Pesquisando por: "Mealtime" - Fotoarena - Agência de fotojornalismo

ny280325095711 HEADLINE: PastaÕs Time to ShineCAPTION: Creamy asparagus pasta. As the days get longer but a chill lingers in the air, mealtime calls out for something bright that can still comfort. Food styled by Simon Andrews. CREDIT: (David Malosh/The New York Times/Fotoarena)

MG1135167 AFGHANISTAN. Kabul. 2022. Occasionally, there are the signs of âthe invisibleâ of Afghanistan: perhaps hundreds of thousands of people who were unable to flee, who are in hiding for fear of their lives. I meet one of them, an ex-translator for the U.S. and the Canadian Army. He has stayed in the same room with his wife and two boys for six months, desperately waiting for a smuggler to secure his family visas to Pakistan. From there, he hopes to begin a new life in Canada. He explains that he doesnât want to go to the United States, recounting a story of watching every day as the excess food from mealtime was dumped in the corner of an American base and burned. I would later get a Whatsapp message from him. He had safely made it to Pakistan.

ny140720140204 A campus dining chef serves lunch under a tent, which acts as a new dining hall, at the University of Massachusetts Amherst in Amherst, Mass. on July 8, 2020. It is still unclear how many students will return to college campuses this fall, but for those who do, mealtime will change dramatically. (Adam Glanzman/The New York Times/Fotoarena)

ny140720140504 Diners eat under a tent at the University of Massachusetts Amherst, which acts as a new dining hall, in Amherst, Mass. on July 8, 2020. It is still unclear how many students will return to college campuses this fall, but for those who do, mealtime will change dramatically. (Adam Glanzman/The New York Times/Fotoarena)

ny140720140804 A robot moves through the George Mason University campus in Fairfax, Va., on July 2, 2020. It is still unclear how many students will return to college campuses this fall, but for those who do, mealtime will change dramatically. (Jason Andrew/The New York Times/Fotoarena)

ny140720140604 Coffee is delivered via robot at George Mason University in Fairfax, Va., on July 2, 2020. It is still unclear how many students will return to college campuses this fall, but for those who do, mealtime will change dramatically. (Jason Andrew/The New York Times/Fotoarena)

ny140720141003 Plexiglass dividers, which will be a fixture in many campus dining halls this fall, at Furman University in Greenville, S.C. on Friday, June 26, 2020. It is still unclear how many students will return to college campuses this fall, but for those who do, mealtime will change dramatically. (Audra Melton/The New York Times/Fotoarena)

ny140720140304 Lois Leino, a human resources assistant with Bon Appétit Management Company, moves food at Furman University in Greenville, S.C. on Friday, June 26, 2020. It is still unclear how many students will return to college campuses this fall, but for those who do, mealtime will change dramatically. (Audra Melton/The New York Times/Fotoarena)

ny301019005104 Deborah Stephens, who has been a widow for almost two years, in Irmo, S.C., Sept. 18, 2019. ?After David died, I didn?t want to eat,? said Stephens, who loved to cook for her husband. (Sean Rayford/The New York Times/Fotoarena)

ny301019005304 Vincent Collazzi, who has struggled to cook since his wife died five years ago, in New York, Oct. 18, 2019. ?The microwave has bailed me out,? said Collazzi. ?I don?t use the stove, but I do miss the meals.? (Sasha Maslov/The New York Times/Fotoarena)

ny301019004904 Marie Bright, whose husband died last year, at her home in Brooklyn, Oct. 15, 2019. They ate breakfast together every day and each would wait until the other was home to eat dinner, even if it meant enduring a grumbling stomach. ?I can?t cook,? said Bright. ?I just can?t.? (Sasha Maslov/The New York Times/Fotoarena)

ny301019004804 Attendees eat a meal after a cooking demonstration and are given booklets with recipes to take home, at Culinary Grief Therapy at the College of DuPage in Glen Ellyn, Ill., Aug. 13, 2019. For a spouse, accustomed to sharing every meal with a partner, the grieving can go on and on, renewed constantly by the rhythms of shopping, cooking and eating. (Taylor Glascock/The New York Times/Fotoarena)

