Pesquisando por: "Rehearsal of Play " - Fotoarena - Agência de fotojornalismo

ny020725145310 Chloe Misseldine, one of the four dancers playing the fiery Sylvia, during a rehearsal of Frederick AshtonÕs ÒSylvia,Ó a huntress ballet, at American Ballet Theater in New York, May 21, 2025. Hunting bows in hand, a new generation of dancers are taking on a multifaceted role at American Ballet Theater. (George Etheredge/The New York Times/Fotoarena)

ny140325172816 Jenny Hann removes the head of a costume during a rehearsal of ?Song of the North? at the New Victory Theater in New York, March 11, 2025. The elaborate shadow puppet staging of Hamid Rahmanian?s creation, which has played to packed houses on three continents, is based on the 10th-century Persian epic poem ?Shahnameh.? (Gavin Doran/The New York Times/Fotoarena)

ny140325172830 Crew members and puppeteers coordinate adjustments to shadow sizes during a rehearsal of ?Song of the North? at the New Victory Theater in New York, March 11, 2025. The elaborate shadow puppet staging of Hamid Rahmanian?s creation, which has played to packed houses on three continents, is based on the 10th-century Persian epic poem ?Shahnameh.? (Gavin Doran/The New York Times/Fotoarena)

ny140325172818 A discussion backstage during a rehearsal of ?Song of the North? at the New Victory Theater in New York, March 11, 2025. The elaborate shadow puppet staging of Hamid Rahmanian?s creation, which has played to packed houses on three continents, is based on the 10th-century Persian epic poem ?Shahnameh.? (Gavin Doran/The New York Times/Fotoarena)

ny090325152225 Clay Christopher and Kelli Vonshay during a rehearsal of the play ÒWhen the Righteous Triumph,Ó at the Straz Center for the Performing Arts in Tampa, Fla., March 5, 2025. A production partly aimed at students that highlights TampaÕs history in the civil rights movement lands at a time when the state is changing what schools teach about race and history. (Octavio Jones/The New York Times/Fotoarena)

ny140325092411 HEADLINE: Recalling a Segregated FloridaCAPTION: Mark Wildman and Kelli Vonshay during a rehearsal of the play ÒWhen the Righteous Triumph,Ó at the Straz Center for the Performing Arts in Tampa, Fla., on March 5, 2025. A production partly aimed at students that highlights TampaÕs history in the civil rights movement lands at a time when the state is changing what schools teach about race and history. CREDIT: (Octavio Jones/The New York Times/Fotoarena)

ny090325201236 Kelli Vonshay during a rehearsal of the play ÒWhen the Righteous Triumph,Ó at the Straz Center for the Performing Arts in Tampa, Fla., March 5, 2025. A production partly aimed at students that highlights TampaÕs history in the civil rights movement lands at a time when the state is changing what schools teach about race and history. (Octavio Jones/The New York Times/Fotoarena)

ny090325152212 Mark Burdette, center behind counter, speaks to Kelli Vonshay during a rehearsal of the play ÒWhen the Righteous Triumph,Ó at the Straz Center for the Performing Arts in Tampa, Fla., March 5, 2025. A production partly aimed at students that highlights TampaÕs history in the civil rights movement lands at a time when the state is changing what schools teach about race and history. (Octavio Jones/The New York Times/Fotoarena)

ny090325152211 The cast of ÒWhen the Righteous Triumph,Ó during a rehearsal at the Straz Center for the Performing Arts in Tampa, Fla., March 5, 2025. A production partly aimed at students that highlights TampaÕs history in the civil rights movement lands at a time when the state is changing what schools teach about race and history. (Octavio Jones/The New York Times/Fotoarena)

ny080325191213 Ahmad Kamal, who plays an on-the-rise sumo wrestler named Ren, during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny080325191211 A mask backstage during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny080325191236 Actors Scott Keiji Takeda, left, and David Shih, face off during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny080325191225 Michael Hisamoto does a handstand during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny080325191214 A drummer bangs a ceremonial taiko above the stage during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny080325191212 The playwright Lisa Sanaye Dring, right, with the show?s director, Ralph B. Peña during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny080325191232 Cast member Viet Vo stretches during rehearsal of the play "Sumo" at the Public Theater in Manhattan, on Feb. 28, 2025. The play?s cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn. (Graham Dickie/The New York Times/Fotoarena)

ny270225205523 **EMBARGO: No electronic distribution, Web posting or street sales before FRIDAY 5:01 A.M. ET FEB. 28, 2025. No exceptions for any reasons. EMBARGO set by source.** Anne Imhof, left, with Sihana Shalaj, a model and longtime collaborator who plays one of the Romeos in ImhofÕs ÒDOOM: House of Hope,Ó during a rehearsal of the show at the Park Avenue Armory in Manhattan, Feb. 13, 2025. ÒI want to see a gender-fluid ballet,Ó said Imhof. (Luisa Opalesky/The New York Times/Fotoarena)

