Pesquisando por: "ABRAHAM BOSSE" - Fotoarena - Agência de fotojornalismo

alb3661023 Husband-Beater. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/16 × 12 15/16 in. (25.6 × 32.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3670624 The Ratcatcher. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 8 9/16 × 5 7/8 in. (21.8 × 14.9 cm)Plate: 8 3/8 x 5 11/16 in. (21.3 x 14.4 cm). Series/Portfolio: Cries of Paris(Les Cris de Paris). Date: mid to late 17th century."A noble gentleman who in combat made the whole earth tremble,Through a misfortune of war goes crying death to rats."Bosse, who wrote a treatise on etching based on the innovations of Jacq"ues Callot-with whom he had worked-and who developed a new means of perspective construction that he taught in the French Royal Academy for over a decade, is best known for his numerous prints of everyday Parisian life. In his series of twelve itinerant tradesmen, the crisp and controlled etched line and the precisely defined spatial settings lend polish to the figures, even to the ragged, peg-legged rat catcher. Museum: Metropolitan Museum of Art, New York, USA.

alb3673439 Childbirth. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 1/2 × 14 7/8 in. (29.2 × 37.8 cm)Plate: 10 1/2 × 13 1/2 in. (26.7 × 34.3 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3725098 L'Infirmerie de l'hospital de la Charite de Paris. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3663352 The Surgeon (La Saignée). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1632. Museum: Metropolitan Museum of Art, New York, USA.

akg7765655 Europe, France, printing house ( gravure printing ) , by Abraham Bosse , 17th century .

akg5857501 Engineering / Metals / Iron and Steel:. Berlin-Kreuzberg, iron foundry A. Salinger, Luisenufer 44 (today Segitzdamm):. - Inside view: view into the office of the management; A. Salinger (?) in conversation. - Photo, June 1937 (Abraham Pisarek).

akg5857497 Engineering / Metals / Iron and Steel:. Berlin-Kreuzberg, iron foundry A. Salinger, Luisenufer 44 (today Segitzdamm):. - Inside view: view into the office of the management; standing at the open office cupboard A. Salinger (?). - Photo, June 1937 (Abraham Pisarek).

akg5857495 Engineering / Metals / Iron and Steel:. Berlin-Kreuzberg, iron foundry A. Salinger, Luisenufer 44 (today Segitzdamm):. - Inside view: view into the office of the management; at the desk A. Salinger (?). - Photo, June 1937 (Abraham Pisarek).

akg5857496 Engineering / Metals / Iron and Steel:. Berlin-Kreuzberg, iron foundry A. Salinger, Luisenufer 44 (today Segitzdamm):. - Inside view: view into the office of the management; at the desk A. Salinger (?). - Photo, June 1937 (Abraham Pisarek).

akg253875 Handwerk und Gewerbe:. Konditor. "Der Konditor". Kupferstich von Abraham Bosse. (1602-1676), spätere Kolorierung.

alb9869589 Corinthian order column with entablature. Corinthia. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9871306 Decorative features from the eras of Louis XIII, Louis XIV, the Sun King, and Louis XVI. Cartouche by Abraham Bosse, panel from a door in Versailles Palace, painting by Jacques de la Joue. Loeuvre de Bosse, panneau de porte du palais de Versailles, oeuvre de la Joue. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIIe, et XVIIIe Siecle, Elements of Ornament of the 17th and 18th century, Renouard, Paris, 1890.

alb9871777 Archway with columns in the Corinthian order. Corintia. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9876313 Portal with pilaster in the Corinthian order. Corintia. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9878946 Portal or door in the Composite order. Composito. Portal in Kompositordnung. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9875643 Profiles of Tuscan, Doric and Ionic order columns. Toscana, Dorica, Ionica. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9872242 Arch with columns in the Composite order. Composita. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9871043 Arches in the Doric, Ionic, Corinthian and Composite orders. Dorica, Ionica, Corinthia und Composita. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9876267 Ionic order column with entablature. Ionica. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9870097 Doric order column with entablature. Dorische Säule mit Gebälkstücken. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9875935 Doric Order portal or door with pilasters. Dorisches Portal mit Pilaster. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9874731 Portico with columns in the Ionic order. Ionica. Bogengang mit Säulen in jonischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9877635 Arch of the Tuscan order. Toscan Arcus oder Bogen. Copied from Abraham Bosse, Traité des manières des dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9873749 Door or portal of the Tuscan order. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9874646 Doric order column with entablature. Dorische Säule mit Gebälkstücken. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9879789 Portal or door of the Ionic order. Ionica. Portal jonischer Ordnung. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9871102 Design elements from the era of Louis XIII, 17th century. 1-4 after Abraham Bosse, 5-8 after examples in the Cabinet of Prints, Bibliotheque Nationale. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIIem et XVIIIe Siecle, Elements of Ornament of the 17th and 18th century, Renouard, Paris, 1890.

