Pesquisando por: "FRANS POST" - Fotoarena - Agência de fotojornalismo

ny151124212512 Inside the Luna Rienne Gallery, a Valencia Street mainstay since the 1990s, in the Mission District of San Francisco, Oct. 26, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212510 Inside Horsies Saloon, a narrow vermouth bar that?s like walking into the apartment of your cool, maximalist uncle, in San Francisco, Oct. 26, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212311 A view of the Pacific along the Lands End Coastal Trail, one of the country?s most spectacular urban hikes, at Point Lobos in San Francisco, Oct. 25, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212410 Sweeping Ocean Beach, with Point Lobos near it?s north end and Lake Merced past its South end, in San Francisco, Oct. 25, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212514 Egg-salad and panko-fried summer squash on a Filipino bread roll with Japanese mustard greens, curry mustard and yuzu chile seasoning at the Asian American bakery Breadbelly, in San Francisco, Oct. 25, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212513 Fleetwood, a screen printing studio and shop selling all things San Francisco: black-sesame shortcake from Mojo Bakes, California poppy-decaled wineglasses and hyper-local neighborhood T-shirts, in the city?s Richmond District, Oct. 25, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212413 A bowl of cioppino at Anchor Oyster Bar, a 47-year-old seafood institution, in San Francisco, Oct. 24, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

ny151124212412 The entrance of the near-century-old Muse?e Me?canique, a collection of antique acade games, amusement park artifacts and mechanical musical instruments, on Pier 45 at Fisherman?s Wharf in San Francisco, Oct. 25, 2024. The city has taken a reputational hit for its post- pandemic challenges, but it?s as beautiful as ever ? with enticing new public parks, green spaces and neighborhoods, and expanding arts institutions. (Jim Wilson/The New York Times/Fotoarena)

2633234 Exposição permanente das coleções Brasiliana Itaú no Espaço Olavo Setubal. Coleção Brasiliana Itaú é uma exposição e projeto de produção artística sobre o país desde o descobrimento até o início do século XX. Contém pinturas, fotografias, cartas, documentos e outros. Mostra no Itaú Cultural, na Avenida Paulista. Na foto, mapa de Pernambuco de 1643 de George Marcgraf, com ilustrações Frans Post.

2202D01_UH086 Timothy Dalton, Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH084 Timothy Dalton, Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH087 Timothy Dalton, Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH088 Timothy Dalton, Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH085 Timothy Dalton, Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH015 Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH013 Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH014 Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH012 Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

2202D01_UH011 Fran Drescher at arrivals for 1923 Series Premiere, Hollywood American Legion Post 43, Los Angeles, CA December 2, 2022. Photo By: Elizabeth Goodenough/ Everett Collection/ Fotoarena

ny300420202604 **EMBARGO: No electronic distribution, Web posting or street sales before SUNDAY 5:01 a.m. ET MAY 3, 2020. No exceptions for any reasons. EMBARGO set by source.**A man wearing a gown walks through a street in Montreal, April 11, 2020. The Saturday night dreamscape has contracted to fit the contours of our apartments and our screens; our social circles have shrunken to comprise just our families, our partners, our roommates, our cats, ourselves, but there are still adventures to be pursued on Saturday night, even if they are now rendered in miniature. (Franois Ollivier/The New York Times/Fotoarena)

ny101119225704 **EMBARGO: No electronic distribution, Web posting or street sales before 3:01 a.m. ET Monday, Nov. 11, 2019. No exceptions for any reasons. EMBARGO set by source.** Franois Monestier, a solo puppeteer, performing near Notre Dame Cathedral in Paris, Sept. 15, 2019. In an era of limitless on-demand entertainment, the timeworn art of French marionette theater continues to capture minds and hearts in this country in ways that smartphones, video games and the most seducing technologies canÕt. (Dmitry Kostyukov/The New York Times/Fotoarena)

akg784181 Maiunruhen in Frankreich 1968. Studentendemonstrationen und wilder Generalstreik Mitte Mai in Paris. /-"LA VOIX DE SON MAITRE" (Die Stimme seines Herren).-/ Protestplakat gegen den staatl. gelenkten O.R.T.F. ((Office de radiodiffusion et de télévision fran-çaise) 1968. Siebdruck, 32,5 x 49 cm. Entwurf: Comité UNEF Écoles d'Art. Museum: Private Collection., Privatsammlung.

