Pesquisando por: "Madonna and Child (tempera and gold leaf on panel)" - Fotoarena - Agência de fotojornalismo

alb4131261 Icon with the Virgin and Child. Cretan. Date: 1495-1505. Dimensions: 38 × 30 cm (14 15/16 × 11 13/16 in.). Tempera on panel. Origin: Russian Federation. Museum: The Chicago Art Institute, USA.

alb3894061 Polyptych with Coronation of the Virgin and Saints. Date/Period: Ca. 1390s. Painting. Tempera and gold leaf on panel. Height: 3,556 mm (11.66 ft); Width: 2,391 mm (94.13 in). Author: CENNI DI FRANCESCO DI SER CENNI.

alb3906109 Virgin of the Angels. Date/Period: Ca. 1385. Painting. Tempera and gold leaf on wood. Height: 1,958 mm (77.08 in); Width: 1,310 mm (51.57 in). Author: PERE SERRA.

alb4132486 Virgin and Child. Niccolò di Pietro Gerini; Italian, fl. 1368-1415. Date: 1390-1400. Dimensions: 78.7 x 46.5 cm (31 3/8 x 18 5/16 in.). Tempera on panel transferred to canvas. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb3892942 Virgin of Mercy. Date/Period: From 1430 until 1440. Painting. Tempera, stucco relief and gold leaf on wood. Height: 2,230 mm (87.79 in); Width: 1,268 mm (49.92 in). Author: BONANAT ZAORTIGA.

alb3637079 Madonna and Child Enthroned. Artist: Carlo Crivelli (Italian, Venice (?), active by 1457-died 1495 Ascoli Piceno). Dimensions: 38 3/4 x 17 1/4 in. (98.4 x 43.8 cm). Date: 1472.These three panels are from an altarpiece painted for a Dominican church in the Marchigian town of Ascoli Piceno. It is possible that the child was originally shown reaching for a flying bird, his frequent attribute. The cracked marble dais is a recurrent feature of Crivelli's work. On it are two pears, symbolic of the Fall of Man, and a fly, conceivably an emblem of Satan. Crivelli loved visual tricks, and the shadow cast by the fly gives a disturbingly realistic quality.Saint George (fourth century) is shown in contemporary, fifteenth-century armor with the dragon he slew. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

alb3624515 Cassetta frame on a polyptych panel. Culture: Italian, Siena. Dimensions: Overall, 67.3 x 48.2; sight, 57.1 x 38.2 cm; engaged.. Date: ca. 1325. Museum: Metropolitan Museum of Art, New York, USA.

alb3906107 Saint John the Baptist, Saint Mary Magdalene, Saint James the Less and Saint Paul. Date/Period: Ca. 1385. Painting. Tempera and gold leaf on wood. Height: 810 mm (31.88 in); Width: 1,453 mm (57.20 in). Author: PERE SERRA.

alb3697005 Maestà (Madonna and Child with Four Angels). Dated: c. 1290. Dimensions: painted surface: 230 × 141.5 cm (90 9/16 × 55 11/16 in.) overall: 240 × 150 × 2.4 cm (94 1/2 × 59 1/16 × 15/16 in.) framed: 252.4 x 159.4 x 13.3 cm (99 3/8 x 62 3/4 x 5 1/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Master of Città di Castello.

alb3899094 Madonna and Child. Date/Period: Probably 1320/1330. Painting. Tempera on panel. Height: 85.50 mm (3.36 in); Width: 62 mm (2.44 in). Author: GIOTTO DI BONDONE.

alb3899097 Maestà / The Ognissanti Madonna. Date/Period: From 1306 until 1310. Altarpiece. Tempera on panel. Height: 325 cm (10.6 ft); Width: 204 cm (80.3 in). Author: GIOTTO DI BONDONE.

alb3728853 Madonna and Child. Dated: c. 1310/1315. Dimensions: painted surface: 85.4 × 61.8 cm (33 5/8 × 24 5/16 in.) overall (including added strips): 87.7 × 63.2 × 1.3 cm (34 1/2 × 24 7/8 × 1/2 in.) framed: 128.3 x 72.1 x 5.1 cm (50 1/2 x 28 3/8 x 2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Giotto.

