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Total de Resultados: 122

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alb3644989 Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727-1772). Artist: François Hubert Drouais (French, Paris 1727-1775 Paris). Dimensions: 31 1/2 x 25 1/2 in. (80 x 64.8 cm). Date: 1757.In 1745 Mademoiselle Duronceray, a singer, dancer, and comedienne, married Charles Simon Favart (1710-1792) , the father of French comic opera. Among her best known roles was that of the peasant Lurine in The Loves of Bastien and Bastienne, 1753, in which she inspired a revolution in theatrical costume by wearing authentic peasant dress. Drouais's elegant secular portrait recalls traditional representations of Saint Cecilia, patron saint of music. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Hubert Drouais.
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orz003663 JARRA DE MARFIL Y PLATA DE CARLOS V NARRA LA HISTORIA DE DIANA Y ACTEON - SIGLO XVI - RENACIMIENTO ALEMAN. Author: ESCUELA ALEMANA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. ACTAEON. Charles I (V of the Holly Roman Empire). DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).
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alb3894230 Anne Catharine Hoof Green. Date/Period: 1769. Painting. Oil on canvas. Height: 914 mm (35.98 in); Width: 711 mm (27.99 in). Author: Charles Willson Peale.
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alb9532728 Anne Catharine Hoof Green. oil on canvas. Date: 1769. Museum: NATIONAL PORTRAIT GALLERY.
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orz003886 JARRA DE MARFIL Y PLATA DE CARLOS V NARRA LA HISTORIA DE DIANA Y ACTEON - SIGLO XVI - RENACIMIENTO ALEMAN. Author: ESCUELA ALEMANA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. ACTAEON. Charles I (V of the Holly Roman Empire). DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).
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orz000747 Charles V's Marble jar . Madrid, Lazaro Galdiano museum. Author: ESCUELA ALEMANA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. ACTAEON. Charles I (V of the Holly Roman Empire). DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).
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orz133574 ISABEL DE AUSTRIA - (1501-1573) - 181X125 CM. Author: STRAETEN VAN. Location: DESCALZAS REALES-COLECCION. MADRID. SPAIN. ISABEL DE AUSTRIA. AUSTRIA ISABEL. JUANA LA LOCA HIJOS. CARLOS V HERMANOS. FELIPE I EL HERMOSO HIJOS.
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alb15535257 Netherlands, Cartoon on bad taste in performances in the Stadsschouwburg, 1826, verso - stamped, Cartoon on bad taste in performances with acrobats, weightlifters and circus animals in the Stadsschouwburg in Amsterdam, 1826. In front of the facade of the theater are a number of figures. On the left, '1826' is weighed against 'Melodrama' from 1815 on a scale. A man with binoculars and two slobs look at the large banner hanging on the facade. On it, wrestlers show their skills, with the inscription 'Non plus Ultra of good taste'. In front of an open door, a woman is talking to a man, next to which stands a figure with goat's legs (the devil), to the right of this sits another devil on a pillar and the trained dog Mango is barking. From the cornice, the magpie Gerrit is shitting on the devil's head. With two-line caption., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 209 mm, width 225 mm, print maker, printmaker, 1826 - 1826, paper, papier, etching, etchings.
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alb4143237 Emily, Countess of Kildare. James McArdell (Irish, c. 1710-1765); after Sir Joshua Reynolds (English, 1723-1792). Date: 1754. Dimensions: 315 x 248 mm (image); 350 x 250 mm (plate); 356 x 256 mm (sheet). Mezzotint in black on cream laid paper. Origin: Ireland. Museum: The Chicago Art Institute, USA. Author: James MacArdell.
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alb15426501 Azor (Hokusai Manga style), Date Created: 1888, Dogs, Japonism, Etching, Extent: Plate mark: 10 1/4 x 15 13/16 in. (26.1 x 40.1 cm) Paper / Sheet: 12 3/16 x 17 5/8 in. (31 x 44.8 cm), Color etching, Stamped in red ink, l.c., (within plate): HCG Henri-Charles Guérard (Lugt 1157); stamped in red ink, l.c.: printing press (unidentified), Whispers of Japan, Dogs dance with etched silence, Ancient art's echo.
