Pesquisando por: ""local:N/A"" - Fotoarena - Agência de fotojornalismo

akg164725 Porsche, Ferdinand ; constructeur de voitures (constr. de voitures de course chez Daimler, 1934 constructeur chez Volkswagen ; à partir de 1931 constructeur pour sa propre firme à Stuttgart) ; 1875-1951. Ferdinand Porsche et son fils Ferdinand. (V. 1950).

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg286579 Pharmazie / Arzneimittel. "Gaba beugt vor!" (Werbung für Gaba-Halspastillen). Plakat, 1927. Entwurf: Niklaus Stoecklin (1896-1982). Linolschnitt, 128 × 90,5 cm. Druck: Benno Schwabe & Co., Basel. Privatsammlung. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Niklaus Stoecklin.

akg018033 Mussolini, Benito Italian dictator; Fascist leader. (Duce). Works: La dottrina del Fascismo. Cover of the Milan edition (Ulrico Hoepli) 1935.

akg1518072 Zürcher Veilchenmeister tätig um 1500 bis 1515. "Der Heilige Antonius Abbas". ehem. Mitteltafel des sog. "Antonius-Retabels". Auf Tannenholz, 97 × 97 cm. Inv. 6508. Schwäbisch-Hall, Johanniterhalle Slg. Würth. Museum: Schwäbisch-Hall, JohanniterhalleSlg. Würth.

akg462431 Zürcher Veilchenmeister tätig um 1500 bis 1515. "Antonius-Retabel", um 1505-10. Ausschnitt: Die Heiligen Barbara (links), Antonius Abbas (Mitte) und Sebastian (rechts). Auf Tannenholz. Sammlung Würth.

akg1349990 Sanl?car de Barrameda (Cádiz), Spanien), Restaurante Casa Secundino.-Ansicht.-Foto, 1987.

akg1349770 Religion / Kirche / Prozession.-Semana Santa (Karwoche) in Valladolid ( Spanien).-Foto, 2000.

akg1349580 Volkskunde: Spanien.-Nijar (Almería): Mann und Frau.-Foto, 1984.

akg1065332 Maetzel-Johannsen, Dorothea; 1886-1930. "Tanzende", 1919. Linolschnitt, 24 x 17, 5 cm. Museum: Private Collection., Privatsammlung.

akg1663998 Publizistik / Almanache:. "Paris-Almanach". "EN VENTE CHEZ / tous les LIBRAIRIES / Texte de E. Goudeau / illustré par DILLON / Edité par SAGOT / (...) ". (Werbung für den Paris-Almanach). Plakat, 1894. Entwurf: Georges de Feure (1868-1943). Farblithographie, 79,5 × 60 cm. Druck: Bourgerie & CIE., Paris. Privatsammlung. Museum: PRIVATE COLLECTION.

akg1350176 Trade and Commerce / Street Trading.-Sevilla (Spain): a woman and child selling sweets.-Photo, undated.

alb285718 HARRISON FORD in FRENÉTICO (1988) -Original title: FRANTIC-, directed by ROMAN POLANSKI. English title: FRANTIC. Portuguese title: BUSCA FRENÉTICA.

alb510934 DEBRA WINGER and SHIRLEY MACLAINE in LA FUERZA DEL CARIÑO (1983) -Original title: TERMS OF ENDEARMENT-, directed by JAMES L. BROOKS. English title: TERMS OF ENDEARMENT. Portuguese title: LAÇOS DE TERNURA.

alb255425 HELEN HAYES and GARY COOPER in ADIÓS A LAS ARMAS (1932) -Original title: A FAREWELL TO ARMS-, directed by FRANK BORZAGE. English title: A FAREWELL TO ARMS.

alb405966 HARRISON FORD in FRENÉTICO (1988) -Original title: FRANTIC-, directed by ROMAN POLANSKI. English title: FRANTIC. Portuguese title: BUSCA FRENÉTICA.

alb296479 DEBRA WINGER and SHIRLEY MACLAINE in LA FUERZA DEL CARIÑO (1983) -Original title: TERMS OF ENDEARMENT-, directed by JAMES L. BROOKS. English title: TERMS OF ENDEARMENT. Portuguese title: LAÇOS DE TERNURA.

alb902271 DESAYUNO CON DIAMANTES (1961) -Original title: BREAKFAST AT TIFFANY'S-, directed by BLAKE EDWARDS. English title: BREAKFAST AT TIFFANY'S. Portuguese title: BONECA DE LUXO.