alb3725365 Madonna and Child. Dated: c. 1470/1475. Dimensions: painted surface: 70.8 x 48.9 cm (27 7/8 x 19 1/4 in.) overall size: 73 x 50.2 cm (28 3/4 x 19 3/4 in.) framed: 115.6 x 89.2 x 7.6 cm (45 1/2 x 35 1/8 x 3 in.). Medium: tempera on panel transferred to hardboard. Museum: National Gallery of Art, Washington DC. Author: DOMENICO GHIRLANDAIO.

alb3892107 Madonna and Child. Date/Period: Ca. 1320. Painting. Tempera and gold on wood. Author: Master of Badia a Isola.

alb3670403 Madonna and Child with the Dead Christ, Saints Agnes and Catherine of Alexandria, and Two Angels. Artist: Sano di Pietro (Ansano di Pietro di Mencio) (Italian, Siena 1405-1481 Siena). Dimensions: Main panel, overall, with engaged (modern) frame, 12 3/4 x 11 3/4 in. (32.4 x 29.8 cm), painted surface 10 7/8 x 9 7/8 in. (27.6 x 25.1 cm); predella, overall, with engaged (modern) frame, 3 5/8 x 12 5/8 in. (9.2 x 32.1 cm), painted surface 2 5/8 x 11 7/8 in. (6.7 x 30.2 cm). Date: ca. 1470-80.Sano's active workshop was the principal source in Siena for devotional images of the Madonna and Child, invariably shown bust-length, accompanied by saints and angels. The saints on the base (predella) are Mary Magdalen, Francis, Jerome, and Margaret. The predominance of female saints together with Saints Francis and Jerome suggest the work may have been destined for a female associated with the lay order of the Jesuati, founded in Siena in 1360, or a member of the Confraternity of the Virgin, to which Sano himself belonged. Museum: Metropolitan Museum of Art, New York, USA.

alb3740784 Madonna and Child with Saint Jerome, Saint Catherine of Alexandria, and Angels. Dated: c. 1465/1470. Dimensions: overall: 66 x 44 cm (26 x 17 5/16 in.) framed: 97.8 x 72.4 x 9.5 cm (38 1/2 x 28 1/2 x 3 3/4 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Matteo Di Giovanni.

alb3899246 Altarpiece of the Virgin with Saints Agatha, Stephen, Francis and a Martyr Saint. Date/Period: First quarter of 15th century. Painting. Tempera, stucco reliefs and gold leaf on wood. 222.4 × 211 × 7 cm (87.5 × 83 × 2.7 in). Author: LO SPAGNA.

alb3892199 Annunciation and Three Kings of the Epiphany. Date/Period: Ca. 1347-1360. Painting. Tempera and gold leaf on wood. Height: 2,829 mm (111.37 in); Width: 1,510 mm (59.44 in). Author: Circle of Ferrer i Arnau Bassa.

alb2036485 Simone Martini / 'Orsini Polyptych: The Deposition from the Cross', 1335-1337, 28.5 x 20.5 cm. Museum: MUSEO DE BELLAS ARTES, Amsterdam, NETHERLANDS. JESUS.

alb3903941 Christ Discovered in the Temple. Date/Period: 1342. Tempera and gold leaf on wood panel. Height: 495 mm (19.48 in); Width: 351 mm (13.81 in). Author: SIMONE MARTINI.

alb3906108 Saint Peter, Saint Claire, Saint James the Great and Saint John the Evangelist. Date/Period: Ca. 1385. Painting. Tempera and gold leaf on wood. Height: 815 mm (32.08 in); Width: 1,465 mm (57.67 in). Author: PERE SERRA.

alb3907521 Adoration of the Magi with Saint Anthony Abbot. Date/Period: Ca. 1390 - 1410. Painting. Oil and tempera with gold and silver leaf on panel. Height: 1,046 mm (41.18 in); Width: 1,885 mm (74.21 in). Author: Franco-Flemish Master.

alb4131111 Diptych of the Virgin and Child Enthroned and the Crucifixion. Eastern Mediterranean or Italian. Date: 1275-1280. Dimensions: Left wing: 38 × 29.5 cm (14 15/16 × 11 5/8 in.); Painted image of left wing: 29.8 × 22.3 cm (11 3/4 × 8 3/4 in.)Right wing: 38 × 29.5 cm (14 15/16 × 11 5/8 in.); Painted image of right wing: 30 × 22.3 cm (11 7/8 × 8 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA.

