Pesquisando por: "Dancing The Twist" - Fotoarena - Agência de fotojornalismo

ny100822174206 Joshua Cultbreath, center, in Rennie Harris?s ?Lifted: A Gospel House Musical,? at the Joyce Theater in New York, Aug. 9, 2022. The choreographer Harris tells a tale of redemption and healing loosely inspired by ?Oliver Twist.? (Sara Krulwich/The New York Times/Fotoarena)

ny100822174505 Andrew Ramsey in Rennie Harris?s ?Lifted: A Gospel House Musical,? at the Joyce Theater in New York, Aug. 9, 2022. The choreographer Harris tells a tale of redemption and healing loosely inspired by ?Oliver Twist.? (Sara Krulwich/The New York Times/Fotoarena)

ny100822174805 A performance of Rennie Harris?s ?Lifted: A Gospel House Musical,? at the Joyce Theater in New York, Aug. 9, 2022. The choreographer Harris tells a tale of redemption and healing loosely inspired by ?Oliver Twist.? (Sara Krulwich/The New York Times/Fotoarena)

ny300422142506 Twisted potatoes on a stick from Twisted Potato at the Queens Night Market, in New York, April 23, 2022. Some of New YorkÕs nightlife scenes are less about dancing and more about eating. (Lanna Apisukh/The New York Times/Fotoarena)

ny201223231106 FILE ÒÑ Josette Wiggan-Freund, front left, and Joseph Wiggan with members of Dorrance Dance in a performance of ÒThe Nutcracker SuiteÓ at the Joyce Theater in New York Dec. 17, 2019. ÒThe NutcrackerÓ is a cherished Holiday staple Ñ one that, for every traditional treatment, inspires a left-field twist toward the contemporary. (Andrea Mohin/The New York Times/Fotoarena)

ny270219182904 The director Gaspar Noé, whose latest film, ?Climax,? just premiered at Cannes, in Paris, Feb.16, 2019. "Climax," which twists a dance-hall musical into a party-gone-wrong nightmare, is Noe?s most mature film, though it?s maybe mature in the same way that serial killers get more effective at carving up their victims. (Julien Mignot/The New York Times/Fotoarena)

ny270219182504 The director Gaspar Noé, whose latest film, ?Climax,? just premiered at Cannes, in Paris, Feb.16, 2019. "Climax," which twists a dance-hall musical into a party-gone-wrong nightmare, is Noe?s most mature film, though it?s maybe mature in the same way that serial killers get more effective at carving up their victims. (Julien Mignot/The New York Times/Fotoarena)

ny270219182204 The director Gaspar Noé, whose latest film, ?Climax,? just premiered at Cannes, in Paris, Feb.16, 2019. "Climax," which twists a dance-hall musical into a party-gone-wrong nightmare, is Noe?s most mature film, though it?s maybe mature in the same way that serial killers get more effective at carving up their victims. (Julien Mignot/The New York Times/Fotoarena)

ny270219182804 The director Gaspar Noé, whose latest film, ?Climax,? just premiered at Cannes, in Paris, Feb.16, 2019. "Climax," which twists a dance-hall musical into a party-gone-wrong nightmare, is Noe?s most mature film, though it?s maybe mature in the same way that serial killers get more effective at carving up their victims. (Julien Mignot/The New York Times/Fotoarena)

ny140219000203 Gary Reagan of Gallim performs in "To Create a World" by Andrea Miller at the Joyce Theater in New York, Feb. 12, 2019. In ?To Create a World,? Miller delivers theme upon theme through the twisting, writhing bodies of her dancers. (Andrea Mohin/The New York Times/Fotoarena)

ny051218192803 From left: Jacqueline Green, Daniel Harder and Danica Paulos in "The Call," Ronald K. Brown's love letter to Alvin Ailey, in New York, Dec. 4, 2018. ?The Call" mixes Brown?s swaying twists of the arms and hips with details and shapes from the Ailey canon. (Andrea Mohin/The New York Times/Fotoarena)

ny080618184212 Audience members play Twister during the second part of Nick Cave's "The Let Go," at the Park Avenue Armory in New York, June 6, 2018. ?The Let Go,? a giant dance floor commissioned by the Armory, rallies New Yorkers toward playful, sweaty abandon. (Vincent Tullo/The New York Times/Fotoarena)

ny080618180511 Audience members and performers play Twister during the second part of Nick Cave's "The Let Go," at the Park Avenue Armory in New York, June 6, 2018. ?The Let Go,? a giant dance floor commissioned by the Armory, rallies New Yorkers toward playful, sweaty abandon. (Vincent Tullo/The New York Times/Fotoarena)

ny040418225310 Pianist Christopher OÕRiley performs BerliozÕs ÒSymphonie Fantastique,Ó as pieces of cloth and plastic undulate balletically in a 1,000-gallon tank of water, at SoHo's HERE arts compound, in New York, March 28, 2018. The piece by puppeteer deluxe Basil Twist, a recipient of the so-called MacArthur Ògenius grant," swims beyond the confines of literal representation to find visual equivalents for the sensual experience of music. (Sara Krulwich/The New York Times/Fotoarena)

ny040418225411 A piece of cloth undulates balletically in a 1,000-gallon tank of water to a pianist's performance of BerliozÕs ÒSymphonie Fantastique,Ó at SoHo's HERE arts compound, in New York, March 28, 2018. The piece by puppeteer deluxe Basil Twist, a recipient of the so-called MacArthur Ògenius grant," swims beyond the confines of literal representation to find visual equivalents for the sensual experience of music. (Sara Krulwich/The New York Times/Fotoarena)

ny201223231006 FILE ÒÑ The Hip Hop Nutcracker,Ó a 2014 production by Jennifer Weber that has become a touring staple, at the United Palace of Cultural Arts in New York, Dec. 4, 2014. ÒThe NutcrackerÓ is a cherished Holiday staple Ñ one that, for every traditional treatment, inspires a left-field twist toward the contemporary. (Julieta Cervantes/The New York Times/Fotoarena)