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902_05_12288385HighRes Charles Lindbergh (right) being welcomed on his arrival in Paris in 1927 by French aviator Rene Fonck. Charles Augustus Lindbergh, 1902 ? 1974. American aviator, author, inventor, explorer, and social activist. From The Story of 25 Eventful Years in Pictures, published 1935.

00640273 Tshombe, Moise Kapenda, 10.11.1919 - 29.6.1969, Congolese politician, wife Rutha, with barrister Rene Floriot, Paris, 5.7.1967,

00825415 "Jeanmaire, Zizi, * 29.4.1924, French dancer and singer, full length, at the ZDF television show ""Greetings from Paris"", 17.4.1964,"

00825416 "Jeanmaire, Zizi, * 29.4.1924, French dancer and singer, full length, at the show ""Oh-la-la Paris"", Deutschlandhalle, Berlin, 26.9.1962,"

00825417 "Jeanmaire, Zizi, * 29.4.1924, French dancer and singer, full length, at the show ""Oh-la-la Paris"", Deutschlandhalle, Berlin, 26.9.1962,"

00914567 "Welles, Orson, 6.5.1915 - 10.10.1985, American actor and director, half length, with the ensemble of the Comedie Francaise and guests after the premiere of ""Othello"" by William Shakespeare, Paris, 11.1.1950,"

00655862 geography / travel, France, French Revolution 1789 - 1799, Storming of the Bastille, 14.7.1789, capture of Governor Bernard Rene de Launay, copper engraving, 1789,

alb3600050 The Festival of Fools. Artist: Pieter van der Heyden (Netherlandish, ca. 1525-1569); After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Dimensions: sheet: 11 13/16 x 16 3/4 in. (30 x 42.5 cm). Publisher: Aux Quatre Vents; Volcxken Dierix (Netherlandish, active Antwerp, second half 16th century). Date: after 1570. Museum: Metropolitan Museum of Art, New York, USA.

alb3701715 Victor Hugo, De Trois Quarts. Dated: 1884. Dimensions: plate: 22.6 x 17.8 cm (8 7/8 x 7 in.) sheet: 29.7 x 21.7 cm (11 11/16 x 8 9/16 in.). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RODIN.

alb4153010 "- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?," plate 4 from Les Canotiers Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 236 × 185 mm (image); 341 × 264 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb15435316 Cassiopée, cépheée, le renne, la petite ourfe, le dragon, 1795., 1795., Paris. Publisher, Chez Delamarche. 3. éd., revue, corrigée et augmentée. Astronomy, Stars, Constellations, Dragons, Reindeer., 22 x 26 cm.

alb3616415 Virgin and child with angels. Artist: Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Dimensions: 10 5/8 x 7 1/16 in. (27 x 18cm). Date: 1636. Museum: Metropolitan Museum of Art, New York, USA.

alb4100394 Family Scene (Scène de famille). Dimensions: 58 cm x 41.5 cm, 31.2 cm x 18.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

alb29169788 Death of Saint Bruno, La vie de St. Bruno, print, Series number, 21, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 337 mm x width 218 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), martyrdom, suffering, misfortune, death of St. Bruno, A dark, detailed engraving shows a group of robed men gathered around a wooden table where a covered body lies, the scene framed by an arched top and visible ceiling beams; one man stands holding a crucifix aloft while others lean over the table with hands raised or clasped, some faces turned upward or toward the body, and one man at the right holds an open book against his chest; a single lit candle on a short stand sits near the center of the table casting light across the figures and the draped cloth, while robes and folds fall across the floor and a small bucket and ladle rest on the floor in the foreground, and shelving with small objects appears in the upper right background.

alb29174961 Civil family in the rain, Nous nous sommes bien amusés, cartoon, print, number: '10+', number: '5', number: '2631', printmaker: Honoré Daumier, printer (person): Louis Pierre Prudence Becquet, Paris, publisher: Aubert & Cie., 1834, printer (person), paper, lithography, height 373 mm x width 265 mm, Print published in: Le Charivari, January 4, 1834. Le Charivari was a humorous newspaper with caricatures and (political) cartoons., family group, especially parents with their child(ren), caricatures (human types), rain, A monochrome drawing showing three figures from behind and in profile, all wearing head coverings and layered clothing; one figure on the left is bent forward with a cloth tied at the back and a bonnet with a bow, another central figure wears a coat with a bag hanging at the back and is carrying a child wrapped in cloth whose head rests against the adult, and a third figure on the lower left is crouched with legs and feet visible and draped fabric around them; the scene is shaded with dense crosshatching and curved strokes, and the figures occupy a ground area with visible footwear and folds of fabric.

alb29170866 Title print with two male figures next to a commemorative plaque topped with putti, La vie de St. Bruno, title print, printmaker: François Chauveau, Paris, publisher: René Cousinet, grantor of privilege: French Crown, France, 1623 - 1676, paper, etching, stippling, height 331 mm x width 220 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur created between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur and was edited by René Cousinet., cupids: 'amores', 'amoretti', 'putti', the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A vertical engraved image shows an architectural frame resembling a stone monument with a triangular pediment at the top. Two winged cherubs recline on the sloping edges of the pediment, facing each other and holding a circular medallion that contains a small relief of a standing figure. Flanking the central panel are two robed male figures standing on stepped plinths, each turned slightly outward with draped garments and contemplative poses. The wide central panel is smooth and bordered by recessed moldings, occupying most of the composition. The background and surrounding areas are filled with fine hatch shading, and decorative linear borders frame the entire scene.

alb29173256 Journey of Saint Bruno and his companions to La Chartreuse, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, drawing print of etching and engraving, height 343 mm x width 224 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of St. Bruno, An engraved scene framed by an arch shows a rocky mountain pass with steep cliffs and scattered trees under a clouded sky, a group of people on horseback and on foot moving along a winding path that leads deeper into the rocky gorge, several riders and pack animals visible in the distance climbing the trail while a cluster of figures in the foreground look and gesture toward them, some seated on horses and others standing with garments draped, one person wearing a broad-brimmed hat, horses depicted from the rear and side with reins and saddles, a few figures carrying large burdens, rocks and twisted tree trunks lining the route, and foliage and palm-like leaves at the top of the composition.

alb29175883 Saint Bruno in prayer, La vie de St. Bruno, print, Series number, 4, 22, in the background Raymond Diocrès is being buried., printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 332 mm x width 219 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur made between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of St. Bruno - male saint meditating, in ecstasy, A monochrome engraving shows a man kneeling at an altar inside an architectural interior, his head bowed and arms crossed over his chest, wearing a long draped robe that pools on the tiled floor. A cloth-covered altar with a skull and a crucifix mounted on the wall stands before him. Heavy drapery hangs from an arch above, with a braided tassel and cord suspended nearby. Stone walls, pilasters, and a stepped platform form the interior structure, and an open archway reveals an exterior scene with figures engaged in activity under a clouded sky. The image is rendered with fine linework and crosshatching throughout.

alb29171251 Saint Bruno Assumed into Heaven, The Life of St. Bruno, print, Series number, 22, printmaker: Sébastien Leclerc (I), France, after painting by Eustache Lesueur, Paris, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), 1647 - 1714, paper, etching, engraving, height 329 mm x width 219 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), (seven) star(s) - apotheosis, glory, triumph of male saint, A monochrome engraving showing a robed central figure with arms raised and drapery flowing, carried upward by winged figures among layered clouds; several cherubic children with wings surround them in various poses, some reaching toward the central group and others looking outward; detailed feathered wings, billowing garments, and textured clouds fill the composition, all framed within an arched border.

alb29161953 What?... To work! Good for feists, Freebooter disturbs two workers, a soldier and a child at mealtime, Lithographic album by Charlet 1834, Lithographic album 1834, print, Series number, 3, 18, printmaker: Nicolas Toussaint Charlet, Paris, publisher: Gihaut frères, 1834, paper, lithography, height 247 mm x width 338 mm, father and child(ren), man and child(ren) (family group), country dwellers, dinner-service (address, speech during meal, banquet), A monochrome lithograph shows a group of people in front of a building and a fence, including a seated woman resting her head on her hand beside a table with a bowl and bottle, a man in a tall fur hat and uniform standing with crossed arms, a central woman wearing an apron and headscarf holding a child's hand, a child peeking from behind her legs, and a gesturing man wearing a loose shirt and top hat with his arms extended; in the background two men stand near the fence, and various domestic items and a hat lie on the ground.

alb29154978 Mother with young girl and two children in a window opening, Une des Croisées de Paris le jour de l'entrée de SM Louis XVIII, Galerie de SAR la duchesse de Berry, Artworks from the collection of the Duchess of Berry, print, Series number, 1, The women and children are leaning out of a decorated window to see the entry of Louis XVIII into Paris., printmaker: Chrétien, after painting by Pauline Auzou-Desmarquets, Paris, printer (person): François Jean Villain, supervision: Féréol Bonnemaison, publisher: Féréol Bonnemaison, 1822, Chrétien, Pauline Auzou-Desmarquets, François Jean Villain, Féréol Bonnemaison, printmaker, after painting by, printer (person), supervision, publisher, paper, chine collé, lithography, height 541 mm x width 358 mm, mother and child(ren), woman and child(ren) (family group), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', open window, A grayscale engraving of a scene at a window showing four figures leaning out from a dark interior behind a framed opening beneath a shingled roof; an older woman wearing a headscarf and draped clothing looks toward a young woman in a patterned shawl who faces her with one arm extended outward, while a small child supported by the young woman reaches over the sill toward flowers and foliage arranged along the outer edge and another child stands beside the older woman with a hand on the leaning child's back, their expressions attentive and the composition framed by architectural details and decorative plant motifs.

