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Total de Resultados: 3.442

Página 1 de 35

902_05_12320788HighRes The Story of Baba Abdallah. Frontispiece illustration by Charles Folkard from the book The Arabian Nights published 1917
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902_05_12321129HighRes The Dream Piper frontispiece illustration from The Golden Wonder Book published 1934. The piper of dreams draws all the children to his side and his music tells them of enchanted lands where magic fills the air.
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902_05_12290495HighRes Sir William Dugdale, 1605 - 1686. English antiquary and herald. After the frontispiece to Dugdale's History of St. Paul's Cathedral in London, 1658. From Impressions of English Literature, published 1944.
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902_05_12279997HighRes John Donne, from the frontispiece to Death's Duel, 1632. John Donne, 1572 - 1631. English metaphysical poet, satirist, lawyer and cleric in the Church of England. From The Poems of John Donne, published 1912
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902_05_12290485HighRes Inside The Red Bull playhouse, Clerkenwell, London, England in the 17th century. After the engraved frontispiece of Kirkham's Drolls, 1672. From Impressions of English Literature, published 1944.
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902_05_12280625HighRes Astrology in the Middle Ages, frontispiece to a 16th century astrological manual. From Everybody's Book of Fate and Fortune, published 1935.
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902_05_12290498HighRes A Mexican historical pictograph. After the frontispiece to William Robertson's History of America, 1777. From Impressions of English Literature, published 1944.
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917_05_WHA_091_0568 Detail from the frontispiece of 'The Anatomy of Melancholy' by Robert Burton (1577-1640) an English scholar at Oxford University. Dated 17th Century.
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alb3608356 George Moore (1852-1933). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 21 3/4 x 13 7/8 in. (55.2 x 35.2 cm). Date: 1879.This pastel, executed in one sitting, depicts the Irish critic and novelist George Moore. He used it as the frontispiece for his book Modern Painting (1893), noting that as "a fresh-complexioned, fair-haired young man, the type most suitable to Manet's palette, [the artist] at once asked [him] to sit." Critics ridiculed this work when it was exhibited in 1880, calling it "Le Noyé repêché" (the drowned man fished out of the water). The picture is Manet's only completed portrait of Moore; one of his unfinished canvases, George Moore at the Café (55.193), is in the Museum's collection. Museum: Metropolitan Museum of Art, New York, USA.
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alb4144938 Premier et Deuxième Recueil de Chiffres. Marillier, Clément Pierre (French, 1740-1808); after Charles Germaine de Saint-Aubin (French, 1721-1786). Date: 1770. Dimensions: 387 × 253 mm. Suite of 13 etchings on ivory laid paper. Bound in contemporary half-calf over marbled boards, gilt edge. Origin: France. Museum: The Chicago Art Institute, USA.
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alb3706012 John Milton. Dated: 1670. Medium: engraving. Museum: National Gallery of Art, Washington DC.
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alb3627757 Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti. Dimensions: Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm). Etcher: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome); Giovanni Francesco Venturini (Italian, active ca. 1650-1700). Publisher: Published by Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1691 or after.Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le Fontane ne' Palazzi e ne' Giardini', portrayed by Venturini and Falda, contains a title page, an allegorical frontispiece with dedication to Livio Odescalchi Duke of Ceri, and 26 plates of views. Museum: Metropolitan Museum of Art, New York, USA.
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alb3672793 Portrait of Andreas Vesalius, half-length in profile standing in front of a table dissecting the arm of a body; frontispiece to Andreas Vesalius 'De humani corporis fabrica libri septem'. Artist: Attributed to John of Calcar (John Stephen Calcar) (Netherlandish, Calcar, Cleves 1499-1546/50 Naples (active Italy)). Dimensions: Sheet: 8 3/8 × 5 11/16 in. (21.2 × 14.5 cm). Date: 1542. Museum: Metropolitan Museum of Art, New York, USA.
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alb3706841 Junction of Severn and Wye. Dated: published 1811. Medium: etching, mezzotint, and aquatint. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.
