Pesquisando por: "Nails with hammer" - Fotoarena - Agência de fotojornalismo

948_05_00168584 With her ??go two devout women who are also called Maria. The whole crowd is moving toward Golgotha??. It is all prepared for the crucifixion. The dramatic climax of the Passion game is the crucifixion. We see how the crosses are erected, hear the hammering roar that drive the God-man, the nails through hands and feet.

akg268292 Nutrition and Stimulants: Tea. Tea manufacture in China: pressing, packing and selling of tea to a European merchant. Chinese, 18th century. Watercolour. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg825258 Trade and Industry: Upholsterer.-Tomlinson Chair Manufacturing Company in High Point (North Carolina, USA): an upholsterer at work, employed as par t of the Works Progress Administration (WPA), within Roosevelt's New Deal.-Photo, c. 1936/37 (Lewis W. Hine).

alb3724530 The Death of Atilius Regulus. Dated: c. 1662. Dimensions: plate: 46.4 × 72.9 cm (18 1/4 × 28 11/16 in.) sheet: 53.4 × 75.7 cm (21 × 29 13/16 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: SALVATOR ROSA.

alb1459813 Saint Severo (IV century)). Martyr, born in Barcelona. Bishop of Barcelona. He shot through the head with a nail on 6 November in the year 352. Engraving by in 1853.

orz142560 Triptych - Christ "Patiens" . 45x29 cm. Madrid, Prado museum. Spain. Author: MAESTRO DE LA LEYENDA DE SANTA CATALINA (S XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. CRISTO DE LA PACIENCIA.

orz109370 Crucifixion. 18th century. Oil on canvas (124x144). Italian baroque painting. Madrid, Prado museum. Author: DOMENICO TIEPOLO GIOVANNI (1727-1804). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. CRISTO CRUCIFICADO.

alb15546090 Lons, Dirk Eversen, unknown, Sadeler, Aegidius, Theatrum Passionis Christi, Instruments of the Passion, Angel with the ladder, hammer, nails and ointment jar, verso center bottom - stamped, Angel with the ladder of the crucifixion in his hands. On the ground in front of the angel hammer, nails and the ointment jar. The print has a Latin caption, print, prent, prints, prenten, Japan (collection), height 155 mm, width 109 mm, Zuid-Nederlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Publication (Event), Publication, 1600 - 1686, publisher.

alb15599508 Owl flies from desk, Le Lutrin. Chant Troisiéme. (title on object), Departure at night. The wig maker, Brontin and Boirude are startled by an owl flying out of a lectern. In the foreground a saw, a hammer, nails, a glass and a bottle of wine. The scene is decorated with an ornamental frame crowned by a Medusa head. At the bottom an open songbook and various attributes of a bishop., print, print maker: Bernard Picart, (workshop of), Bernard Picart, (mentioned on object), after drawing by: Bernard Picart, Amsterdam, 1717 and/or 1728, paper, etching, engraving, height, 200 mm × width, 148 mm × height, 320 mm × width, 228 mm.

alb15767520 Christ is nailed to the cross, Passion of Christ (series title), Passio Domini nostri Jesu Christi (series title), Christ is nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the background Mary, Mary Magdalene and John the Baptist. The scene is contained in an oval frame with a border inscription in Latin. Print from a series with the passion of Christ., print, print maker: Crispijn van de Passe (I), after own design by: Crispijn van de Passe (I), (mentioned on object), publisher: Crispijn van de Passe (I), (mentioned on object), Cologne, 1600, paper, engraving, height, 140 mm × width, 107 mm.

alb15528845 Paris, Gihaut frères, Villain, Jean-François, Géricault, Théodore, Suite de sept petites pièces, Seven small plates, Cheval que l'on ferre, A horse is shod, verso middle - stamped, A horse (grey) with the harness still on, is being fitted by two men. One holds the horse's left hind leg, the other hammers the nails into the hoof., print, engraving, prints, engravings, height 154 mm, width 182 mm, French, 1791-09-26 - 1824-01-26, print maker, printmaker, 1823 - 1823, first quarter 19th century, chine collé, lithography (technique), 1790, printer, Publication (Event), Publication, publisher.

