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Total de Resultados: 10.000

Página 1 de 100

akg993339 Dura Europos-Salihiye (Prov. Deir ez-Zor, Syrien), Hauskirche.-Ansicht der Ruine mit Trennwand zwischen Innenhof und Vorbereitungsraum für die Täuflinge sowie Mauerresten des Taufraums.-Foto, undat.
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akg609025 Dura Europos - Salihiye (Prov. Dayr az-Zawr, Syria). View. Photo, 1995.
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akg165045 Zarathustra, Greek Zoroaster; prophetic reformer of the Old Iranian Religion; founder of Parsism. c. 800/700 B.C. Portrait of Zarathustra. Wall painting from the Mithräeum of Dura Europos (Syria). New Haven, Yale University Art Gallery. Museum: New Haven, Yale University Art Gallery. Author: ANONYMOUS.
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akg993341 Dura Europos-Salihiye (Prov. Deir ez-Zor, Syrien), Stadtmauer.-Teilansicht: westliche Stadtmauer am Euphrat.-Foto, undat.
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akg259940 Leonardo da Vinci. 1452-1519. "Proportions of the human head and equestrian studies", c. 1490. Pen-and-ink, pencil, red chalk and black chalk, 28 × 22.2cm. Inv. no. 236 r. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
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alb28798583 Sudan,. Kerma culture,. 2500-1500 BC. - Foot of a bed. -. (Foot of a death bed in the form of a cow's hoof). Sheet gold, h. 14.2 cm, w. 5.1 cm, d. 9.7 cm. Found: Kerma, Tum. III/3. Khartum, Sudan National Museum.
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akg200283 Afrikanisch, Östliche Songye, Zaire. Gesichtsmaske, weiblicher "kifwebe"- Typus "kikashi". Holz mit Resten weißer und roter Bemalung. Höhe 34 cm. Genf, Sammlung Barbier-Mueller.
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akg006009 Heisenberg, Werner Physicist, Würzburg 5.12.1901 - Munich 1.2.1976. Portrait. Photo, c. 1950.
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akg992098 Modigliani, Amedeo, 1884-1920, Italian painter and sculptor. "Head of a woman", 1912. Limestone, 70.5 × 23.5 × 16.5 cm. Gift of Mrs. Maurice J. Speiser, Philadelphia, Museum of Art. Museum: Philadelphia, Museum of Art.
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akg459421 Breuer, Marcel 1902-1981. "Portrait d'Otto Schwarz", 1919. Huile sur toile, 40,5 × 33 cm. Inv. Nr. JPM 83.117. Pécs, Janus Pannonius Múzeum. Museum: Pécs, Janus Pannonius Múzeum. Copyright: Additional copyrights must be cleared.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg4299922 Central African, Punu, Gabun. Female face mask "okuyi". Wood, height 32 cm, width 21 cm, depth. 20.5 cm. Paris, Musée du Quai Branly. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.
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akg7409912 Les fresques de la galerie Farnèse, situées dans le palais Farnèse à Rome (Italie), sont une œuvre d'Annibale Carracci (Annibale Carrache) exécutée en plusieurs étapes en 1597, puis entre 1606 et 1607. Ont également participé à leur réalisation, son frère Agostino Carracci (Augustin Carrache) et quelques-uns des élèves d'Annibale parmi lesquels Le Dominiquin. Augustin et surtout Annibal vont donner leur nom à la célèbre galerie des Carrache, joyau du palais Farnèse et modèle des plus grandes académies européennes du XVIIe siécle. Ambassade de France en Italie.
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orz176383 SALON DE LA RUE DES MOULINS - 1894 - O/L - 111,5x132,5 - (DETALLE). Author: Henri Marie Raymond de Toulouse-Lautrec. Location: MUSEO TOULOUSE LAUTREC. ALBI. France. BARON MADAME. Rolande.
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alb3680412 Benedikt von Hertenstein (born about 1495, died 1522). Artist: Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Overall 20 1/2 x 15 in. (52.4 x 38.1 cm); painted surface 20 3/8 x 14 5/8 in. (51.4 x 37.1 cm). Date: 1517.In 1517 Holbein decorated the house of the Lucerne magistrate Jacob von Hertenstein. Concurrently, he made this portrait of the magistrate's eldest son, Benedikt, who engages the viewer both with his direct glance and the inscription, which reads as if he is speaking: "When I looked like this I was twenty-two years old." Directly following these words is the declaration that "H.H." painted the work. The artist's use of paper mounted on wood is unusual but not unique. He initiated the portrait as a drawing on paper and then continued working up in oil colors to its completion. Museum: Metropolitan Museum of Art, New York, USA.
