Pesquisando por: "ORPHEUS " - Fotoarena - Agência de fotojornalismo

ny020625223011 From left, Caleb Eberhardt, as Orpheus, and Maya Hawke, as Eurydice, in ÒEurydiceÓ at the Signature Theater in Manhattan, May 11, 2025. ÒEurydiceÓ review: Maya Hawke in mourning. The actress stars in Sarah RuhlÕs reimagining of the classic myth, which focuses on a daughterÕs underworld reunion with her beloved father. (Sara Krulwich/The New York Times/Fotoarena)

ny241023024607 -- STANDALONE PHOTO FOR USE AS DESIRED WITH YEAREND REVIEWS -- The actor Maggie Siff in Brooklyn on June 27, 2023. ?She?s lived through a lot to be in a place where she can come alive, which is, I think a feat,? Siff says of Lady Torrance, her character in ?Orpheus Descending.? (Clark Hodgin/The New York Times/Fotoarena)

ny130723153607 The actor Maggie Siff in Brooklyn on June 27, 2023. ÒSheÕs lived through a lot to be in a place where she can come alive, which is, I think a feat,Ó Siff says of Lady Torrance, her character in ÒOrpheus Descending.Ó (Clark Hodgin/The New York Times/Fotoarena)

ny130723153106 From left, the actor Maggie Siff and and the director Erica Schmidt in Brooklyn on June 27, 2023. ÒOrpheus Descending,Ó a rarely revived play about the treatment of outsiders, has only become more meaningful for its star and its director. (Clark Hodgin/The New York Times/Fotoarena)

ny130723153907 The actor Matt DeAngelis rehearses a scene from ÒOrpheus DescendingÓ in Brooklyn on June 27, 2023. After rehearsals at the Brooklyn Academy of Music, the play has now begun previews at the Polonsky Shakespeare Center. (Clark Hodgin/The New York Times/Fotoarena)

ny130723153306 Members of the cast rehearse ÒOrpheus DescendingÓ in Brooklyn on June 27, 2023. Pico Alexander, center, plays the roaming musician who attracts the attention of Lady Torrance. (Clark Hodgin/The New York Times/Fotoarena)

ny060623144805 American singer and songwriter John Mellencamp in Nashville, Tenn., on May 10, 2023. The irascible rocker, now 71, reflects on how America plays into his music, his relationship to his biggest hits and his latest album, ÒOrpheus Descending.Ó (Gabriel McCur/The New York Times/Fotoarena)

ny060623145006 American singer and songwriter John Mellencamp in Nashville, Tenn., on May 10, 2023. ÒI could do a whole show of hits if I wanted to, but I donÕt,Ó Mellencamp said. (Gabriel McCur/The New York Times/Fotoarena)

ny060623145306 American singer and songwriter John Mellencamp in Nashville, Tenn., on May 10, 2023. ÒIÕm just not interesting enough that I can write that many songs about myself,Ó Mellencamp said; ÒI donÕt even really know what IÕm writing about half the time.Ó (Gabriel McCur/The New York Times/Fotoarena)

ny231022183306 The co-curators of the ÒBlack Orpheus: Jacob Lawrence and the Mbari ClubÓ exhibition, Ndubuisi Ezeluomba and Kimberli Gant, at the Chrysler Museum of Art in Norfolk, Va., Sept. 20, 2022. Four museums feature exhibits this fall recognizing the work of African and African American artists. (Andar Sawyers/The New York Times/Fotoarena)

ny231022183205 The co-curators of the ÒBlack Orpheus: Jacob Lawrence and the Mbari ClubÓ exhibition, Ndubuisi Ezeluomba and Kimberli Gant, at the Chrysler Museum of Art in Norfolk, Va., Sept. 20, 2022. Four museums feature exhibits this fall recognizing the work of African and African American artists. (Andar Sawyers/The New York Times/Fotoarena)

ny010322185804 Spectators reach for beads during the Krewe of Orpheus parade on Fat Monday in New Orleans, Feb. 28, 2022. With a combination of joy, defiance, trepidation and celebration, Mardi Gras returned with one eye on the pandemic pain of the past two years and the other very much looking forward to strutting, parading and moving on. (Kathleen Flynn/The New York Times/Fotoarena)

ny010322185605 High schoolers perform during the Krewe of Orpheus parade on Fat Monday in New Orleans, Feb. 28, 2022. With a combination of joy, defiance, trepidation and celebration, Mardi Gras returned with one eye on the pandemic pain of the past two years and the other very much looking forward to strutting, parading and moving on. (Kathleen Flynn/The New York Times/Fotoarena)

