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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg5495752 Pope Francis meets Fernando Ocariz Brana, new head of Opus Dei at the Vatican on March 4, 2017. Fernando Ocariz Brana is a Roman Catholic priest and monsignor who serves as the fourth and current Prelate of Opus Dei. He was elected the new prelate of Opus Dei on 23 January 2017.
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akg165563 Coventry (England), Jaguar works. Entrance. Photo, 1947.
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akg5495750 Pope Francis meets Fernando Ocariz Brana, new head of Opus Dei at the Vatican on March 4, 2017. Fernando Ocariz Brana is a Roman Catholic priest and monsignor who serves as the fourth and current Prelate of Opus Dei. He was elected the new prelate of Opus Dei on 23 January 2017.
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akg001321 Bismarck, Otto von; Staatsmann; 1815-98. - "Vom Einzug des Fürsten Bismarck in Berlin: Der Empfang auf dem Lehrter Bahnhof" (Letzter Besuch in Berlin auf Einladung Kaiser Wilhelms II., 26. Jan. 1894; Bismarck am Arm des Prz. Heinrich). Holzstich, zeitgenössisch, gezeichnet von Fritz Bergen (1857-1941) nach einer Skizze von Ewald Thiel (geb. 1855).
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg071574 Bismarck, Otto von, 1815 - 1898, conservative Prussian statesman who dominated German and European affairs from the 1860s until 1890 and was the first Chancellor of the German Empire between 1871 and 1890. Berlin (Germany), 1 April 1915. Parade in celebration of the 100th anniversary of Bismarck's birth. Soldiers pass by the Bismarck Memorial on Königsplatz. In the background the Reichstag. Photo (Otto Haeckel).
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akg1636151 Militär / Deutsches Reich / Manöver.-" Aus dem Manöverleben. Offizierspatrouille württembergischer Dragoner".-Farblithographie, um 1900/10, nach Zeichnung von Richard Knötel (1859-1914). Sammelbildchen der Firma Mechanische Zwirnerei Heilbronn, Sontheim bei Heilbronn. Serie 416, Nr.2. Druck: Oehmigke Riemschneider, ...
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akg4446909 SCHOOL Teachers and pupils of a primary school in the late forties posing for a group photo in the school yard. From a window, some students of another class follow the scene. Italy 1948.
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akg7279766 SCHOOL Photography souvenir of a female elementary class: 2B. The students wear all the classic white apron distinguished by a light ribbon. In the center of the first row a pair of twins appropriately posed by the photographer in order to create a choreographic mirror effect. The single teacher, posing as smiling as all the girls, managed the entire class of more than 35 students, an event not rare in the baby boom years, with the schooling set for the achievement of the diploma of eighth grade or (alternatively ) at the age of 14. The numerous successive reforms of the school have begun a period of experimentation that has led to an evolution of teaching, also decreasing the number of students per class and adding one or more colleagues alongside the owner, in order to guarantee to all schoolchildren opportunities to study, and to discourage school leaving in accordance with the increase in the age of the obligation. Group photo in the schoolyard, Milan 1968.
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akg7279767 SCHOOL Photography souvenir of a female elementary class: 5B. The students wear all the classic white apron distinguished by a light ribbon. In the first row in the middle two twins. The girls smile all or almost, just like the teacher who smiles but who, unlike her pupils, does not look in the car. The weather is cheerful, even a little girl babe takes out her tongue in a mocking expression. The single teacher alone managed the entire class of 30 students, a case not uncommon in the baby boom years, with the schooling set for the achievement of the eighth grade diploma or (alternatively) at the age of 14 years. The numerous successive reforms of the school have begun a period of experimentation that has led to an evolution of teaching, also decreasing the number of students per class and adding one or more colleagues alongside the owner, in order to guarantee to all schoolchildren opportunities to study, and to discourage school leaving in accordance with the increase in the age of the obligation. Group photo in the schoolyard, Milan 1971.
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akg5549628 Pissarro, Camille; 1830-1903. "Les Glaneueses" (Die Ährenleserinnen), 1889. Öl auf Leinwand,65,5 x 81 cm. Basel, Kunstmuseum. Museum: PRIVATE COLLECTION. Copyright: © Yves Tanguy. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.