alb4131841 Virgin and Child. Lippi-Pesellino Imitator; Italian, active c. 1450-1500. Date: 1445-1455. Dimensions: panel: 36 5/8 x 23 5/8 in. (93 x 60.5 cm); image: 27 1/8 x 14 5/16 in. (68.9 x 36.3 cm). Oil and tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: Lippi-Pesellino Imitator.

alb3899811 Madonna of Humility. Date/Period: Ca. 1345 - 1350. Painting. Tempera and gold leaf on panel. Height: 330 mm (12.99 in); Width: 171 mm (6.73 in). Author: Guariento di Arpo.

alb3892189 Polyptych with Saint James Major, Madonna and Child, and Saints. Date/Period: 1490. Painting. Tempera and gold leaf on panel. Height: 2,800 mm (110.23 in); Width: 2,149 mm (84.60 in). Author: BARTOLOMEO VIVARINI.

alb3896893 Nativity. Date/Period: Ca. 1420 - 1422. Painting. Tempera and gold leaf on panel. Height: 724 mm (28.50 in); Width: 426 mm (16.77 in). Author: GENTILE DA FABRIANO.

alb3906284 Madonna and Child with Musical Angels. Date/Period: Ca. 1410. Painting. Tempera and gold leaf on panel. Height: 876 mm (34.48 in); Width: 502 mm (19.76 in). Author: Gherardo Starnina (Master of the Bambino Vispo).

alb3905840 Madonna and Child. Date/Period: 1290 - 1295. Painting. Tempera and gold leaf on panel. Height: 1,054 mm (41.49 in); Width: 794 mm (31.25 in). Author: Master of St. Cecilia.

alb4156351 Cenni di Francesco di Ser Cenni (Active in Florence 1369-ca. 1415). The Virgin of Humility with the Holy Father, the Holy Spirit and the twelve Apostles (ca. 1375 - 1380). Tempera and gold on panel. 76.6 x 51.2 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

alb4157065 Niccolò di Tommaso (Active ca. 1346-76). The Virgin and Child between Angels and six Saints (ca. 1362 - 1367). Tempera and gold on panel. 87 x 39 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

alb3892609 Virgin and Child on the Throne. Date/Period: 15th century. Painting. Tempera and gold leaf on wood. Height: 10,700 mm (11.70 yd); Width: 5,530 mm (18.14 ft). Author: Neri di Bicci.

alb3894054 Reliquary Tabernacle with the Virgin and Child. Date/Period: Ca. 1350 (Medieval). Reliquaries; paintings. Tempera and gold leaf on wood panel with glass, paper, and relics tempera and gold leaf on wood panel with glass, paper, and relics. Height: 3 mm (0.11 in); Width: 11.70 mm (0.46 in). Author: Naddo Ceccarelli.

akg8703469 Nardo di Cione, Italian Renaissance painter and architect, 1320-1365 or 1366. Madonna and Child, c. 1350. Tempera and gold leaf on panel, 74.93 × 48.26 cm. Milwaukee, Milwaukee Art Museum.

alb3713479 Madonna and Child Enthroned. Dated: c. 1420. Dimensions: overall: 95.7 x 56.5 cm (37 11/16 x 22 1/4 in.) framed: 108.6 x 64.8 x 8.9 cm (42 3/4 x 25 1/2 x 3 1/2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GENTILE DA FABRIANO.

alb3703073 Madonna and Child on a Curved Throne. Dated: c. 1260/1280. Dimensions: painted surface: 82.4 x 50.1 cm (32 7/16 x 19 3/4 in.) overall: 84 x 53.5 cm (33 1/16 x 21 1/16 in.) framed: 90.8 x 58.3 x 7.6 cm (35 3/4 x 22 15/16 x 3 in.). Medium: tempera on linden panel. Museum: National Gallery of Art, Washington DC. Author: Byzantine 13th Century (possibly from Constantinople).