ny120122151405 FILE Ñ Joshua Hopkins, center, as Orpheus and Erin Morley, right, as Eurydice, with Jakub Jozef Orlinski, in Matthew Aucoin and Sarah RuhlÕs ÒEurydiceÓ at the Metropolitan Opera in New York, Nov. 19, 2021. The musical ÒHadestownÓ and the opera ÒEurydiceÓ aim to offer new twists on a Greek myth Ñ but when it comes to their heroine, they only go so far. (Sara Krulwich/The New York Times/Fotoarena)

ny241121190205 From left: Chad Shelton, Ronita Miller and Stacy Tappan in the opera ÒEurydice,Ó at the Metropolitan Opera in New York, Oct. 17, 2021. The composer Matthew Aucoin and Sarah RuhlÕs teeming, wearying adaptation of her play is a contemporary vision of the Orpheus myth. (Sara Krulwich/The New York Times/Fotoarena)

ny241121190404 From left: Nathan Berg, in shadow, Erin Morley, Joshua Hopkins and Jokub Jozef Orlinski in the opera ÒEurydice,Ó at the Metropolitan Opera in New York, Oct. 19, 2021. The composer Matthew Aucoin and Sarah RuhlÕs teeming, wearying adaptation of her play is a contemporary vision of the Orpheus myth. (Sara Krulwich/The New York Times/Fotoarena)

ny241121190805 Erin Morley, left, as Eurydice and Joshua Hopkins as Orpheus in the opera ÒEurydice,Ó at the Metropolitan Opera in New York, Oct. 17, 2021. The composer Matthew Aucoin and Sarah RuhlÕs teeming, wearying adaptation of her play is a contemporary vision of the Orpheus myth. (Sara Krulwich/The New York Times/Fotoarena)

ny310120170304 Sarah Ruhl, who worked with Matthew Aucoin to adapt her 2003 play into an opera libretto, at the Dorothy Chandler Pavilion in Los Angeles, on Jan. 29, 2020. Aucoin and Ruhl have adapted ?Eurydice,? her play about the Orpheus story, for Los Angeles Opera. Next stop: New York. (Emily Berl/The New York Times/Fotoarena)

ny111121212305 FILE - From left: Kevin Ray as Loud Stone, Raehann Bryce-Davis as Big Stone and Stacey Tappan as Small Stone in a dress rehearsal for "Eurydice," in Los Angeles, Jan. 29, 2020. For over four centuries, the Orpheus myth has inspired opera composers. One was Luigi Rossi, whose 1647 retelling deserves more attention. (Emily Berl/The New York Times/Fotoarena)

ny310120171004 Makeup in a dressing room before the final dress rehearsal for the Los Angeles Opera's production of ?Eurydice,? at the Dorothy Chandler Pavilion in Los Angeles, on Jan. 29, 2020. Matthew Aucoin and Sarah Ruhl have adapted ?Eurydice,? her play about the Orpheus story, for Los Angeles Opera. Next stop: New York. (Emily Berl/The New York Times/Fotoarena)

ny310120170604 Matthew Aucoin, the 29-year-old composer of ?Eurydice,? conducts during the production's final dress rehearsal, at the Dorothy Chandler Pavilion in Los Angeles, on Jan. 29, 2020. Aucoin and Sarah Ruhl have adapted ?Eurydice,? her play about the Orpheus story, for Los Angeles Opera. Next stop: New York. (Emily Berl/The New York Times/Fotoarena)

ny310120170804 Raehann Bryce-Davis, who plays Big Stone in ?Eurydice,? has her makeup done before the final dress rehearsal, at the Dorothy Chandler Pavilion in Los Angeles, on Jan. 29, 2020. Matthew Aucoin and Sarah Ruhl have adapted ?Eurydice,? her play about the Orpheus story, for Los Angeles Opera. Next stop: New York. (Emily Berl/The New York Times/Fotoarena)

ny100619133405 Reeve Carney, center, performs with fellow cast members in a scene from the musical "Hadestown" at the 73rd Annual Tony Awards in New York on Sunday night, June 9, 2019. "Hadestown," a pulsing, poetic contemporary riff on the ancient Greek myth of Orpheus and Eurydice, won eight prizes, including best musical. (Sara Krulwich/The New York Times/Fotoarena)

ny100619133704 Andre DeSheilds performs in a scene from "Hadestown" at the 73rd Annual Tony Awards in New York on Sunday night, June 9, 2019. "Hadestown," a pulsing, poetic contemporary riff on the ancient Greek myth of Orpheus and Eurydice, won eight prizes, including best musical. (Sara Krulwich/The New York Times/Fotoarena)