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akg058559 Berlin, Mauer. Die Grenzanlagen an der Ecke Heidelbergerstraße / Wildenbruchstraße, Neukölln. Links im Vordergrund: DDR-Grenzsoldaten nach der Wachablösung. Foto, Oktober 1961.
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akg313351 Athen (Griechenland), Olympieion. (Tempel des olympischen Zeus; 2. Jh. v. Chr. 2. Jh. n. Chr.). Blick von der Akropolis auf das Olympieion und das Hadrianstor. Foto, Mai 1995.
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akg278756 Athens (Greece), Olympieion. (Temple of the Olympic Zeus; 2nd century BC - 2nd century AD). View from the Acropolis east towards the Hymettos; Hadrian's arch in the centre and the Olympieion; left the stadium. Photograph, unsigned, no date (c. 1896?). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg019090 D'Annunzio, Gabriele Italian poet, Pescara 12.3.1863 - Cargnacco near Gardone 1.3.1938. D'Annunzio (right) talking to Benito Mussolini during a boat trip on Lake Garda. Photo, c. 1925.
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akg1133540 Großer Sankt Bernhard (Kanton Wallis, Schweiz).-LES CHIENS DU GRD. ST. BERNHARD.-Bernhardiner auf dem Großen Sankt Bernhard. Photochrom, um 1890/1900 (Detroit Publishing Co.).
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akg7871139 Gold- und Silbercharts - Gold and Silver Charts.
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akg5739396 Norwegen, Finnmark; Stadt Alta, Alta Museum (UNESCO-Welterbe), Felsplattenfeld 6 und 7: Treibjagd auf wilde Rentiere mit Umzäunung (ca. 5000 - 4000 v. Chr.). Die Darstellung dieser Form der Treibjagd mit Eisenbahnschienen ähnelnden Zäunen gilt als älteste der Welt. Die Rentiere werden durch eine Öffnung hierher getrieben. Die Jagd fand im Herbst statt und war höchst erfolgreich. Auf dem Felsritzungsfeld 6 und 7 befinden sich 590 Figuren, die 6000 bis 7000 Jahre alt sind. Sie repräsentieren Rentier, Bär, Elch, Wal, Hund/Wolf, Mensch, Einzäunung zur Jagd; Bärenhöhle; Bärenspur; Boot; Fransenfigur; Fußsohle, Objekte und sind heute in 23 bis 25 m über dem Meeresspiegel. Das Alta Museum nahe Alta bewahrt die Felszeichnungen und Felsritzungen, die ab 1950 am Alta-Fjord entdeckt wurden. Seit 1985 sind sie UNESCO-Welterbe. 1950 fand der Bauer Fredrik Falsen bei der Kartoffelernte einen Stein mit einer männlichen Figur, der als "Pippisteinen" (Pippistein) in die Geschichte einging und im Haus des Alta-Museums ausgestellt ist. Tausende weitere Funde auf Felsplatten folgten. Die Felsmalereien werden auf ein Alter von 5000 v. Chr. bis zur christlichen Zeitenwende 0 datiert und sind bis zui 7000 Jahre alt. Sie gelten als älteste Zeugnisse der Kulturgeschichte am Alta Fjord und nördlich des Polarkreis und dokumentieren zudem die Ur- und Frühgeschichte der Sami (Samen), von der Steinzeit bis in die Jetztzeit. Ausgestellt sind auch Sami-Trommel (17. Jh) oder der Nachbau eines bis zu 7000 Jahre alten Bootes aus Leder mit hölzernem Elchkopf. Zwei Wege erschließen das Open air-Gebiet, die ältesten Felsritzungen, bis 7000 Jahre alt, sind rot markiert, die jüngsten, ab 500 v. Chr. entstandenen nicht. An Platte 4, wo ein prähistorischer "Schattentanz" zur Aufführung kommt, sind Rentier, Elch, Heilbutt, Mensch und Boot abgebildet. Platte fünf zeigt die Anfänge, als sich alles um Bären drehte: Ein großer grüner Bärenkopf entstand wohl natürlich in einer Muld.