alb1082097 LAS CAJAS ESPAÑOLAS (2004), directed by ALBERTO PORLAN. English title: LAS CAJAS ESPAÑOLAS.

alb2015799 El Greco / 'St. Veronica with the Holy Shroud', c. 1580, Oil on canvas, 91 x 84 cm. Museum: MUSEO DE SANTA CRUZ, MANCHESTER, SPAIN.

alb2036476 Portrait of Clara Wieck (1819-1896), wife of Robert Schumann, 1834, engraving.

alb2036475 Portrait of Clara Wiek (1819-1896), pianist wife of Schuman. Watercolour.

alb2015438 El Greco / 'Christ driving the Traders from the Temple', c. 1600, Oil on canvas, 106 × 130 cm, NG1457. Museum: NATIONAL GALLERY, LONDRES, UK.

alb2042075 Concert at time of Bach, 1732, Engraving by Lipsia. Museum: Society Friends of Music, VIENA, AUSTRIA. JOHANN SEBASTIAN BACH.

alb2068561 Francisco de Goya y Lucientes / 'The Third of May 1808 in Madrid: The Executions on Principe Pio Hill', 1814, Spanish School, Oil on canvas, 268 cm x 347 cm, P00749. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069656 Francisco de Goya y Lucientes / 'Dead fowl', 1808-1812, Spanish School, Oil on canvas, 46 cm x 64 cm, P00752. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069596 Francisco Rizi / 'Auto-da-fe on Plaza Mayor', 1683, Spanish School, Oil on canvas, 277 cm x 438 cm, P01126. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068264 Francisco de Goya y Lucientes / 'The Swing', 1779, Spanish School, Oil on canvas, 260 cm x 165 cm, P00785. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068094 Francisco de Goya y Lucientes / 'Self-Portrait', 1815, Spanish School, Oil on canvas, 45,8 cm x 35,6 cm, P00723. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068211 El Greco / 'The Trinity', 1577-1579, Spanish School, Oil on canvas, 300 cm x 179 cm, P00824. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

alb2069761 Francisco de Goya y Lucientes / 'Disparate de toritos. Lluvia de toros', 1887, Spanish School, Etching; aquatint on paper, 243 mm x 355 mm, G03070. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9535370 E'e-a-chín-che-a, Red Thunder, Son of Black Moccasin. oil on canvas. Date: 1832. Museum: Smithsonian American Art Museum.

alb2070918 El Greco (and workshop) / 'The Virgin Mary', ca. 1597, Spanish School, Oil on canvas, 52 cm x 41 cm, P00829. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9533072 The Garden in Its Glory. Date: 1892. Watercolor on paper. Museum: Smithsonian American Art Museum.

alb413760 Jean Auguste Dominique Ingres / 'Tu Marcellus Eris or Virgil Reading the Aeneid to Augustus', 1814, Oil on canvas. Museum: Musée Royaux des Beaux Arts de Belgique, BONN, Belgien. AUGUSTUS. VERGIL.

alb318574 In the laboratory of Mr. and Mme. Curie while taking a measurement of radioactivity. MARIE CURIE.

alb3716033 Reading in a Garden [Lettura in giardino]. Dated: 1904/1905. Dimensions: sheet: 38.8 × 49 cm (15 1/4 × 19 5/16 in.) plate: 24.5 × 35 cm (9 5/8 × 13 3/4 in.). Medium: color monotype with scraping, additional oil color, graphite and colored pencils. Museum: National Gallery of Art, Washington DC. Author: POMPEO MARIANI.

alb3681154 Hieroglyph ostracon. Dimensions: L. 11.5 × H. 6.8 × D. 3.6 cm (4 1/2 × 2 11/16 × 1 7/16 in.). Dynasty: Dynasty 18. Reign: reigns of Amenhotep II - Amenhotep III. Date: ca. 1427-1352 B.C..Ostraca (plural for ostracon) are potsherds used as surfaces on which to write or draw. The term is used, by extension, to refer to chips of limestone, which were employed for similar purposes. Despite their humble appearances, ostraca bear a wide range of images and texts, including administrative documents, literary texts, and depictions of royal and divine figures. The texts were mostly written with reed pen and ink of two colors, red and black, and inscribed in Hieratic, the cursive script of ancient Egypt throughout most of its periods. This ostracon bears ten identity markers referring to royal necropolis workmen. Museum: Metropolitan Museum of Art, New York, USA.

