Pesquisando por: "POMPEO BATONI" - Fotoarena - Agência de fotojornalismo

2X31PA1 Pompeo Batoni, Diana and Cupid, circa 1761

2WY9F4J Augustus Henry FitzRoy, 3rd Duke of Grafton (1735-1811), Whig politician and Prime Minister of Great Britain 1768-1770, portrait painting in oil on canvas by Pompeo Batoni, 1762

2WY9F4C Frederick North, 2nd Earl of Guilford (1732-1792), aka Lord North, Prime Minister of Great Britain 1770-1782, portrait painting in oil on canvas by Pompeo Batoni, 1752-1756

2WY9F2F Augustus Henry FitzRoy, 3rd Duke of Grafton (1735-1811), Whig politician and Prime Minister of Great Britain 1768-1770, portrait painting in oil on canvas by Pompeo Batoni, 1762

2X2KRFD The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2X2KRFA The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2X2KRF7 The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2X2KRE9 The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2X2KRE0 The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2X2KRDT The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2X2KRD9 The Estrela Basilica and Convent of the Most Sacred Heart of Jesus, is a minor basilica and Order of Discalced Carmelite convent in Lisbon, Portugal.

2T2EWAY Pompeo Batoni, Male Nude Leaning on a Ladder, chalk drawing, 1765

2T8JB93 Study sheet. Zeus sitting to the left; three male heads; bottom left two female heads with open mouths, looking to the left, Pompeo Girolamo Batoni, Lucca 1708 - 1787 Rome, drawing, chalk; heightened white; blue-green primed paper, 39.2 x 27 cm, inscribed 'Pompeo Battoni' on the verso

2T8MEKW study sheet. Monk kneeling left; upper right repetition of upper body; above in the middle bearded male head, Pompeo Girolamo Batoni (Lucca 1708 - 1787 Rome), drawing, chalk; heightened with white; blue primed paper, 39.6 x 26.1 cm, inscribed 'Pompeo Battoni Luchese' on the reverse

2RAPNFD The Death of Marcus Antonius with Cleopatra, Pharaohess Cleopatra VII born 69 BC, died 12 August 30 BC, ruled Egypt as the last queen of the Macedonian-Greek dynasty of the Ptolemies from 51 BC to 30 BC, Marcus Antonius, was a Roman politician and general, Historical, digitally restored reproduction from an original of the period / Der Tod des Marcus Antonius mit Kleopatra, Pharaonin Kleopatra VII. geboren 69 v. Chr, gestorben 12. August 30 v. Chr., herrschte als letzte Königin der makedonisch-griechischen Dynastie der Ptolemäer von 51 v. Chr. bis 30 v. Chr. über Ägypten, Marcus Antonius, wa

2R5249A Portrait of Joseph Henry of Straffan, Gemälde von Pompeo Girolamo Batoni, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Portrait of Joseph Henry of Straffan, painting by Pompeo Girolamo Batoni, Historic, digitally restored reproduction from a 19th century original.

2R5248K Prospero Colonna di Sciarra (17. Januar 1707 - 20. April 1765) war ein italienischer Kardinal aus der Familie der Herzöge von Carbognano, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Prospero Colonna di Sciarra (17 January 1707 - 20 April 1765) was an Italian cardinal from the family of the Dukes of Carbognano, Historical, digitally restored reproduction from a 19th century original.

2R5248M Jean-François-Joseph Rochechouart de Faudoas (27. Januar 1708 - 20. März 1777) war ein französischer Kardinal der Römischen Kirche, Gemälde von Pompeo Girolamo Batoni, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Jean-Francois-Joseph Rochechouart de Faudoas (27 January 1708 - 20 March 1777) was a French Cardinal of the Roman Church, Painting by Pompeo Girolamo Batoni, Historical, digitally restored reproduction from a 19th century original.

2R5243N Der Heilige Andreas war nach dem Neuen Testament ein Apostel des Jesus von Nazaret, Gemälde von Pompeo Girolamo Batoni, 1740, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Saint Andrew was an apostle of Jesus of Nazareth according to the New Testament, Painting by Pompeo Girolamo Batoni, 1740, Historic, digitally restored reproduction from a 19th century original.