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akg5436384 Michael Maertensas the Fool and Matthias Klink as the Earl of Kent in the Opera by Aribert Reimann. Lear at Salzburg Festival 2017. Opera in two parts (1976-78). Libretto by Claus H. Henneberg after William Shakespeare's tragedy King Lear in the German translation (1777) by Johann Joachim Eschenburg. New production. Sung in German with German and English surtitles. Print programme (PDF). CREATIVE TEAM. Franz Welser-Möst, Conductor. Simon Stone, Director. Bob Cousins, Sets. Mel Page, Costumes. Nick Schlieper, Lighting. Christian Arseni, Dramaturgy. CAST. Gerald Finley, King Lear. Evelyn Herlitzius, Goneril. Gun-Brit Barkmin, Regan. Anna Prohaska, Cordelia. Lauri Vasar, Earl of Gloucester. Kai Wessel, Edgar. Charles Workman, Edmund. Michael Maertens, Fool. Matthias Klink, Earl of Kent. Derek Welton, Duke of Albany. Michael Colvin, Duke of Cornwall. Tilmann Rönnebeck, King of France. Franz Gruber, Servant. Volker Wahl, Knight. Concert Association of the Vienna State Opera Chorus. Huw Rhys James, Chorus Master. Vienna Philharmonic.
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akg5275006 Tongyeong (1955-1994 Ch'ungmu; Provinz Gyeongsangnam-do, Südkorea), Chungnyeol-Schrein (Schrein zu Ehren des Admirals Yi Sun-sin; errichtet 1696). - Teilansicht: Torgebäude; auf den Torflügeln das Symbol für Yin und Yang. - Foto, undatiert (1973 oder 1980).
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akg968092 Frankfurt am Main (Hessen), Anstalt für Irre und Epileptische (sog. "Irrenschloss") des Nervenarztes und Struwwelpeter-Autors Heinrich Hoffmann (Direktor von 1864-1888) auf dem Gelände des Affensteiner Feldes; 1864 eröffnet; 1928 abgerissen; Arch.: Oskar Pilcher).-Fundstücke bei Bauarbeiten 2008: Reste von Zahnbürsten.-.
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akg247907 Bad und Körperpflege / Mundhygiene. Zahnbürste. England, 19. (?) Jahrhundert. Elfenbein und Borsten. Berlin, Sammlung Wehmann (Sammlung medizinhistorischer Antiquitäten).
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akg1999268 Cézanne, Paul. 1839-1906. "Sieben Äpfel und Farbtube", 1878/79. Öl auf Leinwand, 17,2 × 24 cm. Lausanne, Musée Cantonal des Beaux-Arts. Museum: Lausanne, Musée Cantonal des Beaux-Arts.
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akg3118725 Tony Vaccaro. "Rape. The worst war scene possible.". Hohenlepte, Germany, 08 May 1945.
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akg1783311 Militär / Wehrpass. /-Wehrpass der Deutschen Wehrmacht. (Deutsches Reich Gebrauchsmuster 1367174), Neudruck Berlin (Metten Co.) 1942. Vordruck, handschriftlich ausgestellt in Berlin-Schöneberg, 19. April 1944, auf den Schüler Schlegelmilch, geboren am 20. November 1929 in Berlin-Lichterfelde, gemeldet als ... Museum: Private Collection., Privatsammlung.
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akg4700285 Clorinda Fiorentino, aka Linda Fiorentino, is an American actress born on March 9, 1958 in Philadelphia. Linda Fiorentino, actress of "The Moderns", Alan Rudolph's film, in Deauville on September 5, 1988.
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akg1663913 Bombay / Mumbai (Maharashtra, Indien).-Strand mit angeschwemmtem Müll, der nach Verwertbarem duchsucht wird.-/ Foto, undatiert.
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akg155854 Sport:. Fencing. 1936 Summer Olympics in Berlin. Men's team foil, Deutschlandhalle. Photo.
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akg013291 Wagner, Richard Composer; 1813-1883. "Richard Wagner in Wahnfried House in Bayreuth". (fr. lt Cosima Wagner, Richard Wagner, Franz Liszt and Hans von Wolzogen). Painting, 1882, by Wilhelm Beckmann. (b. 1852). Bayreuth, Richard-Wagner-Museum. Museum: Bayreuth, Richard-Wagner-Museum.
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akg609635 Cylinder seal with two registers. On the upper register two bull-men crouch on either side of a triple plant on a stylised mountain, possibly representing the tree of life. Eagles bite the backs of the bull-men and are driven off by two mythological figures, the bull-man 'Enkidu' (left) and the naked hero 'Gilgamesh' (right). On the lower.