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alb3711278 Oberwesel. Dated: 1840. Dimensions: overall: 35 x 53.1 cm (13 3/4 x 20 7/8 in.). Medium: watercolor and gouache over graphite with scratching-out. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.
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alb3639922 Chatel Argent and the Val d'Aosta from above Villeneuve. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: sheet: 10 1/8 x 12 in. (25.7 x 30.5 cm). Date: 1836. Museum: Metropolitan Museum of Art, New York, USA.
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alb3708071 Debauchery (Débauche). Dated: 1896. Dimensions: overall: 28 x 38 cm (11 x 14 15/16 in.). Medium: 4-color lithograph on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3639616 The Immaculate Conception. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: 105 1/2 x 73 in. (268 x 185.4 cm). Date: 1627.Reni, the most celebrated painter of seventeenth-century Italy, was particularly famous for the elegance of his compositions and the beauty and grace of his female heads, earning him the epithet "Divine." This otherworldly altarpiece was commissioned in about 1627 by the Spanish ambassador in Rome for the Infanta of Spain. It was later in the cathedral of Seville, where it exercised a deep influence on Spanish painters, especially Murillo. It later belonged to the Earls of Ellesmere at Bridgewater House, London. Museum: Metropolitan Museum of Art, New York, USA.
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alb3899863 The Penitent Magdalene. Date/Period: Ca. 1635 (Baroque). Painting. Oil on canvas. Height: 90.8 cm (35.7 in); Width: 74.3 cm (29.2 in). Author: GUIDO RENI.
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alb3899865 Portrait of a girl with a crown. Date/Period: From 1640 until 1642. Painting. Oil on canvas. Height: 910 mm (35.82 in); Width: 730 mm (28.74 in). Author: GUIDO RENI.
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alb3899288 Girl in sunbonnet. Date/Period: Ca. 1897. Painting. Oil on canvas. Height: 590 mm (23.22 in); Width: 339 mm (13.34 in). Author: GIROLAMO NERLI.
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alb3899217 The Banquet of Cleopatra. Date/Period: From 1743 until 1744. Painting. Oil on canvas. Height: 2,503 mm (98.54 in); Width: 3,570 mm (11.71 ft). Author: Giovanni Battista Tiepolo.
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alb3890490 Yacht Racing on the Solent. Date/Period: Ca. 1827. Painting. Oil on paper. Height: 152 mm (5.98 in); Width: 248 mm (9.76 in). Author: UNKNOWN ARTIST.
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alb3698532 Madonna of the Goldfinch. Dated: c. 1767/1770. Dimensions: overall: 63.1 x 50.3 cm (24 13/16 x 19 13/16 in.) framed: 86.4 x 73 x 8.9 cm (34 x 28 3/4 x 3 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.
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alb3620609 The Calm Sea. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 23 1/2 x 28 3/4 in. (59.7 x 73 cm). Date: 1869.Courbet painted this view looking out over the English Channel during a visit to Étretat along the coast of Normandy in August 1869. The ocean has receded at low tide, and two small boats are left on the shore. The tranquil composition, with its immense sky towering over narrow bands of water and sand, is unusual for Courbet's marine paintings of this period, dominated by dramatically crashing waves. Museum: Metropolitan Museum of Art, New York, USA.
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alb3623505 Philip IV (1605-1665) in Parade Armor. Artist: Gaspar de Crayer (Flemish, 1584-1669). Dimensions: 72 x 46 1/2 in. (182.9 x 118.1 cm). Date: ca. 1628.Gaspar de Crayer painted several portraits of Philip IV, probably commissioned by the Marqués de Leganés, who served as Philip's emissary to the Spanish court in Brussels in 1627-28. Here the young king of Spain is presented in a magnificently decorated Flemish cavalry armor. He holds a commander's baton in his right hand and wears an ornate rapier on his left hip. The composition follows a pattern in Spanish portraiture of depicting kings in fine armor, which was established decades earlier by Titian, for example in his portraits of Emperor Charles V and King Philip II. Museum: Metropolitan Museum of Art, New York, USA.