alb29158289 Woman reading with child in the doorway of a house, Maison à vendre, print, According to the paper stuck to the door, the house is for sale., printmaker: Antoine Béranger, Paris, after painting by Martin Drölling, printer (person): François Jean Villain, supervision: Féréol Bonnemaison, 1822, printer (person), paper, chine collé, lithography, height 545 mm x width 362 mm, adult woman, interior of the house, mother and child(ren), woman and child(ren) (family group), reading, open door, A grayscale interior scene shows an open doorway looking out onto a rural view with a thatched cottage and a cloudy sky; a woman wearing a bonnet and layered dress sits near the doorway reading a large open book held in her lap, light falling across her and the wall beside her where a sheet is attached; a small child sits on the threshold facing outward, holding a toy with strings; near the left window a birdcage hangs and a shelf holds plates and a jug, while a large metal vessel with handles rests on a low table and a rounded pitcher sits on a wooden chair, all set on a tiled floor with a wooden beam ceiling above.

alb29157436 Man, fold and children near column, print, printmaker: Célestin François Nanteuil, printer (person): Victor Jacques Bertauts, Paris, 1851 - 1865, printer (person), paper, tone lithography, tone lithography in black with tone block in beige, probably proof, height 364 mm x width 275 mm, family group, especially parents with their child(ren), column, pillar, architecture, oil-lamp, A vertical monochrome illustration framed by decorative vine-like columns shows three human figures around a central stone structure. On the left, a standing man in draped clothing looks outward with one hand on his chest and the other resting on the stone, his feet bare. In the center foreground a seated young woman with long hair and loose garments gazes upward with hands clasped near her chest, positioned on a stepped base. Behind her the tall stone block supports a small ornate vessel. On the right, a woman in flowing robes holds an infant close to her chest, her head inclined toward the child. Above the stone, faint cloudlike forms and delicate ornamental flourishes appear, and the composition is bordered by decorative floral and architectural motifs.

alb29155477 Angels appear in a dream to Saint Bruno, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 346 mm x width 225 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A monochrome engraving shows a bearded man sleeping on a bed draped with heavy sheets and a canopy curtain, his head resting on his arm and his legs curled; two winged figures hover beside the bed, one reaching toward the sleeper while the other raises a hand, their flowing garments and wings rendered with fine line work; a small decorative pitcher sits on the floor near the bed and another swan-shaped vessel stands on a ledge; draped fabric and a folded cloth lie near the bedposts, and a checkerboard-patterned floor extends toward the foreground beneath a rounded arch framing the upper scene.

alb29154752 Mr le V.te de Chateaubriant, Portrait of François-René de Chateaubriand, print, after painting by Anne-Louis Girodet-Trioson, printer (person): Mademoiselle Formentin (Joséphine Clémence), Paris, printer (person): Bernard, Charles Louis & Théophile Pierre Delarue, publisher: Décrouan, 1826 - 1829, printmaker, printer (person), paper, lithography, height 354mm x width 282mm, Person, François-René de Chateaubriand, historical persons, A finely detailed black and white engraved portrait of a young man shown from the chest up, facing slightly left with his gaze directed to the left; he has wavy dark hair, a smooth face, and a calm expression. He wears a dark overcoat with broad lapels, a high-collared shirt, a waistcoat, and a tied cravat visible at his throat. The portrait is set within an ornate decorative border featuring vertical laurel garlands with medallions containing animal heads and classical figures, and a horizontal band at the top with small emblematic scenes and a circular motif entwined by a serpent. The background is a plain light tone with faint speckling and the overall image has a delicate stipple and line engraving texture.

alb29157625 Valeur, malheur, vertu. Le gxxxxal. montrant à lire au fils d'un des anciens soldats, Child receives reading lessons from general, print, printmaker: Jean Henri Marlet, printer (person): Charles Philibert de Lasteyrie du Saillant, Paris, 1818, Jean Henri Marlet, Charles Philibert de Lasteyrie du Saillant, printmaker, printer (person), paper, lithography, height 456 mm x width 312 mm, Print mentioned in: Bibliographie de la France, ou Journal général de l'imprimerie et de la librairie 7 (1818), no. 14, April 4, p. 201., commander-in-chief, general, marshal, father and child(ren), man and child(ren) (family group), lecturer, reading, A monochrome drawing shows an interior stone-walled room with a barred window on the left and a rounded archway on the right; a seated bearded man in ornate clothing and a cap holds a small book and points at its open pages while a young child on his lap looks toward the book, and a standing bearded man wearing a decorated jacket and a brimmed hat with a tassel watches them; a wooden chair and small table with folded cloth and a closed box sit near the seated figure, and a strap, pouch, and curved sword hang on the wall above them, while a wooden bucket rests on the floor near the standing man's feet.

alb29157858 Arrival of Saint Bruno in Rome at Urban II, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 348 mm x width 224 mm, height 340 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, Urbanus II, historical persons, pope, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), Rome, A monochrome engraved scene shows an interior with tall classical columns and an arch at the top, a large draped curtain hanging to the right, and a raised platform with stepped edges in the foreground. On the platform, a seated bearded man in flowing robes extends his hands over another robed figure who is kneeling and bowing forward, while a second standing robed man looks on. In the left background a small group of onlookers stands near the columns, some partially obscured, and the architecture includes a decorated entablature above the columns. The image is rendered with fine crosshatching and linear shading.

alb29152823 Appearance of Saint Bruno to Count Roger, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 347 mm x width 225 mm, height 342 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A detailed monochrome engraving shows a bed draped with heavy curtains and a tasseled canopy, a reclining man on the bed raising one hand and looking toward a hooded figure who stands at the bedside with an outstretched arm; beneath the bed two kneeling soldiers reach toward a wooden chest while one soldier looks up, a spear, shield, and helmet lie on the floor nearby; a grieving figure crouches at the foot of the bed with head bowed and arms covering the face; in the background a tree extends into the scene and a distant landscape with clustered buildings and small groups of people is visible.

alb29153481 Pope Victor III confirms the Carthusian Order, La vie de St. Bruno, print, Series number, 13, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 339 mm x width 218 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Victor III, historical persons, pope, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), An interior scene rendered in a monochrome etching style shows a high vaulted space with large fluted columns and draped fabric hanging from an elevated canopy, a group of robed figures seated on stepped platforms engaged in gestures and conversation while one central bearded figure stands holding a scroll near an ornate lectern, additional seated figures occupy a table with an open book and folded cloth, heavy curtains hang behind them, and the tiled floor extends toward the foreground beneath architectural moldings and archways.

alb29144941 Young woman is comforted, These young people are inconsistencies!, Love scenes, Loves, print, Series number, 8, printmaker: Charles Philipon, printer (person): Pierre François Ducarme, Paris, publisher: Jean Fréderic Ostervald, publisher: Martinet-Hautecoeur, 1827 - 1829, printer (person), paper, lithography, hand coloring, hand-colored lithography, height 293 mm x width 223 mm, Series initially consisted of eighteen prints but was later expanded, unclear to exactly how many prints., grandparent(s) with grandchild(ren) (family group), end of a love affair, An older woman in a dark cloak and wide-brimmed bonnet stands with a cane and an upraised hand, a man in a dark coat and tall hat leans forward toward a young woman in a patterned dress with puffed sleeves and a ruffled bodice who tilts her head and touches her face, all three figures are shown from head to toe on a pale background with a strip of floor beneath them.

alb29145716 Death of Raymond Diocrès, La vie de St. Bruno, print, Series number, 2, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 333 mm x width 218 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), the death of Raymond Diocrès: on his deathbed the tutor of St. Bruno sees his own condemnation, young Bruno is converted, A sepia-toned engraving shows a room with a high arched ceiling and exposed wooden beams, a large draped curtain hanging down on the left, and shelving filled with stacked books and small objects on the back wall. In the foreground a covered bed occupies the center with a reclining figure whose eyes are closed and a group of people gathered closely around, including an older bearded man leaning toward the reclining figure holding a cross, a younger person reading from an open book, another person standing behind holding a tall torch-like object, and others in heavy draped garments bending forward. A person in the lower left rests face down on a bench with their arm folded under their head. A small table covered with a cloth stands at the bed's foot, holding glass bottles and a box. Through an opening on the right, distant architectural elements and a.

