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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg155854 Sport:. Fencing. 1936 Summer Olympics in Berlin. Men's team foil, Deutschlandhalle. Photo.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg1538364 r event.
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akg4881466 Ancient China, Shang Dynasty, 1600 - 1050 BC. Characters on fragments of an oracle bone dating between BC. Pieces of ox scapula or turtle plastron. British Library, Or. 7694/1516.
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akg5966689 Italie, Turin, Musée égyptien, Museo Egizio, The Mine Payrus (verso), Cyperus papyrus, Nouvel Empire, 20eme dynastie, règne de Ramsès IV (1156-1149 av. J.-C.), Deir el-Medineh.
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akg5886982 USSR "Industrial and financial development continue for a long time! Let's do the Five Year Plan in four years! No to religion!" The weak threads pulled by the religious can not stop the convoy of development, launched in speed. Propaganda poster for the incitement to economic development, graphic design by Yuri Pimenov (26 November 1903 - 6 September 1977), USSR, 1930.
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akg306993 Melfi (Basilicata, Italy), Castello Normanno (Svevo). (built mid-11th Century; extended under Holy Roman Emperor Frederick II). Exterior. Photo, 2001.
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akg471869 Soviet Republic 1920. "The Bolshevik". (Depicted as a colossus striding over Mosow, in the background the Lenin Library). Painting, 1920, by Boris Kustodiev. (1878-1927). Oil on canvas, 101 × 141 cm. Inv. Nr. JS-27, P-28723. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: BORIS KUSTODIJEW.
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akg4446798 NERO (the 37-68) and fire of Rome. Painting of the shop of Giulio Romano (1449-1546), already in the Small room of the Cesari of Ducal palace to Mantova.
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akg109315 Manheimer, Valentin textile manufacturer, 1815-1889. "Valentin Manheimer's 70th Birthday" (13th July 1885). Painting, 1887, by Anton von Werner (1843-1915). Oil on canvas, 101 × 143cm. Berlin, Deutsches Historisches Museum. Museum: Berlin, Deutsches Historisches Museum.
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akg326196 Florence, Italy. Corot, Camille. 1796-1875. "Firenze. Vue prise des jardins Boboli (Florence. View of city from the Boboli Gardens) ". Oil on canvas, 51 × 73 cm. R. F. 2598. Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.
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akg180847 Sexualität:. Keuschheitsgürtel u. ä. "Onanie-Bandage. Von vorn. Seitenansicht". (Gürtel mit Drahtkorb zur Verhinderung der Onanie bei Knaben). Holzstich. Aus: F.E.Bilz, Das neue Naturheilverfahren, Leipzig (F.E.Bilz). 1901, Supplementband S. 621. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg611423 Sculpture, époque romaine, milieu 2e siècle. La chasse au sanglier de Calydon. Relief de sarcophage. Marbre. Inv. n° 5243. Éleusis, Musée Archéologique. Museum: Eleusis, Archaeological Museum.
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akg183925 Hitler, Adolf; Politiker (NSDAP). 1889-1945. Hitler eröffnet die Internationale Automobilausstellung in Berlin, 1933: Besichtigung der einzelnen Stände. Foto, um Februar / März 1933 (?).
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akg462431 Zürcher Veilchenmeister tätig um 1500 bis 1515. "Antonius-Retabel", um 1505-10. Ausschnitt: Die Heiligen Barbara (links), Antonius Abbas (Mitte) und Sebastian (rechts). Auf Tannenholz. Sammlung Würth.
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akg1349770 Religion / Kirche / Prozession.-Semana Santa (Karwoche) in Valladolid ( Spanien).-Foto, 2000.
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akg1350176 Trade and Commerce / Street Trading.-Sevilla (Spain): a woman and child selling sweets.-Photo, undated.