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akg4218744 Geschichte / 1. Weltkrieg. "A PROPOS DE L'OFFENSIVE: L'ETREINTE DES ALLIÉS SE RESSERRE AUTOUR DES PUISSANCES CENTRALES". Dans la main: LE SULTAN, LE KAISER, LE KRONPRINZ, FRANCOIS JOSEPH, FERDINAND DE BULGARIE". (Apropos Offensive: Die Umklammerung der Entente zieht sich fester um die Mittelmächte zusammen. In der Hand: der Sultan, der Kaiser, der Kronprinz, Franz Joseph, Ferdinand von Bulgarien. Die Machthaber der Mittelmächte (v.l.n.r.: Sultan Mehmed V. Reschad, Kaiser Wilhelm II., Zar Ferdinand I. von Bulgarien, Kaiser Franz Joseph I., Karl I.) in der Hand der Entente, deren Finger sich um sie schließen; an den Fingerspitzen milit. Befehlshaber der Entente (v.l.n.r.: der frz. General Maurice Sarrail, der Chef des ital. Generalstabs Marschall Luigi Graf Cadorna, der brit. Oberbefehlshaber an der Westfront Douglas Haig, der russ. General Alexei Alexejewitsch Brussilow, der frz. General Joseph Joffre). Fotomontage, möglicherweise von Marinus Jacob Kjeldgaard (1884-1964). Titelseite des franz. Wochenblattes "J'ai vu", Paris, Nr. 86, 8.7.1916. Copyright: Marinus Kjeldgaard's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us for more information and to clear the necessary permissions.
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akg5839908 Military / armor and weapons. - "EUROPE XVIe SIECLE / Armes offensives et défensives" (Europe 16th century, weapons of attack and defense). - (Upper row from the left: tip of a halberd with wheel lock pistol; sword grip; sword handle in Dresden; rider armor of Elector Christian II of Saxony. Lower row from left: equestrian armor of Emperor Charles V. at his entry into Tunis, two Dagger handles in Dresden). Lithograph of Storck and Toussaint after historical models. Print: Firmin-Didot et Cie., Paris. From: A. Racinet (Auguste Racinet, 1825-1893), Le Costume Historique, Cinq cents planches (...), Types principaux du vêtement et de la parure rapprochés de ceux de l 'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc., Paris (Librairie Firmin-Didot et Cie.) 1888, Volume IV, Plate 260. Private collection.
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alb3898205 Nature morte au profil de Laval / Still Life with Profile of Laval. Date/Period: 1886. Oil paintings. Oil on canvas. Height: 18.1 in (46 cm); Width: 15 in (38.1 cm). Author: PAUL GAUGUIN.
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alb11600932 Et l'ogre l'a mangé! (And the Ogre Ate Him Up!). Museum: PRIVATE COLLECTION. Author: Louis-Leopold Boilly.
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akg7006677 Joan (Juana de Austria), Infanta of Spain and Crown Princess (John Manuel) of Portugal, daughter of Charles V and Isabella of Portugal, 1554-59 regent for her brother Philip II. of Spain; Madrid 24.6.1535 - ibid 7.9.1573. - "Portrait of Joan of Austria, Princess of Portugal". - Painting, c. 1557, by Alonso Sánchez Coello (1531-1588). Oil on canvas, 116 × 93.5 cm. Acquired in 1990. Inv. No. 90/15. Bilbao, Museo de Bellas Artes.
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akg370561 Habitat / Salle à manger. - Décoration intérieure d'une salle à manger. (Vue partielle avec cheminée et guéridon). Commandées à Eugène Vallins (1856-1922). pour Charles Masson, Nancy, 1903. Bûcheron sculpté, cuir des parcloses et peintures du plafond de Victor Prouvé. Photo. Nancy, Musée de l'Ecole de Nancy. Museum: Nancy, Musée de l'Ecole de Nancy.