alb9881737 Ionic order capital. Ionica. Jonischen Kapitell. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9880835 Tuscan order column with entablature. Toscana. Toskanische Säule mit Gebälk. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9881032 Doric order portal. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9880956 Column and entablature in the Composite order. Composita. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9880719 Portico with columns in the Doric order. Dorica. Bogengang mit Säulen in dorischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb3627812 The Shoemaker. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm)Plate: 10 1/4 × 13 1/16 in. (26.1 × 33.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades(Les Métiers). Date: 1632-33. Museum: Metropolitan Museum of Art, New York, USA.

alb3667270 Hearing. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/2 × 13 1/4 in. (26.7 × 33.7 cm). Publisher: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris). Series/Portfolio: The Five Senses (Les Cinq Sens). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

alb9491037 Interior with elegant company, dressed according to the French court fashion of ca. 1634. To the music of a viola da gamba and two violins, a couple dances in the center aisle. The man wears a hat with wide brim and large feathers. Below this, the curly hair falls to the shoulders, on one side in a 'cadenette' in which a ribbon is tied. On the doublet, which is richly decorated with passages, a wide flat collar of lace. Around the waist a rangée d'aiguillettes. Openwork sleeves through which the shirt is visible. Culottes galonnées, buttoned just below the knee with a ruban folttant. Shoes with a large rosette (the rest of the gentlemen are wearing boots). The lady is dressed in a dark gown open from the front over a light jupe carré tombant sur la terre. Body with cleavage with wide balloon sleeves, decoupées à bandes. The man in the front right, seen from behind, wears overshoes., Dancing man and woman at a ball, print maker: Abraham Bosse, (possibly), publisher: Cornelis Danckerts (I), (mentioned on object), Amsterdam, c. 1633 - in or after 1634, paper, etching, engraving, h 263 mm × w 337 mm.

alb3716720 The Prodigal Son as a Swineherd. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3720991 The Siege of La Rochelle [plate 3 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot and Abraham Bosse.

alb1996730 The five senses, taste, by an anonymous painter, copy of an engraving by Abraham Bosse (1602-1676), oil on canvas. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb1993446 The pastry shop, 1638, by Abraham Bosse (1602-1676), engraving. Location: Paris, Bibliothèque Nationale De France (Library).

alb1995403 The five senses, taste, by an anonymous painter, copy of an engraving by Abraham Bosse (1602-1676), oil on canvas. Detail. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb2065585 Hearing, from the Five Senses series, ca 1635, painted by an unknown artist on an engraving by Abraham Bosse (1604-1676). Detail. France, 17th century. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb2279906 Ladies in conversation in the absence of their husbands, 17th century, painting by an unknown artist based on an engraving by Abraham Bosse (1602-1676). Location: Ecouen, Château, Musée De La Renaissance (Art Museum).

alb1886885 France, 17th century. Series of the Five Senses. The sense of smell, around 1635. Painting by unknown artist after engraving by Abraham Bosse (1604-1676). Detail. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

akg5839953 Le costume historique / Albert Racinet (1825-1893) / France / Paris / Louis XIII. "FRANCE. - XVIIe siècle. - Les Modes sous Louis XIII. Un contrat de mariage. - La Galerie du Palais". "Le costume historique", 1888, tome V, planche 329. Le contrat de mariage, d'après l'estampe "Le contrat" parue en 1633, de six estampes intitulées "Mariage à la ville" d'Abraham Bosse (1602-1676). La Galerie du Palais, d'après une estampe d'Abraham Bosse (1602-1676). Boutique de lingère (à droite), de mercier et la boutique d'Augustin Courbé (à gauche), libraire du roi. La femme du libraire offre à un cavalier la "Marianne" de Tristan l'Hermite, une tragédie au succès prodigieux au théâtre du Marais en 1636. "Le costume historique. Cinq cents planches, trois cents en couleurs, or et argent. Deux cent en camaïeu. Types principaux du vêtement et de la parure rapprochés de ceux de l'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc.". Recueil publié sous la direction de M. A. Racinet. Paris, Librairie de Firmin-Didot et Cie., 1888. 6 vol., fig. et pl. en noir et en coul., in-gol. Collection privée. Author: ABRAHAM BOSSE. SAINT-ELME GAUTIER.