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akg8636971 Partial view of the Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636960 The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. On the ceiling the female allegory representing Poetry. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636965 Left to right: Dante Alighieri (Durante degli Alighieri,dit ), Homer (Homere) and Virgil (Virgile). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636972 Left to right: Dante Alighieri (Durante degli Alighieri, dit ), Homer (Homere) Virgil (Virgile) and Publius Papinius Statius (Stace). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8692009 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
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akg8181712 Géographes, Géographie et Cartographie / 19e siècle. Marmocchi, Francesco Constantino (1805-1858). "Les voyages d'Ulysse et des Argonautes" (titre original : "viaggi d'Ulisse e degli argonauti"). (En rouge, les voyages d'Ulysse ; en jaune / orange, celui des Argonautes. Le bassin méditerranéen et le monde sont représentés tels que les grecs anciens les concevaient). in Geografia Primitiva de Greci Secondo Esiodo ed Omero, Atlante di geografia universale di Francesco Constantino Marmocchi, Florence, Vincenzo Batelli e Compagni éd., 1842. Collection privée.
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akg8668891 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Penelope. Drawing and watercolour, 2020.
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akg8668883 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. After many years have slipped by, the leaders of the Greeks, opposed by the Fates and damaged by the Trojan War, build a horse of mountainous size, through Pallas's divine art and weave planks of fir over its ribs. They pretend it's a votive offering for Troy: this rumour spreads. They secretly hide a picked body of men, chosen by lot, there, in the dark body, filling the belly and the huge cavernous insides with armed warriors. Troy burning. Drawing and watercolour, 2020.
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akg8668873 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Scylla, a naiad changed into a sea monster with three heads of beasts that tears apart boats (Book XII). Drawing and watercolour, 2020.
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akg5212705 Lairesse, Gerard de; 1641-1711. "Achilles Discovered Amongst the Daughters of Lycomedes". Oil on canvas, 150,5 x 181,4 cm. Inv. NM 494. Stockholm, National Museum. Museum: Stockholm, National Museum.
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akg5836688 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): glass pavillon for Pope John Paull II (right), McCarthy`s Tower and Temple Finghín. The glass pavillon was erected for the visit of Pope John Paul II, in 1979. McCarthy`s Tower was built in 12th century in Romanesque style, it is beneath Temple Finghín, built in the same time. Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and Hi.
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akg5836690 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): Temple Hurpan and Temple Melaghlin (behind, covered) on southeastern side of the Cathedral (also: Temple McDermot). Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and High Crosses. Open air, there are replicas of the high crosses, only. The original three high crosses are conserved in the museum (interpretive centre) of the visito.
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akg5437279 Ingres, Jean-Auguste-Dominique; 1780-1867. "L'apothéose d'Homère" (Die Apotheose Homers), 1827. (Aquarellfassung des monumentale Deckenbildes im Louvre in Paris). Aquarell und Gouache, 56,6 x 62 cm. Inv. Nr. Pl. 1480. Lille, Musée des Beaux-Arts. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg2348878 Etruskische Malerei, 320-310 v. Chr. Opferung trojanischer Gefangener an die Manen des Patroklos durch Acle (Achilles). Kopie, 1931, von Augusto Guido Gatti nach der etruskischen Wandmalerei aus der Tomba François in Vulci (Latium). Florenz, Soprintendenza per i Beni Archeologici d. Toscana. Museum: Florence, Soprintendenza per i Beni Archeologici d. Toscana.
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akg2354502 Jordaens, Jacob, 1593-1678, Flemish painter. "Odysseus and Nausicaa", 1630-35. (Homer, The Odyssey VI 127-211). Oil on canvas, 107.5 x 153 cm. London Sotheby's, 10th December 1986, lot 45.
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akg211759 Mythology / Ulysses. Roman, 3rd century. Ulysses and the Sirens. Detail. (Homer, Odyssee 12,36 ff.). Mosaic, 3.8 × 1.3m. Found at Thugga (Dougga, Tunisia), House of Ulysses. Tunis, Musée national du Bardo. Museum: Tunis, Musée national du Bardo.
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akg136816 Homer, Greek poet; 8th Century BC. - "Homer and the Greek people". (Homer as a rhapsodist with audience). Steel engr., 1874, by Edouard Schuler. (1806-1882) after drawing by Gustav Jäger (1808-1871). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg252819 Tischbein, Johann Heinrich Wilhelm 1751-1829. "Odysseus and Penelope", 1810. Oil on canvas, 77 × 105.5cm. Inv. Nr. C 4728. Dortmund, Mus.f.Kunst u. Kulturgeschichte. Museum: Dortmund, Mus. f. Kunst u. Kulturgeschichte.