alb3635798 Two Galleys Sailing Behind an Armed Three-Master with Phaeton and Jupiter in the Sky, from the series of Ships. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Frans Huys (Netherlandish, 1522-1562). Dimensions: sheet: 10 1/4 x 13 1/2 in. (26.1 x 34.3 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1561-65. Museum: Metropolitan Museum of Art, New York, USA.

alb3739536 Armed Three-Master with Daedalus and Icarus in the Sky. Dated: 1565. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Frans Huys after Pieter Bruegel the Elder.

alb3655348 Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels. Artist: Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Frans Huys (Netherlandish, 1522-1562). Dimensions: Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm)Sheet: 10 15/16 × 13 in. (27.8 × 33 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1561-65.This engraving belongs to a series of ten prints known as the Sailing Vessels, executed by Frans Huys after designs by Pieter Bruegel the Elder. The series displays a wide range of sailing vessels, including merchantmen and warships, large seagoing vessels and small coasters, galleys, and caravels. Here, Bruegel depicted a four-master, i.e., a ship with four masts, and two three-masters anchored near a fortified island capped by a lighthouse. The detail and painstaking accuracy with which the vessels are rendered attests to the artist's great care and leaves no doubt that Bruegel must have prepared for the series by making numerous sketches and elaborate studies--all of which unfortunately are lost. At what point in his life Bruegel became interested in the subject of ships is unclear, but the deep fascination the citizens of Antwerp took in it is understandable given the nature of the city's economy. As a mercantile superpower with direct access to the North Sea, and as home to some of the most ambitious traders and explorers in Europe, Antwerp took great pride in the prowess and engineering of their ships and in their connection to the sea. Whatever the precise source of their appeal, Bruegel's series of Sailing Vessels was a highly sophisticated creation that far surpassed previous examples of the genre in technique and imagination. Museum: Metropolitan Museum of Art, New York, USA.

alb3654382 Armed Three-Master Anchored Near a City from The Sailing Vessels. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Frans Huys (Netherlandish, 1522-1562). Dimensions: plate: 9 1/8 x 11 9/16 in. (23.2 x 29.4 cm)sheet: 10 1/4 x 13 3/8 in. (26.1 x 33.9 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA.

alb3611097 Armed Four-Master Sailing Towards a Port from The Sailing Vessels. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Frans Huys (Netherlandish, 1522-1562). Dimensions: sheet: 13 5/16 x 10 1/4 in. (33.8 x 26 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1561-65. Museum: Metropolitan Museum of Art, New York, USA. Author: after Pieter Bruegel the Elder. Frans Huys.

alb3616958 Armed Three-Master on the Open Sea Accompanied by a Galley, from the series Sailing Vessels. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Frans Huys (Netherlandish, 1522-1562). Dimensions: sheet: 12 1/2 x 9 11/16 in. (31.7 x 24.6 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1561-65. Museum: Metropolitan Museum of Art, New York, USA.

alb3720084 Armed Four-Master Putting Out to Sea. Dated: 1565. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Frans Huys after Pieter Bruegel the Elder.

alb14225235 View of a sugar cane mill. Museum: Museu Nacional de Belas Artes, Rio de Janeiro. Author: Frans Jansz. Post.

alb2128126 JACK (1996), directed by FRANCIS FORD COPPOLA. English title: JACK.

alb4156906 Frans Jansz. Post (Haarlem, c. 1612 -1680). The Church of St. Cosmas and St. Damian and The Franciscan Monastery at Igaraçu, Brazil (ca. 1663). Oil on panel. 42.8 x 58.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4104549 View of the Island of Itamaracá, Brazil. View of Itamaracá Island. Dating: 1637. Measurements: h 63.5 cm × w 89.5 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS JANSZ POST.

