Pesquisando por: ""editorias:arte - história"" - Fotoarena - Agência de fotojornalismo

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg2141786 Giaquinto, Corrado 1703-1765. "Der Tod des heiligen Joseph", um 1735/38. (Vorstudie zu einem Fresko in der Kapelle des hl. Joseph in der Chiesa di Santa Teresa in Turin). Öl auf Leinwand, 96 × 63 cm. Inv. 1089. Turin, Galleria Sabauda. Museum: Turin, Galleria Sabauda.

akg179370 Stein bei Nürnberg (Bayern), Faber-Castell (Bleistiftfabrik, 1761 von Kaspar Faber gegründet). Blick auf das Firmengelände, links das Faber-Castell-Schloß. Luftaufnahme, undat. (um 1995).

akg104259 Venice, San Marco, Pala d'Oro (Altarpiece on the high altar with scenes from Christ's life; consists of gold- and silver plates, cloisonne, gemstones and pearls; originally an antependium, 976 ordered in Byzantium by a Doge, repeatedly remodeled). Total view. Photo.

akg301793 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Adoration of the Lamb", completed in. 1432. Ghent Altar, inner side, middle. On wood; overall dimensions when opened c. 350 × 450cm. Ghent, S.Bavo. Copyright: Berlin Region. London Region.

akg913642 La Salle landing in Matagorda Bay Texas to colonize Louisiana Terrritory and the Mississippi valley area, 1685. Handcolored 19thcentury woodcut reproduction of an earlier illustration.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg241347 Euler, August Flugzeugtechniker, baute in der von ihm. 1908 gegründeten Flugzeugfabrik die ersten deutschen Motorflugzeuge, nach dem 1. Weltkrieg Unterstaatssekretär im Reichsamt für Luft- und Kraftfahrwesen. Oelde (Westfalen) 20.11.1868 - Feldberg. (Schwarzwald) 1.7.1957. Porträtaufnahme, 1918.

akg1635588 Fès / Fez (Marokko), Altstadt / Fès el Bali, Kairaouine-Moschee (gegründet 857; Hauptbauzeit unter den Almoraviden 1062-1147). /-Gesamtansicht.-Foto ( Luftaufnahme), November 1975.

akg1710680 Nasir al-Din al-Tusi, arabischer Wissenschaftler und Astronom persischer Herkunft; Tus 1201-bei Bagdad 1274. /-Nasir al-Din al-Tusi und seine Kollegen in der Sternwarte Rasade Khan bei Maragha (Aserbaidschan).-/ Persische Miniatur, Shiraz, 1410. Aus einer wissenschaftlichen Anthologie. 24 x 14,8 cm. FY 1418,. Museum: Universitätsbibliothek., KALKUTTA.

akg1899821 Fes (Morocco), Fes el Bali (oldest walled part of the city), Al-Attarine Madrasa (madrasa from the Marinid era; built 1325-27 under Sultan Abu Sa'id Uthman).-Courtyard with fountain in the shape of a flower: view in facing the entrance.-Photo, 1992.

akg1899792 Fès / Fez (Marokko), Altstadt / Fès el Bali, Kairaouine-Moschee (gegründet 857; Hauptbauzeit unter den Almoraviden 1062-1147). /-Innenhof nach Westen.-/ Foto, Mai 1975.

akg1899808 Fès / Fez (Marokko), Altstadt-Fès el Bali, Medersa Attarin (Koranschule der Meriniden-Zeit; erbaut 1325-27 unter Sultan Abou Said Othman). /-Innenhof mit Reinigungsbrunnen in Form einer Blüte in Richtung Gebetssaal.-/ Foto, November 1975.

akg1899768 Fès / Fez (Marokko), Altstadt / Fès el Bali, Kairaouine-Moschee (gegründet 857; Hauptbauzeit unter den Almoraviden 1062-1147). /-Blick über den Hof mit Pavillons der Reinigungsbrunnen (14.Jh.) auf das Minarett.-/ Foto, Mai 1975.