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akg138084 Greek vasepainting, Blackfigure, Exekias (c. 550 - 525 BC). "Achilles and Ajax playing a boardgame". Amphora, c. 530 BC. Rome, Vatican Museums. Museum: Rom, Vatikanische Museen.
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akg683256 Carstens, Jakob Asmus; 1754-1798. "Die Helden im Zelt des Achill" (Ajax, Phönix, Ulysses vor Achill und Patroklos;-nach Homer, Ilias IX, 185ff.), 1794. Aquarell und Deckfarben auf braunem Papier, 45,2 x 66,1 cm. Inv.Carstens 27 Kunstsammlung,. Museum: Akademie der Künste., BERLIN.
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akg177939 Genelli, Bonaventura. 1798-1868. Zeus and Ganymedes". (Iliad XX, 231-235). Outline eng, fr: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tübingen (J.G. Cotta'scher Verlag) 1844, Table XVII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177960 Genelli, Bonaventura; 1798-1868. Circe returns the companions of Odysseus to their human form, having turned them into pigs. (Odyssey X, 388). Outline engraving, from: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Table X. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177965 Genelli, Bonaventura. 1798-1868. Odysseus bei den Phäaken. (Odyssee XIII, 113). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177968 Genelli, Bonaventura, 1798-1868, German painter. Ulysses and his dog Argos. (Odyssey, XVII, 300). Engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate XVII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177920 Genelli, Bonaventura. 1798-1868. Hector's farewell from Andromache and his son Astyanax. (Ilias VI, 474). Etching. From: B.Genelli's illustrations for Homer with explanations by Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate IX. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177958 Genelli, Bonaventura, 1798-1868, German painter. Ulysses is getting Polyphemus drunk. (Odyssey IX, 353). From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate VII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177932 Genelli, Bonaventura; 1798-1868. Hera, unterstützt von Liebe und Schlaf, verschließt das Auge des Zeus. (Ilias XIV, 346-355). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177966 Genelli, Bonaventura, 1798-1868, German painter. Telemachus and Peisistratus are taking their leave. (Odyssey, XV, 142-172). From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate XVI. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177964 Genelli, Bonaventura. 1798-1868. Odysseus and the Sirens. (Odyssee XII, 182). Silouette. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XIV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177919 Genelli, Bonaventura; 1798-1868. Hektor findet seinen Bruder Paris im Gemach Helenas und ermahnt ihn zur Schlacht. (Ilias VI, 321-325). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel VIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177911 Genelli, Bonaventura; 1789-1868. Agamemnon wird im Traum zum Kampf gegen die Troer aufgerufen. (Ilias II, 16). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G.Cotta'scher Verlag) 1844, Tafel II. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177947 Genelli, Bonaventura; 1798-1868. Priamos bittet Achilleus um die Herausgabe des Leichnams seines Sohnes Hektor. (Ilias XXIV, 486). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XXIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177962 Genelli, Bonaventura; 1789-1868. Agamemnon and Cassandra are killed by Clytemnestra and her lover Aegisthus. (Odyssey XII, 409). Outline engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Table XII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177913 Genelli, Bonaventura; 1798-1868. Äneas wird von Phöbos Apollon gegen Diomedes in Schutz genommen. (Ilias V, 297-351). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G.Cotta'scher Verlag) 1844, Tafel IV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177970 Genelli, Bonaventura; 1798-1868. Penelope weeps as she retrieves Odysseus' bow for the competition between her suitors. (Odyssey XXI, 1-58). Engraving, From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tybingen (J.G. Cotta'scher Verlag) 1844, Plate XX. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177946 Genelli, Bonaventura; 1798-1868. Thetis, nachsinnend über das unvermeidliche Schicksal ihres Sohnes Achilleus. (Ilias XXIV, 77-87). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XXII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177945 Genelli, Bonaventura; 1798-1868. Iris überbringt den Windgöttern die Aufforderung, den Scheiterhaufen des Patroklos zu entfachen. (Ilias XXIII, 198). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XXI. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177972 Genelli, Bonaventura; 1798-1868. Odysseus and Penelope tell each other about what has happened to them in their twenty years apart. (Odyssey XXII, 330-356). Engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tubingen (J.G. Cotta'scher Verlag) 1844, Plate XXII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177935 Genelli, Bonaventura; 1798-1868. - Zeus prompts Hypnos and Thanatos to bring the body of Sarpedon back to his home country. (Ilias XVI, 675-682). Contour engraving. From: B. Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate XIV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg177934 Genelli, Bonaventura; 1798-1868. Zeus punishes Hera for the persecution of Heracles, by tying her up and trying anvels to her feet. (Iliad XV, 18-24). / Contour Engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tubingen (J.G. Cotta'scher Verlag) 1844, Table XIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg396857 Mythology / Greco-Roman / Trojan War. Aphrodite is followed by Diomedes as she is trying to carry her wounded son Aeneas from the battlefield. (Homer, Iliad). Watercolour, no date, by Peter Connolly. (1935-2012). From the book: The Legend of Odysseus. Copyright: Peter Connolly's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions.
