Pesquisando por: ""editorias:arte - história"" - Fotoarena - Agência de fotojornalismo

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg219804 Fashion:. Ladies Fashion 1978. Ladies winter fashion (and men's) (photo taken for VVB clothing for catalogue, GDR). Photo, 1978. Copyright: For editorial use only.

akg256510 Tuna al-Jabal - Hermopolis-West (Upper Egypt), tomb chapel of the High Priest Petosiris in the necropolis of Hermopolis. (early Ptolemaic period, 2nd half of the 4th century BC). Goldsmiths at work. Relief in the vestibule, north wall. Limestone, painted.

akg255111 Beckmann, Max 1884-1950. "Portrait of Quappi in pink and mauve", 1931. (Beckmann's second wife Mathilde, née von Kaulbach, called Quappi; 1904-1986). Oil on canvas, 110 × 70cm. Permanent loan from private collection. Emden, Kunsthalle. Museum: Emden, Kunsthalle. Copyright: © Max Beckmann. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg386485 Kirchner, Ernst Ludwig. 1880-1938. "Zwei Tänzerinnen". (Two Dancers0, 1932/33. Design for the Museum Folkwang ballroom in Essen. Watercolour, india ink and pencil, 51 × 35,8 cm. C 23/86. Essen, Museum Folkwang. Museum: Essen, Museum Folkwang.

akg334920 Amigoni, Jacopo 1682-1752. "Jael and Sisera", c. 1518. (Jael kills the commander Sisera; -Judges 4,4-24). Oil on canvas. Museo del Settecento Veneziano, Venice, Ca'Rezzonico. Museum: Venice, Ca'Rezzonico.

akg898397 Völkerkunde / Kurden: Jesiden.-Mädchen in traditioneller Kleidung bei einem Erntefest in Kurdistan (Irak).-Foto, undat.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg067268 Athens (Greece), Monastiraki. The Bazaar of Athens. (In the background the Acropolis). Coloured aquatint after a drawing, c. 1801/06, by Edward Dodwell (1767-1832). From: E.Dodwell, Views in Greece, London. (Rodwell and Martin) 1818.

akg3092070 Wübbel, Bernhard; 1921-2013. "Tossa - Street". Photo, 1960.

akg3028511 Munch, Edvard. 1863-1944, Norwegian painter. "Smell of death". 1895. Tempera and Oil on canvas, 100 x 100 cm. Oslo, Munch-Museet. Museum: Oslo, Munch-Museet. Copyright: Additional copyrights may need to be cleared on this image when licensed for use by clients in the USA. Please contact us for additional information.

akg4472822 Azim al-Shan, Prince (second son of Mogul emperor Bahadur Shah I and his second wife Maharajkumari Amrita Bai Sahiba), 1697-1712 Viceroy of Bengal, Bihar and Orissa; 15. 12. 1664 - 18. 3. 1712. - Portrait of Prince Azim al-Shan. - Indian miniature, Mogul School, late 17th century. Gouache on paper, 41.5 × 28.5 cm. Berlin, SMB, Museum für Islamische Kunst. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.

alb21528324 Giorgio Vasari / Lives of the Most Excellent Painters, Sculptors, and Architects by Cristofano Gherardi.

alb2033427 Giotto / 'The Annunciation to Saint Anne', 1303-1310, Fresco, 200 x 185 cm. Museum: Cappella degli Scrovegni, Pavoda. Saint Anne.

alb2045771 Ceiling fresco. Triumph of Name of Jesus (1674-1679). Church of Il Gesú, Roma. Author: BACICCIO (GIOVANNI BATTISTA GAULLI).

alb2069167 Sebastiano Conca / 'Alexander the Great in the Temple of Jerusalem', 1736, Italian School, Oil on canvas, 52 cm x 70 cm, P00101. Museum: MUSEO DEL PRADO, MADRID, SPAIN. ALEJANDRO MAGNO (ALEJANDRO III).

alb2040148 The Dream of Joachim', ac 1303-1305, fresco. Museum: Cappella degli Scrovegni, Pavoda. Author: Giotto. SAINT JOSEPH. SAN JOAQUIN.