akg1093633 Tscherepnin, Nikolai Nikolajewitsch; russ.Komponist; 1875-1945. Werke: Narcisse (Ballett; Choreographie: Michail Fokine; UA Monte Carlo, Ballets Russes, 1911).-Kostümentwurf für eine Nymphe.-Aquarell, 1911, von Léon Bakst (1866-1924). Bleistift, Aquarell auf Vergé-Papier, aufgezogen auf Karton, 67,5 x 52,6 cm. Inv.Nr.1214. Museum: Musée d'Art Moderne Contemp., Strasbourg.

akg4153947 Schmuck / Ohrschmuck. - Modeschmuck von Coco Chanel: Ohrringpaar. Mit Verpackung und Stoffbeutelchen. - Frankreich, undat. (Ende 20. Jh.?). Museum: PRIVATE COLLECTION.

akg1573723 Fès / Fez (Marokko), Altstadt / Fès el Bali, Kairaouine-Moschee (gegründet 857; Hauptbauzeit unter den Almoraviden 1062-1147). /-Teilansicht: Reinigungsbrunnen.-/ Foto, März 1975.

akg4153949 Mode / Schuhe:. - Damenschuhe von Coco Chanel für die Abendgarderobe: Paar Salomés (T-Strap-Pumps); von elfenbeinfarbenem Satin überzogen. Mit Karton. - Frankreich, undat. (Ende 20. Jh.?). Privatsammlung. Museum: PRIVATE COLLECTION.

akg7440779 Casa Malaparte (also Villa Malaparte)The red house was conceived around 1937 by Italian architect Adalberto Libera for italian writer Curzio Malaparte (1898-1957)- Capri Island (ile de Capri), bay of Naples, Campania, Italy.2012.

akg6513886 Giuseppe Grisoni, 1699-1769. Porphyry Head (San Marco, Venice), 1719-1769. Gouache over black chalk, with pen and brown ink, on ivory laid paper, 165 × 106 mm. Inv. No. 1993.248.645, Chicago, Art Institute.

alb10903678 John of Austria (1547-1578). Spanish military. Natural son of Holy Roman Emperor Charles V and Barbara Blomberg. Member of the Spanish Royal Family, military officer and diplomat during the reign of his brother Philip II. Anonymous portrait, second half of the 16th century. Oil on canvas, bust copy of the portrait by Alonso Sánchez Coello. Museum of Santa Cruz. Toledo. Spain.

alb10903660 Toledo, Castile-La Mancha, Spain. Hospital of Santa Cruz. Founded by Cardinal Mendoza in the late 15th century. View of the Renaissance courtyard.

alb10903687 Mosaic of the four seasons. 3rd century AD. Marble, limestone, malachite and vitreous paste. Detail of the central part. From Toledo's Vega Baja. Museum of Santa Cruz. Toledo. Spain.

alb10903699 Christ bearing the Cross. School of Luis de Morales. Second half of 16th century. Painting on board. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Pedro, attached to the Primate Cathedral of Toledo).

alb10903676 Marie Louise of Orleans (1662-1689). Queen consort of Spain (1679-1689) by her marriage to Charles II of Spain. Anonymous portrait, third quarter of the 17th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903694 Roman mosaic decorated with port motifs. 3rd century AD. Stone. From Toledo's Vega Baja archaeological site, Spain. Museum of Santa Cruz. Toledo. Spain.

alb10903681 El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. The Holy Family, ca. 1595. Oil on canvas. Detail. From the former Hospital of Santa Ana, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Chuch of Santa Leocadia, Toledo).

alb10903655 Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Bust of Emperor Charles V. Silver. Late 19th century, early 20th century. Silversmith Majadas, Toledo. Based on the bronze bust made in Milan around 1553 by Leon and Pompeo Leoni. Museum of Santa Cruz. Toledo. España.

alb10903696 John of the Cross (1542-1591). Spanish mystic and religious poet. Anonymous portrait from the late 16th or early 17th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. (On loan, National Decorative Arts Museum, Madrid).