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akg319314 Rinaldi, Rinaldo. 1783-1873. "Hector's farewell from Andromache", c. 1814. (Homer, Iliad VI, 394-496). Plaster relief, 81 × 147cm. Vestibule (hall XXII), Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
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akg261407 Greek vase painting, Attic, black-figure Kleitias (painter) & Ergotimos (potter), c. 570 BC. So-cal. François-Vase. Detail (fr. the top: Calydonian boar hunt, chariot race at the funeral of Patroklos, procession of the gods at the wedding of Peleus). Volute krater. Found at: Chiusi. Inv. no. 4209. Florence, Museo Archeologico. Museum: Florence, Museo Archeologico.
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akg330015 Conconi, Mauro. 1815-1860. "Achilles receives the weapons from his mother Thetis", 1840. (Homer, Iliad XIX, 3-6). Oil on canvas, 165 × 230cm. Inv. no. 496. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
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akg208726 Mythology / Chryses. Roman, 4th century A. D.-The legation of Chryses in front of Agamemnon, Achilles und Odysseus.-Mosaic, 2.94 x 2.05m. Found at the house of the Nymphs in Neapolis (Nabeul, Tunisia). Museum: Museum., NABEUL.
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akg208713 Mythology / Ulysses. Roman, 3rd century.-Ulysses and the Sirens.-(Homer, Odyssey 12,36 ff.). Mosaic, 3.8 x 1.3m. Found at Thugga (Dougga, Tunesia), House of Ulysses. Museum: Musée du Bardo., Tunis.
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akg053449 Mythology / Trojan Horse. Greek, c. 670 B. C. The Trojan Horse with attacking Warriors. Picture from a relief amphora. Height 120cm. Mykonos, Museum. Museum: Mykonos, Museum.
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akg220675 Böcklin, Arnold, 1827-1901, Swiss painter. "Odysseus am Strande des Meeres" (Odysseus by the sea), 1869. Oil on Canvas, 47 × 55 cm. Switzerland, Private Collection.
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akg227796 Mythology / Laocoon. Greek sculpture, Hellenistc, c. 50 BC. Laocoon group. (Work of the Rhodisian sculptors Hagesandros, Athanadoros a. Polydoros; arm added by G.A.Montorsoli). Marble, height 1.84m. Rome, Vatican Museums. Museum: Rom, Vatikanische Museen.
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akg969119 Kampanien, Werk des CA-Malers, 350-325 v.Chr.-Lekanis mit Urteil des Paris.-Ton, gebrannt, in rotfiguriger Technik bemalt, H. 18,4 cm, Dm. 31,5 cm. Inv.Nr. Cg 443. Museum: Reiss-Engelhorn-Museum., Mannheim.
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akg382145 Mythology / Greek-Roman / Achilles. - The death of Achilles (Achilles is shot in the heel by Apollo's arrow.-Watercolour, undated by Peter Connolly (1935-2012). From the series: The Legend of Odysseus. Copyright: This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions. Peter Connolly's artistic copyright cleared via akg-images.
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akg942499 Corinth, Lovis 1858-1925. "Homerisches Gelächter, I.Fassung", (Laughter of the Gods) 1909.-Vulcan, Mars and Venus. Homer's Odyssey VIII, 326). Oil on canvas, 98,8 x 121,9 cm. Inv.Nr.9559. Museum: Neue Pinakothek., MUNICH.
