Pesquisando por: "flag of France" - Fotoarena - Agência de fotojornalismo

1035_06_707506 The Fourteenth of July at Marly-le-Roi, Sisley, Alfred

902_05_12310006HighRes The formal transfer of ownership of Upper Louisiana from Spain to the French First Republic, and then from France to the United States, March 10, 1804. This act finalized the Louisiana Purchase, the acquisition of the Louisiana territory (828,000 square miles) by the United States from France in 1803. From The History of Our Country, published 1900.

902_05_12283480HighRes Presentation of Union Jacks to British Service Battalions in France after World War One, as a mark of royal recognition of their valour. From The New Illustrated Magazine, published 1919.

902_05_12319461HighRes Joan of Arc, 1412 - 1431, aka Jeanne d'Arc, The Maid of Orléans or Jeanne la Pucelle. French heroine. After the painting by W. B. Richmond. From Bibby's Annual, published 1915

902_05_12310307HighRes Chinese officers hauling down the British flag on board The Arrow at the outbreak of the Second Opium War, 1856. From The Century Edition of Cassell's History of England, published c. 1900

908_06_lr2015244 The Abdication of Napoleon at Fontainebleau

908_06_db11 Allegory of peace

908_06_db10 Aix defending Marseille against Alfonso V of Aragon

908_06_LR9507832 The Napoleonic Code, Code Napoleon

990_05_0-Expo-Paris_1HR Paris, France: 1889 A photochrome of the Eiffel Tower and view of the grounds at the Exposition Universelle.

00914597 Bergman, Ingrid, 29.8.1915 - 29.8.1982, Swedish actress, full length, during rehearsal for gala of the Union des Artistes, Cirque d'hiver, Paris, 4.3.1957,

00858679 Colette, Sidonie Gabrielle 28.1.1873 - 3.8.1954, French author / writer, funeral, speech by Roland Dorgeles, president of the Academie Goncourt, court of Palais Royal, Paris, 7.8.1954,

990_05_3-Amer-Patr_4HR Kent, Connecticutt: c. 1930 Early morning drum and bugle flag raising ceremonies at the Girl Scout Camp Francis.

990_05_4-War-Mex-1914_1HR New York, New York: June 28, 1916 Mothers and sweethearts wave farewell to their loved ones as they depart with General Pershing for the Mexican border. Many of them went on to France with him a year later.

00540839 "press/media, magazines, ""Le Petit Journal"", Paris, volume 12, number 563, illustrated supplement, Sunday, 1 September 1901, illustration, ""Joan of Arc"","

00538041 "press/media, magazines, ""Le Petit Journal"", Paris, volume 5, number 181, illustrated supplement, Monday, 7 May 1894, title, ""Mass for Joan of Arc"","

00424871 events, Franco-Prussian War 1870/1871, Battle of Sedan 2.9.1870, surrender of the fortress, French negotiator on the wall, engraving, 19th century, France, Franco Prussian, Flag of Truce, officer,

00175635 War of the Sixth Coalition 1812 - 1814, first restoration in France 1814, arrival of king Louis XVIII in Paris, 2.5.1814, contemporary steel engraving,

alb3706832 Yacht Basin at Trouville-Deauville. Dated: probably 1895/1896. Dimensions: overall: 45.8 x 37.1 cm (18 1/16 x 14 5/8 in.) framed: 68.2 x 60.3 x 7.3 cm (26 7/8 x 23 3/4 x 2 7/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

alb3735932 On the Jetty. Dated: c. 1869/1870. Dimensions: overall: 18.4 x 27.4 cm (7 1/4 x 10 13/16 in.) framed: 30.8 x 39.7 x 3.8 cm (12 1/8 x 15 5/8 x 1 1/2 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

alb22770839 EUGENE BOUDIN/ The Pardon of Sainte-Anne-la-Palud, 1858. Oil on canvas.

alb3735344 Allies Day, May 1917. Dated: 1917. Dimensions: overall: 92.7 x 76.8 cm (36 1/2 x 30 1/4 in.) framed: 110.8 x 94.3 x 6.4 cm (43 5/8 x 37 1/8 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

alb4162378 l'Etendard Francais. Jules Chéret, (French, 1836-1932); printed by Imprimerie Chaix. Date: 1891. Dimensions: 1238 × 881 mm. Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb2002402 Eugène Delacroix / 'Liberty Leading the People', 1830, Oil on canvas, 260 x 325 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb3900362 All Hands to the Pumps. Date/Period: 1888-89. Painting. Oil on canvas. Height: 185.4 cm (72.9 in); Width: 139.7 cm (55 in). Author: Henry Scott Tuke.