alb29143495 Le vieux caporal, Old corporal with woman and child, print, printmaker: Célestin François Nanteuil, printer (person): Victor Jacques Bertauts, Paris, 1861, printer (person), paper, tone lithography, tone lithography in black with tone block in beige, height 319 mm x width 237 mm, Print used in: L'Artiste, vol. 11., family group, especially parents with their child(ren), commander-in-chief, general, marshal, firearms: rifle, A monochrome drawing shows three central figures standing on a sloping snowy ground; a man in a worn coat and boots stands facing slightly right with a protective arm around a wrapped child whose face is visible and nestled against him, while a woman in a hooded cloak stands close at his side looking toward the same direction. The man has a furrowed face and tousled hair and holds a thin staff or stick in one hand; the child is bundled in heavy cloth and the woman's hands are clasped at her waist. In the background there are indistinct silhouettes of more figures walking away across the snowy landscape and faint suggestions of distant structures under a cloudy sky. The foreground shows rough snow, scattered debris, and a broken wooden wheel partially buried in the snow.

alb29145427 Saint Bruno at the sermon of Raymond Diocrès, La vie de St. Bruno, print, Series number, 1, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French crown (possibly), France, 1623 - 1676, paper, engraving, etching, height 335 mm x width 219 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, pulpit, ambo, chancel, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), preaching (in general), A monochrome engraving showing an interior architectural space with arches and columns and a domed ceiling in the background. A bearded man in robes stands on an elevated pulpit at the right, reaching out with one hand toward the crowd below. Numerous seated and standing figures fill the foreground and midground, wearing flowing draped garments and cloaks, their heads turned in various directions and showing a range of facial expressions. Several figures lean forward or gesture with their hands, one person near the left looks upward, and a few appear to be conversing or listening intently. In the lower left a figure rests with a hand supporting their head. To the right a seated figure looks down at a child or small figure near their feet. Architectural details include decorative capitals atop pilasters, a curved arch framing the scene, and shadowed recesses creating depth. The engraving uses fine parallel.

alb29144787 Appearance of Saint Bruno to Count Roger, La vie de St. Bruno, print, Series number, 20, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 340 mm x width 218 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A monochrome engraved scene shows an interior with a large draped canopy and heavy curtains pulled aside, revealing a bed with rumpled sheets and a reclining man raising one hand with a startled expression. Beside the bed a hooded figure in a long robe gestures outward toward a tree seen through the opening, its trunk leaning and branches extending into the scene. At the foot of the bed a soldier wearing a helmet and short tunic kneels with one hand on a wooden chest while a second figure crouches next to him with head bowed and arms covering the face. Armor pieces and a spear lie on the floor nearby. In the distant background through the opening there is a landscape with clustered buildings and small groups of figures amid rolling ground. The image is rendered with dense crosshatching and fine linear detail throughout.

alb29141279 Il aime pour la première fois (original title), Man with a cane follows a woman up the stairs, Le grands spectacles de la nature, la vie de monsieur Quelconque (original series title), print, Series number, 3, 10, printmaker: Georges Hermann Rene Paul, printer (person): Henri Belfond, Paris, 1895, printer (person), paper, lithography, height 422 mm x width 317 mm, couple of lovers, staircase, A grainy monochrome image shows a silhouetted figure wearing a brimmed hat and a heavy coat leaning over a railing with hands resting on the top, the figure's posture suggesting forward weight and bent arms; a vertical support and part of a balustrade are visible beside the figure, and the background is textured with mottled shading that becomes denser toward one side.

alb29143569 Saint Bruno teaching theology in Reims, La vie de St. Bruno, print, Series number, 5, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 335 mm x width 220 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), (seven) star(s) - male saint writing, studying, teaching, dictating (eg as Doctor of the Church), An architectural interior with tall arches and a coffered ceiling framing a group of seated and standing figures; a bearded man raises one hand from a raised platform draped with a patterned cloth while a small dog stands beside the platform; several robed figures face him, some seated on benches and others standing, with varied hair and beards and folded or gesturing hands; a young figure sits on the floor near the platform holding a book and resting a hand on his chin; the floor shows a checkered pattern of light and dark tiles and the background contains arched recesses and pilasters with linear shading and stone texture.

alb29144622 Fireplace with cartouche with animals, N Nouveau Dessin de Cheminée. Necessaire aux Menuisiers Sculpteurs et Tailleurs de Pierre Et a ceux his perfectionner dans le Design, print, ornament print, Design for a mantelpiece with rocaille ornaments and at the top a cartouche with animals such as a bear, a monkey and a donkey., printmaker: Claude René Gabriel Poulleau, printmaker: Denis (printmaker), vendor: Daumont, Paris, 1759 - 1775, paper, etching, height 315 mm x width 193 mm, Print is part of a series of four., ornament, cartouche, open hearth, fire-place, animals, An ornate engraved fireplace design with decorative carved moldings and scrollwork surrounding a central rectangular panel, topped by an oval cartouche containing a pastoral scene with a donkey and two seated figures among trees, flanked by vertical pilasters with ornamental motifs, curved decorative brackets and floral accents along the mantel, a framed hearth opening with a textured interior, and a narrow border around the whole composition.

alb29133936 Eloquence, L'Eloquence, Le Cabinet des Beaux Arts, ou Recueil Des Plus Belles Estampes, engraved after the Original Tableaux, print, album page, Ceiling piece with the personified Eloquence, seated on a throne with a staff in her hand and a crown on her head. Surrounding her are putti with books. In the background on the left, a man preaching to a crowd in the French Academy, and on the right, King Louis XIV on his throne. Print is part of an album., Paris, after print by Jean-Baptiste Bonnart, after drawing by Jean-Baptiste Bonnart, after painting by René Antoine Houasse, after design by René Antoine Houasse, publisher: Gerard Edelinck, 1695, Jean-Baptiste Bonnart, René Antoine Houasse, Gerard Edelinck, printmaker, after print by, after drawing by, after painting by, after design by, publisher, paper, etching, engraving, etching and engraving, height 177 mm x width 264 mm, Painting in the Musée des Beaux-Arts de Brest, France., (decorated) ceiling, 'Eloquenza', 'Fermezza & Gravità dell'Oratione' (Ripa), A central seated female figure wearing a crown and draped robes holds a staff topped with a winged object and extends a hand toward a standing child in a robe; the seated figure sits on an ornate chair beneath heavy drapery and has a calm facial expression. In the foreground, a reclining naked child looks upward while another child kneels beside him and a third child rests with an elbow on a book; an open book lies on top of a closed book near the seated figure's feet. Architectural columns and an arched interior are visible in the left background where small groups of figures stand and converse, while on the right background a group of formally dressed figures face a robed man who gestures toward them; the scene is contained within an oval frame and executed in a detailed monochrome engraving style.

alb29136326 Quand les enfants ont été bien sages, Vader met twee kinderen in het zwembad, Badende mannen, Les baigneurs, cartoon, Series number, 17, 30, printmaker: Honoré Daumier, printer (person): Aubert & Cie., Paris, publisher: Bauger, 1840, printer (person), paper, lithography, letterpress printing, lithography with text in letterpress on verso, height 241 mm x width 363 mm, Print possibly from: Le Charivari, 6 September 1840., caricatures (human types), public baths, father and child(ren), man and child(ren) (family group), A pencil drawing of a wooden interior showing a man seen from behind carrying a small child on one shoulder while holding the hand of another child who walks beside him; the man wears a loose undergarment and slippers, the child on his shoulder clings with a tense expression, and the child walking looks up toward the man with a distressed face; a simple wooden stool and a rumpled cloth appear to the left, and a portion of a bed or bench is visible with an arm and hand reaching up from below the frame; vertical wooden planks form the background wall and shadowing on the floor indicates movement.

alb29138659 Saint Bruno Assumed into Heaven, The Life of St. Bruno, print, printmaker: Sébastien Leclerc (I), France, after painting by Eustache Lesueur, Paris, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), 1647 - 1714, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 346 mm x width 221 mm, height 340 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), (seven) star(s) - apotheosis, glory, triumph of male saint, A sepia-toned engraving shows a central robed figure with arms raised and eyes closed, appearing to be supported by a winged figure beneath them; several cherubic figures with wings surround them, some reaching toward the central pair and others floating among large, shaded clouds; the scene is framed by an arched border and fine horizontal line shading fills the background.

alb29131474 The baby's exit, Woman and boy with child in pram, French etchings from 1879, The water-forte in 1879, print, Series number, 2, 30, This probably depicts the artist's wife and two sons (Andre Mycho and Tchiquine)., collector's mark: 'AFE v S', printmaker: Marcellin Gilbert Desboutin, after design by Marcellin Gilbert Desboutin, publisher: widow Alfred Cadart, Paris, 1879, Marcellin Gilbert Desboutin, widow Alfred Cadart, printmaker, publisher, paper, etching, drypoint, intaglio printmaking technique, height 279 mm x width 198 mm, mother and child(ren), woman and child(ren) (family group), baby-carriage, pram, perambulator, A monochrome sketch showing a young woman leaning over a bassinet, her head covered with a ruffled cap and her hair pulled back, as she looks down toward a sleeping infant wrapped in a thick blanket inside the bassinet; a child stands beside them holding the bassinet handle and looking outward with curly hair and a collared garment; the bassinet rests on a wheeled undercarriage with visible spokes and supports, and a dark blanket or lining is tucked inside beneath the infant.