2R52448 Porträt von einem unbekannten Mann in einer grünen Jacke, Gemälde von Pompeo Girolamo Batoni, um 1760, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Portrait of an unknown man in a green jacket, painting by Pompeo Girolamo Batoni, c. 1760, Historic, digitally restored reproduction from a 19th century original.

2R5243M Jose Monino y Redondo, Graf von Floridablanca (21. Oktober 1728 - 30. Dezember 1808), war ein spanischer Jurist und Staatsmann, der unter den Königen Karl III. und Karl IV. als Ministerpräsident seines Landes amtierte, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Jose Monino y Redondo, Count of Floridablanca (21 October 1728 - 30 December 1808), was a Spanish jurist and statesman who served as Prime Minister of his country under Kings Charles III and Charles IV, Historical, digitally restored reproduction from a 19th century original.

2R52445 Woodyeare, John Fountain, ältester Sohn von John Elwin Fountain, Gemälde von Pompeo Girolamo Batoni, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Woodyeare, John Fountain, eldest son of John Elwin Fountain, painting by Pompeo Girolamo Batoni, Historic, digitally restored reproduction from a 19th century original.

2R5243R Allegorie zum Thema Krieg und Frieden, bewaffneter Soldat verliebt, zusammen mit einer barbusigen Frau, nach einem Gemälde von Pompeo Girolamo Batoni, 1776, Italien, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Allegory on the theme of war and peace, armed soldier in love, together with a bare-breasted woman, after a painting by Pompeo Girolamo Batoni, 1776, Italy, Historical, digitally restored reproduction from a 19th century original.

2R5243T Papst Benedikt XIV. überreicht die Enzyklika Ex Omnibus an den Comte de Stainville, später Duc de Choiseul, 1757, Gemälde von Pompeo Girolamo Batoni, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Pope Benedict XIV presents the encyclical Ex Omnibus to the Comte de Stainville, later Duc de Choiseul, 1757, Painting by Pompeo Girolamo Batoni, Historic, digitally restored reproduction from a 19th century original.

2R52444 Die Zeit enthüllt die Wahrheit, Allegorie zum Lauf der Zeit und ihrer Wirkung auf die Wahrheit, nach einem Gemälde vom Pompeo Girolamo Batoni, um 1740, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert / Time Reveals the Truth, allegory on the passage of time and its effect on truth, after a painting by Pompeo Girolamo Batoni, c. 1740, Historical, digitally restored reproduction from a 19th century original.

2WB7JNC Pompeo Batoni - Portret Izabeli Potockiej 1780

2WAW4YJ Bust of Italian Painter Pompeo Batoni

2WM9RW0 Portrait of a Lady as Flora by Pompeo Batoni, 1775

2R0MYP4 Time Unveiling Truth Date: 1740/45 Artist: Pompeo Girolamo Batoni Italian, 1708–1787

2PK42ND Immacolata Concezione - olio su tela - Pompeo Girolamo Batoni - 1750 - Chiari (Bs), collegiata dei SS. Faustino e Giovita

2P9177J Mark Antony dies in the arms of Cleopatra, engraving by Johann Georg Wille after Pompeo Batoni, 1778

2NC3FRP The Sacred Heart of Jesus Christ by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1767

2N95HNN Portrait of Richard Milles by Italian painter Pompeo Girolamo Batoni at the National Gallery, London, UK

2MJ29KM Pompeo Batoni. The Return of the Prodigal Son by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1773

2T913FR Portrait of John Woodyeare, 1750, Pompeo Girolamo Batoni, Italian (Rome), Italian (Rome), 1708–1787, 38 1/2 x 28 1/4 in. (97.79 x 71.76 cm) (canvas)46 1/4 x 36 1/4 x 4 1/4 in. (117.48 x 92.08 x 10.8 cm) (outer frame), Oil on canvas, Italy, 18th century, Pompeo Girolamo Batoni was the preeminent portrait painter in Rome in the 1700s and was celebrated for his lively, flattering likenesses. His clients included emperors and popes, but his bread and butter were people like John Woodyeare: young British gentlemen, milordi, traveling through Rome on their grand tours