alb2070132 Sebastiano Conca / 'The education of Achilles', 1727, Italian School, Oil on canvas, 59 cm x 74 cm, P02869. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3683649 Santa Claus in Camp (from Harper's Weekly). Artist: Thomas Nast (American (born Germany), Landau 1840-1902 Guayaquil). Dimensions: Sheet: 14 3/4 × 10 9/16 in. (37.4 × 26.8 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: January 3, 1863.Nast's image was published in the 1862 Christmas issue of Harper's Weekly, during days filled with both trials for the Union and rising hope. Santa Claus has arrived by sleigh in a Union army camp to distribute gifts. This was the moment that Nast conceived and introduced our modern image of Santa Claus. Combining European traditions of St. Nicholas with folk images of elves from his native Germany, he created the jolly gift-giver now associated with Christmas that here offers cheer to soldiers far from home. He distributes boxes of necessities such as warm socks, copies of Harper's Weekly, and entertains the crowd with a jumping jack dangling from a noose, its chest lettered "Jeff" in reference to the Confederate President Jefferson Davis. In the background, soldiers chase an escaped hog, roast meat on a spit and play fairground games such as climbing a greased pole. This image on the title page of the journal was supported by a two-page spread within the journal that shows Santa visiting sleeping children in New York (see 33.35.26 and 29.88.4(8)). Museum: Metropolitan Museum of Art, New York, USA.

alb3714390 Signore Sebastiano Conca, Pittore Napoletano. Dated: 1734/1755. Dimensions: sheet: 31.6 x 21.5 cm (12 7/16 x 8 7/16 in.) support: 48 x 38 cm (18 7/8 x 14 15/16 in.). Medium: pen and brown ink over black chalk on laid paper mounted on album page. Museum: National Gallery of Art, Washington DC. Author: Pier Leone Ghezzi.

alb3717469 Diana and Endymion. Dimensions: image: 44.9 x 30.9 cm (17 11/16 x 12 3/16 in.) sheet: 53.2 x 34.4 cm (20 15/16 x 13 9/16 in.). Medium: chiaroscuro woodcut printed from three blocks: black line block and gray-blue and light blue tone blocks on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Le Sueur after Sebastiano Conca.

alb3717689 Asia. Dated: 1575. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Delaune.

alb3634464 Chalice. Culture: Central European. Dimensions: Overall: 8 1/2 x 5 3/16 in. (21.6 x 13.1 cm)diam. of cup: 4 7/16 in. (11.2 cm). Date: mid-15th century.The two Gothic chalices from the Salgo gift were both formerly in the collections of Baron Nathaniel de Rothschild in Vienna and Thomas F. Flannery in Chicago. Salgo prized these works because most similar vessels are still part of ecclesiastical treasuries. Repairs to and replacements on this object were inevitable due to its age and the delicacy of the enamel and other fragile materials. A fall may have damaged the upper part, including the gilded pierced border above the basket as well as the cup, which no longer fits tidily. A Hungarian mark dating from 1800 to 1828 could have been made by a proud goldsmith who restored the chalice. Museum: Metropolitan Museum of Art, New York, USA.

alb3631657 Augustus the Strong. Culture: German. Dimensions: Height: 4 7/16 in. (11.3 cm). Factory: Meissen Manufactory (German, 1710-present). Factory director: Böttger Period (1713-1720). Modeler: Attributed to Johann Joachim Kretzschmar (1677-1740). Date: ca. 1713.This small but imposing portrait of the founder of the factory reflects the early interest in sculpture at Meissen generated by such artists as Balthasar Permoser and Benjamin Thomae, who were creating sculptures for the Zwinger. This model, which has been attributed to Kretzschmar on stylistic grounds, is one of two representations of Augustus. Museum: Metropolitan Museum of Art, New York, USA.

alb3701761 Risen Christ between Saints Andrew and Longinus. Dated: c. 1472. Dimensions: sheet: 32.9 x 30.6 cm (12 15/16 x 12 1/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Andrea Mantegna.