ny301019004605 From left, Leah Gray, Diane Kantak and Michele Zawadzki ? all widows who have become friends outside of meetings ? laugh together at Culinary Grief Therapy at the College of DuPage in Glen Ellyn, Ill., Aug. 13, 2019. For a spouse, accustomed to sharing every meal with a partner, the grieving can go on and on, renewed constantly by the rhythms of shopping, cooking and eating. (Taylor Glascock/The New York Times/Fotoarena)

ny301019004404 Beverly Geiger cleans up her station after working with other widows to cook and prepare food at Culinary Grief Therapy at the College of DuPage in Glen Ellyn, Ill., Aug. 13, 2019. For a spouse, accustomed to sharing every meal with a partner, the grieving can go on and on, renewed constantly by the rhythms of shopping, cooking and eating. (Taylor Glascock/The New York Times/Fotoarena)

ny301019005404 From left, Michele Sharp, Pat Smith and Leah Gray ? all widows who have become friends outside of meetings ? prepare a straightforward meal that would be easy to make at home, at Culinary Grief Therapy at the College of DuPage in Glen Ellyn, Ill., Aug. 13, 2019. For a spouse, accustomed to sharing every meal with a partner, the grieving can go on and on, renewed constantly by the rhythms of shopping, cooking and eating. (Taylor Glascock/The New York Times/Fotoarena)

ny130718213912 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE SUNDAY, JULY 15, 2018. -- A diner at Hearth restaurant in New York, June 21, 2018. In an initiative intended to foster technology-free mealtimes, chef and owner Marco Canora has placed small boxes on each table so patrons can ? of their own volition ? avoid their cellphones for the duration of their visits. (Jeenah Moon/The New York Times/Fotoarena)

ny130718214212 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE SUNDAY, JULY 15, 2018. -- Dining at Hearth restaurant in New York, June 21, 2018. In an initiative intended to foster technology-free mealtimes, chef and owner Marco Canora has placed small boxes on each table so patrons can ? of their own volition ? avoid their cellphones for the duration of their visits. (Jeenah Moon/The New York Times/Fotoarena)

ny130718213611 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE SUNDAY, JULY 15, 2018. -- Dining at Hearth restaurant in New York, June 21, 2018. In an initiative intended to foster technology-free mealtimes, chef and owner Marco Canora has placed small boxes on each table so patrons can ? of their own volition ? avoid their cellphones for the duration of their visits. (Jeenah Moon/The New York Times/Fotoarena)

902_05_12310206HighRes Dinnertime for the inmates of a workhouse, London, England in the late 19th century. Workhouses were places where those unable to support themselves were offered accommodation and employment. From Living London, published c.1901

PAR439936 MYANMAR. 2013.

LON151562 GB. Jersey. Trinity. Liberation Day Supper. 2013.

PAR452773 SOUTH KOREA. Andong. Confucianist annual automn ceremony to honor the teacher Lee Hwang who founded this confucianist school in 1786. Hwa Chen Lecture Hall. October 2013.

NYC52210 KUWAIT. 2003. 3rd ID 2nd Brigade Combat Team Task Force 1/64 armor alpha company known as the Wild Bunch. Mealtime known as chow time.

PAR283003 TIBET. 2002. Couple at mealtime.

LON58699 JAPAN. Making Washi, hand made Japanese paper. Iwao Idani is the sixth generation of his family to be involved in the paper making process which in its heyday reached 50 producers. His son is following in his footsteps. Mealtime. 2000.

908_06_LR9000084 Under the pergola at Naples

908_06_LR5002291 Meal time in a Venetian villa

PAR93928 Mealtime at the orphanage. Children helpwhere they can and observe tradition.

PAR93927 Mealtime at the orphanage. Children helpwhere they can and observe tradition.

PAR93926 Mealtime at the orphanage. Children helpwhere they can and observe tradition.

PAR93929 Mealtime at the orphanage. Children helpwhere they can and observe tradition.

LON86595 Russia. Leningrad. Mealtime for Prisoner . 1988

PAR309111 SIKKIM. The cremation of the Chogyal. 1982.The body of the Chogyal was placed in a wooden casket in an "upright seated position" and covered with the Sikkim flag, a military guard of honour stood nearby continually for 24hrs. In the foreground have been placed at each mealtime dishes that the Chogyal liked, there are jars of honey and also mustard, at each mealtime a new series of dishes was brought near the casket in the Monastery.