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akg076437 Italy: March on Rome, 28 October 1922. (The Fascists under Benito Mussolini force the resignation of the government under Luigi Facta; Mussolini is appointed prime minister). The Quardrumvirn Mussolini, de Bono, de Vecchi and Balbo during the March on Rome. Photo.
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akg3009660 China, Qing Dynasty (1644/1912). Plate decorated with the images of 4 doctors. Drawing by Cornelis Pronk (1691 - 1759, also known as Cornelis Pronck, Dutch draughtsman, painter and porcelain designer). Porcelain decorated with enamel and gold, 26 cm in diameter. Grandjean Collection, 1923. inventory number: GR 569 B. © Les Arts Décoratifs, Paris / Jean Tholance / akg-images.
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akg1538364 r event.
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akg4881466 Ancient China, Shang Dynasty, 1600 - 1050 BC. Characters on fragments of an oracle bone dating between BC. Pieces of ox scapula or turtle plastron. British Library, Or. 7694/1516.
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akg7237811 Jürgen Ovens, 1632-1678. "Prudence, Justice and Peace", 1662. Oil on canvas. Inv. No. AP-KPA-001. Amsterdam, Paleis op de Dam (Koninklijk Paleis / Royal Palace).
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akg7980600 Howard Carter, English Archaeologist, 1873-1939. Carter during excavations of the royal tombs in Thebes (Egypt): opening of the coffin of Tut-ench-Amun, winter 1925/26. Photo (digitally coloured).
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akg6013622 Inde / Pondichéry / Architecture / Port. "Vue des magazins de la Compagnie des Indes a Pontichery, de l'Amirauté et de la Maison du Gouverneur". Les magasins de la Compagnie des Indes à Pondichéry, l'Amirauté et la maison du Gouverneur. Vue d'optique du 18ème siècle. Collection particulière.
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akg5966689 Italie, Turin, Musée égyptien, Museo Egizio, The Mine Payrus (verso), Cyperus papyrus, Nouvel Empire, 20eme dynastie, règne de Ramsès IV (1156-1149 av. J.-C.), Deir el-Medineh.
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akg5303946 Ghulam Ali Khan. Portrait of three villagers standing on a hillside. On the left is Mohan Lal, 'diwan' of Nawab Zabita Khan Bhatti. In the centre is Muhammad, a barber, carrying a staff over his shoulder. On the right is a village 'lambadar' or official collector of land revenue, called Balotar, Watercolour. c. 1816-1820. Add. Or. 4058. London, British Library. Copyright: Additional permissions needed for non-editorial use.
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akg5835869 Painting of the canonization of Saint Catherine of Siena in 1461 by pope Pius II.Fresco by Pinturicchio.in the Library Piccolomini (Libreria Piccolomini) in the 13th century Siena Cathedral (Duomo di Siena) Metropolitan Cathedral of Saint Mary of the Assumption (Santa Maria Assunta)- The Library was built between 1492 and 1507 by Francesco Piccolomini, Pope Pius II's nephew, also a cardinal who also later became Pope Pius III. The library was in memory of his uncle (Enea Silvio Piccolomini - Pius II) and to conserve the rich collection of manuscripts he had lovingly collected. The walls are divided into 10 scenes representing various important stages in the life of Pope Pius II. The frescoes are by Pinturicchio and his workshop, which included the young Raphael (Raffaello Sanzio).Tuscany, Italy (2018).
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akg5886982 USSR "Industrial and financial development continue for a long time! Let's do the Five Year Plan in four years! No to religion!" The weak threads pulled by the religious can not stop the convoy of development, launched in speed. Propaganda poster for the incitement to economic development, graphic design by Yuri Pimenov (26 November 1903 - 6 September 1977), USSR, 1930.
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akg310211 Monet, Claude; French painter, Paris 14.11.1840 - Giverny 6.12.1926. "Nymphéas" (Water lilies). 1918/21. Oil on canvas, 140 × 185 cm. Munich, Neue Pinakothek. Museum: München, Neue Pinakothek.
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akg171199 Hodler, Ferdinand: 1853-1918. - "Die Empfindung" ("Sentiment") - 1901/2. Oil on canvas, 120 × 172 cm. Thomas Schmidheiny Collection. Copyright: AKG3553371 besser.
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akg893499 Black slaves hiding in southern swamps on their escape to the North. Handcolored woodcut of a 19thcentury illustration.