alb29133244 Portrait of René Duguay-Trouin, Duguay-Trouin, Gallery of medals with French greats, Galerie métallique des grands hommes français, print, printmaker: Louis Marie Normand, Paris, after design by Armand Auguste Caqué, in or after 1819, paper, etching, letterpress printing, etching with letterpress text, height 102 mm x width 168 mm, height 357 mm x width 251 mm, Person, René Duguay-Trouin, historical persons, ranks in the navy, pirate, corsair, buccaneer, The image shows a printed page with an ornate header featuring a circular portrait medallion of a man in profile surrounded by decorative objects including ropes, anchors, a cannon, a sheaf of documents, and a stack of books, all arranged above a rectangular plaque with carved lion heads at each end; below the header is a bold centered heading followed by dense columns of text in a serif typeface filling the lower portion of the page.

alb29131202 Saint Bruno in prayer in Calabria, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 341 mm x width 223 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of St. Bruno - male saint meditating, in ecstasy, Calabria, A detailed monochrome engraving shows a wooded hillside with large, gnarled tree trunks and leafy branches forming an arch at the top. Three hooded figures in long robes occupy the scene: one stands near a hollow in a tree, hands clasped, facing a small altar inside the hollow; another kneels on the slope, gripping a mattock raised above their head; the third bends forward on the path, holding a long-handled tool with its head near the ground. Rocks and low vegetation cover the uneven terrain, and a pair of closed books lie on the ground near the foreground. Fine crosshatching and line work render textures of bark, foliage, folds of fabric, and the rocky earth.

alb29130404 Saint Bruno assumes the Carthusian monastic habit, La vie de St. Bruno, print, Series number, 12, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 340 mm x width 216 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A detailed black and white engraving shows an interior scene with a high arched canopy draped behind an altar area where a crucifix stands flanked by tall candles on stands; a seated bearded cleric wearing an ornate mitre and richly patterned cloak leans forward holding a garment over a kneeling figure whose back is to the viewer, while other robed figures kneel and stand nearby in various poses of attention and prayer; attendants hold tall processional staffs, and a lectern with a book rests near the altar; architectural elements including columns, arches, and a tiled floor frame the scene, and a group of onlookers is visible in the background beneath an archway.

alb29129882 Saint Bruno at a sermon by Raymond Diocrès, La vie de St. Bruno, print, Series number, 1, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, engraving, etching, counterproof, counterprint of engraving and etching, height 319 mm x width 225 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur made between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, pulpit, ambo, chancel, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), preaching (in general), A detailed monochrome engraving shows an interior architectural space with high arches and a domed ceiling visible through a large central archway, flanked by columns with scroll capitals and classical molding. A bearded man leans from an elevated pulpit or platform on the left, his arm extended as if gesturing toward the crowd below. Numerous seated and standing figures fill the foreground and middle ground, wearing draped garments and cloaks, with varied hairstyles and expressive faces; some look upward, some converse, and some rest with heads supported by hands. In the lower right a reclining figure sits in a chair with one hand supporting the head, while another figure beside them gazes upward. Textural line work defines folds of fabric, shadowed faces, and the stone surfaces of the architecture, and a small statue or relief is set into the wall near the p.

alb29124486 Mother with small child kissing her, La mère et l'enfant, print, Series number, 15, 24, printmaker: François-Louis Français, after painting by Louis Charles Auguste Steinheil, printer (person): Victor Jacques Bertauts, Paris, 1850 - 1851, François-Louis Français, Louis Charles Auguste Steinheil, Victor Jacques Bertauts, printmaker, after painting by, printer (person), paper, chine collé, lithography, height 447 mm x width 317 mm, Print used for: Les Artistes anciens et moderns, 1850-1851., embracing each other, kissing, mother and baby or young child, mother and child(ren), woman and child(ren) (family group) (with NUMBER of children), A monochrome illustration shows a seated woman in loose flowing garments and a head covering reclining against a cushioned, carved-backed chair with draped fabric behind her, her head tilted and eyes closed while a small child leans toward her face with one hand resting near her chest and the other on the cushion beside them, the scene framed by rounded corners and soft shadowed folds of cloth surrounding the figures.

alb29120394 Les loisirs d'une mère, Mother with two children by the fireplace, print, printmaker: Hippolyte Louis Garnier, after design by Boulanger, printer (person): Étienne Jean Marie Ardit (possibly), Paris, publisher: Étienne Jean Marie Ardit (possibly), 1830, Hippolyte Louis Garnier, Boulanger, Étienne Jean Marie Ardit, printmaker, after design by, printer (person), publisher, paper, lithography, height 453 mm x width 309 mm, Person, Adèle Foucher, historical persons, open hearth, fire-place, motherhood, mother and child(ren), woman and child(ren) (family group) (with NUMBER of children), A monochrome illustration of a seated woman in a voluminous dress with a ruffled collar holding a small object toward a standing child in a dress while an unclothed infant lies across the woman's lap, with draped fabric and patterned floor beneath them and a mantelpiece with decorative objects and a sculpture in the background.

alb29128076 Saint Bruno receiving a message from Pope Urban II, La vie de St. Bruno, print, printmaker: Sébastien Leclerc (I), France, after painting by Eustache Lesueur, Paris, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), 1647 - 1714, paper, etching, engraving, stippling, counterproof, counterprint of etching, engraving and stippling, height 345 mm x width 215 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur made between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), An engraved scene shows a group of robed figures standing on a stone-paved foreground beneath an arched architectural frame. Four figures wearing long cloaks gather on the left, two of them facing each other while one reads from a small sheet held between his hands and another looks on with a solemn expression. To the right a youthful figure stands with one hand on his hip and the other holding a cloak draped over his shoulder, a tethered horse visible behind him. Behind the group a low wall with an arched opening reveals buildings and tall, slender trees, and beyond them a range of rugged mountains under a sky filled with billowing clouds. The image is rendered in fine linear shading and crosshatching, giving texture to the robes, stonework, architectural details, foliage, and mountainous background.

alb29126627 Raymond Diocles announces his damnation, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 336 mm x width 220 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), the death of Raymond Diocrès: on his deathbed the tutor of St. Bruno sees his own condemnation, young Bruno is converted, A monochrome engraved scene shows a crowded interior with high arched architecture and beams of light falling across stone walls. In the foreground a figure lies on a draped bed, partially covered by a blanket and surrounded by gathered people. Several standing figures wear flowing robes and ornate vestments, one older man with a long beard raising his hands and another man with folded hands beside him. A young server in a simple robe holds a tall staff topped with a cross, while other attendants hold long torches with visible flames. Faces in the crowd show a range of focused expressions, some with raised hands or gesturing. A small vessel rests on the floor near the bed and a seated childlike figure holds an open book. Architectural details include arched openings and a circular window showing a sky with clouds. The overall compos.

alb29118198 Saint Bruno and some of his disciples renounce the world, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 343 mm x width 223 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), (seven) star(s) - male saint writing, studying, teaching, dictating (eg as Doctor of the Church), A monochrome engraving shows a group of people gathered inside a grand architectural interior with tall columns and an arched opening at the top. In the foreground a central bearded man in a draped robe stands with one arm extended while two figures in front of him embrace, one leaning forward and the other turned toward him. To the left several onlookers stand close together, wearing flowing garments and looking toward the central scene. To the right a figure in a helmeted or cap-like headpiece stands behind a low stone balustrade with hands resting on it. The floor is paved with rectangular tiles and the background reveals a recessed space with a decorated cei.

alb29114803 Woman and child visit a prisoner, La visite au prisonnier, Museum for the art lover, Musée de l'amateur, print, Series number, 49, printmaker: Jean-Baptiste Adolphe Lafosse, after painting by Veller, printer (person):, Paris, publisher: Henri Jeannin, 1836 - 1842, Jean-Baptiste Adolphe Lafosse, Veller, Henri Jeannin, printmaker, after painting by, printer (person), publisher, paper, lithography, height 447 mm x width 308 mm, mother and child(ren), woman and child(ren) (family group), prisoner in cell or locked place, visit to prison or penal camp, A sepia-toned drawing shows a woman leaning on a stone ledge beside a barred window, her head resting on one hand and her other hand holding a child's hand; the woman wears a headscarf, a blouse with rolled sleeves, a long skirt, and sandals, and she gazes toward the barred opening where a man peers out through the metal bars with his hands gripping them; the child stands barefoot, wearing a striped skirt and a headscarf, holding a small object close to the chest and looking outward; the scene is set against a rough stone wall with visible cracks and a vine with leaves growing near an archway that reveals parts of distant buildings and a cobbled ground with scattered stones and low plants at the wall base.

alb29118540 Portrait of René Descartes, print, book illustration, printmaker: Jacques Lubin, publisher: Antoine Dezallier, Paris, 1696 - 1700, paper, engraving, etching, height 249 mm x width 196 mm, A sepia-toned engraved portrait of a man shown from the chest up inside an oval frame, with medium-length wavy hair, a mustache and a small goatee, wearing a dark draped garment and a wide white collar, his face turned slightly toward the viewer with a neutral expression; the oval is set within a bordered rectangular background of tightly spaced horizontal lines and has decorative concentric rings and an ornamental cartouche below containing a shield-like emblem.