alb4132117 Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.)Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.)Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.)Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.)Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.)Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.)Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.)Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.)Scenes from the Life of Saint Agatha: 154.5 x 69.8 cm (60 3/4 x 27 1/2 in.)Painted surface: 127 x 66 cm (50 x 26 in.). Tempera on panel. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

alb9387926 Madonna and Child with Saints (The Sterbini Triptych), attributed to the Master of San Lucchese, Italian, 14th century, Orcagna (Andrea di Cione), Italian, active 13431368, c.1345, Tempera and gold leaf on panel, Made in Florence, Tuscany, Italy, Europe, Paintings, open: 16 x 17 1/2 in. (40.6 x 44.5 cm).

alb9353783 Madonna and Child Enthroned with Sts. Christopher, Blaise, Sebastian, and Francis, Lorenzo di Niccolò (di Martino), Italian, active 13921412, c.141012, Tempera and gold leaf on panel, Made in Florence, Tuscany, Italy, Europe, Paintings, with frame at highest point: 71 x 75 3/4 x 6 in. (180.3 x 192.4 x 15.2 cm).

alb9333622 Madonna and Child, Bartolomeo Vivarini, Italian, active c.1440after 1500, c.1460, Tempera and gold leaf on panel, Made in Venice, Veneto, Italy, Europe, Paintings, 17 3/8 x 11 1/4 in. (44.1 x 28.6 cm).

alb9332318 Madonna and Child Enthroned with Angels, Spinello Aretino, Italian, c.1350c.1410, c.1390, Tempera and gold leaf on panel, Made in Florence, Tuscany, Italy, Europe, Paintings, 53 x 25 in. (134.6 x 63.5 cm).

alb3739262 Madonna and Child with Saints and Angels. Dated: c. 1345. Dimensions: painted surface: 50.2 x 24.2 cm (19 3/4 x 9 1/2 in.) overall (including engaged frame): 57.1 × 30.5 × 2.6 cm (22 1/2 × 12 × 1 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Bernardo Daddi.

alb4150956 Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant. Attributed to Ugolino di Nerio; Italian, active 1317-1339/49. Date: 1325-1335. Dimensions: 37.2 × 23.2 cm (14 5/8 × 9 1/8 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: UGOLINO DI NERIO.

alb3713142 Madonna and Child with Saint Jerome, Saint Bernardino, and Angels. Dated: c. 1460/1470. Dimensions: painted surface: 62.5 x 42 cm (24 5/8 x 16 9/16 in.) overall: 64.8 x 43.8 cm (25 1/2 x 17 1/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: SANO DI PIETRO.

alb3700553 Madonna and Child, with the Man of Sorrows [middle panel]. Dated: c. 1360. Dimensions: painted surface (middle panel): 45.1 × 26 cm (17 3/4 × 10 1/4 in.) overall (middle panel): 75.6 × 30.2 cm (29 3/4 × 11 7/8 in.) overall (entire triptych): 76 x 66.4 cm (29 15/16 x 26 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: NARDO DI CIONE.

alb3897310 Incoronazione della Vergine / The Coronation of the Virgin. Date/Period: From 1434 until 1435. Painting. Tempera on panel. Height: 117 cm (46 in); Width: 115 cm (45.2 in). Author: FRA ANGELICO.

alb3730330 Madonna and Child in a Garden. Dated: c. 1460/1470. Dimensions: overall: 53.4 x 37.2 cm (21 x 14 5/8 in.) framed: 60.96 × 43.18 × 8.26 cm (24 × 17 × 3 1/4 in.). Medium: tempera (and possibly oil) on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Cosme Tura.

alb3896702 Virgin of the Angels. Date/Period: From 1391 until 1392. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 1,422 mm (55.98 in); Width: 990 mm (38.97 in). Author: Enrique de Estencop.

alb3729479 Madonna and Child with Donor. Dated: 1325/1330. Dimensions: painted surface: 50.8 × 23.5 cm (20 × 9 1/4 in.) overall: 51.5 × 24.2 × 0.5 cm (20 1/4 × 9 1/2 × 3/16 in.) framed: 70 x 36.2 x 5.1 cm (27 9/16 x 14 1/4 x 2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: LIPPO MEMMI.

alb3720091 The Virgin Annunciate. Dated: c. 1430. Dimensions: overall: 76 x 57 cm (29 15/16 x 22 7/16 in.). Medium: tempera (?) on panel. Museum: National Gallery of Art, Washington DC. Author: MASOLINO DA PANICALE.