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alb3718701 Gerson as Pilgrim with Town in Background. Dated: in or before 1488. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.
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alb3631782 Frontispiece and Its Explanation: Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 1. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 9 13/16 x 13 1/8 in. (25 x 33.3 cm) (trimmed within platemark). Publisher: Philip Overton (British, active from 1707, died 1744); John Cooper (London). Sitter: Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Date: February 1725-26. Museum: Metropolitan Museum of Art, New York, USA.
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alb3617433 New Inventions of Modern Times [Nova Reperta], Title Plate. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Published by Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Title plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. The title is printed at the top of the plate just above an image of a printing press. There are 2 medallions also at the top: the medallion at left depicts the continents of America and Africa, and the medallion at represents a compass. On the left a woman represents the future and points to the map and on the right a man represents the past and walks out of the picture plane. At the bottom of the scene nine other inventions or discoveries of the post-classical age are depicted: the silk worm, the stirrup, the clock, the canon, distillation tools and guaiacum, each corresponding with a print in the series. Each object is assigned with a roman numeral that corresponds to a description inscribed at the very bottom of the plate. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Collaert I. After Jan van der Straet, called Stradanus.
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alb3656773 Hat and Guitar. Cover design for "Eaux-fortes par Edouard Manet," an album of fourteen etchings. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 9 x 8 1/2in. (22.9 x 21.6cm)sheet: 16 5/8 x 11 9/16in. (42.2 x 29.4cm). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA.
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alb3890352 Phillis Wheatley. Date/Period: 1773. Engraving on paper. Bound Object. Height: 128 mm (5.03 in); Width: 101 mm (3.97 in). Author: Unidentified Artist.
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alb3743530 Comoediae. Dated: published August 29, 1493. Dimensions: book: 25.4 x 18 x 6 cm (10 x 7 1/16 x 2 3/8 in.) page size: 24 x 16 cm (9 7/16 x 6 5/16 in.). Medium: bound volume with 161 woodcut illustrations (159 woodblocks, 8 repeats, 1 woodcut titlepage showing the author in his study and 1 full-page woodcut of an antique theater [a4v]). Museum: National Gallery of Art, Washington DC. Author: Terence [Publius Terentius Afer] (author), German 15th Century (artist) Johann Trechsel (publisher).
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alb3643883 Louis XIV Visiting the Royal Academy of Sciences. Artist: Sébastien Leclerc I (French, Metz 1637-1714 Paris). Dimensions: sheet: 16 1/2 x 12 1/8 in. (41.9 x 30.8 cm). Date: 1671. Museum: Metropolitan Museum of Art, New York, USA. Author: Sébastien Leclerc I.
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alb3643440 Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti). Artist: After Dante Gabriel Rossetti (British, London 1828-1882 Birchington-on-Sea). Author: Christina Georgina Rossetti (British, London 1830-1894 London). Dimensions: Sheet: 5 7/8 × 3 7/8 in. (15 × 9.9 cm). Engraver: Charles Faulkner (British, active 1862). Publisher: Morris, Marshall, Faulkner and Co.. Date: 1862.Christina Rossetti's first book of verse, The Goblin Market, helped establish her as England's leading female poet. The text concerns sisters tempted by goblins to consume delicious fruit symbolizing illicit desire. Dante Gabriel Rossetti's illustration captures the moment Laura succumbs and buys the wares offered by a group of animal-headed monsters as Lizzie carries water home in the background. Linton, whom the artist favored as an engraver, cut the block, and the bold results pleased Christina. Museum: Metropolitan Museum of Art, New York, USA.
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alb3711584 Captain of the Barons. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.
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alb3709420 Captain of the Barons. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3704840 Tenth Plague of Egypt. Dated: published 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.