alb3705962 The Circumcision in the Stable. Dated: 1654. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

alb3700027 Georgiana, Duchess of Devonshire. Dated: c. 1787/1796. Dimensions: overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Gainsborough Dupont.

alb3705229 A Bishop Blessing a King. Dimensions: sheet: 20.2 x 29.3 cm (7 15/16 x 11 9/16 in.) mount: 30.3 x 39.7 cm (11 15/16 x 15 5/8 in.). Medium: black and white chalk on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Sebastiano Conca.

alb3707852 America. Dated: 1575. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Delaune.

alb3898133 The Rev. Humphry Gainsborough. Date/Period: Between 1770 and 1774. Painting. Oil on canvas. Height: 597 mm (23.50 in); Width: 495 mm (19.48 in). Author: Thomas Gainsborough.

alb3896555 San Pedro Apóstol / Apostle Saint Peter. Date/Period: Between 1610 and 1614. Painting. Oil on canvas. Height: 81 cm (31.8 in); Width: 101 cm (39.7 in). Author: EL GRECO.

alb3896541 Saint Peter and Saint Paul. Date/Period: From 1590 until 1600. Painting. Oil on canvas. Height: 116 cm (45.6 in); Width: 91 cm (35.8 in). Author: EL GRECO.

alb3894759 Holy Family with St Anne, the Baptist and Zacharias. Date/Period: 1723. Painting. Oil on canvas Oil. Height: 492 mm (19.37 in); Width: 390 mm (15.35 in). Author: SEBASTIANO CONCA.

alb3894761 The Madonna Appearing to St. Philip Neri. Date/Period: 1740. Oil paintings. Oil on canvas. Author: SEBASTIANO CONCA.

alb3676718 Panel with grotesques, from a set of bed hangings. Artist: related to the prints of Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Culture: Flemish, Brussels. Dimensions: H. 65 1/2 x W. 83 3/4 inches (166.4 x 212.7 cm). Date: ca. 1550-60. Museum: Metropolitan Museum of Art, New York, USA.

alb3673212 Male Figure: Court Official. Culture: Edo peoples. Dimensions: H. 25 3/4 x W. 7 x D. 5 7/8 in. (65.4 x 17.8 x 14.9 cm). Date: 16th-17th century.Scholars have suggested that this figure was placed upon a commemorative altar dedicated to a king, or "oba," of Benin. The figure is depicted wearing a distinctive cross pendant. His wrap skirt is adorned with profile heads of Portuguese traders, a frontal African head, and other common Benin motifs such as river leaves, mudfish, and interlace patterns.Three different identities have been proposed for this figure. The official may be a messenger from a ruler referred to as the "Ogane," who today is identified as the leader, or "oni," of Ife. The present Benin dynasty claims descent from the Yoruba kingdom of Ife. According to a sixteenth-century Portuguese text, each new "oba," or king, of Benin had to be confirmed by the "Ogane," whose messenger presented the "oba" with a brass hat, staff, and cross necklace. Another interpretation suggests that he may represent a priest of Osanobua, the Benin creator god, who also wears a cross. Finally, the figure may depict a member of "Ewua," a group of palace officials who wake the "oba" each morning and perform a ceremony recalling the origin of the Benin dynasty. Museum: Metropolitan Museum of Art, New York, USA.

alb3892986 Seated Turk. Date/Period: 1826. Painting. Oil on canvas. Height: 337 mm (13.26 in); Width: 413 mm (16.25 in). Author: Richard Parkes Bonington.

alb3601513 New Inventions of Modern Times [Nova Reperta], The Invention of Book Printing, plate 4. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: Sheet: 10 5/8 × 7 7/8 in. (27 × 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Fourth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men working at the book mill. In the background a man prepares paper for printing in the press depicted on the right. In the center of the foreground a young boy lays out the newly printed paper for proof-reading. On the left workers set type to be printed. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Collaert I. After Jan van der Straet, called Stradanus.

