moment / magic moments / vintage eating / eating / vintage life moment from the 1910s childen in creche / nursery get them breakfast and posing for the camera. caramella milk / cacao / tea or hot chocolate was the breakfast with challah bread.
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2RG9BYN A Bush Hyrax warms up in the late afternoon sunshine prior to retreating into the rock crevasses for the night. Apart from long sensintive whiskers th
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2RG9FPK A young Impala stares from the safety of the creche. The Impala is a successful antelope that thrives on browse or grazing depending on season.
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2T1YRTR The Bush Hyrax live in gregarious communities in the rocks. The female get their young into creches soon after birth. They are active from early on.
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2R9N7FK The Bush Hyrax live in tightly knit family units. They have sentries that will quickly alert members if there is danger approaching from the sky
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2T4YX6B The young of the Bush Hyrax are active from an early age. But they play in creches and are never far from protective cover and mothers watchful eyes
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2RKWE6X A Bush Hyrax emerges from his den in the granite rocks after a heavy rainstorm. Emerging to dry out as quickly as possible as they have poor control.
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2RKWDGY A Bush Hyrax emerges from his den in the granite rocks after a heavy rainstorm. Emerging to dry out as quickly as possible as they have poor control.
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2RDK973 A Bush Hyrax lies out in the open to dry out after a heavy deluge. Apart from their pronounced whiskers the body pelage has longer sessile hairs.
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2RDAW74 As the gloom of dusk gathers the Bush Hyrax family gathers and prepares to huddle together for warmth and in crevasses for protection from predators.
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2RDATBX As the gloom of dusk gathers the Bush Hyrax family gathers and prepares to huddle together for warmth and in crevasses for protection from predators.
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2RKEW05 A Bush Hyrax takes a break from browsing foliage in tree. Though they live in rocky areas they spend much of the day in the trees browsing on leaves.
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2RBWN2K A sub-adult Bush Hyrax emerges from a crevasse in the granite boulders the family unit uses as a refuge from danger and safe place to sleep.
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2MDP3GN Markus SOEDER (Prime Minister of Bavaria and CSU Chairman), looks to the side, from the side, profile, single image, cut single motif, portrait, portrait, portrait in front of ransparent in rainbow colors. Prime Minister Dr. Markus Soeder and family minister Ulrike Scharf visit the language day-care center ?Neuhausen crèche? in Munich on January 23, 2023. ?
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2K1R39G Weihnachten, heiliger Abend, Geburt von Jesus Christus in Darstellung mit der Krippe, 1869, Frankreich / Christmas, Christmas Eve, birth of Jesus Christ depicted with the manger, 1869, France, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century
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2M0W6A6 Four year old Arlo Egan (right) and Jayke Meehan (4) from the YMCA crèche on Aungier St with Daisy the donkey at the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W6A0 Jack Anderson (3), from the YMCA crèche on Aungier St, with Daisy the donkey at the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W68C Three year old Sebastian D'Ambrosio (left) and Arlo Egan (4), from the YMCA crèche on Aungier St, with Daisy the donkey at the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W689 Three year old Sebastian D'Ambrosio (left) and Arlo Egan (4), from the YMCA crèche on Aungier St, with Daisy the donkey at the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5XW Three year old Sadhbh McGonagle (centre) and other children from the YMCA crèche on Aungier St dressed up as angels attend the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5XK Children from the YMCA crèche on Aungier St dressed up as angels making their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5XM Three year old Sadhbh McGonagle (centre) and other children from the YMCA crèche on Aungier St dressed up as angels attend the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5N2 Children from the YMCA crèche on Aungier St dressed up as angels making their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5MJ Children from the YMCA crèche on Aungier St dressed up as angels making their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5MD Children from the YMCA crèche on Aungier St dressed up as angels making their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5KA Children from the YMCA crèche on Aungier St dressed up as angels making their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5K7 Three year old Noraiza Ahmed (centre) and other children from the YMCA crèche on Aungier St. dressed up as angels making their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0W5JY Pre school teacher Robyn Slattery adjust a halo as children from the YMCA crèche on Aungier St dressed up as angels make their way to the official opening of the Live Animal Crib at the Summer House in Dublin's St. Stephen's Green. The crib will be open to the public until Thursday, December 22nd. Picture date: Thursday December 8, 2022.
