Pesquisando por: "Open pages" - Fotoarena - Agência de fotojornalismo

902_05_12529270highres After the opening page of the first cuarto of Shaekspeare's play Hamlet. William Shakespeare, 1564 (baptised) - 1616. English poet, playwright and actor. From A Life of William Shakespeare, published 1908.

01049158 geography / travel, USA, Arizona, RV, Wahweap RV & Campground, Lake Powell, Wahweap, vehicle, holiday, vacation

412-21194 Stack of books on pedestal

412-21192 Close up of open book on counter

412-21191 Close up of open book on counter

412-21190 Close up of open book on counter

971_07_CH133273A Open koran (first page)

00052493 "geography / travel, Egypt, Suez Canal, opening, 17.11.1869, Eugenie de Montijo, Empress consort of the French, at Ismailia, ""The Illustrated London News"", front page, 11.12.1869, wood engraving,"

809-4310 Old Bible in the International Museum of the Reformation, Geneva, Switzerland, EuropeLegenda da Fotoarena:Old Bible in the International Museum of the Reformation, Geneva, Switzerland, Europe

orz164869 FACSIMIL - PORTADA Y ANTEPORTADA DEL ATLAS PORTULANO - 1568. Author: FERNAO VAZ DOURADO (1520-1580). Location: PRIVATE COLLECTION. MADRID. SPAIN.

alb18694733 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694743 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694748 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694745 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694754 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694736 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694732 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694758 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694738 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694734 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694744 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694737 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Detail. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

alb18694752 Martin Luther (1483-1546). German theologian and Augustinian friar. Statue of Martin Luther next to the Marienkirche (St. Mary's Church) in Berlin, Germany. It was created by Paul Martin Otto (1846-1893) and Robert Toberentz (1849-1895) in 1895. Luther is depicted holding an open Bible, touching one of its pages. It was originally the central figure of a large monument which was destroyed in 1945. Bronze. Author: Paul Martin Otto (1846-1893). German sculptor. Robert Toberentz (1849-1895). German sculptor.

orz164625 ANTEPORTADA - VIAJE DEL REY (...) CARLOS II AL REYNO DE ARAGON - 1680. Author: FABRO BREMUDAN FRANCISCO. Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

orz036179 PORTADA EDICION JAPONESA DEL QUIJOTE. Author: MIGUEL DE CERVANTES SAAVEDRA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. DON QUIJOTE.

orz036177 PORTADA DE LA EDICION ALEMANA DEL QUIJOTE DEL AÑO 1682. Author: MIGUEL DE CERVANTES SAAVEDRA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz036178 PORTADA EDICION INGLESA DE 1652 DEL QUIJOTE. Author: MIGUEL DE CERVANTES SAAVEDRA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz036176 Cover of the French edition of Don Quixote in 1614. Portada de la edicion francesa de 1614 del Quijote. Madrid, National Library. Author: MIGUEL DE CERVANTES SAAVEDRA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

alb4394602 Diary and relation of the siege of Corunna by the English Armada, 1589, by Captain Juan Varela. Manuscript, facsimile of the 19th century. From the Royal Galician Academy. María Pita House Museum. Corunna, Galicia, Spain. Author: Juan Varela. 16th century Spanish military.

alb4313318 History of Spain. Ateneo de Madrid. Interior of the modernist building in Calle del Prado, designed by the architects Enrique Fort and Luis Landecho. Aspect of the main staircase on the night of 31 January 1884, when the building was inaugurated by Antonio Cánovas del Castillo. Engraving by Vela. La Ilustración Española y Americana (The Spanish and American Illustration), February 8, 1884. Author: Manuel Alcázar Ruiz (1858-1914). Spanish artist. Eugenio Vela (d. 1895). Spanish engraver.

orz015309 Works. 16th century. Edition by Alonso de la Barrera in 1580 in Seville. Spanish literature of the Golden Century. Madrid, National Library. Author: GARCILASO DE LA VEGA (1491/1503-1536). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz073173 COMENTARIA IN JOB - PAGINAS CENSURADAS. Author: ALTONA GUILLELMUS DE. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz014132 Don Quixote. 1st page of Joaquin de Ibarra's first edition in 1780 - life of Miguel de Cervantes. Madrid, National library. Author: MIGUEL DE CERVANTES SAAVEDRA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. MIGUEL DE CERVANTES SAAVEDRA (1547-1616).