alb3889948 Sir Thomas Winne. Date/Period: Ca. 1615. Painting. Oil on canvas. Height: 2,108 mm (82.99 in); Width: 1,295 mm (50.98 in). Author: UNKNOWN ARTIST.

alb3601073 "Bahram Gur Exhibiting his Prowess in Wrestling at the Court of Shangul, King of India", Folio from a Shahnama (Book of Kings). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Text block: 6 1/8 x 4 13/16 in. (15.6 x 12.3 cm)Painting: 2 5/16 in. (5.9 cm). Date: ca. 1300-30. Museum: Metropolitan Museum of Art, New York, USA.

alb3651553 Tile. Dimensions: H. 8 5/8 in. (21.8 cm)W. 8 3/4 in. (22.2 cm)D. 7/8 in. (2.2 cm). Date: second half 17th century.This tile, depicting a male youth with delicate features, would originally have been part of a much larger panel, most likely depicting an outdoor banquet. The rendering of this figure is consistent with contemporary painting, a connection that illustrates the relationship between the royal workshops for bookmaking and those for ceramics. The graceful lines which form the details in the face and hair of this figure are akin to those created by brush or pen by artists working on paper. Rather than wearing a Persian turban, this figure is depicted wearing a European-style hat, highlighting the cosmopolitan nature of 17th century Iran. This tile created using the cuerda seca decorative technique. Literally "dry cord" this process involved applying a wax border between colored glazes in order to prevent them from mixing during the firing process. Cuerda seca replaced mosaics as a more cost effective and faster technique which could include a wide range of vibrant colors. Museum: Metropolitan Museum of Art, New York, USA.

alb3605086 Land Battery of Naval Guns. Former Attribution: Formerly attributed to Mathew B. Brady (American, born Ireland, 1823?-1896 New York). Date: 1861-65. Museum: Metropolitan Museum of Art, New York, USA.

alb3659733 Panel with grotesques, from a set of bed hangings. Artist: related to the prints of Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Culture: Flemish, Brussels. Dimensions: H. 65 1/2 x W. 80 inches (166.4 x 203.2 cm). Date: ca. 1550-60.Several of the motifs, expecially the perforated metal-like strapwork, suggest that the designer was familiar with the grotesques of the Flemish artist Cornelis Floris (1514-1575), particularly his prints, Fantastic Chariots, published in 1552. Museum: Metropolitan Museum of Art, New York, USA.

alb3656732 Madonna and Child. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: 34 1/8 x 25 3/8 in. (86.7 x 64.5 cm). Date: ca. 1520.The composition of this picture seems to have been inspired from a sculpture in low relief, most likely by either Donatello or Michelangelo (Granacci had been a fellow pupil with Michelangelo in the workshop of Ghirlandaio.). However, Granacci has made the composition more pictorial by placing the figures in a light-filled room. Another version of the picture by Granacci exists and the same composition was treated by Bacchiacca (Linsky Collection, the Metropolitan Museum). The present picture dates about 1520. Museum: Metropolitan Museum of Art, New York, USA.

alb3651874 Cornelis Claesz Anslo, Mennonite Preacher. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: image: 7 5/16 x 6 3/16 in. (18.6 x 15.7 cm)sheet: 7 1/16 x 6 5/16 in. (17.9 x 16 cm)mount: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm). Date: 1641. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3615048 Scenes from the Life of Saint John the Baptist. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: 30 9/16 x 59 1/2 in. (77.6 x 151.1 cm). Date: ca. 1506-7.This panel is one of at least five that told the story of the Life of Saint John the Baptist, beginning here with the Annunciation of his conception to Zacharias, his father; the Visitation between his mother, Elizabeth, and the Virgin Mary; and the saint's birth. They may have been painted on the occasion of a wedding in the Tornabuoni family in Florence, and intended to decorate the young couple's special room, or camera. More than one artist worked on the cycle; Granacci, an early friend of Michelangelo, painted this engaging narrative. Museum: Metropolitan Museum of Art, New York, USA.

