Pesquisando por: ""editorias:arte - história"" - Fotoarena - Agência de fotojornalismo

akg5310617 Iranian Revolution / Fall of Shah Mohammad Reza Pahlavi / Secret Exhibition on SAVAK. At the University of Tehran, students organized a secret exhibition on the torture of the Iranian intelligence service SAVAK under the regime of the Shah. SAVAK immediately confiscated films, photos and various documents. Fine art students redesigned the confiscated documents and reissued them in a secret exhibition at the university. A veiled student looks at the images of the reconstructed exhibition. Photo, November 1978.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg892474 Fleet of Viking ships at sea. Hand colored woodcut of a 19thcentury illustration.

akg220856 Arafat, Yasser Palestinian politician, born Jerusalem 21.3.1929. Photo, 1978. Copyright: For editorial use only.

akg226766 Paris, 1er. arr., Ile de la Cité, Conciergerie (constr. v. 1300, palais royal capétien ; prison à partir du 14e ; restauration de Viollet-le-Duc 1851-68). "L'ENTREE DE LA PRISON". Gravure de Charles Heath (1785-1848) d'ap; dessin de Augustus Pugin (1762-1832). In : Paris and its Environs, Bd. 2, London (Jennings & Chaplin) 1833, p. 119. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg383921 Princip, Gavrilo. Serbian nationalist; murdered the Austrian Archduke Franz Ferdinand on 28. June 1914 in Sarajevo, perhaps as a member of the "Black Hand" or "Young Bosnia"; 1894-1918. Portrait. Photo, retouched (with Princip's signature).

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg127757 Nogi, Kiten, comte ; général japonais (lors de la guerre russo-japonaise 1904/05, contraint les russes à la restitution de Port Arthur ; 1849.-1912. - "Le général japonais Nogi devant le tombeau de l'empereur aux Invalides". - Imp. coul. In : Le Petit Journal, Suppl. illustré, 22e année, Paris, 23 juillet 1911.

akg596951 Carnival, Venice, people wearing masks.- Venice, Photo, Italy.- Photo.-.

akg429018 Goytisolo, Juan; spanischer Schriftsteller; geb. 5.1.1931 in Barcelona. Foto, Berlin, 22. Mai 2005. Copyright: For editorial use only.

akg7641204 Jean-Louis-Henri Le Secq, French, 1818-1882, Precursors of Christ: Isaiah, Moses, Abraham, Sculpture, Rheims Cathedral, 1851, salt print from waxed paper negative, Image: 12 13/16 × 9 3/8 inches (32.5 × 23.8 cm).

akg7861328 STAHL, FRIEDRICH1863 Munich - 1940 Rome - attributedView of Siena. Oil on wood. 30,5 x 30,5cm. Framed. Provenance: F. Victor Rolff collection, Gut Gladbach Castle.

alb20765329 MONUMENTO A FRANCISCO DE QUEVEDO Y VILLEGAS EN LA PLAZA DE ALONSO MARTINEZ DE MADRID Y CALLE ALMAGRO ANTES DE SER TRASLADADA A LA GLORIETA DE QUEVEDO. Author: AGUSTIN QUEROL SUBIRATS (1860-1909). Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN. FRANCISCO DE QUEVEDO Y VILLEGAS (1580-1645).

alb5310493 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. The south portal of the church with fifteen statues, eleven of stone and four of wood: they present Saint Mark with the lion, protector of the city, Mary with the child Jesus, Joseph and the twelve apostles.

alb5310499 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church.

alb5310492 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. On the roof, coat of arms of the Triune Kingdom of Croatia, Slavonia, and Dalmatia (left), and the city of Zagreb (right).

alb5310497 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. The clock tower.

alb5310486 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. The west door.

alb5310482 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the interior of the church. The organ.

alb5310488 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. The clck tower.

alb5310495 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. On the roof, coat of arms of the Triune Kingdom of Croatia, Slavonia, and Dalmatia (left), and the city of Zagreb (right).