orz133819 LIBRO DEL BUEN AMOR -MANUSCRITO SIGLO XIV - PAGINAS DEL INTERIOR - COPISTA ALFONSO DE PARADINAS REALIZADO EN EL SIGLO XV. Author: JUAN RUIZ-EL ARCIPRESTE DE HITA (1283-1350). Location: UNIVERSIDAD BIBLIOTECA. SALAMANCA. SPAIN.

alb3684207 Title Page: Livre d'Oyseaux (Book of Birds). Artist: Albert Flamen (Flemish, born ca. 1620, active 1648-88). Dimensions: Sheet: 4 x 7 15/16 in. (10.2 x 20.2 cm). Series/Portfolio: Livre d'Oyseaux (Book of Birds). Date: 1655-1660. Museum: Metropolitan Museum of Art, New York, USA.

alb3672897 Man of Sorrows, from The Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm). Date: 1509. Museum: Metropolitan Museum of Art, New York, USA.

alb3670105 Frontispiece to 'Le sorti di Francesco Marcolini da Forli intitolato Giardino di Pensieri'. Artist: After Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Dimensions: sheet: 9 7/16 x 7 5/8 in. (23.9 x 19.3 cm). Date: 1540.This woodcut of a scholarly gathering is fully signed by Giuseppe Salviati yet is an almost exact copy of an engraving by Marco Dente, who died in 1527. The only changes are the adaptation of the book in the foreground to represent Marcolini's fortune-telling book and the addition of the pack of cards required for divination. That Giuseppe so prominently signed a copy suggests that he cut the block himself-indeed, it was usually the cutter rather than the designer who signed or monogrammed a woodblock. Museum: Metropolitan Museum of Art, New York, USA.

alb3715660 Oyster with Pearl. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3735240 Frontispiece for "The Large Apostles". Dated: published 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3722466 Frontispiece for "The Large Apostles". Dated: published 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3663926 Etchings of Paris; Title page to the suite. Artist: Charles Meryon (French, 1821-1868). Dimensions: plate: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm). Series/Portfolio: Etchings of Paris. Date: 1852.Charles Meryon was celebrated among artists and collectors alike during the nineteenth century for his etched depictions of Paris. These works combined a documentary eye on the French capital--which was then undergoing dramatic transformation from a medieval to distinctly modern city--with fantastic details that varied from the whimsical to the morbid. His first and best-known album, Eaux-fortes sur Paris, included twenty-two urban views inspired by the novels and poetry of Victor Hugo (1802-1885). This title page opened the series, and showed, as the art critic Philippe Burty described in his early monograph on Meryon, "a block of stone with fossils and moss imprints . symbolizing the physical foundations of Paris.". Museum: Metropolitan Museum of Art, New York, USA.

alb3632302 The Gallery of the Palace of Justice. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 9 7/8 × 12 9/16 in. (25.1 × 31.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

alb3704846 Frontispiece for the Sacred Cosmologia (Title with Astrologers). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3708381 Frontispiece for the Sacred Cosmologia (Title with Astrologers). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

alb3703557 Sheepcote. Dated: 1781. Medium: transfer technique (aquatint?). Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel and Cornelis Brouwer after Karel Dujardin.

alb3896566 St's Peter and Paul. Date/Period: From 1587 until 1592. Painting. Oil on canvas. Height: 105 cm (41.3 in); Width: 121.5 cm (47.8 in). Author: EL GRECO.

