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Total de Resultados: 902

Página 1 de 10

902_05_12323246HighRes Panurge tourmentant le guet or Panurge tormenting the guard. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oeuvres de Rabelais, published 1928.
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902_05_12323160HighRes Pantagruel Lisant les Belles Chroniques or Pantagruel Reading the Beautiful Chronicles. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12323158HighRes Pantagruel en son Berceau or Pantagruel in his Cradle. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12323156HighRes Le Festin des Victueurs Gargantuistes or The Feast of the Victorious Gargantuists. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12323110HighRes Le conseil des capitaines de Picrochole or The council of Picrochole's captains. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12323109HighRes La Harangue Faite Par Ulric Gallet A Picrochole or the harangue delivered by Ulric Gallet to Picrochole. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12321064HighRes King George V in the three robes worn at the Coronation ceremony in Westminster Abbey. From top The Royal Crimson Robe of State, The Golden Imperial Mantle and the Royal Robe of Purple Velvet. George V, George Frederick Ernest Albert, 1865 to 1936. King of the United Kingdom and the British Dominions, and Emperor of India. From The Illustrated London News, 1910.
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902_05_12321083HighRes King George V entering Westminster Abbey for his coronation ceremony, accompanied by the Bishop of Durham and the Bishop of Bath and Wells. The king is wearing his Royal Robe of State, the Collar of the Garter, and the Cap of State inside the Crown. George V, George Frederick Ernest Albert, 1865 to 1936. King of the United Kingdom and the British Dominions, and Emperor of India. From The Queen The Lady's Newspaper published 1935.
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902_05_12288422HighRes King George V and Queen Mary. George Frederick Ernest Albert, 1865 ? 1936. King of the United Kingdom. Queen Mary, consort of King George V, Mary of Teck, Victoria Mary Augusta Louise Olga Pauline Claudine Agnes, 1867 to 1953. From The Illustrated London News, Silver Jubilee Record Number, 1910 - 1935
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902_05_12310239HighRes George VI, 1895 ? 1952. Seen here the day of his coronation, 12 May, 1937. King of the United Kingdom. From The Coronation of King George VI and Queen Elizabeth, published 1937.
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902_05_12323625HighRes George VI on the day of his coronation with his wife Queen Elizabeth and their daughters Princess Elizabeth, right, and Princess Margaret, left, 12th May 1937. George VI,1895 ? 1952. King of the United Kingdom and the Dominions of the British Commonwealth. Queen Elizabeth, Elizabeth Angela Marguerite Bowes-Lyon, 1900 ?2002. Wife of King George VI and the mother of Queen Elizabeth II. Princess Elizabeth Alexandra Mary; born 1926. Future Queen Elizabeth II. Princess Margaret, 1930 ? 2002, aka Princess Margaret Rose or Princess Margaret.
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902_05_12323114HighRes Gargantua fut contrainct de reposer sur les tours de Notre-Dame or Gargantua forced to stand on the towers of Notre Dame. After the illustration by Albert Robida for Gargantua and Pantagruel. From Oevres de Rabelais, published 1928.
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902_05_12310633HighRes Gargantua Au Berceau or Gargantua in the Cradle. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12323098HighRes Frère Jean des Entommeures se saisit du bastion de la croix or Friar John des Entommeures seized the staff of the cross. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12323159HighRes Enfance de Pantagruel or The Childhood of Pantagruel. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928.
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902_05_12310632HighRes Assaut de la Roche Clermaud or Assault of the Roche-Clermaud. After the illustration by Albert Robida for Gargantua and Pantagruel by François Rabelais. From Oevres de Rabelais, published 1928
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902_05_12310631HighRes Albert Robida, 1848 ? 1926. French illustrator, etcher, lithographer, caricaturist, and novelist. From Oevres de Rabelais illustrated by Albert Robida, published 1928
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01085505 "politics, colonial policy, caricature, ""The colonisation epidemic"", drawing by Albert Robida, ""La Caricature"", cover, Paris, 31.10.1885,"
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alb31028278 Portrait of Fath-Ali Shah Qajar, Fethaly Chah Empereur des Persans, print, 'Déposé à la Bibliothèque Impériale', printmaker: Louis Charles Ruotte, after drawing by Albert Grégorius, publisher: Jean Louis Potrelle, Paris, 1807, paper, stippelwerk, etching, height 434 mm x width 345 mm, Person, Fath-Ali Shah Qajar, historical persons, king., A seated man wearing an ornate jeweled crown and heavily jeweled clothing is shown from the waist up, with a long dark beard and a mustache, his eyes looking forward; he rests one hand on the arm of an elaborately decorated throne and the other on his lap, with patterned sleeves and a beaded belt visible; the throne and surrounding background feature intricate geometric and floral motifs, and a circular medallion with a face above a lion appears below the seated figure.
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alb31028439 Funeral procession of Archduke Albrecht (plate LIII), 1622, Maistres d'hostel de leurs AA. SS., Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate LIII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, Cornelis Galle (I), printmaker, paper, etching, height 247 mm x width 376 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide sepia-toned engraving shows a row of men standing on a platform wearing long flowing robes and large ruffled collars, each holding a staff or pole; the figures display varied facial hair and hairstyles and are drawn with detailed folds and shading in their garments, with one man at the right wearing a hat and holding a long pole and another at the far right wearing a cape and holding a halberd; the background is plain and light with scattered small specks and faint marks.
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alb31028479 La cornette des Couleurs, Le Guidon des Couleurs, Funeral procession of Archduke Albrecht (plate XXIX), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession with two royal banners. Plate XXIX in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 262 mm x width 370 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A detailed black and white engraving shows a group of men standing in a row, many wearing long robes and heavy cloaks with ruffled collars and elaborate patterned garments; two tall flags on poles are held upright, each flag bearing ornate designs and decorative borders, one flag featuring a bishop-like figure holding a staff and bundled rods, while the other displays floral motifs and a central crossed emblem surrounded by small ornamental shapes; the men display varied facial hair styles and solemn expressions, some with hands clasped or resting on swords and others holding the flagpoles, and the scene is set against a plain background with shading beneath the figures suggesting shadow.
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alb31024167 Portrait of an unknown woman, print, printmaker: Luc-Albert Moreau (signed by artist), 1892 - 1948, paper, lithography, height 382 mm x width 284 mm, historical persons not known by name, adolescent, young woman, maiden., A monochrome portrait of a young person with short hair swept to the side, rendered in soft, sketchy strokes that create delicate shading across the face and hair; the figure's eyes are downcast and partially closed, the mouth forming a slight, ambiguous expression, and the head is framed by darker textured shading that contrasts with the lighter areas of the face; the clothing shows layered fabric rendered with broad, flowing marks that create a sense of drape and movement, while the background contains rough, vertical and diagonal textures that vary in tone.
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alb31028006 Adoration of the Shepherds, print, The Holy Family sits before a cave and is surrounded by shepherds and angels adoring the Christ Child. In the lower margin, text in Latin and a cardinal's coat of arms., Italy, after print by Cherubino Alberti, 1563 - 1615, Cherubino Alberti, printmaker, after print by, paper, engraving, gravure, height 581 mm x width 450 mm, adoration of the Christ-child by the shepherds, Mary and Joseph present., A highly detailed black and white engraving shows a nativity scene set within a rocky cave opening, with a radiant infant lying on a bed of straw at the center surrounded by kneeling and standing figures in flowing robes, some with expressive hands and reverent poses. Above the infant, beams of light radiate downward from a bright heavenly source where winged figures and cherubs hover on clouds, some holding garlands and banners, while a larger winged figure reclines on a cloud. The rocky cavern frames the scene with textured cliff faces and vegetation, and architectural elements like an arched opening are visible in the background. Various animals and pastoral details appear near the foreground, and ornate decorative motifs, scrolls, and a heraldic cartouche occupy the lower border of the composition. The entire image is rendered with intricate line work, crosshatching, and dramatic contrasts of light and shadow.
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alb31024588 Gentilshomes de la maison, Funeral procession of Archduke Albrecht (plate XXIIII), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate XXIIII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 255 mm x width 355 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide horizontal engraving shows a group of men standing in a row, each wearing long flowing robes with ornate ruffs at the neck and capes draped over their shoulders; their garments feature buttoned fronts and decorative seams, and many wear belts or swords at their waists. The figures display varied poses, some with one hand extended or gesturing and others with hands resting by their sides or holding capes, and their faces show detailed facial hair and distinct expressions. The composition is monochrome with fine line shading and crosshatching to indicate folds, texture, and shadow, and a large expanse of blank background fills the upper portion of the image.
