Pesquisando por: "texture of rock" - Fotoarena - Agência de fotojornalismo

1028_14_CLK3082 The towers of mount Civetta are reflected in the water of Lake Coldai. Dolomites. Veneto. Italy. (Photo by: ClickAlps/REDA&CO)

01069775 geography / travel, Italy, South Tyrol, close up view of shale in the mountains in South Tyrol,

00873624 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,

00873619 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873620 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00917551 geography / travel, USA, Utah, Bryce, Bryce Canyon,

00917564 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917561 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917557 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917554 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917555 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917560 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917556 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917553 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917552 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917550 geography / travel, USA, Utah, Bryce, Bryce Canyon,

1016_03_62437 Pumice stone is light and brittle with a spongy texture. It is often used to soften the skin of the feet and hands. This igneous rock is riddled with tiny air pockets because the lava that formed it was full of gases. Pumice is so light that it can do what no other rock can: float on water!

alb4137158 The Fall of the Giants. Salvator Rosa; Italian, 1615-1673. Date: 1663. Dimensions: 728 x 474 mm. Etching with drypoint in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4131741 Saint Francis Receiving the Stigmata. Federico Barocci; Italian, 1526/28-1612. Date: 1576-1586. Dimensions: 230 x 147 mm (plate); 233 x 150 mm (sheet). Etching on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4131729 Angelica and Medoro. Giorgio Ghisi (Italian, 1520-1582); after Teodoro Ghisi (Italian, died 1601). Date: 1565-1575. Dimensions: 299 x 209 mm. Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4138983 Forest Crossed by a Stream, from The Small Landscapes. Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586-1659); after Peter Paul Rubens (Flemish, c. 1577-1640). Date: 1633-1645. Dimensions: 304 × 443 mm (image); 317 × 450 mm (plate/sheet). Engraving on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4138908 Saint Jerome in Penitence. Ferdinand Bol; Dutch, 1616-1680. Date: 1644. Dimensions: 283 x 244 mm (plate); 288 x 248 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

alb4138909 A River between Rocks, from the series Set of Landscapes. Herman Naijwincx; Dutch, 1624-1651. Date: 1644-1651. Dimensions: . Etching on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Herman Naijwincx.

alb4133103 The Tomb of a Bishop. Battista dell' Angolo del Moro (Italian, c.1515-c.1573); after Parmigianino (Italian, 1503-1540). Date: 1540-1545. Dimensions: 360 x 252 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4138624 Crispin. Gérard Edelinck (French, born Flanders, 1640-1707); after Theodorus Netscher (Dutch, born France, 1661-1732). Date: 1682. Dimensions: 482 x 370 mm (plate); 497 x 382 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4132073 Mercury and the Graces. Agostino Carracci (Italian, 1557-1602); after Jacopo Robusti, called Tintoretto (Italian, 1518-1594). Date: 1589. Dimensions: 202 x 258 mm (image); 205 x 258 mm (plate); 208 x 258 mm (sheet). Engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4132232 Saint Francis Penitent in a Large Landscape. Cornelis Cort (Netherlandish, 1533/36-1578); Girolamo Muziano (Italian, 1528-1592). Date: 1575. Dimensions: 500 x 372 mm (image); 519 x 373 mm (sheet). Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Cort.

alb4132254 The Pietà. Marcantonio Raimondi (Italian, c. 1480-1534); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1510-1523. Dimensions: 305 x 218 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4138124 St. Jerome Praying: Arched. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1631-1632. Dimensions: 109 x 81 mm (plate/image); 112 x 84 mm (sheet). Etching and drypoint on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4139411 Bacchus and Drunken Silenus--The Dream of Silenus. Frans van den Wyngaerde (Flemish, 1614-1679); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1635-1640. Dimensions: 326 × 429 mm (image); 346 × 440 mm (plate); 422 × 532 mm (sheet). Etching and engraving in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4137564 Abraham and Isaac. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1645. Dimensions: 156 x 128 mm (image/plate); 159 x 131 mm (sheet). Etching and drypoint on white laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4137598 Plate Five, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 265 x 368 mm (sheet, trimmed to platemark). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4138775 Woman, Her Child, and a Standing Man in a Landscape. Giovanni Francesco Grimaldi; Italian, 1606-1680. Date: 1643. Dimensions: 274 x 380 mm. Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4136901 The Death of the Children of Niobe. School of Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1541. Dimensions: 332 x 445 mm (sheet). Engraving in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: School of Marcantonio Raimondi.

alb4139129 Elias in the Wilderness, from Six Landscape Subjects from the Old Testament. Antoni Waterlo; Dutch, 1609-1690. Date: 1629-1690. Dimensions: 293 x 250 mm (image); 295 x 253 mm (plate); 300 x 257 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Anthonie Waterloo.

