Pesquisando por: "Madonna and Child (tempera and gold leaf on panel)" - Fotoarena - Agência de fotojornalismo

KAB243153

KAB243159

STC146154

BAT209847

MKG145056

BAT209846

KLN146825

CAY72130 by Jaume Serra

DAY235412 John top left; Mark top right; Luke bottom left; Matthew bottom right. Four Evangelists are Matthew, Mark, Luke, and John, the authors attributed with the creation of the four Gospel accounts in the New Testament

STM620877 Inscription reads: 'Ecce Virgo Genuit Nobis Salvatore', or 'Behold, the virgin birth of our Saviour'.

PFR314500

APR234877 original purportedly painted by St. Luke the Evangelist and stolen in WWII by Nazis; all copies have been connected with miracles;

XKH223073 Painting by Sano di, also Ansano di Pietro di Mencio Pietro

DAY235421

HST129962 by Antoniazzo Romano

MKG145070

XIR174240

FTB97028 by Stefano Veneziano

SCP8682928 By Giovanni di Paolo

HST129564 by of Langa Master

BNK258177

BNK258163 on the upper border are scenes from the life of Christ: the Annunciation, the Crucifixion, the Descent from the Cross and the Resurrection; in the two side-borders are respectively: St John the Forerunner and St John the Theologian, the apostles Peter and Paul, St George and St Dimitrios, St Catherine and St Antonios; on the lower border are St Constantine and St Helen flanked by the Three Hierarchs and St Nicholas;

NCR7082199

NCR7082091

COU65735 The author of this work, whose identity remains unknown, is simply designated after the subject of one of his paintings (today held in Florence), which depicts the shepherd Paris deciding which Greek goddess is the most beautiful.Here, the same master has represented a religious scene: the annunciation to Mary that she will bear the child of God. Such a small-scale work was probably made as a devotional object for the household. The elaborate architectural elements manage to portray Mary both inside her home and outside, in a type of enclosed courtyard.

MNS487960

AGN35519 by Monaco Lorenzo

BNK258109 in the circular arrangement of miniature themes surrounding the Virgin and Child, are illustrations of the Old Testament, the versus of the Akathistos Hymn and the the Twelve Great Feasts of the Church; the lower part of the work features the Last Judgement; in the left hand corner Alexander the Great (336-323 BC) is portrayed next to the rulers Darius (522-486 BC), Augustus and Constatine the Great (c.280-337 AD);

BRN196613 red & gold embroidered cloak;

BBC199298

STM620925

NCR7082147

XKH150813

MKG145069

DTR139311

LEE238446

XWM3597253 St. Francis stands to the left of the Madonna and Child, on the right St. Bernadino of Siena, holding his attribute, a plaque with sun's rays. The donor is Fra Bernardino Ferretti, a member of the Franciscan order (Fra Bernardino da Ancona) probably for his private chapel in the church of San Francesco ad Alto in Ancona.

BNK258103

PFR314501 The panel is entitled The Hodegetria Mother of God with 18 scenes from her Life; from the Vologda region with Northern (Novgorod) influence;

NCR7082083

COU225331 This triptych is an outstanding example of the type of portable paintings produced for private patrons in fourteenth-century Italy. Its scale and subject matter encouraged a personal meditation on the life of Christ. The Florentine Bernardo Daddi began his career as an apprentice of Giotto, who is credited with introducing a more naturalist style, expression and sense of volume in Italian painting.Daddi’s own workshop was prolific and specialised in small devotional tabernacles. This triptych ranks amongst the finest of his production: the shimmering gold and expensive pigments, combined with Daddi’s delight in rendering lively details, create a work of rare beauty and invention.

XAB236618

HST129957

HST129537 fruit of paradise in the hand of the infant Christ;

BAT192545 mistakenly thought to be Bishop of Reggio;

XOS877566

BAL106900

STM620861

ONT996215

NCR3577059 .

NCR3585195 .