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alb3627635 Poems by Alfred Tennyson. Author: Alfred Tennyson (British, Somersby, Lincolnshire 1809-1892 Surrey). Dedicatee: Queen Victoria (British, London 1819-1901 Isle of Wight). Designer: Frontispiece from a medallion by Thomas Woolner (British, Hadleigh, Suffolk 1825-1892 London). Dimensions: 9 x 6 5/8 x 1 3/4 in. (22.9 x 16.8 x 4.4 cm). Engraver: Dalziel Brothers (British, active 1839-1893); William James Linton (British, London 1812-1897 New Haven, Connecticut); Frontispiece engraved by Henry R. Robinson (British, active 1827-72); Thomas Williams (British, Colchester 1798-1862 after); John Thompson (British, Manchester 1785-1866 London); W. T. Green (British, active ca. 1837-72). Illustrator: William Holman Hunt (British, London 1827-1910 London); Sir John Everett Millais (British, Southampton 1829-1896 London); Thomas Creswick (British, Sheffield 1811-1869 London); William Mulready (Irish, Ennis 1786-1863 London); John Callcott Horsley (British, London 1817-1903 London); Dante Gabriel Rossetti (British, London 1828-1882 Birchington-on-Sea); Clarkson Stanfield (British, Sunderland 1793-1867 London); Daniel Maclise (Irish, Cork 1806-1870 London). Printer: Bradbury & Evans. Publisher: Edward Moxon & Company (London). Sitter: Frontispiece of Alfred Tennyson (British, Somersby, Lincolnshire 1809-1892 Surrey). Date: 1857.In 1857 Edward Moxon brought out a new edition of Tennyson's Poems illustrated by Dante Gabriel Rossetti and fellow Pre-Raphaelites William Holman Hunt and John Everett Millais. The first two artists created unconventional medievalist images to accompany poems they revered. Rossetti's illustration, created for the poem Sir Galahad, portrays King Arthur's purest knight resting at a woodland shrine during his quest for the Holy Grail. In the poem, invisible mystical forces tend the shrine, but Rossetti represented female angels clustered beneath the altar, ringing a bell. George Somes Layard wrote in the nineteenth century that "Millais realised, Holman Hunt idealised, and Rossetti transcendentalized the subjects which they respectively illustrated.". Museum: Metropolitan Museum of Art, New York, USA.
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alb3617698 James McNeill Whistler. Artist: Percy Thomas (British, London 1846-1922 London). Dimensions: plate: 5 1/8 x 3 7/8 in. (13 x 9.8 cm)sheet: 8 1/8 x 5 1/16 in. (20.6 x 12.8 cm). Date: 1874.Percy Thomas's print is based on a Whistler self-portrait, "Arrangement in Grey: Portrait of the Painter," ca. 1872 (Detroit Institute of Arts). The print was created as a frontispiece for the first catalogue of Whister's etchings, published in London in 1874 by the etcher's brother, Ralph Thomas. Wearing a smock and wide brimmed hat, the subject holds two brushes and is identified by his butterfly mark perched on the edge of the dado behind his shoulder. Museum: Metropolitan Museum of Art, New York, USA. Author: Percy Thomas.
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alb4100462 Cover. Dimensions: 59 cm x 45.1 cm, 53.4 cm x 43.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAURICE DENIS.
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alb3707904 Frontispiece. Dated: published 1625. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: British 17th Century.
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alb9879250 Frontispiece with calligraphic title on stone and figures of a 13th century French crusader knight and Napoleonic era infantry soldier. Crusader in helm, chainmail, tunic, with pennant and shield. Guardsman in bearskin, coat, breeches, boots, with lance. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.
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alb9878342 Frontispiece with Royal Navy captain and midshipman before Britannia and a British lion. Britannia with plumed helmet, lance with flags, Union Jack shield. Bow, figurehead, mast and rigging of a man-of-war. Handcoloured copperplate engraving by Charles Williams from The Post Captain, or Adventures of a True British Tar by a Naval Officer, J. Johnston, London, 1817. Attributed to Alfred Thornton or John Mitford.
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alb9874016 A bourgeois German man and woman looking up at the stars in the night sky., 18th century. Copperplate engraving by Johann Rudolph Schellenberg after an illustration by Daniel Nikolaus Chodowiecki for a frontispiece to the collected works of Mathias Claudius, Asmus Omnia sua secum Portans, published by Christian Gottlieb Schmieder, Karlsruhe, Germany, 1784.