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alb3889452 Mountainous Landscape with Figures by a Lake. Date/Period: 1825 to 1830. Painting. Oil on paper. Height: 168 mm (6.61 in); Width: 343 mm (13.50 in). Author: UNKNOWN ARTIST.
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alb3889979 Street with Church and Figures. Date/Period: 1822 to 1825. Painting. Oil on paper. Height: 197 mm (7.75 in); Width: 146 mm (5.74 in). Author: UNKNOWN ARTIST.
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alb3889557 Le Petit Andely et la Seine. Date/Period: 1822 to 1825. Painting. Oil on paper. Height: 171 mm (6.73 in); Width: 267 mm (10.51 in). Author: UNKNOWN ARTIST.
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alb3603665 Still Life with Pansies. Artist: Henri Fantin-Latour (French, Grenoble 1836-1904 Buré). Dimensions: 18 1/2 x 22 1/4 in. (47 x 56.5 cm). Date: 1874.According to a list of Fantin's paintings compiled by his wife, this still life is one of thirty-one compositions of flowers and fruit that the artist produced in 1874. The branch of apples suggests that the present picture was painted in the fall; the pansies are spring flowers that were probably cultivated in a hothouse. Fantin reprised elements seen here in at least two other paintings: Potted Pansies of 1883 (2013.636) and Pansies of 1903 (1996.517). Museum: Metropolitan Museum of Art, New York, USA.
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alb3743490 Lady with a Dog. Dated: 1891. Dimensions: overall: 75 x 57.2 cm (29 1/2 x 22 1/2 in.) framed: 100.3 x 82.5 x 8.2 cm (39 1/2 x 32 1/2 x 3 1/4 in.). Medium: oil on cardboard. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3607153 The Repast of the Lion. Artist: Henri Rousseau (le Douanier) (French, Laval 1844-1910 Paris). Dimensions: 44 3/4 x 63 in. (113.7 x 160 cm). Date: ca. 1907.This work was probably shown in the Salon d'Automne of 1907, but it treats a theme that Rousseau first explored in Surprised! of 1891 (National Gallery, London). He based the exotic vegetation of his many jungle pictures on studies that he made in Paris's botanical gardens, and adapted the wild beasts from popular ethnographic journals and illustrated children's books. Rousseau's nickname, "le Douanier," derives from his job as a customs official. Museum: Metropolitan Museum of Art, New York, USA. Author: Henri Rousseau (le Douanier).
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alb3612569 Charity. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: 54 x 41 3/4 in. (137.2 x 106 cm).This allegory of Charity follows a well-established iconographical model of a woman breastfeeding a group of children. Reni was admired for the refinement of his style and the elegantly expressive attitudes of his figures. No artist commanded higher prices or greater admiration. This beautifully preserved painting may have been commissioned or bought by Prince Karl Eusebius von Liechtenstein (1611-1684), who traveled to Italy in 1629-30. Museum: Metropolitan Museum of Art, New York, USA.
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alb3655423 Hermann von Wedigh III (died 1560). Artist: Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: 16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom. Date: 1532.During his second sojourn in England (1532-43) Holbein made portraits for a new clientele, the German merchants of the Hanseatic League, whose guildhall was located in the London Steelyard. The sitter, whose ring displays the arms of the Wedighs of Cologne, is probably Hermann von Wedigh III, portrayed at age twenty-nine. The Latin quotation on the sheet of paper in the foreground, reading "Truth breeds hatred," comes from the Roman comedy Andria by Terence, popular among Humanists. The inserted slip of paper could thus refer to the book's content and perhaps have served as the sitter's personal motto. Museum: Metropolitan Museum of Art, New York, USA.
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alb3647878 The Rebuke of Adam and Eve. Artist: Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: 26 3/4 x 19 3/4 in. (67.9 x 50.2 cm). Date: 1740.Natoire was trained in the studio of François Le Moyne (1688-1737). He won the Prix de Rome and studied in Italy. This picture must have been intended by the younger artist as a tribute to his teacher. It is a pendant to a painting by Le Moyne depicting Adam receiving the forbidden fruit from Eve in the Garden of Eden (private collection). Natoire shared with Le Moyne a predilection for the nude, here depicting with care the rosy and sensual body of the disappointed Eve, a tear glistening on her cheek. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Joseph Natoire.