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alb31026645 Funeral procession of Archduke Albrecht (plate LXI), 1622, La Chancellerie de Brabant, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate LXI in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 235 mm x width 361 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide, sepia-toned engraving showing a row of men standing closely together wearing long robes with high, ruffled collars and holding or resting hats; the figures display detailed facial hair and varied facial expressions, and the robes show folds and patterned trims, with some cloaks draped over shoulders and hands visible at sides; above them is a large empty area of paper with a decorative flourish centered near the top, and the lower edge shows a simple ground line beneath the men's feet.
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alb31034287 Portrait of Albrecht, Archduke of Austria, print, Albrecht, kneeling, with Saint Albert behind him holding a book., printmaker: François Harrewijn, Brussels, after drawing by François Eisen, after painting by Peter Paul Rubens, c. 1710 - 1764, paper, etching, engraving, etching and engraving, height 519 mm x width 191 mm, Person, Albrecht Archduke of Austria, neck-gear, clothing (with NAME) (+ men's clothes), coat (+ men's clothes), head-gear: hat (+ men's clothes), knighthood order of the Golden Fleece - insignia of a knighthood order, eg: badge, chain (with NAME of order), insignia and symbols of sovereignty (crown, diadem, scepter, orb, seal, standard, cloak, pectoral), the (nude) human figure, 'Corpo humano' (Ripa) (+ kneeling)., An engraved black and white scene shows two men in ornate historical clothing under a heavy draped curtain. One man kneels, wearing a ruffled collar, a fur-trimmed cloak with patterned lining, and decorative armor at his waist; he looks upward while holding a document. Behind him a standing bearded man in a wide-brimmed hat and heavy cloak looks in the same direction, one hand resting near the kneeling man's shoulder and the other gesturing with an open palm. At the lower foreground a jeweled crown rests on a cushioned cloth. Architectural columns or pilasters appear in the background, and the drapery above occupies the top portion of the image. The engraving is rendered with dense crosshatching and fine line work.
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alb31022143 Bloody suppression by Tsar Nicholas II of the Revolution of 1905, The Revolution in Russia, cartoon, print, Political caricature of the bloody suppression by Tsar Nicholas II of the Revolution of 1905. From his throne, the Tsar hands a letter of 'concessions' over a burning battlefield full of dead bodies., after drawing by Albert Hahn (I), Netherlands, 1905, printmaker, paper, lithography, lithography in black and red, height 312 mm x width 390 mm, Person, Nicholas II Alexandrovich (Tsar of Russia), political demonstration, emperor, massacre, war, Revolution of 1905, Russia, Period., A dark, heavily crosshatched sky meets a distant horizon above a turbulent sea scattered with small silhouettes, while in the foreground a pile of prone, clothed bodies fills the lower half of the scene with small areas of bright red on faces and clothing; on the right a robed, crowned figure stands on ornate steps beside an elaborately patterned throne, extending an arm to hold a pale sheet toward the open space, with decorative panels and carved motifs on the throne and a ruled pattern on the steps.
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alb31022843 Portrait of Friedrich Geisler, print, number: '1, 8, 183', printmaker: Georg Andreas Wolfgang, Germany, writer (clerical worker): Valentin Alberti, 1666 - 1716, writer (clerical worker), paper, engraving, etching, height 330 mm x width 242 mm, Person, Friedrich Geisler, historical persons., A sepia-toned engraved portrait of a man shown from the waist up inside an octagonal frame, wearing a dark robe with a wide white collar and long, wavy hair falling to his shoulders; his face is turned slightly toward the viewer, with a calm expression and a thin mustache, and one hand is extended forward holding a small round object while the other hand rests near his torso, all surrounded by finely hatched shading and decorative border elements.
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alb31022670 Portrait of Albert Kijper, print, professor of medicine and philosophy at the University of Leiden. At the bottom in the margin his name and position in Latin., printmaker: Jonas Suyderhoef, Haarlem, after painting by David Bailly, publisher: Cornelis Banheyning, Leiden, 1650 - 1665, paper, engraving, gravure, height 293 mm x width 218 mm, Person, Albert Kijper, professor (+ portrait of teacher, professor)., A black and white engraved portrait of a man shown from the chest up inside an oval frame, with medium-length wavy hair, a mustache, and a small pointed beard, wearing a dark robe with a wide white collar and visible buttoned front, his hands clasped and partially covered by gloves and ruffled cuffs, rendered with fine line shading and crosshatching against a lined background.
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alb31022427 Le Conseil Privé, Funeral procession of Archduke Albrecht (plate LVIII), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate LVIII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 234 mm x width 358 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide sepia-toned engraving shows a row of men standing shoulder to shoulder along the lower edge, each wearing long flowing robes with high ruffled collars and cloaks; their garments have detailed vertical folds and decorative seams, and several hold hats or have hands clasped or resting by their sides. The men have varied facial hair from clean-shaven to beards and moustaches, with faces rendered in fine line work and subtle shading; some look slightly turned while others face forward. The background is mostly empty with a light aged paper texture and faint speckles, and there is a small rectangular darker border impression near the top left. The overall composition emphasizes the figures' garments and posture against the plain background.
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alb31013377 Couverture d'un livre grec manuscrit de la bibliothèque de St. Marc, Reproduction of a cover of a Greek manuscript with Christ and some saints, reproduction, page, photomechanical print, name: 'Phot. col. Prosdocimi., Kellerhoven lith.', cliché maker: Franz Kellerhoven, after design by Alberto Prosdocimi, after design by anonymous, printer (person): Joseph Rose Lemercier, Paris, c. 1859 - in or before 1864, Franz Kellerhoven, Alberto Prosdocimi, Joseph Rose Lemercier, photographer, cliché maker, after design by, printer (person), paper, photolithography, height 240 mm x width 207 mm, book-cover, binding, saints, Christ., A vertical panel divided into rectangular compartments with decorative borders studded with oval blue and green gem-like motifs and small round bead-like accents, each compartment containing a painted figure on a gold background wearing blue robes and haloed with dotted circular halos, the central taller compartment showing a standing robed figure holding an open book and gesturing, surrounded by smaller compartments each depicting a bust-length figure holding books or making hand gestures, the overall color palette featuring gold, deep blue, green, and muted brown tones with repeated ornamental beadwork and gem-like ovals along the frame.
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alb31019637 Portrait by Albrecht Dürer, Albert Durer, print, printmaker: Auguste Toussaint Lecler, after print by Albrecht Dürer, printer (person): Noël, Francisique (et Cie.), Paris, publisher: Tessari & Cie., 1825, Albrecht Dürer, after print by, printer (person), paper, lithography, height 475 mm x width 323 mm, Person, historical persons., A monochrome portrait of a man shown from the chest up wearing a fur-lined garment, with long wavy hair styled into several braids that hang over his shoulders and a full mustache and beard, his face turned slightly to one side with a neutral expression and detailed shading creating soft highlights and shadows across his features and clothing against a plain, lightly textured background.
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alb31013079 Funeral procession of Archduke Albrecht (plate IIII), 1622, Le Doyen, Chapitre et Clergé de l'Eglise Collegiale de Ste. Gudule, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate IIII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, Cornelis Galle (I), printmaker, paper, etching, height 250 mm x width 378 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Saint Michael and Saint Gudula Cathedral, Period, 1622-03-12., A black and white engraving showing a group of robed clerical figures standing in a procession across the lower portion of the image, wearing long flowing vestments and capes with some figures in tall pointed hats and others in simpler collars, several young figures in shorter robes among them, and a few men holding tall staffs topped with candles or a cross; the figures cast shadows on the ground and are arranged facing mostly to the right against a largely empty light background.
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alb31016076 Funeral procession of Archduke Albrecht (Plate VII), 1622, Chapellains de la Chapelle de la Court, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate VII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 250 mm x width 380 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide engraving showing a row of men standing side by side, each wearing long robes with wide sleeves and distinctive square caps, many holding tall staffs and some holding rosary-like beads; the figures are drawn in detailed black ink lines with shading, showing varied facial hair and expressions, layered folds in the garments, and subtle differences in posture, all set against a plain light background with small scattered speckles.