alb29118834 Old man with money bag proposing to a young woman, La belle réveux, print, printmaker: René Gaillard, after painting by Etienne Jeaurat, Paris, 1729 - 1790, paper, etching, engraving, stippelwerk, height 279 mm x width 201 mm, adolescent, young woman, maiden, purse, money-bag, old man, An engraved scene shows a young woman seated with her eyes downcast and head slightly turned, wearing a dress with a ruffled collar and her hair pulled back in a bun with a band; an older man beside her leans in close, wearing a wide-brimmed hat, spectacles perched on his nose, and a cloak, his hand raised near the woman's face while his other hand holds a small object; the background features a stone wall with visible blocks and crosshatched shading, and the lower portion of the image contains a bordered area with lines of decorative script.

alb29115025 Chimney with seed beads, N Nouveau Dessin de Cheminée. Necessaire aux Menuisiers Sculpteurs et Tailleurs de Pierre Et a ceux their perfectionner dans le Dessin, ornament print, Design for a mantelpiece with rocaille ornaments., printmaker: Claude René Gabriel Poulleau, printmaker: Denis (printmaker), vendor: Daumont, Paris, 1759 - 1775, paper, etching, height 316 mm x width 193 mm, Print is part of a series of four., rocaille ornament, open hearth, fire-place, A tall vertical engraving of an ornate fireplace surround with intricate rococo-style scrollwork and floral motifs framing a large recessed central panel, decorative cartouches and shell-like embellishments at the top corners, slender fluted pilasters with carved accents along the sides, elaborately carved mantel shelf with curved supports, a patterned dark fire opening beneath the mantel, and finely hatched shading and parallel line engraving throughout the design.

alb29117814 Herodias Portant la Teste de St. Jean Baptiste, Herodias with the head of John the Baptist, print, printmaker: Nicolas Bazin, France, after painting by Guido Reni, publisher: Chéreau, Paris, 1643 - 1710, paper, engraving, height 255 mm x width 188 mm, the heading of John the Baptist, A monochrome engraved image of a woman wearing a wrapped headscarf with a decorative ornament and drop earrings, her face tilted slightly with a calm expression, holding a shallow platter that contains a severed male head with closed eyes and a beard; the woman is dressed in layered draped garments with visible folds and a brooch at her shoulder, and both hands support the platter while detailed cross-hatching fills the background.

alb29101750 Argonauts visit Phineus and drive away the Harpies, Jason and the Golden Fleece, Histoire de Jason et de la conquête de la toison d'or, print, Series number, 6, 26, Phineus offers the Argonauts two doves and gives them instructions on how to navigate. The whole is framed by an ornamental border with putti and mythological figures. Below the image four lines of caption in French., inscription, printmaker: René Boyvin, after drawing by Léonard Thiry, 1563, René Boyvin, Léonard Thiry, printmaker, after drawing by, paper, engraving, height 191 mm x width 230 mm, Part of a series of 26 prints with scenes from the story of Jason and the golden fleece, published in 1563 in Paris., the story of the Argonauts: the quest for the Golden Fleece, Calais and Zetes chase away the Harpies that plagued Phineus, the Argonauts with Phineus, A detailed monochrome engraving shows a central framed scene of classical figures standing and conversing in front of architectural columns, flanked by ornamental borders with reclining nude figures and grotesque mask heads; the left side border features a female figure leaning back and a winged grotesque head above, while the right border mirrors this with another reclining female and grotesque head; the central scene includes helmeted soldiers, a robed elder, and attendants, with a background glimpse of ships and figures in motion; surrounding the main panel are scrolling acanthus designs, putti, fruit and foliage swags, and decorative masks and faces integrated into the ornamental framework.

alb29108624 Meeting between Saint Bruno and Count Roger, La vie de St. Bruno, print, Series number, 19, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 340 mm x width 217 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, dog, horse, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A monochrome engraving showing a wooded rocky scene framed by an arched top, with large trees and dense foliage occupying the central upper area and a distant mountain visible through the branches. In the foreground a cloaked man kneels beside a saddle and holds one hand raised toward another figure who stands at the entrance of a small shelter or grotto; the kneeling man has a sword at his side and faces the standing figure while a horse grazes with its head lowered beside him. Two dogs are near the men, one looking toward the shelter and the other facing the viewer, and a group of riders on horseback appear in the distant left background along a path. Detailed crosshatching and fine line work define the textures of bark, fabric, and rock throughout the image.

alb29106752 Saint Bruno has the Grande Chartreuse built, La vie de St. Bruno, print, Series number, 11, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 333 mm x width 216 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A detailed monochrome engraving shows a construction scene with workers and onlookers. In the foreground a barefoot man holds a large rectangular slab while another man uses a tool near a pile of stones and scattered tools on the ground. To the right three robed figures stand conversing, one holding a rolled object and another with a straight staff. Behind them a stone archway and stacked masonry form part of a building under construction. On the upper work platform men operate a wooden crane and pulley, one pulling a rope while others push or lift heavy blocks. A ladder leans against the structure where a worker climbs carrying a beam. In the background a rugged rocky landscape stretches under a sky with layered clouds. The image is framed by an arched border.

alb29109407 Allegorical portrait of René Descartes, Portraits of French historical figures, Les illustres français, ou tableaux historiques des grands hommes de la France, print, Series number, 5, 56, printmaker: Nicolas Ponce, after drawing by Clément Pierre Marillier, Paris, grantor of privilege: French crown, France, 1790 - 1816, paper, etching, engraving, height 335 mm x width 225 mm, Person, René Descartes, historical persons, scholar, philosopher, An ornate engraved print with a central oval portrait of a man framed by a wreath and flanked by wings, surrounded by multiple smaller vignette scenes enclosed in decorative frames; cherubic figures appear beneath the central portrait holding a draped cloth and trumpet, while a skull, books, and a statue occupy a lower decorative shelf area; rectangular panels contain scenes of people in interior and exterior settings, one showing a reclining figure on a bed and another depicting figures by a boat; architectural motifs, garlands, and a large circular medallion with an intertwined monogram sit below, all rendered in finely hatched black ink on a pale background.

alb29102980 Edouard-Rene Laboulaye, Portrait of Édouard René Lefebvre de Laboulaye, page, photomechanical print, inscription: 'Galerie Contemporaine, 126, boul. Magenta. - Paris., (Né a Paris, le 18 janvier 1811)', photographer: Félix Nadar, cliché maker: Goupil & Cie., 1874 - 1879, paper, Woodburytype, Woodburytypie, height 225 mm x width 185 mm, Person, Édouard René Lefebvre de Laboulaye, historical persons, adult man, A sepia-toned portrait of an older man seated and facing the camera, showing his head, upper torso, and hands; he has a high forehead with thinning hair combed to the sides, light eyebrows, and a calm facial expression with closed lips and visible eyes; he wears a dark, buttoned coat with a high collar and a white shirt collar peeking out, and a narrow ribbon or cord looped at the throat; one hand rests on his lap with fingers relaxed and the other hand rests on the arm of the chair with the cuff of the shirt visible; the background is plain and dark.

alb29103779 Title print with two male figures next to a commemorative plaque topped with putti, La vie de St. Bruno, title print, printmaker: François Chauveau, Paris, publisher: René Cousinet, grantor of privilege: French Crown, France, 1623 - 1676, paper, etching, stippling, height 331 mm x width 222 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur created between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur and was edited by René Cousinet., cupids: 'amores', 'amoretti', 'putti', the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A vertical engraving showing an architectural tablet framed by columns and a triangular pediment, with two reclining winged cherubs leaning over the top and holding a circular medallion that contains a small depiction of two standing figures; on either side of the tablet stand two robed, bearded male figures in contemplative poses, each placed in a niche and wearing draped garments with detailed folds, their heads slightly bowed and feet resting on stepped plinths; the surface texture is rendered with fine parallel hatching and crosshatching, creating shading and depth across the stone surfaces, the figures, and the background, and decorative scrollwork appears near the lower portion of the central panel.

alb29094931 Saint Bruno receiving a message from Pope Urban II, La vie de St. Bruno, print, Series number, 15, 22, printmaker: Sébastien Leclerc (I), France, after painting by Eustache Lesueur, Paris, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), 1647 - 1714, paper, etching, engraving, stippling, height 329 mm x width 211 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A monochrome engraving of an outdoor courtyard scene showing a group of robed men standing and interacting in the foreground; one man in simpler, shorter clothing stands facing them holding a cloth or cloak, a tethered horse stands behind him with its head lowered; the robed men wear long hooded habits and two of them are closely engaged with a small object or paper held by one of them while others look on; stone paving fills the lower foreground and an arched passageway sits behind the figures, leading to buildings with pitched roofs and a distant mountainous landscape visible under a sky with layered clouds.