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alb3641130 The Banks of the Bièvre near Bicêtre. Artist: Henri Rousseau (le Douanier) (French, Laval 1844-1910 Paris). Dimensions: 21 1/2 x 18 in. (54.6 x 45.7 cm). Date: ca. 1908-09.Rousseau identified the subject of this painting in a handwritten note, affixed to its stretcher, dated 1909, the year he consigned it for sale to the dealer Ambroise Vollard. The scene depicts the landscape around Bicêtre, a working-class community on the southern edge of Paris near the Bièvre river (now buried underground as it courses through the city). In Rousseau's day, the waterway was heavily polluted, but certain spots still offered picturesque views, as suggested by the figures in peasant dress on the tree-lined path at left, and the glimpse of the seventeenth-century aqueduc d'Arcueil in the background. Museum: Metropolitan Museum of Art, New York, USA.
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alb3902578 Modern Rome - Campo Vaccino. Date/Period: 1839. Painting. Oil on canvas. Height: 91.8 cm (36.1 in); Width: 122.6 cm (48.2 in). Author: J. M. W. Turner.
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alb3644350 The Woman in the Waves. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 25 3/4 x 21 1/4 in. (65.4 x 54 cm). Date: 1868.Between 1864 and 1868 Courbet undertook a series of paintings of the female nude. He could not have failed to witness the triumph of Alexandre Cabanel's Birth of Venus (Musée d'Orsay, Paris) at the Salon of 1863, along with the popularity of similar representations by Cabanel's fellow academicians. Here, Courbet evokes the myth of Venus, the goddess born of the sea, but slyly subverts convention by depicting the model's underarm hair--an element of realism amplified by the almost palpable quality of her flesh. Museum: Metropolitan Museum of Art, New York, USA.
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alb3903079 Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss. Date/Period: Between 1705 and 1710. Painting. Oil on canvas. Height: 787 mm (30.98 in); Width: 660 mm (25.98 in). Author: Godfrey Kneller.
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alb3902385 A Paddle-steamer in a Storm. Date/Period: Ca. 1841. Painting. Watercolor and graphite on cream-colored paper (and scratching out on medium, slightly textured, cream wove paper). Height: 232 mm (9.13 in); Width: 289 mm (11.37 in). Author: J. M. W. Turner.
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alb3900195 Un atelier aux Batignolles A Studio at Les Batignolles. Date/Period: 1870. Painting. Oil on canvas. Height: 2,040 mm (80.31 in); Width: 2,730 mm (107.48 in). Author: HENRI FANTIN-LATOUR.
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alb3902486 Steeton Manor House, Near Farnley. Date/Period: Between 1815 and 1818. Painting. Watercolor. Height: 111 mm (4.37 in); Width: 168 mm (6.61 in). Author: J. M. W. Turner.
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alb3902393 Barnard Castle. Date/Period: Ca. 1825. Painting. Watercolor. Height: 305 mm (12 in); Width: 419 mm (16.49 in). Author: J. M. W. Turner.
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alb3902421 From the Isola Borromena, Lago Maggiore. Date/Period: Ca. 1795. Painting. Watercolor. Height: 149 mm (5.86 in); Width: 229 mm (9.01 in). Author: J. M. W. Turner.
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alb3902426 Ingleborough from Chapel-Le-Dale. Date/Period: Between 1810 and 1815. Painting. Watercolor. Height: 279 mm (10.98 in); Width: 394 mm (15.51 in). Author: J. M. W. Turner.
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alb3902424 High Street, Edinburgh. Date/Period: Ca. 1818. Painting. Watercolor. Height: 165 mm (6.49 in); Width: 248 mm (9.76 in). Author: J. M. W. Turner.
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alb3902468 Rome from Monte Mario. Date/Period: Ca. 1818. Landscape. Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper. Height: 138 mm (5.43 in); Width: 214 mm (8.42 in). Author: J. M. W. Turner.
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alb3902452 Mer de Glace, in the Valley of Chamouni, Switzerland. Date/Period: 1803. Painting. Watercolor. Height: 705 mm (27.75 in); Width: 1,041 mm (40.98 in). Author: J. M. W. Turner.