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akg379715 Arts and crafts / glass. Glass crewet with stopper. Design, 1901, by Charles Robert Ashbee (1863-1942). Manufacturer: Guild of Handicraft Ltd. bottlegreen glass, mounted in silver, height 20.25cm. London, Sotheby's, 31.10.1997, Lot 1163.
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alb9875351 The Virgin Mary giving alms to unfortunates at the manger. Joseph seated at right, Jesus in a cradle in the barn. From an Italian manuscript, Meditations of St Francis Assisi, attributed to Taddeo Gaddi, Bibliotheque Imperiale, 14th century. La Vierge a la Creche, Italie, XIVe siecle. Chromolithograph by F. Krause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
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alb9872210 Portrait of King Charles I of England, 1600-1649. In wide-brimmed hat, cloak with star of the Order of the Garter on the right sleeve. In front of a view of Lambeth marsh, the Thames River, Westminster Abbey, Parliament, Whitehall, etc. Copperplate engraving by W. Parsons after Wenceslaus Hollar etching of a painting by Sir Anthony van Dyke from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
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alb9874725 Fashionable woman in brimless straw hat, 1801. She wears a short sleeve, low-cut dress, long gloves and carries a basket of cherries. Chapeau de Paille sans Bord. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1801. The illustrations in volume 4 were by Carle Vernet, Bosio, Dutailly and Philibert Louis Debucourt.
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alb9874046 Mr Thomas Weston in the character of Costard in William Shakespeare's Love's Labour Lost. In doublet with puffed sleeves, breeches, short cloak, holding a plumed cap. Weston did not play this role. Thomas Weston, acclaimed English comic actor, died of alcoholism, 17371776. Copperplate engraving by Charles Grignion after a portrait by James Roberts from John Bell's Edition of Shakespeare, London, Feb. 28th, 1776.
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alb9877267 The Queens State Coach with Queen Victoria, Mistress of the Robes, Harriet Duchess of Sutherland, and Master of the Horses, William Charles Keppel, Lord Albemarle. It was drawn by eight horses: Tempus, Purper, Fat, Faddy, Melrose, General, Mango, and Brilliant. Handcoloured aquatint engraving from Fores' Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation, June 28th 1838, published by Fores, Sporting and Fine Print Repository, Piccadilly, London, 1838.
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akg4908070 Waffen / Schwert. - "Poignée d'épée du XVe siècle". - (Schwertknauf des 15. Jahrhunderts). Holzstich, altkoloriert, anonym. Aus: (Jacques Joseph van Beveren und Charles Du Pressoir), Costume du moyen âge, d'après les manuscrits, les peintures et les monuments contemporains, précédé d'une dissertation sur les moeurs et les usages de cette époque, Bd.1, Brüssel (Librairie Historique-artistique) 1847, nach S. 251. Privatsammlung.
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akg1063286 Märchen / Der gestiefelte Kater.-"Le Chat botté mange l'Ogre changé en Souris" (Der gestiefelte Kater frisst den in eine Maus verwandelten Menschenfresser).-/ Federlithographie mit Schablonenkolorit, anonym, 20 x 13,5 cm. Aus: Chat Botté, Série écossaise, Épinal (Imagerie d'Épinal) o.J. (1860er Jahre). Museum: Private Collection., Paris.
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akg2296865 Frau / Hausarbeit:. Wäsche / Waschmittel. "Aha...Persil das wunderbare Waschmittel" (Werbung der Firma Henkel für das Waschmittel "Persil"). Plakat, 1927. Farblithographie, 125,9 × 92,9 cm. Druck: Litho Abadie, Wien. Inv. Nr. NAA 542. Nürnberg, Germanisches Nationalmuseum. Museum: Nürnberg, Germanisches Nationalmuseum. Author: ANONYMOUS.
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akg8737982 Nativité, Vitrail de Charles Lorin en 1924 , Eglise Saint Fernand, Arcachon.
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akg8737981 Nativité, Vitrail de Charles Lorin en 1924 , Eglise Saint Fernand, Arcachon.
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akg8737983 Nativité, Vitrail de Charles Lorin en 1924 , Eglise Saint Fernand, Arcachon.
