Pesquisando por: "ABRAHAM BOSSE" - Fotoarena - Agência de fotojornalismo

2WYAF3F La Pucelle d'Orléans Gilles Rousselet French Abraham Bosse French After Claude Vignon French 1647

2WR8HYR Hospital ward in the Hôpital de la Charité de Paris, L'Infirmerie de l'hospital de la charity de Paris. (title on object), print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Herman Weyen, 1642 - 1643, paper, etching, engraving, height 259 mm × width 329 mm, print

2WR8GEH Sibyl of Cumae, with the resurrection of Christ in the background, Sibyl Cumaine (title on object), Sibyls (series title), Les Sibylles (series title), print maker: Gilles Rousselet, print maker: Abraham Bosse, after design by: Claude Vignon, France, c. 1635 - c. 1640, paper, engraving, etching, height 345 mm × width 212 mm, print

2WR8BM1 Barber trims a man's mustache, Les Métiers (series title), In a bedroom with a slept-in four-poster bed on the left, a barber trims a man's mustache using an iron. The man is sitting on a chair wearing a sheet. On the right, a footman stands at a table with scissors, combs and other hairdressing equipment. Gobelins and a painting of Zeus and Danae on the walls., print maker: Abraham Bosse, publisher: Jean Leblond (I), unknown, 1632, paper, etching, engraving, height 257 mm × width 336 mm, print

2WR87MP Four ages of man, print maker: Abraham Bosse, 1612 - 1676, paper, etching, engraving, diameter 298 mm, print

2WR83XN Burial of the dead, Ensevelir les Morts. (title on object), Les sept oeuvres de miséricorde (series title), Seven works of Mercy (series title), Funeral procession in which the gentlemen in the foreground, seen from behind, are dressed in black mourning clothes. Monks and priests walk in front of the bier. On the right, citizens watching., print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), 1640 - 1642, paper, engraving, etching, height 255 mm × width 310 mm, print

2WR83Y9 Visits of the sick, Visiter les Malades. (title on object), Les sept oeuvres de miséricorde (series title), Seven works of Mercy (series title), print maker: Abraham Bosse, publisher: Jean Leblond (I), Lodewijk XIII (koning van Frankrijk), Paris, 1640 - 1642, paper, etching, engraving, height 258 mm × width 329 mm, print

2WR83H2 Three actors in the theater of l'Hôtel de Bourgogne, Ostel de Bourgogne. (title on object), The theater of l'Hôtel de Bourgogne, with Henri le Grand on stage left, in the role of 'Turlupin', holding his hand in the purse of Hugues Guérin, in the role of 'Gaultier-Garguille ' stops. On the right, Robert Guérin, in the role of 'Gros Guillaume', speaks with a woman, while in the doorways on the left and right stand a Frenchman and a Spaniard respectively., print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I ), 1634, paper, etching, engraving

2WR83H0 Feeding the hungry, Donner à manger à ceux qui ont fain (title on object), Les sept oeuvres de miséricorde (series title), Seven works of Mercy (series title), print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), Paris, 1640 - 1642, paper, etching, engraving, height 261 mm × width 337 mm, print

2WR83HJ Surgeon performs a bloodletting on a woman, Les Métiers (series title), print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), 1632 - 1633, paper, etching, engraving, height 263 mm × width 343 mm, print

2WR83HA Five foolish virgins are not received by the bridegroom, Les Vierges Folles. (title on object), La Parabole des Vierges sages et des Vierges folles (series title), Parable of the wise and foolish virgins (series title), print maker: Abraham Bosse, publisher: Jean Leblond (I), Lodewijk XIII (koning van Frankrijk), Paris, 1638 - 1640, paper, etching, engraving, height 259 mm × width 325 mm, print

2WR83H7 Five wise virgins appear with lamps before their bridegroom, Les Vierges Sages. (title on object), La Parabole des Vierges sages et des Vierges folles (series title), Parable of the wise and foolish virgins (series title), print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), Paris, 1638 - 1640, paper, etching, engraving, height 256 mm × width 328 mm, print

2WR83H4 Women dining at a table, print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), 1636, paper, etching, height 268 mm × width 349 mm, print