alb4133232 Misfortune. Sebald Beham; German, 1500-1550. Date: 1536-1546. Dimensions: 77 x 50 mm (image/sheet, trimmed unevenly to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

alb4138464 Abraham's Arrival at Sichem. Cornelis Visscher (Dutch, c. 1629-1658); after Jacopo Bassano (Italian, 1510-1592). Date: 1648-1658. Dimensions: . Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

alb4138886 Entry of M. de Couvonage and M. de Chalabre, from The Combat at the Barrier. Jacques Callot; French, 1592-1635. Date: 1627. Dimensions: 154 × 243 mm (plate); 174 × 259 mm (sheet). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4133476 The Prodigal Son with the Swine, plate three from The History of the Prodigal Son. Sebald Beham; German, 1500-1550. Date: 1520-1550. Dimensions: 59 x 96 (image/plate); 71 x 116 (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4132774 The Virgin and Child Seated on a Grassy Bank. Heinrich Aldegrever; German, 1502-c.1560. Date: 1553-1554. Dimensions: 107 x 68 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4136085 Cliff on a Seashore, from Four Small Landscapes. Hendrick Goltzius (Dutch, 1558-1617); printed by Willem Jansz. Blaeu, Amsterdam (Dutch, 1605/20). Date: 1597-1600. Dimensions: 116 x 146 mm (image/plate/sheet). Chiaroscuro woodcut in black, ochre, and green on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4138091 Plate Four, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 266 x 369 mm (sheet, trimmed to platemark). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4132399 Saint George and the Dragon. Guiseppe Scolari; Italian, flourished 1550-1600. Date: 1550-1600. Dimensions: . Woodcut on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Giuseppe Scolari.

alb4137845 Christ Returning from the Temple with His Parents. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1654. Dimensions: 94 x 144 mm (image/plate); 96 x 146 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4137246 Cow Lying Down Beside a Tree. Paulus Potter; Dutch, 1625-1654. Date: 1645-1654. Dimensions: 100 x 138 mm (image); 105 x 144 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

alb4136683 David, Solomon, Rehoboam, plate one, from The Twelve Kings of Israel. Lucas van Leyden; Netherlandish, c. 1494-1533. Date: 1515-1525. Dimensions: 315 x 496 mm (image); 339 x 499 mm (sheet, trimmed within block). Woodcut in black with touches of pen and brown ink on buff laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4137920 Saint Peter in the Desert. Jusepe de Ribera; Spanish, 1588-1652. Date: 1620-1621. Dimensions: 320 x 242 mm (image); 325 x 248 mm (plate); 330 x 249 mm (sheet). Etching on paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

alb4168447 The Lauterbrunnen. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 280 x 363 mm (image/plate); 287 x 369 mm (sheet). Etching in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4151341 Woman Lighting a Rocket, also called Peace Gets Me Going, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur). Cornelis Dusart (Dutch, 1660-1704); published by Jacob Gole (Dutch, 1660-1737). Date: 1695. Dimensions: 247 x 180 mm (plate); 241 x 182 mm (sheet). Mezzotint in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

alb4151330 Sheet with Two Studies: A Tree, and the Upper Part of the Head of the Artist Wearing a Velvet Cap. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1638-1649. Dimensions: 78 x 67 mm (plate); 80 x 70 mm (sheet). Etching on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4151673 View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1762. Dimensions: 437 x 675 mm (image); 440 x 677 mm (plate); 562 x 788 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4159677 Andromeda. Henri Fantin-Latour; French, 1836-1904. Date: 1899. Dimensions: 438 × 318 mm (image); 620 × 461 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4151857 Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1763. Dimensions: 406 x 553 mm (image); 413 x 559 mm (plate); 490 x 620 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4154649 Great Victory of Our Troops at the Fierce Battle of the Ansong Ford (Anjo no watashi waga gun taisho no zu). Migita Toshihide; Japanese, 1863-1925. Date: 1894-1895. Dimensions: . Color woodblock print; oban triptych. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4105847 The Sick Woman. Dating: c. 1663 - c. 1666. Measurements: h 76 cm × w 63.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Havicksz. Steen.

alb4142506 Remains of the Villa of Maecenas at Tivoli, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1762-1763. Dimensions: 450 x 667 mm (image); 455 x 672 mm (plate); 555 x 784 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4142547 View of the Arch of Titus, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1771. Dimensions: 475 × 708 mm (image); 477 × 711 mm (plate); 533 × 759 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4145148 William John, Earl of Ancrum. John Dixon (Irish, c. 1740-1811); after Sawrey Gilpin (English, 1733-1807) and Richard Cosway (English, 1742-1821); published by John Boydell (English, 1719-1804) and John Dixon. Date: 1773. Dimensions: 513 x 606 mm (image); 543 x 606 mm (plate); 575 x 692 mm (sheet). Mezzotint in black on ivory laid paper, discolored to tan. Origin: Ireland. Museum: The Chicago Art Institute, USA.

alb4142633 View of the Small Waterfall and Rapids, Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1769. Dimensions: 469 x 704 mm (image); 475 x 711 mm (plate); 557 x 782 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4142053 Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1767. Dimensions: 419 x 600 mm (image); 422 x 603 mm (plate); 489 x 663 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4142022 View of the Grand Cascade at Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1766. Dimensions: 471 x 702 mm (image); 505 x 720 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4140566 The Overloaded Donkey. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1628-1664. Dimensions: 243 x 305 mm (image); 250 x 313 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4141041 Landscape, from Set of Landscapes. Herman Naijwincx; Dutch, 1624-1651. Date: 1644-1651. Dimensions: . Etching in black on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Herman Naijwincx.