alb5310484 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. On the roof, coat of arms of the Triune Kingdom of Croatia, Slavonia, and Dalmatia (left), and the city of Zagreb (right).

alb5310485 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the interior of the church.

alb5310498 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the external of the church. Particular of the roof with coat of arms of the Triune Kingdom of Croatia, Slavonia, and Dalmatia (left), and the city of Zagreb (right).

alb5343038 Zagreb, Croatia, Republika Hrvatska, Europe. Ilica Street, Mimara Museum (Muzej Mimara). Portrait of a Roman Prince, copy after antiquity.

alb5310491 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka). The interior of the church.

alb5310483 Zagreb, Croatia, Republika Hrvatska, Europe. Zagreb. Church of St. Mark (Crkva sv. Marka), the interior. The large chandelier in the center of the church.

alb5343031 Zagreb, Croatia, Republika Hrvatska, Europe. Ilica Street, Mimara Museum (Muzej Mimara). Head of August, copy from antiquity in bronze.

alb5112354 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church), the central nave. It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb5343032 Zagreb, Croatia, Republika Hrvatska, Europe. Ilica Street, Mimara Museum (Muzej Mimara), Caesar, copy after antiquity, bronze.

alb5112353 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church). It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb5112347 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church). It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb5112356 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church). It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb5112344 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church). It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb5112339 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church). The ceiling of the central nave. It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb22416531 Almería, Andalusia, Andalucia, Spain, Europe. Cathedral of the Incarnation of Almería (Spanish: Catedral de la Encarnación de Almería), 16th Century. Ancient amphora along the portico of the cathedral cloister.

alb22416518 Almería, Andalusia, Andalucia, Spain, Europe. Cathedral of the Incarnation of Almería (Spanish: Catedral de la Encarnación de Almería), 16th Century. Ancient amphora along the portico of the cathedral cloister.

alb5112355 Luino, Province of Varese, region Lombardy, Lake Maggiore (Lago Maggiore). Chiesa di San Pietro (St. Peter's Church). It is the oldest church in Luino, as evidenced by the refined and elegant Romanesque bell tower which is dated by medieval art historians to 1050-1075. The church, on the other hand, was renovated in the mid-seventeenth century with a three-nave layout.

alb10911832 Angera, Varese, Lombardy, Italy. The Rocca di Angera, or Rocca Borromeo, also called Borromeo Castle, is a rocca on a hilltop above the town of Angera on the southern shores of Lago Maggiore. It has medieval origins. Lid of a 7th century Roman sarcophagus in stone and serizzo.

alb10911860 Angera, Varese, Lombardy, Italy. The Rocca di Angera, or Rocca Borromeo, also called Borromeo Castle, is a rocca on a hilltop above the town of Angera on the southern shores of Lago Maggiore. It has medieval origins. Panoramic view. Ancient altar of Roman times.

alb9867536 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands). The dome vault seen from the inside.

alb9867541 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands), a picture of Virgin Mary with baby Jesus.

alb9867529 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands).

alb9867525 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands), internal, mai altar with frescos.

alb9867526 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands), the main altar with frescos.

alb9867532 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands). A side chapel with a fresco depicting the Last Supper.

alb9867534 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands).

alb9867522 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands).

alb9867523 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands). The main altar with frescos.

alb9867537 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). Statue of the King (or Mencey) Tegueste of Guanches, lived in the XV century d.c., on the promenade of the basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands).

alb9867539 Candelaria, Tenerife, Comunidad Autonoma des Canarias, Spain. Basilica of the Royal Marian Shrine of Our Lady of Candelaria (Spanish: Basílica y Real Santuario Mariano de Nuestra Señora de la Candelaria or simply Basílica de la Candelaria). The basilica is dedicated to the Virgin of Candelaria (Patron of the Canary Islands). The dome vault seen from the inside.