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alb3902418 Folkestone Harbour and Coast to Dover. Date/Period: Ca. 1829. Painting. Watercolor. Height: 289 mm (11.37 in); Width: 454 mm (17.87 in). Author: J. M. W. Turner.
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alb3906604 The Model Resting. Date/Period: 1889. Painting. Tempera or casein with oil on cardboard. Height: 651 mm (25.62 in); Width: 492 mm (19.37 in). Author: Henri de Toulouse-Lautrec.
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alb3906603 At the Circus: Entering the Ring. Date/Period: 1899. Drawing. Black and colored pencils on paper. Height: 310 mm (12.20 in); Width: 200 mm (7.87 in). Author: Henri de Toulouse-Lautrec.
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alb3906605 A Corner of the Moulin de la Galette. Date/Period: 1892. Painting. Oil on cardboard. Height: 1,000 mm (39.37 in); Width: 892 mm (35.11 in). Author: Henri de Toulouse-Lautrec.
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alb3721562 A la Bastille (Jeanne Wenz). Dated: 1888. Dimensions: overall: 72.5 x 49.5 cm (28 9/16 x 19 1/2 in.) framed: 96.5 x 73.7 x 7 cm (38 x 29 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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alb3724255 Quadrille at the Moulin Rouge. Dated: 1892. Dimensions: overall: 81 x 59.8 cm (31 7/8 x 23 9/16 in.) framed: 104.1 x 83.5 cm (41 x 32 7/8 in.). Medium: oil on cardboard. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.
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akg901759 Kouros.
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akg5676768 Chorhalle, Blick in das Gewölbe.
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akg940995 Militär / Länder / USA / 2. Weltkrieg.-Harlingen Army Gunnery School, Texas: Ausbildung zu Bordschützen in Bombern am Maschinengewehr eines Trainingsflugzeuges.-Foto, 1943.
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akg927604 Versailles (Dép.Yvelines, Frankreich), Schloss / Château, Spiegelgalerie / Galerie des Glaces (erb.1678-84; Arch.: J.Hardouin-Mansart; Dekoration 1679/84 von Charles Le Brun; Gesamtrestaurierung 2004-2007). /-Innenansicht nach Südosten nach Abschluss der Restaurierung.-/ Foto, 2007.
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akg602045 Bauchamphora mit der Darstellung zweier Sphingen (attisch, um 550 - 540 v. Chr., möglicherweise aus dem Umkreis des Malers Lydos). Tübingen, Museum Schloß Hohentübingen (Deutschland, Baden-Württemberg).
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akg1103348 Militär / Länder / USA / Zweiter Weltkrieg.-Women Air Force Service Pilots (WASP), stationiert auf der Avenger Field Luftwaffenbasis in Sweetwater, Texas (WASP = Pilotinnen der Zivilluftfahrt, die in Sweetwater für die Überführung von Militärflugzeugen nach Europa trainiert werden): Blick auf die Verwaltungsbaracke mit "Fifinella...
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akg1103660 Military / Weapons: Gun.-Second world war: Japanese heavy machine gun captured by the 2nd US Marine Division on Guadalcanal (Solomon Islands). Photo, February 1943.
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akg1127081 Military / USA / World War II.-A mountain trooper in battle position during a winter exercise.-Photo, undated.
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akg1234546 Military / USA / World War II.-A loaded 240mm coastguard cannon in California (USA) with its crew standing in front.-Photo, July 1943.
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akg1103312 Militär / Länder / USA / Zweiter Weltkrieg.-Women Air Force Service Pilots (WASP), stationiert auf der Avenger Field Luftwaffenbasis in Sweetwater, Texas (WASP = Pilotinnen der Zivilluftfahrt, die in Sweetwater für die Überführung von Militärflugzeugen nach Europa trainiert werden): Blick aus einem B-25 Bomber während eines ...
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alb2002352 Edgar Degas / 'Young Spartans Exercising', c. 1860, Oil on canvas, 109.5 x 155 cm, NG3860. Museum: NATIONAL GALLERY, LONDRES, UK.
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alb346165 Bach, Johann Sebastian. Portrait by Ernst Reutsch 1715. JOHANN SEBASTIAN BACH.