ny120225211214 Kate Arrington and Fred Weller during a rehearsal for Len Jenkin?s new play, ?How Is It That We Live or Shakey Jake + Alice,? at ART/New York Theatres in New York, Jan. 31, 2025. With their Tent Theater Company, Tim Sanford and Aimée Hayes want to raise the profiles of older artists and keep them from being sidelined. (James Estrin/The New York Times/Fotoarena)

ny200225182334 Robyn Hurder, center, at a rehearsal for the new musical ÒSmash,Ó in which she plays Ivy Lynn, a big-time Broadway actress portraying Marilyn Monroe, in New York on Jan. 31, 2025. The stage version of ÒSmashÓ follows the backstage meltdown of a fictional show called ÒBombshellÓ as it approaches opening night. (Jutharat Pinyodoonyachet/The New York Times/Fotoarena)

ny200225182336 Robyn Hurder at a rehearsal for the new musical ÒSmash,Ó in which she plays Ivy Lynn, a big-time Broadway actress portraying Marilyn Monroe, in New York on Jan. 31, 2025. The stage version of ÒSmashÓ follows the backstage meltdown of a fictional show called ÒBombshellÓ as it approaches opening night. (Jutharat Pinyodoonyachet/The New York Times/Fotoarena)

ny200225182328 Robyn Hurder at a rehearsal for the new musical ÒSmash,Ó in which she plays Ivy Lynn, a big-time Broadway actress portraying Marilyn Monroe, in New York on Jan. 31, 2025. The stage version of ÒSmashÓ follows the backstage meltdown of a fictional show called ÒBombshellÓ as it approaches opening night. (Jutharat Pinyodoonyachet/The New York Times/Fotoarena)

ny230125183526 Seats with playing cards before the Nathan Burton Magic Show in Las Vegas on Jan. 14, 2025. Local artists straddle aesthetic and artistic worlds in the land of mega-spectacles and oversize flash. (Mikayla Whitmore/The New York Times/Fotoarena)

ny170125111315 HEADLINE: The Making of a ConcertoCAPTION: The composer John Adams, standing at center, during a rehearsal of ÒAfter the FallÓÊat the Louise M. Davies Symphony Hall, the home of the San Francisco Symphony, in San Francisco onÊJan. 14, 2025. Pianist Vikingur Olafsson will play the concerto in multiple cities, guaranteeing it broad exposure. CREDIT: (Aaron Wojack/The New York Times/Fotoarena)

ny150125152914 Composer John Adams, center, at a rehearsal of ?After the Fall? at the Louise M. Davies Symphony Hall, the home of the San Francisco Symphony, in San Francisco, Jan. 14, 2025. Pianist Vikingur Olafsson will play the concerto in multiple cities, guaranteeing it broad exposure. (Aaron Wojack/The New York Times/Fotoarena)

ny290125162811 Khawla Ibraheem, playwright and star of this solo play, ÒA Knock on the Roof,Ó at New York Theater Workshop, in Manhattan on Jan. 9, 2025. In a new solo play about ordinary people under bombardment in Gaza, a woman rehearses how she would escape her building if Israeli forces were to strike. (Hiroko Masuike/The New York Times/Fotoarena)

ny280125204220 Michael Park and Idina Menzel during a rehearsal of ÒRedwood,Ó at Open Jar Studios in Manhattan, Dec. 30, 2024. Park plays one of two canopy botanists who befriend MenzelÕs character when she shows up at a forest where they are working in Humboldt County, Calif. (Vincent Tullo/The New York Times/Fotoarena)

ny061224172216 Gamers collaborate with an orchestra to create a live soundtrack During a rehearsal of Journey LIVE at the Brooklyn Academy of Music in New York on Dec. 5, 2024. Austin WintoryÕs score for Journey, which was released for the PlayStation 3 in 2012, was the first video game score to receive a Grammy nomination. (James Estrin/The New York Times/Fotoarena)

ny211124135410 The director Ladislas Chollat speaks to the actors playing Gavroche, a child who lives on the streets of Paris, during a rehearsal for a new production of ÒLes Mis?rables,Ó in Romainville, France, Oct. 31, 2024. The most famous French musical has never been popular in Paris Ñ a major new production hopes to change that. (Violette Franchi/The New York Times/Fotoarena)

ny041124145311 Patrick Bringley rehearses his new one-man play, ÒAll the Beauty in the World,Ó based on his memoir of working as a guard at the Metropolitan Museum of Art, in the Brooklyn Arts Exchange in New York, Oct. 24, 2024. With BringleyÕs ÒAll the Beauty in the WorldÓ now in its 10th printing, heÕs debuting in two new roles: playwright and actor. (Sara Krulwich/The New York Times/Fotoarena)