alb11173373 INVASION (2021). English title: INVASION.

alb4160620 At the Opera: Madame Caron in Faust. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1893. Dimensions: 365 × 275 mm (image); 379 × 283 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

akg898313 Post, Frans Janszoon; 1612-1680. "Brasilianische Landschaft mit Zuckerplantage und Herrenhaus", 1652. Öl auf Holz, 58,2 x 78,3 cm. Inv.Nr. 153. Museum: Mittelrheinisches Landesmuseum., MAINZ.

akg572533 Post, Frans. Dutch painter, 1612-1680. "Slaves at a monastery wall". 17th century, South America, Brasil. Oil on wood, 19.5 × 19.5cm. Recife, Istituto Ricardo Brennand. Museum: Recife, Istituto Ricardo Brennand.

akg572526 Post, Frans, 1612 - 1680, Dutch painter. Wooded river landscape, 1650s. Oil on panel, 63 x 93.5 cm. Sao Paulo, Fundac. M.L. e O. Americano. Museum: Sao Paulo, Fundac. M. L. e O. Americano.

akg572523 Post, Frans, 1612 - 1680, Dutch painter. Brazilian village with church, 1654. Oil on panel, 54 x 82 cm. Sao Paulo, Fundac. M.L. e O. Americano. Museum: Sao Paulo, Fundac. M. L. e O. Americano.

akg574785 Post, Frans, 1612 - 1680, Dutch painter. Brazilian landscape with people going to church (detail). Oil on panel, 47.5 x 65 cm. Schwerin, Staatliches Museum. Museum: Schwerin, Staatliches Museum.

akg291320 Post, Frans, 1612 - 1680, Dutch painter. Brazilian landscape, 1658. Oil on panel, 44 x 70.5 cm. Max Geldner Collection. Inv. G 1958.35. Basel, Kunstmuseum. Museum: Basel, Kunstmuseum.

akg066202 Post, Frans, 1612 - 1680, Dutch painter. Landscape with anteater, after 1660. Oil on panel, 55 x 77 cm. Sao Paulo, Museu de Arte. Museum: Sao Paulo, Museu de Arte.

akg066203 Post, Frans, 1612 - 1680, Dutch painter. Brazilian landscape, c.1660. Painting.

akg066201 Brasilien (Südamerika). "Landschaft mit einer Jiboia" (Brasilianisches Dorf am Rand einer Ebene). Gemälde, um 1660, von Frans Post (c. 1612-1680; als Begleiter des Prinzen Joh. Moritz von Nassau 1637-44 in Brasilien). Öl auf Leinwand, 119 × 172,5 cm. Sao Paulo, Museu de Arte. Museum: Sao Paulo, Museu de Arte.

akg066209 Paulo Afonso (Brasilien), Wasserfälle des Flusses Sao Francisco. "Die Wasserfälle von Paulo Afonso". Gemälde, 1647, von Frans Post (c. 1612-1680; als Begleiter des Prinzen Johann Moritz von Nassau 1637-44 in Brasilien). Öl auf Holz, 58,6 × 46 cm. Sao Paulo, Museu de Arte. Museum: Sao Paulo, Museu de Arte.

MCDSOIT_EC007 SOMETIMES I THINK ABOUT DYING, (aka LA VIE REVEE DE MISS FRAN), poster, Daisy Ridley, 2023. © Oscilloscope /Courtesy Everett Collection

alb1784037 LA PÍCARA SOLTERA (1964) -Original title: SEX AND THE SINGLE GIRL-, directed by RICHARD QUINE. English title: SEX AND THE SINGLE GIRL.

alb4156905 Frans Jansz. Post (Haarlem, c. 1612 -1680). Plantation Settlement in Brazil (1656). Oil on panel. 36.9 x 54 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

akg7858597 Everbroeck, Frans vancirca 1638 Antwerp - post 1672Memento Mori.Vanitas Still Life with Skull, Hourglass, Candelabra, Books and Lock of Hair. Monogrammed on the lower left of the table: F.V.E. Oil on canvas. Relined. Literature: - Appears in and illus. in: J. de Maere/M. Wabbes: Illustrated Dictionary of 17th Century Flemish Painters, Plates A-K, pg. 386., Brussels 1994. Provenance: - Marle en Bignell, Van, the Hague, 1943-01-25, lotnr. 38; - Presumably Sam Nystad, October 1969; - Private collection, Hamburg. .