alb4146979 The Tower of Mont-Perrou, Seen from the Banks of the Allier (Auvergne). Paul Huet (French, 1803-1869); printed by Gottfried Engelmann (French, 1788-1839). Date: 1831. Dimensions: 230 × 305 mm (image); 286 × 330 mm (primary support); 332 × 454 mm (secondary support). Lithograph in black on buff China paper, laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4141416 The Little Bridge near the Rock, from the series Set of Landscapes. Herman Naijwincx; Dutch, 1624-1651. Date: 1644-1651. Dimensions: . Etching on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Herman Naijwincx.

alb4140033 Two Riders Passing a Flock, plate five from The Six Large Views of Rome and the Campagna. Stefano della Bella; Italian, 1610-1664. Date: 1654. Dimensions: 289 x 260 mm (image); 290 x 263 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4141841 Consecration of the Bishop of Noyon with Scene of Pentecost Above. Pieter Claesz. Soutman (Dutch, c. 1580-1657)?after Peter Paul Rubens (Flemish, 1577-1640). Date: 1640-1657. Dimensions: 331 x 204 mm (sheet). Etching in black with traces of foul bite on buff laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4141800 The Age of Gold. Johann Theodor de Bry (German, 1561-1623); after Abraham Bloemaert (Dutch, 1566-1651). Date: 1608. Dimensions: 163 x 167 mm (plate); 166 x 168 mm (sheet). Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4142395 Another view of the Temple of the Sibyl in Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1761. Dimensions: 615 x 435 mm (image); 620 x 440 mm (plate); 670 x 485 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4141179 Plate Two, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 266 x 370 mm (plate); 273 x 375 mm (sheet). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb3903356 Cupid and Psyche. Date/Period: Between 1690 and 1699. Historical subject. Mezzotint on medium, slightly textured, cream laid paper. Height: 241 mm (9.48 in); Width: 330 mm (12.99 in). Author: BERNARD LENS.

alb3902253 A Tigress. Date/Period: 1773. Print. Mezzotint on medium, slightly textured, cream laid paper. Height: 483 mm (19.01 in); Width: 584 mm (22.99 in). Author: JOHN DIXON.

alb3907290 The Expulsion from Paradise. Date/Period: 1493. Woodcut on laid paper. Width: 32.1 cm. Height: 47 cm (sheet). Author: MICHAEL WOLGEMUT.

alb4100873 Titlepage for 'les Fables et Contes de Hippolyte' by Thierry-Faletans. Dimensions: 40.5 cm x 32.7 cm, 26.1 cm x 20.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: Rodolphe Bresdin.

orz083500 ESCULTURA EN PIEDRA TALLADA REPRESENTANDO CABEZA O ROSTRO DE DON MIGUEL DE UNAMUNO CON RASGOS ESTILIZADOS Y TEXTURAS RUGOSAS -1975-30X20X28 cm. Author: FRANCISCO OTERO BESTEIRO (1933-1994). Location: FUNDACION SANTANDER CENTRAL HISPANO-COLECCION. MADRID. SPAIN. MIGUEL DE UNAMUNO (1864-1936).

alb31135126 Mountain stream with rising rock, print, Series number, 21, printmaker: Louis-Julien Jacottet, printer (person): François Jean Villain, Paris, publisher: Veith & Hauser, c. 1836 - c. 1838, printer (person), paper, lithography, height 420 mm x width 289 mm, brook, rock-formations., A detailed pencil or ink drawing of a rocky cliffside rising steeply from a stream, with large vertical rock faces, jagged ledges, and clusters of trees and shrubs growing in crevices and at the base, rounded boulders and smaller stones scattered near the water's edge, rippling water reflecting the nearby rocks, dense foliage on the right side blending into shaded rock, and a textured paper background showing subtle speckling.

alb31135114 Fable of the goat and the young wolf, print, book illustration, A goat allows a young wolf to feed on the milk from her udder. Mercy transcends even the greatest enemies., printmaker: Marcus Gheeraerts (I), Bruges, printer (person): Pieter de Clerck, 1567, printer (person), commissioner (person who orders works), paper, etching, height 95 mm x width 112 mm, she-goat, nanny-goat, beasts of prey, predatory animals: wolf, fables of Aesop (with TITLE) : Use 85., A large goat occupies the foreground, shown in profile with curved horns, textured fur, and cloven hooves, while a smaller animal at its side appears to be nuzzling its belly. Behind them a stone archway and a bridge connect to a village scene with thatched and tiled roofs, a round tower, and a few clustered buildings; a person is visible carrying a tub on a yoke and another person stands near the arch. In the midground a pair of seated figures converse beside a low structure, and scattered vegetation and rocks appear in the foreground. The sky is filled with hatched lines and a few small birds.