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alb3651500 The Glorification of the Virgin, from The Life of the Virgin, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm)image: 11 3/4 x 8 5/16 in. (29.8 x 21.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659473 The Triumph of Two Roman Emperors (left-hand side) with soldiers on horseback and men, women, and children fleeing. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: Sheet: 6 7/16 × 15 3/8 in. (16.3 × 39 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
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alb3658536 The Descent from the Cross, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm). Date: ca. 1509. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653298 Christ Crowned with Thorns, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm). Date: ca. 1509. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659353 Portrait of Isabella Clara Eugenia, Governess of Southern Netherlands. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam). Dimensions: Sheet (Trimmed): 16 1/4 × 11 3/8 in. (41.2 × 28.9 cm). Sitter: Archduchess Isabella Clara Eugenia, Governor of the Spanish Netherlands (Spanish, 1566-1633). Date: 1615. Museum: Metropolitan Museum of Art, New York, USA.
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alb3656516 The Rejection of Joachim's Offering, from The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 11/16 x 5 5/16 in. (29.7 x 13.5 cm). Date: ca. 1504. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659941 The Lion and the Lioness Pardon Renard and Order the Other Animals to Forget His Crimes from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm)Sheet: 3 7/8 × 4 13/16 in. (9.9 × 12.2 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.
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alb3658397 Entombment. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 9 15/16 × 7 9/16 in. (25.3 × 19.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: After Albrecht Dürer.
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alb3655026 The Seven Angels with the Trumpets, from The Apocalypse, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 5/16 x 11 1/16 in. (38.9 x 28.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3660340 The Virgin Surrounded by Many Angels. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 15/16 x 8 5/8 in. (30.3 x 21.9 cm)block: 11 11/16 x 8 5/16 in. (29.7 x 21.1 cm). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA.
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alb31005834 Saint Albertus Magnus in conversation with monks, B. Albertvs magnvs, Bavaria sancta I, Saints of Bavaria I, print, Series number, 56, 60, nSt. Albertus Magnus is sitting on a chair and is in conversation with monks in a monastery. The print has a Latin caption and is the 56th print of a 60-part series with the saints of Bavaria as its subject., printmaker: Raphaël Sadeler (I), Munich, after drawing by Johann Mathias Kager, publisher: Matthäus Rader, 1615, Bavaria, paper, engraving, etching, engraving and etching, width 156 mm x height 220 mm, interior of church, monk(s), friar(s), education, the Dominican friar and bishop of Ratisbon Albert the Great (Albertus Magnus), possible attributes: book, doctor's cap, pen - non-miraculous activities and events, male saint., A black and white engraved scene shows a group of seated men in robes gathered in an interior with high arched windows and columns; one man sits on an ornate carved bench at left facing the group and appears to gesture with his hands while the others sit or kneel in semicircular arrangement on steps and benches, their heads mostly shaved and their robes draped around them; behind them a tall curtain rises to midwall and patterned windows let light into the space, with architectural arches visible through an upper opening; the floor has a tiled pattern and detailed shading emphasizes folds in fabric and carved wood.
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alb31004715 Coffin in the funeral procession of Archduke Albert (plate LV), 1622, Funeral of Archduke Albert, Pompa funebris optimi potentissimiq. principis Alberti pii, print, The coffin carried under a canopy in the funeral procession. On the right, a list of the bearers in French 1-26. Plate LV in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 264 mm x width 383 mm, Person, Albert Archduke of Austria, cortege, funeral procession, litter, coffin rest, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A detailed engraving shows a group of formally dressed figures standing beneath a large ornate canopy held up by tall poles, the canopy decorated with a repeating floral or scroll pattern and shading under its overhang. The people wear long cloaks and robes with high ruffled collars and some carry long feathered staffs or spears, while others hold draped fabric or small objects; several faces are shown in profile and three-quarter view with varied facial hair and headwear including hats and caps. The scene is composed across a horizontal plane with clustered figures in the center and toward both sides, and the lower area shows detailed folds in garments and patterned hems, while the upper right area contains columns of printed lines separate from the group.
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alb31007235 The Reverends Prelats of the Order of St. Benedict, Funeral procession of Archduke Albert (plate XI), 1622, Funeral of Archduke Albert, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate XI in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 250 mm x width 365 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A horizontal engraving shows a line of robed figures standing side by side wearing tall pointed headpieces and long flowing garments; many hold staffs or croziers and some have chains or small objects in their hands, while their robes feature layered collars and detailed folds with shadowed hatching; the figures display varied facial expressions and head orientations, and the background is a plain light surface with a wide empty space above the heads.
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alb31007996 Musique de la Chapelle de la Court, Funeral procession of Archduke Albrecht (plate VI), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate VI in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 245 mm x width 380 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide horizontal engraving shows a line of men dressed in long flowing robes and capes, many wearing large ruffled collars and holding hats or small objects in their hands, standing on a plain background with light shading beneath their feet; the figures vary in height and age and are arranged from left to right in a procession-like grouping with some turned slightly toward each other, and the overall scene is rendered in fine black ink lines and stippling on a pale paper.
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alb31010802 Funeral procession of Archduke Albert (plate LII), 1622, Funeral of Archduke Albert, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession with scepter, ceremonial swords and crown. Plate LII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 248 mm x width 378 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A horizontal engraving shows a row of men in historical robes and ruffled collars standing on a plain ground against a blank background. From left to right there are several figures holding ceremonial objects including a tall ornate staff, a straight sword held vertically, and a cushion bearing a crown; another figure holds a very long decorative sword with an elaborate hilt and a helmet perched atop the blade. The garments are long cloaks and robes with detailed folds and decorative trim, and the faces show varied hair and facial hair styles framed by high ruffs. The image is monochrome with fine line shading and hatching, and small blocks of printed labels appear near each person.
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alb31010461 Funeral procession of Archduke Albrecht (plate principis Alberti pii, print, Participants in the funeral procession with two large banners. Plate XLVIII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, Cornelis Galle (I), printmaker, paper, etching, height 246 mm x width 375 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., An engraved scene shows several men standing and holding tall flags and halberds, wearing long robes, capes, and ruffled collars; two large ornate flags with patterned fields and heraldic beasts are raised above them, with detailed shading and flowing fabric; the figures are depicted in period dress with visible textures on sleeves and skirts, some facing forward and some with their backs toward the viewer, and one figure stands apart with a plain cloak and turned back; the composition is rendered in fine black lines on a light background with subtle paper texture.
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alb30989774 Funeral procession of Archduke Albrecht (plate XXXVII), 1622, Zelande, Hollande, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession with the banners of Zeeland and Holland. Plate XXXVII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 249 mm x width 377 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide horizontal engraving shows a procession scene with several standing and mounted figures in period clothing facing mostly forward, each wearing long cloaks and decorative collars, some holding tall flagpoles with rectangular flags; two large horses are richly draped with ornate trappings and feathered plumes on their bridles, and attendants stand beside them holding reins or staffs; the flags display heraldic lion images and wavy patterns, and the background is plain with a light textured surface.
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alb30999696 Portrait of Christian IV, King of Denmark and Norway, print, a long braid in the hair, around his neck the insignia of the Order of the Elephant. Above the portrait a scepter, crown and orb., printmaker: Albert Haelwegh, Copenhagen (city), after painting by Karel van Mander (III), writer (clerical worker): Otto Sperling, grantor of privilege: Christian IV (King of Denmark and Norway), 1643 - 1644, writer (clerical worker), paper, etching, height 625 mm x width 402 mm, Person, Order of the Elephant, knighthood order, insignia and symbols of sovereignty (crown, diadem, scepter, orb, seal, standard, cloak, pectoral), moustache, lock of hair., A detailed black and white engraved portrait of a man shown from the chest up inside an ornate carved frame draped with heavy fabric; he has a mustache and a small pointed beard, shoulder-length hair with a longer lock braided on one side, and a serious expression with slightly furrowed brows. He wears a lavish lace collar over a dark textured garment and a decorative chain with a pendant across his chest. Above the frame rest a crown, a scepter, and other regalia partially covered by the draped cloth, while the frame itself features scrollwork and carved embellishments. The background shows radiating lines behind the figure and richly shaded curtains surrounding the composition, and a carved cartouche sits below the portrait within the frame.