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2M0R5ED NEW ORLEANS, LA, USA - DECEMBER 6, 2022: Workers from Pelican Ice Company blowing crushed ice to make fake snow for holiday event on Loyola University
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2PD67BE Baby Jesus missing from the manger in a creche nativity set made of olive tree wood from the Holy Land
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2PD667Y Nativity creche made of olive tree wood from the Holy Land with a Christmas tree and lights background with baby Jesus
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2K4T9WB Introduced to the UK from North America in the Seventeenth Century, the Canada Goose is now a common breeding resident around the UK.
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2K1PXAR Weihnachten, heiliger Abend, Geburt von Jesus Christus in Darstellung mit der Krippe, 1869, Frankreich / Christmas, Christmas Eve, birth of Jesus Christ depicted with the manger, 1869, France, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an original from the 19th century
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2JFGWWB An alert Bush Hyrax is always on the look out for potential danger, be it from the air or on the ground. They have a large number of sensitive hairs
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2KEBB7J The Bush Hyrax is a distant relative of the elephant, and it always looks incongruous watching them browse leaves from the extreme edges of branches
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2KEBB8K An infant Bush Hyrax suckles from its mother. The young are hyper-active and between energetic play which starts at an early age they suckle from her
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2JNX3TJ A female Bush Hyrax feeds her youngsters with milk from her pectoral mammary glands on her chest. They also have two pairs of inguinal nipples
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2JFGWW5 An alert Bush Hyrax is always on the look out for potential danger, be it from the air or on the ground. They have a large number of sensitive hairs
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2K200JR Bush Hyrax will rely on warnings from sentries for potential danger till the light fades or it gets too chilly. The colony then huddles up in shelters
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2HT0P2B numbers of Greylag Goose in the UK are bolstered by the arrival of winter migrants from Iceland and Scandinavia. They are large powerful geese
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2HB1682 Christmas Carol, From Christian Joy in Song and Picture by Ludwig Richter, Scene of the Birth of Jesus Christ in the Stable in Bethlehem / Weihnachtslied, Aus Christenfreude in Lied und Bild von Ludwig Richter, Szene von der Geburt Jesus Christus im Stall in Bethlehem, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt
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2HB1637 Nativity play at Christmas, the angel wakes up the shepherds / Krippenspiel zu Weihnachten, der Engel weckt die Hirten, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt
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2HKGBDT Introduced from North America centuries ago, the Canada goose is now a common sight along British waterways.
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2HJ4R8T Cherub second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HJ4N6G Camel second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night
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2HJ4972 Cherub second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HJ48A4 Group of rustic figures 18th century Italian, Sicily The nature of the Sicilian crèche technique is very different from that of the Neopolitan. The latter is the work of numerous hands not only in the production of the figures themselves but also in their orchestration within the assembled crèche. Sicilian figures, on the other hand, although rougher in finish are entirely made by the individual artists who not only mold their clothing but also control the grouping of the figures within separate vignettes.. Group of rustic figures 208166
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2HJ42C6 Shepherd second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Ni
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2HJ3217 Angel 18th century Attributed to Giuseppe Sanmartino Italian In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on
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2HJ2AFC Angel second half 18th century Giuseppe Sanmartino Italian In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on th
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2HJ1F28 Cherub second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HJ1DHP Holy Ghost in rays second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on t
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2HJ14K4 Cherub second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HJ11HH Virgin second half 18th century Attributed to Salvatore di Franco In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, wher
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2HJ11DG King second half 18th century Nicola Ingaldi In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night t
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2HJ0WXT Elderly king second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Hol
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2HHHD7N Angel second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night
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2HHH9TR Man second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night t
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2HHFT6P Infant Jesus second half 18th century Attributed to Giuseppe Sanmartino Italian In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by
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2HHANX3 Lamb second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night
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2HH9DX7 Angel second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night
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2HH8RRM St. Joseph second half 18th century Attributed to Salvatore di Franco In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke,
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2HH8R3D Angel second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night
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2HH87RY Cherub second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH7JX5 King's attendant second half 18th century Giuseppe Gori In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the H
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2HH7H2N Shepherd second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Ni
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2HH796M Male adult goat second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the
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2HH794C King's attendant second half 18th century Lorenzo Mosca In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the H
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2HH6KM6 Peasant woman second half 18th century Matteo Bottigheri In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the
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2HH5H39 Angel second half 18th century Attributed to Salvatore di Franco In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where
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2HH5FN1 Angel second half 18th century Attributed to Giuseppe Sanmartino Italian In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luk
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2HH3385 Cherub second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YEY Cow's head second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy
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2HH0YJ0 Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YF9 Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YFD Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YGB Donkey's head second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Ho
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2HH0YEC Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YCC Censer 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was
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2HH0YCA Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YD3 Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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2HH0YAF Censer second half 18th century Italian, Naples In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Nigh
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