alb3603324 The Zenith of French Glory; - the Pinnacle of Liberty. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm)sheet: 19 1/2 x 13 1/8 in. (49.5 x 33.3 cm). Publisher: Hannah Humphrey (London). Date: February 12, 1793. Museum: Metropolitan Museum of Art, New York, USA.

alb4143442 The Zenith of French Glory; The Pinnacle of Liberty. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 344 × 238 mm (image); 351 × 248 mm (plate); 397 × 285 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

alb3894542 Hôtel des roches noires. Trouville. Date/Period: 1870. Painting. Oil on canvas. Height: 810 mm (31.88 in); Width: 580 mm (22.83 in). Author: CLAUDE MONET.

alb3894603 La rue Montorgueil à Paris. Fête du 30 juin 1878 The Rue Montorgueil in Paris. Celebration of June 30, 1878. Date/Period: 1878. Painting. Oil on canvas. Height: 810 mm (31.88 in); Width: 500 mm (19.68 in). Author: CLAUDE MONET.

alb3617195 Garden at Sainte-Adresse. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 38 5/8 x 51 1/8 in. (98.1 x 129.9 cm). Date: 1867.Monet spent the summer of 1867 with his family at Sainte-Adresse, a seaside resort near Le Havre. It was there that he painted this buoyant, sunlit scene of contemporary leisure, enlisting his father (shown seated in a panama hat) and other relatives as models. By adopting an elevated viewpoint and painting the terrace, sea, and sky as three distinct bands of high-keyed color, Monet emphasized the flat surface of the canvas. His approach--daring for its time--reflects his admiration for Japanese prints. Twelve years after it was made, Monet exhibited the picture at the fourth Impressionist exhibition of 1879 as Jardin à Sainte-Adresse. Museum: Metropolitan Museum of Art, New York, USA.

alb3711584 Captain of the Barons. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

alb3709420 Captain of the Barons. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3651533 Macbeth and the Witches (Shakespeare, Macbeth, Act 1, Scene 1). Artist: After Francesco Zuccarelli (Italian, Pitigliano 1702-1788 Florence). Dimensions: Plate (trimmed at top): 17 5/8 × 21 13/16 in. (44.8 × 55.4 cm)Sheet: 18 1/16 × 23 5/8 in. (45.8 × 60 cm). Engraver: William Woollett (British, Maidstone, Kent 1735-1785 London). Publisher: William Woollett (British, Maidstone, Kent 1735-1785 London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

alb3646484 A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from 'Varie figure'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 4 1/8 x 6 1/8 in. (10.4 x 15.5 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Varie figure'. Date: ca. 1645. Museum: Metropolitan Museum of Art, New York, USA.

les40110355 The Jetty of Deauville, France. Oil on canvas Inv. RF 1967. Author: EUGENE BOUDIN. Location: Musee d'Orsay, Paris, France.

alb3900237 Myself: Portrait - Landscape. Date/Period: 1890. Painting. Oil on canvas. Height: 146 cm (57.4 in); Width: 113 cm (44.4 in). Author: Henri Rousseau.

alb9871297 An English Regency naval captain with news of victory is met by an excited crowd at an inn. Captain Bowsprit waves his bicorne and a captured French flag from a post chaise. "Nip Cheese Portsmouth" on the carriage door. Handcoloured copperplate engraving by Charles Williams from The Post Captain, or Adventures of a True British Tar by a Naval Officer, J. Johnston, London, 1817. Attributed to Alfred Thornton or John Mitford.

alb9880553 Uniform of a State Messenger under the Directoire, France. In red cape, white double-breasted coat, lace collar, blue sash and hose, calf-length boots, with tricolor plumed hat. Messager d'Etat, 1796. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

ado00051421 "Fight of the Rohan street in Paris on July 29, 1830". French Revolution of 1830 in Paris (France). Oil on canvas by Hippolyte Lecomte (1781-1857). Paris, Muse Carnavalet.