alb10903670 Anne of Austria (1601-1666). Queen consort of France and Navarre (1615-1643) by her marriage to King Louis XIII of France. Queen regent from 1643 to 1651. Infanta of Spain and Portugal as the daughter of King Philip III of Spain and Archduchess Margaret of Austria. Anonymous portrait based on a painting in the Louvre Museum that reproduces a lost original by Rubens, painted ca. 1620-1625. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903686 Felix of Valois (1127-1212). French hermit. Co-founder, with John of Matha, of the Order of the Most Holy Trinity and of the Captives (Trinitarian Order). Death of Saint Felix of Valois. 17th-century anonymous painting. Copy with variations based on a missing original by Theodor van Thulden (1606-1669), representing the Death of Saint John of Matha. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903661 El Greco's Workshop. Christ Bids Farewell to his Mother. Oil on canvas, ca. 1590. Detail. From the former Parish Church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. Late 16th century.

alb10903669 Well curbstone with stamped decoration, 15th-16th century. From Cuesta del Can Street, Toledo (Spain). 71 x 51 cm. Museum of Santa Cruz. Toledo. Spain.

alb10903684 Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Anonymous Flemish portrait. Oil on board, 16th century. Museum of Santa Cruz. Toledo. España.

alb10903651 Saint John the Evangelist with a religious woman. Anonymous painting. Second half of 16th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903650 Federico González Tavé/ Don Pedro I of Castile consults his horoscope with a wise Moor from Granada called Ben-Agatim, 1864. Oil on canvas, 145 x 170 cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb10903662 El Greco Workshop. Saint Peter. Oil on canvas 1607-1613. Detail of the feet. From the former Chapel of Doña Isabel de Oballe, in the church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. 17th century.

alb10903679 Pennant from the Battle of Lepanto. Naval battle which took place on 7 October 1571 between the Holy League (coalition of Catholic countries) and the Ottoman Empire. Silk damask and painting, ca. 1571. Museum of Santa Cruz. Toledo. Spain. (On loan, Toledo Cathedral).

alb10903658 El Greco Workshop. Saint Peter. Oil on canvas 1607-1613. From the former Chapel of Doña Isabel de Oballe, in the church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. 17th century.

alb10903690 Philip II (1527-1598). King of Spain (1556-1598). Portrait by the Workshop of Alonso Sánchez Coello. Oil on canvas, 1565-1573. Museum of Santa Cruz. Toledo. Spain. Author: Workshop of Alonso Sánchez Coello. Spain. 16th century.

alb10903685 Toledo, Castile-La Mancha, Spain. Hospital of Santa Cruz. Founded by Cardinal Mendoza in the late 15th century. View of the Renaissance courtyard.

alb10903665 El Greco Workshop. Saint Peter. Oil on canvas 1607-1613. Detail. From the former Chapel of Doña Isabel de Oballe, in the church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. 17th century.

alb10903675 Hunting landscape. Painting attributed to Juan de la Corte (ca. 1585-1662). 17th century. Oil on canvas. Detail. Museum of Santa Cruz. Toledo. Spain. Author: Attributed to Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin.

alb10903630 The Gateway of Fez in Northern Morocco, 1885.

alb10903682 Pedro González de Mendoza (1428-1495). Castilian ecclesiastic, statesman, military and patron. The Cardinal Don Pedro González de Mendoza. Anonymous portrait, 16th century. Oil on canvas. From the former Hospital de Santa Cruz, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Diputación Provincial de Toledo).

alb10903698 Pennant from the Battle of Lepanto. Naval battle which took place on 7 October 1571 between the Holy League (coalition of Catholic countries) and the Ottoman Empire. Silk damask and painting, ca. 1571. Detail. Museum of Santa Cruz. Toledo. Spain. (On loan, Toledo Cathedral).

alb10903695 Pedro González de Mendoza (1428-1495). Castilian ecclesiastic, statesman, military and patron. Coat of arms of Cardinal Mendoza. Anonymous, 17th century. Multi-coloured ceramics on glazed surface. Museum of Santa Cruz. Toledo. Spain.