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alb9533839 Boston Harbor. oil on canvas. Date: ca. 1860-1869. Museum: Smithsonian American Art Museum.
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alb5198193 Pot-à-Oille (Design for a Tureen with Handle for the Empress Josephine), plate 46, in Recueil de decorations intérieures (Collection of Interior Decorations), Charles Percier, French, 17641838, Pierre-François-Léonard Fontaine, French, 17621853, Etching on cream wove paper, Tureen on a stand decorated with garlands, cow heads, and vases, above which stands a footed tureen. Tureen ornamented with classical female figures holding cornucopia that embrace a J; handles on each side made of winged female figures. Finial made of a woman holding a vase alongside two children. Above, design of handles: two winged nude female figures with legs made of leaves support a medallion portrait of the empress with garlands., France, 1812, metalwork, Print, Print.
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akg2468038 Histoire du costume / 15e s. "DAME DU XVe SIECLE". Gravure sur bois, coloriée, anonyme, d'ap. document d'époque. In : (Jacques Joseph van Beveren et Charles Du Pressoir), Costume du Moyen Age d'après les manuscrits, les peintures et les monuments contemporains, vol. 2, Bruxelles (Librairie Historique-Artistique) 1847. Collection particulière. Museum: PRIVATE COLLECTION.
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akg3877769 Pariser Kommune, 18. März - 28. Mai 1871. "- Enfin si vous aviez tout détruit, qu'est-ce que la peuple aurait mangé? / - Il aurait poussé de l'herbe!". (Hungernde Familie in Paris). Kreidelithographie, koloriert, von Amédée de Noé, gen. Cham (1819-1879), Nr. 14 aus: Les Folies de la Commune, Paris [1871]. Paris, Privatsammlung. Museum: Paris, Private Collection.
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alb3157365 Wine cooler. Detail of a bacchante. Work of Charles Frederick Kandler I (active 1727-1750). Silver. London, 1734-1735. The State Hermitage Museum. Saint Petersburg. Russia.
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akg349486 Berry, Marie-Caroline ; duchesse (Charles Ferdinand) de Berry ; fille du roi François Ier de Naples ; 5.11.1798 - Brunnsee (Steiermark) 16.4. 1870. - CAROLINE FERDINANDE, Duchesse de Berry". Grav. sur cuivre, coloriée, vers 1850, de Calon. N° 123 d'une série d'ill. sur les hommes et les femmes de France. Page : H. 0,24 ; L. 0,135. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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alb3637310 Bearded Man. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 5 11/16 × 4 3/8 in. (14.5 × 11.1 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1647.Portrait of a man with dark curly hair, moustache and beard, directed very slightly to left, looking towards the viewer; wearing a dark cap, and cloak with puffed sleeves over doublet with standing collar; in a roundel; after Hans Holbein the Younger. Charles Brandon, Duke of Suffolk and Conrad Geyger have been suggested for the sitter. Museum: Metropolitan Museum of Art, New York, USA.
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akg8737984 Nativité, Vitrail de Charles Lorin en 1924 , Eglise Saint Fernand, Arcachon.
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akg353697 Pavlovsk près de St-Pétersbourg. (Russie) ; Grand Palais (constr. 1782-86 pour le futur empereur Paul Ier ; arch. : Charles Cameron ; agrandit en 1796-99 ; arch. : Vincenzo Brenna). - Dessin pour la frise de la salle à manger blanche. Crayon et plume, 1784, de Charles Cameron (1745-1812). H. 0,519 ; L. 1,295. Pavlovsk, Grand Palais. Museum: Pavlovsk, Imperial Palace.
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akg7809198 Four knives and a fork belonging to Emperor Charles V Carving knife of emperor Charles V, Carving knife with a handle of ebony and mounted with copper and engraved with the weapon of Charles V, coat of arms (symbol of sovereignty), Charles V of Habsburg (German Emperor and King of Spain), anonymous, Italy, 1532, ebony (wood), copper (metal), iron (metal), l 20.3 cm × w 2.0 cm × t 1.0 cm.