2WR83HB Wise and foolish virgins wait for the bridegroom to be announced, La Parabole des Vierges sages et des Vierges folles (series title), Parable of the wise and foolish virgins (series title), print maker: Abraham Bosse, publisher: Jean Leblond (I), Lodewijk XIII (koning van Frankrijk), Paris, 1638 - 1640, paper, etching, engraving, height 253 mm × width 323 mm, print

2WR831B Artemisia II at the Mausoleum of Halicarnassus, Seven Wonders of the World (series title), Sept Merveilles du Monde (series title), print maker: Gilles Rousselet, print maker: Abraham Bosse, after design by: Claude Vignon, France, 1639 - 1640, paper, engraving, etching, height 345 mm × width 214 mm, print

2WR784A Return of the Prodigal Son, L'HIstoire De L'Enfant Prodigue (series title), La Parabole du Fils prodigue (series title), Parable of the Prodigal Son (series title), print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), Paris, 1636 - 1637, paper, etching, engraving, height 264 mm × width 331 mm, print

2WR758N Bride is led to the marriage bed, Le Mariage à la ville (series title), print maker: Abraham Bosse, after own design by: Abraham Bosse, publisher: Jean Leblond (I), 1633, paper, etching, engraving, height 261 mm × width 330 mm, print

2WR758G Retreat of the Jansenists, La Deroute et Confusion des Jansenistes. (title on object), The Pope at the top center is flanked by the allegorical figures of Religion and Church power. The Holy Spirit flies above him. On the left the king sits on a throne with Divine zeal, Concord, Justice and Piety next to him. The king banishes the allegorical figures Ignorance, Error and Deception with Jansenism in the middle with 'The Augustine' in his hands, preceded by Jansenists., print maker: Abraham Bosse, 1654, paper, etching, engraving, height 200 mm × width 258 mm

2RY5KX2 The infirmary of the Hospital of Charity in Paris, engraving by Abraham Bosse (1602-1676) -

2WDE7C0 France, Indre et Loire (37), Loire Valley, Tours, Palais des Archbishops and Museum of Fine Arts, The five senses, touch, after Abraham Bosse, 17th ce

2WDE6Y9 France, Indre et Loire (37), Loire Valley, Tours, Palais des Archbishops and Museum of Fine Arts, The five senses, hearing, after Abraham Bosse, 17th

2WDE6YC France, Indre et Loire (37), Loire Valley, Tours, Palais des Archbishops and Museum of Fine Arts, The five senses, taste, after Abraham Bosse, 17th ce

2R9TG05 Arches in the Doric, Ionic, Corinthian and Composite orders. Dorica, Ionica, Corinthia und Composita. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TG01 Column and entablature in the Composite order. Composita. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFYN Portal or door in the Composite order. Composito. Portal in Kompositordnung. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFY2 Arch with columns in the Composite order. Composita. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFXW Corinthian order column with entablature. Corinthia. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFXP Portal with pilaster in the Corinthian order. Corintia. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFX9 Archway with columns in the Corinthian order. Corintia. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFX8 Profiles of Tuscan, Doric and Ionic order columns. Toscana, Dorica, Ionica. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFWX Ionic order capital. Ionica. Jonischen Kapitell. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFW1 Ionic order column with entablature. Ionica. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFTT Portal or door of the Ionic order. Ionica. Portal jonischer Ordnung. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFT1 Portico with columns in the Ionic order. Ionica. Bogengang mit Säulen in jonischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFRC Doric order column with entablature. Dorische Säule mit Gebälkstücken. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFPK Doric order column with entablature. Dorische Säule mit Gebälkstücken. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFNM Doric order portal. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFNH Doric Order portal or door with pilasters. Dorisches Portal mit Pilaster. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFNE Portico with columns in the Doric order. Dorica. Bogengang mit Säulen in dorischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFMW Tuscan order column with entablature. Toscana. Toskanische Säule mit Gebälk. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFMJ Door or portal of the Tuscan order. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2R9TFMD Arch of the Tuscan order. Toscan Arcus oder Bogen. Copied from Abraham Bosse, Traité des manières des dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