PFR314520 The panel is entitled The Hodegetria Mother of God with 18 scenes from her Life; from the Vologda region with Northern (Novgorod) influence; the priest casts lots for the distribution of the wool, the purple and scarlet fall to the Virgin;

GRL6262903 Central part of a polyptychOrvieto, MODO (Museo dell'Opera del Duomo di Orvieto), comparto centrale di polittico: Madonna con Bambino e angeli, di Simone Martini, tempera, oro e foglia d'argento su tavola, 1322-4.

XOS9017630 The Virgin Mary, enthroned as Queen of Heaven, is surrounded by angels, some in attitudes of prayer, others playing musical instruments and singing. Twisting in his mother's lap, the infant Christ reaches for a lily, a symbol of Mary's purity, and clutches a goldfinch, an allusion to his future Crucifixion. The scene is rich in detail and saturated color. Gherardo Starnina delighted in sumptuous surface effects, such as the brocaded fabrics, the marble footstool, and the patterned floor tiles. These decorative tendencies, together with the willowy forms of the figures, reflect Starnina's extended sojourn in Spain, where he had absorbed the local refined stylistic approaches. He probably produced this work sometime after his return to his native Florence, after June 1401. Before being identified as the documented Florentine painter Gherardo Starnina, this artist was known simply as the "Master of the Bambino Vispo" (Master of the Lively Child), a soubriquet which refers to his penchant for painting Madonnas with a wriggling Christ Child, as in this painting. By Gherardo Starnina (Master of the Bambino Vispo) (Italian, (Florentine), about 1360 - before 1413)

GRL6262906 Central part of a polyptychOrvieto, MODO (Museo dell'Opera del Duomo di Orvieto), comparto centrale di polittico: Madonna con Bambino e angeli, di Simone Martini, tempera, oro e foglia d'argento su tavola, 1322-4.

COU5892183

XOS877562

NCR3576768 Dimensions: Left panel:38.1 x 13.4 ; center panel: 38.8 x 25.7 ; right panel: 38.1 x 12.4

NCR7082123

PFR314517 The panel is entitled The Hodegetria Mother of God with 18 scenes from her Life; from the Vologda region with Northern (Novgorod) influence;

PFR314516 The panel is entitled The Hodegetria Mother of God with 18 scenes from her Life; from the Vologda region with Northern (Novgorod) influence;

PFR314519 The panel is entitled The Hodegetria Mother of God with 18 scenes from her Life; from the Vologda region with Northern (Novgorod) influence;

RIK84142

KAB87060 by Filippino Lippi

KAB87047 by Fra Filippo Lippi

RIK84137

KAB87064 by Francesco Botticini

KAB87036 by Monaco Lorenzo

XOS9017793 The Virgin Mary, hieratic and still, looks out toward the viewer while gently supporting Christ with her left arm. The smiling infant gazes lovingly toward her and playfully stretches out his arm, grabbing the edge of her gold-trimmed, blue cloak. The star over the Madonna's forehead refers to her title \"Star of the Sea, \" the meaning of the Jewish form of her name, Miriam. The Virgin's rigid and formal pose reflects the icon tradition of the Byzantine Empire. The painting's format and the ornamental scroll on either side of the Madonna also find close parallels in Byzantine icons. But unlike Byzantine work, the Master of Saint Cecilia emphasizes the intimate connection between the Madonna and Child, embodied at the Virgin's breast where her right hand gently cradles Christ's tiny left hand. This humanizing tendency would become increasingly prominent in Western Europe and a hallmark of Renaissance imagery of the Madonna and Child. By Master of St. Cecilia (Italian, active about 1290 - 1320)

DMW753276

XOS877553

KAB87050 by Monaco Lorenzo

XOS3545805

BNK258101 central theme is framed by a wood-carved arch surmounted by two small icons on verre eglomise portraying Evangleists Luke and Matthew; in the border are twenty rectangular panels with scenes of the Twelve Great Feasts of the Church and busts of the Evangelists; probably from Constantinople; egg tempera, gold leaf, glass, silver and chock on panel; medieval;

GRL6262960 Orvieto, MODO (Museo dell'Opera del Duomo di Orvieto): La Vergine con il Bambino affiancata da Maddalena, S. Domenico, S. Pietro e S. Paolo, tempera, oro e foglia di argento su tavola, di Simone Martini, 1320-1. Particolare della Madonna con il Bambino.