990_05_3-Sport-WatSport-AQ_13HR Long Beach, California: October 24, 1927. Elmer Peck, 'celebrated surfboard expert,' trains for competition. Peck aims to establish a world record for non-stop aquaplaning, hoping he'll survive 24 hours on his board, with food provided at mealtimes by a convoy boat.

975_05_SOV-B-VA102 Dinner time at the lenin agricultural commune, 1921.

alb2068374 Luis Egidio Meléndez / 'Still Life with a Chocolate Service', 1770, Spanish School, Oil on canvas, 50 cm x 37 cm, P00929. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3905264 After the Luncheon. Date/Period: 1879. Painting. Oil on canvas. Width: 81.3 cm. Height: 100.5 cm (Complete). Author: Pierre-Auguste Renoir.

alb4104922 Lot and his Daughters. Loth and his Daughters. Dating: 1616. Measurements: h 140 cm × w 204 cm. Museum: Rijksmuseum, Amsterdam. Author: Hendrick Goltzius (mentioned on object).

alb3684517 The Supper at Emmaus. Artist: Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: 48 1/2 x 52 1/4 in. (123.2 x 132.7 cm). Date: 1622-23.The picture may have been painted in Seville, where Velázquez was trained, or in Madrid, where he moved in 1623. The realism of the figures, the strong dramatic light, and the attention to still-life details recall the work of Caravaggio, which Velázquez would have known in Seville through copies. Christ is shown at the moment when he is recognized by two disciples following his resurrection, as "he took bread, blessed and broke it, and handed it to them.". Museum: Metropolitan Museum of Art, New York, USA.

alb2015917 Édouard Manet / 'Lunch on the Grass', 1863, Oil on canvas, 208 × 264.5 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb4157039 Matthias Stom (Amersfoort, ca. 1600-Sicily or north Italy (?), after 1652). The Supper at Emmaus (ca. 1633 - 1639). Oil on canvas. 111.8 x 152.4 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb2069180 Diego Rodríguez de Silva y Velázquez / 'Saint Anthony the Abbot and Saint Paul, the First Hermit', ca. 1634, Spanish School, Oil on canvas, 257 cm x 188 cm, P01169. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Anthony the Great. SAN PABLO.

alb4103149 A Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm × w 157 cm. Museum: Rijksmuseum, Amsterdam. Author: Peeter Baltens.

alb2068515 Pedro Pablo Rubens; Jan Brueghel 'el Viejo' / 'Taste', 1618, Flemish School, Oil on panel, 64 cm x 109 cm, P01397. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3682386 Merrymakers at Shrovetide. Artist: Frans Hals (Dutch, Antwerp 1582/83-1666 Haarlem). Dimensions: 51 3/4 x 39 1/4 in. (131.4 x 99.7 cm). Date: ca. 1616-17.The loud style of this early work by Hals suits its subject, which is Vastenavond (Shrovetide or Mardi Gras), a pre-Lenten carnival featuring bad food and worse behavior. Two characters from the comic stage, Peeckelhaering (Pickled Herring) and Hans Wurst (John Wiener?), cozy up to a young "lady" with a Dutch boy haircut and a bull neck. Hans's gesture, the deflated bagpipe, and other motifs comprise a chorus of sexual commentary. The picture looks surprisingly Flemish in its vivid coloring, loose brushwork, and crowded composition, which suggests that it may date from slightly after Hals's three months in Antwerp during 1616. In that mecca for Netherlandish artists he could have seen great works by Rubens and the early paintings of his own Flemish counterpart, Jacob Jordaens (1593-1678). Museum: Metropolitan Museum of Art, New York, USA. Author: FRANS HALS.

alb3895643 The Temperate and the Intemperate. Date/Period: Ca. 1475 - 1480. Detached leaf. Tempera colors and ink on parchment. Height: 175 mm (6.88 in); Width: 194 mm (7.63 in). Author: Master of the Dresden Prayer Book.

alb3893513 The Peasant Wedding. Painting. Oil on panel. Height: 430 mm (16.92 in); Width: 680 mm (26.77 in). Author: PIETER BRUEGHEL THE YOUNGER.