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akg141682 Homer; Greek poet, 8th Century BC. Works: Ulysses. Ulysses and the Sirnes. Detail from a stamnos decorated with red figures. 5th Century BC.- Canino Collection. Photo © AKG / Werner Forman. London, British Museum. Museum: London, British Museum.
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akg342658 Etruscan, 2nd century BC. Odysseus and the sirens. (Homer, Odyssey 12,36 ff.). Alabaster urn, length 67cm. Inv. 5782. Florence, Museo Archeologico. Museum: Florence, Museo Archeologico.
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akg342208 Vase painting, Faliscan, red-figure, Nazzano Painter, c. 360 BC. Scenes from the Trojan War; detail: Menelaus, Aphrodite and Helen. Krater, height 57cm. From: Falerii Veteres (Civita Castellana). Inv. no. 1197. Rome, Museo Nazionale di Villa Giulia. Museum: Rome, Museo Nazionale di Villa Giulia.
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akg184870 Ingres, Jean-Auguste-Dominique 1780-1867. "The Return of the Injured Venus to the Olymp", c. 1805/06. (Homer, Ilias V). Oil on canvas, 27 × 33cm. Basel, Kunstmuseum. Museum: Basel, Kunstmuseum.
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akg274903 Etruskisch, Mitte 2. Jahrhundert v. Chr. Odysseus, drei verwandelte Gefährten und Kirke. Urne aus Tuff, Höhe 38 cm, Länge 61 cm, Breite 17 cm. Inv. 336. Volterra, Museo Etrusco Guarnacci. Museum: Volterra, Museo Etrusco Guarnacci.
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akg274929 Ancient Rome, 4 - 26 AD. Roman copies of sculptures by Greek sculptors Agesander, Athenodoros and Polydorus. from the island of Rhodes. Polyphemus group (reconstruction). The blinding of Polyphemus. Man made marble, 3.5 m, length 6 m. Sperlonga, Italy. Bochum, Ruhr University Art Collection. Museum: Bochum, Ruhr University Art Collection.
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akg274930 Römisch, Kopie der Laokoonbildhauer Athanadoros, Hagesandros und Polydoros von Rhodos, 4-26 n. Chr., nach hellenistischem Bronzeoriginal um 170/60 v. Chr. Rekonstruktion der Polymphemgruppe von Sperlonga. Rekonstruktion von Heinrich Schroeteler und Silvano Bertolin nach Angaben von Bernard Andreae. Kunstmarmor, Höhe 3,5 m, Länge 6 m. Bochum, Ruhr University Art Collection. Museum: Bochum, Ruhr University Art Collection.
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akg605365 An allegorical representation of 'The Apotheosis of Homer', signed by a sculptor from Priene, a Greek town in Asia Minor. Shows allegorical figures. One is sprinkling incense onto an altar. Behind stands a bull, apparently the sacrificial victim. Country of Origin: Greece. Culture: Ancient Greek. Date / Period: Hellenistic, 300-100 BC.
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akg605625 An allegorical representation of 'The Apotheosis of Homer', signed by a sculptor from Priene, a Greek town in Asia Minor. Shows allegorical figures. One is sprinkling incense onto an altar. Behind stands a bull, apparently the sacrificial victim. Detail of the sacrifice. Country of Origin: Greece. Culture: Ancient Greek. Date / Period:.
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akg595810 Ancient Glanum, Saint Remy de Provence Provence, Bouches-du-Rhone, France Triumphal arch of the Julius, Roman, (built at the end of the 1st Century BC), detail from the bas-relief of the east side showing a battle with amazons or a scene from the Trojan war with fighting around the corpse of Patroklus Photo, undat.
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akg599722 Tarquinia, Grab der Stiere (Tomba dei Tori, 2. Hälfte 6. Jh. v. Chr., etruskisch). Wandmalerei mit wohl einer Darstellung aus dem trojanischen Krieg: Achilles lauert dem zur Tränke reitenden Troilos hinter einem Brunnen auf. an der Küste (Italien, Latium, Nordteil). Tarquinia, Latium, Italien.