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akg027873 History:. Antiquity / sport. "Gymnastic exercises of Spartan adolescents". (Palaestra with wrestlers, discus throwers etc.). Woodcut, c. 1880, after a drawing by Philipp Grotjohann (1841-1892). From: J. v. Falke, Hellas und Rom, Stuttgart (W.Spemann) 1879.
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akg206693 Napoleonic Wars / Third Coalition War against France / Battle of Prussian-Eylau (7-8 Feb. 1807; Napoleon's victory over Russian-Prussian troops). Napoleon on the battlefield near Prussian-Eylau. Copper engraving based on painting by Louis François Lejeune (1775-1848). 41.2 × 64 cm. Nuremberg, German National Museum. Museum: Nürnberg, Germanisches Nationalmuseum. Author: LOUIS FRANCOIS LEJEUNE.
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akg306993 Melfi (Basilicata, Italy), Castello Normanno (Svevo). (built mid-11th Century; extended under Holy Roman Emperor Frederick II). Exterior. Photo, 2001.
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akg940842 Griechisch, Athen, römische Zeit, 2./3.Jahrhundert n.Chr.-Die kalydonische Eberjagd (Meleager tötet den kalydonischen Eber).-Rückseite eines Sarkophages. Relief, Marmor, Höhe 84 cm, Breite 205 cm. Fundort: Apollonia (Marsa Susa, Cyrenaika, Libyen). Museum: Archäologisches Museum., FRANKFURT AM MAIN.
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akg471869 Soviet Republic 1920. "The Bolshevik". (Depicted as a colossus striding over Mosow, in the background the Lenin Library). Painting, 1920, by Boris Kustodiev. (1878-1927). Oil on canvas, 101 × 141 cm. Inv. Nr. JS-27, P-28723. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: BORIS KUSTODIJEW.
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akg299039 Rome - Roma (Italy), Piazza Navona, Fontana del Moro - Fountain of the Moor. (basin 1575/76 by Giacomo della Porta; sculpture of the Moor aft. Bozzetto by Gian Lorenzo Bernini). Partial view: mask spouting water. Photo, 2001.
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akg1042058 Monet, Claude 1840-1926. "Nymphéas" (Waterlilies), 1918. (Waterlily pond in the artist's garden in Giverny). Pencil on bluegrey paper, 31.5 x 47.5 cm. Museum: Musée Marmottan., Paris.
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akg4446798 NERO (the 37-68) and fire of Rome. Painting of the shop of Giulio Romano (1449-1546), already in the Small room of the Cesari of Ducal palace to Mantova.
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akg109315 Manheimer, Valentin textile manufacturer, 1815-1889. "Valentin Manheimer's 70th Birthday" (13th July 1885). Painting, 1887, by Anton von Werner (1843-1915). Oil on canvas, 101 × 143cm. Berlin, Deutsches Historisches Museum. Museum: Berlin, Deutsches Historisches Museum.
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akg331690 Greek, 5th Century BC. Asclepius heals a woman. Dedicatory relief to Asclepius. Marble. Piraeus, Archaeological Museum. Museum: Piraeus, Archaeological Museum.
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akg326196 Florence, Italy. Corot, Camille. 1796-1875. "Firenze. Vue prise des jardins Boboli (Florence. View of city from the Boboli Gardens) ". Oil on canvas, 51 × 73 cm. R. F. 2598. Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.
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akg180847 Sexualität:. Keuschheitsgürtel u. ä. "Onanie-Bandage. Von vorn. Seitenansicht". (Gürtel mit Drahtkorb zur Verhinderung der Onanie bei Knaben). Holzstich. Aus: F.E.Bilz, Das neue Naturheilverfahren, Leipzig (F.E.Bilz). 1901, Supplementband S. 621. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg611423 Sculpture, époque romaine, milieu 2e siècle. La chasse au sanglier de Calydon. Relief de sarcophage. Marbre. Inv. n° 5243. Éleusis, Musée Archéologique. Museum: Eleusis, Archaeological Museum.
