Pesquisando por: "The Witches' sabbath (engraving)" - Fotoarena - Agência de fotojornalismo

alb3899719 Witches Sabbath. Date/Period: 1797 - 1798. Painting. Oil on canvas. Height: 43 mm (1.69 in); Width: 30 mm (1.18 in). Author: FRANCISCO DE GOYA.

alb3647167 The Witches. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 14 7/16 × 10 3/16 in. (36.6 × 25.9 cm). Date: 1510. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Baldung (called Hans Baldung Grien).

alb3711072 The Temptation of Saint Anthony. Dated: 1561. Dimensions: overall: 33.5 x 42.8 cm (13 3/16 x 16 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 16th Century after Hieronymus Bosch, Hieronymus Cock (publisher).

alb3653100 St. James and the Magician Hermogenes from The Story of the Magician Hermogenes. Artist: Pieter van der Heyden (Netherlandish, ca. 1525-1569); After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Dimensions: sheet: 12 15/16 x 15 5/16 in. (32.9 x 38.9 cm)image: 8 13/16 x 11 13/16 in. (22.4 x 30 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1565. Museum: Metropolitan Museum of Art, New York, USA.

akg5191408 Religion et Croyance / Renaissance. Le sabbat ; Saint Jacques le Majeur se trouve aux prises avec les enchantements diaboliques d'un magicien. Dans le folklore européen, on dénomme sabbat les supposées assemblées nocturnes de sorcières, lesquelles donneraient lieu à des banquets, des cérémonies païennes, voire des orgies. D'après une peinture Pieter Brueghel l'Ancien, est un peintre et graveur brabançon né vers 1525 et mort le 9 septembre 1569 à Bruxelles dans les Pays-Bas espagnols, 16e siècle. Gravure de Jérôme Cock. Collection particulière.

alb3608201 The Witch. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 13/16 in. (11.7 × 7.2 cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

alb3728330 A Rake's Progress: pl.8. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3623414 Four Naked Women. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: plate: 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm). Date: 1497. Museum: Metropolitan Museum of Art, New York, USA.

alb3607743 Witches Preparing for Sabbath. Artist: Andries Stock (Netherlandish, 1572/82-after 1648); Designed by Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: Sheet: 17 1/4 × 25 3/4 in. (43.8 × 65.4 cm). Publisher: Published by Nicolaes de Clerck. Date: ca. 1610.To appreciate the complex symbolism and rich details of the world of witches represented in this print close examination is needed. In the centre three witches prepare ointments that they will smear over their bodies enabling them to fly. The book before them presumably contains the recipe they need for their concoction. At the right another witch riding a broomstick fuelled by the vapors from a cauldron is being dragged by the hair by a demon. In the upper left, witches clutch bolts of fire, a reference to their power to wreak havoc by creating storms of hail and lightning to ruin crops. Below to the left, Cupid seems to be struggling with a winged demon. This has been understood as a battle between the perverse loves of witches and the pure love of Cupid. Many other details throughout the composition add to our enjoyment of it.During the time this print was made many people believed in the reality of witches and their activities. We do not know for certain the attitude of Jacques de Gheyn who designed the print but there is some evidence to think he was a skeptic and regarded subjects of witchcraft with bemusement. Museum: Metropolitan Museum of Art, New York, USA.

alb9881433 The Witches Sabbath based on reports from the Tribunal of Arras, 1460. Naked witches riding brooms and goats, dancing with fauns, holding snakes, playing music, boiling frogs and snakes in a cauldron. From a 16th century engraving. Legende du sabbat. Woodcut by Etienne Huyot and Jules Huyot from Paul Lacroixs La Vie Militaire et Religieuse au Moyen Age et a lEpoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873.

alb9880127 Representation of the Capital Figures of Bethlem Hospital Gate, London, 18th century. The stone pillars at the entrance gates to Bethlem Hospital in Moorfields were capped by figures of Melancholy and Raving Madness in chains carved in Portland stone by sculptor Caius Gabriel Cibber, 1680. Copperplate engraving by John Peltro from William Thorntons New History and Survey of London, published by Alexander Hogg at the Kings Arms, Paternoster Row, London, 1784.

akg182330 Johann Wolfgang von Goethe; 1749-1832. Works: Faust (1st part, 1808). "Fist. Oh! In the midst of the song a red mouse leaped from her mouth.". Copper engraving by Wilhelm Jury (1763-1829). After drawing by Johann Heinrich Ramberg (1763-1840). From: Minverva. Paperback for the year. 1829, 21. Jg. Leipzig (G. Fleischer). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb9829143 Witches' Sabbath as reported in a judgment delivered by the court of Arras in 1460. Witches ride brooms and goats, dancing with fauns, holding snakes, playing music and boiling frogs and snakes in a cauldron. Engraving after a 16th-century illustration. Woodcut by Etienne Huyot and Jules Huyot. "La Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance", Paris, 1877. Author: Etienne Huyot (1807-1885). French engraver. Jules Huyot (1841-1921). French engraver.

akg4471263 WITCHES 'Walpurgisnacht!' Sabbath of witches in the night of Walpurgis, worn for up to disregard the date on which Catholics celebrate the Holy eighth century Englishman who evangelized Germany. Engraving of Michael Herz, seventeenth century.

akg4454435 WITCHES Sabbath of witches, at the bottom center depicts the pot boiling with potions haunted by the smoke of which propagate flying witches riding brooms and goats. The scene is surrounded by magical characters and various monstrosities and in the background a child is introduced to a demon with four horns, which sits on a kind of throne between two women. Engraving of the sixteenth century.