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alb30998244 Albert Beiling, Albrecht Beiling prepares to die, 1426, print, historical print, Albrecht Beiling, commander in Schoonhoven, condemned by Jacoba van Beieren to be buried alive, prepares to die, January 1426., printmaker: Franciscus Bernardus Waanders, Netherlands, after painting by Jacobus Everhardus Josephus van den Berg, publisher: Nederlandsche Maatschappij van Schoone Kunsten, 1841, paper, China paper, lithography, black lithography, height 530 mm x width 430 mm, Person, Jacoba of Bavaria (Countess of Hainaut), on the scaffold or place of execution, Hook and Cod Wars, Schoonhoven, Period, 1426-01., A grayscale scene of a group of people gathered outdoors at night around a central figure who stands with one hand on his chest and the other extended, wearing a short tunic and cloak; to his right an older bearded man in a hooded robe raises one hand with a finger pointing upward while his other hand touches the central figure's arm; surrounding them are men in medieval-style clothing and hats, some holding staffs and one holding a tall lit torch with a bright flame, others standing or crouching and watching; in the background faint outlines of a ship mast and rigging are visible against a dark sky, and the ground in the foreground shows scattered objects and textured terrain.
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alb30997858 Charolois, Funeral procession of Archduke Albrecht (plate XXXV), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession with the banner of Charleroi. Plate XXXV in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 253 mm x width 371 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A horizontal engraving showing a procession of robed figures and a caparisoned horse with ornamental plumes and harness; several men wear long flowing robes with large ruffled collars and hold or gesture toward items, one man steadies a tall flagpole bearing a banner with a rampant lion, and another stands near the horse holding its reins, while the figures are arranged along a flat ground against a blank background.
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alb30980397 Gentils-homes de la bouche, Funeral procession of Archduke Albrecht (plate XXVII), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate XXVII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 250 mm x width 370 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A black and white engraving shows a group of men standing in a row wearing long robes and capes with high ruffled collars, each with a sword at their side and some with cloaks draped over one shoulder; their hairstyles and facial hair vary, with mustaches and beards visible, and several men have their hands on their hips or holding gloves; the figures cast shaded areas beneath them and the floor is lightly hatched, while the background is mostly blank.
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alb30980483 Les Pages, Funeral procession of Archduke Albrecht (plate LIIII), 1622, Funeral of Archduke Albrecht, Pompa funebris optimi potentissimiq. principis Alberti pii, print, Participants in the funeral procession. Plate LIIII in the series of the funeral of Archduke Albert of Austria in Brussels on March 12, 1622., printmaker: Cornelis Galle (I), Southern Netherlands, 1623, paper, etching, height 247 mm x width 372 mm, Person, Albert Archduke of Austria, cortege, funeral procession, Funeral of Albert of Austria, Brussels, Period, 1622-03-12., A wide engraving shows a line of men standing and walking across a stage or platform, most wearing long coats with high ruffled collars and holding tall staffs topped with banners or torches, while two men at the right wear more elaborate robes and one carries a long pole with a decorative head; the figures are drawn in detailed black and white with visible shading and crosshatching, and the background is mostly blank with a faint rectangular border and subtle paper texture.
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alb30962833 Woman in a swoon, print, A lady in a swoon, a letter lies on her lap. An embroidery lies on a chair in front of her and her maid looks at her with folded hands, looking worried. In the background a bed., printmaker: Pieter de Mare, Leiden, after drawing by Frans van Mieris (I), publisher: Karel Delfos, publisher: Pieter Delfos (I), dedicated to: Hendrik Albert Dibbets, 1768 - 1784, paper, etching, engraving, etching and engraving, height 292 mm x width 259 mm, (other forms of) needlework, eg: crocheting, knitting, embroidering, letter, envelope, maid, house personnel, fainting, swooning., A monochrome engraving showing an interior scene with heavy drapery in the background and a fringed valance at the top; a seated woman wearing a hooded headscarf and a fur-lined robe leans back with her eyes closed and one arm resting limply, her other hand holding a folded piece of paper; a standing figure in a loose garment and head covering leans toward her with clasped hands and an intent expression; in the foreground a cushioned stool with decorative fringe and turned legs supports a rectangular wooden board; detailed shading and fine line work define fabric folds, textures, and facial features.
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alb30965722 Albertus Sigismundus DG, Praepos Constant & Oetingan etc., Portrait of Albert Sigismund of Bavaria, Prince-Bishop of Regensburg, print, Prince-Bishop of Regensburg in an oval frame with a laurel wreath and lily branches. On a ribbon above the frame is the motto Abstine Sustine; below the frame, the man's coat of arms is displayed with a piece of text on either side praising his person., printmaker: Joannes van de Berg, Netherlands, after painting by Wilhelm Strobel, 1671, Joannes van de Berg, Wilhelm Strobel, printmaker, after painting by, paper, engraving, height 498 mm x width 392 mm, Person, Albert Sigismund of Bavaria., A detailed engraved portrait shows a man with long wavy hair and a trimmed mustache and goatee, wearing a dark robe with an ornate patterned cloak draped over one shoulder and a broad, flat collar; he faces slightly to the viewer's right inside a large decorative oval frame with carved motifs and a tied ribbon at the top, set against a finely hatched background. The lower portion features a circular cartouche with a shield and decorative foliage extending outward, while the surrounding border contains carved ornamental bands and ribbon-like flourishes at the upper corners. The engraving uses dense line work and crosshatching to render textures and shading throughout.
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alb30962709 Portrait of Johannes Alberti, print, Portrait of Johannes Alberti in a rectangular frame. In a frame his name, his date of birth, his profession and the date of his inauguration., printmaker: Jacob Houbraken, Amsterdam, after painting by Frans Decker, publisher: Samuel Luchtmans (I), Leiden, 1745, paper, engraving, gravure, height 351 mm x width 239 mm, Person, Johannes Alberti., A monochrome engraved portrait shows a man with shoulder-length wavy hair wearing a dark robe with voluminous sleeves and a lighter garment underneath; he has a plain white clerical collar and his hands are positioned at his waist, one partially tucked into his coat and the other resting on his hip, with visible cuff ruffles; the framed composition centers on his bust and upper torso against a textured background and includes a wide decorative border around the image.
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alb30968081 Rape of the Sabine Women, print, The Sabine Women after their liberation. A stream of men and women walks to the left. On the right, a female figure with a ribbon in her hand. Beneath her feet, a round frame with text in Latin. On a plaque beneath the image, text in Latin. Numbered bottom center: 3., printmaker: Cherubino Alberti, Italy, after design by Polidoro da Caravaggio, dedicated to: Ferdinando I de' Medici, Florence, dedicated to: Cosimo I de' Medici, dedicated to: Francesco Barberini, grantor of privilege: Papal Court, 1563 - 1615, Ferdinando I de' Medici, Cosimo I de' Medici, Tuscany, paper, engraving, height 171 mm x width 495 mm, Print 3 from a series of three prints that together form a single frieze: Rape of the Sabine Women: they are carried off by Romulus and his men during a feast., A long horizontal engraved scene shows a crowded procession of figures across a rectangular panel, with flowing drapery and varied poses. On the left a group of robed men and women walk and gesture, some seen from behind, their garments depicted with curved lines and folds. Toward the center several women and children are clustered together, one woman cradling a child and another bending toward a smaller figure, all wearing layered dresses with draped cloaks. To the right of center a figure in a cloak strides forward, followed by mounted horses and men; one man carries another at the rear near the horses. The background is filled with overlapping heads and torsos creating depth, and decorative hatching and crosshatching render shadows and texture throughout. A vertical panel at the far right contains a standing female figure in flowing robes holding a circular object, and circular medallion shapes appear below the main scene; the whole composition is framed by a border.
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alb30964768 Quod Vultus mutent homines in sacra medusae. Hoc adversa facit forma pudicitae, Phineus and his followers turned into stone, Friezes after Polidoro da Caravaggio (copies), print, Perseus shows Phineus and his followers the severed head of Medusa, which turns them into stone. Under the show the title., printmaker: Cherubino Alberti (possibly), Italy, after design by Polidoro da Caravaggio, after print by Cherubino Alberti, 1563 - 1615, after print by, paper, engraving, height 125 mm x width 225 mm., A detailed black and white engraving shows a dramatic scene with a group of armored figures in motion across a rectangular frame. Several warriors with shields and helmets face toward a central, flowing-clothed figure whose hair streams backward, and another figure on the right lifts a shield and appears to be in a dynamic, leaping posture. A fallen or crouching figure in draped robes is positioned near the center-right, with a bowed head and outstretched arm. In the left foreground a few limbs and a head appear on the ground beneath the standing figures. The background is filled with crosshatched shading and the suggestion of architectural elements, including a tall fluted column on the far right and a bordered base along the bottom edge. The composition emphasizes strong contrasts of line and texture, with swirling drapery, muscular bodies, and layered shields creating a crowded, intense visual.