alb3623258 The Holy Virgins Greeted by Christ as They Enter the Gates of Paradise. Artist: Simon Marmion (French, Amiens ca. 1425-1489 Valenciennes). Dimensions: 6 1/4 x 4 9/16 in. (15.8 x 11.6cm)Painted Area: 5 15/16 x 4 5/16 in. (15.1 x 11cm)Justification: 4 3/16 x 2 13/16 in. (10.7 x 7.1cm). Date: ca. 1467-70.This miniature, depicting the Holy Virgins being greeted by Christ at the gates of paradise, was originally part of a breviary, which is a book containing the Divine Office for recitation on each day of the Roman Catholic calendar. The image would have faced the opening lines of the text for the Common of Virgins. The location and orientation of the image within the book is confirmed by the text on the back of this miniature, which is the end of the Common of Confessors--a section that traditionally precedes the Common of Virgins. Marmion has divided the leaf into three scenes, each of which illustrates part of the text of the Common of the Virgins. Among the figures in all three scenes is the abbess of a religious order, identifiable by her black habit, whose identity and meaning have yet to be unraveled.This book must have been lavishly illustrated, since full-page miniatures in the Common of Saints section, like this one, were rare. The generous use of gold leaf further underscores the expense of the original manuscript, which was begun for Philip the Good, duke of Burgundy, in 1467, and finished in 1470 for Charles the Bold, Philip's son and successor. A surviving document indicates that the manuscript had 624 folios, 95 miniatures, and was illustrated for the ducal court by Simon Marmion and his workshop. This breviary was one of a number of works undertaken by Marmion, one of the most esteemed illuminators and painters of his generation. Museum: Metropolitan Museum of Art, New York, USA.

alb3650974 Scarlet Gilia, Gilila aggregata. Artist: Margaret Neilson Armstrong (American, New York 1867-1944 New York). Dimensions: sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm). Date: May 18, 1913. Museum: Metropolitan Museum of Art, New York, USA.

alb3612887 Diverses Pieces de Serruriers, page 2 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm)Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663.Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Full page portrait of Hughes Brisville. Brisville is depicted at his desk; behind him is a view of a landscape. The portrait is framed within an oval decorated with twisting acanthus leaves and an inscribed scroll, as well as four composite winged putto and plant figures. The portrait and oval frame are further surrounded by a decorative border ornamented with coiling acanthus vines. Interspersed throughout the vines are grotesque heads in the form of leaves, various animals, animal heads, and composite human and plant figures. Museum: Metropolitan Museum of Art, New York, USA.

alb3613831 Pink Monkey-flower, Mimulus Lewisii. Artist: Margaret Neilson Armstrong (American, New York 1867-1944 New York). Dimensions: sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm). Date: July 16, 1912. Museum: Metropolitan Museum of Art, New York, USA.

alb3642451 Mountain Phacelia, Phacelia sericea. Artist: Margaret Neilson Armstrong (American, New York 1867-1944 New York). Dimensions: sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm). Date: July 1909. Museum: Metropolitan Museum of Art, New York, USA.

orz153360 EPISODIOS NACIONALES- EDICION ILUSTRADA POR ENRIQUE Y ARTURO MELIDA- MADRID- LA GUIRNALDA 1882/5- PG 172/17. Author: BENITO PEREZ GALDOS (1843-1920). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153531 REGLAMENTO DEL GOBIERNO INTERIOR DE CORTES Y SU EDIFICIO REFORMADOS - PAGINAS 38/39 - MADRID 1836. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153550 CODICE CRIMINAL DEL EMPERADOR CARLOS V, VULGARMENTE LLAMADO"LA CAROLINA" - DOBLE PAGINA EN FRANCES Y ALEMAN - SIGLO XVI. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153526 TEATRO CRITICO UNIVERSAL-TOMO I-MADRID 1778-NUEVA IMPRESION-DOBLE PAGINA CON GRABADO DE FRAY B.FEIJO. Author: FRAY BENITO FEIJOO (1676-1764). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN. PADRE FEIJOO Y MONTENEGRO (1676-1764).

orz153522 CRONICA DEL SERENISIMO PRINCIPE DON JUAN (REY JUAN II DE CASTILLA-LEON) - SIGLO XV - PAGINA 22/23. Author: FERNAN PEREZ DE GUZMAN (1370-1460). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN. JOHN II OF CASTILE. ISABEL LA CATOLICA PADRE DE.