alb15493445 Sadeler, Aegidius, Johann (I), Angel with ladder, hammer, nails and ointment jar, verso lower left - stamped, print, prints, height 68 mm, width 53 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1580 - 1600, paper, papier, engraving, engraving (printing process), Work conception, 1570 - 1629.

akg616229 Le Nain, Louis c. 1607 - 1648. "Lamentation of Christ", c. 1635. Oil on canvas, 63 × 75 cm. Inv. Nr. GK 117. Museum: Darmstadt, Hessisches Landesmuseum.

alb3633046 Astrolabe of 'Umar ibn Yusuf ibn 'Umar ibn 'Ali ibn Rasul al-Muzaffari. Dimensions: Case (a): Max. W. 7 5/8 in. (19.4 cm) Diam. 6 1/8 in. (15.6 cm) D. 1/4 in. (0.6 cm)Bar with attached nail (b): Max. H. 1 7/8 in. (4.8 cm)Max. W. 1 1/8 in. (2.9 cm)L. 5 in. (12.7 cm)Net (c): Diam. 5 in. (12.7 cm)Plates (d-g): Diam. 5 in. (12.7 cm)Pin (h): L. 1 3/4 in. (4.4 cm)W. 1/2 in. (1.3 cm). Maker: 'Umar ibn Yusuf ibn 'Umar ibn 'Ali ibn Rasul al-Muzaffari. Date: dated A.H. 690/ A.D. 1291.For an object produced during the medieval period, this astrolabe is unusually well documented. Its inscription attributes it to a Rasulid prince, 'Umar ibn Yusuf, a few years before he ascended to the throne (r. 1295-96). 'Umar compiled a number of scientific treatises, including one on the construction of astrolabes, an autographed version of which, preserved in Cairo, contains certifications by his teachers as to his competence as a maker of such devices and a description of this very piece. Museum: Metropolitan Museum of Art, New York, USA.

alb2069025 Giandomenico Tiepolo / 'The Disrobing of Christ', 1772, Italian School, Oil on canvas, 124,5 cm x 144,5 cm, P00359. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

akg8203783 Central rectangular lithograph - 7 shoemakers, 1 shoemaker in shoemaking - 1 customer - 20 smaller lithographs of tools and products surround central lithograph, paper, stencil-coloured spring lithographs with hand-coloured revisions. Artist: G.M. Kirn.

akg8203768 Central rectangular lithograph - 3 nailsmiths in a blacksmith's workshop - 21 smaller lithographs of tools and products surround central lithograph, paper, stencil-coloured pen lithographs with hand-coloured revisions. Artist: G.M. Kirn.

akg8011981 Uecker, Günther1930 Wendorf""Weisser Schrei"". 1986. Hammered in nails and paint, canvas, pulled over wood. 90.5 x 90.5 x Signed and dated verso lower right: Uecker 96. Above this titled: WEISSER SCHREI. And marked with directional arrow. This work is registered in the Uecker archive under the number GU.86.032 and has been selected for entry into the Uecker catalogue raisonné currently in production. Provenance: - Galerie Orangerie-Reinz, Cologne - Corporate collection Germany. . Art trade, Van Ham.

akg8011982 Uecker, Günther1930 Wendorf""Weisser Schrei"". 1986. Hammered in nails and paint, canvas, pulled over wood. 90.5 x 90.5 x Signed and dated verso lower right: Uecker 96. Above this titled: WEISSER SCHREI. And marked with directional arrow. This work is registered in the Uecker archive under the number GU.86.032 and has been selected for entry into the Uecker catalogue raisonné currently in production. Provenance: - Galerie Orangerie-Reinz, Cologne - Corporate collection Germany. . Art trade, Van Ham.

