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akg7291326 Wien, Radfahrprotest 'Critical Mass', Naked Bike Ride.

akg4750458 Meidner, Ludwig; 1884-1966. "Die Pauluspredigt", 1919. Aquarell auf Papier, 68 x 49 cm. Privatsammlung. Museum: Darmstadt, Städtische Kunstsammlung. Copyright: © Ludwig Meidner-Archiv, Jüdisches Museum Frankfurt.

alb2042080 Portait of Antonio Vivaldi (1678-1741), 1723, Oil on canvas. Museum: Museo Bibliografico Musicale, BOLONIA, ITALIA. Author: FRANÇOIS MORELLON DE LA CAVE.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg3004385 Heckel, Erich. 1883-1970. "Schachspielende Knaben", 1922. Lithographie, 53,8 × 43,3 cm. Gaienhofen, Hermann-Hesse-Höri-Museum. Museum: Gaienhofen, Hermann-Hesse-Höri-Museum. Copyright: Nachlass Erich Heckel, 78343 Hemmenhofen, erich-heckel@web. de. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

alb2016069 Leonardo da Vinci / 'Mona Lisa', 1503-1519, Oil on poplar, 77 × 53 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb9532781 Madame Tulp. oil on canvas. Date: 1660. Museum: Smithsonian American Art Museum.

alb212928 'The Entombment of Christ' ca 1602/04, Oil on canvas, 300 cm x 203 cm. Museum: MUSEI VATICANI, ROMA, ITALIA. Author: CARAVAGGIO. JESUS.

alb3897004 Passionflowers. Date/Period: 1812. Painting. Oil on wood panel. Height: 34.30 mm (1.35 in); Width: 25 mm (0.98 in). Author: FERDINAND BAUER.

alb3636394 The Assumption of the Virgin. Artist: Bernardo Daddi (Italian, Florence (?) ca. 1290-1348 Florence) (possibly with workshop assistance). Dimensions: Framed: 44 1/2 × 56 1/8 × 2 3/4 in. (113 × 142.6 × 7 cm)42 1/2 × 53 7/8 in. (108 × 136.8 cm). Date: ca. 1337-39.Bernardo Daddi may have trained in the Florentine workshop of Giotto, a pivotal figure in the history of European painting. Daddi fused Giotto's grandeur and monumentality with a refined grace and lyricism. It has been suggested that while Daddi was responsible for the design of this panel, it was executed by a leading member of his workshop. The panel is likely the upper half of an important altarpiece painted for a chapel in the Cathedral of Prato, near Florence, which houses the highly venerated girdle, or belt, of the Virgin Mary. As evidence of her Assumption, the Virgin lowers her girdle to St. Thomas, whose hands are visible at the panel's lower edge and who was depicted in the missing lower section of the painting. Museum: Metropolitan Museum of Art, New York, USA.

alb3894845 Portrait of a Lady in Blue. Date/Period: Ca. 1639. Painting. Oil on canvas Oil. Height: 758 mm (29.84 in); Width: 628 mm (24.72 in). Author: Cornelius the elder Johnson.

alb3671989 The Virgin Adoring the Host. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 15 7/8 x 12 7/8 in. (40.3 x 32.7 cm). Date: 1852.This small, jewel-like devotional painting was made as a gift for Ingres's friend Louise Marcotte, who introduced the artist to Delphine Ramel, whom he married in 1852. The Raphaelesque composition is based on one Ingres first painted in 1841 for the future czar Alexander II, which includes the two patron saints of Russia, Alexander Nevsky and Nicholas (Pushkin Museum of Fine Arts, Moscow). For this version, Ingres replaced the Russian saints with two French ones. He would go on to paint four more variants, as well as, in 1855, a watercolor for Madame Ingres herself (Fogg Museum, Cambridge, Mass.). Museum: Metropolitan Museum of Art, New York, USA.