2T90MPR Pope Benedict XIV Presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, Later Duc de Choiseul, 1757, Pompeo Girolamo Batoni, Italian (Rome), Italian (Rome), 1708–1787, 50 3/4 x 70 5/8 in. (128.91 x 179.39 cm) (canvas)60 5/8 x 80 x 4 5/8 in. (153.99 x 203.2 x 11.75 cm) (outer frame), Oil on canvas, Italy, 18th century, In 1754, King Louis XV of France sent the comte de Stainville (later duc de Choiseul) to Rome to secure a decision from Pope Benedict XIV about disputes concerning the authority of the French courts, the Roman Catholic Church, and the Jansenists, a Catholic sect.

2WM9T0A The Rest on the Flight into Egypt by Pompeo Batoni, 1758

2KT8C08 Pompeo Batoni. Painting entitled 'Diana and Cupid' by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1761

2KE5G6C Hercules at the Crossroads 1742 Pompeo Girolamo Batoni 1708 – 1787 Italy Italian. Palazzo Pitti Florence, Italy, Italian. ( Hercules ,Heracles, son of Jupiter and the mortal Alcmene, Hercules is famous for his, strength, and for his numerous far-ranging ,adventures, )

2K1YD9K Joseph II (1741–1790), Holy Roman Emperor (1765-1790), with his brother Peter Leopold (1747-1792), Grand Duke of Tuscany (1765-1790), later Leopold II, Holy Roman Emperor (1790-1792), portrait painting in oil on canvas by Pompeo Batoni, 1769

2WB765P Edward, Duke of York (Pompeo Batoni)

2JGHWK2 London, UK. 11 July 2022. A staff member views “Portrait of Edward Solly, half length, in a blue coat and cream waistcoat, standing beside a table”, 1753-4, by Pompeo Girolamo Batoni (Est. £120,000 - £180,000) at a preview of Bonhams’ works from the Grand Tour sale at their New Bond Street gallery. The sale celebrates the 18th Century Grand Tour partaken by European royalty, aristocracy and landed gentry and its influence on European taste, where almost every such tourist would return home with prints or sculpture or paintings. The works of art auctioned on 14 July. Credit: Stephen Chung /

2JGHWJF London, UK. 11 July 2022. A staff member views “Portrait of Edward Solly, half length, in a blue coat and cream waistcoat, standing beside a table”, 1753-4, by Pompeo Girolamo Batoni (Est. £120,000 - £180,000) at a preview of Bonhams’ works from the Grand Tour sale at their New Bond Street gallery. The sale celebrates the 18th Century Grand Tour partaken by European royalty, aristocracy and landed gentry and its influence on European taste, where almost every such tourist would return home with prints or sculpture or paintings. The works of art auctioned on 14 July. Credit: Stephen Chung /

2JGHRX4 London 11 July 2022 The Portrait of Edward Solly by Pompeo Batoni, estimated at £120,000-180,000.The Grand Tour – the gap year of its day for European royalty, aristocracy and landed gentry – enjoyed its golden age during the 18th Century. Although most Grand Tours started in Paris, and for the more adventurous might end in Greece, Italy was definitely the place to be. Paul Quezada-Neiman/Alamy Live News

2JGHRX5 London 11 July 2022 (L) An Italian carved porphyry and sarrancolin bust of a Roman emperor, possibly Galba probably late 18th/early 19th century Est £7,000 - £10,000(R)The Portrait of Edward Solly by Pompeo Batoni, estimated at £120,000-180,000.. Paul Quezada-Neiman/Alamy Live News

2J2YA0F Pompeo Batoni. Time orders Old Age to Destroy Beauty by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1746

2J03BXK Portrait of Sir Wyndham Knatchbull-Wyndham. Pompeo Batoni (Italy, Lucca, 1708-1787). Italy, 1758-1759. Paintings. Oil on canvas

2J0092W Portrait of Hugh, Earl Percy. Valentine Green (England, 1739-1813)Pompeo Batoni (Italy, Lucca, 1708-1787). England, 1776. Prints; mezzotints. Mezzotint