alb29094925 River landscape with three figures and a dog, 7e Vue de Flandre, print, Numbered top right: No. 57., printmaker: Jacques-Philippe Le Bas, Paris, after painting by David Teniers (II), dedicated to: René Michel Slodtz, dedicated to: Sébastien Antoine Slodtz, c. 1751, paper, etching, engraving, height 193 mm x width 240 mm, windmill, river, landscapes (landscape with figures, staffage), A detailed sepia-toned engraving showing a broad sky filled with textured clouds above a landscape, with a body of water in the foreground reflecting the shore, a cluster of trees and a stone building with a pitched roof and chimney near the middle ground, a small windmill visible further back, tiny figures and animals scattered across the fields, and two cloaked figures standing close together on a rocky promontory near the right foreground with a small dog at their feet.

alb29093247 Commission for a series titled La vie de St. Bruno, La vie de St. Bruno, print, printmaker: François Chauveau, commissioned by: René Cousinet, France, dedicated to: Prieur et Religieux de la Chartreuse de Paris, Paris, 1623 - 1676, paper, etching, height 331 mm x width 219 mm, Concerns the commission of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur and was edited by René Cousinet., the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A large sheet of aged paper with printed decorative typography and ornate initial letter near the upper left, a dense block of fine cursive text centered below that initial, a wide blank area in the lower half, and a small decorative flourish with a short line of cursive near the bottom right, plus a small stamped mark in teal ink at the lower right corner.

alb29094243 Man greeted by his family upon returning home and a hunter, Un fusil qui n'éclate jamais, Le retour du papa, Small collection of prints, Le petit magasin d'estampes, print, album page, Page with two separate illustrations. This print is part of an album., printmaker: Eugène Hippolyte Forest, printmaker: Frédéric Bouchot, publisher: Aubert & Cie., Paris, 1834, paper, wood engraving, height 141 mm x width 232 mm, hunter, father and child(ren), man and child(ren) (family group), father-love, A black and white ink drawing shows a crowded interior scene on the left with several people gathered by a doorway, including a heavyset man wearing a hat and coat, a woman in a dress with ribbons in her hair, a child clutching a round object and a small dog at their feet; a framed picture hangs askew on the wall and a bottle sits on a ledge behind the group. On the right, a lanky man wearing a peaked cap and coat sits on a wooden fence or railing holding a long riflelike object that rests across his lap, with a canteen attached to his belt and birds flying in the sky above a windswept tree.

alb29092471 Portrait of René Descartes, Descartes, print, printmaker: Charles Paulin François Matet, printer (person): Noël, Francisique (et Cie.), Paris, publisher: Noël ainé & Cie., in or before 1826 - 1827, printer (person), paper, lithography, height 466 mm x width 325 mm, Person, René Descartes, historical persons, A monochrome portrait of a man shown from the chest up, turned slightly to one side, with shoulder-length wavy hair and a narrow mustache and small goatee; he wears a dark draped garment over a high white collar. The drawing features soft shading and fine stippling to render facial features and hair, with a light background that shows faint speckling. The lower portion of the image includes a lighter area with a large decorative cursive element partially visible.

alb29113129 Saint Bruno refuses the bishopric of Reggio, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 339 mm x width 217 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, Urbanus II, historical persons, pope, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), Rome, A detailed ink engraving shows an interior scene framed by an arched opening and heavy drapery hanging from the upper left, with a coffered ceiling visible above. A seated figure in draped robes occupies a raised chair on the left, one arm extended toward a kneeling figure in similar flowing garments at center right, whose hand rests on their chest and whose body leans backward. Behind the seated figure stand robed men clustered around a table draped with cloth and topped by a pointed hat or ceremonial cap. To the right of the kneeling figure are two standing figures in long robes, one with a hand lightly touching the other's shoulder, and another bearded figure slightly behind them gazes toward the center. Architectural details include paneled walls, an arched doorway in the rear with shadowed interior figures, and a raised platform with steps in the foreground. The entire compos.

alb29113123 A pretty little bird, Entraining conversation, Sitting vulture and a man dragging a child behind him, The little print shop, Small collection of prints, print, album page, Page with two separate illustrations. This print is part of an album., printmaker: Eugène Hippolyte Forest, publisher: Aubert & Cie., Paris, 1834, paper, wood engraving, height 141 mm x width 232 mm, father and child(ren), man and child(ren) (family group), predatory birds: vulture, absence of parental love, A large bird with detailed feather etching stands on a rocky ledge on the left, its head turned slightly downward and showing a curved beak and textured plumage; on the right, a couple dressed in period clothing walk closely together, the man wearing a tall hat and a coat and the woman wearing a bonnet and a patterned dress with puffed sleeves, her hand resting near his arm; beneath them a small child in a dress and bonnet lies on the ground with a doll and a small book nearby; the scene is rendered in fine black ink lines on a lightly aged paper background.

alb29112682 Landlord shows no interest in apologies and pleas from a woman behind on rent payments, Un propriétaire, Caricatures by Charles Philipon and Honoré Daumier, Caricaturiana, cartoon, print, Series number, 49, printmaker: Honoré Daumier, printmaker: Charles Philipon, printer (person): Aubert & Junca, Paris, publisher: Aubert & Cie., 1836 - 1838, printer (person), paper, lithography, hand coloring, hand-colored lithography, height 273 mm x width 364 mm, mother and child(ren), woman and child(ren) (family group) (with NUMBER of children), debit, debt, A room interior with a seated man reclining in a wooden armchair upholstered in bright blue, wearing a colorful patterned robe and gesturing with his hands toward a standing woman in a dark dress and large bonnet with a red underside and ribbon, who faces him with two small children beside her; a mantel with decorative objects in bright yellow and pink sits behind them, flanked by framed oval portraits on the walls and long hanging red fabric, while a striped rug in blue and red runs across the floor.

alb29111044 Saint Bruno in prayer, La vie de St. Bruno, print, Raymond Diocrès is being buried in the background., printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 343 mm x width 223 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur made between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of St. Bruno - male saint meditating, in ecstasy, A monochrome engraving showing an interior with a high arched opening and heavy drapery hanging from above, a long tassel suspended near the center, and masonry walls with pilasters. In the foreground a robed figure kneels on patterned floor tiles facing a small altar covered with a cloth; the figure's head is bowed and arms are crossed over the chest. On the altar a skull rests beside a crucifix mounted on the wall. Through the arched opening at left a distant outdoor scene is visible with a cloudy sky and three small figures engaged in moving an object, one figure bent over and two standing nearby. The composition emphasizes architectural lines, fabric folds, and fine hatching shading throughout.

alb29110092 Saint Bruno and his companions distributing their goods among the poor, La vie de St. Bruno, print, Series number, 8, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 339 mm x width 221 mm, width 218 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A crowded scene shows a group of robed figures gathered on and in front of a stepped building with tall rectangular openings and a rounded arch framing the upper edge of the image; several standing figures on the steps lean toward the crowd, extending hands, while the assembled crowd reaches upward and presses forward, many wrapped in flowing garments and some carrying or holding children; an emaciated child clings to an adult at the foreground near the steps, and another small child stands barefoot on the tiled pavement; the architecture features a long façade with repetitive windows and pilasters extending into the distance under a sky with layered clouds, and the scene is rendered in fine line engraving with strong contrasts of light and shadow.

alb29111830 Les nièces de Mazarin moeurs et caractères au XVIIth siècle, book, writer (clerical worker): Amédée Renée, printer (person): Firmin Didot frères, Paris, 1858, writer (clerical worker), printer (person), biological material, paper, leather, salted paper print, combined marbled paper, marbled paper, color on cut, gilded edge with concealed marbling, height 247 mm x width 162 mm x thickness 42 mm, A pale, aged page with faded spots and a vertical darkened edge on the left, centered decorative flourishes and lines of printed text in varying sizes and shades, a vertical handwritten mark in dark pencil near the top right, and subtle stains and foxing across the surface.

alb29114255 Portrait of Louis-René de Caradeuc de La Chalotais in oval frame with scales and incense, Ls. René de Caradeuc de La Chalotais, print, printmaker: Claude Baron, France, after drawing by Charles Nicolas Cochin (II), publisher: Honoré Thomas Bligny, Paris, 1764 - 1848, paper, etching, engraving, height 317 mm x width 221 mm, Person, Louis-René Caradeuc de La Chalotais, historical persons, scales, incense-burner, scents, perfumes, A framed engraved portrait of a man shown in profile facing left inside an oval medallion, surrounded by a decorative rectangular frame with a ribbon and laurel garland at the top. The man has curled hair styled back, a collar at his neck, and a draped garment over his shoulders. Below the oval are a cluster of flowers and leaves, a stack of books, an open book, and a small smoking oil lamp with a curling plume of smoke. The composition sits on a stepped architectural plinth with textured shading and ornamental edging.