alb10903664 Mosaic of the four seasons. 3rd century AD. Marble, limestone, malachite and vitreous paste. Detail of the central part. From Toledo's Vega Baja. Museum of Santa Cruz. Toledo. Spain.

alb10903672 Hunting landscape. Painting attributed to Juan de la Corte (ca. 1585-1662). 17th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. Author: Attributed to Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin.

alb10903697 Triptych of the Flagellation. Attributed to the Master of Los Luna, Spanish painter active in Castile from 1480 to 1500. Painting on panel, ca. 1490-1500. Museum of Santa Cruz. Toledo. Spain. (On loan, Prado Museum, Madrid). Author: Master of Los Luna. Spanish painter active in Castile (fl. 1480-1500).

alb10903656 Order from Cardinal Cisneros appointing Juan de Mendoza Inquisitor of the City and Archbishopric of Toledo. Madrid, 24th October 1516. Manuscript. Museum of Santa Cruz. Toledo. Spain. (On loan, National Decorative Arts Museum, Madrid).

alb10903674 El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. The Holy Family, ca. 1595. Oil on canvas. From the former Hospital of Santa Ana, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Chuch of Santa Leocadia, Toledo).

alb10903667 El Greco's Workshop. Christ Bids Farewell to his Mother. Oil on canvas, ca. 1590. From the former Parish Church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. Late 16th century.

alb10903691 Pedro de Ayala (15th century-1513). Son of Pedro López de Ayala. Ambassador to England, he was appointed Archdeacon of Lincoln Cathedral. Dean of Toledo Cathedral and elected Bishop of the Canary Islands in 1507. Anonymous recumbent statue, first quarter of the 16th century. Carved alabaster. Museum of Santa Cruz. Toledo. Spain. Recumbent statue of Don Pedro López de Ayala (15th century 1513). Anonymous. 16th century. Carved alabaster. Santa Cruz Museum. Toledo. Spain.

alb10903677 El Greco's Workshop. Apostle, ca. 1608-1614. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. 17th century.

alb10903680 Triptych of the Flagellation. Attributed to the Master of Los Luna, Spanish painter active in Castile from 1480 to 1500. Painting on panel, ca. 1490-1500. Detail of the central board. Museum of Santa Cruz. Toledo. Spain. (On loan, Prado Museum, Madrid). Author: Master of Los Luna. Spanish painter active in Castile (fl. 1480-1500).

alb10903688 El Greco's Workshop. The Annunciation, ca. 1585-1602. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. Late 16th century.

alb10903668 El Greco's Workshop. Crucifixion, ca. 1610. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. Early 17th century.

alb10903693 Well curbstone with stamped decoration, 15th-16th century. From Cuesta del Can Street, Toledo (Spain). 71 x 51 cm. Museum of Santa Cruz. Toledo. Spain.

alb10903653 Curbstone of well. Dated 1032. From the Aljama Mosque of Toledo, which existed on the site of the present-day cathedral. It shows an inscription in kufic characters, commemorating the end of the construction of a well or cistern in the major mosque of Toledo, ordered by Ismail Dü-l-Nün al-Zafir, first king of the Du-l-nuníes Dynasty in the taifa of Toledo. White marble. Museum of Santa Cruz. Toledo. Spain.

alb10903652 Curbstone of well. Dated 1032. From the Aljama Mosque of Toledo, which existed on the site of the present-day cathedral. It shows an inscription in kufic characters, commemorating the end of the construction of a well or cistern in the major mosque of Toledo, ordered by Ismail Dü-l-Nün al-Zafir, first king of the Du-l-nuníes Dynasty in the taifa of Toledo. White marble. Detail. Museum of Santa Cruz. Toledo. Spain.

alb10903683 Half an Armor. 16th century. Wrought, polished and clinched iron ad brass. Museo del Ejército (Army Museum). Toledo. Spain.