alb2068596 Bartolomé Esteban Murillo / 'The Holy Children with a Shell', 1670-1675, Spanish School, Oil on canvas, 104 cm x 124 cm, P00964. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2037209 Martin Schongauer / 'Noli me tangere', 1473, Tempera on panel. Museum: MUSEE D'UNTERLINDEN, Colmar, France. JESUS. MARY MAGDALENE.

alb4220736 'Signal'. France, 1915. Dimensions: 80x99 cm. Museum: State Hermitage, St. Petersburg. Author: HENRI LE FAUCONNIER.

alb4131968 The Two Armies at the Battle of Ravenna, 1512. Master with the Mousetrap; Italian, active c. 1500-after 1511. Date: 1530. Dimensions: 149 x 222 mm. Engraving in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Master with the Mouse Trap.

alb3901129 Serment de l'armée fait à l'Empereur après la distribution des aigles, 5 décembre 1804 / The Army takes an Oath to the Emperor after the Distribution of Eagles, 5 December 1804. Date/Period: 1810. Painting. Oil on canvas. Height: 610 cm (20 ft); Width: 931 cm (10.1 yd). Author: JACQUES LOUIS DAVID.

alb3904240 The North-West Passage. Date/Period: 1874. Painting. Oil on canvas. Height: 1,765 mm (69.48 in); Width: 2,222 mm (87.48 in). Author: JOHN EVERETT MILLAIS.

alb3726265 Riciulina and Metzetin. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3891253 Snow at Louveciennes. Date/Period: 1874. Painting. Oil on canvas. Height: 22 mm (0.86 in); Width: 18 mm (0.70 in). Author: Alfred Sisley.

alb3885152 Vintage World War One poster of Marines charging into battle behind the American flag. It declares - First In France, U.S. Marines.

alb3883926 Vintage history print showing the return of Napoleon from Elba, 1815.

alb3885858 Digitally restored war propaganda poster. This vintage World War One poster features US Marines charging forward during a battle. It declares - US Marines, First To Fight In France For Freedom, Enlist With The Soldiers Of The Sea.

alb3737525 The Resurrection. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

les15020620 Les Heures d'Etienne Chavalier: The crucufixion of Saint Peter. Ms. fr.71, around 1445. Author: JEAN FOUQUET. Location: Musee Conde, Chantilly, France.

alb4156709 Gustave Loiseau (París, 1865-1935). Rue Clignancourt, Paris, on 14th July (ca. 1925). Oil on canvas. 61 x 50 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb2036299 Leonardo Da Vinci / 'The Strangled Body of Bernardo Baroncelli'. Museum: MUSEE BONNAT, Bayona, France.

alb3729197 J'ai beau laver, l'ancienne couleur... Dated: 1869. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3729722 Regardez, mais n'y touchez pas!. Dated: 1871. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

akg5313189 Dufy, Raoul; 1877-1953. "Study of a victory flag", 1915-18. Watercolour on paper, 27 × 32.5 cm. Bequest of Mme. Raoul Dufy, 1963; Center Georges Pompidou; Paris, Musée National d'Art Moderne. Museum: Basel, Kunstmuseum. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Raoul Dufy.

akg5313186 Dufy, Raoul; 1877-1953. "Les Nations Alliées pour le triomphe du droit et de la liberté" (The Allied Nations for the triumph of right and freedom), 1915. Print on paper, 50 × 65 cm. Press-proof. Bequest of Mme. Raoul Dufy, 1963; Center Georges Pompidou; Paris, Musée National d'Art Moderne. Museum: Basel, Kunstmuseum. Copyright: © Raoul Dufy. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg5313192 Dufy, Raoul; 1877-1953. "Les Alliés" (The Allies), 1915. Colour woodcut, 45 × 45 cm. Bequest of Mme. Raoul Dufy, 1963; Center Georges Pompidou; Paris, Musée National d'Art Moderne. Museum: Basel, Kunstmuseum. Copyright: © Raoul Dufy. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg5313379 Dufy, Raoul; 1877-1953. "The end of the Great War", 1915. Print, gouache on paper, 47 × 63 cm. Bequest of Mme. Raoul Dufy, 1963; Center Georges Pompidou; Paris, Musée National d'Art Moderne. Museum: Basel, Kunstmuseum. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Raoul Dufy.