2HWMX9P Head of a Man, Face in Profile (recto); Anatomical Study, Face in Profile (verso). Artist: Pompeo Girolamo Batoni, Italian, 1708–1787

2HWE2R2 Studies for “Hercules at the Crossroads” and for the “Nativity”. Artist: Pompeo Girolamo Batoni, Italian, 1708–1787

2HP4X75 Pompeo Batoni. Saint Andrew by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1740/43

2HJPTJE Diana and Cupid, painting by Pompeo Batoni, 1761

2HJ25CW Pompeo Batoni. Hercules at the Crossroads Between the Virtue and the Vice by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1765

2HJ4GYG Portrait of a Young Man ca. 1760–65 Pompeo Batoni Italian Sitting for a portrait by Batoni almost became a rite of passage for wealthy Grand Tourists in Rome. This young man’s identity remains unknown, but he was afforded the most luxurious format: a full-length portrait filled with the props Batoni used repeatedly in order to announce various aspects of a Grand Tour education, including a bas relief of Antinous, a statue of Minerva, an armillary sphere, guidebooks to ancient and modern Rome, a volume of biographies of painters, and a volume of Homer's Odyssey. Although the majority of Batoni’

2HHECJD The Departure of Saints Paula and Eustochium for the Holy Land Giuseppe Bottani Italian The Roman noblewomen Saint Eustochium and her mother Paula were disciples of Saint Jerome. Here they are shown leaving for the Holy Land, where they built four monasteries.The picture was painted in Rome, where Bottani worked with Pompeo Batoni. It is a finished study for Bottani's masterpiece, a large altarpiece commissioned in 1745 for the church of Saints Cosmas and Damian, Milan, and now in the Pinacoteca di Brera, Milan.. The Departure of Saints Paula and Eustochium for the Holy Land 435727

2HHC3KF Bust-Length Study of a Child 1708–87 Pompeo Batoni Italian Drawn after life, this delicate study renders the child's head and shoulders with the quiet naturalism that seems characteristic of Batoni, the eminent portraitist in the Neoclassical tradition. Born in Lucca, Batoni achieved a phenomenal international reputation as a painter, especially as a portraitist, and for decades was a prominent figure in the social and intellectual circles of Rome during the Enlightenment. The Museum owns two other drawings by Pompeo Batoni, one of which is a sheet of figure studies from the same date as this

2HHBKPK Three Nude Male Figures; Study of the Right Hand of the Figure on the Left 1708–87 Pompeo Batoni Italian. Three Nude Male Figures; Study of the Right Hand of the Figure on the Left 338169

2HHA3B2 Allegory in Honor of Pope Benedict XIV ca. 1745 Pompeo Batoni Italian. Allegory in Honor of Pope Benedict XIV 338168

2HH8B1X Portrait of a Gentleman ca. 1770 Henry Benbridge American Born in Philadelphia, Benbridge studied in London and in Rome under Anton Raphael Mengs and Pompeo Batoni. In 1772, the artist settled in Charleston, where he became the city's fashionable portraitist after Jeremiah Theus died in 1774. This miniature exhibits Benbridge's colorful, linear, and crisply realistic portrait style, which is remarkably similar to that of John Singleton Copley. Dating from about 1770, it is one of the artist's earliest efforts in the medium, yet it shows more refinement than a number of his later works. The cas

2HH7NJY Portrait of Cavaliere Pompeo Batoni n.d. Jean-Baptiste-François Bosio French. Portrait of Cavaliere Pompeo Batoni. Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris). n.d.. Brush and brown wash with a graphite underdrawing.. Drawings

2HH6D20 Diana and Cupid 1761 Pompeo Batoni Italian The painting was executed for Sir Humphrey Morice (1723–1785), son of a wealthy merchant and director of the Bank of England. Morice was a great animal lover and commissioned from Batoni a portrait of himself reclining in the Roman countryside after the hunt as a pendant to this canvas, which shows the goddess of the hunt withholding the bow from Cupid. Although full of extraordinary warmth and feeling, the figure of Diana is based on a celebrated ancient statue of the sleeping Ariadne in the Vatican. The painting may have been conceived as Batoni's r