alb10903654 Crown of Our Lady of the Forsaken (Virgen de los Desamparados). From San Francisco del Guamo, Colombia. Made of gold, gemstones, quartz, pearls, diamonds and enamel by the goldsmith Andrés Martínez in 1641. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of Santiago el Mayor, Toledo). Author: Andrés Martínez. 17th century goldsmith.

alb10903701 Mosaic of the four seasons. 3rd century AD. Marble, limestone, malachite and vitreous paste. From Toledo's Vega Baja. Museum of Santa Cruz. Toledo. Spain.

alb10903704 Well curbstone with stamped decoration, 15th-16th century. From Cuesta del Can Street, Toledo (Spain). 71 x 51 cm. Detail. Museum of Santa Cruz. Toledo. Spain.

alb10903700 Pedro de Ayala (15th century-1513). Son of Pedro López de Ayala. Ambassador to England, he was appointed Archdeacon of Lincoln Cathedral. Dean of Toledo Cathedral and elected Bishop of the Canary Islands in 1507. Anonymous recumbent statue, first quarter of the 16th century. Carved alabaster. Detail. Museum of Santa Cruz. Toledo. Spain. Recumbent statue of Don Pedro López de Ayala (15th century 1513). Anonymous. 16th century. Carved alabaster. Santa Cruz Museum. Toledo. Spain.

alb10903703 Felix of Valois (1127-1212). French hermit. Co-founder, with John of Matha, of the Order of the Most Holy Trinity and of the Captives (Trinitarian Order). Death of Saint Felix of Valois. 17th-century anonymous painting. Copy with variations based on a missing original by Theodor van Thulden (1606-1669), representing the Death of Saint John of Matha. Oil on canvas. Detail. Museum of Santa Cruz. Toledo. Spain.

akg5167555 Venice / Venezia (Veneto, Italy), art history. Bronze sculptures "Horses of Saint Mark" after restoration in the Museum of St Mark's Basilica. Photo, July 2013.

akg5862658 Geografie:. Spanien und Portugal. "SPAIN & PORTUGAL.". Landkarte. Die Umrisse von Portugal und Spanien sind gestaltet als Paar aus Bär und Frau in Anspielung auf die Suche nach einem König für Spanien durch den span. Ministerpräsidenten Juan Prim y Prats in Folge der September-Revolution und Überlegungen zu einer erneuten Personalunion der Kronen von Portugal und Spanien unter Ferdinand II. von Portugal. Farblithografie nach einer Zeichnung von Lilian Tennant (eigentl. Lilian Lancaster, 1852-1939), von dieser ursprünglich im Alter von 14/15 Jahren zur Unterhaltung ihres kranken Bruders angefertigt. Bildunterschriften der Ausgabe von 1871 von William Harvey. Aus: Geographical Fun: Being Humourous Outlines of Various Countries. Text: Aleph (eigentl. William Harvey), London (Vincent Brooks, Day & Son) 1871.

akg5167580 The replica Horses of Saint Mark on the facade of the basilica in Venice, Italy (2013)The original Horses of Saint Mark (Cavalli di San Marco), also known as the Triumphal Quadriga, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing). The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack of Constantinople in 1204. They remained there until looted by Napoleon Bonaparte in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.Their origin has been much discussed. For some art historians and archaeologists the sculpture is Roman and dates back to the 4thcentury A.D. For others, it is Greek and dates from the 4thcentury B.C.Each sculpture weighs almost 900kg.

akg5613385 Venice / Venezia (Veneto, Italy), National Library of St. Mark's / Biblioteca nazionale Marciana / Liberia di San Marco / Libreria Sansoviniana (built 1537-88, architect: Jacopo Sansovino). - View from the Bacino di San Marco to the Piazzetta with the Library of Mark's; on the Piazzetta the columns of St. Theodore and the St. Mark. - Photo, 2013.