alb4156907 Frans Jansz. Post (Haarlem, c. 1612 -1680). View of the Ruins of Olinda, Brazil (1665). Oil on canvas. 79.8 x 111.4 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

akg7643834 Frans Jansz Post, Dutch, ca. 1612-1680, View of the Jesuit Church at Olinda, Brazil, 1665, oil on canvas, Unframed: 22 1/8 × 32 7/8 inches (56.2 × 83.5 cm).

akg5540045 Belgisch-Kongo / Congo-Belge (belgische Kolonie 1908-1960). - "Congo Belge". - Bebilderte Landkarte, 1949. Kundengeschenk der Banque de la Société Générale de Belgique. Farblithografie, 111 x 86 cm. Grafische Gestaltung: Frans Laboulais (1903-1988). Druck: Editions Visscher, Brüssel. Privatsammlung.

akg2294411 Nahrungs- und Genußmittel:. Schokolade. "Van Houten Chocolade". Werbeplakat, um 1958. Farblithographie, 119,9 × 85,4 cm. Entwurf: Frans Mettes (1909-1984). Druck: De Jong & Co., Hilversum. Inv. Nr. NAA 80. Nürnberg, Germanisches Nationalmuseum. Museum: Nürnberg, Germanisches Nationalmuseum. Copyright: Additional copyrights must be cleared.

akg4044531 Post, Frans 1612-1680. "Rio Sao Francisco and Fort Maurits in Brazil", 1639. Oil on canvas, 69 × 95cm. Inv. 1727, Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.

akg572649 Post, Frans. 1612-1680. "Brasilianische Landschaft mit Kirchgängern". Öl auf Holz, 47,5 × 64 cm. Schwerin, Staatliches Museum. Museum: Schwerin, Staatliches Museum.

akg572658 Post, Frans. 1612-1680. "Brasilianische Landschaft mit Zuckermühle", 1660er Jahre. Öl auf Holz, 48,3 × 62,2 cm. Dublin, National Gallery of Ireland. Museum: Dublin, National Gallery Of Ireland.

akg572407 Post, Frans, 1612 - 1680, Dutch painter. Brazilian landscape with anteater, 1649. Oil on panel, 53 x 69.4 cm. Munich, Alte Pinakothek. Museum: München, Alte Pinakothek.

alb4354993 Brazilian Landscape, 1658, oil on oak, 45.9 x 70.2 cm, signed and dated lower right: F. Post [1] 658, Frans Post, Haarlem 16121680 Haarlem.

alb3447854 A Brazilian Landscape, 1650, Oil on wood, 24 x 36 in. (61 x 91.4 cm), Paintings, Frans Post (Dutch, Haarlem 16121680 Haarlem), Post accompanied Count Johan Maurits of Nassau-Siegen when he served as governor for the West India Company in northeastern Brazil (163744). The artists drawings became the basis for the first illustrated book on Brazil (Amsterdam, 1647) and for the exotic landscapes he painted back in his native Haarlem.

alb9889005 DE PERDIDOS A RÍO (2023), directed by JOAQUIN MAZON. English title: DE PERDIDOS A RÍO.

alb9889012 DE PERDIDOS A RÍO (2023), directed by JOAQUIN MAZON. English title: DE PERDIDOS A RÍO.

alb9880000 Franz de Backer, Flemish painter and graphic artist, representative of the post-Rubensian Flemish Baroque, c.1680-1750. Court painter to Elector Palatine Johann Wilhelm II and later Cosimo III de' Medici. Francesco de Backer, Pittore. Copperplate engraving by Girolamo Rossi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.

