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akg8547604 PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Model P. Scheurich. Porcelain, enriched in colours. Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature:-Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129.-Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77.-Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff.-Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127.Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him.The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. . Art trade, Van Ham.

akg8547605 PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Model P. Scheurich. Porcelain, enriched in colours. Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature:-Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129.-Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77.-Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff.-Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127.Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him.The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. . Art trade, Van Ham.

akg8547608 PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Model P. Scheurich. Porcelain, enriched in colours. Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature:-Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129.-Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77.-Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff.-Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127.Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him.The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. . Art trade, Van Ham.

akg8547607 PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Model P. Scheurich. Porcelain, enriched in colours. Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature:-Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129.-Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77.-Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff.-Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127.Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him.The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. . Art trade, Van Ham.

akg8547606 PORCELAIN FIGURINE OF EUSEBIUS FROM THE 'RUSSIAN BALLET'. Meissen. Model P. Scheurich. Porcelain, enriched in colours. Eusebius from the ballet 'Carnival' on an oval base with rectangular support covered partially by a draped cloth. The dancer makes a deep lunge, grabs his chest with his left and raises his right hand behind him, swearing an oath. He wears a blue frock coat with a rose on the revers, a sky-blue bow tie and checked trousers. On his face with heavy make up lies a theatrical expression. At his feet a tophat, a mask and a walking stick. Measurement: Height 21,5cm. Mark: Swordsmark, D284, porcelain former no. 121, painter no. 27. Literature:-Jedding, Hermann. Meißener Porzellan des 19. und 20. Jahrhunderts 1800-1933, Munich 1981, comp. p.128-129.-Just, Johannes: Meissener Jugendstil Porzellan, Gütersloh 1983, comp. fig. 77.-Bröhan, Karl H. (ed.): Porzellan. Kunst und Design 1889 bis 1939. Vom Jugendstil zum Funktionalismus, Berlin 1996, comp. p.125ff.; regarding Paul Scheurich see p.123ff.-Hakenjos, Bernd / Grolman, Dorothea: Um 1900. Porzellan aus Berlin, Meissen und Nymphenburg, Düsseldorf 1999, Models comp. cat. no.122-127.Paul Scheurich, born in New York in 1883 as the son of a photographer from Berlin, was one of the most important porcelain sculptors of the art nouveau. Originally working as a graphic artist and illustrator, his talent for the material was discovered and encouraged by Max Adolf Pfeiffer. Between 1913 and 1938 Scheurich designed more than 100 models for the Meissen Porcelain Manufactory and contributed significantly to its success. At the 1937 World Exhibition in Paris, where the manufactory was awarded the 'Grand Prix', six of the seven prize-winning objects were designed by him.The 'Russian Ballet', Scheurich's first design produced by Meissen, also was his first great success. First presented in 1914 at the German Werkbund Exhibition in Cologne, the models became a bestseller after World War 1. The graceful dancers, with their coquettish, theatrical facial expressions, skilfully illustrate the 'Russian Ballet' of the imperial theatres in Moscow and St. Petersburg. In the years before the first World War the corps de ballet, founded by the famous impresario Sergei Djagilev, caused sensation all over Europe. The dancers gave guest performances in London, Paris and also Berlin, where the young Scheurich sat in the audience during a performance of the play 'Carnival'. As early as 1912 a series of six etchings entitled 'Pierrot' was published by the renowned Berlin art dealer Gurlitt, in which Scheurich takes reference to the production. The ballet pantomime to an orchestral version of Robert Schumann's piano cycle ' Le Carnaval' enjoyed great popularity with the audience and was performed a total of 14 times in Berlin. The leading roles were played by star dancers such as Tamara Karsawina and Waslaw Nijinski, whom Scheurich is said to have portrayed in his figurines. . Art trade, Van Ham.

alb3655755 Pierrot Running. Artist: Adrien Tournachon (French, 1825-1903); Nadar (French, Paris 1820-1910 Paris). Dimensions: Image: 26.5 x 20.8cm (10 7/16 x 8 3/16in.)Mount: 41.3 x 34.5 cm (16 1/4 x 13 9/16 in.). Person in Photograph: Person in photograph Jean-Charles Deburau (French, 1829-1873). Date: 1854-55.In late 1853, Félix Tournachon (Nadar) paid Gustave Le Gray to teach photography to his younger brother, Adrien, a painter of some talent frequently in his charge. At the same time Félix himself learned to use the camera from his friend Camille D'Arnaud. Promising to assist his brother, Félix set up a studio for him on the Boulevard des Capucines. Adrien worked alone until September 1854, then turned to Félix for help. The two brothers collaborated until January 1855, when competitive friction ruptured the arrangement and led to a lawsuit through which Félix recovered sole use of his pseudonym, Nadar.During the time they worked together, the brothers made a series of large photographs of Charles Debureau, son of Baptiste Debureau, the famous mime of the Théâtre des Funambules. These photographs attracted much public attention and won the gold medal at the Exposition Universelle of 1855 in Paris.Designed as an elaborate publicity campaign for the photographers, the suite of more than fifteen photographs of characteristic expressions forms an episodic visual narrative of the comical misadventures of the pantomime character Pierrot. This photograph shows Pierrot in an attitude of pursuit or flight. Despite the immobility required by the relatively long exposure, the simulated movement is wonderfully expressed. A static, splayed demonstration of action in a shallow space, the picture's content is as concise as a dictionary definition, its form as legible as that of a runner on a Greek vase. Museum: Metropolitan Museum of Art, New York, USA.