alb30800045 Inns of strangers, Les sept oeuvres de miséricorde, Seven Works of Mercy, print, printmaker: Cornelis van Merlen, after print by Abraham Bosse, 1664 - 1723, Abraham Bosse, paper, engraving, height 136 mm x width 250 mm, the (seven) Acts of Mercy, sheltering strangers, 'hospes colligitur', one of the (seven) Acts of Mercy., A detailed black and white engraving shows a group of people standing on a tiled interior floor before a raised threshold, with a curtained doorway and a potted plant with rounded fruits on a pedestal behind them. From left to right a figure wearing a tall rounded turban and flowing robes extends an open hand toward the others; next is a man in a decorative collar and patterned doublet holding a wide-brimmed hat and standing with one foot slightly forward; beside him a man with a staff leans forward, one hand raised in a gesturing position; a robed man carrying a long pole and a tied bundle on his back faces a man in long clerical robes who holds a hat in one hand and a horizontal staff in the other while looking toward the woman at the threshold. The woman stands at the doorway wearing a long dress with wide sleeve cuffs and a shawl-like collar, one arm extended outward with an open hand and the other resting near the potted plant; architectural details include paneled walls, drapery, and shadowed floorboards.

alb4219666 'Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York'. Great Britain, 1778. Dimensions: 240,5x166 cm. Museum: State Hermitage, St. Petersburg. Author: BENJAMIN WEST.

alb4219866 'View of Erfurt Neighborhoods'. Western Europe, Germany (? ), second half of the 18th century. Dimensions: 80x113 cm. Museum: State Hermitage, St. Petersburg. Author: LE GRAND.

alb4210570 Untitled (96). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 33.8 x 22.8 cm (image); 55 x 37.2 cm (paper). Photogravure, No. 96 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210567 Untitled (1). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 33.6 x 22.5 cm (image); 55.2 x 37.2 cm (paper). Photogravure, No. 1 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210507 The Right Honourable W.E. Gladstone, M.P. Henry Herschel Hay Cameron (English, 1852-1911); after George Frederick Watts (English, 1817-1904). Date: 1888-1898. Dimensions: 24.6 × 19 cm (image); 45 × 36.8 cm (album page). Photogravure, plate 10 from the album "Lord Tennyson and his Friends" (1893), edition 138/140. Origin: England. Museum: The Chicago Art Institute, USA.

alb4210251 Untitled (31). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 33.8 x 23 cm (image); 55.1 x 37 cm (paper). Photogravure, No. 31 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210064 The Frontispiece. Henry Herschel Hay Cameron (English, 1852-1911); after W. A. Smith (Unknown, 19th century). Date: 1888-1898. Dimensions: 23.6 × 19.3 cm (image); ; 45 × 36.7 cm (album page). Photogravure, plate 1 from the album "Lord Tennyson and his Friends" (1893), edition 138/140. Origin: England. Museum: The Chicago Art Institute, USA.

alb4210269 Untitled (II 58). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 34.5 x 36.9 cm (image); 54.9 x 36.9 cm (paper). Photogravure, No. II 58 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4219569 'Portrait of Emperor Nicholas I'. Russia, 1856. Dimensions: 265x202 cm. Museum: State Hermitage, St. Petersburg. Author: Yegor Botman (Georg).

alb4210185 The Very Reverend Dean Bradley. Henry Herschel Hay Cameron; English, 1852-1911. Date: 1888-1898. Dimensions: 22.8 × 17.6 cm (image); 45.3 × 37.2 cm (album page). Photogravure, plate 22 from the album "Lord Tennyson and his Friends" (1893), edition 138/140. Origin: England. Museum: The Chicago Art Institute, USA.

alb4210161 Untitled (67). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 22.8 x 35 cm (image); 37.1 x 55.1 cm (paper). Photogravure, No. 67 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210372 Untitled (41). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 34.8 x 23.2 cm (image); 55 x 36.9 cm (paper). Photogravure, No. 41 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210193 Untitled (II 57). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 23.5 x 34.3 cm (image); 36.8 x 55 cm (paper). Photogravure, No. II 57 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4219229 'Self-Portrait of Pieter Paul Rubens'. after the painting by Rubens, Pieter Paul. Painters and Architects. Flanders, 1630. Dimensions: 37x27 cm. Museum: State Hermitage, St. Petersburg. Author: PAULUS PONTIUS. Rubens, Peter Paul (Pietro Pauolo) (after).