alb3612961 Bearded old man. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 2 3/4 × 2 in. (7 × 5.1 cm)Sheet: 2 13/16 × 2 1/16 in. (7.2 × 5.2 cm). Series/Portfolio: Head of bearded old men4 plates; NH (Hollar part III) 773-776. Date: 1645.Head and shoulders of an old man with moustache and beard, in profile to left, with head tilted to look down. Museum: Metropolitan Museum of Art, New York, USA.

alb3617433 New Inventions of Modern Times [Nova Reperta], Title Plate. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Published by Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Title plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. The title is printed at the top of the plate just above an image of a printing press. There are 2 medallions also at the top: the medallion at left depicts the continents of America and Africa, and the medallion at represents a compass. On the left a woman represents the future and points to the map and on the right a man represents the past and walks out of the picture plane. At the bottom of the scene nine other inventions or discoveries of the post-classical age are depicted: the silk worm, the stirrup, the clock, the canon, distillation tools and guaiacum, each corresponding with a print in the series. Each object is assigned with a roman numeral that corresponds to a description inscribed at the very bottom of the plate. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Collaert I. After Jan van der Straet, called Stradanus.

alb3645103 The Prophet Jeremiah. Artist: Sebastiano Conca (Italian, Gaeta 1676 or 1680-1764 Naples). Dimensions: Sheet: 14 5/16 × 9 3/16 in. (36.4 × 23.4 cm). Date: 1718. Museum: Metropolitan Museum of Art, New York, USA.

alb3643601 The Circumcision, from The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb3124512 Portrait of Antoine Laurent Lavoisier (French chemist, author of "Traité Élémentaire de chimie", 1789) and his wife. 286x224. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA. Author: JACQUES LOUIS DAVID. Lavoisier, Antoine Laurent, French chemist.

alb3617723 The Crucifixion. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: Central panel 19 x 11 1/2 in. (48.3 x 29.2 cm); each wing 19 x 6 in. (48.3 x 15.2 cm). Date: ca. 1510.Painted around 1500-1510, this exquisite triptych was intended for private devotion (an old inventory label on the back indicates that at one time it belonged to the Stiozzi Ridolfi family). When closed, it could be easily transported. When opened, it offered three scenes for meditation relating to death, resurrection, and the Last Judgment (note how one of the resurrected figures in the Last Judgment looks directly out at the viewer). Although the figure scale is not consistent, the northern-inspired landscape is continuous in all three panels. The scene of the Last Judgment, in which Christ indicates the wound in his side and the Virgin pleads prayerfully to him, recalls a celebrated fresco by Fra Bartolomeo (Museo di San Marco, Florence) and the strongly devotional quality of this picture may owe something to the impact of Savonarola. The superscription at the top of the cross, reading Jesus Christ King of the Jews, is rendered in beautiful Hebrew, Greek, and Latin letters. Museum: Metropolitan Museum of Art, New York, USA.

alb3903385 Plan of Imola. Date/Period: 1502. Drawing. Pen and ink, with coloured washes, and stylus lines, over black chalk on paper. Height: 440 mm (17.32 in); Width: 602 mm (23.70 in). Author: LEONARDO DA VINCI.

alb3905731 Selfportrait. Date/Period: 1633 - 1640. Painting. Oil on canvas. Height: 1,100 mm (43.30 in); Width: 855 mm (33.66 in). Author: PETER PAUL RUBENS.

alb3905715 Four Studies of a Head of a Moor. Date/Period: 1640. Painting (canvas). Canvas transferred from wood. Height: 510 mm (20.07 in); Width: 660 mm (25.98 in). Author: PETER PAUL RUBENS.

alb3907480 Liberation of Saint Peter. Painting. Oil on canvas. Height: 1,375 mm (54.13 in); Width: 1,720 mm (67.71 in). Author: Hendrick Ter Brugghen.

alb3900909 Faridun crosses the River Dijla, fol. 33v[1][2]. Date/Period: 1525 - 1535. Manuscript. Height: 471 mm (18.54 in). Author: Iran Unknown.