alb3742560 L'Entrée dans la vie. Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb29089852 Arrival of Saint Bruno and his followers in Grenoble, La vie de St. Bruno, print, Series number, 9, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 336 mm x width 216 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A monochrome engraving shows a group of robed figures gathered on stone steps before a building with tall, paneled walls and an arched entrance. Several men kneel or bend forward, reaching toward a figure standing at the doorway who wears a long cloak and extends a hand. Other standing figures in robes watch from the doorway and nearby, their faces turned toward the central interaction. To the right, a leafless tree with a few branches leans against the wall, and beyond it a distant archway frames a scene with rearing horses and mounted riders. The scene is framed by an architectural arch at the top and a patterned tiled floor at the bottom. Fine linear engraving marks create shading and texture across clothing, stone surfaces, and the sky.

alb29087612 Fireplace with cartouche with animals, N Nouveau Dessin de Cheminée. Necessaire aux Menuisiers Sculpteurs et Tailleurs de Pierre Et a ceux qui perfectionner dans le Design, print, ornament print, Design for a mantelpiece with rocaille ornaments and at the top a cartouche with animals such as a lion, a bull and a deer., printmaker: Claude René Gabriel Poulleau, printmaker: Denis (printmaker), after design by Jean Charles Delafosse, vendor: Jean-François Daumont, Paris, 1759 - 1775, paper, etching, height 316 mm x width 194 mm, ornament, cartouche, open hearth, fire-place, animals, A tall, vertical engraving of an ornate fireplace surround set within a paneled wall, shown in a neutral sepia tone with fine linear shading. The composition features a large central arched fire opening with a detailed mantelpiece above, decorated with scrolling acanthus-like motifs and shell shapes; fluted pilasters rise on either side with carved ornamental capitals and curving bracket forms. Above the mantel is a tall recessed panel bordered by elaborate rococo-style frame work that includes asymmetrical curls, floral clusters, and a cartouche-like top containing a small pastoral scene rendered in delicate washes and hatch lines. Narrow vertical panels flank the central composition, each incorporating circular medallion decorations with landscape-like sketching and ornamental scrollwork. The base area below the hearth is shown with architectural plans indicated by simplified drawn shapes and a shaded rectangular element adjacent to the hearth opening. The entire image is enclosed by a thin ruled border with a subtle aged paper texture visible throughout.

alb29081230 Arrival of Saint Bruno in Rome at Urban II, La vie de St. Bruno, print, Series number, 16, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 339 mm x width 217 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, Urbanus II, historical persons, pope, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), Rome, A monochrome engraved scene shows a grand interior with tall columns and an arched framing at the top. A large draped curtain hangs to the left, folding in heavy fabric. On a raised platform, a seated elderly figure in voluminous robes extends a hand downward. Another robed figure stands slightly behind the seated figure, looking toward the center. A kneeling figure in a robe bows low on the steps before the seated person, head lowered and hands touching the platform. In the background, a small group of standing figures is gathered near the columns, some turned toward the central interaction. The foreground presents a tiled floor and a series of steps leading up to the platform, all rendered with fine linear shading and crosshatching. The lower margin contains blocks of text.

alb29086669 Domestic scene with two women and a child, print, printmaker: Cathérine Françoise Deschamps, France, after painting by Noël Hallé, publisher: Jacques Beauvarlet, Paris, 1741 - 1797, paper, etching, engraving, height 241 mm x width 285 mm, mother and child(ren), woman and child(ren) (family group), cat, toys activated by blowing, A seated woman in draped clothing leans forward holding a long thin rod topped with a small decorative object toward a child, while another woman wearing a headscarf holds the child and looks toward the viewer; a cat lies on the woman's lap at the lower left, and a wooden chair and folded fabric appear in the background.

alb29100937 Le sommeil de la Grand-Maman, Sleeping grandmother with two children and a dog, Recognizable scenes, Scènes familières, print, printmaker: Pierre Duval-Lecamus, printer (person): Joseph Rose Lemercier, Paris, publisher: Madame Brossier, publisher: McLean (publisher), London, dedicated to: Eulalie Lebrun, 1829, printer (person), paper, lithography, height 572 mm x width 400 mm, dog, grandparent(s) with grandchild(ren) (family group), sleeping in chair, An elderly woman wearing a bonnet and layered clothing sits in a high-backed chair with her eyes closed and hands resting in her lap, flanked by a young girl kneeling on a small stool reading from an open book and a young boy crouching beside a large dog that nuzzles the boy's face; a framed picture hangs on the wall above them, a table with a basket stands to the left and a tall cabinet and folding wooden rack appear on the right, all rendered in monochrome with detailed shading.

alb29101271 La pèche en hiver, Fisherman with two children and a dog on the ice, print, printmaker: Émilien Desmaisons, after painting by Peter Gabriel Wickenberg, printer (person): Joseph Rose Lemercier, Paris, publisher: Henri Jeannin, publisher: Gambart, Junin & Co., E., London, 1843 - 1846, printer (person), paper, chine collé, lithography, height 399 mm x width 566 mm, ice, freezing weather, fisherman, father and child(ren), man and child(ren) (family group), A monochrome scene of a seated adult wearing a cap and heavy coat, holding a length of rope while looking down, with a woven basket beside them on a bench; two children stand nearby in simple dresses and head coverings, one with hands at their sides and the other looking down, and a small dog stands facing them on a textured ground that appears cracked and wet, with scattered shards and a long pole lying nearby, and distant low hills under a cloudy sky.

alb29101115 Grand père (original series title), print, Old man holding hands with two girls., workshop stamp: 'Hermann: Paul', printmaker: Georges Hermann Rene Paul (signed by artist), printer (person): H. Chachouin, Paris, 1874 - 1915, printer (person), paper, color woodcut, height 377 mm x width 561 mm, grandparent(s) with grandchild(ren) (family group), A stylized illustration shows a man standing between two girls, all holding hands. The man wears a light blue coat, dark trousers, tall dark boots, and a dark hat with a patterned band; he has a mustache and a simple facial expression. The girls wear patterned dresses with dark floral bodices and long skirts trimmed with bright panels, and each has a headpiece; one girl has a large dark triangular bonnet while the other has a lighter cap. Both girls hold small rectangular objects with striped sections in their free hands. Decorative rose vines with dark leaves and bright blossoms frame the top and sides of the image against a pale background and a band of blue at the top and bottom. The color palette is limited, using muted blues, dark tones, and bright rose accents.

alb29091539 Herodias Portant la Teste de St. Jean Baptiste, Herodias with the head of John the Baptist, print, printmaker: Nicolas Bazin, France, after painting by Guido Reni, publisher: Chéreau, Paris, 1643 - 1710, paper, engraving, height 255 mm x width 188 mm, the heading of John the Baptist, A monochrome engraving of a woman wearing a wrapped turban with a jeweled ornament and drop earrings, dressed in layered flowing garments with a brooch at her shoulder, holding a shallow dish that contains a bearded man's severed head with closed eyes and a peaceful expression; the woman's face is calm and slightly tilted, her hands support the dish, and detailed drapery and fine crosshatching fill the background and clothing.

alb29098595 Portrait of René Descartes, Réné Descartes, Le panthéon français, Portraits of French celebrities, print, printmaker: Jean Pierre Sudre (1783-1866), printer (person): François Jean Villain, Paris, 1820 - 1827, printer (person), paper, lithography, height 380 mm x width 282 mm, Person, René Descartes, historical persons, A detailed black and white engraved portrait of a man shown from the chest up within an oval frame, with shoulder-length wavy hair, a mustache and small goatee, wearing a high white collar and dark draped garment, rendered with fine shading and stippling against a textured oval background.

alb29098891 Angels appear in a dream to Saint Bruno, La vie de St. Bruno, print, Series number, 7, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 330 mm x width 219 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), A monochrome print shows a person lying on a draped bed with a canopy, head resting on an arm and eyes closed, covered by folds of fabric and partially exposed feet, while three winged figures hover nearby with outstretched arms and flowing garments, one figure positioned closest to the sleeper reaching toward them and another raising a hand, a curtain is pulled aside revealing the hovering figures, a small ornate vessel shaped like a bird sits on the floor near the bed, scattered cloth or slippers lie on the platform beside a turned bedpost, the floor shows a patterned surface with parallel strips, and the scene is framed by an arch at the top.

alb29097463 Saint Bruno teaching theology in Reims, La vie de St. Bruno, print, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French Crown (possibly), France, 1623 - 1676, paper, etching, engraving, counterproof, counterprint of etching and engraving, height 346 mm x width 229 mm, height 341 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), (seven) star(s) - male saint writing, studying, teaching, dictating (eg as Doctor of the Church), A detailed monochrome engraving shows a group of robed men gathered inside a large classical interior with arched openings and columns; one man stands at a raised lectern draped with a patterned cloth, gesturing upward with one hand while others sit or stand facing him, some listening intently and one seated figure resting his head on his hand; the architecture features a high vaulted ceiling, ornate cornice work, and a checked floor, with layered shading and fine line work emphasizing folds in garments, facial expressions, and the depth of the arches.