alb3713268 Boy with Toy Horse and Wagon. Dated: c. 1845. Dimensions: overall: 77 x 63.7 cm (30 5/16 x 25 1/16 in.) framed: 86.8 x 74 x 4.4 cm (34 3/16 x 29 1/8 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3711837 The Holy Family with Saint Anne and the Infant John the Baptist. Dated: c. 1595/1600. Dimensions: overall: 53.2 x 34.4 cm (20 15/16 x 13 9/16 in.) framed: 73 x 54.6 x 6.4 cm (28 3/4 x 21 1/2 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: El Greco (Domenikos Theotokopoulos).

alb3638585 Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 7/8 in. (21.4 x 14.9 cm)Sheet: 11 5/8 × 8 5/16 in. (29.5 × 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3636453 Autumn; Study for an Engraving. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: 7 5/8 x 5 11/16 in. (19.4 x 14.4 cm). Date: n.d..This is the preliminary drawing for the third print in the series of seasons which Goltzius published around 1594. The strong pen and ink outlines and the tonal values indicated with wash were meant to guide the engraver, who was expected to translate the washes into patterns of burin lines. Jan Saenredam, who worked for Goltzius from around 1589 to 1601, was most likely the engraver of the print.Autumn is represented here by figures dressed in sixteenth-century garb. The wreath of vines on the head of the boy on the right, and the pointed ear of the man in the center (which is more pronounced in the final print), indicate that they are Bacchus, the ancient god of wine, and a satyr. Museum: Metropolitan Museum of Art, New York, USA.

alb3634639 Man with Sword. Artist: Charles-Albert Arnoux Bertall (French, Paris 1820-1882 Paris). Dimensions: 4 7/8 x 3 1/8 in. (12.4 x 7.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3704236 Master Cleeves. Dated: 1850. Dimensions: overall: 41.3 x 30.3 cm (16 1/4 x 11 15/16 in.) framed: 56.5 x 46 x 3.8 cm (22 1/4 x 18 1/8 x 1 1/2 in.). Medium: aqueous medium on cardboard. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3706904 Señora Sabasa Garcia. Dated: c. 1806/1811. Dimensions: overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3701315 Le Barbe bleu Prussien... Dated: 1866. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3707293 Saint Jerome. Dated: c. 1610/1614. Dimensions: overall: 168 x 110.5 cm (66 1/8 x 43 1/2 in.) framed: 194.3 x 137.2 x 6.4 cm (76 1/2 x 54 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: El Greco (Domenikos Theotokopoulos).

alb3675517 The Golden Age. Artist: Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: 8 7/8 x 12 in. (22.5 x 30.5 cm). Date: 1605.The Utrecht painter Joachim Wtewael was among the most sophisticated of Netherlandish Mannerists, as is evident from this exquisite cabinet picture on copper, dated 1605. The subject is taken from the opening pages of Ovid's Metamorphoses (I, 89 ff.), which describe a time before the ages of silver, bronze, and iron when "spring was everlasting . streams of sweet nectar flowed," and mankind, "without a law," did right and lived contentedly. Museum: Metropolitan Museum of Art, New York, USA. Author: JOACHIM WTEWAEL.

alb3676825 "Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album. Dimensions: H. 15 3/16 in. (38.6 cm)W. 10 7/16 in. (26.5 cm). Date: recto: ca. 1645; verso: ca. 1630-40.A shamsa (literally, sun) traditionally opened imperial Mughal albums. Worked in bright colors and several tones of gold, the meticulously designed and painted arabesques are enriched by fantastic flowers, birds, and animals. The inscription in the center in the "tughra" (handsign) style reads: "His Majesty Shihabuddin Muhammad Shahjahan, the King, Warrior of the Faith, may God perpetuate his kingdom and sovereignty.". Museum: Metropolitan Museum of Art, New York, USA.

alb3731643 The Pig Butcher. Dated: 1844. Dimensions: sheet: 10.5 × 19 cm (4 1/8 × 7 1/2 in.) image: 9.7 × 8.1 cm (3 13/16 × 3 3/16 in.). Medium: etching with engraving on chinese paper. Museum: National Gallery of Art, Washington DC. Author: Charles Émile Jacque.