alb9874025 The resurrection of Jesus Christ in Byzantine costume, 11th century. Christ stands on a hill with various implements of the Passion (nails, key, hammer, wood) and invites doubting Thomas to touch his wounds. Other apostles stand in the empty tomb. Bibliotheque Imperiale, MS 74 G. La Resurrection, Empire de Byzance, XIe siecle. Chromolithograph by A. Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

alb5206734 Designs for Two Cross Pendants, Pen and ink, brush and wash, graphite on paper, Two jewelry designs for cross pendants. At left a cross with hexagonal arms. On the interior of the cross, images of the instruments of the Passion: on top the crown of thorns, at left three nails, at right three dies, at bottom pincers and hammer. On top a vine with a larger one above, in the middle of the outer sides of the other arms a grenade. At right, a plain cross, framed by moldings; at the outsides of the arms a ball; above a ring. Construction lines in graphite. Stabbed for copying., Italy, early 19th century, jewelry, Drawing, Drawing.

akg8319498 Abraham Bloemaert; 1564-1651. "Man of Sorrows", 1645. Oil on wood, 81.2 × 63.2 cm. Utrecht, Cathedral kerk van Ste. Gertrudis.

alb4442515 Yes Famous antiquity women (series title), Round, lead, plaque with beveled edges. On a rocky terrain rise, a woman is sitting in a large pleated robe, the body to the left, the head to the right. In her right hand she holds the hammer, in her left the nail with which she murdered Jisera, chief of the Canaanites, asleep. In the background a mountain landscape and buildings. On the right a farmstead with a well., Peter Flötner, Neurenberg, c. 1525 - c. 1550, gilding, d 7.8 cm × w 49 gr.

alb5192326 Project for Trophies with the Arms of the Passion, Pencil, pen, brush and grey ink on paper, Design for two vertical trophies with the arms of the Passion of Christ. At left, the cross, vellum, hammer, tongs; at right, nails, crown of thorns, cane with sponge., Italy, 18251830, ornament, Drawing, Drawing.

alb5169670 Elevation of a Reliquary Cross, Pietro Belli, Italian, 17801828, Pen and ink, brush and ochre and black watercolor, graphite on paper, Vertical rectangle. Design for a reliquary, the pedestal in the shape of an antae sarcophagus, featuring a pelican on clouds and cherubim supports. Above, a serpent coils around the base of the cross with an apple in its mouth. Above, the Veil of Veronica hangs with the image of the face of Jesus Christ. Spear and sponge staff are carried in front of the bottom part of the cross above the cloth, the sudarium suspended from them. Four circular receptacles, inscribed 'Relliquia' are proposed, three of them at the ends of the cross arms, the fourth between the tops of the spear and the staff. A small cross-shaped receptacle is in the center. The nails, dice, hammer, and tongs surround its top. A crown supported by two flying putti at the top of the reliquary., Rome, Italy, 181540, metalwork, Drawing, Drawing.

alb3284118 Giovanni Battista Benvenuti, called Ortolano (ca.1485-after 1524). Italian painter. Lamentation of Christ, 1521. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

alb9515753 Lamentation of Christ, Mary with the body of the dead Christ on her lap under the cross surrounded by followers. Mary Magdalene kisses the feet of Christ. The pyramidal composition is accentuated by the two ladders standing against the cross, with a lance and a stick with a sponge behind them. In the foreground on a pedestal are the crown of thorns, nails and a hammer. On the pedestal the text: Propter iniquitates nostras. Esaias. 53., print maker: Battista Angolo del Moro, (mentioned on object), publisher: Luca Bertelli, (mentioned on object), print maker: Verona, publisher: Venice, 1572, paper, etching, height 341 mm × width 230 mm.

alb9491254 Jael with a hammer and a large nail, Hendrick Goltzius, 1586 - 1590, Standing,in profile. In the background on the right, she strikes the nail into the head of Sisera who is sleeping in a tent. Design for a print., draughtsman: Hendrick Goltzius, 1586 - 1590, paper, pen, brush, h 264 mm × w 171 mm.

alb9496647 A man with a headache has a cloth tied around his head and is holding his hands to his ears. Nine little devils are chiseling and hammering on his head. They also ring a bell and pull a rope around a nail in his head. Caricature of a man with a headache Le mal de tete Imagination L'imagination , print maker: Honoré Daumier, printer: Jean François Benard, publisher: Aubert & Cie., Paris, 1833, paper, h 275 mm × w 214 mm.