ny100619132904 Andre DeSheilds accepts the Tony Award for best featured actor in a musical for his performance in "Hadestown" at the 73rd Annual Tony Awards in New York on Sunday night, June 9, 2019. The musical, a pulsing, poetic contemporary riff on the ancient Greek myth of Orpheus and Eurydice, won eight prizes, including best musical. (Sara Krulwich/The New York Times/Fotoarena)

ny120122151305 FILE Ñ Reeve Carney, foreground center, and Eva Noblezada, far right, as Orpheus and Eurydice in the Broadway musical ÒHadestown,Ó at the Walter Kerr Theatre in New York, March 21, 2019. The musical ÒHadestownÓ and the opera ÒEurydiceÓ aim to offer new twists on a Greek myth Ñ but when it comes to their heroine, they only go so far. (Sara Krulwich/The New York Times/Fotoarena)

ny170419224904 Standing from left: Reeve Carney Orpheus, Eva Noblezada as Eurydice and Amber Gray as Persephone in the musical "Hadestown" in New York, March 21, 2019. All your favorite Greeks are heading somewhere in ?Hadestown,? the sumptuous, hypnotic and somewhat hyperactive musical that opened on April 17 night after its own twisty 13-year road to Broadway. (Sara Krulwich/The New York Times/Fotoarena)

ny280319143804 Reeve Carney, far left, and Patrick Page, far right, in the musical "Hadestown" at the Walter Kerr Theater in New York, March 21, 2019. Director Rachel Chavkin is back on Broadway with another eye-popping, folk-fueled musical unlike anything else commercial theater has to offer: ?Hadestown,? a fervid reimagining of the ancient Greek myth of Orpheus and Eurydice. (Sara Krulwich/The New York Times/Fotoarena)

ny300419125804 FILE -- Amber Gray in the musical "Hadestown," at the Walter Kerr Theater in New York, March 21, 2019. The folk-and-blues-inflected musical reimagining of the Greek myth of Orpheus and Eurydice garnered nods in 14 categories as Tony nominations were announced on April 30. (Sara Krulwich/The New York Times/Fotoarena)

ny280319144204 Director Rachel Chavkin at her tech table in the house of Walter Kerr Theater in New York, March 9, 2019. Chavkin is back on Broadway with another eye-popping, folk-fueled musical unlike anything else commercial theater has to offer: ?Hadestown,? a fervid reimagining of the ancient Greek myth of Orpheus and Eurydice. (Bryan Derballa/The New York Times/Fotoarena)

ny280319144004 Director Rachel Chavkin on the stage of her new production, "Hadestown," at Walter Kerr Theater in New York, March 9, 2019. Chavkin is back on Broadway with another eye-popping, folk-fueled musical unlike anything else commercial theater has to offer: ?Hadestown,? a fervid reimagining of the ancient Greek myth of Orpheus and Eurydice. (Bryan Derballa/The New York Times/Fotoarena)

ny090819183004 FILE-- Barrie Kosky, a crucial advocate for the modern revival of operetta, who directs the production ?Orpheus in the Underworld," at the Royal Opera House in London, Jan. 31, 2018. Kosky?s new productionis, he says, a ?fantasy world.? (Andrew Testa/The New York Times/Fotoarena)

ny280319143904 FILE -- Josh Groban, center, in the musical "Natasha, Pierre & The Great Comet of 1812" at the Imperial Theater in New York, Nov. 4, 2016. Rachel Chavkin, the director of "The Great Comet," is back on Broadway with another eye-popping, folk-fueled musical unlike anything else commercial theater has to offer: ?Hadestown,? a fervid reimagining of the ancient Greek myth of Orpheus and Eurydice. (Sara Krulwich/The New York Times/Fotoarena)

ny280621184305 FILE -- Pinchas Zukerman performs Mozart's "Violin Concerto No. 3" with the Orpheus Chamber Orchestra in New York on March 19, 2016. Pinchas Zukerman was criticized for invoking ugly stereotypes about Asians during a master class on Friday, June 25, 2021, at Juilliard, which called his remarks offensive. (Hiroyuki Ito/The New York Times/Fotoarena)

TCDSAND_ZX093 THE SANDMAN, Kirby Howell-Baptiste, 'The Song of Orpheus', (Season 2, ep. 205, aired July 3, 2025). photo: Ed Miller /©Netflix /Courtesy Everett Collection

TCDSAND_ZX095 THE SANDMAN, Mason Alexander Park, 'The Song of Orpheus', (Season 2, ep. 205, aired July 3, 2025). photo: Ed Miller /©Netflix /Courtesy Everett Collection

TCDSAND_ZX094 THE SANDMAN, from left: Mason Alexander Park, Donna Preston, Barry Sloane, Esme Creed-Miles, 'The Song of Orpheus', (Season 2, ep. 205, aired July 3, 2025). photo: Ed Miller /©Netflix /Courtesy Everett Collection