alb4166530 The Mad Woman of St Marie-à-Py, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 288 x 195 mm (plate); 475 x 353 mm (sheet). Drypoint on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

akg8798241 Marcantonio Raimondi. The Witches' Sabbath. Engraving and etching on paper, 30.4 × 63.6 cm. Stockholm, Nationalmuseum.

ado00063717 The Boeuf Gras (France). Ca. 1840. Coloured engraving. Author: UNKNOWN ARTIST.

alb2941596 Wenceslao Ayguals de Izco (1801-1875). Spanish writer. Poor and Rich or The Witch of Madrid. 1849. Illustration by Urrabieta and Coderch. Colored engraving.

alb1468290 Wenceslao Ayguals de Izco (1801-1875). Spanish writer. Poor and Rich or The Witch of Madrid. 1849. Illustration by Urrabieta and Coderch. Library of Catalonia. Barcelona. Spain.

alb3630942 A Rake's Progress, Plate 8. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 2 9/16 x 3 1/8 in. (6.5 x 8 cm). Engraver: Dent (British, active ca. 1800); Richard Corbould (British, London 1757-1831 London). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

alb4174150 Witches Sabbath. Stanley William Hayter; American, born England, 1901-1988. Date: 1958. Dimensions: 493 x 643 mm (image/plate); 563 x 763 mm (sheet). Color engraving, soft ground etching and scorper from a copper plate on ivory paper. Origin: United States. Museum: The Chicago Art Institute.

alb4137995 Plate Eight, from A Rake's Progress. William Hogarth; English, 1697-1764. Date: 1735. Dimensions: 315 × 387 mm (image); 355 × 410 mm (plate); 481 × 599 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.

akg051622 aft: Teniers, David th. Y., 1610-1690. "Depart pour le Sabat". Copperplate engraving by Jacques Aliamet (1727-1788) after the painting "The Witches' Kitchen" by Teniers in Dresden. Pl. 38.5 × 28cm. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb4057026 Hospitall called Bedlam. [An Atlas of London, containing a general map and thirty-six maps of the Wards, Parishes and Liberties, with twentyfive views of the principal institutions and buildings. Based upon an earlier survey by William Leybourn and Richard Blome]. London : A. Churchill, J. Knapton, etc., 1720. Source: 1791.d.5 vol.1.1 plate opp.192.

akg4993550 Witchcraft / Occultism. A sabbath in the 16th century. (In European folklore, the nocturnal assemblies of witches are called sabbath, which would give rise to banquets, pagan ceremonies, even orgies). Reduction of an engraving, without author's name, located in the National Library of France in Paris.

iblsce02260511 The witches' sabbath on Walpurgis Night on Blocksberg mountain, also known as Brocken mountain, German copper engraving, 17th century

alb3516143 Witches Preparing for Sabbath, ca. 1610, Engraving, Sheet: 17 1/4 × 25 3/4 in. (43.8 × 65.4 cm), Prints, Andries Stock (Netherlandish, 1572/82–after 1648), Designed by Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), To appreciate the complex symbolism and rich details of the world of witches represented in this print close examination is needed. In the centre three witches prepare ointments that they will smear over their bodies enabling them to fly.

akg244628 Magic and Superstition:. Witches / Witches' Sabbath. - "Zauberey". (Witches' Sabbath on Walpurgis Night, 30.4./1.5, on the Blocksberg). Engraving, 17th Century after drawing by Michael Herz (1591-1661), later colouring.

akg117361 Magic and Superstition:. Witches / Witches' Sabbath. "Walpurgis Night". (Witches riding to the Brocken in the Harz mountains during the night of 30th April to 1st May). Wood engraving, 1923, by August Becker. (born 1878).

akg118545 Magic and Superstition:. Witches / Witches Sabbath. "Zauberey" (Witchcraft). (Witches' Sabbath on Walpurgis Night, 30.4./1.5, on the Brocken mountain). Copperplate engraving, 17th century, after drawing by Michael Herr (1591-1661).

akg118544 Magic and Superstition:. Witches / Witches Sabbath. "Zauberey" (Witchcraft). (Witches' Sabbath on Walpurgis Night, 30.4./1.5, on the Brocken mountain). Copperplate engraving, 17th century, after drawing by Michael Herr (1591-1661).

akg106877 Magic and Superstition:. Witches / Riding Witches. Witch and sorcerer riding to the Sabbath. Wood engraving. From: Ulrich Molitor, De laniis et phitonicis mulieribus, Reutlingen 1489.

akg106876 Magic and Superstition:. Witches / Witches' Sabbath. Witches at the sabbath meal. Wood engraving. From: Ulrich Molitor, De laniis et phitonicis mulieribus, Reutlingen 1489.

akg030814 Magic and Superstition:. Witches / Witches' Sabbath. "Witches' Sabbath". Wood engraving, 1890, after the painting by Jose Benlliure y Gil (1855-1937).

00489248 "witches, Walpurgis Night, witches' sabbath on the Blocksberg, copper engraving by J. W. Meil to the poem ""The Walpurgis Night"" by Johann Friedrich L?wens, Hamburg, 1765,"

00019403 "witchcraft, witches, superstition, ""Departure for the Sabbath"", copper engraving, by Queverdo,"

00043466 superstition, witchcraft, Walpurgis Night, witches preparing for the travel to the Blocksberg, copper engraving by Adrian Hubert, 17th century,

0005418 WITCHES' SABBATH. Line engraving, 17th century.

0004309 WITCHES SABBATH, 1460. The Witches Sabbath, illustrating those happenings reported in the Tribunal of Arras in 1460: after a 16th century French engraving.