alb9457523 Christ being nailed to the cross. In the foreground a basket with rope, nails and a hammer. In the margin a four-line caption in Latin. Seventeenth print in a series of twenty-four depicting the birth and passion of Christ, Christ being nailed to the cross Birth and passion of Christ Dominicae passionis mysteria typicis adumbrationibus adamussim effigiata , print maker: Pieter de Jode (I), (mentioned on object), intermediary draughtsman: Maerten de Vos, Antwerp, 1590 - 1632, paper, engraving, h 201 mm × w 123 mm.

alb9459975 Sweatcloth of Veronica, Dirck de Bray, after Joseph de Bray, 1635 - 1694, The cloth appears to be hanging from nails hammered into a rough board and is smeared with bloodstains. Below it two lines of Dutch text., print maker: Dirck de Bray, (mentioned on object), Joseph de Bray, (mentioned on object), Netherlands, 1635 - 1694, paper, h 196 mm × w 144 mm.

alb9370144 Painting Frame with Falcon-Hunting and a Courtly Dining Scene, Wooden painting frame with figural representations. The frame has a flat back and flat wall trim rounded by a bead. On the wall of the stiles and top rail are, with a different type of wood, in high relief, many different ornaments. The uprights have ornaments in the form of people, people preparing a horse, rocks, animals and trees. The top row is decorated with three castles, rocks and trees. The wall transitions to the inner border. The inner border is a bead. The bottom border is an afzaad and runs concave. The frame has a loose fragment which is supposed to be under the afzaad. On the loose fragment, a dinner scene takes place amidst rocks and trees. The wall is mitred, the sole has a lip joint combined with a slis joint. The bottom rail has a mortise and tenon joint. The corner joints are reinforced by dowels that are hammered in from the wall crown and from the sole. The corner joints are also strengthened by riveted nails which are hammered in from the sole. Also, the sole has about nine new screws. The back of the bottom and top batten has two times two large slots and on the back of the bottom batten there are two large holes in the back. The rebate has been enlarged on the left-hand side. The bottom rail appears to contain a new piece of wood. The frame has two old suspension eyes that are in slots, in addition, there are manifold holes in the sole that may indicate various suspension systems. The [formerly, sculptor: anonymous, Antwerp, c. 1515 - c. 1519, oak (wood), cutting, height 108.2 cm × width 88.2 cm × depth 8.3 cmheight 92.8 cm × width 86.2 cm (inside dimensions), height 14 cm × width 68 cm (inserted bottom rail with the courtly dining scene).

orz022983 *LA DOLOROSA - SIGLO XVII - BARROCO ITALIANO. Author: CARLO DOLCI. Location: GALERIA CORSINI. Rome. ITALIA. VIRGIN MARY. VIRGEN DOLOROSA. VIRGEN DE LOS DOLORES.

alb2641253 Angel with the ladder, hammer, nails and gallipot, Aegidius Sadeler.

akg332120 African, Baule culture, Akan people (Ivory Coast). Laoure beater (part of a ceremonial percussion instrument, played during burial ceremonies a. o.). Wood with brass nails. 26,2 × 10,2 cm. Inv. no. 42-2-13. Abidjan, Musée National.

alb5209105 defiant lead, Anonymous, 18th century, cast, General: 7 x 5.3 x 0.4cm (70 x 53 x 4mm), Weight: 62.5g, Defy lead, used to lead the nail holes in the lead off the roof ridge cover to prevent watering in. On the front of the shield-shaped lead a slater hammer and a suction pump are depicted, with the letters I: V, 1915 below.

alb5206608 lid, Anonymous, 18th century, copper, brass, General: 7.2 x 34.4cm (72 x 344mm), Fire lid of hammered brass, tinned on the inside. The center is sunk. The side edge extends straight up, ending in a round, thickened edge. In the center of the convex top is a narrow copper handle that is attached to the lid with nails; these nails can still be seen on the bottom, 1889.