alb29092331 Les loisirs d'une mère, Mother with two children by the fireplace, print, printmaker: Hippolyte Louis Garnier, after design by Boulanger, printer (person): Étienne Jean Marie Ardit, Paris, publisher: Étienne Jean Marie Ardit, publisher: Engelmann, Graf, Coindet & Cie., London, 1830, Hippolyte Louis Garnier, Boulanger, Étienne Jean Marie Ardit, Engelmann, printmaker, after design by, printer (person), publisher, paper, lithography, height 438 mm x width 319 mm, Person, Adèle Foucher, historical persons, open hearth, fire-place, motherhood, mother and child(ren), woman and child(ren) (family group) (with NUMBER of children), A grayscale scene shows a seated woman in an elaborate dress with puffed sleeves and a ruffled collar holding a pendant on a chain toward a young girl in a dress with a ruffled neckline who sits nearby and looks at the pendant, while a baby lies across the woman's lap reaching toward the girl; the room includes draped curtains, a carved mantel with decorative objects and a sculpted figure, a framed picture on the wall, a plush carpet, and a small pile of clothing or fabric on the floor.

alb29078130 Artist kisses a woman's hand, Embrasse moi ma soeur, print, An artist kisses a woman's hand while she sits in front of his easel with his portfolio in her lap. An elderly couple and a gentleman examine one of the drawings from the portfolio., printmaker: Louis-Léopold Boilly, Paris, printer (person): Gottfried Engelmann, 1825, printer (person), paper, lithography, height 326 mm x width 243 mm, mother and child(ren), woman and child(ren) (family group), artist at work, in his workshop, kissing the hand (lovers), A monochrome drawing shows a group of people gathered closely together around a woman seated at a table with an open book. The seated woman looks upward with wide eyes while holding a small child who clings to her neck and gazes toward the same direction. Behind them, an older woman wearing a headscarf leans forward with one hand near her mouth, and next to her a balding man peers intently over her shoulder. A man wearing a tall top hat and a coat holds a sheet of paper and looks toward the seated woman. At the right edge, a man with curly hair cups his hands near his mouth as he leans slightly forward. The scene includes draped fabric over the chair, detailed folds in clothing, and soft shading on faces and hair.

alb29079425 Saint Bruno and some of his disciples renounce the world, La vie de St. Bruno, print, Series number, 6, 22, printmaker: François Chauveau, Paris, after painting by Eustache Lesueur, publisher: René Cousinet (possibly), grantor of privilege: French crown (possibly), France, 1623 - 1676, paper, etching, engraving, height 343 mm x width 219 mm, Part of a series of 24 prints (including two title prints), after paintings by Lesueur produced between 1645-1648 for the Chartreuse de Paris. The series is entitled: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur., Person, Bruno van Keulen, the founder of the Order of the Carthusians, Bruno, possible attributes: cross, finger at lips, lily, miter at his feet, olive-branch, ray of light, skull, (seven) star(s), (seven) star(s) - male saint writing, studying, teaching, dictating (eg as Doctor of the Church), A monochrome engraving shows an interior architectural setting with tall columns and an arched opening framing a group of figures in the foreground. A central robed man stands with one arm extended while several other robed figures cluster around him, two embracing in the center, others turned toward the central figure or each other. To the sides, additional standing figures lean on low balustrades. The floor is tiled with visible planks and the ceiling beyond the columns displays decorative recessed panels. The scene is detailed with crosshatching and fine line work creating shadows and textures on the clothing, columns, and architectural surfaces.

alb29076250 Chimney with seed beads, N Nouveau Dessin de Cheminée. Necessaire aux Menuisiers Sculpteurs et Tailleurs de Pierre Et a ceux their perfectionner dans le Dessin, ornament print, Design for a mantelpiece with rocaille ornaments., printmaker: Claude René Gabriel Poulleau, printmaker: Denis (printmaker), vendor: Daumont, Paris, 1759 - 1775, paper, etching, height 316 mm x width 195 mm, Print is part of a series of four., rocaille ornament, open hearth, fire-place, A tall vertical engraving of an ornate interior wall centered on a large decorative fireplace opening with an arched top and heavily carved surround, flanked by symmetrical paneling and pilasters; the mantel features scrolling acanthus motifs and a central cartouche above the arch, and the space above the mantel is filled by a large recessed panel framed with intricate rococo scrollwork, foliage, and floral ornamentation that continues into the surrounding wall panels; slender vertical lines indicate textured wall surfaces within each panel, and delicate floral sprays and small decorative cartouches appear in the upper and lower panels on both sides; a narrow baseboard runs along the bottom, and a small shaded projection is visible beneath the fireplace opening, with fine line shading used throughout to render depth and intricate carved details.

alb29075974 Grandmother shows her last tooth to her family, La dernière dent, print, printmaker: Louis-Léopold Boilly, Paris, printer (person): Charles Louis Constans, 1826, printer (person), paper, lithography, lithografie, height 381 mm x width 283 mm, grandparent(s) with grandchild(ren) (family group), teeth - AA - female human figure, An interior scene rendered in monochrome shows a group of people closely gathered; an elderly woman wearing a hooded garment is seated with one hand near her mouth and the other hand raised toward a younger woman, who wears a headscarf and cradles a sleeping infant wrapped in cloth; a young child reclines across the elder woman's lap, looking upward with an arm draped over the elder's skirt; a middle-aged man with thinning hair and a long beard leans forward behind the group, gripping a staff and peering intently toward the center; another child stands between the adults, gazing with a startled expression; in the background a wooden cabinet with a rounded container and a loaf-like object rests on top.

akg1088218 Frankreich / Vierte Republik 1946-1958 / Regierungskrise nach Ablösung des Kabinetts René Mayer vom 21.Mai 1953. /-Gruppenbild der Fraktonsvorsitzenden und der früheren Ministerpräsidenten, die Staatspräsident Vincent Auriol zu einer Besprechung in den Élysée-Palast einberufen hat: von links Edmond Barrachin, Antoine Pinay, François ...

akg254622 Physics / Colour theory:. "Couleurs d'un spectre solaire ..." - (Spectral colours in reference to the Fraunhofer lines, red to blue). Steel engraving and colour print by René Digeon. From: M.-E. Chevreul, Des couleurs et de leurs applications aux arts industriels à l'aide des cercles chromatiques, Paris (J.B.Baillière & fils) 1864.

akg214127 Jaurès, Jean French socialist Castres (Dep. Tarn) 3.9.1859 - (killed). Paris 31.7.1914. - "Le Socialisme a certainement du bon" (Cartoon). Ink on paper, watercoloured, on cardboard, by Boby (Rene Baudichon), 1905. Paris, private collection. Author: BOBY (KARIKATURIST).

akg460284 Monteverdi, Claudio; Italian composer. 1567-1643. / Work: L'Incoronazione di Poppea (Coronation of Poppea; prem. 1642). - Paris production, Théâtre des Champs-Élysées 2004 (conductor René Jacobs, dir. David McVicar): Scene with Anne Sofie von Otter as Ottavia. Photo. Copyright: For editorial use only.

akg460287 Monteverdi, Claudio; Ital. composer. 1567-1643. / Work: L'Incoronazione di Poppea (Coronation of Poppea; prem. 1642). - Paris production, Théâtre des Champs-Élysées 2004 (conductor René Jacobs, dir. David McVicar. With Patrizia Ciofi as Poppea, Anne Sofie von Otter as Ottavia, Anna Caterina Antonacci as Nero). Photo. Copyright: For editorial use only.

akg1535929 Konferenz des Nordatlantik-Pakts (NATO-Rat) in Paris, Dezember 1957.-Empfang zum Abschluß der Konferenz, ausgerichtet vom französischen Staatspräsidenten René Coty für die Konferenzteilnehmer im Elysée-Palast am 23. Dezember 1957: v.l. Coty, der USamerik. Präsident Dwight D. Eisenhower und Cotys Tochter, Geneviève Egloff.-Foto. Vintage print, 21 x 20.

akg1571711 Liebe und Ehe / Karikatur. /-"LE RENTIER" (Der Rentier).-/ Karikatur. Holzstich, koloriert, von Verdeil nach Zeichnung von Grandville, eigentl. Jean Ignace Isidore Gérard (1803-1847). Illustration zu Honoré de Balzac, Monographie du Rentier. In: Les Français peints par euxmèmes. Encyclopédie morale du dixneuvième siècle, Bd.3, ... Museum: Private Collection., Paris.

akg7939063 Cardon, Paul (dit Dornac ou Paul Marsan). Portrait de René François Armand Sully-Prud'homme (1839-1907)., entre 1885 et 1895. Photographie, Tirage sur papier albuminé. PH8861, Paris, Musée Carnavalet.

akg2031660 Kérouaille, Louise Renée de Penancoët de. mistress of Charles II of England; from 1673 Baroness of Petersfield, Countess of Fareham, Duchess of Portsmouth, Duchess of Aubigny; Sept. 1649 - Paris 14.11.1734. Portrait. Painting, no date, from the workshop of Sir Peter Lely. (1618-1680). London, Sotheby's, 13 April 1994, Lot 27.

akg254623 Physics / Colour theory. "Couleurs d'un spectre solaire ...". (Spectral colours according to the Fraunhoferschen lines, blue-violet). Steel engr. a. colour pr. by René Digeon Fr.: M.-E. Chevreul, Des couleurs et de de leurs applications aux arts industr. à l'aide des cercles chromatiques, Paris (J.B.Baillière & fils) 1864.