akg288272 Histoire / 1ère Gu. mon. Propagande. - "Je suis une brave poule de guerre (...) " (Appel du Comité Natio. Fran. de Prévoyance et d'Economies pour le non gaspillage en faveur de l'armée fran.).- Affiche (lith. coul.), 1917. Dessin : G. Douanne (écolière, 16 ans). Impression : Union Française, Paris. Paris, collection Jean-Pierre Verney. Copyright: Additional copyrights must be cleared.

alb4105321 View of Olinda, Brazil. Dating: 1662. Measurements: h 107.5 cm × w 172.5 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS JANSZ POST.

alb4104550 Brazilian Village. Dating: 1675 - 1680. Measurements: h 20.5 cm × w 26.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans Jansz Post (mentioned on object).

alb4104551 Church Building in Brazil. The house of a Dutch colonist in Brazil. Dating: 1675 - 1680. Measurements: h 16.5 cm × w 25 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans Jansz Post (mentioned on object).

alb4102165 Brazilian landscape with the village of Igaraçú. To the left the church of Sts Cosmas and Damian. Dating: 1659. Measurements: h 40 cm × w 61 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS JANSZ POST.

alb4103637 Landscape in Brazil. Dating: 1652. Measurements: h 282.5 cm × w 210.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans Jansz Post (mentioned on object).

alb4102271 Landscape in Brazil. Dating: c. 1665 - c. 1669. Measurements: h 66 cm × w 88 cm; d 9.1 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS JANSZ POST.

alb4102986 Landscape on the Rio Senhor de Engenho, Brazil. Landscape on the Senhor de Engenho river, Brazil. Dating: 1670 - 1680. Measurements: h 22.5 cm × w 28 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS JANSZ POST.

alb4102985 Brazilian Landscape. Dating: 1670 - 1680. Measurements: h 22.5 cm × w 28 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANS JANSZ POST.

alb9642881 The convent of the Capuchin Fathers. The house of a nobleman. Museum: Musee du Louvre, Paris. Author: Frans Jansz. Post.

alb9643058 La demeure d'un labrador (Le Village de Serinhaem). Museum: Musee du Louvre, Paris. Author: Frans Jansz. Post.

alb9643705 A sugar mill turning on a small river. Museum: Musee du Louvre, Paris. Author: Frans Jansz. Post.

alb2228712 MUCHO RUIDO Y POCAS NUECES (2012) -Original title: MUCH ADO ABOUT NOTHING-, directed by JOSS WHEDON. English title: MUCH ADO ABOUT NOTHING.

alb3694690 CAMPEONES (2018), directed by JAVIER FESSER. English title: CAMPEONES.

alb1815902 LA CABAÑA EN EL BOSQUE (2012) -Original title: THE CABIN IN THE WOODS-, directed by DREW GODDARD. English title: THE CABIN IN THE WOODS.

alb9522892 Incineration of the sugar mills on All Saints' Bay near Salvador, ca. 1640-1641. Johan Maurits van Nassau's fleet attacks this important fortress of the Portuguese in Brazil. In the sky a winged banderole with the title decorated with two smoke horns and a laurel wreath, Burning of the sugar mills on All Saints' Bay near Salvador, c. 1640-1641., print maker: Jan van Brosterhuyzen, (attributed to), print maker: Salomon Savery, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, h 394 mm × w 514 mm.

alb9503071 Conquest of Maragnon (São Luís) on the Brazilian coast, 30 October 1641. View of the shelling of the harbour by Dutch ships of the fleet under command of Lichthart and Kin. In the sky a winged banderole with the title decorated with two smoke horns and a laurel wreath. In the caption the declaration of the letters A-H in Latin, Conquest of Maragnon, 1641 Maragnon., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 388 mm × w 510 mm.

alb9508831 This may be a view of the West African city of Argijn. On the coast there are forts where large plumes of smoke rise up. In the foreground a ship with Dutch flags. Above a banner with the title. In the margin letters with names corresponding to locations in the landscape, View of Argijn Arx Archijn., print maker: Jan van Brosterhuyzen, print maker: Salomon Savery, (possibly), intermediary draughtsman: Frans Jansz Post, (mentioned on object), Netherlands, 1645, paper, etching, engraving, h 392 mm × w 505 mm.