alb3737199 Night. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3737180 Un cauchemar de M. Bismarck. Dated: 1870. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3737919 At Zelata [Alla Zelata]. Dated: c. 1898. Dimensions: sheet: 32 × 40 cm (12 5/8 × 15 3/4 in.) plate: 23 × 31.5 cm (9 1/16 × 12 3/8 in.). Medium: monotype in brown. Museum: National Gallery of Art, Washington DC. Author: POMPEO MARIANI.

alb3698153 The Idle 'Prentice turn'd away, and sent to Sea. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3698612 The Outskirts of Florence, on the Way to Rome. Dated: c. 1764. Dimensions: sheet (trimmed to plate mark): 14.5 x 11.4 cm (5 11/16 x 4 1/2 in.). Medium: etching on laid paper [proof state]. Museum: National Gallery of Art, Washington DC. Author: Franz Edmund Weirotter.

alb3743899 The Burnish Sisters. Dated: 1854. Dimensions: overall: 90.2 x 101.8 cm (35 1/2 x 40 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3744999 A View of the Arno, Florence. Dated: 1874. Dimensions: overall: 24.9 x 17.5 cm (9 13/16 x 6 7/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: SIR EDWARD JOHN POYNTER.

alb3745194 The Presentation of the Virgin in the Temple. Dated: c. 1400/1405. Dimensions: painted surface: 44 × 32.3 cm (17 5/16 × 12 11/16 in.) overall: 45.7 × 33.8 × 0.6 cm (18 × 13 5/16 × 1/4 in.) framed: 48.2 x 36.8 x 4.1 cm (19 x 14 1/2 x 1 5/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA DI BARTOLO.

alb3603495 The Adoration of the Shepherds. Artist: El Greco (Domenikos Theotokopoulos) and Workshop (Greek, Iráklion (Candia) 1540/41-1614 Toledo). Dimensions: 43 1/2 x 25 5/8 in. (110.5 x 65.1 cm). Date: ca. 1612-14.This is a smaller version of an altarpiece by El Greco painted for the chapel in Santo Domingo el Antiguo in Toledo, where he was buried (the picture is now in the Prado, Madrid). It is likely that for this work the painter was helped by his assistants. Museum: Metropolitan Museum of Art, New York, USA.

alb3604306 Virgin and Child. Artist: Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville). Dimensions: 65 1/4 x 43 in. (165.7 x 109.2 cm). Date: ca. 1670-72.Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. This painting of the Madonna and Child formed part of the collection of the Marqués de Santiago, who owned a number of outstanding works by the artist. The popularity of Murillo's paintings of the Madonna and Child derives from his ability to endow a timeworn theme with a quality of intimacy and sweetness. The infant's attention has, in this picture, been momentarily diverted from nursing by the presence of the viewer. Museum: Metropolitan Museum of Art, New York, USA.

alb3602488 Sacrificial Procession. Artist: Anonymous, French, 17th century. Dimensions: 4 1/16 x 13 1/16 in. (10.3 x 33.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3608055 Greeting (Begrüssung). Artist: August Macke (German, Meschede 1887-1914 near Perthes-les-Hurlus). Dimensions: block: 9 1/2 x 7 1/2 inches (24 x 19 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

alb3656511 The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm)image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

alb3653660 Captain John Gell. Artist: Gilbert Stuart (American, North Kingston, Rhode Island 1755-1828 Boston, Massachusetts). Dimensions: 94 1/2 x 58 1/2 in. (240 x 148.6 cm). Date: 1785.In 1785 the British naval officer John Gell (1738-1806) had just completed his duty on the seventy-gun Monarca, which he had commanded in a series of battles against the French. For this portrait, Stuart used as a model Sir Joshua Reynolds's heroic "Commodore Augustus Keppel" (1752; National Maritime Museum, Greenwich, UK). In homage to Reynolds, Stuart employed a combination of fine and slapdash brushwork, conveying an image of both heroism and naturalism. He exhibited "Captain John Gell" at London's Royal Academy of Arts in 1785, when the British portraitist John Hoppner commented that it was "admirably well-painted without trickery to dazzle the eye or mislead the judgment.". Museum: Metropolitan Museum of Art, New York, USA.

alb3656785 Isaac O'Brien L. McPherson. Artist: Charles Fraser (1782-1860). Dimensions: 3 13/16 x 3 1/8 in. (9.7 x 7.9 cm). Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

alb3652851 Allegory of the Trinitarian Order. Artist: Alessandro Tiarini (Italian, Bologna 1577-1668 Bologna). Dimensions: 8 1/8 x 6 9/16in. (20.6 x 16.6cm). Date: 1577-1668. Museum: Metropolitan Museum of Art, New York, USA.