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alb3624066 A Maid Asleep. Artist: Johannes Vermeer (Dutch, Delft 1632-1675 Delft). Dimensions: 34 1/2 x 30 1/8 in. (87.6 x 76.5 cm). Date: ca. 1656-57.This picture is probably the earliest in which the Delft painter treats his favorite theme of a young woman, occasionally with a male companion, in a domestic interior. An overdressed maid has dozed off after entertaining a visitor (two glasses, a pitcher, and a jug may be seen in the jumbled still life). The painting above her depicts Cupid unmasked, an oblique explanation of her dreamy smile. Radiographs show that Vermeer originally painted a man in the background and a dog to the lower right. By replacing these motifs he made the amorous theme less obvious, quite as his remarkable passages of observation obscure his debts to contemporary painters like Nicolaes Maes. Museum: Metropolitan Museum of Art, New York, USA.
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alb3907463 Shrovetide. Date/Period: 1916. Painting. Oil on canvas Oil on canvas. Height: 890 mm (35.03 in); Width: 1,905 mm (75 in). Author: Boris Kustodiev.
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alb3728589 Still Life with Melon and Peaches. Dated: c. 1866. Dimensions: overall: 68.3 x 91 cm (26 7/8 x 35 13/16 in.) framed: 96.8 x 119.4 x 8.9 cm (38 1/8 x 47 x 3 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.
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akg5739395 Norwegen, Finnmark; Stadt Alta, Alta Museum (UNESCO-Welterbe), Felsplatte 11: Drei Boote mit Elchköpfen (ca. 5000 - 3000 v. Chr.). Die Boote waren einst aus Leder, die Elchköpfe aus einem Stück Holz geschnitzt. Vermutlich sollte die Kraft des Elchs auf die Schwimmfähigkeit des Bootes übergehen. Das Boot steht für Fischfang, aber auch Reisen zwischen kosmologischen Welten. Dem Elch wird eine enge Beziehung zum Totenreich zugeschrieben. Platte 11 hat 40 Figuren, die 5000 - 6000 Jahre alt sind. Sie repräsentieren Boot, Rentier, Elch und Mensch. Das Alta Museum nahe Alta bewahrt die Felszeichnungen und Felsritzungen, die ab 1950 am Alta-Fjord entdeckt wurden. Seit 1985 sind sie UNESCO-Welterbe. 1950 fand der Bauer Fredrik Falsen bei der Kartoffelernte einen Stein mit einer männlichen Figur, der als "Pippisteinen" (Pippistein) in die Geschichte einging und im Haus des Alta-Museums ausgestellt ist. Tausende weitere Funde auf Felsplatten folgten. Die Felsmalereien werden auf ein Alter von 5000 v. Chr. bis zur christlichen Zeitenwende 0 datiert und sind bis zui 7000 Jahre alt. Sie gelten als älteste Zeugnisse der Kulturgeschichte am Alta Fjord und nördlich des Polarkreis und dokumentieren zudem die Ur- und Frühgeschichte der Sami (Samen), von der Steinzeit bis in die Jetztzeit. Ausgestellt sind auch Sami-Trommel (17. Jh) oder der Nachbau eines bis zu 7000 Jahre alten Bootes aus Leder mit hölzernem Elchkopf. Zwei Wege erschließen das Open air-Gebiet, die ältesten Felsritzungen, bis 7000 Jahre alt, sind rot markiert, die jüngsten, ab 500 v. Chr. entstandenen nicht. An Platte 4, wo ein prähistorischer "Schattentanz" zur Aufführung kommt, sind Rentier, Elch, Heilbutt, Mensch und Boot abgebildet. Platte fünf zeigt die Anfänge, als sich alles um Bären drehte: Ein großer grüner Bärenkopf entstand wohl natürlich in einer Mulde, darum schufen Vorzeit-Samen 65 Figuren und zig Bärenspuren. Im Kopf des Bären spielt sich ein Drama auf Leben und Tod zwischen Jä.
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akg7696001 altar figure depicting Sango priest, Oyo people, Yoruba people, 1920-1976, wood, pigment, 38-1/4 x 10-1/2 x 10-1/2 in., African Art.
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akg1233834 Military / USA / World War II.-The crew of a 240mm coastguard cannon in California (USA).-Photo, July 1943.