alb3906498 Scene in Nanking Arsenal. Date/Period: 1874. Print. Collotype [Albertype]. Height: 233 mm (9.17 in); Width: 286 mm (11.25 in). Author: JOHN THOMSON.

alb3727949 Two Male Figures: A Youth and an Old Man. Dimensions: sheet: 12.3 x 7.7 cm (4 13/16 x 3 1/16 in.). Medium: black and red chalk, with white heightening on laid paper. Museum: National Gallery of Art, Washington DC. Author: Florentine 17th Century.

alb3903765 Retrato de dama en azul. Date/Period: Between ca. 1897 and ca. 1905. Painting. Oil on canvas. Height: 1,405 mm (55.31 in); Width: 885 mm (34.84 in). Author: Raimundo de Madrazo y Garreta.

alb3669350 Design for a Wall Fountain. Artist: Anonymous, Italian, Lombard, 16th century. Dimensions: 14 5/8 x 9 3/4 in. (37.2 x 24.7 cm). Series/Portfolio: 65.653.1-65.653.17. Date: 1550-1620. Museum: Metropolitan Museum of Art, New York, USA.

alb3666263 Polish hussar in profile facing right with wings attached to his back, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 6 7/8 x 6 15/16 in. (17.5 x 17.6 cm). Series/Portfolio: 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois). Date: ca. 1651. Museum: Metropolitan Museum of Art, New York, USA.

alb3661262 Nuestra Señora de los Desamparados (Our Lady of the Forsaken). Artist: Spanish Painter. Culture: Spanish American. Dimensions: 50 × 42 1/2 in. (127 × 108 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb4210158 In a Sail-Loft. Peter Henry Emerson; English, born Cuba, 1856-1936. Date: 1887. Dimensions: 16.5 × 19.7 cm (image); 24.8 × 30 cm (paper). Photoetching, pl. XVIII from the album "Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew" (1890), edition 270/500. Origin: England. Museum: The Chicago Art Institute, USA.

alb4210207 Setting Up the Bow-Net. Peter Henry Emerson; English, born Cuba, 1856-1936. Date: 1886. Dimensions: 26.9 × 22.2 cm (image/paper); 41 × 28.5 cm (album page). Platinum print, pl. XVIII from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200. Origin: England. Museum: The Chicago Art Institute, USA.

alb4137132 Hussar's Armor. Polish. Date: 1675-1700. Dimensions: H. 94 cm (37 in.). Steel, brass, and leather. Origin: Poland. Museum: The Chicago Art Institute, USA.

alb4210288 Mouth of the Old River Stort. Peter Henry Emerson; English, born Cuba, 1856-1936. Date: 1880-1888. Dimensions: 12.8 × 20 cm (image); 15.3 × 22.2 cm (paper); 24.4 × 32.2 cm (album page). Photogravure, plate XVIII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888), edition 109/250. Origin: England. Museum: The Chicago Art Institute, USA.

alb4132849 Roman Soldiers Arresting Saint Peter (?). After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1525-1600. Dimensions: 266 x 381 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on blue laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4138119 Cardinal Richelieu. Robert Nanteuil (French, 1623-1678); after Philippe de Champaigne (French, 1602-1674). Date: 1657. Dimensions: 348 × 271 mm (plate); 377 × 295 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4136597 Combats and Triumphs. Etienne Delaune; French, c. 1519-1583. Date: 1538-1583. Dimensions: 65 × 220 mm. Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4136398 Combats and Triumphs. Etienne Delaune; French, c. 1519-1583. Date: 1538-1583. Dimensions: 65 × 220 mm. Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4150846 Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1861. Dimensions: 279 x 234 mm (image); 398 x 273 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4139712 Seated Male Nude (recto); Sketches of Hand and Boy'd Head (verso). School of Rembrandt van Rijn (Dutch, 1606-1669); or possibly Jacob Adriaenzoon de Backer (Dutch, 1608-1651); or Matthäus Merian, the Younger (Swiss, 1621-1687); or the style of Govert Flinck (Dutch, 1615-1660). Date: 1626-1700. Dimensions: 321 x 186 mm. Black chalk, with touches of black crayon, heightened with white chalk (recto), and black chalk heightened with white chalk (verso), on blue laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: School of Rembrandt Harmenszoon van Rijn.