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alb4634817 Frontispiece with vignette of a scene in a Paris park, 1820. Clowns perform on a stage. Dr. Syntax and wife, a dragoon, a monkey show and a post boy in heavy wooden boots. Handcoloured copperplate engraving drawn and engraved by Charles Williams from Doctor Syntax in Paris; or a Tour in Search of the Grotesque, W. Wright, London, 1820.
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alb3622958 Elles (poster for 1896 exhibition at La Plume). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: Image: 22 11/16 × 18 1/4 in. (57.7 × 46.3 cm)Sheet: 24 1/8 × 18 1/2 in. (61.2 × 47 cm). Publisher: Gustave Pellet (French, Paris 1859-1919 Paris). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.
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alb3742439 Frontispiece for "Balli di Sfessania". Dated: c. 1622. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3668887 Grotesques by Aubrey Beardsley. Facsimile Platinum Prints by Frederick H. Evans from the Twelve Original Drawings in His Collection with a Portrait Frontispiece. Artist: Frederick H. Evans (British, London 1853-1943 London); After Aubrey Vincent Beardsley (British, Brighton, Sussex 1872-1898 Menton). Dimensions: Sheet: 9 9/16 × 7 1/2 in. (24.3 × 19 cm)Plate: 4 × 3 1/16 in. (10.2 × 7.7 cm)Image: 1 11/16 × 1 5/16 in. (4.3 × 3.3 cm). Date: 1910s. Museum: Metropolitan Museum of Art, New York, USA.
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alb4137805 Title Page from the "Iconography". Jacob Neeffs (Flemish, 1610-c. 1660); after Anthony van Dyck (Flemish, 1599-1641). Date: 1645. Dimensions: 242 × 151 mm (image); 245 × 157 mm (plate); 425 × 279 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA. Author: Jacques Neeffs.
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alb3735411 Frontispiece. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and J. C. Easling.
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alb3734188 Design for a China Plate (Projet d'assiette). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.
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alb3618498 The Virgin and Saint John, from the Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3646211 The Virgin Appearing to Saint John, Frontispiece to the Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 7 3/8 × 7 1/16 in. (18.7 × 17.9 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3706250 The Man of Sorrows Mocked by a Soldier. Dated: probably 1511. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.
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alb3731929 The Man of Sorrows Mocked by a Soldier. Dated: probably 1511. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.
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alb3611636 Letter. Artist: Wang Zhideng (Chinese, 1535-1612). Culture: China. Dimensions: Image: 9 11/16 x 5 5/16 in. (24.6 x 13.5 cm).A child prodigy, Wang Zhideng could do large character calligraphy at the age of six and compose poetry at ten. Best known for his monumental clerical or seal-script frontispieces for handscrolls, he wrote this letter to a friend in the more informal running-cursive script. In the letter, Wang relates that he has fulfilled the friend's request for a colophon to enhance the appeal of a certain scroll and, in addition, was presenting him with a gift of six carp to help him recover from illness. Wang's affection for his friend is underscored by thefact that he wrote this letter in the freezing cold on a snowy day when he was ill himself.Wang, who spent most of his life in Suzhou, here follows the calligraphic style of Wen Zhengming (1470-1559), the influential leader of Suzhou's artistic circle of two generations earlier. Wang's characters are tall and slightly pinched. Lacking the strength and bold rhythmic gestures of his model, his brushwork nonetheless impresses the viewer with its graceful ease and natural finesse as evident in the gentle fluctuations of the individual strokes. In addition to the speed and casualness of the writing, Wang's illness may also explain certain cursoriness in its execution. Museum: Metropolitan Museum of Art, New York, USA.
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alb3711349 Ben Arthur. Dated: published 1819. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Goff Lupton.
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alb3717391 Scene in the Campagna. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.
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alb3715758 Saint Catherine's Hill Near Guilford. Dated: 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and J. C. Easling.