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alb5564426 Tureen and stand, ca. 1783-1789. By Jacques-Charles Mongenot (Master in 1775). Silver. France. Calouste Gulbenkian Museum. Lisbon, Portugal.
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akg8256701 Charles Manger, 1832-1870. "Boston Harbor", ca. 1860-1869. Painting, oil on canvas. Inv. Nr. 1970.183. Washington, Smithsonian American Art Museum.
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akg335147 Rueil-Malmaison (Hauts-de-Seine, France), Château Malmaison. (from 1798 residence of Napoleon Bonaparte and his wife Joséphine; converted 1800-02 by Ch. Percier and P.F.L Fontaine). Interior view, ground floor: Salle à manger (dining hall; wall paintng by Louis Lafitte), partial view. Photo, 2002.
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alb4150094 Stable. Charles Émile Jacque; French, 1813-1894. Date: 1848. Dimensions: 111 × 99 mm (image/plate); 132 × 117 mm (sheet). Drypoint and roulette on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
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akg353694 Pavlovsk près de St-Pétersbourg. (Russie) ; Grand Palais (constr. 1782-86 pour le futur empereur Paul Ier ; arch. : Charles Cameron ; agrandit en 1796-99 ; arch. : Vincenzo Brenna). - Projet pour le plafond de la salle à manger blanche. Crayon et plume, vers 1785, de Ch. Cameron (1745-1812). H. 0,543 ; L. 0,752. Pavlovsk, Grand Palais. Museum: Pavlovsk, Imperial Palace.
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akg402254 Charles VII, empereur romain germanique. (1742-45) ; Bruxelles 6.8.1697 - Munich. 20.1.1745. Portrait en fauconnier. Brühl, pavillon de chasse, salle à manger.
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akg402255 Charles VII, empereur romain germanique (1742-45) . Bruxelles 6.8.1697 - Munich 20.1.1745. - Portrait en fauconnier. Brühl, pavillon de chasse, salle à manger.
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alb3157366 Wine cooler. Work of Charles Frederick Kandler I (active 1727-1750). Silver. London, 1734-1735. The State Hermitage Museum. Saint Petersburg. Russia.
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alb3157364 Wine cooler. Detail of a satyr. Work of Charles Frederick Kandler I (active 1727-1750). Silver. London, 1734-1735. The State Hermitage Museum. Saint Petersburg. Russia.
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akg335144 Rueil-Malmaison (Hauts-de-Seine, France), Château Malmaison. (from 1798 residence of Napoleon Bonaparte and his wife Joséphine; converted 1800-02 by Ch. Percier and P.F.L Fontaine). Interior view, ground floor: Salle à manger (dining hall; wall paintng by Louis Lafitte), general view. Photo, 2002.
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alb5205307 Demi-tasse spoon, Charles Victor Gibert, French, Silver, Handle in the form of a mouse poking its face through a parted leaf., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5206828 Demi-tasse spoon, Charles Victor Gibert, French, Silver, Handle in the form of a snail crawling on a twisted leaf., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5202575 Dessert spoon, Charles Victor Gibert, French, Silver, Handle in the form of a beetle and caterpillar on opposite sides of a curled leaf., ca. 1890, cutlery, Decorative Arts, Dessert spoon.
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alb5203613 Design for a Decorative Ewer, Jean-Charles Delafosse, French, 17341791, Pen and black ink, brush and wash, black chalk on white laid paper, Handle of ewer consists of swan kissing harpy who is encircled by a crouching female satyr. The body is decorated in neoclassical style, fluting, rope-like festoons, a female mask, suspended fruit garlands, coiled snake forms base., France, 1765, ornament, Drawing, Drawing.
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alb5201997 Design for a Ewer, Jean-Charles Delafosse, French, 17341791, Pen and black ink, brush and black and grey wash, graphite, The handle is at left. Its bottom part consists of a satyr who is embraced by a mermaid seated on the shoulder of the ewer. A swan and two girls surround the neck of the vessel. The fluted body show festoons suspended from a faun's mask. S, France, ca. 1765, tableware designs, Drawing, Drawing.