orz153528 URBIUM PRAECIPUARUM THEATRUM QUINTUM - GRABADOS DE ESTRASBURGO Y DE FRIBURGO - 1580 - PAGINAS 154 Y 155. Author: GEORG BRAUN. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153138 PARLAMENTARIOS ESPAÑOLES - RETRATOS: CONDE DE ROMANONES Y SERAFIN ROMEU Y FARGES - PAGINAS 48 Y 49. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153477 NATURAL HISTORY - BOOK IX - DRAWINGS OF DIFFERENT ANIMAL SPECIES - PAGE 177 - 17TH CENTURY. Author: JUAN EUSEBIO NIEREMBERG (1595-1658). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153478 HISTORIA NATURAL - LIBRO IX - DIBUJOS DE DISTINTAS ESPECIES ANIMALES - PAGINA 176 - SIGLO XVII. Author: JUAN EUSEBIO NIEREMBERG (1595-1658). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153410 CONSTITUCION POLITICA DE LA MONARQUIA ESPAÑOLA 1812-DOBLE PAGINA CON FIRMAS. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

orz153476 NATURAL HISTORY - BOOK IX - DRAWINGS OF DIFFERENT ANIMAL SPECIES - DOUBLE PAGE 176/177 - 17th CENTURY. Author: JUAN EUSEBIO NIEREMBERG (1595-1658). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

alb2956128 Ramon Llull (1235-1316). Spanish writer and philosopher. Practica Compendiosa Artis Raymundi Lulli, 1523. Book 8. Medicine subject. Engraving depicting the human body and the influence of the stars (the astrological associations of the human body). Colored engraving.

alb1473404 Codex 144. Biblia Novum Testamentum, Evangelia Santi Mathei et Santi Marci. Miniature of capital letter depicting Saint Mark with the gospel. 13th-14th centuries. Folio 119v. Chapter Archive of Tarazona. Spain.

alb1470139 Codex 131. Guidus of Bausio. Archidiaconus Rossarium. Folio 1v. Latin. Capitular letter depicting Jesus presented in the temple. Chapter Archive of Tarazona. Spain.

alb1465248 Codex 135. Missale Dominicale cum Kalendario. 14th century. Miniature in the capital letter depicting the Virgin Mary with infant Jesus. Folio 148v. Chapter Archive of Tarazona. Spain.

alb1463398 Codex 135. Missale Dominicale cum Kalendario. 14th century. Christ Pantocrator. Miniature. Chapter Archive of Tarazona. Spain.

alb1467371 The Cantigas de Santa Maria (Canticles of Holy Mary). Are 420 poems with musical notation, written in Galician-Portuguese during the reigh of Alfonso X El Sabio (1221-1284) and often attributed to him. Manuscript El Escorial. National heritage.

alb1469938 Spain. Extremadura. Almendralejo. Plateresque portal of the Parish of Our Lady of Purification (16th century).

alb1467663 Gonzalo de Berceo (c.1197-before 1264). Spanish poet. Life of Saint Dominic of Silos. Manuscript. First folio. Library of the Royal Academy of History. Madrid. Spain.

alb1466644 Ramon Llull (1235-1316). Spanish writer and philosopher. Practica Compendiosa Artis Raymundi Lulli, 1523. Book 8. Medicine subject. Engraving depicting the human body and the influence of the stars (the astrological associations of the human body).

alb1468521 Codex 135. Missale Dominicale cum Kalendario. 14th century. Miniature in the capital letter depicting the Dormition or death of the Virgin Mary and her spirit out of the body. Folio 129v. Chapter Archive of Tarazona. Spain.

alb15544953 Utrecht, Schouten, Anthony, Hooghe, Romeyn de, Vianen, Jan van, Title page for: J. Munnicks, De re anatomica liber, 1697, Woman with a book near a human skeleton, a head and a bone, verso - stamped, A woman has a book on her lap with anatomical illustrations. Next to her on the table lies an open human head and a bone. Behind her a bookcase and a human skeleton., print, engraving, title page, prints, height 163 mm, width 103 mm, Northern Netherlands, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, etching, etchings, engraving (printing process), 1645-09-10 - 1708-06-15, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher.