2HGN868 The Death of Mark Antony with Cleopatra at left 1778 Johann Georg Wille. The Death of Mark Antony with Cleopatra at left. After Pompeo Batoni (Italian, Lucca 1708–1787 Rome). 1778. Engraving. Prints

2HHWCBM The Penitent Magdalene ca. 1783–90 Meissen Manufactory German The pose of the Magdalene is derived from a painting by Pompeo Batoni (1708–1787) that entered the Royal Saxon collections in the 1750s. Christian Gottfried Jüchtzer, the modeler of the figure, has taken Batoni’s late Baroque composition and given it a distinctly neoclassical aspect, an impression reinforced by the use of biscuit porcelain which is so similar visually to marble.. The Penitent Magdalene 238021

2HEDDWC Pompeo Batoni. Allegory of Peace and War by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1776

2JG93E6 Painting titled 'Time orders Old Age to Destroy Beauty' by Italian Artist Pompeo Girolamo Batoni dated 1746

2J7RF81 Painting titled 'Time orders Old Age to Destroy Beauty' by Italian Artist Pompeo Girolamo Batoni dated 1746

2H6E413 Return of the Prodigal Son. 1765 - 1770 by Batoni Pompeo, Lucca 1708- Rome 1787 Italy, Italian, The Parable of the Prodigal Son, Parable, of the Two Brothers, Lost Son, Loving Father, Forgiving Father, Jesus shares the parable with his disciples, the Pharisees and others,

2H6E3Y8 Return of the Prodigal Son. 1765 - 1770 by Batoni Pompeo, Lucca 1708- Rome 1787 Italy, Italian, The Parable of the Prodigal Son, Parable, of the Two Brothers, Lost Son, Loving Father, Forgiving Father, Jesus shares the parable with his disciples, the Pharisees and others,

2H6E3TY Portrait of Pope Pius VI 1775 Batoni Pompeo, Lucca 1708- Rome 1787 Italy, Italian,

2H6E3P6 Aeneas flees from Troy 1754 - 1757 Batoni Pompeo, Lucca 1708- Rome 1787, Italy, Italian, ( Realizing that it was futile to defend the burning city of Troy, fall of Troy, and fled to Italy, Aeneas fled. with his old father Anchises on his back. Anchises carried the penates. (gods of the house) . Aeneas held his son Ascagna by the hand.. His wife Creusa followed a few steps behind .but was lost in the confusion of the battle. )

2H6E3P3 Aeneas flees from Troy 1754 - 1757 Batoni Pompeo, Lucca 1708- Rome 1787, Italy, Italian, ( Realizing that it was futile to defend the burning city of Troy, fall of Troy, and fled to Italy, Aeneas fled. with his old father Anchises on his back. Anchises carried the penates. (gods of the house) . Aeneas held his son Ascagna by the hand.. His wife Creusa followed a few steps behind .but was lost in the confusion of the battle. )

2H6E3P1 Hercules between Virtue and Voluptuousness 1754 - 1757 Batoni Pompeo, Lucca 1708- Rome 1787 Italy, Italian, The Struggle of Hercules Between Virtue and Vice

2H6E3NR Hercules between Virtue and Voluptuousness 1754 - 1757 Batoni Pompeo, Lucca 1708- Rome 1787 Italy, Italian, The Struggle of Hercules Between Virtue and Vice

2H65E7F Virgin Mary announced by Batoni Pompeo, Lucca 1708- Rome 1787 Italy, Italian,

2JB0MBR Przeszoc Przyszoci Batoni, Pompeo Girolamo (1708 1787)

2FWYTNX Time orders Old Age to destroy Beauty by Italian painter Pompeo Girolamo Batoni at the National Gallery, London, UK

2E1MCNF WILLIAM CABENDISH, 5th Due of Devonshire (1748-1811) British aristocrat and politician, husband of Georgiana, Duchess of Devonshire, painted by Pompeo Batoni in 1768

2DRNXFP Artist: Pompeo Girolamo Batoni, Italian, 1708–1787, Studies for Hercules at the Crossroads and for the Nativity, ca. 1748, Red and white chalk tinted with tan wash, squared for transfer in red chalk, 24.1 × 35.7 cm (9 1/2 × 14 1/16 in.), Italian, 18th century, Works on Paper - Drawings and Watercolors