ny041124145313 The director Dominic Dromgoole, bottom, listens as Patrick Bringley rehearses his new one-man play, ÒAll the Beauty in the World,Ó based on his memoir of working as a guard at the Metropolitan Museum of Art, in Green-Wood Cemetery in Brooklyn, Oct. 23, 2024. Dromgoole said he was taking the writerÕs Òlovely, gentle rolling, easy proseÓ and Òtweaking it and tightening it and twisting itÓ to fit the stage. (Sara Krulwich/The New York Times/Fotoarena)

ny041124145314 Patrick Bringley rehearses his new one-man play, ÒAll the Beauty in the World,Ó based on his memoir of working as a guard at the Metropolitan Museum of Art, in Green-Wood Cemetery in Brooklyn, Oct. 23, 2024. With BringleyÕs ÒAll the Beauty in the WorldÓ now in its 10th printing, heÕs debuting in two new roles: playwright and actor. (Sara Krulwich/The New York Times/Fotoarena)

ny141024193815 From left, Samy Belkessa, whlo plays Sa?d; Alexander Ferrario, who plays Vinz; and Alivor, who plays Hubert, during a rehearsal of ÒLa Haine,Ó in Tremblay, France, on Sept. 23, 2024. Matthieu Kassovitz has turned his cult 1995 movie into a stage musical. The France it represents is different Ñ though much hasnÕt changed. (Violette Franchi/The New York Times/Fotoarena)

ny140125162114 Actor Oleksandr Suchyk during a rehearsal of the play in Kyiv, Ukraine, August 10, 2024. Ukraine students in a summer acting course performed a play set in America and it gave them hope that their lives would be OK, too. (Oksana Parafeniuk/The New York Times/Fotoarena)

ny300125171221 EDS.: RETRANSMISSION TO CORRECT DATE, BYLINE AND PERFORMANCE OF A PLAY RATHER THAN REHEARSAL Ñ Friends, family members, and other supporters gather outside before a performance of the play It's Okay!, in Kyiv, Ukraine, on Sept. 15, 2024. Ukraine students in a summer acting course performed a play set in America and it gave them hope that their lives would be OK, too. (Brendan Hoffman/The New York Times/Fotoarena)

ny100924201212 Julianna Margulies, right, with director Susan Stroman and Peter Gallagher, who plays her love interest in ÒLeft on Tenth,Ó on the first day of rehearsal in New York on Aug. 27, 2024. Margulies returns to Broadway after 18 years, starring in Delia EphronÕs new play about falling in love again after her husbandÕs death. (Sara Krulwich/The New York Times/Fotoarena)

ny140125162214 Olesia Korzhenevska, director and author of the play, directs a rehearsal of "It's okay!" in Kyiv, Ukraine, Aug. 10, 2024. Ukraine students in a summer acting course performed a play set in America and it gave them hope that their lives would be OK, too. (Oksana Parafeniuk/The New York Times/Fotoarena)

ny170125111219 HEADLINE: Using a Play to Set War AsideCAPTION: Young actors rehearse a scene from the play "It's okay!" in Kyiv, Ukraine, on Aug. 10, 2024. A drama teacher is offering teenagers in Kyiv a moment of hope with a play written just for them. CREDIT: (Oksana Parafeniuk/The New York Times/Fotoarena)

ny130624204311 Gabriel Crist, foreground, playing a harpsichord, and Daniel Newman-Lessler, at the piano, during a rehearsal of ÒThe Comet/Poppea,Ó which will premiere in Los Angeles this week, at the Baryshnikov Arts Center in New York, June 2, 2024. ÒThe Comet/PoppeaÓ melds Claudio MonteverdiÕs last opera with a W.E.B. Du Bois short story from 1920. (Jeenah Moon/The New York Times/Fotoarena)

ny180424153907 Lily Primus plays the harp during a rehearsal of ÒMusic for New Bodies,Ó a new work by the legendary opera director Peter Sellars, which will premiere this weekend at Rice University in Houston, April 15, 2024. In ÒMusic for New Bodies,Ó Sellars presents poetry by Jorie Graham melded to music by Matthew Aucoin. (Meridith Kohut/The New York Times/Fotoarena)

ny170424163507 The writer Abe Koogler after a rehearsal of his latest play, ÒStaff Meal,Ó at Playwrights Horizons in New York, April 7, 2024. Koogler says that since moving to New York, he has been fascinated by what itÕs like to have intense culinary experiences. (Julieta Cervantes/The New York Times/Fotoarena)

ny170424163307 Erin Markey during a rehearsal of Abe KooglerÕs ÒStaff Meal,Ó at Playwrights Horizons in New York, April 7, 2024. In ÒStaff Meal,Ó a restaurant becomes a refuge as the world ends. (Julieta Cervantes/The New York Times/Fotoarena)

