Pesquisando por: "FRANS POST" - Fotoarena - Agência de fotojornalismo

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CH17714 by Frans Gaillard

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FSP6368141 Traghetto Santa Sofia is one of about seven traghetto or gondola ferry stop along the Grand Canal

FSP6368138 Ca' Foscari University of Venice is a public university in Venice, Italy; it is usually known simply as Università Ca' Foscari. Since its foundation in 1868 it has been housed in the Venetian Gothic palace of Ca' Foscari, from which it takes its name. The palace stands on the Grand Canal, between the Rialto and San Marco, in the sestiere of Dorsoduro.

FSP6366813 Basilica of San Giorgio Maggiore, seen from the quay of San Marco square.

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GHA34483 by Frans Jansz Post

JVH56648 by Frans Jansz Post

XNR61465 by Frans Jansz Post

XNR61466 by Frans Jansz Post

CH19739 by Frans Jansz Post

GHA34482 by Frans Jansz Post

LLM8656021 A Happy Birthday. Greetings card featuring famous paintings: A Cavalier: Time of Louis XIII, by Jean Louis Ernest Messonier, The Blue Boy, by Thomas Gainsborough, and The Laughing Cavalier, by Frans Hals. Postcard, early 20th century.

XOS9006944 Brazilian landscape with the village of Igaraçú. On the left the Cosmas and Damianus Church with the monastery of the Franciscans behind it. In the foreground a house and a group of people.Painting by Frans Jansz Post

XOS1766318 Post lived in Dutch Brazil from 1637-1644 but most of his paintings were done after his return to the Netherlands when they became more imaginary and included groups of people.

XOS2909705 In 1636, Post accompanied governor Johan Maurits to the Dutch colony of Brazil to record flora and fauna with other artists and scientists. He continued to paint Brazilian landscapes back home in Haarlem, often featuring local indigenous or enslaved populations as a mixture of fantasy and observation.

XOS5916328 In 1636, Post accompanied governor Johan Maurits to the Dutch colony of Brazil to record flora and fauna with other artists and scientists. He continued to paint Brazilian landscapes back home in Haarlem, often featuring local indigenous or enslaved populations as a mixture of fantasy and observation.

XOS5916311 In 1636, Post accompanied governor Johan Maurits to the Dutch colony of Brazil to record flora and fauna with other artists and scientists. He continued to paint Brazilian landscapes back home in Haarlem, often featuring local indigenous or enslaved populations as a mixture of fantasy and observation.

XOS5916331 Pernambuco province, captured from the Portuguese by the Dutch, home to many different ethnic groups: Indian family, Dutch couple, veiled Portuguese woman and a slave with a basket on his head. In 1636, Post accompanied governor Johan Maurits to record flora and fauna with other artists and scientists and he continued to paint Brazilian landscapes back home in Haarlem, often featuring local indigenous or enslaved populations as a mixture of fantasy and observation.

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XOS5672042 In 1636, Post accompanied governor Johan Maurits to the Dutch colony of Brazil to record flora and fauna with other artists and scientists. He continued to paint Brazilian landscapes back home in Haarlem, often featuring local indigenous or enslaved populations as a mixture of fantasy and observation.Here Brazilians carry goods on their heads, African slaves sell crops, make music and dance guarded by two armed Europeans.

XOS5916330 From 1630 the Dutch West India Company (WIC) seized parts of Brazil from the Portuguese, taking over the profitable sugar production on plantations like this. Enslaved Africans worked under wretched conditions not this idyll.

XOS5667224 In 1630-54, the Dutch Republic held a colony in north Brazil to which Post accompanied the governor and sketched local flora and fauna. The iguana and cactus added exotic notes to the landscapes he produced on his return to the Netherlands, which often featured local indigenous or enslaved populations—in this case Tupi people - but were a mixture of fantasy and observation

CH19738 dated 1649?;

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XOS5916332 ‘The House of a Dutch Colonist in Brazil’ more likely shows a Franciscan monastery or church building constructed according to Portuguese-Brazilian traditions. In 1636, Post accompanied governor Johan Maurits to the Dutch colony of Brazil to record flora and fauna with other artists and scientists. He continued to paint Brazilian landscapes back home in Haarlem, often featuring local indigenous or enslaved populations as a mixture of fantasy and observation.

XOS5916314 Some motifs – for example the six-banded armadillo and the pineapple – recur repeatedly over decades in Post’s paintings. In most cases the animals appear in a peaceful setting, but here the artist opted for more action: in a dramatic way the six-banded Armadillo is devoured by a boa constrictor.

XOS5916329 In 1636, Post accompanied governor Johan Maurits to the Dutch colony of Brazil to record flora and fauna with other artists and scientists. This is his earliest known painting made on 3 November 1637. At first Maurits wanted to build the new capital on the island of Itamaracá and the men with their slaves are probably exploring the island. On the hill across the water lies Schoppestad, with Fort Oranje on right.

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XIR187079 Bresilian Landscape with a Plantation;

XIR216684 House of a Portuguese Noble in Brazil;

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CH11388 residence of Prince Maurice of Nassau, Governor of Brazil 1665; Dutch and Jewish merchant's houses;

XOS1219812 Jan Pranger was Director-General of the Dutch West India Company on the Gold Coast (now Ghana) in West Africa from 1730 to 1734. He stands in his office at the Fort Elmina trading post. All the details underscore the importance of his position: the servant with the parasol (pajung), the commander’s baton on the table and the monogram, GWC, of the Chartered West India Company on the tablecloth.

XIR246422 Vue de Fort-Maurice is situated on the large river of Saint Francois with manantin fishing;

XOS1765823 Jan Pranger was director-general of the Dutch West India Company on the West African Gold Coast (now Ghana) from 1730 to 1734. He is standing in his office in the Dutch trading post Fort Elmina with his baton and house slave holding a parasol. The monogram GWC (of the Chartered West India Company) decorates the tablecloth.The fortified castle at Elmina (seen through the window) was established as a trade settlement and later became one of the most important stops on the route of the Atlantic slave trade. The Dutch seized the fort from the Portuguese in 1637 and continued the slave trade until 1814

STC3471651 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) Portuguese port detail from Map of Calicut. An enclosed village (pagus) beside the castle of São Jorge da Mina (Guinea, modern Ghana). The fort of St George was built in 1482 on the orders of King John II of Portugal to protect the first European gold trading post on Africa's Gold Coast. The village was called Mina after the mine.