akg5613455 Goldsmithery, Byzantine, 12th century. Archangel Michael. Altar decoration from Constantinople. Gold and enamel, precious and semiprecious stones. Venice, S. Marco, Treasury. Author: ANONYMOUS.

akg082359 Theatre:. Cabaret, Variety Show, Revue etc. Title page of a theatre progam for "Die elf Scharfrichter". (Cabaret in Munich, 1901-1903; with contributions from Otto Falckenberg and Frank Wedekind, amongst others). Design: Bruno Paul (geb. 1874). Copyright: © Bruno Paul. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg870959 Galerius (Gaius G. Valerius Maximianus), Roman Emperor (305-11); c. 250-311.-Portrait of Emperor Galerius.-Sculpture, after 303 AD. Red porphyry, height 34 cm. Found in Felix Romuliana, Gamzigrad (Serbia). Zajecar, National Museum. Inv.Nr. 1477.

akg341395 Religion / cult objects / relics:. -Relic with the socalled Ring of St Mark. General view. Venice (Veneto, Italy), S.Marco, Tesoro. Venice, S. Marco, Treasury. Museum: Venice, S. Marco, Treasury.

akg340218 Byzantine, Eastern Mediterranean, (Alexandria?), 6th century. So-called throne of St. Marc. Total view. Grey Alabaster (monolith), w. relief. Height 147 cm, width 55 cm. Supposedly gifted by emperor Heraklius to patriarch Grado Primicerio. Inv. No. 8. Venice, S. Marco, Treasury. Museum: Venice, S. Marco, Treasury.

akg340221 Byzantine, Eastern Mediterranean. (Alexandria?), 6th century. So-called throne of St. Marc. Partial view: right side bow with evangelist symbol of Luke. Grey alabaster (Monolith), w. relief. Height 147 cm, width 55 cm. Supposedly gifted by emperor Heraklius to patriarch Grado Primicerio geschenkt. Inv. No. 8. Venice, S. Marco, Treasury. Museum: Venice, S. Marco, Treasury.

akg340212 Byzantine, Constantinople, 12th Century. Christ on the Cross with Mary and John the Baptist. Cover. Gold with enamel, 45 × 30cm. Border with archangels Michael and Gabriel may be Venetian, 13th Century. Venice, S. Marco, Treasury. Museum: Venice, S. Marco, Treasury.

akg609184 Detail of the outer container of a reliquary of the True Cross, one of the rich- est and most elaborate ensembles of Byzantine enamels to have survived the sack of Constantinople in 1204. It was taken by a German leader of the Western forces and has been in Germany ever since. Culture: Byzantine. Date / Period: c. 955. Place of Origin:.

akg609148 The reverse of the outer container of a reliquary of the True Cross, one of the richest and most elaborate ensembles of Byzantine enamels to have survived the sack of Constantinople in 1204. Culture: Byzantine. Date / Period: c. 955. Place of Origin: Constantinople. Material Size: Silver-gilt.

akg610390 A detail of the outer container of a reliquary of the True Cross, one of the richest and most elaborate ensembles of Byzantine enamels to have survived the sack of Constantinople in 1204. The detail shows the enthroned Christ at the centre of the piece. Cu (..).

akg610379 The inner compartment of the re- liquary of the True Cross, one of the richest & most elaborate ensembles of Byzantine enamels to have survived the sack of Constan- tinople in 1204. When the cover is removed the relic is revealed surrounded by ranks of ang (..).

akg610410 A detail of the centre and bottom row of enamels at the centre of the outer container of a reliquary of the True Cross, one of the richest and most elaborate ensembles of Byzantine enamels to have survived the sack of Constantinople in 1204. Culture: Byzan (..).

akg610380 A relief icon with a central panel with a bust of the Archangel St Michael surrounded by enamelled medallions with saints. Pieces such as this formed much of the booty that the Venetians brought back from Constantinople after the Fourth Crusade in 1204. Cu (..).

akg610388 A binding of a liturgical book which is richly encrusted with enamels and pearls. This book cover was almost certainly looted in the Fourth Crusade of 1204. Culture: Byzantine. Date / Period: probably 9th century. Place of Origin: Byzantium. Material Size: E (..).