ny210324213407 **EMBARGO: No electronic distribution, Web posting or street sales before SUNDAY 5:01 A.M. ET MARCH 24, 2024. No exceptions for any reasons. EMBARGO set by source.** Zoe Gallagher, who plays Pamela Zatti, during a rehearsal of Indiana UniversityÕs new production of ÒStar on the Rise,Ó the reimagined ÒLa Bayadre,Ó in Bloomington, Ind., March 7, 2024. A new production of the ballet sets it in 1930s Hollywood instead of a mythic India, eliminating Orientalist clich?s while embracing American ones. (Noble Guyon/The New York Times/Fotoarena)

ny220224163506 FILE ? Robert Macbeth, right, directing Carl Lee, left, and Thelma Oliver in a rehearsal for Ed Bullins?s play ?In the Wine Time,? the New Lafayette Theater?s first major production, in New York, Nov. 15, 1967. Macbeth, founder of Harlem?s New Lafayette Theater, a vibrant space for actors and playwrights that became a seedbed for the emerging Black Arts Movement of the 1960s and ?70s, died on Oct. 31, 2023, in a medical rehabilitation facility in North Miami Beach, Fla. He was 89. (Eddie Hausner/The New York Times/Fotoarena)

ny060224224106 Tyne Daly during dress rehearsals for the play ?Doubt,? at the Todd Haimes Theater in New York, Feb. 1, 2024. Daly, the Tony- and Emmy-winning actress, is withdrawing from a starring role in the first Broadway revival of ?Doubt: A Parable,? citing health issues. (Sara Krulwich/The New York Times/Fotoarena)

ny010224191906 Abigail Browde and Michael Silverstone at a rehearsal for the new play ÒThe Following Evening,Ó at the Perelman Performing Arts Center in New York, Jan. 28, 2024. A meditation on mortality and renewal, ÒThe Following EveningÓ presents mirror images of two married pairs of theater makers. (Jeanette Spicer/The New York Times/Fotoarena)

ny010224192107 From left, Michael Silverstone, Abigail Browde, Ellen Maddow and Paul Zimet at a rehearsal for the new play ÒThe Following Evening,Ó at the Perelman Performing Arts Center in New York, Jan. 28, 2024. A meditation on mortality and renewal, ÒThe Following EveningÓ presents mirror images of two married pairs of theater makers. (Jeanette Spicer/The New York Times/Fotoarena)

ny010224192206 Paul Zimet and Ellen Maddow at a rehearsal for the new play ÒThe Following Evening,Ó at the Perelman Performing Arts Center in New York, Jan. 28, 2024. A meditation on mortality and renewal, ÒThe Following EveningÓ presents mirror images of two married pairs of theater makers. (Jeanette Spicer/The New York Times/Fotoarena)

ny010224192507 Clockwise, from right, Paul Zimet, Ellen Maddow, Abigail Browde and Michael Silverstone at a rehearsal for the new play ÒThe Following Evening,Ó at the Perelman Performing Arts Center in New York, Jan. 28, 2024. A meditation on mortality and renewal, ÒThe Following EveningÓ presents mirror images of two married pairs of theater makers. (Jeanette Spicer/The New York Times/Fotoarena)

ny170224135506 Mark Rowswell, center, who in China is widely known by his stage name, Dashan, appears with fellow actors James Clark, left, and Andy Friend, right, during rehearsal for a stage production of ?The Shawshank Redemption? on its opening day in Beijing, Jan. 25, 2024. Casts from overseas productions have long toured in China, and Chinese actors have played Mandarin-language adaptations of roles that originated abroad. But this was billed as the first Mandarin production to feature an all-foreign cast. (Gilles Sabrié/The New York Times/Fotoarena)

ny170224134506 Mark Rowswell, left, who in China is widely known by his stage name, Dashan, and plays the character Red in a stage production of ?The Shawshank Redemption,? appears during a rehearsal of the show on its opening day in Beijing, Jan. 25, 2024. Casts from overseas productions have long toured in China, and Chinese actors have played Mandarin-language adaptations of roles that originated abroad. But this was billed as the first Mandarin production to feature an all-foreign cast. (Gilles Sabrié/The New York Times/Fotoarena)

ny170224140707 James Clarke, left, who played the hero Andy Dufresne, and Andy Friend, right, who played the prison warden, during rehearsal for a stage production of ?The Shawshank Redemption? on its opening day in Beijing, Jan. 25, 2024. Casts from overseas productions have long toured in China, and Chinese actors have played Mandarin-language adaptations of roles that originated abroad. But this was billed as the first Mandarin production to feature an all-foreign cast. (Gilles Sabrié/The New York Times/Fotoarena)