alb3904695 The Entombment. Date/Period: 1426 (Renaissance). Predellas; altarpieces; panel paintings. Tempera and gold leaf on panel tempera and gold leaf on panel. Height: 40.40 mm (1.59 in); Width: 43.80 mm (1.72 in). Author: GIOVANNI DI PAOLO.

akg8696076 Pseudo-Pier Francesco Fiorentino. Madonna and Child. Tempera and gold leaf on panel. Raleigh, North Carolina Museum of Art.

akg8696029 Circle of the Berlinghieri Family. Madonna and Child. Tempera and gold leaf on panel. Raleigh, North Carolina Museum of Art.

akg8696051 Segna di Bonaventura. Madonna and Child. Tempera on panel, with gold leaf. Raleigh, North Carolina Museum of Art.

akg8695998 Master of San Torpè. Madonna and Child with St. Bartholomew and St. John the Baptist. Tempera and gold leaf on panel, transferred to canvas. Raleigh, North Carolina Museum of Art.

akg8695910 Guariento di Arpo. Madonna and Child with Saints. Tempera and gold leaf on poplar panel. Raleigh, North Carolina Museum of Art.

akg8691639 Silvestro dei Gherarducci. The Madonna and Child. Tempera and gold leaf on panel. San Francisco, Legion of Honor.

alb3894429 Dormition of the Virgin. Date/Period: Ca. 1330. Painting. Tempera and gold leaf on wood. Height: 503 mm (19.80 in); Width: 412 mm (16.22 in). Author: Master of the Cini Madonna Active in Rimini.

alb4131185 Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels. Sano di Pietro; Italian, 1405-1481. Date: 1450-1460. Dimensions: Painted Surface: 66.2 × 48.2 cm (26 1/8 × 19 1/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3708101 Antonius Pius and Faustina Joining Hands [reverse]. Dated: fourth quarter 15th century. Dimensions: overall (diameter): 10.13 cm (4 in.) gross weight: 521.1 gr (1.149 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Filarete.

alb3717286 Madonna and Child with Saint John the Baptist, Saint Peter, and Two Angels. Dated: c. 1290. Dimensions: painted surface (original panel including painted frame): 34.3 × 24.7 cm (13 1/2 × 9 3/4 in.) overall (including added wooden strips): 36 × 26 cm (14 3/16 × 10 1/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Tuscan 13th Century.

alb3728296 The Crucifixion. Dated: c. 1445/1450. Dimensions: overall: 24.1 x 33.6 cm (9 1/2 x 13 1/4 in.) framed: 33 x 44.1 x 4.3 cm (13 x 17 3/8 x 1 11/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: SANO DI PIETRO.

alb3719818 Madonna and Child with Angels. Dated: c. 1455/1470. Dimensions: overall: 53.5 x 36.2 cm (21 1/16 x 14 1/4 in.) framed: 68.6 x 51.4 x 7 cm (27 x 20 1/4 x 2 3/4 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Ferrarese 15th Century.

alb3711819 Enthroned Madonna and Child. Dated: c. 1250/1275. Dimensions: painted surface: 124.8 x 70.8 cm (49 1/8 x 27 7/8 in.) overall: 130.7 x 77.1 cm (51 7/16 x 30 3/8 in.) framed: 130.5 x 77 x 6 cm (51 3/8 x 30 5/16 x 2 3/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Byzantine 13th Century (possibly from Constantinople).

alb3715825 Madonna and Child. Dated: c. 1490. Dimensions: painted surface: 32.8 x 24.7 cm (12 15/16 x 9 3/4 in.) support (includes frame, carved from single piece of wood): 39 x 30.9 cm (15 3/8 x 12 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Carlo Crivelli.

alb3712950 The Mourning Madonna. Dated: c. 1270/1275. Dimensions: original panel: 81 × 31.7 cm (31 7/8 × 12 1/2 in.) overall: 82.4 x 33.5 cm (32 7/16 x 13 3/16 in.) framed: 90.8 x 40.6 x 6 cm (35 3/4 x 16 x 2 3/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Franciscan Crucifixes.