2DJ4HK1 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Pompeo Batoni, 1708–1787, Italian, 1785, Oil on canvas, Support (PTG): 29 1/2 x 25 inches (74.9 x 63.5 cm), costume, Grand Tour, oval, portrait, shawls, woman

2DJ4AJ6 Thomas Graham, Baron Lynedoch, Attributed to David Allan, 1744–1796, British, born in Scotland, Formerly attributed to Pompeo Batoni, 1708–1787, Italian, ca. 1769, Oil on canvas, Support (PTG): 54 1/2 x 38 3/4 inches (138.4 x 98.4 cm), baron, birds, columns, costume, dog (animal), duck (cloth), Grand Tour, hunter, hunting, landscape, man, portrait, rifle, river, ruins, Spaniel, temple, tree, Italy, Lazio, Roma, Temple of Vesta, Tivoli

2DJ4308 James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont), Pompeo Batoni, 1708–1787, Italian, between 1753 and 1756, Oil on canvas, Support (PTG): 38 1/2 x 29 inches (97.8 x 73.7 cm), coliseum, costume, earl, Grand Tour, man, portrait, ruins, window, Colosseum, Europe, Italy, Lazio, Rome

2DHXDF5 Hugh, Earl Percy, Valentine Green, 1739–1813, British, after ? Pompeo Batoni, 1708–1787, Italian, 1777, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 20 3/16 × 14 3/8 inches (51.3 × 36.5 cm) and Image: 17 3/8 × 13 15/16 inches (44.1 × 35.4 cm

2DHTDP7 William Weddell, Pompeo Batoni, 1708–1787, Italian, between 1765 and 1766, Oil on canvas, Support (PTG): 52 3/8 x 38 1/8 inches (133 x 96.8 cm), chair, coat, collar, costume, cravat, gesture, gloves, gold (color), gold braid, Grand Tour, lace, man, pockets (costume components), portrait, redingote (overcoat), ruffle, ruins, sword, tricorne, trousers, uniform, waistcoat, window

2C6627R William Weddell (1736-1792), British landowner and politician, portrait painting by Pompeo Batoni, 1765-1766

2BTRPN6 Frederick North, 2nd Earl of Guilford (Lord North: 1732-1792), portrait by Pompeo Batoni, oil on canvas, 1752-56.

2BN0WC0 The Fall of Simon Magus by Pompeo Batoni, circa 1750

2D9978G Martyrdom of St Lucia by Pompeo Girolamo Batoni 1708 – 1787 Italy Italian.

2D99774 Martyrdom of St Lucia by Pompeo Girolamo Batoni 1708 – 1787 Italy Italian.

2BA9PAW Countess Maria Benedetta di San Martina 1785 by Pompeo BATONI (Lucca 1708 - Florence 1787), Italy, Italian,

2T3PW3K POMPEO BATONI. Richard Milles of Nackington.1760

2A7G170 POMPEO BATONI.Richard Milles of Nackington.1760.The National Gallery.London

2AAMB62 'The Return of the Prodigal Son' (1773) by Pompeo Girolamo Batoni (1708-1787). Kunsthistorisches Museum (Art History Museum) in Vienna, Austria.

2A69KNA Pompeo Batoni: Allegory

2J2F4XR Madonna with Child ,St.Anthony of Padua and St .Francis Saverio - oil on canvas - Pompeo Batoni -last years of the 18th century s - Cortemaggiore

2ABP41T Pompeo Batoni. Samson and Delilah by the Italian artist, Pompeo Girolamo Batoni (1708-1787), oil on canvas, 1766

2RAFRYP Acis and Galathea 1761 by Pompeo Batoni

2WRTRG6 Pope Pius VI, 1775, National Gallery of Ireland, Dublin Pompeo Batoni

2WB7JNX Pompeo Batoni - Ritratto di Papa Pio VI

2RAFRTG Portrait of Pope Pius VI, Giovanni Angelo Braschi 1775 by Pompeo Batoni

2E3HGK1 Peace and Justice 1745 Pompeo Batoni, 1708-1787, France, French,