alb5194651 defiant lead, Anonymous, 17th or 18th century, cast, General: 7.4 x 5.1 x 0.4cm (74 x 51 x 4mm), Defy lead, used to cover the lead nail holes in the ridge of the roof to prevent watering in. The front of the shield-shaped lead shows a slater hammer and a suction pump, with the letters W.S.H, 1915 above it.

alb5180971 bravery lead, Anonymous, 18th century, cast, General: 6,3 x 5,2 x 0,3cm (63 x 52 x 3mm), Weight: 58,6g, Bracing lead, used to fill the nail holes in the lead of the ridge of the cover the roof to prevent watering in. The front of the shield-shaped lead shows a slater hammer and a suction pump, with the letters DSH above, 1915.

alb5068912 trip, Anonymous, 18th century, wood, iron, leather, chiselled, Trip A: 4 x 7.3 x 18.9cm 40 x 73 x 189mm, Trip B width is measured including wide, hardened leather strip: 6.2 x 10.8 x 20.6cm 62 x 108 x 206mm, Children's trip. The bottom of the shoes is chiselled out of wood, with a pointed toe. The wood is left thickest under the heel and under the ball of the foot. A leather strap runs over the instep and is attached to the wood with iron nails. At shoe A the strap has disappeared except for a few leather residues on the side of the wood. Shoe B has a band that is wide on the inside of the foot and tapers towards the end. In the narrow part there are two holes. The leather is decorated with a hammered motif. When acquired, the triplets have been described as a pair of children's triplets. The question is whether that is correct. They look like two right shoes. Although the difference is normal for handicrafts, these triplets differ a lot, 1925.

alb5066756 trip, Anonymous, 18th century, wood, iron, leather, chiselled, Trip A: 4 x 7.3 x 18.9cm 40 x 73 x 189mm, Trip B width is measured including wide, hardened leather strip: 6.2 x 10.8 x 20.6cm 62 x 108 x 206mm, Children's trip. The bottom of the shoes is chiselled out of wood, with a pointed toe. The wood is left thickest under the heel and under the ball of the foot. A leather strap runs over the instep and is attached to the wood with iron nails. At shoe A the strap has disappeared except for a few leather residues on the side of the wood. Shoe B has a band that is wide on the inside of the foot and tapers towards the end. In the narrow part there are two holes. The leather is decorated with a hammered motif. When acquired, the triplets have been described as a pair of children's triplets. The question is whether that is correct. They look like two right shoes. Although the difference is normal for handicrafts, these triplets differ a lot, 1925.

alb5067795 trip, Anonymous, 18th century, wood, iron, leather, chiselled, Trip A: 4 x 7.3 x 18.9cm 40 x 73 x 189mm, Trip B width is measured including wide, hardened leather strip: 6.2 x 10.8 x 20.6cm 62 x 108 x 206mm, Children's trip. The bottom of the shoes is chiselled out of wood, with a pointed toe. The wood is left thickest under the heel and under the ball of the foot. A leather strap runs over the instep and is attached to the wood with iron nails. At shoe A the strap has disappeared except for a few leather residues on the side of the wood. Shoe B has a band that is wide on the inside of the foot and tapers towards the end. In the narrow part there are two holes. The leather is decorated with a hammered motif. When acquired, the triplets have been described as a pair of children's triplets. The question is whether that is correct. They look like two right shoes. Although the difference is normal for handicrafts, these triplets differ a lot, 1925.

alb5197599 gavel, Anonymous, 1844, mahogany, silver, General: 32 x 9 x 5.5cm (320 x 90 x 55mm), Mahogany gavel from Algemeen Afdeelings Ziekenfonds Leiden. The hammer has a barrel-turned head that ends in a wide ribbed edge on both sides and is smoothly polished. On the front of the hammer head is an oval silver plate with four nails with the engraved text on it: Toevlugt in den Nood 18 1/11 44. At the head is a slender twisted baluster-shaped stem that ends in an elegantly profiled button, 1942.