alb3605357 The Harvesters. Artist: Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Dimensions: Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm). Date: 1565.This panel belongs to a series, commissioned by the Antwerp merchant Niclaes Jongelinck for his suburban home. The cycle originally included six paintings showing the times of the year. Apart from The Harvesters, which is usually identified as representing July-August, or late summer, four other paintings of the group have survived (now in the Kunsthistorisches Museum, Vienna, and Lobkowicz Collection, Prague). Bruegel's series is a watershed in the history of western art. The religious pretext for landscape painting has been suppressed in favor of a new humanism, and the unidealized description of the local scene is based on natural observations. Museum: Metropolitan Museum of Art, New York, USA. Author: PIETER BRUEGEL THE ELDER.

alb4164385 'Hip, Hip, Hurrah! Artist Festival at Skagen', 1888 . Oil on canvas. 134,5 x 165,5 cm. Gothenburg museum of Art. Museum: Gothenburg museum of Art, GOTEBORG, SWEDEN. Author: PEDER KROYER.

alb4102491 The Fête champêtre. Dating: 1627. Measurements: support: h 77.6 cm × w 135.7 cm. Museum: Rijksmuseum, Amsterdam. Author: Dirck Hals.

alb3900196 Coin de table By the Table. Date/Period: 1872. Painting. Oil on canvas. Height: 1,600 mm (62.99 in); Width: 2,250 mm (88.58 in). Author: HENRI FANTIN-LATOUR.

alb3710177 Peasant Couple Sitting under a Tree. Dated: c. 1630/1660. Dimensions: sheet (trimmed within plate mark): 8.8 x 10.7 cm (3 7/16 x 4 3/16 in.). Medium: etching and engraving on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

alb3893480 The Peasant Wedding. Date/Period: 1566 - 1569. Painting. Oil on Wood. Height: 1,140 mm (44.88 in); Width: 1,640 mm (64.56 in). Author: Pieter Brueghel The Elder.

alb3746822 Picnic after the Hunt. Dated: probably c. 1735/1740. Dimensions: overall: 61.5 x 74.8 cm (24 3/16 x 29 7/16 in.) framed: 84 x 98 x 8.9 cm (33 1/16 x 38 9/16 x 3 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.

alb3900503 The Banquet of Cleopatra. Date/Period: From late 17th century until early 18th century. Painting. Oil on canvas. Height: 578 mm (22.75 in); Width: 695 mm (27.36 in). Author: Gerard Hoet.

alb4105848 Family scene. Dating: 1660 - 1679. Measurements: h 48.5 cm × w 40 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Havicksz. Steen.

alb2070821 Francisco de Goya y Lucientes / 'Saturn devouring one of his sons', 1820-1823, Spanish School, Mural, 143,5 cm x 81,4 cm, P00763. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb4104486 Vow of the Pheasant (Philip the Good and Isabella at the Feast of the Pheasant in Lille in 1454). Dating: c. 1500 - c. 1599. Place: France. Measurements: h 39.5 cm × w 85.6 cm × t 3.8 cm; d 7.3 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (COPY AFTER).

alb3743461 Marriage a la Mode: pl. 2. Dated: 1745. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Bernard Baron after William Hogarth.

alb3900027 Red Squirrel. Date/Period: 1578. Drawing. Watercolor and gouache over traces of graphite on vellum. Height: 2,500 mm (98.42 in); Width: 1,780 mm (70.07 in). Author: Hans Hoffmann.

alb3904234 Lorenzo and Isabella. Date/Period: 1848 - 1849. Painting. Oil on canvas. Height: 1,030 mm (40.55 in); Width: 1,428 mm (56.22 in). Author: JOHN EVERETT MILLAIS.

alb4110436 Sitting fisherman at his meal. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 285 mm × w 209 mm. Museum: Rijksmuseum, Amsterdam.

alb3611143 The Last Supper, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm). Date: 1598.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

alb4099438 The Potato Eaters. Date: April-May 1885, Nuenen. Dimensions: 82 cm x 114 cm, 100 cm x 133 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

alb4099424 The Potato Eaters. Date: April 1885, Nuenen. Dimensions: 26.5 cm x 32 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

alb3729160 The Feast of Herod and the Beheading of Saint John the Baptist. Dated: 1461-1462. Dimensions: overall: 23.8 x 34.5 cm (9 3/8 x 13 9/16 in.) framed: 40.3 x 50.6 x 4.4 cm (15 7/8 x 19 15/16 x 1 3/4 in.). Medium: tempera (?) on panel. Museum: National Gallery of Art, Washington DC. Author: Benozzo Gozzoli.