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akg3092132 Ruggieri, Côme (Cosimo); italienischer Astrologe und Berater der französischen Königin Katharina von Medici; gestorben in Paris am 28. 3. 1615. - "Ruggieri 1572. / Maison et Tour de Ruggieri. / Bourse du Commerce". - (Denkmal für Côme Ruggieri und zwei Pariser Ansichten: Links das ehemalige Haus des Ruggieri und die Colonne Médicis, erbaut 1574. Rechts die Bourse du Commerce, erbaut 1889). Farblithographie, anonym, undatiert, Druck: Imprimerie de la Compagnie coloniale Paris, 1890er Jahre. 7 x 10,5 cm. Sammelbildchen der Firma "Chocolat du Planteur". Aus einer Serie: Paris autrefois et aujourd'hui (Paris einst und jetzt; - Pariser Standbilder, kombiniert mit zwei Pariser Ansichten). Privatsammlung. Museum: PRIVATE COLLECTION.
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akg3003747 Griechische Vasenmalerei, attisch, schwarzfigurig, archaisch, 6. Jahrhundert v.Chr. - Augenschale mit Gorgoneion. - Schale (Kylix), Ausschnitt. Ton, gebrannt, schwarz bemalt, mit Zusatzfarben. Inv. Nr. 81146. Neapel, Museo Nazionale Archeologico. Museum: Naples, Museo archeologico nazionale. Author: ANONYMOUS.
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akg7547658 Museum für Antike Schiffahrt in Mainz, Aufbauten auf einem römischen Kriegsschiff.
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akg572080 Cosola, Demetrio. 1851-1895. "Giardino" (Garden - Summer), 1879. Oil on canvas, 62.5 × 42.8 cm. Turin, Galleria d'Arte Moderna. Museum: Turin, Galleria d'Arte Moderna.
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akg268027 Spanish Civil War 1936-39. Soldiers from the Republican forces in the battle zone of the Sierra de Guadarrama Mountains. Photo, undat.
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akg183925 Hitler, Adolf; Politiker (NSDAP). 1889-1945. Hitler eröffnet die Internationale Automobilausstellung in Berlin, 1933: Besichtigung der einzelnen Stände. Foto, um Februar / März 1933 (?).
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akg462431 Zürcher Veilchenmeister tätig um 1500 bis 1515. "Antonius-Retabel", um 1505-10. Ausschnitt: Die Heiligen Barbara (links), Antonius Abbas (Mitte) und Sebastian (rechts). Auf Tannenholz. Sammlung Würth.
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akg1349770 Religion / Kirche / Prozession.-Semana Santa (Karwoche) in Valladolid ( Spanien).-Foto, 2000.
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akg1349990 Sanl?car de Barrameda (Cádiz), Spanien), Restaurante Casa Secundino.-Ansicht.-Foto, 1987.
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akg1349580 Volkskunde: Spanien.-Nijar (Almería): Mann und Frau.-Foto, 1984.
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akg1350176 Trade and Commerce / Street Trading.-Sevilla (Spain): a woman and child selling sweets.-Photo, undated.
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akg8537984 Below: Three portraits of Homer (Homere). Up center: Two portraits of Socrates (Socrate, Sokrates). The Hall of the Philosophers contains the busts of poets, philosophers and orators of Greek antiquity, whose images, in Roman times and then in the Renaissance, decorated public and private libraries, homes, villas and parks of the wealthy and sensitive lovers of Arts and Philosophy . - Palazzo Nuovo, Musei Capitolini. (Capitoline Museums ; Musées du Capitole; Museen Kapitolinischen). - Rome , Italy. 2020.
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akg8636971 Partial view of the Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636960 The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. On the ceiling the female allegory representing Poetry. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636965 Left to right: Dante Alighieri (Durante degli Alighieri,dit ), Homer (Homere) and Virgil (Virgile). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636974 The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him , as well as the poetess Sapphos seated at the bottom left, with her name written on the scroll she holds in her left hand. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636958 Partial view of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636972 Left to right: Dante Alighieri (Durante degli Alighieri, dit ), Homer (Homere) Virgil (Virgile) and Publius Papinius Statius (Stace). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8636955 The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him , as well as the poetess Sapphos seated at the bottom left, with her name written on the scroll she holds in her left hand. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
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akg8692009 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
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akg8692006 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
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akg8692008 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
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akg8181712 Géographes, Géographie et Cartographie / 19e siècle. Marmocchi, Francesco Constantino (1805-1858). "Les voyages d'Ulysse et des Argonautes" (titre original : "viaggi d'Ulisse e degli argonauti"). (En rouge, les voyages d'Ulysse ; en jaune / orange, celui des Argonautes. Le bassin méditerranéen et le monde sont représentés tels que les grecs anciens les concevaient). in Geografia Primitiva de Greci Secondo Esiodo ed Omero, Atlante di geografia universale di Francesco Constantino Marmocchi, Florence, Vincenzo Batelli e Compagni éd., 1842. Collection privée.