alb5197582 Decorative door boss and nail, Wrought iron, Square pierced and shaped mount, hammered and wrought lines at four corners to form quadrated designs of leaf-like elements. Nail with notched square head and square shank., Spain, ca. 15501700, metalwork, Decorative Arts, Decorative door boss and nail.

alb5170611 gavel, Anonymous, 1844, mahogany, silver, General: 32 x 9 x 5.5cm (320 x 90 x 55mm), Mahogany gavel from Algemeen Afdeelings Ziekenfonds Leiden. The hammer has a barrel-turned head that ends in a wide ribbed edge on both sides and is smoothly polished. On the front of the hammer head is an oval silver plate with four nails with the engraved text on it: Toevlugt in den Nood 18 1/11 44. At the head is a slender twisted baluster-shaped stem that ends in an elegantly profiled button, 1942.

alb5018605 Vz: the plump putto is naked, his body is in three-quarter view and his face in profile, the right leg is forward, the left leg sideward to the back, the hair is rolled on top of the head and a wing can be seen , he has a hammer in his left hand and a nail in his right hand which he points to the body of a large butterfly sitting on the top of the tree in front of the putto, a signature is on the tree: AV? OC., gem, intaglio, ringstone, hyacinth, Color: purple-red, Shape: oval, Machining: front convex, originally in a gold setting (Maaskant-Kleibrink, M., Catalog of the engraved gems in the Royal Coin Cabinet, 1978), Method: deep modeling with rounded drills, detaili, 18 x 13 mm, D. 2,5 mm, roman Republican, 1st century BC. -100.

alb5002197 hammer with forked end (nail puller), hammer with forked end (nail puller), iron, 13,6 x 4,9 cm, x, Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad.

alb4983824 stone hammer of diorite with wood remains in the stem hole. Decorated by two round bronze plates with in between bronze nails, hammer, stone, length: 14.2 cm, prehistory 800 BC, Netherlands, Limburg, Leudal, Baexem, Heythuiser Beek.

alb4988219 Vz: baseline, a firm naked Nike, only wears a hemation around her legs and has her hair knotted on her head in a knot and looks like a small diadem, a chain and a bracelet to carry both arms, a wing is visible above her left shoulder, with her right hand she holds a big nail on a helmet placed on a tree stump, the helmet is part of a trophy consisting of a cuirass, shield and helmet, in her left hand she holds a hammer why she is going to hit., gem, intaglio, gold, Color: gold, Shape: oval, Processing: ring 22 carat gold, setting 18 x 14 mm, diameter ring 18 mm x 2 mm thick, the ring is diamond-shaped in cross-section, : exaggerated rounded body modeling and detailing with several burins, 18 x 14 mm, D. 2 mm, circa 400 BC. -450.

alb4984668 Long iron nail with wide head (or a hammer or a staple?)., nail, metal, iron, 24,3 x 8 cm, roman 40-250, Netherlands, South Holland, Katwijk, Valkenburg.

alb4970629 Hexagon, bronze (copper alloy). This hexagon is formed by cutting off the four corners of a rectangle. Then one of the points was canceled. A nail has been hammered through the hexagon., Back is flat with a nail, belt stroke, metal, copper alloy, L: 1.6 cm, W: 1.0 cm, H: 0.3 cm, end of the 14th century 1350- 1400, the Netherlands, Zeeland, Hulst, Verdronken Land.

alb3645191 Shinto/Buddhist Votive Plaque with Image of Jizo (Ksitigarbha Bodhisattva) Attached to a Circular Mirror. Culture: Japan. Dimensions: Diam. 14 in. (35.6 cm);Image on disc: H. 11 7/8 in. (30.2 cm). Date: 12th century.The kakebotoke is a round metal or wooden disk with a separately made or repoussé (hammered from the rear) image of a Shinto or Buddhist deity imposed upon it. This unusually large example features a gilt repoussé image of the bodhisattva Jizo. The figure, lotus throne, and double halo are all separately modeled by hammering and are attached to the disk with small nails, a technique of the late Heian period. Museum: Metropolitan Museum of Art, New York, USA.