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akg1156411 History / world War II / war at sea, battles in the Pacific.-Air raid alarm on board of the aircraft carrier USS "Yorktown": gunners at a doublebarrelled 40 mm antiaircraft cannon; in the background a Livermore class destroyer of the US Navy .-Photo, summer 1943.
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akg965667 Military / Countries / USA-End of the second world war 1945: Soldiers returning from action in China, Burma and India. Members of the US Air Force (Flying Tigers, Merrill's Marauders a.o.), are arriving at New York City harbour on the troop ship "General A.W. Greely". Photo, 27th September 1945.
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akg2437217 Mesopotamia, Uruk period, c.3500-3100 BC. Fragment of a cylinder seal: The king-priest and his acolyte feeding the sacred herd. Limestone, height 6.2 cm, diameter 4.3 cm. Inv. no. AO 6620. Department of Antique Orientales, Musee du Louvre, Paris, France. Museum: Paris, Musée Du Louvre.
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akg321138 Niki de Saint-Phalle; French artist. Neuilly-sur-Seine 29.10.1930 - San Diego 22.5.2002. Niki de Saint-Phalle modeling a head in the garden of her residence "Auberge au Cheval Blanc" in Soisy-sur-École (Dép. Essonne, France). Photo, July 1979. Copyright: For editorial use only. © Niki de Saint Phalle. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. For editorial use only.
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akg245952 Saint-Phalle, Niki de French artist, born in Neuilly-sur-Seine 29.10.1930. Niki de Saint-Phalle in front of her work "L'Ange Protecteur" in the hall of Zurich main station (Switzerland). Photo, November 1997. Copyright: For editorial use only.
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akg7973937 Lunel, Ferdinand (en 1857 - en 1933). Un repas en famille. Dessin. D. 16759, Paris, Musée Carnavalet.
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alb28754716 The Sack of Rome, 16th century. Oil on panel, 31 x 44 7/8 in. Flemish school.
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alb2069098 Adam de Coster / 'Judith with the Head of Holophernes', 17th century, Flemish School, Oil on canvas, 144 cm x 155 cm, P01466. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069242 Diego Rodríguez de Silva y Velázquez / 'The Medici Gardens in Rome', 1629-1630, Spanish School, Oil on canvas, 48,5 cm x 43 cm, P01210. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb3890576 [King Thibaw Min's Throne Room - Mandalay]. Date/Period: Ca. 1890. Print. Albumen silver. Height: 268 mm (10.55 in); Width: 192 mm (7.55 in). Author: Felice Beato.
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alb3711476 The Vision and Inspiration (Joan of Arc series: I). Dated: c. 1907-early 1909. Dimensions: overall: 75.57 × 168.91 cm (29 3/4 × 66 1/2 in.) framed: 98.43 × 193.04 × 10.16 cm (38 3/4 × 76 × 4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
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alb3890617 [Pagoda and Kyaung Built by the Captain of King Thibaw Min's Bodyguard]. Date/Period: Ca. 1890. Print. Albumen silver. Height: 184 mm (7.24 in); Width: 262 mm (10.31 in). Author: Felice Beato.
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alb3608964 Belt Clasp. Culture: Celtic. Dimensions: Overall (together): 2 9/16 x 5 1/8 x 1/4 in. (6.5 x 13 x 0.6 cm)Overall (a): 2 9/16 x 2 13/16 x 1/4 in. (6.5 x 7.1 x 0.6 cm)Overall (b): 2 9/16 x 3 3/8 x 1/4 in. (6.5 x 8.5 x 0.6 cm). Date: 2nd century B.C..This bronze and silver buckle is unusual in that both its top and bottom plaque are preserved, along with remains of the iron rivets used to attach it to a leather belt. Small figurines show warriors wearing similar clasps, suggesting this was designed for use by a soldier. It is typical of a type of buckle produced in the central plain region of the Iberian Peninsula, where silver is found in the Sierra Morena mountains. In design it is closely related to engraved examples of artwork in Andalusia in the southwest of Spain, a province that strongly influenced the artistic development of the rest of Iberia. Opposing spirals were a popular motif in Celtic art and were often combined with concentric circles on buckles such as this one. The design was created by carving out a pattern on a bronze panel, and then hammering a thin sheet of silver into the indentations. Museum: Metropolitan Museum of Art, New York, USA.