alb3619346 Saint Anthony Reading. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 3 7/8 × 5 5/8 in. (9.8 × 14.3 cm). Date: 1519. Museum: Metropolitan Museum of Art, New York, USA.

alb3611693 The Vision of the Seven Candlesticks, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb3642516 Design for a Regency. Artist: William Heath ('Paul Pry') (British, London 1795-1840 Hampstead). Dimensions: Sheet: 10 1/4 × 14 1/8 in. (26 × 35.8 cm)Plate (partly trimmed): 10 × 14 1/8 in. (25.4 × 35.8 cm). Subject: William IV, King of the United Kingdom of Great Britain and Ireland (British, 1765-1837); Arthur Wellesley, 1st Duke of Wellington (British, 1769-1852); Victoria, Duchess of Kent (Coburg, Germany 1786-1861 Frogmore House, Windsor); Leopold I, King of the Belgians (1790-1865); Princess Alexandrina Victoria (British, London 1819-1901 Isle of Wight). Date: July 8, 1830. Museum: Metropolitan Museum of Art, New York, USA.

alb3618360 Cardinal Fernando Niño de Guevara (1541-1609). Artist: El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41-1614 Toledo). Dimensions: 67 1/4 x 42 1/2in. (170.8 x 108cm). Date: ca. 1600.This intense portrait depicts Fernando Niño de Guevara (1541-1609), who in 1596 was named cardinal and is dressed as such here. In 1599 he became Inquisitor General of Spain but resigned in 1602 to serve the rest of his life as Archbishop of Seville. The painting probably dates from the spring of 1600 when the cardinal was in Toledo with Philip III and members of the Madrid court. El Greco had lived in Venice and in the Farnese Palace in Rome, where Titian's portraits (such as those of the Farnese Pope Paul III) would have revealed to the Greek painter the psychological possibilities of portraiture. Museum: Metropolitan Museum of Art, New York, USA.

alb3610341 The Card Players. Artist: Paul Cézanne (French, Aix-en-Provence 1839-1906 Aix-en-Provence). Dimensions: 25 3/4 x 32 1/4 in. (65.4 x 81.9 cm). Date: 1890-92.This is probably the first in a series of five paintings that Cézanne devoted to peasants playing cards. Enlisting local farmhands to serve as models, he may have drawn inspiration for his genre scene from a seventeenth-century painting by the Le Nain brothers in the museum in his hometown of Aix. The Metropolitan's picture was followed by a version twice its size, which includes the additional figure of a standing child at right (Barnes Foundation, Philadelphia). In the last three compositions, Cézanne continuously pared away details, focusing on just a pair of card players. Museum: Metropolitan Museum of Art, New York, USA.

alb3787860 Francisco de Goya y Lucientes / 'Truth has died'. 1814 - 1815. Etching, Burnisher on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3786976 Francisco de Goya y Lucientes / 'It?s no use crying out'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3788263 Francisco de Goya y Lucientes / 'No hay quien los socorra'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3727764 Little Miss Fairfield. Dated: 1850. Dimensions: overall: 61 x 50.9 cm (24 x 20 1/16 in.) framed: 67.9 x 57.4 x 5 cm (26 3/4 x 22 5/8 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3723226 The Farm. Dated: 1855. Dimensions: overall: 51.4 x 81.3 cm (20 1/4 x 32 in.) framed: 79.7 x 109.5 cm (31 3/8 x 43 1/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

alb3729618 Suzanne Valadon. Dated: c. 1885. Dimensions: overall: 41.3 x 31.8 cm (16 1/4 x 12 1/2 in.) framed: 64.1 x 53.3 x 6 cm (25 1/4 x 21 x 2 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.

alb3664448 Christ Healing the Blind. Artist: El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41-1614 Toledo). Dimensions: 47 x 57 1/2 in. (119.4 x 146.1 cm). Date: ca. 1570.El Greco painted this masterpiece of dramatic storytelling either in Venice or in Rome, where he worked after leaving Crete in 1567 and before moving to Spain in 1576. It illustrates the Gospel account of Christ healing a blind man by anointing his eyes. The two figures in the foreground may be the blind man's parents. The upper left portion of the composition is unfinished. El Greco painted two other versions of the subject, and seems to have taken this one with him to Spain. Museum: Metropolitan Museum of Art, New York, USA.