alb15548195 Munich, Fischbach, Johann, Germany, Bruckmann, Friedrich, Silberpappel - Populus Alba, Photographic reproduction of a drawing of white poplars, or silver poplars, in an open space in a forest, photograph, photo, reproduction, page, photos, photographically illustrated books, height 124 mm, width 180 mm, German, 1814 - 1898, photographer, 1865 - 1879, photographic paper, photo paper, albumen print, albumine print, Publication (Event), Publication, publisher, 1797-04-05 - 1871-06-19, intermediary draughtsman.

alb15546101 Leiden, Haak, Dirk (I), Bleyswijck, François van, Title page for: Marcus Iunianus Iustinus and Abraham Gronovius, Iustini Historiae Philippicae, 1719, Allegory of the victory over Macedonia, verso - stamped, In the foreground sits History with an open book with title. Behind her stands Minerva with a bust of Roma. On the right Fortuna balances on a globe, she laurells the bust. Father Time with an hourglass on his head stands behind the three women with a board with turbans and swords. In the air Fama blows a trumpet, in her hand she holds a portrait medallion. In the background on the right a burning city (possibly in the Macedonian monarchy), on the left an emperor sits under a canopy., print, engraving, title page, prints, engravings, height 162 mm, width 111 mm, Noord-Nederlands, 1671-05-24 - 1746-10-15, print maker, printmaker, 1719 - 1719, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, paper, papier, engraving (printing process), Work conception, Northern Netherlands, after own design of, Publication (Event), Publication, publisher.

alb15772581 Verse with the print with the opened grave of Venus, ca. 1707-1708, See Venus resplendent in the grave: She did bring honor, victory and punishment (title on object), The Steadfast Monarchy of Death, 't Pleasure Garden of Momus (series title), Text sheet with a verse on both pages belonging to the print with the allegory in which bystanders view the skeleton in the open tomb of the goddess Venus, ca. 1707-1708. Part of: The Steadfast Monarchy of Death, a series of 8 old plates with verses adapted for use as cartoons on the French in the context of the War of the Spanish Succession. Part of the print work published under the collective title 't Lust-Hof van Momus with the bundled series of cartoons during the years 1701-1713 of the War of the Spanish Succession., text sheet, Abraham Allard, publisher: Carel Allard, Amsterdam, 1707 - 1708, paper, letterpress printing, height, 315 mm × width, 200 mm.

alb15771324 Text page for the opening cartoon on Dumouriez, 1793, Text page for the opening cartoon on the fall of General Charles François Dumouriez. Four verses numbered No. 1-4. With handwriting on verso., text sheet, printer: anonymous, Northern Netherlands, 1793, paper, letterpress printing, height, 165 mm × width, 120 mm.

alb15771064 Revue de la Mode, Gazette de la Famille, dimanche 14 August 1887, 16e Année, No. 815: Etoffes de la M.on Le Houssel (...), Two women at a balustrade, an estate in the background. Left: 'toilette' of white silk, white lace, purple wool and mother-of-pearl buttons. Bodice of wool opened on a vest of white silk decorated with mother-of-pearl buttons. Collar of white silk covered with lace. Right: 'toilette' of light gray wool with navy blue check and navy blue surah. Short coat of wool opened on a draped 'plastron' of surah; belt made of the same fabric. Below the performance are some lines of advertising text for various products. Print from the fashion magazine Revue de la Mode (1872-1913). Detailed description of the clothing on page 260 "PLANCHE COLORIÉE"., print maker: anonymous, printer: Henri Quentin, Paris, 1887, paper, engraving, height c. 368 mm × width c. 257 mm.

alb15771163 Cartoon on the peace between the Netherlands and the Emperor, 1785, Reiß eines Preisischen und Französischen Officir, in Holland (title on object), Cartoon on the Treaty of Fontainebleau that ended the Cauldron War, the disputes between the Netherlands and the Austrian Emperor Joseph II, November 8, 1785. The Netherlands paid 8.5 million guilders and accepted other humiliating terms. On the left an Austrian toll tree with an open carriage, driven by a French officer, in which a Prussian officer sits; the officer is stopped by the Austrian official for payment of barrier money, but the two Dutch lackeys standing at the back of the carriage say: we will pay everything so that the Prussian can continue his journey. In the caption the legend 1-4 in German., print, print maker: anonymous, publisher: Johann Martin Will, (mentioned on object), print maker: Germany, publisher: Augsburg, 1785 - 1786, paper, etching, engraving, height, 215 mm × width, 345 mm.