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akg8692004 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
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akg8668891 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Penelope. Drawing and watercolour, 2020.
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akg8668883 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. After many years have slipped by, the leaders of the Greeks, opposed by the Fates and damaged by the Trojan War, build a horse of mountainous size, through Pallas's divine art and weave planks of fir over its ribs. They pretend it's a votive offering for Troy: this rumour spreads. They secretly hide a picked body of men, chosen by lot, there, in the dark body, filling the belly and the huge cavernous insides with armed warriors. Troy burning. Drawing and watercolour, 2020.
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akg8668873 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Scylla, a naiad changed into a sea monster with three heads of beasts that tears apart boats (Book XII). Drawing and watercolour, 2020.
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akg8668877 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. The suitors of Penelope (Book XXII). Drawing and watercolour, 2020.
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akg8668886 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. (...) "the wind took me first to Ismarus, which is the city of the Cicons. There I sacked the town ...that we had better make off at once, but my men very foolishly would not obey me, so they stayed there drinking much wine and killing great numbers of sheep and oxen on the sea shore. Meanwhile the Cicons cried out for help these were more in number and stronger and they were more skilled in the art of war. They came as thick as leaves and bloom in summer and the hand of heaven was against us so that we were hard pressed. They set the battle in array near the ships and the hosts aimed their bronze-shod spears at each warrior. As the sun went down, towards the time when men loose their oxen, the Cicons got the better of us and we lost half a dozen men from every ship we had; so we got away with those that were left.". Fleeing the Cicons (Book IX). Drawing and watercolour, 2020.
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akg5212705 Lairesse, Gerard de; 1641-1711. "Achilles Discovered Amongst the Daughters of Lycomedes". Oil on canvas, 150,5 x 181,4 cm. Inv. NM 494. Stockholm, National Museum. Museum: Stockholm, National Museum.
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akg5214695 Aachen, Hans von; 1552-1615. "The Judgement of Paris". Oil on wood, 39 x 59 cm. Inv. NM 739. Stockholm, National Museum.
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akg5735004 Stadt Himara, Oberstadt Himara-Kastro (Himara-Burg), Südwest-Albanien: 2006 eröffnete griechische Schule "Homer" neben der griechisch-orthodoxen Allerheiligenkirche. Die Adria-Stadt Himara besteht aus der Unterstadt Himara-Spille (Himara-Strand) sowie der hoch über dem Strand erbauten historischen Oberstadt Himara-Kastro (Himara-Burg). Bei Himara fanden italienische Archäologen 1939 die ältesten menschlichen Siedlungsspuren entlang der Adria (Mesolithikum). Die Gründung von Himara-Kastro geht auf das 8. Jh. v. Chr. zurück, was Reste der Zyklopenmauern, auf denen die Burgrmauern errichtet wurden, nahelegen. Während des Römischen Bürgerkriegs zog Julius Caesar hier 48 v. Chr. samt Heer Richtung Griechenland durch. Der Name Himara soll auf die Chaoner zurückgehen, eventuell auch auf "cheimarros" (Wildbach). Nach wechselnder Besetzung gelangte die Stadt in Besitz von Venedig, dann in den der Osmanen, obschon Gjon Kastrioti, Sohn des albanischen Nationalhelden Skanderbeg, einen historischen Sieg während des Aufstands ab 1481 feierte. Die Auseinandersetzungen der Himarioten mit den Osmanen setzen sich fort, denn Himara war und ist Albaniens Zentrum der griechischsprachigen und griechisch-orthodoxen Minderheit. 1577 rief man sogar den Papst zur Hilfe und bot den Übertritt zum katholischen Glauben an. 1798 übernahm Ali Pascha Tepelene Himara und gründete nahebei die Festung Porto Palermo, die aber wohl älter und von den Venezianern ist. Im 2. Weltkrieg war Himara-Kastro zwischen albanischen Partisanen und deutscher Wehrmacht stark umkämpft. Die Auseinandersetzungen zwischen Albanern und Griechen in Himara setzen sich im 21. Jh. fort. So kam es zu Zwischenfällen in den Jahren 1999, 2003, 2004 und 2010. Besonders sehenswert in Himara-Kastro (von lat. castrum: befestigtes Militärlager, Stadt) sind die Reste der byzantinischen Kirche mit Fresken sowie die Wehranlagen.