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alb5203751 Demi-tasse spoon, Charles Victor Gibert, French, Silver, Handle in the form of a patinated beetle clinging onto the end of a leaf., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5200194 Dessert Spoon with Hornet, Charles Victor Gibert, French, silver, Handle in the form of a gilded hornet on a deeply scalloped leaf., ca. 1890, cutlery, Decorative Arts, spoon, spoon.
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alb5199868 Dessert fork, Charles Victor Gibert, French, Silver, Handle in the form of a patinated ant carrying a larva along a toothed leaf., ca. 1890, cutlery, Decorative Arts, Dessert fork.
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alb5196928 Spoon, Charles Victor Gibert, French, Silver, Handle in the form of a frog diving from a leaf., ca. 1890, cutlery, Decorative Arts, Spoon.
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alb5199169 Design for a Decorative Ewer, Jean-Charles Delafosse, French, 17341791, Pen and black ink, brush and wash, graphite on white laid paper, Handle of ewer consists of a swan rising from the lap of mermaid. Two putti support a shell which serves as spout. A girl, a child, and rope-like festoons decorate the upper register of the ewer. Fluted lower portion on an acanthus leaf base; verso: design for coffee pot., France, 1765, ornament, drawing, drawing.
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alb5198802 Demi-tasse spoon, Charles Victor Gibert, French, Silver, Handle in the form of a centipede crawling on a leaf., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5199269 Dessert fork, Charles Victor Gibert, French, Silver, gilt silver, Handle in the form of a gilded honeybee with wings partially extended, on a leaf., ca. 1890, cutlery, Decorative Arts, Dessert fork.
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alb5193547 Seated Woman, George Charles Aid, American, 18721938, Indelible pencil on paper, Seated woman, shown half-length, in left profile, her head turned away from the observer, and her elbows resting on a table before her. Her hair is up, and she has puffed sleeves and a narrow waist., USA, 1907, figures, Drawing, Drawing.
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alb5189831 Knife, Charles Victor Gibert, French, Silver, steel, Modeled dragon figure on handle and engraved dragon on blade., ca. 1890, cutlery, Decorative Arts, Knife.
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alb5187027 Spoon, Charles Victor Gibert, French, Silver, enamel, Handle in the form of enameled grapes and a grapevine leaf., ca. 1890, cutlery, Decorative Arts, Spoon.
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alb5188673 Fork, Charles Victor Gibert, French, Silver, Handle in the form of a fish skewered on tines., ca. 1890, cutlery, Decorative Arts, Fork.
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alb5188123 Dessert Fork with Bee, Charles Victor Gibert, French, Cast and chased silver, gilt silver, Dessert fork with handle in the form of a gilded bee on a leaf., ca. 1890, cutlery, Decorative Arts, fork, fork.
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alb5187397 Dessert Spoon with Toad, Charles Victor Gibert, French, silver, Handle in the form of a crawling toad on a leaf., ca. 1890, cutlery, Decorative Arts, spoon, spoon.
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alb5187538 Dessert fork, Charles Victor Gibert, French, Silver, Handle in the form of a monkey poking its face through large parted leaves., ca. 1890, cutlery, Decorative Arts, Dessert fork.
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alb5188480 Demi-tasse spoon, Charles Victor Gibert, French, Silver, Handle in the form of a patinated stag beetle crawling onto a leaf from its stem., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5184120 Demi-tasse spoon, Charles Victor Gibert, French, Silver, gilding, Handle in the form of a two patinated ants surrounding a gilded dead fly., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5186112 Dessert spoon, Charles Victor Gibert, French, Silver, Handle in the form of a patinated spider on spider's web suspended between blades of grass., ca. 1890, cutlery, Decorative Arts, Dessert spoon.
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alb5186692 Dessert spoon, Charles Victor Gibert, French, Silver, Handle in the form of a patinated earwig grasping a centipede at the edge of a leaf., ca. 1890, cutlery, Decorative Arts, Dessert spoon.