alb3713760 Madonna and Child, with the Blessing Christ [middle panel]. Dated: c. 1415/1420. Dimensions: painted surface: 106.05 × 50.8 cm (41 3/4 × 20 in.) original panel: 117.48 × 52.39 × 4.13 cm (46 1/4 × 20 5/8 × 1 5/8 in.) overall (with added wood strips): 120.65 × 60.96 × 4.13 cm (47 1/2 × 24 × 1 5/8 in.) depth (indicates warp of the panel): 8.57 cm (3 3/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Martino di Bartolomeo.

alb3701424 Madonna and Child Enthroned with Saint Peter and Saint Paul. Dated: c. 1430. Dimensions: overall: 53 x 31 cm (20 7/8 x 12 3/16 in.) framed: 56.5 x 33.7 x 6 cm (22 1/4 x 13 1/4 x 2 3/8 in.). Medium: tempera (?) on panel. Museum: National Gallery of Art, Washington DC. Author: DOMENICO DI BARTOLO.

alb3704699 Madonna and Child. Dated: 1413. Dimensions: painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: LORENZO MONACO.

alb3701150 Madonna and Child, with the Blessing Christ [middle panel]. Dated: probably 1340. Dimensions: painted surface: 98 × 49.2 cm (38 9/16 × 19 3/8 in.) overall: 99.5 × 52.3 cm (39 3/16 × 20 9/16 in.). Medium: tempera on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Pietro Lorenzetti.

alb3739478 The Adoration of the Magi. Dated: c. 1450. Dimensions: overall: 26.9 x 46.4 cm (10 9/16 x 18 1/4 in.) framed: 35.9 x 56.4 x 5.2 cm (14 1/8 x 22 3/16 x 2 1/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI DI PAOLO.

alb3697046 Saint Peter [left panel]. Dated: c. 1360. Dimensions: painted surface: 45.1 × 12.5 cm (17 3/4 × 4 15/16 in.) overall: 49 × 16.9 × 1.8 cm (19 5/16 × 6 5/8 × 11/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: NARDO DI CIONE.

alb3696946 Madonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels [entire triptych]. Dated: shortly before 1387. Dimensions: left panel (overall): 197 × 80 cm (77 9/16 × 31 1/2 in.) middle panel (overall): 204 × 80 cm (80 5/16 × 31 1/2 in.) right panel (overall): 194.6 × 80 cm (76 5/8 × 31 1/2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Agnolo Gaddi.

alb3696558 Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel]. Dated: shortly before 1387. Dimensions: overall: 204 × 80 cm (80 5/16 × 31 1/2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Agnolo Gaddi.

alb3740510 Madonna and Child with the Blessing Christ, and Saints Peter, James Major, Anthony Abbott, and a Deacon Saint [entire triptych]. Dated: c. 1415/1420. Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Martino di Bartolomeo.

alb3740162 Madonna and Child with Five Angels. Dated: c. 1335. Dimensions: painted surface: 100.6 × 48.2 cm (39 5/8 × 19 in.) overall: 102.3 × 49.3 × 3.7 cm (40 1/4 × 19 7/16 × 1 7/16 in.) framed: 138.4 x 70.1 cm (54 1/2 x 27 5/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BARONZIO.

alb3740795 Madonna and Child with God the Father Blessing and Angels. Dated: c. 1370/1375. Dimensions: painted surface: 139.8 × 67.5 cm (55 1/16 × 26 9/16 in.) overall: 141.2 × 69 × 1.5 cm (55 9/16 × 27 3/16 × 9/16 in.) framed: 156.8 x 84.1 x 6.7 cm (61 3/4 x 33 1/8 x 2 5/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Jacopo di Cione.

alb3724903 Madonna and Child. Dated: c. 1475. Dimensions: overall: 79.5 x 60 cm (31 5/16 x 23 5/8 in.). Medium: tempera on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: PIER FRANCESCO FIORENTINO.

alb3729174 Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]. Dated: probably 1340. Medium: tempera on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Pietro Lorenzetti.

alb3724170 Saint Anthony Abbot [left panel]. Dated: 1354. Dimensions: painted surface: 89.3 x 33.6 cm (35 3/16 x 13 1/4 in.) overall (with cradle): 90 × 35.5 × 2.8 cm (35 7/16 × 14 × 1 1/8 in.) framed: 123.8 x 45.7 x 8.3 cm (48 3/4 x 18 x 3 1/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Puccio di Simone and Allegretto Nuzi.