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akg379136 Etruskische Malerei, 320-310 v. Chr. Opfer trojanischer Gefangener für Patroklos durch Achilles. (Ausschnitt). Fresko aus der Tomba François, Vulci, Mittelraum, 162 × 332 cm. Rom, Villa Albani. Museum: Roma, Villa Albani.
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akg832426 Totenmaske des Agamemnon (16.Jh.v.Chr.). Gold. Gefunden im Grab V des Gräberrunds A in Mykene (Peloponnes, Argolis). Athen, Archäologisches Nationalmuseum (Griechenland, Attika). Gold deathmask of Agamemnon (C16thBC, found in grave V of grave circle A in Mycenae). Athens, Archaeological National museum (Greece, Attica). Mykene, Argolis, Griechenland.
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akg379041 Greek vase painting, Attic, black-figure Kleitias (painter) & Ergotimos (potter), c. 570 BC. So-cal. François-Vase. Detail (fr. the top: Calydonian boar hunt, chariot race at the funeral of Patroklos, procession of the gods at the wedding of Peleus). Volute krater. Found at: Chiusi. Inv. no. 4209. Florence, Museo Archeologico. Museum: Florence, Museo Archeologico.
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akg044091 Tischbein, Johann Heinrich Wilhelm. 1751-1829. - "Les Héros de la Guerre de Troie", grav. sur cuivre de Riepenhausen d'ap. Tischbein. De la série : Homère. 1801-1821. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg048334 Garofalo, born Benvenuto Tisi. c. 1481-1559. "Mars and Venus before Troy", c. 1524. (The goddess Venus, having injured her finger during the battle of Troy, is asking the god Mars for his chariot in order to return to Mount Olympus). Oil on canvas, 133,5 × 240 cm. Dresden, Gemäldegalerie, Alte Meister. Museum: Dresden, Gemäldegalerie, Alte Meister.
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akg973335 Füssli, Johann Caspar, d.Ä.; Schweizer Maler; Zürich 3.1.1706-ebd. 6.5.1782.-Quodlibet mit Bildnissen von Zeitgenossen und antiken Köpfen, um 1757.-(Porträts: J.J.Bodmer, L.Zellweger, S. Gessner, H.C.Hirzel, Selbstbildnis des Künstlers, Homer und Sokrates (?)). Öl auf Leinwand, 51,5 x 62,5 cm. Schenkung Viktor Eugen Zellweger, 1903. Museum: Kantonsbibliothek Appenzell-A., TROGEN.
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akg970875 Greeks.
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akg971005 Achilles in battle in the Trojan Wars. Hand-colored woodcut reproduction of a Greek vase illustration.
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akg973283 zu: Homer; griech. Dichter, 8.Jh.v.Chr. Werke: Ilias.-Tabula Ilíaca: Relieftafel mit Szenen aus der "Ilias".-Römisch, 1. Jahrhundert v.Chr. Kalzit, am linken Rand gebrochen, H. 25 cm, B. 28 cm, T. 1,5 cm. Fundort: angeblich Bovillae südlich von Rom an der Via Appia. Inv.Nr. 316. Museum: Musei Capitolini., Rome.
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akg727549 Unbekannter Maler, Anfang 19.Jahrhundert. "Priamus bittet Achill um die Herausgabe des Leichnams seines Sohnes Hektor". (Homer, Ilias XXIV, 486). Öl auf Leinwand, 99 x 126 cm. Museum: Museum of Art., KHABAROVSK.
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akg3756807 Kauffmann, Angelika 1741-1807. "Penelope wird von Eurykleia geweckt", 1772. (Homer, Odyssee). Öl auf Leinwand, 75 x 109,9 cm. Inv.Nr.Gem 990. Bregenz, Vorarlberger Landesmuseum. Museum: Bregenz, Vorarlberger Landesmuseum.
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akg3090250 Druckgrafik, 1904. - "Der als Bettler verkleidete Ulysses wird von seinem Hunde wiedererkannt". - (Odysseus wird bei seiner Rückkehr von seinem alten Hund Argos erkannt; Homer, Odyssee XVII, 300). Farblithographie, anonym, o.O., 1904. 7 x 10 cm. Sammelbildchen der Compagnie Liebig's Fleisch-Extract. Aus der Serie: Tiere II (Sechs Bilder, nicht numeriert). Privatsammlung. Museum: PRIVATE COLLECTION.