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alb3710171 Mt. Saint Gothard. Dated: 1808. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.
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alb3705743 Rivaux Abbey. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Henry Edward Dawe.
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alb3700819 Winchelsea, Sussex. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and J. C. Easling.
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alb3705604 The Bridge in Middle Distance. Dated: published 1808. Medium: etching, aquatint and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.
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alb3741405 The Source of the Arveron. Dated: published 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Henry Edward Dawe.
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alb3608312 Frontispice pour le "Tombeau de Charles Sackville, comte de Dorset" (Frontispiece for the "Tomb of Charles Sackville, Earl of Dorset", from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men). Artist: After François Boucher (French, Paris 1703-1770 Paris); Michel Aubert (French, 1700-1757 Paris). Author: Eugene MacSwiny. Dimensions: Sheet: 25 9/16 x 16 3/8 in. (65 x 41.6 cm) trimmed to platemark. Series/Portfolio: Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres qui ont fleuri dans la Grande Bretagne vers la fin du XVII & le commencement du XVIII. Siècle Gravés par les plus Habiles Maitres de Paris, d'aprés les Tableaux et desseins origanaux des plus celebres Peintres d'Italie. Tirés du Cabinet de Monseigneur le Duc de Richmond et Lennox... A Paris, chez Basan et Poignant, marchands d'estampes. Date: ca. 1736. Museum: Metropolitan Museum of Art, New York, USA.
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alb3722144 Hedging and Ditching. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and J. C. Easling.
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alb3727717 Chain of Alps from Grenoble to Chamberi. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.
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alb4146340 Berry Pomeroy Castle, plate 58 from Liber Studiorum. Joseph Mallord William Turner; English, 1775-1851. Date: 1816. Dimensions: 186 × 275 mm (image); 218 × 296 mm (plate); 268 × 385 mm (sheet). Etching and engraving in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.
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alb4147197 Procris and Cephalus, plate 41 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by G. Clint (1770-1854). Date: 1812. Dimensions: 186 × 265 mm (image); 216 × 292 mm (plate); 296 × 443 mm (sheet). Etching and engraving in brown on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, USA.
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alb3683283 A Study for a Frontispiece: The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below. Artist: Vitus Felix Rigl (German, active 1743-79). Dimensions: sheet: 16 1/4 x 11 1/8 in. (41.3 x 28.3 cm). Date: 1743-79. Museum: Metropolitan Museum of Art, New York, USA.
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alb3604217 A Mock Marriage Ceremony. Artist: Isoda Koryusai (Japanese, 1735-ca. 1790). Culture: Japan. Dimensions: H. 8 3/8 in. (21.3 cm); W. 14 3/4 in. (37.5 cm). Date: ca. 1773. Museum: Metropolitan Museum of Art, New York, USA.
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akg419026 Hiroshige, Utagawa. 1797-1858. "Nihon-Bashi / Asa no kei" (The Nihon-Bashi Bridge / In the morning) 1833-34. Frontispiece of the series "Tôkaidô gojûsan tsugi no uchi" (53 stations of the Tokaido). Coloured woodcut, 22.2 × 34.4cm. Inv. Nr. Rés., De 10 boîte, JB 1001. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.
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akg7247789 Armin Landeck, printed by Mohammad Omer Khalil. Locomotive, frontispiece from Armin Landeck: The Catalog Raisonne of His Prints, 1936. Aquatint with stop-out varnish and drypoint on off-white wove paper, tipped into book, 160 × 120 mm. Inv. No. 2015.384, Chicago, Art Institute.
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alb21887138 Titus Livius (59 BC-17 AD). Roman historian. Titi Livii, Patavini: Historiarum Libri qui extant. 1679 classic edition by Joannes Dujatius from a monumental history of Rome (Ab Urbe condita) written by Titus Livius between 27 and 9 BC. Printed in Paris by Fredericum Leonard. Frontispiece. Engraving depicting Arion, carrying his lyre, being thrown into the sea by sailors. A dolphin approaches to save him. A banner bearing the words "trahitur dulcedine cantus" waves between Arion and the dolphin. Two winged figures flank the coat of arms of the Dauphin (upper part), and two tritons do the same with the name of Titus Livius.