alb3899096 The Entombment of Mary. Date/Period: 1310. Painting. Tempera on poplar wood. Height: 75 cm (29.5 in); Width: 179 cm (70.4 in). Author: GIOTTO DI BONDONE.

alb3906957 Madonna and Child. Date/Period: 1435/1445. Painting. Tempera and gold leaf on wood. Width: 43.8 cm. Height: 88.3 x d2.9 cm (panel). Author: Antonio Vivarini.

alb3673698 Madonna and Child with the Annunciation and the Nativity. Artist: Goodhart Ducciesque Master (Italian, Siena, active ca. 1315-30). Dimensions: Overall, with engaged frame, 12 1/8 x 8 1/4 in. (30.8 x 21 cm); painted surface 10 1/4 x 6 1/2 in. (26 x 16.5 cm). Date: ca. 1310-15.This delicately painted panel is by a close follower of Duccio and employs some of his favorite devices, such as the Child playing with the veil of the Virgin, who engages the gaze of the viewer-worshipper. Its small size made it perfect for private devotion, as it could be easily moved. The scenes of the Annunciation and Nativity helped focus meditation on the life of the Virgin. The frame is original; the panel is decorated on its reverse. Museum: Metropolitan Museum of Art, New York, USA.

alb3675077 The Crucified Christ between the Virgin and Saint John the Evangelist. Artist: Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370-1425 Florence (?)). Dimensions: Overall, including gable, 33 5/8 x 14 1/2 in. (85.4 x 36.8 cm). Date: ca. 1406.Lorenzo Monaco, the leading painter in Florence during the early fifteenth century, was equally gifted as an illuminator of books, a painter of frescoes, altarpieces and devotional paintings. This panel likely formed the central pinnacle of a multi-tiered altarpiece, perhaps that portraying the Madonna and Child with Saints Domninus, John the Baptist, Peter, and Anthony Abbot (Museo Diocesano, Empoli). In depicting the Crucifixion, the artist has excluded the numerous figures traditionally incorporated into the narrative, such as the crowds of soldiers, the mourning Holy Women, and the Thieves, thereby reducing the composition to include only the Virgin and Saint John. Contemplating Christ's sacrifice, they are portrayed seated on the ground, for compositional or dramatic effect. Their relatively large size compared to the figure of Christ may relate to their roles as intercessors for the viewer, emphasizing the devotional aspect of the work. Museum: Metropolitan Museum of Art, New York, USA.

alb3615447 The Nativity. Artist: Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370-1425 Florence (?)). Dimensions: 8 3/4 x 12 1/4 in. (22.2 x 31.1 cm). Date: ca. 1406-10.Lorenzo Monaco, the leading painter in Florence in the early fifteenth century, was active as a painter of illuminated manuscripts, frescoes and panel paintings. A major proponent of the International Gothic style, his style is characterized by luminous color and graceful, rhythmic, flowing lines. In this exquisite depiction of the Nativity, the compositional elements are brilliantly adapted to the quatrefoil field, and the rich and subtle color harmonies reflect the artist's skill as a manuscript painter. Particularly striking is the nocturnal setting, which is suffused by the supernatural light emanating from the Christ Child and the angel. This panel formed part of a predella, which also included a Visitation, an Adoration of the Magi, and a Flight into Egypt believed to have come from an altarpiece of the Annunciation by Lorenzo Monaco (Galleria dell'Accademia, Florence). Museum: Metropolitan Museum of Art, New York, USA.

alb3617679 Madonna and Child with Nine Angels. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm). Date: ca. 1315.This panel and another in the Lehman Collection portraying the Crucifixion (1975.1.2) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin's court, enhanced by the ornamental detail, contrasts with the tragic drama of the Crucifixion, thus offering the worshipper two very different images on which to meditate. These panels reveal Segna di Buonaventura's appropriation of the language and motifs of his master, Duccio. The greatest Sienese painter of the fourteenth century, Duccio's emotionally expressive figures, complex spatial structures, and subtle use of color had a formative influence on generations of artists. The Madonna and Child enthroned is sometimes thought to reflect Duccio's lost altarpiece of 1302 for the Palazzo Pubblico of Siena, while parts of the "Crucifixion" echo the center panel of a portable triptych in the Boston Museum of Fine Arts that was designed by Duccio and painted by the master with workshop assistance. While neither panel of the diptych is in any way a copy, both attest to the enormous popularity of Duccio's work. Museum: Metropolitan Museum of Art, New York, USA.