ny290224163806 Ahmad Simmons, left, and Ricky Ubeda rehearse ÒIllinoiseÓ at the Armory in New York on Jan. 18, 2024. This narrative dance musical, set to Sufjan StevensÕs album, is a coming-of-age story and a meditation on death, love, community, politics and zombies.(Sasha Arutyunova/The New York Times/Fotoarena)

ny290224163506 Dancers rehearse ÒIllinoiseÓ at the Armory in New York on Jan. 18, 2024. This narrative dance musical, set to Sufjan StevensÕs album, is a coming-of-age story and a meditation on death, love, community, politics and zombies.(Sasha Arutyunova/The New York Times/Fotoarena)

ny290224163606 Dancers rehearse ÒIllinoiseÓ at the Armory in New York on Jan. 18, 2024. This narrative dance musical, set to Sufjan StevensÕs album, is a coming-of-age story and a meditation on death, love, community, politics and zombies.(Sasha Arutyunova/The New York Times/Fotoarena)

ny290224163306 Dancers rehearse ÒIllinoiseÓ at the Armory in New York on Jan. 18, 2024. This narrative dance musical, set to Sufjan StevensÕs album, is a coming-of-age story and a meditation on death, love, community, politics and zombies.(Sasha Arutyunova/The New York Times/Fotoarena)

ny211223000806 The rehearsal of Richard Nelson's piece ?Our Life in Art? at Théâtre du Soleil in Paris, on Nov. 30, 2023. ?Our Life in Art,? Nelson?s play about a close-knit theater troupe of the past, is being performed by a close-knit French theater troupe of the present. (Elliott Verdier/The New York Times/Fotoarena)

ny011223160007 From left, Christian Gerhaher, Andreas Schager and Elza van den Heever in rehearsals for ÒTannh?user,Ó at the Metropolitan Opera in New York, on Nov. 27, 2023. Climate-action demonstrators disrupted the opening night of ÒTannh?userÓ on multiple occasions on Friday, Dec. 1. (Sara Krulwich/The New York Times/Fotoarena)

ny031123165706 Sean Young, left, and her castmates during a rehearsal of ?Ode to the Wasp Woman,? at the Actors Temple Theater in New York, Oct. 19, 2023. Young said her character in the play has ?some damage to deal with. But it is also an opportunity to purge whatever?s there of your own.? (Ye Fan/The New York Times/Fotoarena)

ny261023144607 Ñ PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE OCT. 29, 2023. Ñ Ephraim Sykes as Joey Evans, center, during a rehearsal of ÒPal Joey,Ó in New York, Oct. 18, 2023. In this iteration of the play, SykesÕs Joey has a soul, and ancestors appear in the form of extraordinary tap dancers. (Amir Hamja/The New York Times/Fotoarena)

ny191023202506 Ñ PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE OCT. 22, 2023. Ñ The mezzo-soprano Emily DÕAngelo, right, who plays the pilot Jess in Jeanine Tesori and George BrantÕs new opera ÒGrounded,Ó during a rehearsal at Washington National OperaÕs rehearsal space in Washington, Oct. 4, 2023. Because of its war themes, ÒGrounded,Ó adapted from BrantÕs play of the same name, has already drawn scrutiny. (Melissa Lyttle/The New York Times/Fotoarena)

ny191023202307 Ñ PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE OCT. 22, 2023. Ñ The mezzo-soprano Emily DÕAngelo, center, who plays the pilot Jess in Jeanine Tesori and George BrantÕs new opera ÒGrounded,Ó during a rehearsal at Washington National OperaÕs rehearsal space in Washington, Oct. 4, 2023. ÒFor everyone in the room, it has been intense,Ó DÕAngelo said. ÒThere are moments of beauty and calm and serenity. And then, total chaos.Ó (Melissa Lyttle/The New York Times/Fotoarena)

ny140923213506 The mezzo-soprano Idunnu M?nch during a rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. M?nch plays Charon, based on the boatman from Greek mythology. (Andreas Meichsner/The New York Times/Fotoarena)

ny100923182906 Rachel Bloom at Coney Island in New York, Sept. 1, 2023. The writer-performer best known for the cult musical comedy ?Crazy Ex-Girlfriend? is in town to begin technical rehearsals for the New York leg of her Off Broadway show ?Death, Let Me Do My Show,? a mostly one-woman comedy about existential dread, at the Lucille Lortel Theater. (Amir Hamja/The New York Times/Fotoarena)

ny090923202207 Rachel Bloom at Coney Island in New York, Sept. 1, 2023. The writer-performer best known for the cult musical comedy ÒCrazy Ex-GirlfriendÓ is in town to begin technical rehearsals for the New York leg of her Off Broadway show ÒDeath, Let Me Do My Show,Ó a mostly one-woman comedy about existential dread, at the Lucille Lortel Theater. (Amir Hamja/The New York Times/Fotoarena)