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alb3718952 Les Vielles Histoires (cover/frontispiece). Dated: 1893. Dimensions: overall: 35.3 x 53.8 cm (13 7/8 x 21 3/16 in.). Medium: lithograph in black touched with watercolor. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3719137 Frontispiece. Dated: 1896. Medium: lithograph in olive green, blue, and orange. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3684288 Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 7/16 × 11 5/16 in. (26.5 × 28.7 cm)Plate: 10 3/8 × 10 7/8 in. (26.3 × 27.7 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Alexander Macdonald , 1st Baron Macdonald of Slate (Scottish, ca. 1745-1795); Alexander Boswell, Lord Auchinleck (British, Auchinleck 1707-1782 Edinburgh). Date: June 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.
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alb3704426 Avalanche: Frontispiece for Triumph of Death (L'avalanche: Frontispice du Triomphe dela mort. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3733719 Les Vielles Histoires (cover/frontispiece). Dated: 1893. Dimensions: sheet: 44.3 x 63.5 cm (17 7/16 x 25 in.). Medium: color lithograph. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3742215 Frontispiece. Dated: 1898. Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3745459 Frontispiece for "Elles". Dated: 1896. Dimensions: overall: 52.8 x 40.2 cm (20 13/16 x 15 13/16 in.). Medium: color lithograph on thin wove paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3746491 Pierre Gassendi. Dated: 1658. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Robert Nanteuil.
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alb3741137 Frontispiece (The Beggar Woman of Veze). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3605494 Elles (portfolio cover). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: Sheet: 20 11/16 × 15 7/8 in. (52.5 × 40.4 cm)Image: 20 5/8 × 15 7/8 in. (52.4 × 40.4 cm). Publisher: Gustave Pellet (French, Paris 1859-1919 Paris). Series/Portfolio: Elles, 1896. Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653031 The Lousiad by Peter Pindar, Frontispiece. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 7/16 × 7 1/16 in. (24 × 18 cm). Publisher: George Kearsley (London). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.
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alb3618158 William Dugdale. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 10 1/16 × 6 9/16 in. (25.5 × 16.7 cm). Sitter: Sir William Dugdale (British, 1605-1686). Date: 1625-77.Portrait of William Dugdale; half length, almost full face; siting at a table in a coat with fur cuffs and a small white collar; wearing a broad-brimmed hat; his right hand holds a rolled MS on the table; to the left a copy of 'Monasticon Anglicanum' and 'The Antiquities of Warwicksh: illustrated', and an ink well with pen and knife; behind shelves with documents and seals; arms and his crest, a griffin head with wings, in upper corners; frontispiece to Dugdale's 'The Antiquities of Warwickshire Illustrated'. Museum: Metropolitan Museum of Art, New York, USA.
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alb3617453 Cover Design for Les Vieilles Histoires. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Author: Jean Goudezki (French, 1866-1934). Dimensions: Sheet: 18 1/8 × 24 1/4 in. (46 × 61.6 cm)Image: 13 3/8 × 21 1/4 in. (34 × 54 cm). Publisher: G. Ondet. Series/Portfolio: Les Vielles Histories (The Old Tales). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.
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alb3729410 Les Vielles Histoires (cover/frontispiece). Dated: 1893. Medium: lithograph in olive green [trial proof?]. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3662875 Frontispiece, from Bozzy and Piozzi by Peter Pindar, Esq. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm). Publisher: George Kearsley (London). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.
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alb4210518 On the River Bure. Peter Henry Emerson; English, born Cuba, 1856-1936. Date: 1886. Dimensions: 13.3 × 23.5 cm (image/paper); 28.5 × 40.5 cm (album page). Platinum print, frontispiece from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200. Origin: England. Museum: The Chicago Art Institute, USA.