akg5313024 Dufy, Raoul; 1877-1953. "Street with flags", 1906. Oil on canvas, 81 × 65 cm. Bequest of Mme. Raoul Dufy, 1963; Center Georges Pompidou, Paris, Musée National d'Art Moderne. Copyright: © Raoul Dufy. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg5313019 Severini, Gino; 1883-1966. "Visual synthesis of the idea of war", 1914. Oil on canvas, 92.7 × 73 cm. Bequest of Sylvia Slifka, 2004; New York, Museum of Modern Art. Museum: Rovereto, Museo di Arte Moderna. Copyright: © Gino Severini. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. Additional copyrights may need to be cleared on this image when licensed for use by clients in the USA. Please contact us for additional information.

akg3025768 Dufy, Raoul; 1877-1953. "Le port du Havre" (Der Hafen von Le Havre), 1906. Öl auf Leinwand, 60,7 x 73,5 cm. Nantes, Musée des Beaux-Arts. Museum: Nantes, Musée des Beaux-Arts. Copyright: © Raoul Dufy. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg3853179 Scholz, Georg, 1890-1945, German artist. "Kriegerverein" (Veterans association), 1922. Oil and tempera on plywood, 69 × 75 cm. Inv.no. 2820. Karlsruhe, Staatliche Kunsthalle. Museum: Karlsruhe, Staatliche Kunsthalle.

alb3707311 The Triumph of Death: Departure (Le triomphe de la mort: Le depart). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

alb3744470 The Triumph of Death: After the Battle (Le triomphe de la mort: Apres le combat). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

alb3609669 Napoleon. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: Image: 23 3/8 × 18 1/8 in. (59.3 × 46 cm)Sheet: 25 3/16 × 19 5/16 in. (64 × 49.1 cm). Printer: Edward Ancourt (French, 19th century). Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.

alb3659988 Flags of Truth and Lies. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 11 1/4 × 13 9/16 in. (28.5 × 34.5 cm). Date: July 10, 1803. Museum: Metropolitan Museum of Art, New York, USA.

alb3651218 July Fourteenth, Rue Daunou, 1910. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: 29 1/8 x 19 7/8 in. (74 x 50.5 cm). Date: 1910.On July 21, 1910, Hassam wrote to the artist J. Alden Weir that he had been in Paris for two weeks and found it dirty and noisy. He added, "I have made a 14th July from the balcony here"-- evidently referring to this painting, which depicts the street below the Hôtel l'Empire (located at 7, rue Daunou, near the Opéra) during Bastille Day celebrations. For Hassam, the holiday would have recalled the Fourth of July, perhaps prompting him to exaggerate the number of American flags displayed. The canvas anticipates the Flag series Hassam began in New York six years later, which included "Avenue of the Allies, Great Britain, 1918" (67.187.127). Museum: Metropolitan Museum of Art, New York, USA.

alb3727446 The Triumph of Death: Proclamation (Le triomphe de la mort: La proclamation). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

alb4167436 The Liberation Loan. Abel Faivre (French, 1867-1945); printed by Devambez Imprimerie (French, 20th century). Date: 1918-1920. Dimensions: 814 × 1103 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4171218 Randolph Street, Chicago, from Clark to State Streets in the Year 1865. Raoul Varin; French, 1865-1943. Date: 1926-1928. Dimensions: 390 × 547 mm (image); 455 × 587 mm (plate); 553 × 707 mm (sheet). Aquatint, with hand-coloring, on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4150547 Bullfight. Édouard Manet; French, 1832-1883. Date: 1865-1866. Dimensions: 48 × 60.4 cm (18 7/8 × 23 3/4 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb4153066 The Recruiting Board. "Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars," plate 35 from Caricatures Du Jour. Honoré Victorin Daumier; French, 1808-1879. Date: 1842. Dimensions: 203 × 264 mm (image); 244 × 306 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb2070796 Vecellio di Gregorio Tiziano / 'Empress Isabel of Portugal', 1548, Italian School, Oil on canvas, 117 cm x 98 cm, P00415. Museum: MUSEO DEL PRADO, MADRID, SPAIN. ISABELLA VON PORTUGAL (1503-1539).