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alb30960462 Portrait of Reinoud III van Brederode, print, Knight of the Golden Fleece., printmaker: Reinier Vinkeles (I), after painting by Hans Holbein (II), publisher: Albert van der Kroe, Amsterdam, 1758 - 1816, paper, etching, engraving, etching and engraving, height 189 mm x width 125 mm, Person, Reinoud III van Brederode., A framed engraved portrait of an older man shown from the chest up wearing a dark robe with a fur-lined collar and ornate chain necklaces draped across his chest, a long full beard extending down to his chest, and a flat cap adorned with small decorations and a large feather at the side; the portrait is set inside an oval frame with lined shading around it and a rectangular panel below.
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alb30949954 Circumcision of Christ, print, Circumcision of Christ by priests in the temple, in the presence of Mary, Joseph and a large crowd of spectators., number: '12', printmaker: Cherubino Alberti, Italy, after design by Marco Pino, publisher: Laurentius Vacarius, Rome, 1580, unknown, grantor of privilege, paper, engraving, height 416 mm x width 266 mm, circumcision of the Christ-child by the priest in the temple (Luke 2:21)., A detailed black and white engraving shows an interior with tall fluted columns on either side and an ornate architectural backdrop including an arched niche and decorative reliefs. In the central foreground, a group of robed figures surrounds a raised altar or basin where an infant is being held upright by a seated older man wearing a mitre, while several others reach toward the child. A woman in flowing drapery stands nearby with an expressive gesture toward the infant. Numerous onlookers in varied robes and head coverings fill the space on both sides, some seated on steps and others standing, with a few children among them. Decorative elements include carved panels, a chandelier or lamp in the niche, and a circular opening or medallion in the ceiling flanked by reclining figures. The scene is rendered with fine lines and detailed shading, emphasizing folds of fabric, facial expressions, and architectural textures.
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alb30952523 Albrecht and Isabella visit the destroyed city of Ostend, 1604, print, history print, Archduke Albrecht and Isabella ride on horseback through the ruins of the destroyed city of Ostend after the capitulation on September 20, 1604., printmaker: Simon Fokke, Northern Netherlands, 1747 - 1759, paper, etching, height 167 mm x width 205 mm, Person, infante of Spain Isabella Clara Eugenia, Albert Archduke of Austria, march into the conquered place, Surrender of Ostend (1604), Ostend, Period, 1604-09., A detailed black-and-white etching shows a bustling riverside scene with a crowd of people, soldiers, and mounted figures in period clothing moving along a waterfront lined with buildings and ruined structures. In the foreground a few men handle cannon and wooden debris beside a cart wheel, while two mounted figures ride near a group of standing onlookers. To the left a broken building façade has a person leaning over an upper ledge and another gesturing from a lower balcony, with a ladder and trees above. In the midground a ruined archway and walls extend toward the water where small boats and figures are gathered, and plumes of smoke rise into a heavily lined sky filled with clouds. The skyline features a mix of tall narrow buildings and towers, flags and banners scattered among the crowd, and detailed foliage and architectural textures throughout the composition.
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alb30952220 Portrait of Wenzel Coebergher, Iconography, print, Portrait of the painter and architect Wenzel Coebergher. After a stay in Italy, where most of his paintings were created, he returned to the Southern Netherlands in 1601 and entered the service of Archdukes Albert and Isabella., printmaker: Lucas Vorsterman (I), Antwerp, after painting by Anthony van Dyck, 1646 - 1675, paper, engraving, gravure, height 236 mm x width 178 mm, Person, Wenzel Coebergher., A monochrome engraved portrait shows an older man with a cap and a full beard and mustache, wearing a layered garment with a high collar and a cloak draped over one shoulder; his eyes look forward and his hand rests on a folded piece of fabric or paper on a decorated ledge, while detailed linework renders folds in the clothing and a textured background with drapery and cloudy forms.
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alb30954852 Portrait of Wenzel Coebergher, Iconography, print, Portrait of the painter and architect Wenzel Coebergher. After a stay in Italy, where most of his paintings were created, he returned to the Southern Netherlands in 1601 and entered the service of Archdukes Albert and Isabella., printmaker: Lucas Vorsterman (I), after painting by Anthony van Dyck, publisher: Martinus van den Enden (I), Antwerp, grantor of privilege: Spanish crown, 1630 - 1646, unknown, paper, engraving, gravure, height 239 mm x width 182 mm, Person, Wenzel Coebergher., A black and white engraved portrait of an older man seated, shown from the waist up, wearing a dark cap and a robe with a wide collar and a string of buttons down the front; he has a long beard and mustache and a solemn facial expression, with his right arm resting on an ornate ledge and his left hand holding a folded book; a draped curtain is visible to one side and a cloudy background appears behind him.
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alb30951297 Two horsemen, William V and Albert, The Counts and Countesses of Holland, print, Print was added to the series later. Printed from two blocks. Left: two unidentified men on horseback. Right: William V and Albert, printed from a block that was used as the judge of a leaf from the original series Counts and Countesses of Holland., printmaker: attributed to Jacob Cornelisz van Oostsanen, in or after 1518 - 1533, Attributed to, paper, woodcut, height 191 mm x width 273 mm, Person, Albert of Bavaria (Count of Holland, Hainaut and Zeeland), William V of Holland (Count of Holland and Zeeland), riding a horse, ass, or mule, rider, horseman., A detailed black ink illustration shows a group of mounted figures riding closely together, each on a horse with visible bridles and decorative harnesses; the riders wear varied headgear including a tall hat with flowing ribbons, a helmet with a short brim, and an elaborate plume of feathers, and their clothing ranges from flowing robes to patterned armor and layered garments; the horses display different mane styles and some have ornamental trappings, while the ground beneath them is textured with lines and a few scattered tufts.
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alb30959044 Business card of the Dorbon-Ainé bookstore in Paris, print, visiting card, Interior of a bookstore with a devil in the center with chicken feet, tail, wings, and horns offering a book to a bookseller sitting on a small library step in front of a bookcase. In the room eight other devils or fantasy figures, most of whom are holding books., dedication: 'a monsieur le dr. Voisin', printmaker: Albert Robida, publisher: Librairie Dorbon-Ainé (possibly), 1901 - 1924, paper, Japanese paper (handmade paper), etching, drypoint, intaglio printmaking technique, etching with drypoint and plate tone in green on Japanese paper, height 160 mm x width 116 mm, book, book-shop, bookseller, devil(s) and demons, bookshelves., A detailed pen-and-ink illustration shows a tall winged creature with a long beaklike face and clawed hands leaning toward a jovial man seated on a bench who holds a decorated book and smiles, surrounded by several smaller fantastical creatures each holding books, an owl reading from an open volume, books stacked on shelves in the background, and a perched winged figure reading a book near the top edge; the scene is rendered in fine crosshatched lines on an aged paper with a pale border.
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alb30952451 Libyan Sibyl and the Prophet Daniel, Vault of the Sistine Chapel, print, Part of the vault painting by Michelangelo in the Sistine Chapel with sibyls, prophets, and nude figures (ignudi). Center left the Libyan Sibyl and center right the Prophet Daniel. Center top a cartouche with text in Latin., printmaker: Cherubino Alberti, Rome, after painting by Michelangelo, Vatican City, grantor of privilege: Papal Court, dedicated to: Francesco I de' Medici, Florence, 1628, Cherubino Alberti, Michelangelo, Papal Court, Francesco I de' Medici, Tuscany, paper, engraving, height 432 mm x width 552 mm., A detailed architectural drawing shows an ornate archway with classical figures integrated into the structure. A group of seated and standing draped figures occupy niches and pedestals, some leaning or resting on architectural elements while others interact with smaller childlike figures. Sculpted decorative elements, including rounded medallions, pilasters, and reliefs with reclining figures, appear along the upper frieze. Two larger seated male figures flank the central arch, one holding a staff and another with flowing drapery, while a contemplative seated figure sits within the apex of the central arch. A variety of sculpted putti and small statues decorate the columns and spandrels, and carved animal motifs and festoons appear above the capitals. The composition is rendered in fine linear engraving with careful cross-hatching, producing a high-contrast monochrome image with detailed textures in clothing, hair, and stone surfaces.