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alb4210148 In the Haysel (Norfolk). Peter Henry Emerson (English, born Cuba, 1856-1936); printed by Ballantyne, Hanson and Co., London. Date: 1878-1892. Dimensions: 28.2 × 33.3 cm (image); 33.3 × 42.8 cm (paper). Photogravure, Frontispiece from "Pictures of East Anglian Life," published by Sampson Low, Marston, Searle & Rivington (1888). Origin: England. Museum: The Chicago Art Institute, USA.
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alb4160590 Cover for Elles. Henri de Toulouse-Lautrec (French, 1864-1901); published by Gustave Pellet (French, 1859-1919); probably printed by Auguste Clot (French, 1858-1936). Date: 1896. Dimensions: 571 × 462 (image to fold); 571 × 472 mm (sheet, folded). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4160592 Cover and Frontispiece to Les Vieilles Histoires. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1893. Dimensions: 344 × 542 mm (image); 452 × 613 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4160429 Au Pied du Sinaï, Rejected Cover. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1897. Dimensions: 261 × 418 mm (image); 291 × 526 mm (sheet). Lithograph on thick gray-tan Japan wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4152570 The Gate of the New Yoshiwara, frontispiece from the third volume of "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)". Katsukawa Shunsho; Japanese, 1726-1792; Kitao Shigemasa; Japanese, 1739-1820. Date: 1776. Dimensions: 8 7/8 x 11 7/8 in. Color woodblock print; illustration cut from a book. Origin: Japan. Museum: The Chicago Art Institute, USA.
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alb4158191 Frontispiece for the Catalogue of the Engravings of Thomas De Leu. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 129 × 98 mm (image, including stray marks); 153 × 108 mm (plate); 343 × 242 mm (sheet). Etching and engraving with burnishing on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4157518 Hat and Guitar, Frontispiece for the edition of fourteen etchings. Édouard Manet; French, 1832-1883. Date: 1862-1863. Dimensions: 331 × 225 mm (image); 434 × 296 mm (plate); 449 × 318 mm (sheet, folded); 450 × 630 mm (sheet, unfolded). Etching, aquatint and drypoint in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4157653 Hat and Guitar, Frontispiece for the edition of fourteen etchings. Édouard Manet (French, 1832-1883); published by Alfred Cadart (French, 1828-1875). Date: 1874. Dimensions: 230 × 218 mm (image/plate); 394 × 348 mm (sheet). Etching, aquatint, drypoint, and engraving in black on blue wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4158366 Frontispiece for the Catalogue of the Work of Thomas De Leu. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1866. Dimensions: 154 × 109 mm (image, including stray marks); 154 × 109 mm (plate); 263 × 202 mm (sheet). Etching and engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4143666 Boswell's Tour of the Hebrides: Frontispiece. Thomas Rowlandson; English, 1756-1827. Date: 1786. Dimensions: 275 × 380 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.
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alb3739483 Frontispiece. Dated: 1882. Dimensions: plate: 35.5 x 45 cm (14 x 17 11/16 in.) sheet: 49.5 x 68.5 cm (19 1/2 x 26 15/16 in.). Medium: etching in brown on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES JACQUES JOSEPH TISSOT.
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alb3653516 Self-Portrait in a Cocked Hat. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 3 7/8 x 3 7/16 in. (9.8 x 8.8 cm). Date: ca. 1790.This vigorous portrait, stippled and lined in brown ink, is likely one of Goya's most faithful self-studies. The artist was probably middle-aged when he made the drawing, but his dashing appearance, complete with tricorne hat, belies his years. It shows Goya before a grave illness of 1793 that would compromise his vitality. Drawn with a blunt pen in distinct marks, the self-portrait was used to engrave the frontispiece for the third edition of Goya's suite of lithographs illustrating bull fights, La Tauromaquia (1876). Museum: Metropolitan Museum of Art, New York, USA.
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alb3901689 Solomon Teaching Rehoboam; The Judgment of Solomon; Solomon Testing the Legitimacy of Three Brothers. Date/Period: Ca. 1360 - 1370. Folio. Tempera on parchment. Height: 349 mm (13.74 in); Width: 260 mm (10.23 in). Author: Master of Jean de Mandeville.