alb15770787 Patriotic preacher Johan Jacob le Sage ten Broek, 1785, Op den Professoraalen Krygsman (title on object), Performance in honor of the Rotterdam patriotic preacher and professor Johan Jacob le Sage ten Broek, ca. 1785. Ten Broek presented for one half as member of a free corps in uniform with a rifle and the other half as a preacher with a Bible in hand. Next to him a lance with a freedom hat. On the floor an open Bible on the book of Nehemiah. On the page under the plate two four-line verses. The print includes a text sheet with more verses., print, print maker: anonymous, J.Ph. Hildebrand, (mentioned on object), Northern Netherlands, 1785, paper, etching, engraving, letterpress printing, height, 385 mm × width, 252 mm.

akg465616 Sigmund Freud (Sigismund Schlomo Freud). 1856-1939; Austrian neurologist and founder of the discipline of psychoanalysis. Sigmund Freud's glasses and pen on the open book "The Interpretation of Dreams" (1900) with dedication to Helene Schiff. Photo, undated. Wien, Sigmund Freud Museum Wien. Museum: Wien, Sigmund Freud Museum Wien.

alb15599246 View of the station site at Samarang on the Venarang and the home of the station master (title on object), View of the station site at Semarang, with some open buildings covered with atap and the home of the station master. Album page with pasted photo, part of the photo album about the construction of the Semarang - Kedoeng Djattie (Kedungjati) railway line on Java in 1865., photograph, Carl Emanuel Friedrich Lang, Java, Jan-1865 - Mar-1865, photographic support, albumen print, height, 190 mm × width, 280 mm, height, 305 mm × width, 450 mm.

alb15598085 Title page for the Schouburgh of Dutch changes, opened in six tooneelen, 1674, Typographical title page for: Schouburgh of Dutch changes, opened in six tooneelen, written and published by Romeyn de Hooghe in 1674., publisher: Romeyn de Hooghe, (mentioned on object), Amsterdam, 1674, paper, letterpress printing, height, 282 mm × width, 190 mm.

alb15812420 Entering the Bosphorus our steamer was stopped for inspection and the last Allied officers passed us on. It was the end of their occupation The entrance to the Bosphorus from the Black Sea. Steaming through this narrow opening, one wonders how long can a nation of Turks keep their throttle hold on the great Russian Empire., Photographs show the entrance to the Bosphorus, Turkey., Carpenter, Frank G. (Frank George), 1855-1924, photographer, 1923., Ships, Turkey, Istanbul, 1920-1930, Gelatin silver prints, 1920-1930., Gelatin silver prints, 1920-1930, 2 photographic prints (1 page): gelatin silver.

alb15562687 Noord-Nederland, Wandelaar, Jan, Title page for: Halma, François. Het groot Fransch en Nederduitsch woordenboek1761, Personificaties van de Oostenrijk-Nederlanden en Frankrijk, verso lower left - stamped, In the middle sits the personification of the Austrian Netherlands with a mural crown and a liberty staff with hat. She holds an open book with the abbreviated title. At her feet lies a lion with a arrow bundle. On the left behind her a woman plays a harp and another woman writes in a book. On the other side of the open book sits the personification of France with a crown, a scepter and a rooster at her feet. Behind them flies Mercury with his caduceus, an envelope and a key., print, engraving, title page, prints, height 222 mm, width 177 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1757 - 1757, paper, papier, etching, engraving (printing process), Work conception, after own design by.

alb15563797 Noord-Nederland, Wandelaar, Jan, Resurrection of Christ, verso lower left - stamped, The risen Christ stands on the edge of the opened tomb. An angel can be seen behind him. Some frightened soldiers are fleeing. Top right: page: 291., print, book illustration, prints, height 147 mm, width 81 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1725 - 1725, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by.