akg975655 Poblet (Katalonien, Spanien), Kloster-Monasterio Sta. Maria de Poblet (Zisterzienserkloster, gegr.1151; erb. bis Ende 14.Jh.).-Teilansicht von Westen mit Porta Daurada-Goldene Pforte (15.Jahrhundert).-Foto, undat. (1990er Jahre).

akg975670 Poblet (Katalonien, Spanien), Kloster-Monasterio Sta. Maria de Poblet (Zisterzienserkloster, gegr.1151; erb. bis Ende 14.Jh.).-Blick nach Osten auf den Hochaltar aus Alabaster (1527-29, von Damiá Forment); Mönch bei der Pflege der Ausstattung.-Foto, undat. (1990er Jahre). Aus einer Serie: Les Cisterciens.

akg975660 Poblet (Katalonien, Spanien), Kloster-Monasterio Sta. Maria de Poblet (Zisterzienserkloster, gegr.1151; erb. bis Ende 14.Jh.).-Innenansicht: Chor mit Hochaltar aus Alabaster (1527-29, von Damiá Forment).-Foto, undat. (1990er Jahre). Aus einer Serie: Les Cisterciens.

akg1107407 THE LATIN CROSS [history] The Crusaders, now declared war on Constantinople, 1094 which fell to the Fourth Crusade on April 12, 1204. What followed was one of the most profitable and disgraceful sacks of a city in history, the Latins violated the city's holy sanctuaries. Before the capture of the city Constantinople, the Crusaders had decided property was specif?h.

akg1107412 THE LATIN CROSS [history] The Crusaders, now declared war on Constantinople, 1094 which fell to the Fourth Crusade on April 12, 1204. What followed was one of the most profitable and disgraceful sacks of a city in history, the Latins violated the city's holy sanctuaries. THE EMPEROR JUSTINIAN I ,and the ARCHBISHOP OF RAVENNA MAXIMILIUS, HAVE SET THIER GOALS FOR ?h.

akg4079624 Charlotte Joachim (Carlota Joaquina), Queen (Johann VI) of Portugal and of Brazil, born Infanta of Spain; Aranjuez 25. 7. 1775 - Queluz 7. 1. 1830. - "Départ de la pure pour se rendre à bord du vaisseau" Royal destiné à conduire sa Cour à lisbonne". - (Return of the royal family fled to Brazil in 1807 before the French 1821: Queen Carlota Joaquina goes on board with her court in Rio de Janeiroa). . Chalk lithograph, colored, after Jean-Baptiste Debret (1768-1848). From: Jean-Baptiste Debret, Voyage pittoresque et historique au Brésil, ou Séjour d'un artiste français au Brésil, depuis 1816 jusqu'en 1831 inclusivement, Paris (Firmin Didot Frères) 1834-39, part 3, plate 46.. Private collection. Museum: PRIVATE COLLECTION.

akg7671668 Various crossbow models, Warfare in the Middle Ages, weapons, four crossbow models in comparison, woodcut, p. 322, (Liber decimus), 1483, Roberto Valturio: [De re militari]. Verona: [Boninus de Boninis], [1483].

akg7428036 Paris, Montmartre, Weinberg - Paris, Montmartre, Wineyard.

akg7428075 Paris, Montmartre, Weingarten Clos Montmartre, 22 Rue des Saules.