alb31135160 Alfabet with animals, print, popular print, Sheet with 25 illustrations of the letters of the alphabet, illustrated with animals whose words begin with the corresponding letter. Below each image is a caption in Dutch and in French. Numbered bottom right: No. 60., vendor: Rynders, Erven H., Amsterdam, publisher: Philippus Jacobus Brepols, Turnhout, 1800 - 1854, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow and red, text in letterpress, height 320 mm x width 389 mm, walker and runner birds: turkey, cow, animals, hoofed animals: camel, hoofed animals: hippopotamus., A grid of small rectangular illustrations fills the page, each containing a different animal rendered in fine line engraving with hand-applied patches of muted color; the animals include a donkey, a piglike creature with tusks, a two-humped camel, a turkey with fanned tail, a pair of squirrels in a tree, a long-tailed pheasant perched on a small stool, a weasel-like creature on rocks, a bulky hippopotamus with open mouth, a lizard perched on a branch above a tree stump, a long-legged wading bird standing upright, a ground-dwelling bird with slender legs, a parrot perched on a branch, a reclining lion with a flowing mane, a small rodent on a rocky mound, a large bear standing on all fours, a spiky porcupine, a fox-like animal on a ledge, a wild pig, a toucan perched on a rock, a swimming seal-like creature, and several other animals shown in similar small framed vignettes; each vignette includes simple landscape elements such as tufts of grass, rocks, branches, or distant horizon lines, and the overall sheet shows even spacing between the framed images with small areas of paper discoloration and aged texture.

alb31135544 John the Baptist in the desert, print, printmaker: Bon Boullogne, 1659 - 1717, paper, etching, engraving, height 464 mm x width 326 mm, John the Baptist in the wilderness, usually accompanied by a lamb., A monochrome engraved scene shows a bare-chested man with a beard and shoulder-length hair standing on uneven ground. He wears a fur-like garment draped around his waist and over one shoulder, leaving one arm and chest exposed. One arm is extended outward with an open hand, while the other hand holds a long staff that reaches above his head and has a flowing ribbon attached. Behind him are trees with detailed leaves and a textured sky of horizontal lines. Rocks and foliage appear at his feet and in the surrounding landscape, and a distant shoreline or horizon is visible in the background. The image is rendered with fine crosshatching and line work.

alb31135510 Man sitting in front of a stone wall, Peasant figures, print, title page, A man sits, seen from the back, in front of a small wall bearing the text: Six Study Pictures, Drawn from Life, By J. Lauwers. and etched, by J. De Freÿ. The man wears a hat on his head and clogs on his feet. Title page for a series of etchings by printmaker JP de Frey after drawings by J. Lauwers., number: '2', printmaker: Johannes Pieter de Frey, after drawing by Jacobus Johannes Lauwers, 1780 - 1834, paper, etching, height 164 mm x width 215 mm, lying on one side, with uplifted upper part of the body and leaning on the arm., A sepia-toned ink drawing shows a seated figure seen from behind wearing a wide-brimmed hat and loose, layered clothing with visible folds and stitched seams. The figure leans against a rough, stratified rock face with grass tufts at its top and a leaning wooden pole resting against it. The person's legs are bent, one foot extended forward wearing a boot with a turned-down cuff, and the other leg tucked beneath. In the foreground and around the rock are scattered tufts of grass and a short wooden fence or plankwork. The drawing is composed of fine hatch and contour lines that define texture and shadow across the clothing, hat, rock, and ground.

alb31134910 Sarcophagus, Urna di marmo, ritrovata nella Stanza sepolcrale vicina a quella di L. Arrunzio, Le Antichità Romane, Archeologische vondsten in en rond Rome, print, A sarcophagus (called an urn on the print). Surrounding the sarcophagus are various detailed illustrations and views. Title and explanatory list with letters in the lower margin. Numbered above: To. II., XX., printmaker: Giovanni Battista Piranesi, Rome, printmaker: Jean Barbault, Italy, c. 1756 - c. 1757, paper, etching, etching printed from two plates on one sheet., height 395 mm x width 479 mm x height 47 mm x width 480 mm., A detailed black and white engraved illustration shows architectural elements and carved stonework arranged in a formal composition, centered on a small temple-like façade with a triangular pediment decorated with a wreath and ornamental scrolls above a recessed niche containing two classical sculptures of a partially draped female figure and a male figure wearing a helmet, standing on a stepped base flanked by fluted columns with ornate capitals; surrounding this central structure are cross-sections of coffins or sarcophagi revealing layered interiors and rounded decorative moldings, some with carved wave-like fluting and acanthus-like motifs, while torn and irregular fragments of rock and mineral textures appear lodged against and through the stonework in multiple places; inset panels display ornamental medallion shapes with spiral foliate designs and a slender column fragment, and the composition is rendered with dense hatching and fine linework emphasizing depth and texture.

alb31134933 Raising of Lazarus, print, Christ raises Lazarus from the dead. Lazarus rises from his grave. A group of onlookers reacts with surprise and wonder., printmaker: Salvatore Castiglione, Italy, 1645, paper, etching, brown etching, height 114 mm x width 215 mm, the raising of Lazarus ('Lazarus, come out')., A sepia-toned etching shows a group of robed figures on a rocky ledge at left, many leaning forward with varied postures and intense facial expressions, their garments rendered with fine cross-hatching; to the right a solitary robed figure stands on a raised surface, head tilted upward and arms slightly extended, with flowing drapery and radiating lines around them; below and in the foreground a reclining figure lies partially covered by drapery on a lower plane; the scene is composed of textured rock formations, linear shading across the background, and detailed line work defining clothing, hair, and rugged terrain.