ny100923182707 Rachel Bloom warms up on the Sea Serpent ride before venturing onto the Cyclone at Coney Island in New York, Sept. 1, 2023. The writer-performer best known for the cult musical comedy ?Crazy Ex-Girlfriend? is in town to begin technical rehearsals for the New York leg of her Off Broadway show ?Death, Let Me Do My Show,? a mostly one-woman comedy about existential dread, at the Lucille Lortel Theater. (Amir Hamja/The New York Times/Fotoarena)

ny090923201806 Rachel Bloom warms up on the Sea Serpent ride before venturing onto the Cyclone at Coney Island in New York, Sept. 1, 2023. The writer-performer best known for the cult musical comedy ÒCrazy Ex-GirlfriendÓ is in town to begin technical rehearsals for the New York leg of her Off Broadway show ÒDeath, Let Me Do My Show,Ó a mostly one-woman comedy about existential dread, at the Lucille Lortel Theater. (Amir Hamja/The New York Times/Fotoarena)

ny100923183106 Rachel Bloom at Coney Island in New York, Sept. 1, 2023. The writer-performer best known for the cult musical comedy ?Crazy Ex-Girlfriend? is in town to begin technical rehearsals for the New York leg of her Off Broadway show ?Death, Let Me Do My Show,? a mostly one-woman comedy about existential dread, at the Lucille Lortel Theater. (Amir Hamja/The New York Times/Fotoarena)

ny090923202406 Rachel Bloom at Coney Island in New York, Sept. 1, 2023. The writer-performer best known for the cult musical comedy ÒCrazy Ex-GirlfriendÓ is in town to begin technical rehearsals for the New York leg of her Off Broadway show ÒDeath, Let Me Do My Show,Ó a mostly one-woman comedy about existential dread, at the Lucille Lortel Theater. (Amir Hamja/The New York Times/Fotoarena)

ny190923172307 Kenny Leon, who is directing a revival of ÒPurlie Victorious,Ó during a rehearsal for the show in New York, Aug. 29, 2023. ÒThis soars as a true work of art,Ó said Leon. ÒEverything about being American, definitely about being Black in America, you can find in his play.Ó (Elias Williams/The New York Times/Fotoarena)

ny190923172106 From left, Vanessa Bell Calloway, Kara Young, Leslie Odom Jr. and Heather Alicia Simms during a rehearsal of a revival of ÒPurlie Victorious,Ó in New York, Aug. 29, 2023. Set in the late 1950s on a plantation in the segregated South, the story follows a preacherÕs return home to Georgia to claim a $500 inheritance, which he wants to use to buy and integrate the local church. (Elias Williams/The New York Times/Fotoarena)

ny070923130006 The playwright Rebecca Gilman and the director Robert Falls speak before a rehearsal of ÒSwing StateÓ at the Goodman Theater in Chicago, where the play had an acclaimed run last year, Aug. 25, 2023. In her Off Broadway drama, the playwright looks for hope to outweigh despair in a fractious, anxious time. (Evan Jenkins/The New York Times/Fotoarena)

ny250723185206 From left, Ian Shaw, Alex Brightman and Colin Donnell in rehearsal for ÒThe Shark Is Broken, Ó a comedy based on the troubled production of the 1975 film ÒJaws,Ó in New York, July 18, 2023. All of the playÕs action takes place inside a cramped recreation of the boat from the film. (Evelyn Freja/The New York Times/Fotoarena)

ny240723141206 Matthew Ozawa directs a rehearsal of Cincinnati OperaÕs new production of ÒMadame Butterfly,Ó at the Cincinnati Music Hall in Cincinnati, July 17, 2023. As opera houses rework PucciniÕs classic, criticized for stereotypes about women and Japanese culture, artists of Asian descent are playing a central role. (Maddie McGarvey/The New York Times/Fotoarena)

ny130723153907 The actor Matt DeAngelis rehearses a scene from ÒOrpheus DescendingÓ in Brooklyn on June 27, 2023. After rehearsals at the Brooklyn Academy of Music, the play has now begun previews at the Polonsky Shakespeare Center. (Clark Hodgin/The New York Times/Fotoarena)

ny130723153306 Members of the cast rehearse ÒOrpheus DescendingÓ in Brooklyn on June 27, 2023. Pico Alexander, center, plays the roaming musician who attracts the attention of Lady Torrance. (Clark Hodgin/The New York Times/Fotoarena)

ny110523184306 Mira Nair, left, with one of the ÒMonsoon WeddingÕsÓ book writers, Arpita Mukherjee, center, and its costume designer, Arjun Bhasin, during rehearsals at St. AnnÕs Warehouse in Brooklyn on May 4, 2023. NairÕs long-gestating musical, based on her 2001 hit indie film, arrives at St. AnnÕs Warehouse. (Lanna Apisukh/The New York Times/Fotoarena)