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alb30959789 Meal at Emmaus, Kitchen Scenes after Jacopo Bassano, print, An outdoor kitchen where food is being prepared on the left by several women. On the right, this food is being served to Christ and two apostles sitting around a table. Christ blesses the bread, thereby revealing his identity. In the background, the two apostles and Christ on their journey to Emmaus. The third print of a three-part series., printmaker: Raphaël Sadeler (I), Munich, after painting by Jacopo Bassano, grantor of privilege: Rudolf II of Habsburg (German Emperor), dedicated to: Albert von Sprinzenstein und Neuhaus, dedicated to: Ferdinand II of Tyrol, 1593, Bavaria, paper, engraving, gravure, height 237 mm x width 295 mm, kitchen-interior, well, kitchen-interior with foodstuffs in foreground (Dutch: 'kitchen piece'), the supper at Emmaus: Christ is recognized while blessing or breaking the bread, Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)., A detailed monochrome engraving of an interior and exterior scene blended together, showing a busy kitchen area with several women engaged in washing and preparing dishes and utensils, a shelf filled with plates and hanging pots, a large fireplace with a hanging carcass, and various buckets and pans scattered on the floor; a seated man wearing a fur-trimmed robe looks toward a group at a nearby table where three men sit, one with a radiant halo-like glow behind his head, another leaning forward offering a dish, and a third holding a staff; a child kneels on the floor among more bowls while a dog and a cat rest nearby, and beyond an open archway a landscape with trees and distant hills is visible under a pergola covered with foliage.
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alb30941207 Portrait of Johann Alberts, print, Portrait of Johann Alberts in an oval frame with inscription. His coat of arms in the center below. His date of birth in the lower left. His date of death in the lower right. In a frame, two columns with eight lines of Latin text each., printmaker: Christian Romstet, Leipzig, 1680 - 1721, Saxony, paper, engraving, height 387 mm x width 277 mm, Person, Johannes Alberti (1600-1680)., A framed engraved portrait of a man shown from the waist up within an oval border, wearing a dark robe with a high white collar and a cloak draped over one shoulder; he has long wavy hair, a mustache and a pointed beard, and a composed facial expression with his head slightly turned; the background inside the oval is densely hatched, while the surrounding area features horizontal lines; below the oval is an ornate decorative cartouche with flowing scrollwork and a shield, and beneath that a rectangular pedestal area with blocks of fine engraved patterning.
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alb30941135 Portrait of Fraisant in La fileuse du roi, Fraisant (La fileuse du roi), page, photomechanical print, number: 'No 42.', photographer: Albert Delabarre, Brussels, cliché maker: anonymous, c. 1870 - in or before 1875, paper, Woodburytype, height 115 mm x width 86 mm, portrait of actor, actress., A tall ornate illustrated archway with carved columns, scrollwork, chandeliers, and decorative flourishes frames a photographic portrait of a person standing indoors; the person wears a long dark robe with a fur collar and cuffs, a ruffled collar, and a hat with a plume, holds a small box in one hand and raises the other hand, and stands on a patterned floor with paneled walls visible behind them.
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alb30946661 Reproduction of the Sistine Madonna by Raphael, reproduction, page, photomechanical print, maker: Albert & Co., E., after painting by Raphael, c. 1890 - in or before 1895, Rafaël, paper, photoaquatint, height 265 mm x width 192 mm, Mary standing (or half-length), the Christ-child in front of her, close to her bosom, sitting., A grayscale depiction shows a central standing woman draped in flowing robes holding a small child against her chest, both with simple circular halos; the woman's robe cascades into folds and her feet rest on a bed of clouds. To the left a bearded figure in layered robes faces toward the center, one hand raised to his chest and the other extended slightly forward, while to the right a kneeling figure in soft garments looks downward with hands clasped near the chest. Heavy curtains frame the upper corners of the scene, and below the clouds two cherubic children with small wings lean on a ledge, resting their chins on their hands with contemplative expressions. The composition is bordered by a plain margin and rendered in smooth tonal shading.
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alb30937812 Saint Bernardine of Siena with crucifix and putto, print, Saint Bernardine of Siena half-length, with his right arm around a crucifix. On the left stands a putto with his left foot on a book and his arms resting on a plate with the monogram IHS (inverted SHI)., printmaker: Cherubino Alberti, Italy, after design by Francesco Vanni, 1563 - 1615, paper, engraving, gravure, height 177 mm x width 134 mm, cupids: 'amores', 'amoretti', 'putti', Bernardino of Siena, Franciscan friar, possible attributes: book, tablet (disk) with IHS monogram, three mitres at his feet, altarcross, crucifix., A detailed black and white engraving shows an older bald man wearing a heavy draped robe leaning toward a small child who sits on a raised surface. The child has curly hair and reaches toward an open book while the man cradles the book and gestures with his hand. Behind them a crucifix with a small figure and radiant lines is visible, and lightlike rays surround the man's head. The composition features dense crosshatching and fine line work defining folds in the fabric, the figures' faces and limbs, and a rectangular panel with an oval emblem held between them. The scene fills the frame with closely rendered textures and contrasts.
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alb3631821 Saint John Before God and the Elders, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm)plate: 15 1/2 x 10 15/16 in. (39.4 x 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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alb3630412 The Bear is Attacked by the Peasants from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 7/8 × 4 9/16 in. (9.8 × 11.6 cm)Sheet: 4 3/16 × 4 7/8 in. (10.6 × 12.4 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.
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alb3627157 Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: Sheet: 10 13/16 x 13 13/16 in. (27.5 x 35.1 cm).This print combines two related episodes from the Old Testament Book of Exodus. At left, Moses strikes a rock to reveal the stream of water that God had promised him would quench the Israelites' thirst during their escape through the desert to the Promised Land. At right, Moses tells the Israelites to gather manna, food provided by God to sustain his people during their flight. The horizontal format that resembles a frieze elegantly unites the two episodes.The inscription at lower right of the print attributes its design to the artist Parmigianino (Girolamo Francesco Maria Mazzola, 1503-1540), but it was actually inspired by a Roman fresco, now lost, painted by Polidoro da Caravaggio (1492-1543). Museum: Metropolitan Museum of Art, New York, USA.
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alb3628210 The Fourth Spring. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 5 3/16 × 6 15/16 in. (13.2 × 17.6 cm)Sheet: 5 7/16 × 7 3/16 in. (13.8 × 18.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
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alb3629917 Saint Michael Fighting the Dragon, from The Apocalypse. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: 1498.With the Apocalypse series, Dürer raised the medium of woodcut to the level of sophistication that engraving had achieved nearly three decades earlier. In this magnificent woodcut, Dürer used swelling and tapering lines to modulate areas of light and dark and to create a sense of space. High above a mountainous landscape, Christianity triumphs over evil as Saint Michael and his angels wage war in heaven against the seven- headed dragon. Museum: Metropolitan Museum of Art, New York, USA.
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alb3625871 The Birth of the Virgin, from The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 11 7/8 in. (44.1 x 30.2 cm)image: 11 3/4 x 8 3/16 in. (29.8 x 20.8 cm). Date: ca. 1503. Museum: Metropolitan Museum of Art, New York, USA.
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alb3643601 The Circumcision, from The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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alb3643918 The Cat, Caught in a Snare, is Mistreated by the People from the House from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm)Sheet: 3 15/16 × 4 13/16 in. (10 × 12.2 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.
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alb3640583 Plate 12: Members of the clergy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'. Artist: Cornelis Galle I (Netherlandish, Antwerp 1576-1650 Antwerp); After Jacques Francquart (French, Brussels 1577-1651 Brussels). Dimensions: Sheet: 11 3/16 × 15 1/4 in. (28.4 × 38.8 cm)Plate: 10 3/16 × 14 9/16 in. (25.8 × 37 cm). Published in: Brussels. Date: 1623.Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559-1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center.The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623.The second and third editions contain 66 plates and were published in 1728 and 1729 respectively. Museum: Metropolitan Museum of Art, New York, USA.
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alb3644511 The Wolf Accuses Renard of Eating the Fish that He Stole from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 13/16 × 4 9/16 in. (9.7 × 11.6 cm)Sheet: 4 1/16 × 4 13/16 in. (10.3 × 12.2 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.