alb3659283 Christ Nailed on the Cross. Artist: Paul Decker the Younger (German, Nuremberg 1685-1742 Nuremberg). Dimensions: Sheet: 11 5/16 × 8 1/4 in. (28.8 × 20.9 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb4449284 North Brabant Society for the Promotion of Nyverheid, Department of 's-Hertogenbosch, Bronze Medal. Front: crowned coat of arms, around it: scythe, flail, globe, crate with map, plow with ears of corn, crate, painter's palette with brushes, books, sledge hammer, fitting corner, compass, nail, drawing, wheel, bale, barrel, staff of Mercury, sail of ship, cut off, signature. Reverse: blank field within a circle, 's-Hertogenbosch, Society for the Promotion of Industry, Jean Wurden, Brussels, 1855, bronze (metal), striking (metalworking), d 4.1 cm × w 304 gr.

alb4449051 Tabernacle door depicting Maria as the mother of sorrows, The relief f is driven from red copper plate, embossed and punched and then gilt on the front. In the middle Mary is depicted as the mother of sorrows, seated, arms crossed in front of the chest, head and eyes raised. The frame at the top includes the sudarium, the sweat cloth of Saint Veronica with the image of Christ with the crown of thorns. The canvas is held up by an angel who is assisted by two putti. Left and right two little angels, standing on garlands with flowers, as well as the tools of suffering, from bottom left to top: the basket with the nails, the hammer and the tongs, behind which a cloth with the dice, the shield, the lance, the cane with the spiked spike, the cross with the crown of thorns, the stick and the cloth, right below the silver pieces, the glove, the lantern, the sword, the torch, the ladder, the cord, the scourge, the rod, the column and the rooster. At the bottom a white cartouche, surrounded by scroll work with a cherub head. Under the cartouche the signature: A. V. AMMELROI. Ano 1616. Four holes at the top and bottom, as well as a hole above the angel's head, to confirm the relief on the support. The plate is torn in a few places, including the angel's right hand., Historical person (RUYTER, MICHIEL DE) - historical person (RUYTER, MICHIEL DE) portrayed alone, armorial bearing, heraldry, sailing-ship, sailing-boat, Michiel Adriaansz. de Ruyter, Adriaen van Ammelroi, Utrecht, 1616, copper (metal), gilding, h 42.0 cm × w 31.8 cm × t 2.0 cm.

alb4452326 Vase, The low, rejuvenating foot of the round vase is adorned with an engraved band of stylized leaf motifs. The vase rests on this, which is made up of a convex body and a high, slightly constricted neck. The body is divided at the widest point into six oval lobes, each decorated with a stylized floral pattern on a punched background. A turquoise is applied in the center of each floral pattern. Under this edge of six lobes, six peacocks, viewed from the front, are shown. They are separated by flowers. There are three masks and three dragonflies alternately above the edge of the lobes. This richly ornamented portion curves at the top, forming an ear above each dragonfly. Realistically rendered nails and even sets of holes, such as the closure of a buckle, create the illusion of curling leather in this zone reminiscent of rolling work. The slender neck emerges from this, which is characterized by a pronounced hammer stroke structure. Just below the narrowest part, the neck is decorated with three turquoise and above, just below the smooth lip edge, with an edge of six bulges, mask, mascaron, ornament, flowers, Frans Zwollo (I), Amsterdam, 1900, silver (metal), turquoise (mineral), h 20.6 cm × d 12.0 cm × w 522 gr.

alb3626830 Jael Slaying Sisera. Artist: Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 8 3/4 x 10 11/16 in. (22.3 x 27.2 cm). Date: 1625-1713.In the later 1670s, Maratti designed a series of mosaics for a space in the left nave of Saint Peter's Basilica in Rome. It consists of biblical patriarchs, prophets, and heroines in six half-lunettes and four pendentives along with Saint John's vision of the Immaculate Conception in the surmounting cupola. This is a study for the Jael Slaying Sisera mosaic. Sisera, a Canaanite general and enemy of the Israelites, had sought refuge in the tent of Jael after his defeat on the battlefield, mistakenly believing her to be an ally. Plying Sisera with food and drink and inducing him to sleep, Jael hammered a tent peg into his skull, nailing him to the ground. This noble act earned Jael a place among the heroines of ancient Israel. Maratti's drawing shows her holding the tent peg and hammer, poised to perform her grisly yet heroic deed. Museum: Metropolitan Museum of Art, New York, USA.