ny030523215806 Lilli Cooper, left, as Nancy, and Angelica Beliard, right, dancing with Benjamin Pajak, who plays Oliver, in a rehearsal for the Encores! production of ?Oliver!,? at New York City Center in New York, April 21, 2023. The emphasis Encores! puts on words and music rather than spectacle allows the cruel realities of Dickensian London to stand out amid the bouncy tunes. (Jeenah Moon/The New York Times/Fotoarena)

ny290323182905 Backstage notes for the Broadway comedy ?Peter Pan Goes Wrong,? in New York, March 10, 2023. The slapstick comedy is full of daring sequences. What does it take? Countless rehearsals (and bruises). (Dolly Faibyshev/The New York Times/Fotoarena)

ny290323183006 Richard Force, a carpenter, helps actor Greg Tannahill into his harness for the Broadway comedy ?Peter Pan Goes Wrong,? in New York, March 10, 2023. The slapstick comedy is full of daring sequences. What does it take? Countless rehearsals (and bruises). (Dolly Faibyshev/The New York Times/Fotoarena)

ny290323182806 The actor Greg Tannahill, rehearsing a flying sequence in the Broadway comedy ?Peter Pan Goes Wrong,? in New York, March 10, 2023. The slapstick comedy is full of daring sequences. What does it take? Countless rehearsals (and bruises). (Dolly Faibyshev/The New York Times/Fotoarena)

ny290323183206 The actor Greg Tannahill, rehearsing a flying sequence in the Broadway comedy ?Peter Pan Goes Wrong,? in New York, March 10, 2023. The slapstick comedy is full of daring sequences. What does it take? Countless rehearsals (and bruises). (Dolly Faibyshev/The New York Times/Fotoarena)

ny290323183406 Matthew Cavendish, who plays Max in the Broadway comedy ?Peter Pan Goes Wrong,? in New York, March 10, 2023. The slapstick comedy is full of daring sequences. What does it take? Countless rehearsals (and bruises). (Dolly Faibyshev/The New York Times/Fotoarena)

ny210323125607 Dave Rasmussen, center, sits in on a string ensemble rehearsal in a University of Wisconsin-Milwaukee classroom in Milwaukee on March 9, 2023. Rasmussen is 7 feet, 2 inches tall and has gotten used to people asking (and asking) if he played basketball. (Sara Stathas/The New York Times/Fotoarena)

ny230223173506 Piotr Bezcala with Tamara Wilson, who plays Elsa, during a rehearsal of ÒLohengrinÓ at the Metropolitan Opera in New York, Jan. 21, 2023. Francois GirardÕs staging of ÒLohengrin,Ó originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with RussiaÕs invasion of Ukraine. (Sara Krulwich/The New York Times/Fotoarena)

ny240223150505 Alexander Zeldin leads a rehearsal with the cast of "Love" in London, Feb. 14, 2023. The British writer and director is bringing ?Love,? a European hit set at a temporary-housing facility, to the Park Avenue Armory in New York. (Lauren Fleishman/The New York Times/Fotoarena)

ny190223171507 Ben Edelman, right, as a tattoo artist-angel, helps Zane Pais remove his hospital gown during a rehearsal of ?Letters From Max, a Ritual? at the Pershing Square Signature Center in New York, on Feb. 10, 2023. With ?Letters From Max, a Ritual? Sarah Ruhl again mourns a poet?s death; through dialogue, poetry and ritual, the playwright revisits her correspondence with her former student, who died at the age of 25. (Ye Fan/The New York Times/Fotoarena)

ny190223171706 Jessica Hecht and Zane Pais during a rehearsal of ?Letters From Max, a Ritual? at the Pershing Square Signature Center in New York, on Feb. 10, 2023. With ?Letters From Max, a Ritual? Sarah Ruhl again mourns a poet?s death; through dialogue, poetry and ritual, the playwright revisits her correspondence with her former student, who died at the age of 25. (Ye Fan/The New York Times/Fotoarena)

ny190223171306 From left: Actress Jessica Hecht (who plays Sarah Ruhl in the play); the playwright Sarah Ruhl; and the actors Zane Pais and Ben Edelman (who both play Max); during a rehearsal of ?Letters From Max, a Ritual? at the Pershing Square Signature Center in New York, on Feb. 10, 2023. With ?Letters From Max, a Ritual? Sarah Ruhl again mourns a poet?s death; through dialogue, poetry and ritual, the playwright revisits her correspondence with her former student, who died at the age of 25. (Ye Fan/The New York Times/Fotoarena)