alb3734839 The Feast of the Gods. Dated: 1514/1529. Dimensions: overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Bellini and Titian.

alb2069232 Pedro Pablo Rubens / 'Saturn devouring his son', 1636-1637, Flemish School, Oil on canvas, 182,5 cm x 87 cm, P01678. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

alb3614769 Manuscript Leaf with the Last Supper and the Washing of the Apostles' Feet Leaf, from a Royal Psalter. Culture: British. Dimensions: Overall (folio): 9 1/8 x 6 5/8 in. (23.1 x 16.9 cm)Illumination: 7 1/2 x 4 15/16 in. (19.1 x 12.5 cm)Mat: 14 x 11 in. (35.5 x 27.9 cm). Date: ca. 1250-70. Museum: Metropolitan Museum of Art, New York, USA.

alb3893746 In a Roman Osteria. Date/Period: 1866. Painting. Oil on canvas. Height: 1,485 mm (58.46 in); Width: 1,775 mm (69.88 in). Author: CARL BLOCH.

alb3899896 Breakfast II. The Artist's Family. Date/Period: 1885. Painting. Olje på lerret. Width: 141 cm. Height: 125.5 cm. Author: Gustav Wentzel.

alb3903704 Hedwig Listening to a Reading; Hedwig Praying. Date/Period: 1353. Folio. Tempera colors, colored washes, and ink on parchment. Height: 341 mm (13.42 in); Width: 248 mm (9.76 in). Author: Court workshop of Duke Ludwig I of Liegnitz and Brieg.

alb3893601 The Feast of Peleus. Date/Period: 1872/1881. Painting. Oil on canvas. Width: 1099 mm. Height: 369 mm. Author: Edward Burne-Jones.

alb3907456 The Supper at Emmaus. Date/Period: Between ca. 1615 and ca. 1625. Painting. Oil on canvas. Height: 1,397 mm (55 in); Width: 1,949 mm (76.73 in). Author: Bartolomeo Cavarozzi.

alb3683942 The Temptation. Artist: Pietro Longhi (Pietro Falca) (Italian, Venice 1701-1785 Venice). Dimensions: 24 x 19 1/2 in. (61 x 49.5 cm). Date: 1746.The manservant of a young gentleman announces the arrival of a pretty prostitute and her procuress. An extra place has, indeed, been prepared at the breakfast table. The episode is mildly scandalous but the tone is serious. Museum: Metropolitan Museum of Art, New York, USA.

alb4158474 Banquet at a Foreign Merchant House in Yokohama (Yokohama ijin shoka shuen no zu). Utagawa Sadahide; Japanese, 1807-1873. Date: 1861. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

alb363258 Marriage of Clarisse daughter of King Yvon of Gascony from the 4 fils Aymon, book of Renaud de Montauban, MS 5073, fol.140 verso. Museum: BIBLIOTHEQUE DE L'ARSENAL, Paris, France.

alb3901552 The Midday Meal. Date/Period: Ca. 1835. Painting. Oil on panel. Height: 191 mm (7.51 in); Width: 292 mm (11.49 in). Author: James Ward.

alb4104883 Still Life with Cheese. Dating: c. 1615. Measurements: support: h 82.2 cm × w 111.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Floris Claesz. van Dijck.

alb3624288 Christ at Emmaus: The Smaller Plate. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1634. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb4150522 Lunch at the Restaurant Fournaise (The Rowers' Lunch). Pierre-Auguste Renoir; French, 1841-1919. Date: 1875. Dimensions: 55 × 65.9 cm (21 5/8 × 25 15/16 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3740088 Abraham Entertaining the Angels. Dated: 1656. Dimensions: plate: 15.8 x 12.7 cm (6 1/4 x 5 in.) sheet: 16.1 x 13 cm (6 5/16 x 5 1/8 in.). Medium: etching and drypoint on japan paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb4160864 Breakfast. Jean François Raffaëlli; French, 1850-1924. Date: 1895. Dimensions: 467 × 218 mm (image); 472 × 218 mm (plate); 547 × 345 mm (sheet). Drypoint, etching and roulette, printed in blue, green, yellow ochre, red, and black, on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean-François Rafaëlli.