alb15763976 The opened grave of Hercules, ca. 1707-1708, Here lays Hercules 's Waerelds Sterkheid (title on object), The Steadfast Monarchy of Death, 't Pleasure Court of Momus (series title), Allegory in which bystanders see the skeleton in the opened grave of the god Hercules, ca. 1707-1708. Numbered: 6 and marked: Pag. 15. Part of: The Steadfast Monarchy of Death, a series of 8 old plates with verses adapted for use as cartoons on the French in the context of the War of the Spanish Succession. Part of the print work published under the collective title 't Lust-Hof van Momus with the bundled series of cartoons during the years 1701-1713 of the War of the Spanish Succession., print, print maker: Carel Allard, (possibly), Abraham Allard, (mentioned on object), publisher: Carel Allard, (mentioned on object), Amsterdam, 1707 - 1708, paper, etching, height, 315 mm × width, 200 mm.

alb15768116 Victories of King William III in Ireland (bottom half), 1690, The Glorious Campaign of William the III King of Great Britain Neffen's Only Most Memorable Actions of the Allies and Confederates in the Year 1690 Event (title on object), Large print on two pages which celebrates the victories of King William III in Ireland and the victories of the Allies over France in the year 1690. Bottom half with the open box intended for the almanac of the battle at Naples surrounded by six tokens. On both sides smaller scenes of the battle between William III and James II in Ireland and between the Allies and France, on the right the conquest of Canada by the English., print, print maker: Daniel de Lafeuille, (mentioned on object), after own design by: Daniel de Lafeuille, (mentioned on object), Northern Netherlands, 1690 - 1691, paper, etching, height, 460 mm × width, 594 mm.

alb15768161 Capture of Luxembourg by the French, 1684, Les Actions Heroiques de Louis le Grand en l année MDCLXXXIV/ La Prize de Luxembourg par l'Armée du Roy, Commandée par Mr. le Ma.al de Crequi le 4 Juin 1684 (title on object), Conquest of Luxembourg by the French army under Marshal François de Créquy and the Marquis de Vauban on June 4, 1684. View of the siege of the city, in the foreground the French Marshal and other commanders on horseback. At the bottom smaller scenes, including the bombing of Genoa from June 17-28. At the bottom a cartouche left open intended for a calendar page for the year 1685. Two pages stuck together., print, print maker: Nicolas Langlois (I), (attributed to), publisher: Nicolas Langlois (I), (mentioned on object), Lodewijk XIV (koning van Frankrijk), (mentioned on object), Paris, 1684 - 1685, paper, etching, engraving, height, 872 mm × width, 568 mm.

alb15761003 Revue de la Mode, Gazette de la Famille, 20 Novembre 1887, 16e Année, No. 829: Passementeries & Rubans (...), Two women in a conservatory, standing by an open birdcage on which a bird (parakeet?) sits. Left: 'toilette' made of light green velvet, pink surah and gold-colored braid, suitable for a young woman aged 18 to 20. Belt of light green velvet. Right: long coat of beige wool, wool with stripes and checks in beige, black and red. Feather collar. Beige wool cuffs. Bow made of beige ribbon with long slips, attached to the edge of the hood at the front. Below the performance are some lines of advertising text for various products. Print from the fashion magazine Revue de la Mode (1872-1913). Detailed description of the clothes on page 376 "PLANCHE COLORIÉE., print maker: anonymous, printer: Henri Quentin, Paris, 1887, paper, engraving, height c. 375 mm × width c. 268 mm.

alb15768822 The opened tomb of Venus, ca. 1707-1708, Death pageantry of Venus, Des Waerelds Schoonheid (title on object), The Steadfast Monarchy of Death, 't Pleasure Garden of Momus (series title), Allegory in which bystanders place the skeleton in the View the opened tomb of the goddess Venus, ca. 1707-1708. Numbered: 3 and marked: Pag. 9. Part of: The Steadfast Monarchy of Death, a series of 8 old plates with verses adapted for use as cartoons on the French in the context of the War of the Spanish Succession. Part of the print work published under the collective title 't Lust-Hof van Momus with the bundled series of cartoons during the years 1701-1713 of the War of the Spanish Succession., print, print maker: Carel Allard, (possibly), Abraham Allard, (mentioned on object), publisher: Carel Allard, (mentioned on object), Amsterdam, 1707 - 1708, paper, etching, height, 315 mm × width, 200 mm.