2T90ED9 Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640, Abraham Bosse; Artist: or François Collignon, French, 1602-1676, 3 1/2 × 3 in. (8.89 × 7.62 cm) (sheet)18 7/8 × 22 7/8 × 3/4 in. (47.94 × 58.1 × 1.91 cm) (outer frame), Etching, France, 17th century

2T3R2MD Burial of the dead, Abraham Bosse, 1640 - 1642 Funeral procession in which the gentlemen in the foreground, seen from behind, are dressed in black mou

2T2F7HJ Tankard Probably by Hermann Lambrecht Engraved figures after costume prints by Abraham Bosse French 1670–75 The engraved figures are copied from French costume prints by Abraham Bosse (1604–1676). View more. Tankard. Engraved figures after costume prints by Abraham Bosse (French, Tours 1602/04–1676 Paris). German, Hamburg. 1670–75. Silver, partly gilt. Metalwork-Silver

2T3RKT4 Marriage of Louise Marie, Queen of Poland and Wladislaus Wasa IV, King of Poland, Abraham Bosse, 1645

2KNFDX4 The Court Ball, after a miniature by Abraham Bosse. From Modes and Manners, published 1935.

2JHBJ68 Bloodletting, after the 17th century work by Abraham Bosse. Bloodletting or blood-letting the withdrawal of blood from a patient to prevent or cure illness and disease. From Modes and Manners, published 1935.

2JHBJ61 The Five Senses - Hearing, after Abraham Bosse, 17th century. From Modes and Manners, published 1935.

2JHBHB7 The Apothecary preparing to administer an enema to a sick patient, after a 17th century work by Abraham Bosse. From Modes and Manners, published 1935.

2JHBHAK The Workings and Signing of the Marriage Contract, after a 17th century work by Abraham Bosse. From Modes and Manners, published 1935.

2JHBHAF A 17th century shoemaker. Afte the etching by Abraham Bosse. From Modes and Manners, published 1935.

2KA06MB Dancing Man and Woman at a Ball, Abraham Bosse (possibly), c. 1633 - in or after 1634 Interior with elegant company, dressed in the French court fashi

2J023KW The Smokers. Abraham Bosse (France, Tours, 1602-1676)Jean de Saint-Igny (Framce, ca. 1600-after 1649). France, circa 1635. Prints; etchings. Etching

2J006DK La Fortune de la France. Abraham Bosse (France, Tours, 1602-1676). France, circa 1638. Prints; etchings. Etching

2J006BF L'Étude du Procureur. Abraham Bosse (France, Tours, 1602-1676). France, circa 1635. Prints; etchings. Etching

2J006B4 Louis XIII as Hercules. Abraham Bosse (France, Tours, 1602-1676). France, 1635. Prints; etchings. Etching

2HWDDR9 Les Vierges Sages: Les Vierges Folles (6 of 7 prints in the series). Artist: Abraham Bosse, French, 1602–1676

2HWBRT2 Ecclesia. Artist: Abraham Bosse, French, 1602–1676

2HWBRRD Title Page of Theologicarum ac Cardinalium Virtutum Icones. Artist: Abraham Bosse, French, 1602–1676

2HWBRHY Feast in Honor of the Prodigal Son. Artist: Abraham Bosse, French, 1602–1676

2HWBRHG La Fortune de la France, from a set of 4 prints “Le Dauphin”. Artist: Abraham Bosse, French, 1602–1676

2HWBRG0 James Howell. Artist: Abraham Bosse, French, 1602–1676

2HWBRFH James Howell, frontispiece to his Dendrologie ou le Forest de Dordonne. Artist: Abraham Bosse, French, 1602–1676

2HWBNKR “Le Patisserie” [The Pastry Cook’s Shop]. Artist: Abraham Bosse, French, 1602–1676

2HWBNKK “Taste” , from “Les cinq sens”. Artist: Abraham Bosse, French, 1602–1676

2HWBNJY The Four Seasons: Spring. Artist: Abraham Bosse, French, 1602–1676

2HWBNKC Ceremonie Observee au Contract de Mariage. Artist: Abraham Bosse, French, 1602–1676