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akg3003157 Ancient Greece, 480 BC. Red-figure pottery. Battle between the Greeks and Trojans during the taking of Troy. Terracotta, painted. Height 13,5 cm. Diameter 33.2 cm. Inv. no. G 152. Department of Antiquities grecques, étrusques et romaines. Paris, Musee du Louvre, Paris, France. Museum: Paris, Musée Du Louvre. Author: BRYGOS-MALER.
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akg3003106 Griechische Vasenmalerei, attisch, rotfigurig, Werk des Töpfers Kalliades und des Vasenmalers Duris, um 490/480 v.Chr. - Eos mit dem Leichnam ihres Sohnes Memnon. - (Memnon, Fürst der Äthiopier, gefallen vor Troja von der Hand des Achilleus). Innenbild einer Schale, Höhe 12 cm, Durchmesser 26,8 cm, mit Henkeln 36 cm. Fundort: Santa Maria di Capua (bei Caserta, Kampanien, Italien). Inv.Nr. G 115. (Beazley ARV 434,74), Département des Antiquités grecques, étrusques et romaines, Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.
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akg3003128 Ancient Greece, Corinth, 575/550, black figure vase, attributed to the Damon painter. Achilles' mother and the nereids lament the death of Achilles. Painted terracotta, height: 45.6 cm. Inv. no. E 643. Département des Antiquités grecques, étrusques et romaines. Musée du Louvre, Paris, France. Museum: Paris, Musée Du Louvre. Author: DAMON-MALER.
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akg3003226 Griechische Vasenmalerei, unteritalisch, apulisch, rotfigurig, Dareios-Maler, um 340/330 v.Chr. - Szenen des Trojanischen Krieges; Ausschnitt: Trojanische Gefangene, die Achilleus am Scheiterhaufen des Patroklos opfern wird. - Volutenkrater, Seite A. Ton, gebrannt, schwarz bemalt, mit ausgesparten roten Figuren und farbigen . Höhe: 142 cm. Fundort: Canosa. Inv.Nr. 3254. Neapel, Museo Nazionale Archeologico. Museum: Naples, Museo archeologico nazionale. Author: DARIUS PAINTER.
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akg3004796 Griechische Vasenmalerei, unteritalisch, apulisch, rotfigurig, um 430/330 v.Chr. - Die Ankunft von Helena und Paris in Troja; Ausschnitt: Von links Kassandra, Paris, Helena. - Volutenkrater, Seite A, oberes Register.. Ton, gebrannt, schwarz bemalt, mit ausgesparten roten Figuren. Höhe 75 cm, Durchmesser 47 cm. Inv. Nr. HR 44. Geneva, Association Hellas et Roma. Museum: Geneva, Association Hellas et Roma. Author: ANONYMOUS.
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akg3003726 Griechische Vasenmalerei, rotfigurig, unteritalisch, lukanisch, klassische Zeit, um 400 v.Chr. - Kassandra, die sich an dern Altar der Athena geflüchtet hat, wird von Aias gefangengenommen; die Göttin Athena verfolgt das Geschehen. - Halsbild eines Kraters. Ton, gebrannt, schwarz bemalt, mit ausgesparten roten Figuren. Höhe 61 cm. Inv. Nr. 52665. Tarent, Museo Archeologico Nazionale. Museum: Tarent, Museo archeologico nazionale. Author: ANONYMOUS.
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akg3003710 Griechische Vasenmalerei, attisch, schwarzfigurig, archaisch, um 520/490 v.Chr. - Streit um die Waffen des Achilleus. - (Odysseus und Aias streiten um die Waffen des im Kampf um Troja gefallenen Achilleus). Pelike, Seite A (Seite B: Einführung in die Eleusinischen Mysterien). Ton, gebrannt, schwarz bemalt. Höhe 35 cm, größter Durchmesser 28 cm. (Beazley ABV 338,3). Inv. Nr. 91083. Neapel, Museo Nazionale Archeologico. Museum: Naples, Museo archeologico nazionale. Author: ANONYMOUS.
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