alb4102042 The Battle of Cadiz (Dutch and English Ships Attack the Spanish Armada). Dating: 1608. Measurements: support: h 40.3 cm × w 83.8 cm; d 5 cm. Museum: Rijksmuseum, Amsterdam. Author: Aert Anthonisz.

alb3636533 Study of Bodies "Liberty Leading the People". Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 7 5/16 x 13 11/16 in. (18.6 x 34.8 cm). Date: 1830.A priest kneels among corpses as a mob passes in the distance at the upper left. This brush drawing is traditionally thought to represent an episode of street violence in Paris that Eugène Delacroix witnessed during the July Revolution of 1830. As such, it served as raw material for his best-known work: Liberty Leading the People (1830; Musée du Louvre, Paris), exhibited at the Salon the following year. Absent is the allegorical figure of Liberty herself, triumphantly bearing a rifle in her left hand and the tricolor flag in her right. Museum: Metropolitan Museum of Art, New York, USA.

alb3907410 Un enterrement à Ornans, dit aussi Tableau de figures humaines, historique d'un enterrement à Ornans / A Burial at Ornans. Date/Period: 1849 - 1850. Painting. Oil on canvas. Height: 3,150 mm (10.33 ft); Width: 6,680 mm (21.91 ft). Author: GUSTAVE COURBET.

alb3895607 English Ships Coming to Anchor in a Fresh Breeze. Date/Period: Late 18th century. Painting. Oil on canvas. Height: 1,054 mm (41.49 in); Width: 1,664 mm (65.51 in). Author: DOMINIC SERRES.

alb3732971 Ornament with a Monkey. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques Avril I after Jean-Baptiste Pillement.

alb4101820 The Battle of Waterloo. Dating: 1824. Measurements: h 567 cm × w 823 cm; l 822.7 cm; l 822.6 cm; l 565.7 cm; l 566.4 cm; l 900.0 cm × l 842.0 cm × w 40.0 cm; l 650.0 cm × l 592.0 cm × w 40.0 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Willem Pieneman.

alb4146977 Frontispiece, from Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 400 × 268 mm (plate); 451 × 316 mm (sheet). Etching, engraving and drypoint on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb21428109 INGRID BERGMAN in JUANA DE ARCO (1948) -Original title: JOAN OF ARC-, directed by VICTOR FLEMING. English title: JOAN OF ARC.

alb4105025 Harbour at Sunrise. Havengezicht bij zonsopgang. Dating: c. 1637 - c. 1638. Measurements: h 74 cm × w 98.3 cm; h 106 cm × w 130 cm × t 11 cm. Museum: Rijksmuseum, Amsterdam. Author: Claude Gellée (genaamd Le Lorrain).

alb3907820 The Shipwreck. Date/Period: 1805. Painting. Oil on canvas. Height: 170.5 cm (67.1 in); Width: 241.5 cm (95 in). Author: J. M. W. Turner.

dpa59670330 The Nazi propaganda picture shows the solemn welcoming of members of the Spanish Voluntary Division (Blue Division, División Azul) of the German Wehrmacht by the Spanish population in Madrid, Spain, May 1942. Photo: Fotoarchiv für Zeitgeschichte / Archive - NO WIRE SERVICE - | usage worldwide.

akg996525 Napoleonische Kriege / Russischer Feldzug 1812 / Schlacht bei Smolensk, 17.August 1812 (Sieg Napoleons über die Russen unter Barclay de Tolly und Bagration).-"Die Schlacht von Smolensk am 17. August 1812".-/ Gemälde, 1994, von Andrei Nikolajewitsch Awerjanow (geb.1948). / Öl/Lwd., 151 x 150 cm. Museum: Panoramamus. Schlacht v. Borodino., MOSKAU.

orz218680 UNA CHINGANA EN ATLAS DE LA HISTORIA FISICA Y POLITICA DE CHILE, 1854. Author: GAY CLAUDIO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz009129 'Muerte de Velarde el dos de mayo de 1808', 19th century, Oil on canvas, 299 x 390 cm. Author: MANUEL CASTELLANO (1826-1880). Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN.

orz189809 BATALLA DE NAJERA ENTRE EL PRINCIPE DE GALES Y DON PEDRO I Y ENRIQUE II DE CASTILLA Y LEON (1367) - CRONICA DE FROISSART - MANUSCRITO. Author: JEAN DE FROISSART (1333-1410). Location: NATIONAL LIBRARY. France. HENRI II OF CASTILE. TRASTAMARA ENRIQUE II. PEDRO I EL CRUEL REY DE CASTILLA. LANCASTER EDUARDO. EDUARDO DE LANCASTER.