alb3197032 The Ball, Interior with elegant company, dressed according to the French Court Fashions of around 1634. To the music of a viola da gamba and two violins dances a chic pair, Cornelis Danckerts Abraham Bosse, c. 1634.

alb1948587 Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

alb1943786 Woman of France, 16th century, from an engraving by Abraham Bosse (1602-1676). Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

alb1944232 French woman, 17th century, from a painting by Abraham Bosse. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

akg281697 Liebe und Ehe / Hochzeit:. Aussteuer. "Les Présents a la mariée". (Hochzeitsgeschenke). Kupferstich von Abraham Bosse (1602-1676). Aus der Folge: La Mariage a la campagne.

akg867546 Bosse, Abraham "Portrait de femme brodant, assise dans un fauteuil" (Bildnis einer stickenden Frau in einem Lehnstuhl), undat. Rötelzeichnung, 29 x 22 cm. Inv.Nr. RF81recto. Museum: Musée du Louvre., Paris.

alb3716095 The Siege of La Rochelle [plate 1 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot and Abraham Bosse.

alb3717834 The Siege of La Rochelle [plate 16 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Israel Henriet or Abraham Bosse after Jacques Callot.

alb3703394 Frontispiece for Callot's "The Penitents". Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3707709 The Siege of La Rochelle [plate 2 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Michel Lasne and Abraham Bosse.

alb3649944 A gentleman walking forward, his face in profile to the left, holding his glove in his right hand and wearing a hat, a fur jacket, and shoes with ribbons. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean de Saint-Igny (French, Rouen ca. 1595/1600-1647 Paris). Dimensions: Sheet: 5 11/16 × 4 1/16 in. (14.5 × 10.3 cm)Plate: 5 1/2 × 3 3/4 in. (14 × 9.5 cm). Series/Portfolio: The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing(Le Jardin de la Noblesse Française dans lequel ce peut ceuillir leur maniere de Vettements). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3725169 Le noble peintre. Dated: 1642. Dimensions: plate: 9 7/8 x 12 11/16 in. (25.1 x 32.2 cm) sheet: 26.4 x 33.3 cm (10 3/8 x 13 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3729556 Frontispiece for Callot's "The Mysteries of the Passion". Dated: c. 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3725819 The Siege of La Rochelle [plate 15 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Michel Lasne and Abraham Bosse.

alb3668876 Burying the Dead (Enseveliir les morts). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 10 1/8 x 12 1/8 in. (25.7 x 30.8 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Les OEuvres de miséricorde. Museum: Metropolitan Museum of Art, New York, USA.

alb9519486 In an interior, a wealthy man sits at a table with his family and guests. Through the doorway on the right, the beggar Lazarus can be seen, whose sores are being licked by a dog. On the left from top to bottom three smaller representations depicting the death of Lazarus, his ascension and burial. On the right, three smaller representations showing the death of the rich man, the rich man in hell, and his burial. After the biblical story in Luke 16: 19-25, Lazarus and the Rich Man Who despises God's poor here, awaits syn retribution , print maker: Pieter Nolpe, Abraham Bosse, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1623 - 1652, paper, etching, engraving, h 416 mm × w 524 mm.

alb9520408 Portrait Isabella of Castile, print maker: Gilles Rousselet, (mentioned on object), print maker: Abraham Bosse, after design by: Claude Vignon, (mentioned on object), France, 1647, paper, engraving, etching, height 346 mm × width 223 mm.

alb9503850 Left: dwarf, seen from the front, playing a guitar, a hat with two feathers on the head. Right: dwarf, seen from the front, a hat with two feathers on the head, a mask in front of the face, the left hand at the hilt of his sword. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with guitar, Dwarf with sword and mask Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 61 mm × w 84 mm, h 62 mm × w 85 mm, h 151 mm × w 278 mm.

alb9507246 Left: dwarf, seen more or less on his left side, with a hunchback over which runs a row of buttons, a hat with feathers on his head, a sword on his right side. Right: dwarf, seen from the front, playing a violin, a hat with two feathers on the head, a sword on his right side. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with sword, a row of buttons on the back, Dwarf with violin and sword Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 65 mm × w 85 mm, h 62 mm × w 86 mm, h 147 mm × w 277 mm.