alb31134993 Dimostrazioni dell'Emissario del Lago Albano, Afvoerkanaal van Meer van Albano, Descrizione e Disegno dell'Emissario del Lago Albano di Gio Battista Piranesi, Beschrijving en ontwerp van hetafvoerkanaal van het Meer van Albano door Giovanni Battista Piranesi, print, View of the remains of the drainage channel of the Lake of Albano. Title bottom left. Numbered above: Tav. V., printmaker: Giovanni Battista Piranesi, Rome, 1762, paper, etching, height 454 mm x width 640 mm, lake, ruin of a building, architecture, sewers, Lake Albano (Lazio)., A large stone archway and surrounding masonry dominate the scene, with massive rusticated blocks forming walls and columns that recede into a vaulted tunnel; vegetation and tree roots grow over and between the stones, with branches and leaves hanging down from the upper edges. In the foreground are scattered wooden beams and rough planks leaning and lying atop rubble near the base of the stonework. A group of small human figures in period clothing stand, sit, and work among the stones and rubble, some on ledges and others near the ground, with a few appearing to interact or gesture. The composition is rendered in detailed monochrome with strong contrast, textured hatching, and fine lines that emphasize the weathered surfaces of the rock, the bark of the trees, and the uneven ground.

alb31134901 Promotional print for Joannes Baptista a Pfeiffersberg, print, promotional print, printmaker: Arnold van Westerhout, Netherlands, after drawing by Pietro Locatelli, 1661 - 1725, paper, engraving, This object has been virtually merged for better presentation, but physically consists of separate parts., A large classical engraving divided vertically into two mirrored panels showing an ornate architectural framework with heavy drapery and decorative cornices, winged figures holding open the drapery at the top corners, reclining cherubs and figures on clouds beneath a pediment, a procession of chariots and horses emerging from clouds on the right, groups of robed and armored figures below engaged in dynamic poses, one scene with a crowned woman being presented with a crown by attendants and another scene with warriors and angels standing over fallen figures, elaborate acanthus and scroll ornamentation framing the lower edge, a wide sculpted base with relief-like foliage and cartouches, and numerous textures of fabric, stone, feathers, and clouds rendered in fine linear shading.

alb31136324 Destruction of Idolatry, left leaf (former title), Triumph of the Eucharist over Idolatry, print, Men and women worship the Greek god Zeus at altars in a temple; they offer sacrifices such as a young bull. To their great horror, this idolatry is disturbed by an angel who appears surrounded by rays of light and shows them a chalice with a host. This is the left leaf of two separate prints which form a whole., printmaker: Schelte Adamsz. Bolswert, after painting by Peter Paul Rubens, 1596 - 1659, paper, engraving, height 636 mm x width 437 mm, (story of) Jupiter (Zeus)., A detailed black and white engraving showing a dramatic scene with several robed figures on an ornate architectural stage. At the top left a winged cherub leans over a draped cloth while a luminous, partly nude, floating figure extends an arm holding a cup toward the right; rays of light emanate behind this floating figure. Below, a standing figure with drapery over the head grasps a long torch-like object pointing upward, and another bearded figure on the right recoils with an arm raised. In the foreground a seated, partially reclined figure looks upward while clutching a decorative object, and a small childlike figure near an elaborate carved chair reaches toward the scene with a distressed expression. Tall fluted and twisted columns frame the composition, and carved ornamental moldings, garlands of fruit, a sculpted ram head, and draped fabric populate the architectural setting. The image is rich in fine engraving lines that define folds of cloth, textures of stone, and facial expressions.

alb31136335 The Perverse Bishop, Caricature of the Bishop of Münster, 1665, cartoon, print, Reproduction of a caricature of Christoph Bernard von Galen, the Bishop of Münster, at the outbreak of the Second Anglo-Dutch War, 1665. The bishop half dressed as a soldier and half as a bishop, standing with a sword and a book in his hands. In the background on the left, the bishop kills the sheep as a soldier, and on the right, as a bishop, a shepherd for the sheep., printmaker: Emrik & Binger, Netherlands, 1877 - 1879, paper, lithography, height 191 mm x width 92 mm, Person, Christoph Bernhard von Galen, Second English War, Period., A tall engraved figure stands full-length wearing a combination of armor and long robes with a feathered hat, holding a sword in one hand and an open book in the other; the figure has facial hair and a sash across the chest, and is positioned within a framed rectangular scene. In the background there is a landscape with a group of grazing sheep, a shepherd with a staff, and another robed figure standing near the flock; the ground shows textured lines and small rocks, and the sky is filled with horizontal hatch marks. The overall image is monochrome with detailed line engraving and shading.