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alb3629671 The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the vase, cyprus trees and an obelisk to left in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed): 11 1/4 × 10 5/8 in. (28.6 × 27 cm). Series/Portfolio: 'Six large views, four of Rome and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine). Sitter: Cosimo III de' Medici, Grand Duke of Tuscany (Italian, Florence 1642-1723 Florence). Date: 1656. Museum: Metropolitan Museum of Art, New York, USA.
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alb3743637 Her Appeal to the Dauphin (Joan of Arc series: II). Dated: 1906. Dimensions: overall: 75.57 × 170.18 cm (29 3/4 × 67 in.) framed: 98.11 × 191.77 × 9.53 cm (38 5/8 × 75 1/2 × 3 3/4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
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akg280526 Paris (Frankreich), Artesischer Brunnen in Passy. "PUITS ARTÉSIEN DE PASSY". (Plan der Anlage u. geolog. Schichten). Stahlstich, koloriert, nach Zeichnung von Émile Hochereau (geb. 1828). Aus: A.Alphand, Les promenades de Paris, Paris (J.Rothschild) 1868. Paris, Privatsammlung.
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akg948318 Beth Joseph, Israel/Palästina; jüdische Siedlung in Ost-Galiläa, "die als isolierter Vorposten auf dem Boden des Keren Kajemeth im Beisan-Gebiet liegt".-Teilansicht.-Foto, undat., um 1935.
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alb3700747 Emperor Charles V. Dated: 1531. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Barthel Beham.
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akg1032121 Rabascall, Joan geb. 1935. "La Fragilité des apparences" Die Zerbrechlichkeit der Erscheinungen), 1964. Collage auf Holz, 97 x 97 cm. MACBA Collection,. Museum: Fundació Museu d'Art Contemp., Barcelona.
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alb18249155 Claude Monet/ Pastel Waterloo Bridge, 1901. Museum: NATIONAL GALLERY, WASHINGTON D. C., USA.
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alb3894641 Winter Landscape with Evening Sky. Date/Period: 1870. Width: 326 mm. Height: 230 mm (Complete). Author: CLAUDE MONET.
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alb3600448 Paris-Théàtre. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris); Nadar (French, Paris 1820-1910 Paris); Paul, fils Bacard (French); Truchelut; Charles Reutlinger (German, Karlsruhe 1816-1881 Karlsruhe); E. Flamant; Frank; Gaston et Mathieu (French); Ferdinand Mulnier (French, active 1850s-70s); Ferdinand Mulnier (French, active 1850s-70s); Alphonse J. Liébert (French, 1827-1913); Saglio; Emile Bondonneau (French); Joseph Lemercier (French, 1803-1887); Buguet; J. M. Lopez (French); Ulric Grob (French); Alexandre Quinet (French, born 1836); J. Tourtin (French); Émile Tourtin (French, active 1860s-70s); Pierre Petit (French, Aups 1832-1909 Paris); Héribert Mayer (French); Gougenheim et Forest; Alexander Courtin (German); Franck (French, 1816-1906); Eugenio Maunoury (Peruvian); Louis Ghémar (Belgian, 1819-1873); Carrette; Dupont; D. H. Mayer. Editor: Eugène Paz (French). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
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alb28737120 Base of the cylindrical funerary altar of Polyxenos, son of Archeios and Polyxenos, from the Lindian deme of the Boulidai. Lartian stone, 2nd century BC. Archaeological Museum of Rhodes, Greece.
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alb28737126 Amphora, 900-850 BC. From Kremasti area, Island of Rhodes. Archaeological Museum of Rhodes, Greece.
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alb28737109 Cylindrical funerary altar of Aphrodisias from Libya. From the necropolis of Rhodes, Greece. Marble. 2nd-1st centuries BC. Archaeological Museum of Rhodes, Greece.
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alb28737116 Funerary altar of the Rhodian type, featuring a relief scene of a funeral banquet. Three reclining figures are depicted in front of a table with food, a male servant and a female servant standing on either side. The altar belongs to Isidora from Myra in Lycia, wife of Philokrates. Marble. 2nd-1st centuries BC. Found at Massari, Island of Rhodes, Greece. Archaeological Museum of Rhodes, Greece.
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alb28737130 Cannonballs, used during the sieges endured by the city of Rhodes. Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489.
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