Pesquisando por: "REMBRANDT (REMBRANDT VAN RIJN)" - Fotoarena - Agência de fotojornalismo

ny180324143407 A vacant frame where Rembrandt van RijnÕs ÒChrist in the Storm on the Sea of GalileeÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny220324200306 HEADLINE: Empty Frames and Other Oddities From the Unsolved Gardner Museum Heist CAPTION: A vacant frame where Rembrandt van Rijn?s ?A Lady and Gentleman in Black? (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. CREDIT: (Tony Luong/The New York Times/Fotoarena)

ny180324143807 A vacant frame where Rembrandt van RijnÕs ÒA Lady and Gentleman in BlackÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny180324143207 A vacant frame where Rembrandt van RijnÕs ÒA Lady and Gentleman in BlackÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny140721162104 Hansken?s skull and other items on display in the exhibition ?Hansken, Rembrandt?s Elephant? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162205 A black chalk drawing by Rembrandt, most likely from 1641, at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162305 Hansken?s skull and other items on display in the exhibition ?Hansken, Rembrandt?s Elephant? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162405 A detail from Rembrandt?s etching ?Adam and Eve in Paradise,? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. Seventeenth-century viewers would have understood the elephant as a symbol of chastity and grace.(Julia Gunther/The New York Times/Fotoarena)

ny280621163704 ?A Dutch Courtyard? by Pieter de Hooch, a contemporary of Vermeer?s, is scanned at the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

ny280621163905 John Delaney prepares a hyperspectral visible wavelength camera to scan ?A Dutch Courtyard,? by Pieter de Hooch, at the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

ny280621163405 A museum guest photographs Johannes Vermeer?s ?Woman Holding a Balance? in the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)