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akg5924342 Parnassusby Raphael (Raffaello Sanzio) (1483-1520)Raphael's Rooms - Room of the signatureBeneath Poetry, Mount Parnassus is represented: the god Apollo, seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom Homer (blind), Virgil and Dante are easily recognisable behind him, as well as the poetess Sapphos seated at the bottom left, with her name written on the scroll she holds in her left hand.Vatican Museums (Raphael's Rooms - Room of the Signature, Stanza della Segnatura).
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akg5924358 Room of the Signatureby Raphael (Raffaello Sanzio) (1483-1520)Raphael's Rooms The Room of the Segnatura contains Raphael's most famous frescoes. The room takes its name from the highest court of the Holy See, the 'Segnatura Gratiae et Iustitiae', which was presided over by the pontiff and used to meet in this room around the middle of the 16th century. Originally the room was used by Julius II (pontiff from 1503 to 1513) as a library and private office. The iconographic programme of the frescoes, which were painted between 1508 and 1511, is related to this function. It was certainly established by a theologian and meant to represent the three greatest categories of the human spirit: Truth, Good and Beauty. RIGHT: School of AthensThe most famous philosophers of ancient times move within an imposing Renaissance architecture which is inspired by Bramante's project for the renewal of the early Christian basilica of St Peter.LEFT: ParnassusBeneath Poetry, Mount Parnassus is represented: the god Apollo, seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom Homer (blind), Virgil and Dante are easily recognisable behind him, as well as the poetess Sapphos seated at the bottom left, with her name written on the scroll she holds in her left hand.Vatican Museums (Raphael's Rooms - Room of the Signature, Stanza della Segnatura).
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akg5836688 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): glass pavillon for Pope John Paull II (right), McCarthy`s Tower and Temple Finghín. The glass pavillon was erected for the visit of Pope John Paul II, in 1979. McCarthy`s Tower was built in 12th century in Romanesque style, it is beneath Temple Finghín, built in the same time. Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and Hi.
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akg5836690 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): Temple Hurpan and Temple Melaghlin (behind, covered) on southeastern side of the Cathedral (also: Temple McDermot). Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and High Crosses. Open air, there are replicas of the high crosses, only. The original three high crosses are conserved in the museum (interpretive centre) of the visito.
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akg5836683 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): grave stones in front Cathedral (also: Temple McDermot). Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and High Crosses. Open air, there are replicas of the high crosses, only. The original three high crosses are conserved in the museum (interpretive centre) of the visitor centre. Clonmacnoise is as well connected with the beautif.
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akg5836689 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): Temple Doolin and Temple Hurpan on southeastern side of the Cathedral (also: Temple McDermot). Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and High Crosses. Open air, there are replicas of the high crosses, only. The original three high crosses are conserved in the museum (interpretive centre) of the visitor centre. Clonmacnois.
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akg5437279 Ingres, Jean-Auguste-Dominique; 1780-1867. "L'apothéose d'Homère" (Die Apotheose Homers), 1827. (Aquarellfassung des monumentale Deckenbildes im Louvre in Paris). Aquarell und Gouache, 56,6 x 62 cm. Inv. Nr. Pl. 1480. Lille, Musée des Beaux-Arts. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg2315160 Runge, Philipp Otto. 1777-1810. "Achill und Skamandros", 1801. Pinsel in Schwarz, Grau und Weiß über Bleistift auf blaugrauem Papier, 456 × 576 mm. Inv. Nr. 34227; Kupferstichkabinett, Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.
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akg2162328 Tizian, eigentl. Tiziano Vecelli (o). um 1487/90 - 1576. /. "Orpheus und Eurydike", um 1508 (um 1511(?)). Öl auf Leinwand, 39 × 53 cm. Bergamo, Galleria dell'Accademia Carrara. Museum: Bergamo, Galleria dell'Accademia Carrara.
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akg2315154 Runge, Philipp Otto. 1777-1810. "Achill und Skamandros", 1801. Feder und Pinsel in Grau und Schwarz über Bleistift, 412 × 593 mm. Inv. Nr. 34223; Kupferstichkabinett, Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.
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