alb4142843 The Lunch at Ferney. Louis-Joseph Masquelier; French, 1744-1811. Date: 1775. Dimensions: 158 × 191 mm (plate); 203.5 × 244 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3608209 Roadworkers at Lunch. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 10 7/8 x 8 7/8 in. (27.6 x 22.5 cm). Date: ca. 1850-52. Museum: Metropolitan Museum of Art, New York, USA.

akg398908 History / Germany / Jews / Nazi Period. (1933-45). Poor Jewish family at mealtime. Photo, Berlin, c. 1939 (Abraham Pisarek). Copyright: For editorial use only.

akg396132 History / Germany / Jews / Berlin /. Photo / Nazi era (1933-45). Day school and occupational training for boys in Berlin-Niederschönhausen, Hermannstrasse 64, the Reich Representation of German Jews: mealtime in the cafeteria. Photo, 1936 (Abraham Pisarek).

alb3745998 Ah! il est frais... mais t'nez donc garçon... Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3899999 Frukostdags Breakfast-Time. Date/Period: 1887. Painting. Oil on canvas. Height: 870 mm (34.25 in); Width: 910 mm (35.82 in). Author: HANNA PAULI.

alb4103611 Wedding Feast of Saint Elizabeth of Hungary and Louis of Thuringia in the Wartburg, inner left wing of an altarpiece made for the Grote Kerk in Dordrecht. Dating: c. 1490 - c. 1495. Measurements: support: h 127.7 cm × w 109.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Master of the St Elizabeth Panels.

alb4104133 Worship of the Golden Calf. Dating: c. 1530. Place: Leiden. Measurements: support/centre panel: h 93.5 cm (centre panel) × w 66.9 cm (centre panel); support/left wing: h 91.7 cm (left wing) × w 30.2 cm (left wing); support/right wing: h 91.8 cm (right wing) × w 30.2 cm (right wing). Museum: Rijksmuseum, Amsterdam. Author: LUCAS VAN LEYDEN.

alb4105920 Banquet of Eighteen Guardsmen of Squad L, Amsterdam 1566, known as 'The Perch Eaters'. Dating: 1566. Measurements: h 120 cm × w 295 cm; d 12 cm; w 64 kg. Museum: Rijksmuseum, Amsterdam. Author: Dirck Barendsz.

alb4103976 Lunchtime at the Building Site on the Van Diemenstraat in Amsterdam. Midday Break at the Building Site on the Van Diemenstraat, Amsterdam. Dating: 1897. Place: Amsterdam. Measurements: h 78 cm × w 115 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam. Author: George Hendrik Breitner (mentioned on object).

alb4105692 A Woman Slicing Bread. Dating: c. 1800 - c. 1823. Measurements: h 48.2 cm × w 38.5 cm × t 1.3 cm; d 5.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Johannes Christiaan Janson.

alb4104432 Peace Urging the Churches to be Tolerant. Dating: 1600 - 1624. Place: Nederlanden. Measurements: h 131.5 cm × w 162.5 cm. Museum: Rijksmuseum, Amsterdam.

alb4106011 Saying grace. Dating: 1663. Measurements: h 37.5 cm × w 30 cm; h 46.5 cm × w 40 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Pietersz. Bega.

alb4105809 Saying grace. Dating: 1640 - 1668. Measurements: h 28.5 cm × w 25 cm; d 3.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Miense Molenaer.

alb4105989 Woman Eating, Known as 'The Cat's Breakfast'. Vrouw aan de maaltijd, bekend als 'Het ontbijt van de kat'. Dating: c. 1661 - c. 1664. Measurements: h 34 cm × w 27 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: GABRIEL METSU.

alb4105079 Dutch Girl at Breakfast. A Dutch Girl at Breakfast. Dating: c. 1756. Place: Netherlands. Measurements: h 46.8 cm × w 39 cm. Museum: Rijksmuseum, Amsterdam. Author: JEAN-ETIENNE LIOTARD.

alb4104043 Breakfast. Dating: 1640 - 1654. Measurements: h 70 cm × w 55 cm; d 5.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Karel Slabbaert.