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alb5174963 Dessert fork, Charles Victor Gibert, French, Silver, gilt silver, Handle in the form of a standing gilded bird on a compound leaf., ca. 1890, cutlery, Decorative Arts, Dessert fork.
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alb5177363 Server, Charles Victor Gibert, French, Silver, Spade shape with slug on stem, cat on handle., ca. 1890, cutlery, Decorative Arts, Server.
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alb5179309 Demi-tasse spoon, Charles Victor Gibert, French, Silver, gilding, Handle in the form of a gilded honeybee on the end of a leaf., ca. 1890, cutlery, Decorative Arts, Demi-tasse spoon.
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alb5183908 Dessert Fork with Grasshopper, Charles Victor Gibert, French, Silver, gilt silver, Dessert fork with handle of a gilded grasshopper on a leaf., ca. 1890, cutlery, Decorative Arts, fork, fork.
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alb5180204 Dessert fork, Charles Victor Gibert, French, Silver, Handle in the form of a carrion beetle on a leaf., ca. 1890, cutlery, Decorative Arts, Dessert fork.
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alb5181115 Spoon, Charles Victor Gibert, French, Silver, steel, Handle in the form of a open-jawed snake coiled around the stem of an aroid leaf., ca. 1890, cutlery, Decorative Arts, Spoon.
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alb5169433 Spoon, Charles Victor Gibert, French, Silver, Handle in the form of a rodent with head stuck inside clam-shell., ca. 1890, cutlery, Decorative Arts, Spoon.
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alb5173996 Dessert fork, Charles Victor Gibert, French, Silver, Handle in the form of a stag beetle grasping a mouse at the end of a leaf., ca. 1890, cutlery, Decorative Arts, Dessert fork.
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alb5173198 Fruit server, Charles Victor Gibert, French, Cast and chased silver, enamel, Strawberry leaves flanked by two enameled strawberries and dragonfly on handle., ca. 1890, cutlery, Decorative Arts, Fruit server.
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alb5165105 Dessert spoon, Charles Victor Gibert, French, Silver, Handle in the form of a mouse sitting upright on a leaf., ca. 1890, cutlery, Decorative Arts, Dessert spoon.
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alb4447590 Four knives and a fork belonging to Emperor Charles V Carving knife of emperor Charles V, Carving knife with a handle of ebony and mounted with copper and engraved with the weapon of Charles V, coat of arms (symbol of sovereignty), Charles V of Habsburg (German Emperor and King of Spain), anonymous, Italy, 1532, copper (metal), ebony (wood), iron (metal), l 27.8 cm × w 2.2 cm × d 1.3 cm.
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alb4068126 The dog in the manger. The Fables of Æsop and others. Translated into hum. W. Kent & Co.: London, 1857. A dog dressed as a butler. A bull stands at a door holding a sign which states 'I am starving'. Image taken from The Fables of Æsop and others. Translated into human nature, designed and drawn on the wood by Charles H. Bennett, etc. Originally published/produced in W. Kent & Co.: London, 1857. Source: 12305.g.11, opposite 17. Language: English. Author: AESOP. C. H Bennett. J Swain.
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alb4632759 Marguerite de Chalons, comtesse de Tonnerre, wife of Olivier de Husson, chamberlain to King Charles VII of France, d. 1463. She wears a hennin and a tunic dress with mahoitre sleeves. Handcoloured lithograph by Leopold Massard after a figure in a tomb in the college church of Lille in Bernard de Montfaucon's collection (III 30) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
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akg7954402 Lansiaux, Charles Joseph Antoine (Aniche, 1855 - Paris, après 1939). Salle à manger, Palais d'Orsay, quai d'Orsay, 7ème arrondissement, Paris., en 15-02-1918. Photographie, Tirage au gélatino-bromure d'argent. PH14329, Paris, Musée Carnavalet.
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akg7938977 Marville, Charles (1813 - 1879). La salle à manger du château de Bagatelle, bois de Boulogne, 16ème arrondissement, Paris., entre 1862 et 1872. Photographie. PH991, Paris, Musée Carnavalet.