alb4156203 Anonymous Flemish artist active ca. 1540 (Active ca. 1540). The Rest on the Flight into Egypt (ca. 1540). Oil on panel. 43.5 x 29.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4209353 View at Girgeh, Upper Egypt. Francis Frith; English, 1822-1898. Date: 1857. Dimensions: 21.9 × 15.8 cm (image/paper); 42.5 × 29.1 cm (album page). Albumen print, pl. 26 from the album "Egypt and Palestine, Volume I" (1858). Origin: England. Museum: The Chicago Art Institute, USA.

alb4105043 Portrait of Eduard Wallis. Eduard Wallis (1621-1684). Dating: 1652. Measurements: h 97 cm × w 75 cm. Museum: Rijksmuseum, Amsterdam. Author: Johannes Cornelisz. Verspronck (mentioned on object).

alb4102016 The Lute Player. Dating: c. 1623 - 1624. Measurements: support: h 67 cm × w 60 cm; d 4 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans Hals (copy after).

alb4102404 Circumcision of Christ, Left Wing of an Altarpiece, on verso is the Virgin from an Annunciation scene. Dating: c. 1515 - c. 1525. Measurements: support: h 48.8 cm × w 27.5 cm; wing: h 53.9 cm (Incl. frame) × w 33.5 cm (Incl. frame); d 3.3 cm; support: h 47.6 cm (painted surface (Circumcision)) × w 26.5 cm (Painted surface (Circumcision)) × h 46.8 cm (Painted surface (Sibyl)) × w 26.5 cm (Painted surface (Sibyl)). Museum: Rijksmuseum, Amsterdam. Author: Pseudo Jan Wellens de Cock (attributed to). Cornelis Cornelisz named Kunst (rejected attribution).

alb4140985 Combat Between Horseman and Footsoldier. After Balthasar Permoser; German, 1651-1732. Date: 1671-1732. Dimensions: 241 x 195 mm. Brush and white gouache and brown wash over red chalk and traces of graphite on brown tinted laid paper, laid down on card. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4115909 St. Hilarius, contemplating the Trinity. Draughtsman: Guillaume Courtois. Dating: 1654 - 1656. Measurements: h 260 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

alb4112112 Candi Kalasan, near Yogyakarta, Central Java. Draughtsman: Adrianus Johannes Bik (attributed to). Draughtsman: Jannes Theodorus Bik (possibly). Dating: 1817. Place: Midden-Java. Measurements: h 470 mm × w 385 mm. Museum: Rijksmuseum, Amsterdam.

akg2083294 Buchmalerei, Italien, Bologna, um 1267. Historisierte Initiale "V" (Visio Isaiae filii Amos / Dies ist das Gesicht Jesajas, des Sohnes des Amos; - Jesaja 1,1): Jesaja wird zersägt. Aus einer lateinischen Bibelhandschrift. Auf Pergament. Ms. latin 22, fol. 243 v, Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg256949 Dolci, Carlo. 1616-1686. "Martyrdom of Saint Andrew", 1646. Oil on canvas, 122 × 99cm. Inv. no. 266. Florence, Palazzo Pitti, Galleria Palatina. Museum: Florence, Palazzo Pitti, Galleria Palatina.

akg984958 Hue (Vietnam), citadel (Fortifications including the 'closed'Imperial City, built 1802-33, under Emperor Gia Long, largely destroyed during the Vietnam War, since 1993 UNESCO World Heritage Site). Partial view. Photo, July 2007.

akg289828 Venetian, mid-14th century. "Crucifixion of Christ with Saints Andreas, Justinus, Catherine of Alexandria and Nicholas". (Signature of Andrea da Murano added later by someone else). Tempera on wood. Venice, Museo Civico Correr. Museum: Venedig, Museo Civico Correr.