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alb3679860 Frontispiece with a trumpeter sounding trumpets seated on top of a cartouche flanked by trophies, from 'The Twelve Caesars'. Artist: Raffaello Schiaminossi (Italian, Borgo San Sepolcro (Sansepolcro) 1572-1622 Borgo San Sepolcro (Sansepolcro)). Dimensions: Sheet: 20 in. × 14 5/16 in. (50.8 × 36.3 cm). Publisher: Andrea Vaccari (Italian, active Rome, 1595-died 1627). Date: 1606.For discussion of the plate used for this print and its verso that was later cut down and used for a painting of the Holy Family with St John the Baptist (ca. 1640) sold at Christie's Amsterdam in 2016 see Jaco Rutgers, 'A Schiaminossi Plate' in Print Quarterly, XXXIV, pp.429-32. Museum: Metropolitan Museum of Art, New York, USA.
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alb3646540 Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 8 1/4 x 11 1/2 in. (21 x 29.1 cm). Date: February 11, 1812.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where he also developed the layers of tone, using aquatint and mezzotint to describe the gloomy crypt of a ruined Norman (Romanesque) abbey in Yorkshire. Light streams from the left to reveal cattle resting around a pillar beneath round-arched vaults, with a pool of water at right. Trees are glimpsed through an open doorframe, and the "A" above the image indicates Turner's category of Architectural landscape. Museum: Metropolitan Museum of Art, New York, USA.
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alb3737915 Frontispiece for "Views of Tombs". Dated: 1768. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Laurent Legeay.
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alb3730778 Frontispiece for the Miracles and Graces of Our Lady of "Bon-Secours-les-Nancy". Dimensions: plate: 12.5 x 7.8 cm (4 15/16 x 3 1/16 in.) sheet: 13.9 x 9.5 cm (5 1/2 x 3 3/4 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb4133095 Christ, Man of Sorrows, Mocked by a Soldier, from The Large Passion. Albrecht Dürer; German, 1471-1528. Date: 1511. Dimensions: 198 x 195 mm (image); 434 x 303 mm (sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.
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alb4132308 Pope Pius II, frontispiece to a Constitution of the Sienese Church of the Year 1464. Italian (Siena); after Vecchietta (Lorenzo di Pietro di Giovanni) (Italian, 1410-1480). Date: 1464. Dimensions: 310 x 223 mm. Manuscript cutting in tempera and gold leaf on parchment. Origin: Italy. Museum: The Chicago Art Institute, USA.
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alb4146977 Frontispiece, from Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 400 × 268 mm (plate); 451 × 316 mm (sheet). Etching, engraving and drypoint on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
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alb3670192 Title page for 'Roman Emperors on Horseback'. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp). Dimensions: Plate: 13 1/8 × 8 11/16 in. (33.4 × 22.1 cm)Sheet: 13 7/8 × 11 13/16 in. (35.2 × 30 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Series/Portfolio: 'Roman Emperors on Horseback'. Date: ca. 1587-89.Title page for the series 'Roman Emperors on Horseback'. Depicted is a personification of the river Tiber with the wolf feeding Romulus and Remus at center and an eagle overhead, Venus in niche at left and Mars at right, a portrait of Johannes Stradanus at bottom center, Troy burning in the background with Aeneas and his father fleeing at left. Museum: Metropolitan Museum of Art, New York, USA.
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dpa7381135 (dpa) - A copy of the first edition (R) and of the second edition (L) of Adolf Hitler's 'Mein Kampf' (My Struggle) features a frontispiece of the Fuehrer, pictured in Germany, 2003. In 1923 Adolf Hitler was arrested for attempting to overthrow the government in Munich and his National Socialist German Workers' Party (the Nazi party NSDAP) was disbanded. While in prison he wrote the first volume of 'Mein Kampf', outlining his political ideas. 'Mein Kampf' was not taken seriously at first, but it includes many of the ideas the Nazis put in practice in the 1930s and 1940s.
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