alb3746364 The Adoration of the Magi. Dated: c. 1470/1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

orz170574 ENTREVISTA DE FERNANDO VII Y EL DUQUE DE ANGULEMA 3/AGO/1823. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. DUQUE DE ANGULEMA. BORBON LUIS ANTONIO DUQUE DE ANGULEMA. LOUIS ANTOINE DE ANGOULEME. FERNANDO VII (1784-1833).

orz088609 ATLAS CATALAN - MAPA DE ESPAÑA - AÑO 1375 -. Author: ABRAHAM CRESQUES (1325-1387). Location: NATIONAL LIBRARY. France.

orz007897 ALEGORIA DEL GENERALISIMO FRANCO COMO JEFE DE LOS EJERCITOS DE TIERRA MAR Y AIRE - SIGLO XX. Location: PAZO DE MEIRAS. LA CORUNA. A CORUÑA. SPAIN. FRANCISCO FRANCO BAHAMONDE (1892-1975).

alb2002350 Honoré Daumier, 'The Republic', 1848, Oil on canvas, 73 × 60 cm, RF 1644. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb3674993 Strasburg, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands. Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm). Publisher: Issued by Allen & Ginter (American, Richmond, Virginia). Date: 1887.Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes. Museum: Metropolitan Museum of Art, New York, USA.

alb3728667 Christ Carrying the Cross. Dated: c. 1624/1625. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3734108 Un Grain à Trouville (Squall at Trouville). Dated: 1874/1875. Dimensions: plate: 16 x 23.8 cm (6 5/16 x 9 3/8 in.) sheet: 23.1 x 29 cm (9 1/8 x 11 7/16 in.). Medium: etching, drypoint, and aquatint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

alb3648807 The Constitution and the Guerriere. Artist: Thomas Chambers (1808-after 1866). Dimensions: 24 3/4 x 31 1/4 in. (62.9 x 79.4 cm). Date: ca. 1845.Born in England, Chambers worked in the United States as a prolific marine, landscape, and "fancy" painter between 1832 and about 1866. In the 1930s and 1940s, with the discovery of the Museum's signed painting, Chambers emerged as a folk original, embraced posthumously by modern art enthusiasts as the "American Rousseau." Here, Chambers focused his attention on a well-known marine battle in the War of 1812 featuring the U.S.S. Constitution, also known as Old Ironsides. Basing his composition on an engraving by Cornelius Tiebout after a painting by Thomas Birch, he took certain liberties with his source, advancing the action and showing the British ship, H.M.S. Guerrière, with all its masts broken. Museum: Metropolitan Museum of Art, New York, USA.

alb3682168 The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Giovanni Battista Bertano (Mantua 1516-1576 Mantua). Dimensions: Plate: 16 1/8 x 26 1/2 in. (41 x 67.3 cm)Sheet: 16 13/16 x 26 1/2 in. (42.7 x 67.3 cm). Date: 1554.Large and dramatic, this engraving depicts the prophet Ezekiel's vision in the Valley of the Dead when he saw vast numbers of the people brought back to life. As recorded in the Book of Ezekiel from the Old Testament, the prophet was brought to a valley filled with dry bones and commanded to prophesize over them. As he did so, 'there was a noise, a sound of clattering; and the bones joined together. I looked, and saw that they were covered with sinews; flesh was growing on them and skin was covering them .' (Ezekiel 37:7-8). The Biblical passage is represented here with great imagination. Set in a darkened valley the bones appear to be organizing themselves, joining up to form animated skeletons, and gradually taking on flesh. At either side of the print are sealed tombs and between them others from which skeletons emerge. The tomb at the right with female figures at each corner seems to have been inspired by the tomb designed by Giulio Romano (ca 1529) for Pietro Strozzi in the basilica of S. Andrea in Mantua. The designer of the print, Giovanni Battista Bertani, was from Mantua and a pupil of Romano. This is an early proof impression of the print before an inscription was added to the banderole held by putti in the upper section. Museum: Metropolitan Museum of Art, New York, USA.