alb31136313 Baptism of Christ in the Jordan, print, Christ is baptized in the Jordan by John the Baptist (Matthew 3:13-17). Men kneeling awaiting their own baptism, pointing to the dove of the Holy Spirit above Christ's head., printmaker: Paul van Somer (II), after painting by Nicolas Poussin, publisher: Claude Malbouré, Paris, 1670 - 1697, Paul van Somer (II), Nicolas Poussin, Claude Malbouré, printmaker, after painting by, publisher, paper, etching, engraving, etching and engraving, height 306 mm, width 434 mm, baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends., A monochrome engraved scene shows a group of figures on a rocky shoreline, several kneeling and several standing, all draped in flowing garments that reveal muscular forms; one figure leans forward with outstretched hands toward the water while another kneels close to the edge with head bowed, and a few others gesture or place hands on each other. In the background a landscape of rolling hills and clusters of trees extends beneath a sky with layered clouds, and a bird surrounded by radiating lines appears above the left side. Rocks and textured ground occupy the foreground, and gentle ripples of water meet the shore near the figures.

alb31136309 Christ appearing to the three Marys, print, book illustration, Christ with Mary Cleophas, Mary Magdalene and Mary Salome in landscape., unknown: attributed to Master of Delft, Low Countries, unknown: attributed to Master of the Delbecq-Schreiber Passion, unknown: attributed to Master of the Virgo inter Virgines, 1480 - 1500, 1503, Master of the Delbecq-Schreiber-Passion, Attributed to, paper, woodcut, height 98 mm x width 142 mm, Christ appearing to the holy women, usually the three Maries., A black and white woodcut scene shows a standing robed figure with long hair and a halo holding a tall staff with a flowing banner, facing a group of kneeling and seated women who wear long flowing garments and headdresses; one woman holds a vessel while another clasps her hands, and a third looks toward the standing figure. The setting includes grassy ground with stylized tufts and plants, a tree with leafy branches on the left, and a rounded rock or draped backdrop behind the seated women. The image is composed of dark ink lines and hatch marks on a light background, with patterned folds in the clothing and textured shading throughout.

alb31135722 Plan and fragments from a tomb at Vigna Casali, Pianta Frammenti della Camera sepolcrale esistente nella Vignba Casali a Porta S. Sebastiano, Archaeological finds in and around Rome, Le Antichità Romane, print, Plan and various fragments, including a sarcophagus, from a tomb at Vigna Casali. Title and list with explanatory letters in the lower margin. Numbered top left: LV. Tom. II., printmaker: Giovanni Battista Piranesi, Rome, c. 1756 - c. 1757, paper, etching, etching printed from two plates on one sheet, height 378 mm x width 508 mm x height 45 mm x width 510 mm, grave, tomb, sarcophagus, plan, architecture, inscription, Italy., A detailed black and white engraved scene showing a rectangular central plan with rounded lobes, surrounded by textured stonework and rocky terrain, a few circular recessed areas and small square blocks along the edges, a stepped entrance on one side, a group of architectural fragments and pedestals flanking the plan including a carved plaque topped by a winged creature relief and a rounded stone sarcophagus with a broken section revealing rough interior rock, a sculpted urn on a plinth, and a variety of carved moldings and architectural profiles arranged around the composition.

alb31135799 Tower of Babel, print, top center: II in Abth. No. 212., printmaker: IL Wittmann, after painting by Paul Bril, printer (person): G. Eduard Müller, Berlin, 1820 - 1860, printer (person), paper, chine collé, lithography, height 542 mm x width 683 mm, the building of the Tower of Babel, Nimrod may be present, supervising or assisting the construction., A large stepped stone tower dominates the center, shown from a slightly elevated angle with many layered terraces, arches, openings, and stairways; tiny figures and animals move along its surfaces and around its base. To the right of the tower a busy shoreline with numerous sailing ships, small boats, docks, and clustered waterfront buildings stretches toward distant rocky hills. The left side shows a rugged landscape of cliffs, trees, smaller dwellings, and pathways with people and carts traveling among rock formations. The foreground contains groups of people engaged in various activities on rocky terrain, along with bridges, carts, and scattered tools; shadows and fine line work create texture across the scene. Above, a cloudy sky arches over the entire composition.

alb31135759 Mountain landscape with Sigmaringen Castle, print, printmaker: Maria van Hohenzollern-Sigmaringen (Countess of Flanders), 1876, paper, etching, drypoint, retroussage, height 257 mm x width 346 mm, landscape with tower or castle, artist at work, in his workshop - BB - out of doors, Baden-Württemberg, Württemberg, Sigmaringen., A detailed pen-and-ink landscape shows a large stone castle complex perched on rocky cliffs, with steep gabled roofs, tall narrow windows, and pointed towers rising above the main buildings; surrounding the castle are dense clusters of trees and shrubs rendered with intricate linework, rugged rock formations, and terraced foreground ledges. A lone seated figure is visible on a rocky outcrop near the foreground, and a calm body of water lies at the base of the cliffs. Distant rolling hills and a sky with faint cloud lines form the background. The overall scene is monochromatic with fine crosshatching and varied ink textures.