ny230223233806 Members of the cast and orchestra of ÒBad CinderellaÓ rehearse at Carroll Studios in New York, Feb. 9, 2023. In her first lead role on Broadway, the actress Linedy Genao brings her whole Latina self as the title character in Andrew Lloyd WebberÕs contemporary musical adaptation of the classic fairy tale. (Evelyn Freja/The New York Times/Fotoarena)

ny230223233605 Andrew Lloyd Webber, center, holds court at a recent rehearsal of ÒBad Cinderella,Ó which stars Linedy Genao as the title character, at Carroll Studios in New York, Feb. 9, 2023. In her first lead role on Broadway, Genao brings her whole Latina self to WebberÕs contemporary musical adaptation of the classic fairy tale. (Evelyn Freja/The New York Times/Fotoarena)

ny241023023407 -- STANDALONE PHOTO FOR USE AS DESIRED WITH YEAREND REVIEWS -- Oscar Isaac and Rachel Brosnahan at a rehearsal for ?The Sign in Sidney Brustein?s Window,? in New York, Jan. 21, 2023. The first major New York revival of Lorraine Hansberry?s 1964 Broadway play comes to BAM this month. (Erik Tanner/The New York Times/Fotoarena)

ny020223150406 Oscar Isaac and Rachel Brosnahan at a rehearsal for ÒThe Sign in Sidney BrusteinÕs Window,Ó in New York, Jan. 21, 2023. The first major New York revival of Lorraine HansberryÕs 1964 Broadway play comes to BAM this month. (Erik Tanner/The New York Times/Fotoarena)

ny241023023607 -- STANDALONE PHOTO FOR USE AS DESIRED WITH YEAREND REVIEWS -- Oscar Isaac and Rachel Brosnahan at a rehearsal for ?The Sign in Sidney Brustein?s Window,? in New York, Jan. 21, 2023. The first major New York revival of Lorraine Hansberry?s 1964 Broadway play comes to BAM this month. (Erik Tanner/The New York Times/Fotoarena)

ny020223145505 Oscar Isaac and Rachel Brosnahan at a rehearsal for ÒThe Sign in Sidney BrusteinÕs Window,Ó in New York, Jan. 21, 2023. The first major New York revival of Lorraine HansberryÕs 1964 Broadway play comes to BAM this month. (Erik Tanner/The New York Times/Fotoarena)

ny020223145405 Oscar Isaac and Rachel Brosnahan at a rehearsal for ÒThe Sign in Sidney BrusteinÕs Window,Ó in New York, Jan. 21, 2023. The first major New York revival of Lorraine HansberryÕs 1964 Broadway play comes to BAM this month. (Erik Tanner/The New York Times/Fotoarena)

ny020223145206 The director Anne Kauffman, center, with Rachel Brosnahan and Oscar Isaac during a rehearsal for ÒThe Sign in Sidney BrusteinÕs Window,Ó in New York, Jan. 21, 2023. ÒI want people to be exposed to these words at this moment and to know Lorraine Hansberry in a different way,Ó said Kauffman, who directed a 2016 revival of ÒSignÓ in Chicago but felt there was more to explore. (Erik Tanner/The New York Times/Fotoarena)

ny020223150606 The director Anne Kauffman, center, with Oscar Isaac and Rachel Brosnahan at a rehearsal for ÒThe Sign in Sidney BrusteinÕs Window,Ó in New York, Jan. 21, 2023. ÒI want people to be exposed to these words at this moment and to know Lorraine Hansberry in a different way,Ó said Kauffman, who directed a 2016 revival of ÒSignÓ in Chicago but felt there was more to explore. (Erik Tanner/The New York Times/Fotoarena)

ny181022200805 Sara Porkalob, center, as the South Carolina delegate Edward Rutledge in the musical ?1776,? at the American Airlines Theater in New York, Sept. 15, 2022. Porkalob criticized the consciously progressive revival for its handling of race in rehearsals, saying there had been ?harm done.? She later apologized for her comments. (Sara Krulwich/The New York Times/Fotoarena)

ny250922175105 The director David McVicar with the cast at a dress rehearsal of ÒMedeaÓ at the Metropolitan Opera in New York, Sept. 12, 2022. In the MetÕs first production of Luigi CherubiniÕs work, the soprano Sondra Radvanovsky inhabits a role once played by the legendary singer Maria Callas. (Sinna Nasseri/The New York Times/Fotoarena)

ny250922175006 The director David McVicar addresses the cast of ÒMedeaÓ at a rehearsal in which an angled mirror serves as a screen for special effects, at the Metropolitan Opera in New York, Sept. 12, 2022. In the MetÕs first production of Luigi CherubiniÕs work, the soprano Sondra Radvanovsky inhabits a role once played by the legendary singer Maria Callas. (Sinna Nasseri/The New York Times/Fotoarena)