alb9487715 Left: dwarf, seen on left side, with hunchback, playing a lute, hat with two feathers on head, sword on his right side. Right: dwarf, seen on the right side, with a drooping belly over which runs a row of buttons, a top hat with feathers on the head, the right hand at the hilt of his sword, a walking stick in the left hand. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarves, many are hunchbacks, Dwarf with lute and sword, Dwarf with sword and walking stick Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarves and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 57 mm × w 85 mm, h 64 mm × w 82 mm, h 155 mm × w 278 mm.

alb9469843 Left: dwarf, seen more or less on the left, with hunchback, hat with two feathers on head, in right hand and in left hand a dagger. Right: grotesque figure, seen on the right side, with a hunchback, a hat with two feathers on the head, in the right hand and in the left hand a sword. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarves, many are hunchbacks, Dwarf with two daggers, Grotesque figure with two swords Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarves and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 61 mm × w 83 mm, h 61 mm × w 83 mm, h 151 mm × w 278 mm.

alb9459997 Left: dwarf, seen on left side, resting on a stool, hood with two feathers on head, sword under belt, right arm in a sling. Right: dwarf, seen on the right side, with a hunchback and a thick belly or large crop, a hat with twigs on the head, a walking stick in the right hand. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with sling, stool and sword, Dwarf with walking stick Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 50 mm × w 85 mm, h 62 mm × w 86 mm, h 157 mm × w 276 mm.

alb9452227 Siege of Saint Martin on the Île de Ré, July-November 1627 (border work, lower right section), deffaicte des Anglois (title on object), Sixteenth section (border work, lower right section) of a print of the 1627 siege of the citadel of Saint Martin on the Île de Ré, carried out by English troops led by the Duke of Buckingham and ended by French troops led by Cardinal Richelieu. On this sheet, on the right, a suit of armor and in the middle/left, a depiction (surrounded by military attributes) of a battle between English and French soldiers., print maker: Jacques Callot, print maker: Abraham Bosse, after design by: Charles Delorme, Paris, 1629 - 1631, paper, etching, engraving, height 163 mm × width 617 mm.

alb9414085 Left: dwarf, seen on left side, with hunchback, playing a bagpipe. Right: commedia dell'arte figure, seen from the front, playing a guitar, a hat with two feathers on the head, a mask in front of the face, a sword on his right side. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 sheets per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with bagpipes, Commedia dell'arte figure with guitar, sword and mask Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 65 mm - w 82 mm, h 66 mm - w 81 mm, h 156 mm - w 275 mm.

alb9395857 Left: dwarf, seen from front, resting on a stool, hood or large collar on head, right arm raised cramped, left leg on a leg rest. Right: dwarf, seen on the right side, a floppy hat with fur trim on the head, the right hand on the scabbard of his sword, the left hand on the hilt. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with stool and leg rest, Dwarf with sword, in attacking pose Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 60 mm × w 83 mm, h 58 mm × w 87 mm, h 151 mm × w 279 mm.

alb9399028 Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640, Abraham Bosse; Artist: or François Collignon, French, 1602-1676, 3 1/2 × 3 in. (8.89 × 7.62 cm) (sheet)18 7/8 × 22 7/8 × 3/4 in. (47.94 × 58.1 × 1.91 cm) (outer frame), Etching, France, 17th century.

alb3699002 The Siege of La Rochelle [plate 14 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Israel Henriet or Abraham Bosse after Jacques Callot.

alb3673981 The School Master. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/16 × 12 3/4 in. (25.5 × 32.4 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

alb3649634 Employment Bureau. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 1/8 × 14 1/2 in. (28.3 × 36.9 cm)Plate: 10 3/16 × 13 1/4 in. (25.8 × 33.6 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3712659 Manhood. Dated: 1636. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3605784 Wives at Table During the Absence of their Husbands. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 13 3/8 in. (26 × 34 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1636. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb4137244 The Engraver and the Etcher. Abraham Bosse; French, 1602-1676. Date: 1642. Dimensions: 257 × 324 mm (plate); 275 × 340 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3718745 Banquet Given by the King to the New Knights. Dated: 1633. Dimensions: sheet (trimmed to plate mark): 27.2 x 34.5 cm (10 11/16 x 13 9/16 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3681906 La Pucelle d'Orléans. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 7/16 x 8 7/16 in. (34.2 x 21.4 cm). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE. after Claude Vignon. Gilles Rousselet.

alb3633895 Visit of the Nursemaid. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 10 1/2 × 13 3/4 in. (26.7 × 35 cm). Publisher: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3604822 Zénobie. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE. after Claude Vignon. Gilles Rousselet.