alb9493659 View of the fort at Siara or Ceará (Fortaleza), ca. 1636-1644. In the sky a winged banderole with the title. In the caption the explanation of the letters A-F in Latin., View of Siara, c. 1636-1644 Siara, print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, (mentioned on object), Netherlands, 1645 - 1647, paper, etching, engraving, h 385 mm × w 511 mm.

alb9498965 Third battle between the WIC fleet under Willem Cornelisz. Loos with the Portuguese fleet under Count de la Torre off the coast of Paraiba, 14 January 1640. In the air a winged banderole with the title and two smoked horns. In the caption the declaration of the letters A-E and the numbers 1-7 in Latin. Proof of plate [no. 44] in a series of 55 depictions of the journey to and stay in Brazil of Count Johan Maurits van Nassau in the years 1636-1644, Third battle with the Portuguese fleet near Paraiba, 1640., print maker: Salomon Savery, Frans Jansz Post, (mentioned on object), Amsterdam, 1645 - 1647, paper, etching, h 393 mm × w 514 mm.

alb9497315 View of Luanda (São Paulo de Luanda) in Angola (right half), ca. 1641. Right panel of a large representation printed on two plates. The city conquered by a Dutch fleet of the MIC under the command of Cornelis Cornelisz Jol, alias Houtebeen on 24 August 1641. Several Dutch ships off the coast. In the sky a winged banderole with the title decorated with two smoke horns, flags and a laurel wreath. In the caption the explanation of the letters G-M in Latin, View of Luanda (right half), c. 1641 Loanda S. Pauli., print maker: Jan van Brosterhuyzen, (attributed to), print maker: Salomon Savery, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 381 mm × w 500 mm.

alb9494367 Portrait of the governor in Brazil, Johan Maurits van Nassau-Siegen, in armor. On the right a helmet and in his hand a command staff., Portrait of Johan Maurits van Nassau-Siegen, print maker: Theodor Matham, Frans Jansz Post, Northern Netherlands, 1635 - 1676, paper, engraving, drypoint, h 384 mm × w 252 mm.

alb9500556 Landscape with procession of travelers in Pandat, Arrival at the post house at Pandat (title on object), Java (series title on object), Figures from the Dutch East Indies (series title on object), On the winding road through the landscape men on foot and on horseback, possibly an army. Numbered top left: Pl. XV. The print is part of a five-page cover., print maker: Paulus Lauters, (mentioned on object), after design by: Charles William Meredith van de Velde, (mentioned on object), printer: Frans Buffa en Zonen, (mentioned on object), print maker: Brussels, after design by: Indonesia, printer: Amsterdam, 1843 - 1845, paper, height 345 mm × width 510 mm.

alb9489663 Battles with the Portuguese and native fighters near Porto Calvo, 1637. In the air a banderole with the title. In the caption the declaration of the letters A-I and 1-12 in Latin, Battles near Porto Calvo, 1637 Praelium prope Portum Calvum., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 392 mm × w 510 mm.

alb9485991 View of the town of Garasu (Igaraçu), ca. 1637. In the sky the winged banderole with the title and a weapon with three crabs. In the caption the explanation of the letters A-E in Latin., View of Garasu, c. 1637 Garasv, print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 393 mm × w 511 mm.

alb9470967 Conquest of Porto Calvo, 1637 Obsidio et expugnatio Portus Calvi, print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, (mentioned on object), Netherlands, 1645 - 1647, paper, etching, engraving, h 383 mm × w 510 mm.

alb9466540 Reclining dog seen from side, Frans Lebret, 1895, A reclining dog with its head hanging down. Attached to his collar is a rope laid around a post. The print is part of a six-part series with prints of the same dog in different poses., print maker: Frans Lebret, (mentioned on object), 1895, paper, etching, h 79 mm - w 120 mm.