alb31135744 Conquest of the strong city of Gibraltar by the combined English and Dutch War Fleet, Conquest of Gibraltar by an Anglo-Dutch fleet, 1704, print, historical print, The conquest of Gibraltar by a combined Anglo-Dutch fleet, August 3, 1704. With the city and the castle on the rock, the naval battle in the foreground. Written in pen in the image: Ao. 1704., printmaker: Zacharias Chatelain (II), Northern Netherlands, 1704 - 1705, paper, etching, height 160 mm x width 268 mm, battle (+ naval force), Capture of Gibraltar (1704), Gibraltar, Period, 1703-08-03., A wide coastal scene showing a fortified town at the base of a large rocky promontory with a cluster of buildings, a domed structure, and defensive walls, with a few small figures visible near the shoreline. The foreground and middle distance are filled with a group of sailing ships and smaller boats on wavy water, many with raised sails and visible rigging, some emitting puffed clouds near their sides. The sky contains several clouds rendered with lined shading, and the overall image is a detailed black-and-white line engraving with fine crosshatching and textured shading.

alb31135626 Landscape with the ruins of a temple, print, annotation: 'Copie', printmaker: Nicolas Perelle, printmaker: Adam Perelle, printmaker: Gabriel Perelle, after print by Guilliam van Nieulandt (II), after design by Paul Bril, publisher: Pierre Drevet, Paris, 1673 - 1695, Guilliam van Nieulandt (II), after print by, paper, etching, height 250 mm x width 331 mm, landscape with ruins., A detailed ink landscape shows a rocky hillside with stepped paths, arched openings, and layered stone textures leading up to a cylindrical ruined tower topped with wooden beams; leafy and bare-branched trees grow around the hill and along its slopes, with clusters of shrubs and flowing lines suggesting vegetation. In the foreground, a group of small figures stand and walk along a path: two seated figures on a cliff edge with one gesturing and a standing figure with a staff next to a goat, while lower down a solitary walking figure carries something and a small group of three adults walks together with a child nearby and a dog stretching out on the ground. The left side features a vertical rock face with hanging foliage and clouds rendered in fine horizontal lines filling much of the sky.

alb31136039 The Entombment of Christ, print, In a cave, Christ is laid in a tomb by his family, disciples, and friends., printmaker: Raphaël Sadeler (I), Munich, after design by Hans von Aachen, grantor of privilege: Rudolf II of Habsburg (German Emperor), c. 1593, Bavaria, paper, etching, engraving, engraving and etching, proof print, height 241 mm x width 181 mm, Christ's entombment (possibly by angels)., An oval engraving showing a cave opening with a reclining male figure being lowered onto a stone slab by several surrounding figures, most of whom are robed and have solemn expressions; a woman with long hair kneels at the foot of the slab holding cloth, another woman stands nearby with a head covering and clasped hands, and several bearded men assist or observe while two men hold long staffs with lit tips; rough rock forms the cave ceiling with hanging vegetation and a distant landscape visible through the opening, while detailed drapery and textures appear on the clothing and on a fur-lined cloak of one man.

alb31136093 Ships in distress off a rocky coast, Various ships on the water, print, Series number, 6, Storm at sea. On the left, a three-masted ship about to strike the rocks. On the right, a fishing boat with two people at the helm. This print is part of a series of six prints featuring various ships., printmaker: Gerrit Groenewegen, Rotterdam, 1807, paper, etching, height 150 mm x width 230 mm, storm at sea, ships (in general) - CC - more than one ship., A detailed monochrome engraving shows a turbulent sea with a group of sailing vessels struggling in rough waves; a larger ship leans heavily with torn rigging and partly furled sails while several smaller boats nearby pitch and crest on choppy water. The sky is filled with dense, dramatic clouds rendered in cross-hatching, and the horizon is broken by a steep cliff face on one side. Waves break around floating debris and a partly submerged mast, and figures are visible aboard some of the smaller boats tending sails and handling lines. The composition emphasizes movement and stormy conditions through swirling water, angled masts, and textured cloud patterns.

alb31136023 Paintings on the east side, St. Michael's Abbey Antwerp, print, View of the paintings on the east side of the church of St. Michael's Abbey in Antwerp. Christ is in the house of the Pharisee Simon where a woman washes his feet with her tears and then dries them with her hair., printmaker: Hendrik Causé, Antwerp, after painting by Erasmus Quellinus (II), c. 1699, paper, etching, engraving, etching and engraving, height 308 mm x width 162 mm, celebration meal, feast, banquet, interior of church, a woman washes Christ's feet with her tears, and wipes them with her hair., An architectural scene rendered in fine line work showing a grand arched interior with classical columns and balustrades, an elevated terrace with a large urn and steps leading down, and a group of people gathered across multiple levels. Several figures sit and recline around a long table on the terrace, some gesturing and leaning toward one another, while others stand nearby or on the steps. A few people appear in niches and doorways framed by columns, and a person carries a tray at an entrance. On the lower level a few reclining figures rest against a stone ledge while children and small figures move near arched openings and a dog is visible by a standing figure. Decorative architectural details include carved capitals, mouldings, and an ornate vaulted ceiling filling the upper portion of the image, with distant foliage and a hint of sky visible through the central opening. The scene is composed in monochrome hatch and crosshatch engraving style with detailed textures on fabrics, stone, and pottery vessels placed near the railings.