2HWBNKG The Sculptor in His Studio, from series of Artists in their Studios. Artist: Abraham Bosse, French, 1602–1676

2HWBNKM Disposition du Festin , from “L’ordre du Saint-Esprit”. Artist: Abraham Bosse, French, 1602–1676

2HWBNKE The Engravers in their Workroom, from series The Artists in their Workshop. Artist: Abraham Bosse, French, 1602–1676

2HWBNKP The Painter in His Studio, from series of Artists in their Studios. Artist: Abraham Bosse, French, 1602–1676

2HWBNKA The Four Seasons: Summer. Artist: Abraham Bosse, French, 1602–1676

2HWBNJW L’Infirmerie De L’Hospital De La Charite De Paris. Artist: Abraham Bosse, French, 1602–1676

2HWBNJX The Printers in their Workroom, fom series of Artists in their Studios. Artist: Abraham Bosse, French, 1602–1676

2HWBNK9 Les Forces de la France. Artist: Abraham Bosse, French, 1602–1676

2HWBNJ0 The Wise and Foolish Virgins. Artist: Abraham Bosse, French, 1602–1676

2HWBNHY Virility: from “The Ages’, Manhood. Artist: Abraham Bosse, French, 1602–1676

2HWBNJ3 The Four Seasons: Winter. Artist: Abraham Bosse, French, 1602–1676

2HWBNJ1 The Four Seasons: Autumn. Artist: Abraham Bosse, French, 1602–1676

2HWBJN9 Visiter les Malades, from Seven Works of Mercy. Artist: Abraham Bosse, French, 1602–1676

2HJ4WC7 Air 1630 Abraham Bosse French. Air 386926

2HJ4TEW Courtier Following Edict Against Superfluity in Dress (Le Courtisan suivant le dernier édit) mid-17th century Abraham Bosse French. Courtier Following Edict Against Superfluity in Dress (Le Courtisan suivant le dernier édit) 827224

2HJ4PH6 The Wise Virgins Resting Whilst Awaiting the Arrival of The Husband ca. 1635 Abraham Bosse French. The Wise Virgins Resting Whilst Awaiting the Arrival of The Husband 385705

2HJ4NK0 Village Girl Dancing 1626–28 Abraham Bosse French. Village Girl Dancing 387885

2HJ4JW3 The Death of the Rich Man mid-17th century Abraham Bosse French. The Death of the Rich Man 385963

2HJ4J1C The Wise Virgins before Christ ca. 1635 Abraham Bosse French. The Wise Virgins before Christ 385696

2HJ4GR4 The Gallery of the Palace of Justice ca. 1638 Abraham Bosse French. The Gallery of the Palace of Justice 365317

2HJ4GDC Wives at Table During the Absence of Their Husbands ca. 1635–36 Abraham Bosse French. Wives at Table During the Absence of Their Husbands 358773

2HJ4EYB Prudence 1636 Abraham Bosse French. Prudence 386160

2HJ49G2 Temperance 1636 Abraham Bosse French. Temperance 386162

2HJ49AW Frontispiece to Les Gardes Françaises 1632 Abraham Bosse French Drawing in graphite on verso of a standing figure.. Frontispiece to Les Gardes Françaises 387562

2HJ4882 Burying the Dead (Enseveliir les morts) Abraham Bosse French. Burying the Dead (Enseveliir les morts) 390809

2HJ4528 Fire ca. 1630 Abraham Bosse French. Fire 386905

2HJ443C The Sculptor 1642 Abraham Bosse French. The Sculptor 390182

2HJ43GN The Reformed Woman mid to late 17th century Abraham Bosse French. The Reformed Woman 387565

2HJ42PK The Surgeon 1632 Abraham Bosse French. The Surgeon 350805

2HJ40H6 The Benediction at Table ca. 1635 Abraham Bosse French. The Benediction at Table 390180

2HJ3YCJ The Foolish Virgins Conversing ca. 1635 Abraham Bosse French. The Foolish Virgins Conversing 385710

2HJ3XM7 Allegory of Europe, from the Four Continents mid to late 17th century Abraham Bosse French. Allegory of Europe, from the Four Continents 386299