alb15768022 Explanation of the print with the allegory on the preservation of freedom against the French enemy, 1793, Declaration of a symbolic painting Ter gedagtenis aan 't Volk van Nederland (title on object), Text sheet with an explanation of the representation of the allegory on the preservation of freedom and religion in the Republic, thanks to the support of God and the Coalition forces, through the victory over the French troops in February 1793. Opened page with four sides numbered 1-4., text sheet, publisher: Nicolaas Cornel, (possibly), Rotterdam, 1794, paper, letterpress printing, height, 220 mm × width, 260 mm.

alb15763503 Newspaper reader in an interior, In an interior a man reads the newspaper and a woman feeds a child. A man leans on the opened bottom door. The printed drawing is loose in an album, see page 7., drawing, maker: Cornelis Ploos van Amstel, after drawing by: Adriaen van Ostade, Amsterdam, 1766, paper, height, 241 mm × width, 198 mm.

alb15764549 Title page for: L. Sylvius (u003d Lambert van den Bosch), Historien onses tyds, vol. 2, Matters of State and War, In and around the United Netherlands. from Anno 1678 to anno 1687 (title on object), Title page for: L. Sylvius (u003d Lambert van den Bosch), Historien onses tyds (1688). Open doors behind which a fierce warrior with torch and sword. Surrounded by 12 smaller scenes of war actions from the years 1678-1687, with captions., print, print maker: Jan Luyken, Northern Netherlands, (possibly), 1687 - 1688, paper, etching, engraving, height, 329 mm × width, 199 mm.

alb15875310 Sheepfold, Four sheep at the opened sheepfold. The print is loose in an album, see page 44., print maker: Cornelis Brouwer, after drawing by: Karel du Jardin, Cornelis Ploos van Amstel, Amsterdam, 1781 - 1787, paper, height 119 mm × width 172 mm, print.

alb15879527 Sheepfold, Four sheep at the opened sheepfold. The printed drawing is loose in an album, see page 44., maker: Cornelis Brouwer, after drawing by: Karel du Jardin, Cornelis Ploos van Amstel, Amsterdam, 1781 - 1787, paper, brush, height 118 mm × width 175 mm, drawing.

alb15938566 Interior with a woman at a cradle, Interior with a woman at a cradle. The woman talks to a man standing outside the open window. A child is playing by the fireplace. The print is loose in an album, see page 56., print maker: Cornelis Ploos van Amstel, (signed by artist), after drawing by: Adriaen van Ostade, Amsterdam, 1768, paper, height 134 mm × width 198 mm, print.

alb15865418 Album with representations of people playing the piano, Gavarni. Oeuvres Nouvelles. Piano! (title on object), Piano playing (series title), Masques et Visages. Piano! (series title), Album with ten prints on ten pages. On the cover, a print collector opens an album. He is surrounded by various human figures., print maker: Paul Gavarni, printer: Joseph Rose Lemercier, printer: Imprimerie Raçon, Paris, 1853, paper, height 378 mm × width 275 mm × width 532 mm.

alb15861293 Album with representations of old Lorettes, Gavarni. Oeuvres Nouvelles. Les Lorettes vieillies (title on object), Old women from Notre-Dame-de-Lorette in Paris (series title), Masques et visages. Les Lorettes vieillies (series title), Album with ten prints on ten pages. On the cover, a print collector opens an album. He is surrounded by various human figures., print maker: Paul Gavarni, printer: Joseph Rose Lemercier, printer: Imprimerie Raçon, Paris, 1853, paper, height 384 mm × width 278 mm × width 542 mm.

alb15882009 Sheepfold, Four sheep at the opened sheepfold. The print is loose in an album, see page 44., print maker: Cornelis Brouwer, after drawing by: Karel du Jardin, Cornelis Ploos van Amstel, Amsterdam, 1781 - 1787, paper, height 171 mm × width 223 mm, print.