alb3647438 The Crucifixion. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm). Date: ca. 1315.This panel and another in the Lehman Collection portraying the Madonna and Child (1975.1.1) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin's court, enhanced by the ornamental detail, contrasts with the tragic drama of the Crucifixion, thus offering the worshipper two very different images on which to meditate. These panels reveal Segna di Buonaventura's appropriation of the language and motifs of his master, Duccio. The greatest Sienese painter of the fourteenth century, Duccio's emotionally expressive figures, complex spatial structures, and subtle use of color had a formative influence on generations of artists.The Madonna and Child enthroned is sometimes thought to reflect Duccio's lost altarpiece of 1302 for the Palazzo Pubblico of Siena, while parts of the "Crucifixion" echo the center panel of a portable triptych in the Boston Museum of Fine Arts that was designed by Duccio and painted by the master with workshop assistance. While neither panel of the diptych is in any way a copy, both attest to the enormous popularity of Duccio's work. Museum: Metropolitan Museum of Art, New York, USA.

akg1558740 MASTER of the PALAZZO VENEZIA MADONNA:. This and the related panel of 'Saint Mary Magdalene' by an unidentified Sienese painter are from the right side of a polyptych. A third panel exists showing Saint Paul (private collection). It has been suggested that the centre panel is the Virgin and Child once in the Palazzo Venezia, Rome (from which the painter takes his name), now in the Galleria Nazionale, Rome. Mary Magdalene holds a pot of ointment with which she anointed Christ's feet. Saint Peter's keys are of gold and silver leaf. Egg tempera on wood, 60.1 × 34.5 cm, about 1350 (?). London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg1558739 MASTER of the PALAZZO VENEZIA MADONNA:. This and the related panel of 'Saint Peter' by an unidentified Sienese painter are from the right side of a polyptych. A third panel exists showing Saint Paul (private collection). It has been suggested that the centre panel is the Virgin and Child once in the Palazzo Venezia, Rome (from which the painter takes his name), now in the Galleria Nazionale, Rome. Mary Magdalene holds a pot of ointment with which she anointed Christ's feet. Saint Peter's keys are of gold and silver leaf. Egg tempera on wood, 60.1 × 34.5 cm, about 1350 (?). London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

alb4403545 Upper Rhenish: Madonna and Child, Unidentified artist, Upper Rhenish, Last quarter of 15th century, Oil and tempera (?) with gold leaf on panel, This German painting presents the Virgin Mary gazing warmly at the infant Christ as she offers him a piece of red fruit. The gesture seems to humanize the figures, who are set into a lush landscape stretching back into the distance. A closer look reveals that this is no ordinary landscape: pearls and coral lie near the stream, for example, while flames rise between unharmed trees. These details refer to supplications to Mary and Christ found in contemporary prayer books, suggesting that this painting would have been used to help guide the viewer's mind and heart during prayer recitations., Overall: 13 1/4 x 9 7/8 in. (33.7 x 25.1 cm).

alb2650584 Polyptych with Saint James Major, Madonna and Child, and Saints; Bartolomeo Vivarini, Italian (Venetian), about 1432 - 1499; 1490; Tempera and gold leaf on panel; Framed: 280 x 214.9 cm (110 1/4 x 84 5/8 in.).

alb2627945 Madonna and Child with Musical Angels; Gherardo Starnina (Master of the Bambino Vispo), Italian (Florentine), active 1378 - about 1413; about 1410; Tempera and gold leaf on panel; Unframed: 87.6 x 50.2 cm (34 1/2 x 19 3/4 in.), Framed: 134.3 x 67 x 10.2 cm (52 7/8 x 26 3/8 x 4 in.).

alb2612744 Madonna and Child; Master of St. Cecilia, Italian, active about 1290 - 1320; 1290 - 1295; Tempera and gold leaf on panel; Panel (with engaged frame): 105.4 x 79.4 x 7 cm (41 1/2 x 31 1/4 x 2 3/4 in.).