alb4210194 Untitled (93). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 25.2 x 36.1 cm (image); 36.9 x 55 cm (paper). Photogravure, No. 93 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210486 Untitled (20). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 22.6 x 33.2 cm (image); 37.1 x 55.2 cm (paper). Photogravure, No. 20 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210412 James Spedding. Henry Herschel Hay Cameron (English, 1852-1911); after George Frederick Watts (English, 1817-1904). Date: 1888-1898. Dimensions: 24.6 × 17.2 cm (image); 45.1 × 36.5 cm (album page). Photogravure, plate 16 from the album "Lord Tennyson and his Friends" (1893), edition 138/140. Origin: England. Museum: The Chicago Art Institute, USA.

alb4210487 Untitled (43). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 33.8 x 22.1 cm (image); 55.1 x 33.1 cm (paper). Photogravure, No. 43 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210481 Untitled (32). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 23.9 x 34.1 cm (image); 37.1 x 55.1 cm (paper). Photogravure, No. 32 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4210403 Duc D'amuale. Appert; French, 19th century. Date: 1876-1878. Dimensions: 23.2 × 18.2 cm (image/paper); 34.1 × 26 cm (mount). Woodburytype, from the periodical "Galerie Contemporaine Littéraire, Artistique" (1878), volume 5. Origin: France. Museum: The Chicago Art Institute, USA. Author: Appert.

alb4210776 Landscape with Two Poplars. Vasily Kandinsky; French, born Russia, 1866-1944. Date: 1912. Dimensions: 31 × 39 1/2 in. (78.8 × 100.4 cm). Oil on canvas. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: WASSILY KANDINSKY.

alb4210731 Eugène Viollet-Le-Duc (French architect, 1814-1879). Nadar (Gaspard Félix Tournachon); French, 1820-1910. Date: 1878. Dimensions: 23.1 x 18 cm (image/paper); 34.3 x 36 cm (mount). Woodburytype, from the periodical "Galerie Contemporaine Littéraire, Artistique" (1878), volume 5. Origin: France. Museum: The Chicago Art Institute, USA. Author: Nadar (Gaspard Félix Tournachon).

alb4132545 Moses and Aaron. Sebald Beham; German, 1500-1550. Date: 1526. Dimensions: 77 x 112 mm (image/plate); 78 x 115 mm (sheet). Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

alb4132594 Close Helmet for Foot Tourney at the Barriers. Italian, Milan. Date: 1550-1600. Dimensions: Wt. 9 lb. 10 oz. Steel with gilding, iron, brass, leather, and velvet weave. Origin: Milan. Museum: The Chicago Art Institute, USA.

alb4132560 Couple Embracing, plate six from The Large Wedding-Dancers. Heinrich Aldegrever; German, 1502-c.1560. Date: 1538. Dimensions: 118 x 79 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4132599 An Old Man Standing: Saint Paul. Nicolas Beatrizet; French, 1515-1565. Date: 1540-1550. Dimensions: 382 × 310 mm (image/plate); 436 × 341 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4132540 Emperor Freeing the Slave Androcles. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1511-1521. Dimensions: 402 x 270 mm (image/plate); 404 x 268 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: AGOSTINO DEI MUSI.