akg7729685 Italy, Apulia, city of Barletta: bronze statue "Colossus of Barletta" at north front of Basilica del Santa Sepolcro (Basilica of the Holy Grave of Jesus); according to legends, the bronze statue was found in the harbour of Barletta, shortly after 1204, when crusaders hat looted Constantinople during the 4th Crusade. A Venician ship turned back but shipwrecked and lost the statue in the harbour of Barletta. Most credited scientific explanation is, that the statue had been in Ravenna and was transported from there to Barletta according to a report of 1279 of the minorite monk Tommaso da Pavia. Emperor Frederick II of Hohenstaufen had ordered excavations in Ravenna, in 1231 and 1232. There the colossus was found and brought to Apulia. The 5,11 m high bronze statue, in 1309 lost some legs and arms, as Dominicans made bells of these. In 1491, the colossus was reconstructed and the missing parts re-added. The statue of most probably 5th century AD shows a late East Roman Emperor, most probably Emperor Teodosius II (reign 408 - 450 AD), and was installed, most probably, by Emperor Valentinian III, in 439, in Ravenna. Earlier, it was thought, that it showed Emperor Heraclius (reign 610 - 641 AD). Locals called the statue therefore "Eraclio". Other theories favor Valentinian I (reign 364 - 375), Arcadius (reign 395 - 408), Honorius (reign 393 - 423), Marcian (reign 450 - 457), Justinian I (reign 527 - 565) or even Emperor Leo I the Thracian (reign 457 - 474). The Basilica del Santa Sepolcro (Basilica of the Holy Grave) dates back to 1130 and was even mentioned in 1182, by the Pope. It was erected at an important crossway of the pilgrim way Via Francigena and the way from Canosa (also Via Traiana) and run a huge hospital for pilgrims who left Barletta to travel to the Holy Land and Jerusalem.

akg7729684 Italy, Apulia, city of Barletta: head of bronze statue "Colossus of Barletta" at north front of Basilica del Santa Sepolcro (Basilica of the Holy Grave of Jesus); according to legends, the bronze statue was found in the harbour of Barletta, shortly after 1204, when crusaders hat looted Constantinople during the 4th Crusade. A Venician ship turned back but shipwrecked and lost the statue in the harbour of Barletta. Most credited scientific explanation is, that the statue had been in Ravenna and was transported from there to Barletta according to a report of 1279 of the minorite monk Tommaso da Pavia. Emperor Frederick II of Hohenstaufen had ordered excavations in Ravenna, in 1231 and 1232. There the colossus was found and brought to Apulia. The 5,11 m high bronze statue, in 1309 lost some legs and arms, as Dominicans made bells of these. In 1491, the colossus was reconstructed and the missing parts re-added. The statue of most probably 5th century AD shows a late East Roman Emperor, most probably Emperor Teodosius II (reign 408 - 450 AD), and was installed, most probably, by Emperor Valentinian III, in 439, in Ravenna. Earlier, it was thought, that it showed Emperor Heraclius (reign 610 - 641 AD). Locals called the statue therefore "Eraclio". Other theories favor Valentinian I (reign 364 - 375), Arcadius (reign 395 - 408), Honorius (reign 393 - 423), Marcian (reign 450 - 457), Justinian I (reign 527 - 565) or even Emperor Leo I the Thracian (reign 457 - 474). The Basilica del Santa Sepolcro (Basilica of the Holy Grave) dates back to 1130 and was even mentioned in 1182, by the Pope. It was erected at an important crossway of the pilgrim way Via Francigena and the way from Canosa (also Via Traiana) and run a huge hospital for pilgrims who left Barletta to travel to the Holy Land and Jerusalem.

orz023314 VISTA DEL PINACULO DESDE EL MONTE DE LOS OLIVOS - FOTO AÑOS 60. Location: EXTERIOR. JERUSALEM. ISRAEL.

orz023309 MEZQUITA DE OMAR Y LA CIUDAD DESDE EL MONTE DE LOS OLIVOS - FOTO AÑOS 60. Location: EXTERIOR. JERUSALEM. ISRAEL.

orz023312 LADO ESTE DE LA CIUDAD DESDE EL MONTE DE LOS OLIVOS - FOTO AÑOS 60. Location: EXTERIOR. JERUSALEM. ISRAEL.

orz027421 PORTADA LATERAL DEL MONASTERIO DE LOS JERONIMOS - SIGLO XVI - ESTILO MANUELINO. Location: MONASTERIO DE LOS JERONIMOS. LISBOA. PORTUGAL.