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alb30932034 S. Albertus, Saint Albertus, Saints, print, Saint Albertus. St. Albertus was a Dominican monk and Bishop of Regensburg. He was also a professor of Theology. St. Albertus wears the bishop's mantle, miter, and holds the crozier in his right hand. In his left hand, he holds a book, a symbol of his learning. He has a halo around his head., printmaker: Mattheus Borrekens, after design by Abraham van Diepenbeeck, publisher: Martinus van den Enden (I), Antwerp, 1644, Mattheus Borrekens, Abraham van Diepenbeeck, Martinus van den Enden (I), printmaker, after design by, publisher, paper, engraving, gravure, width 133 mm x height 254 mm, the Dominican friar and bishop of Ratisbon Albert the Great (Albertus Magnus), possible attributes: book, doctor's cap, pen., A tall figure wearing ornate layered robes and a tall pointed hat stands on a raised platform, holding a long staff with a decorative curved top in one hand and a closed rectangular object in the other; a radiating circular halo is visible behind the figure's head, and the robes feature intricate folds and patterned embellishments, with the fabric pooling at the feet and textured shading throughout the image.
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alb30930274 Photo reproduction of the painting 'Le lavabo des réservistes (Caserne du Centre, à Cherbourg)' by Albert Aublet, Le lavabo des réservistes (Caserne du Centre, à Cherbourg), reproduction, page, photomechanical print, maker: Goupil & Cie., after painting by Albert Louis Aublet, c. 1877 - in or before 1882, paper, Woodburytype, Woodburytypepie, height 157 mm x width 251 mm, the soldier, the soldier's life., A wide indoor scene shows a long rectangular pool of water flanked by a group of men on each side leaning over the edge, many washing their faces and hair with towels or hands. The men wear light-colored shirts, some rolled at the sleeves, and several have short haircuts; a few are bent over with their heads close to the water while others wipe their faces with cloths. Along the back wall there is a raised ledge with clothing and hats draped over it, and a few men standing or leaning there, one looking down toward the pool. The surrounding walls are plain and an open doorway or passage is visible at the rear center, with a sloped roof overhead; the overall lighting is soft and the image appears monochromatic.
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alb30933221 Portrait of Albert-Johannes, Baron van Smirzicz on his deathbed, print, Baron Albert-Johannes van Smirzicz lies full-length on his deathbed, in fashionable clothing. In the upper corner his family coat of arms with the motto 'Nulla vis major pietate vera est' ('No power is greater than true piety')., printmaker: Aegidius Sadeler (II), Prague, 1618, paper, etching, engraving, height 274 mm x width 328 mm, Person, Albert-Johannes Baron van Smirzicz, armorial bearing, heraldry, lying in state., A detailed black-and-white engraving shows a reclining young man dressed in ornate historical clothing lying on a layered drapery surface. He wears a ruffled collar and a richly patterned doublet with sleeves and decorative cuffs, and his hands are clasped over a book held against his chest. His face is turned slightly to one side with closed eyes and curly hair, and he rests on a cushioned headrest. His long skirted garment is gathered over his legs, which are shown wearing stockings and shoes with bows. Behind him is a dark, heavily shaded curtain and a carved pillar base, and above hangs an oval medallion with decorative ribbons. The image features detailed line work and textured shading throughout the fabrics, wooden plank, and architectural elements.
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alb30931928 Rape of the Sabine Women, print, The Sabine women after their liberation. A stream of men and women walks to the right., printmaker: Cherubino Alberti (possibly), Italy, after design by Polidoro da Caravaggio, after print by Cherubino Alberti, 1563 - 1615, after print by, paper, engraving, gravure, height 140 mm x width 440 mm, rape of the Sabine women: they are carried off by Romulus and his men during a feast., A wide horizontal scene shows a group of people and horses arranged across a landscape, all rendered in monochrome engraving lines. On the left a horse with its head turned stands near several standing figures, one of whom leans toward the horse while another embraces a seated man. Flowing cloaks and drapery sweep across the composition, creating rhythmic folds and motion as figures walk or gesture. In the center a line of figures moves to the right, some with turned heads and some with arms extended, their garments billowing and detailed with fine hatching. Toward the right a woman in flowing robes stands with a hand near her chest while another figure beside her gestures outward, and a smaller figure nearby leans forward. Background areas are filled with dense cross-hatching and indications of foliage or shadow, and the entire image emphasizes contrasts of light and dark through intricate engraved lines.
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alb30936464 Woman in a swoon, print, A lady in a swoon, a letter lies on her lap. An embroidery lies on a chair in front of her and her maid looks at her with folded hands, looking worried. In the background a bed., printmaker: Pieter de Mare, Leiden, after drawing by Frans van Mieris (I), publisher: Delfos et fils, Pieter, dedicated to: Hendrik Albert Dibbets, 1768 - 1784, paper, etching, engraving, etching and engraving, height 292 mm x width 257 mm, (other forms of) needlework, eg: crocheting, knitting, embroidering, letter, envelope, maid, house personnel, fainting, swooning., A monochrome engraving showing two figures in an interior with heavy drapery in the background; one figure sits slumped in a cushioned chair wearing a hood and a voluminous fur-trimmed robe with a relaxed hand hanging over the armrest and a folded paper resting near the lap, the face turned slightly upward with closed eyes; the other figure leans toward the seated person with clasped hands held near the face, wearing a loose-sleeved garment and a cap, positioned beside a padded stool topped by a rectangular board; visible are the textured curtains framing the scene, fringed upholstery on the stool, and detailed linework indicating folds, shadows, and fabric textures throughout.
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alb30925734 Naval Battle of Trafalgar, 1805, Battle of Trafalgar, photomechanical print, Death of Admiral Horatio Nelson during the Naval Battle of Trafalgar, October 21, 1805., cliché maker: Albert & Co., E., Munich, after painting by Paul Léon Jazet, publisher: S. Hildesheimer & Co. Ltd., London, 1898, printer (person), Bavaria, paper, photoaquatint, heliogravure, height 502 mm x width 615 mm, Person, Horatio Nelson (Duke of Bronte), battle (+ sailing-ships), dying, Period, 1805-10-21., A crowded ship deck with tall masts, rigging, and furled sails stretching upward, filled with men in period naval uniforms and sailors in various poses; some are standing and gesturing, others are wounded or collapsed on the wooden planks, and several are engaged in hauling ropes or operating ship equipment. A central group of uniformed figures cluster near a short wooden structure, supporting one officer who appears faint; nearby crew members aim small firearms toward the ship rail where grappling actions and a small boat are visible. The deck shows coiled lines, barrels, a large ship's wheel, and a raised rail with additional men braced against it while a lifeboat rests above and other ships and sails appear in the background through the network of ropes. The scene is rendered in a monochrome, detailed illustrative style with visible wood grain on the deck and fabric texture on the sails and clothing.
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alb30928131 Erasmus, print, The humanist scholar Desiderius Erasmus on his sickbed in Basel, with three gentlemen in an interior, including presumably the Basel printer Johann Froben, with a folder under his arm., printmaker: Edouard Taurel, after painting by Hendrik Albert van Trigt, publisher: Vereeniging tot Bevordering van Beeldende Kunsten, Amsterdam, printer (person): FH Brugman, 1881, printer (person), paper, etching, engraving, etching and engraving, height 390 mm x width 490 mm, Person, Desiderius Erasmus, Johann Froben, interior of the house, sick-bed., A monochrome scene inside a wood-paneled room shows three standing men wearing long robes and caps facing an older man reclining in a bed. The older man lies propped on pillows, wrapped in blankets, wearing a dark cap and holding small papers and a box, with a table beside him covered by a cloth, books, a candlestick, and scattered papers. The three standing figures include a younger man in a plain robe with one hand on his hip and two men in heavier cloaks, one holding a book under his arm. The room contains carved wooden furniture, a shelf with books, a decorative plate and small figurines on a cabinet, patterned wall panels and a cushioned chair near the bed. The lighting emphasizes faces and textiles, and the overall composition conveys detailed textures in clothing, wood and bedding.
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alb30926123 Portrait of Wenzel Coebergher, Iconography, print, Portrait of the painter and architect Wenzel Coebergher. After a stay in Italy, where most of his paintings were created, he returned to the Southern Netherlands in 1601 and entered the service of Archdukes Albert and Isabella., printmaker: Lucas Vorsterman (I), after painting by Anthony van Dyck, publisher: Gilles Hendricx, Antwerp, 1645 - 1646, paper, engraving, gravure, height 240 mm x width 183 mm, Person, Wenzel Coebergher., A monochrome engraved portrait of an older man shown seated from the torso up, wearing a dark cap and a wide collared garment, with a long flowing beard and mustache and an intent gaze; his hand rests on a rolled object while a draped fabric and a carved ledge appear beside him, with finely hatched shading creating folds in the clothing and a cloudy background.