alb31136012 La boutique de Vulcain et le dieu Pan, accompagnez des bacchantes et des faunes, Forge of Vulcan and Pan with followers, print, printmaker: Jean Baptiste de Poilly, after painting by Pierre Mignard (1612-1695), publisher: Nicolas de Poilly (I), Paris, provider of privilege: French crown, 1679 - 1728, grantor of privilege, paper, etching, engraving, height 514 mm x width 715 mm, (story of) Pan, Vulcan in his smithy, Saint-Cloud., A large semicircular engraving shows a crowded classical scene framed by an ornate carved arch with a central decorative mask and garland; beneath the arch a rocky cavern opens to a landscape with trees and a smoking mountain in the distance. In the foreground a group of muscular male figures and robed women occupy rocky ground and a raised platform; one bearded, muscular man stands with a staff and animal skin, another stands at a rock opening holding a hammer, while other men work at forges inside the cave with anvils, bellows, and hanging shields. Several reclining putti lie on the platform near a decorative helmet and broken armor pieces, one holding a wreath or flowers. Women and youths sit or reach toward each other, some wearing flowing drapery and floral crowns, one woman with long hair seated near the center. On the right a woman balances a basket of fruit on her head while a youth nearby supports a long staff entwined with foliage. Stone textures, metal tools, and detailed drapery are rendered in fine engraved lines throughout the composition.

alb31135839 Dover, Ships at Dover in heavy weather, print, printmaker: James Tibbits Willmore, England, after painting by Joseph Mallord William Turner, publisher: Ernest Gambart, London, 1851, paper, etching, engraving, height 525 mm x width 676 mm, sailing-ship, sailing-boat, storm at sea, rocky coast., A coastal scene rendered in monochrome showing choppy waters and several sailing vessels near a rocky shoreline, with a larger castle complex perched atop high cliffs in the background. In the foreground a small boat with a curved sail carries wrapped cargo and figures leaning over the side, while nearby other small sailboats and rowing craft navigate waves, some with passengers visible on deck. The cliff face rises steeply behind a stone wall and fortifications leading to towers and a central keep, with scattered buildings at the cliff top and an arched structure set into the rock. Dark, swirling clouds fill much of the sky, with shafts of light breaking through and a few birds in flight, and smoke trails extend from one of the boats toward the right. The water surface shows textured waves and foam, and various harbor elements like piers and posts are visible along the shoreline.

alb31135495 Fishing among Native Americans, Fishing with bow and arrow (former title), Venationes, Piscationes et Aucupii Typi, Hunting and fishing, print, Series number, 44, 54, Native Americans catch fish in a river by shooting them from the bank with a bow and arrow. The print has a Latin caption and is part of a series of 54 prints., printmaker: attributed to workshop of Philips Galle, Antwerp, after design by Hans Bol, publisher: Theodoor Galle, 1582 - 1633, 1582, Philips Galle, Attributed to, paper, engraving, gravure, width 215 mm x height 81 mm, Native peoples of the Americas, fishing (sports) (+ bow and arrow), indigenous peoples of America, South America, North and Central America., A wide, detailed black-and-white engraving of a coastal scene showing a group of people engaged in fishing and hunting activities along a shoreline and shallow water. On the left, a few figures stand on a bank near tall, grasslike plants, handling a large net and gathered fish. Toward the center, several people wade in the water, carrying or holding large fish and using spears, while a few fish are visible swimming or lying in the shallows. In the background, low islands or marshy clumps and distant trees stretch toward a horizon of hills and a textured sky. On the right, a group of figures stand on rocky ground beneath tall plants, two of them drawing bows aimed toward the water where other figures reach or swim. Rocky outcrops and a raised, rugged hillside with scattered trees frame the scene on the far right. The overall composition is populated by multiple human figures, various fish, shoreline vegetation, rocks, and a layered landscape receding into the distance.

alb31135929 Vue de l'Eglise de St. Sebastien hors des Murs, Veduta della Chiesa di S. Sebastiano fuori delle Mura, View of Saint Sebastian outside the Walls, print, book illustration, printmaker: Freicenet, Rome, after drawing by Jean Barbault, publisher: Bouchard & JJ Gravier, J., dedicated by: Bouchard & JJ Gravier, dedicated to: Prospero Colonna di Sciarra, Italy, 1763, Freicenet, Jean Barbault, Bouchard & JJ Gravier, Prospero Colonna di Sciarra, printmaker, after drawing by, publisher, paper, etching, height 387 mm x width 532 mm, city-view in general, 'veduta', church (exterior), Saint Sebastian outside the Walls., A sepia-toned architectural engraving shows a large classical building with a columned arcade and a pedimented façade flanked by a long walled structure extending to domed and towered rooflines, surrounded by trees and a high retaining wall; the foreground contains an open, uneven plain with small groups of people walking and standing, a cart and animals near scattered rocks, and an ornamental gate fragment at one side, while the sky above is filled with shaded, textured clouds.