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akg7928528 Leballeur-Villiers, Charles Alexandre (Lisieux, 1815). Cheminée de la salle à manger de Hauteville House, ete 1860. Vue stéréoscopique, Tirage sur papier albuminé. 3850, Paris, Maison de Victor Hugo - Hauteville House.
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alb4485248 Flint gun with ivory drawer, Part of a couple. The lock, which is blued on the inside, is decorated with a single branch, a bird on a branch and a signature on the lock plate. On the barrel are the letters GMA embossed with gold. The solid ivory flask is embossed and ends after a band of ivory-inlaid ebony in the round-cut flask in the shape of the bearded head of Hercules with the head of the Nemean lion as a helmet. The iron fittings include an ivory loading stick whose head is separated by an ebony band such as is between the handle and the butt knob, (story of) Hercules (Heracles), Charles Fabri, Maastricht, 1675 - 1680, ivory, ebony (wood), iron (metal), gold (metal), inlay (process), l 46.6 cm l 30.5 cm d 12.5 mm w 769 gr.
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alb4469201 Flint gun with ivory drawer, Part of a couple. The lock, which is blued on the inside, is decorated with a single branch, a bird on a branch and a signature on the lock plate. On the barrel are the letters GMA embossed with gold. The solid ivory flask is embossed and ends after a band of ivory-inlaid ebony in the round-cut flask in the shape of the bearded head of Hercules with the head of the Nemean lion as a helmet. The iron fittings include an ivory loading stick whose head is separated by an ebony band such as between the handle and the butt knob, (story of) Hercules (Heracles), Charles Fabri, Maastricht, 1675 - 1680, ivory, ebony (wood), iron (metal), gold (metal), inlay (process), l 48.6 cm l 32 cm d 13 mm w 773 gr.
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alb4462489 Four knives and a fork belonging to Emperor Charles V Fork by emperor Charles V, Fork with a handle of ebony, inlaid with a simple floral scroll decoration in copper. On the blade an inscription, foliage, tendrils, branches, ornament, Charles V of Habsburg (German emperor and king of Spain), anonymous, Italy, 1532, iron (metal), ebony (wood), copper (metal), l 26.9 cm × w 1.0 cm × t 0.8 cm.
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alb4467946 Tea urn and stand Tea Fountain, tea fountain on stove, the legs, the tap and the handle of which are designed as gnarled leaves and the lid knob as a flower branch., Charles Nicolas Odiot, Paris, c. 1838 - c. 1845, silver (metal), ivory, h 59.1 cm × w 18.5 cm × d 22.1 cm × w 4185 gr.
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alb4448631 Four knives and a fork belonging to Emperor Charles V Carving knife of emperor Charles V, Carving knife with a handle of ebony, mounted with copper and engraved with the weapon of Charles V. On the blade on one side Charles V on his throne, on the other side Hercules with the globe addressed by a Roman warrior, Hercules carrying the heavens on his shoulders, Charles V of Habsburg (German emperor and king of Spain), anonymous, Italy, 1532, ebony (wood), copper (metal), iron (metal), l 44.2 cm × w 7.5 cm × t 1.7 cm.
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akg6160482 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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akg6160471 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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akg6160494 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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akg6160498 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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alb3742631 Sheep in a Manger. Dimensions: overall: 47.1 x 38 cm (18 9/16 x 14 15/16 in.). Medium: gray wash with touches of pink watercolor over black chalk, heightened with white on gray paper. Museum: National Gallery of Art, Washington DC. Author: Charles Émile Jacque.
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akg5784580 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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akg5784589 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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akg5784585 La salle à manger. Décoration conçue par Charles Percier et Pierre-François-Léonard Fontaine. Les peintures murales de Louis Lafitte (1800) représentent six danseuses pompéiennes. Le château de Malmaison est situé près de la rive ouest de la Seine à environ 15 kilomètres à l'ouest du centre de Paris. Ancienne résidence de l'impératrice Joséphine de Beauharnais et dernière résidence de Napoléon en France à la fin des Cent-Jours en 1815. Rueil Malmaison. France.
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