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alb30915951 Hyems, Winter, Four seasons, print, Zwik with the personification of winter: a man with beard and folded arms., printmaker: Cherubino Alberti, Italy, after design by Polidoro da Caravaggio, 1563 - 1615, paper, engraving, height 245 mm x width 157 mm., An engraved triangular panel shows an elderly bearded man seated on clouds within a vaulted frame, wearing a flowing robe and a cap, his arms crossed and a long beard flowing to one side, with stylized cloud forms and radiating line shading behind him and ornamental arching ribs extending downward from the panel.
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alb30914048 Title page for: Christophorus Butkens, Trophees tant sacres que prophanes de la duché de Brabant, 1641, The Enthroned Brabantia, with Charlemagne and St. Albert of Leuven, print, title page, On a throne sits the female personification of Brabant with a scepter in her hands and the lion beside her, the heraldic animal of the Duchy of Brabant. She is crowned with a laurel wreath by two flying putti. One of the putti holds the Brabant flag, the other blows a horn from which a banner emerges. To the left of the throne stands Charlemagne, in armor and with a sword and globe in his hands. To the right of the throne stands St. Albert of Leuven, in his capacity as Archbishop of Brabant. Both are representative of the important secular and spiritual leaders that Brabant has had in its history. Two pillars alongside the throne. The one on the left bears arms and the one on the right the caduceus and the horn of plenty. Both symbolize the military and scientific successes of Brabant. The French title of the book is on the throne., printmaker: Mattheus Borrekens, after drawing by Abraham van Diepenbeeck, printer (person): Christophre Jeger, Antwerp, printer (person), paper, engraving, gravure, height 290 mm x width 195 mm, cupids: 'amores', 'amoretti', 'putti', beasts of prey, predatory animals: lion, 'Cornucopia', Horn of Plenty, saints, caduceus (staff with two snakes, attribute of Mercury), the Holy Roman emperor Charlemagne, possible attributes: crown, model of church, orb, scepter, sword, historiography, Brabant., A detailed monochrome engraving shows a central crowned female figure seated on a large reclining lion atop a decorated pedestal, holding a leafy branch and wearing flowing robes; two cherubic winged children hover above her, one offering a wreath while the other blows a long trumpet, and rays of light emanate from behind them. Flanking the pedestal are two standing male figures: one in armor with a helmet, cape, and a rounded shield, holding a long staff and ac.
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alb30920678 Portrait of Albert Harmensz Dingsteden, print, The Amsterdam citizen Albert Harmensz Dingsteden at the age of 25. Dingstede was banished in 1629 for Remonstrant sympathies., printmaker: Jan van de Velde (II), Northern Netherlands, after drawing by Pieter Jansz Saenredam, 1636 - 1641, paper, engraving, proof, height 240 mm x width 146 mm, Person, Albert Harmensz Dingsteden., An oval-framed black and white engraved portrait of a seated man shown from the waist up, wearing a dark robe with a draped cloak and a distinctive pleated ruff collar; he has short, swept-back hair, a mustache and a small pointed beard, and a composed facial expression while looking slightly to one side; his hands rest one atop the other on a rolled object, and the background within the oval is densely crosshatched while the outer rectangular border shows a finer horizontal hatch pattern.
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alb30909577 Return of the Flight into Egypt, print, Mary with the Christ Child on a donkey. Joseph walks beside them. Two angels lead the donkey. Above, among the branches of the trees, angels hover, picking fruit and giving it to Christ., printmaker: Cherubino Alberti, Italy, 1574, paper, engraving, gravure, height 470 mm x width 349 mm, the Holy Family (and sometimes others) returning to Israel., A detailed black and white engraving depicting a group of winged figures and human figures arranged on a rugged landscape, with flowing drapery and dynamic gestures throughout. At the top a cluster of winged cherubic figures and angels emerges from billowing, featherlike forms that cascade downward like a textured wave. In the center a seated woman cradles an infant while a standing man with a long cloak gestures nearby; both wear layered, flowing robes. Around them several angels with large feathered wings stand and move, some holding leafy branches and others with arms raised. A figure on a donkey appears near the lower center, led by an attendant angel. Trees and foliage frame the right side, with textured bark and sweeping leaves, and the ground is rocky with tufts of grass and small plants. The composition emphasizes swirling lines, rich crosshatching, and expressive poses throughout.
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alb30903098 Sibyl of Cumae, Vault of the Sistine Chapel, print, Part of the vault painting by Michelangelo in the Sistine Chapel with sibyls, prophets, and nude figures (ignudi). The Sibyl of Cumae is seated centrally. In the center above, a cartouche with text in Latin., printmaker: Cherubino Alberti, Rome, after painting by Michelangelo, Vatican City, dedicated to: Francesco Barberini, Italy, grantor of privilege: Papal Court, 1628, paper, engraving, height 424 mm x width 285 mm., A detailed monochrome engraving shows a central seated figure draped in flowing robes, head covered, holding an open book on a lectern while other smaller figures gather nearby. Above this central figure, two reclining muscular male figures sit atop architectural ledges on either side of a circular medallion that contains a small group of standing figures. Flanking the seated figure are pairs of putti-like children carved as supporting elements on pilasters, and reclining figures occupy the sloped spandrels beside them. Below, arched architectural elements form a segmented composition with additional seated figures in niches on either side and a standing youthful figure in the central vertical divider. The scene is rich with detailed hatching and linear shading, ornate molding, carved decorative motifs, and drapery folds, all rendered in fine engraved lines.
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alb30892755 Holy Romans Albert II of Habsburg, Wilhelmus, Liber Chronicarum, print, album page, book illustration, A chalice with a king, facing left. In his hands he holds an orb and a scepter. The depiction is part of the succession of emperors in the Liber Chronicarum. The text identifies the man as Roman King Albrecht II., inscription: '59', printmaker: workshop of Michel Wolgemut, Nuremberg, printmaker: workshop of Wilhelm Pleydenwurff, 1493, Bavaria, paper, letterpress printing, woodcut, paste, woodcut pasted onto album page, text in letterpress, verso with text in letterpress, height 76 mm x width 57 mm, Person, Albrecht II of Habsburg (Roman-German king), king, emperor., A black ink woodcut of a crowned seated figure wearing ornate armor and layered robes, holding a long staff topped with a cross in one hand while the other hand rests near a round object; the face shows long wavy hair and a beard, with a stern expression, and the crown has pointed decorative elements; shading is created with parallel and curved lines, and the background is a mottled, aged paper with stains and a thin dark border around the image.
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alb30892414 Portrait of Madame Morlet, Mme Morlet, page, photomechanical print, number: 'No 34.', photographer: Albert Delabarre, Brussels, cliché maker: anonymous, c. 1871 - in or before 1876, paper, Woodburytype, height 115 mm x width 85 mm, portrait of actor, actress., A portrait of a young woman wearing a light-colored headpiece with rounded decorative elements, her hair styled and pinned back beneath it; she has a calm facial expression with eyes looking slightly off camera and wears drop earrings. She is dressed in a garment with puffed sleeves and a square neckline, layered with a dark bodice and multiple strands of beaded necklaces draped over her chest. Her hands rest in her lap, one partially visible holding a folded cloth. The image has a sepia tone and exhibits surface marks and scratches.
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alb30882577 Portrait of Anton Raphael Mengs, print, printmaker: Albert Schule, publisher: Schumann, brothers, 1821, paper, engraving, height 189 mm x width 117 mm, Person, Anton Raphael Mengs, historical persons, portrait, self-portrait of artist., A monochrome engraved portrait of a person shown from the shoulders up, facing slightly to the viewer's right, with wavy hair styled away from the face and detailed line work to indicate texture and shading; the face has a composed expression with eyes looking to the side, a straight nose, and closed lips, all rendered with fine crosshatching; the subject wears a collared garment and a scarf or cravat tucked into the coat, depicted with patterned lines and buttons visible on the clothing; the portrait is set against a densely hatched background inside an octagonal frame area, with a large blank margin below containing a printed name in capital letters.
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