alb3645261 Actors at the Hotel de Bourgogne. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 9/16 × 14 3/4 in. (29.4 × 37.4 cm)Plate: 10 1/4 x 13 1/4 in. (26 x 33.7 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1633-34.This print depicts six actors from a troupe of comedians led by Robert Guérin appear on stage at the theatre of the Hôtel de Bourgogne in Paris. The play depicted is unknown, but the characters can be identified as Turlupin (a roguish valet played by Henri Legrand), an old man (played by Gaultier-Garguille) and Gros Guillaume (the fat clown played by Guérin). Their characters are loosely based on those of Italian Comedy. Museum: Metropolitan Museum of Art, New York, USA.

akg369809 Bosse, Abraham ; 1602-1676. "L'Odorat", v. 1635. Peinture, anonyme, d'ap. gravure sur cuivre de la série "Les cinq sens". d'Abraham Bosse. Tours, Musée des Beaux-Arts. Museum: Tours, Musée des Beaux-Arts.

alb3727026 A Sculptor in His Atelier. Dated: 1642. Dimensions: plate: 25.8 x 32.5 cm (10 3/16 x 12 13/16 in.) sheet: 26 x 32.6 cm (10 1/4 x 12 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3491113 Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628, 1629, Etching and engraving, Sheet (trimmed): 11 1/4 × 9 1/16 in. (28.6 × 23 cm), Prints, Abraham Bosse (French, Tours 1602/16041676 Paris), This plate was the frontispiece for a publication celebrating the triumphant return to Paris of King Louis XIII following the Siege of La Rochelle. In this formally constructed scene, the king is shown seated in a chair while Christophe Sanguin, the provost of the Merchants of Paris, and other officials kneel before him.

alb3669987 Sight. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 10 1/2 × 13 5/16 in. (26.7 × 33.8 cm). Publisher: Melchior Tavernier and François Langlois, Paris. Series/Portfolio: The Five Senses(Les Cinq Sens). Date: 1635-38. Museum: Metropolitan Museum of Art, New York, USA.

alb3630078 The Wife-Beater. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 13 1/8 in. (25.8 × 33.3 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3672403 The French Forces: Louis XIII and Gaston d'Orléans. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 7 1/16 × 15 13/16 in. (18 × 40.2 cm). Publisher: Pierre Mariette (French, 1596-1657). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3643188 Visit to the New Mother. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/8 × 13 9/16 in. (26.4 × 34.5 cm). Publisher: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3726943 Ceremony of the Contract of Marriage between Vladislas IV, King of Poland, and LouiseMarie of Gonzaga, Princess of Mantua, at Fontainbleau. Dated: 1645. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3667584 Clothing Beggars (Vêtir les nus). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 11 1/8 x 14 in. (28.2 x 35.5 cm)plate: 10 7/16 x 13 in. (26.5 x 33 cm). Series/Portfolio: Les OEuvres de miséricorde, no.6. Museum: Metropolitan Museum of Art, New York, USA.

alb3670002 Courtier Following Edict Against Superfluity in Dress (Le Courtisan suivant le dernier édit). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 9 13/16 x 7 13/16 in. (24.9 x 19.8 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3647245 The School Mistress. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 in. × 12 11/16 in. (25.4 × 32.3 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

akg8993582 Art français / 17e siècle. Bosse, Abraham (1602-1676), dessinateur français. "Cinq acteurs, deux femmes et trois hommes, sont sur la scène, devant un auditoire assez nombreux" (Intérieur d'un théâtre parisien, dans les années 1630, vraisemblablement un ancien jeu de paume). Dessin à la plume, vers 1630. Hennin, 2283. Paris, Bibliothèque Nationale.

alb3719473 The Feast Celebrating the Return of the Prodigal Son. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3630865 Summer. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 10 1/16 × 12 13/16 in. (25.6 × 32.5 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Four Seasons(Les Quatres Saisons). Date: ca. 1637. Museum: Metropolitan Museum of Art, New York, USA.

alb3678183 Spring. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 10 3/16 × 12 15/16 in. (25.8 × 32.8 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Four Seasons(Les Quatre Saisons). Date: 1635-37. Museum: Metropolitan Museum of Art, New York, USA.

alb3679031 Autumn. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 12 5/8 in. (26 × 32.1 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Four Seasons(Les Quatres Saisons). Date: ca. 1637. Museum: Metropolitan Museum of Art, New York, USA.

alb3731906 The Prodigal Son in a House of Ill-Repute. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3697664 The Prodigal Son Received by his Father. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.