akg280162 Ribera, Jusepe de, call. lo Spagnoletto. 1591-1652. "Martyrdom of Saint Andreas", 1628. Oil on canvas, 206.1 × 177.7 cm. MdBK Inv. no. 523. Budapest, Museum of Fine Arts. Museum: Budapest, Museum of Fine Arts.

akg367234 Kubin, Alfred. 1877-1959. "Halluzination", 1922. Federlithographie, 32,3 × 25,4 cm. Inv. Nr. KS II 286. Linz, Museum of Upper Austria. Museum: Linz, Museum of Upper Austria. Copyright: © Alfred Kubin. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg267757 Piero della Francesca c. 1410/20-1492. "The Madonna of the Protecting Cloak with Saints, the Annunciation, the Crucifixion", 1445 ff. Polyptych from the Compagnia della Misericordia in Sansepolcro. On wood, overall dimensions 273 × 323cm. Sansepolcro, Pinacoteca Comunale. Museum: Sansepolcro, Pinacoteca Comunale.

akg150439 Grosz, George. 1803-1959. "The Painter of the Hole I", 1948. Oil on canvas, 76.5 × 56.2cm. Washington, Hirshhorn Museum. Museum: Washington, Hirshhorn Museum. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © George Grosz.

akg083161 Nerval, Gerard de French poet; 1808-1855. Works: Aurelia (1855). Illustration. After drawing by Alfred Kubin. (1877-1959). From the Munich edition (Georg Müller). 1915 (?). Copyright: © Alfred Kubin. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg894444 Berlin-Mitte (centre), Reichstag (built from 1884-94 by Paul Wallot).-View of the ruins of the Reichstag, destroyed during World War II.-Photo, April 1951, Abraham Pisarek.

akg568908 Caravaggio, born Michelangelo Merisi; 1571-1610. "The Crucifixion of Andrew the Apostle", c. 1607. Oil on canvas, 202.5 × 152.7cm. Cleveland, Museum of Art. Museum: Cleveland, Museum of Art.

akg055128 Berlin-Schöneberg, Innsbrucker Platz. Passengers waiting at a tram stop. Photo, 12 October 1950 (Georg Pahl).

akg337338 Braccesco, Carlo di Giovanni traceable 1478-1501. "Martyrdom of the Apostle Andreas". Predella painting. On wood. Inv. no. d 64. Venice, Ca' d'Oro, Galleria Franchetti. Museum: Venice, Ca' d'Oro, Galleria Franchetti.

akg055941 Berlin, Wannsee. Glienicke Bridge / Bridge of Unity. (Connecting Potsdam and Glienicke, built 1831-34 following a design by Karl F. Schinkel, rebuilt in 1906, and again in 1945-50 following its destruction.). - Mother and son on the way back to the East Sector. Photo, summer 1953.

akg278627 Music:. Dance / Flamenco. Flamenco dancer "La Chunga" performing in France. Photo, 1962.

akg057208 Berlin (Germany), Reichstags. (built 1884-94 by Paul Wallot). View of the destroyed Reichstag building at the end of the war. Photo, 1945.

akg278625 Music:. Dance / Flamenco. Flamenco dancer "La Chunga" performing in France. Photo, 1962.

akg657837 Berlin-Charlottenburg, Kaiser-Wilhelm-Gedächtniskirche (1891-95 erbaut von F. Schwechten; Kriegszerstört).-"Gedächtniskirche vor rotem Himmel".-Gemälde, 1953, von Hans-Wolfgang Schulz (1910-1967). Öl auf Leinwand, 125 x 96 cm. Dauerleihgabe, Hedda Schulz,. Museum: Stadtmuseum Berlin., BERLIN.

akg273543 Fouquet, Jean; c. 1415/20 - 1477/81. "Martyrdom of St. Andrew", c. 1455. Illumination, on parchmnet, c. 16.5 x 12 cm (cropped end of 17th century). From: "Livre d'heures d'Étienne Chevalier" (Book of Hours o. French treasurer Étienne Chevalier), 9th image of. "Suffrages des Saints", Ms. fr. 71. Chantilly, Musée Condé. Museum: Chantilly, Musée Condé.