alb2069051 Giandomenico Tiepolo / 'The Crucifixion', 1772, Italian School, Oil on canvas, 124 cm x 144 cm, P00360. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb4055306 Miniature of four scenes of the Passion of Christ in quatrefoils with (top left) Christ bearing the Cross, (top right) the Virgin Mary supporting the cross, assisted by a man with a hammer, (bottom left) Christ being nailed to the cross, (bottom right) Christ raised upon the cross, with the Jews mocking. A bas-de-page scene of Peter crucified upside down, with two men tying knots at his feet. Psalter ('The Queen Mary Psalter'). England (London/Westminster or East Anglia?); between 1310 and 1320. Source: Royal 2 B. VII, f.253. Language: Latin, with French image captions.

akg7078206 FWB, Roof lead, shield-shaped cover plate with initials FWB and guide tool, lead hallmark lead metal, Roof bonnet shield shaped cover of the nails with various guide tools (pump hammer hammer hammer to strike lead and another hammer hammer) and the initials of the plumber FWB Master mark and characteristic of the person who carried out the lead and zinc work on plate: F.W.. craftsman.

akg7083516 Boele Rijnhout, Silver miniature bucket with handle and lid, bucket crockery holder dolls toy relaxing tool miniature model silver, cast Rectangular bucket with fixed hinged cover and handle Four ties with studs on the belly (suggestion of wooden bucket held together by iron bands with nails) hammered pattern on cover. tax stamp: dolphin cleaning play home interior.

alb4086626 'Dolly's revenge'. In this Victorian dream comic from the Christmas edition, Percy Cruikshank presents a story reminiscent of fairytales, with all their quality of fantasy and nightmare. in 'Dolly's revenge', a little girl dreams of her maltreated doll meting out a gruesome revenge, in one instance hammering nails into her owner's head. The Illustrated London News. London, 1884. Source: P.P.7611, December 1884.

alb4058014 Deposition from the Cross. Book of Hours. France; late 14th century. [Whole folio] Office of the Cross at Vespers. The dead Christ is supported by the Virgin and two other figures, as another kneels, extracting the nails from Christ's feet with pliers and hammer. Text beginning with decorated initial 'D' Image taken from Book of Hours. Originally published/produced in France; late 14th century. . Source: Add. 23145, f.172. Language: Latin.

iblfoh04479656 Disabled veteran with prosthetic arm, myoelectric forearm prosthesis, nailing nail into wall with hammer, Germany, Europe

akg1558600 Neapolitan follower of Giotto di Bondone:. This is one wing of a diptych. The other wing is in the Lehman collection of the Metropolitan Museum of Art, New York. It shows Saint John the Evangelist and presumably the Magdalen. The work is sometimes attributed to Roberto d'Odorisio. The condition of this panel is poor. The reverse panel shows a painted cross, with some of the Instruments of Christ's Passion - spear, sponge, hammer, three nails and a vessel, perhaps for vinegar. Egg tempera on wood, 58.5 × 38.5 cm, 60 × 42.3 cm. London, National Gallery. . Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

917_05_0460001122 Seamen hauling a clinker-built dingy up on shore. In this type of construction the planks of the vessel overlap the plank below and are fastened with clinched (protruding point hammered back on itself) copper nails. Aquatint (London, 1821).

HISL038_EC256 Propaganda leaflet distributed by United Nations forces lead by U.S. during the Korean War, 1950-53. A blue creature with two mouths, megaphones, microphones, and hammer and sickle logo. Below are speechless Korean men with their tongues nailed to a board. U.S. Air Force B-29s had a sophisticated system to drop leaflets in night missions over enemy areas. (BSLOC_2014_11_270)

0052236 NAILMAKERS GUILD BANNER. Banner of the nailmakers of Paris, France, with armorial bearings of the guild. Line engraving, 19th century.