alb9457049 View of Fort Elmina in Ghana, ca. 1636-1644. Top left a winged banderole with the title in Latin. In the caption the explanation of the letters A-F in Latin, View of the Fort Elmina, c. 1636-1644 Castrum Minae., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, (mentioned on object), Netherlands, 1645 - 1647, paper, etching, engraving, h 385 mm × w 510 mm.

alb9447280 View of fort Ceulen at the mouth of the river, ca. 1636-1644. In the foreground some Dutchmen and members of the local population near a boat. In the sky a winged banderole with the title and a coat of arms with an ostrich, View of fort Ceulen, c. 1636-1644 Fluvius Grandis., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, (mentioned on object), Netherlands, 1645 - 1647, paper, etching, engraving, h 387 mm × w 507 mm.

alb9456379 Reclining dog seen from behind, Frans Lebret, 1895, A reclining dog, seen from behind, tied to a post with a rope. Next to the dog is a manger and a bone., print maker: Frans Lebret, (mentioned on object), 1895, paper, etching, h 120 mm - w 79 mm.

alb9454621 Exhibition poster with a peacock and a pheasant for an exhibition of Theo van Hoytema at Firma Frans Buffa en Zonen in Amsterdam in 1896, Theo van Hoytema, in or before 1896, print maker: Theo van Hoytema, (mentioned on object), in or before 1896, paper, h 365 mm × w 465 mm.

alb9445155 View of the city of Olinda, ca. 1637. In the sky the winged banderole with the title. In the caption the explanation of the letters A-M in Latin, View of Olinda, c. 1637 Olinda., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, (mentioned on object), Netherlands, 1645 - 1647, paper, etching, engraving, pen, h 387 mm × w 513 mm.

alb9441017 Conquest of Maragnon (São Luís) on the Brazilian coast, 30 October 1641. View of the shelling of the harbour by Dutch ships of the fleet under command of Lichthart and Kin. In the sky a winged banderole with the title decorated with two smoke horns and a laurel wreath. In the caption the declaration of the letters A-H in Latin, Conquest of Maragnon, 1641 Maragnon., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 387 mm × w 510 mm.

alb9440476 View of the forts at the mouth of the Rio Paraiba river, ca. 1636-1644. On the right fishermen go into the water with their nets. In the sky a winged banderole with the title. In the caption the explanation of the letters A-E in Latin, View of the forts at the mouth of the river Paraibae, ca. 1636-1644 Ostium fluminis Paraybae., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 394 mm × w 513 mm.

alb9424338 View of the city of Paraiba situated on the river Rio Paraiba, ca. 1636-1644. In the sky a winged banderole with the title and a coat of arms with six mountains or baskets. In the caption the explanation of the letters A-F in Latin., View of Paraiba, ca. 1636-1644 Parayba, print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 393 mm × w 515 mm.

alb9418332 View of the African island of Sao Tome, ca. 1641. The island was conquered by a Dutch fleet of the MIC under the command of Cornelis Cornelisz Jol, alias Houtebeen on 11 October 1641. In the foreground some Dutch ships. In the sky a winged banderole with the title decorated with two smoked horns. In the caption the explanation of the letters A-L in Latin, View of Sao Tome, c. 1641 Insvla S. Thomae., print maker: Jan van Brosterhuyzen, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, engraving, h 385 mm × w 505 mm.

alb3676786 The Trinity. Artist: After Frans Floris I; Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?-before 1566 Groningen). Dimensions: Sheet: 14 3/16 x 10 5/8 in. (36 x 27 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb9344298 Siege of Alkmaar, 1573, Plan of the siege of Alkmaar, August and September 1573. View of the city and surrounding area. In the foreground the army post at Oudorp of the besieging troops under the command of Don Frederik, on the right the Schermer. With a 4-line caption in Latin. Numbered: 41. Printed on reverse with text in Latin., print maker: Simon Frisius, Frans Hogenberg, print maker: Northern Netherlands, publisher: Amsterdam, 1613 - 1615 and/or 1621 - 1622, paper, etching, height 135 mm × width 165 mm.