alb4132591 Jason and Medea. Master I.B.; German, died 1525/30. Date: 1525-1530. Dimensions: 118 x 74 mm (sheet). Engraving in black on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4132168 Bookplate of Willibald Pirckheimer. Master I.B. (possibly Georg Pencz; German, c. 1500-1550); after Albrecht Dürer (German, 1471-1528). Date: 1529. Dimensions: 150 x 85 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4132181 Sign of the Ram. Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1504-1514. Dimensions: 175.5 x 130 mm. Engraving printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4132169 The Sacrifice of Iphigenia. Nicolas Beatrizet; French, 1515-after 1565. Date: 1553. Dimensions: 320 × 445 mm. Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4132194 Jeremiah. Nicolas Beatrizet (French, 1515-after 1565); after Michelangelo Buonarroti (Italian, 1475-1564). Date: 1547. Dimensions: 428 × 295 mm (sheet; trimmed to platemark). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Nicolas Béatrizet.

alb4132114 Saint Jerome. Raphael de Mey; German, active 16th century; in imitation of; Lucas van Leyden; Netherlandish, 1494-1533. Date: 1500-1599. Dimensions: 193 x 134 mm (image); 195 x 137 mm (sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4132182 A Headpiece in the Form of a Fan. Agostino Carracci; Italian, 1557-1602. Date: 1584-1600. Dimensions: 370 x 248 mm (image/sheet, cut within plate mark). Engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4132191 The Lady and Death. Sebald Beham; German, 1500-1550. Date: 1540-1542. Dimensions: 76 x 49.5 mm (image/plate); 78 x 51 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

alb4132125 Hercules and Columns of Gaza, from The Labors of Hercules. Sebald Beham; German, 1500-1550. Date: 1545. Dimensions: 48 x 70 mm (image/plate); 49 x 72 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

alb4137134 The Monk in the Cornfield. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1641-1651. Dimensions: 47 x 66 mm (image/plate);51 x 69 mm (sheet). Etching with drypoint on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4137158 The Fall of the Giants. Salvator Rosa; Italian, 1615-1673. Date: 1663. Dimensions: 728 x 474 mm. Etching with drypoint in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4137177 The Descent from the Cross: Second Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1633. Dimensions: 512 x 405 mm (image); 520 x 405 mm (sheet trimmed within plate mark). Etching and burin on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4137151 Christ Before Pilate: Large Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1635. Dimensions: 543 x 449 mm (image);552 x 449 mm (plate);556 x 455 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4137197 Hercules Slaying Envy. Christoffel Jegher (Flemish, 1596-1652/53); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1633-1634. Dimensions: 602 × 362 mm (image/block/sheet). Woodcut on ivory paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4137140 The Temptation of Christ by the Devil. Christoffel Jegher (Flemish, 1596-1652/53); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1633-1635. Dimensions: 324 × 432 (image); 336 × 444 mm (page); 390 × 497 mm (secondary support). Woodcut in black on cream laid paper, tipped onto ivory laid paper mount prepared with ochre wash. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4137128 Jupiter and Mercury with Baucis and Philemon. Nicolaes Lauwers (Flemish, 1600-1652); after Jacob Jordaens (Flemish, 1593-1678). Date: 1645-1652. Dimensions: 487 × 565 mm (plate); 494 × 567 mm (sheet). Engraving on paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4131393 The Miraculous Draught of Fishes. Attributed to Ugo da Carpi (Italian, c. 1480-after 1525); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1525. Dimensions: 229 x 342 mm. Chiaroscuro woodcut in black, grayish blue, and bluish green on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4137153 The Anatomical Lesson of Professor Pauw. Andries Stock (Dutch, c. 1580-after 1648); after Jacques de Gheyn II (Dutch, 1565-1629). Date: 1615. Dimensions: 285 x 221 mm (image); 305 x 221 mm (sheet). Engraving on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Jacob de Gheyn, II.

alb4131317 The Fall of Man. Lucas Cranach the Elder; German, 1472-1553. Date: 1509. Dimensions: 345 x 240 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

alb4131367 Dance of Cupids. Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1517-1520. Dimensions: 110 × 166 mm (image/sheet). Engraving printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4131607 Hercules and the Hydra, from The Labors of Hercules. Sebald Beham; German, 1500-1550. Date: 1545. Dimensions: 52 x 77 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.