alb4137626 Portrait of a Sculptor. Jean Baptiste Santerre; French, 1651-1717. Date: 1700-1710. Dimensions: 81.3 × 65.4 cm (32 × 25 3/4 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb4159271 Woman in front of a Still Life by Cézanne. Paul Gauguin; French, 1848-1903. Date: 1890. Dimensions: 65.3 × 54.9 cm (25 11/16 × 21 5/8 in.). Oil on linen canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb4159864 Saint-Cloud. Childe Hassam; American, 1859-1935. Date: 1889. Dimensions: 180 x 275 mm. Watercolor on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4156535 Greco (Doménikos Theotokópoulos) (Candia 1541 - Toledo 1614). Christ with the Cross (ca. 1587 - 1596). Oil on canvas. 66 x 52.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156536 Greco (Doménikos Theotokópoulos) (Candia 1541 - Toledo 1614). The Annunciation (ca. 1596 - 1600). Oil on canvas. 114 x 67 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4100597 The Burial (L'enterrement). Dimensions: 30.1 cm x 38.9 cm, 26 cm x 35.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: FELIX VALLOTTON.

alb4105871 Butchering a Pig. Dating: 1648. Measurements: h 79.5 cm × w 99.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Victors.

alb4145780 Portrait of Isidoro Maiquez. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1802-1812. Dimensions: 82.3 × 63.3 cm (32 3/8 × 24 7/8 in.). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.

alb4145999 Portrait of Fred Adelbert Haywood. School of William Matthew Prior; American, 1806-1873. Date: 1848. Dimensions: 35.6 × 26 cm (14 × 10 1/4 in.). Oil on panel. Origin: United States. Museum: The Chicago Art Institute, USA.

akg8636971 Partial view of the Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8537986 Roman portrait of Homer (Homere). Greek poet (8th cent. BC). Copy after a Greek work of the 2nd. cent.BC. inv. MC 558. in the Hall of the Philosophers . - Palazzo Nuovo, Musei Capitolini. (Capitoline Museums ; Musées du Capitole; Museen Kapitolinischen). - Rome , Italy. 2020.

akg8537987 Roman portrait of Homer (Homere). Greek poet (8th cent. BC). Copy after a Greek work of the 2nd. cent.BC. inv. MC 559. in the Hall of the Philosophers . - Palazzo Nuovo, Musei Capitolini. (Capitoline Museums ; Musées du Capitole; Museen Kapitolinischen). - Rome , Italy. 2020.

akg8636960 The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. On the ceiling the female allegory representing Poetry. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8636965 Left to right: Dante Alighieri (Durante degli Alighieri,dit ), Homer (Homere) and Virgil (Virgile). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8636972 Left to right: Dante Alighieri (Durante degli Alighieri, dit ), Homer (Homere) Virgil (Virgile) and Publius Papinius Statius (Stace). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8636964 Left to right: Dante Alighieri (Durante degli Alighieri, dit), Homer (Homere) and Virgil (Virgile). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8703547 William-Adolphe Bouguereau, French painter, 1825-1905. Homer and His Guide (Homère et son guide), 1874. Oil on canvas, 208.92 x 142.88 cm. Milwaukee, Milwaukee Art Museum.

akg8692006 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.

akg8692007 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.

akg8692004 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.

akg8181712 Géographes, Géographie et Cartographie / 19e siècle. Marmocchi, Francesco Constantino (1805-1858). "Les voyages d'Ulysse et des Argonautes" (titre original : "viaggi d'Ulisse e degli argonauti"). (En rouge, les voyages d'Ulysse ; en jaune / orange, celui des Argonautes. Le bassin méditerranéen et le monde sont représentés tels que les grecs anciens les concevaient). in Geografia Primitiva de Greci Secondo Esiodo ed Omero, Atlante di geografia universale di Francesco Constantino Marmocchi, Florence, Vincenzo Batelli e Compagni éd., 1842. Collection privée.

akg8786157 Head of Homer (Homere).Greek poet (8th cent. BC) author of 'The Odyssey'The head, dated to between the second half of the 1st cent. and the middle of the 2nd cent. AD derives from a 'reconstructed portrait' created around the the 5th cent. BCinv. 315Vatican Museums (Pio Clementino Museum) .Rome, 2021.