alb3894842 Sir Alexander Temple. Date/Period: 1620. Painting. Oil on panel. Height: 660 mm (25.98 in); Width: 508 mm (20 in). Author: CORNELIS JANSSENS VAN CEULEN.

alb3623488 Hiratsuka; Nawate Do. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA.

alb3622791 Allegory of Music. Artist: Laurent de La Hyre (French, Paris 1606-1656 Paris). Dimensions: 41 5/8 x 56 3/4 in. (105.7 x 144.1 cm). Date: 1649.The allegorical figure tunes a theorbo. At her shoulder is a songbird, symbol of natural music, whereas by contrast she may be a representation of modern music theory and practice. To the right are various contemporary instruments and scores: a lute, a violin, two recorders, a vocal exercise, and a song in two parts. This canvas, originally flanked by two music-making putti (Musée Magnin, Dijon), belonged to a series of the seven Liberal Arts commissioned by Gédéon Tallemant (1613-1668) for his house in the Marais quarter in Paris. Museum: Metropolitan Museum of Art, New York, USA. Author: Laurent de La Hyre.

alb3744600 At the Water's Edge. Dated: c. 1890. Dimensions: overall: 73 x 92.5 cm (28 3/4 x 36 7/16 in.) framed: 102.9 x 121.9 x 11.4 cm (40 1/2 x 48 x 4 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

alb3743872 Entry of Marie de Medici into Amsterdam [plate 1 of 6]. Dated: 1639. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pieter Nolpe.

alb3745979 Entry of Marie de Medici into Amsterdam [plate 3 of 6]. Dated: 1639. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pieter Nolpe.

alb3744550 Riverbank. Dated: c. 1895. Dimensions: overall: 73 x 92.3 cm (28 3/4 x 36 5/16 in.) framed: 120 x 101.3 x 10.8 cm (47 1/4 x 39 7/8 x 4 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

alb3658193 Aeneas and the Cumaean Sibyl Entering the Infernal Regions. Artist: Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610-1662 Viterbo). Dimensions: 9 x 12-5/8 in. (22.9 x 32.0 cm). Date: 1610-62. Museum: Metropolitan Museum of Art, New York, USA.

alb3609228 Hiratsuka, Nawate Do. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 15/16 in. (25.2 cm); W. 14 13/16 in. (37.6 cm). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA.

alb3612882 Auricular Cartouche with Figures within a Strapwork Frame from Veederley Veranderinghe van grotissen ende Compertimenten. Libro Primo. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); after Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Dimensions: Overall: 14 7/16 x 11 7/16 x 5/16 in. (36.6 x 29 x 0.8 cm). Date: 1556.In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp's success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs. Museum: Metropolitan Museum of Art, New York, USA.

alb3905441 Flower Still Life with Bird's Nest. Date/Period: 1853. Painting. Oil on canvas Oil on canvas. Height: 1,016.76 mm (40.02 in); Width: 813.31 mm (32.02 in). Author: Severin Roesen.

alb3653231 Madonna and Child. Artist: Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?-1576 Venice). Dimensions: Overall 18 x 22 in. (45.7 x 55.9 cm); painted surface 17 x 21 1/2 in. (43.2 x 54.6 cm). Date: ca. 1508.This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition. Museum: Metropolitan Museum of Art, New York, USA.

alb4210118 Versailles, Grand Trianon (Vase par Le Lorrain). Jean-Eugène-Auguste Atget; French, 1857-1927. Date: 1901. Dimensions: 17.6 × 21.7 cm (image/paper). Albumen print. Origin: France. Museum: The Chicago Art Institute, USA.

alb4153700 Hiratsuka: Nawate Road (Hiratsuka, Nawate michi), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 36.8 cm (9 1/2 x 14 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4104871 The Kemanglen Sugar Factory near Tegal (or Tagal), Java. Dating: 1870 - 1875. Measurements: h 80 cm × w 106 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Abraham Salm.

alb4154227 Suetsumuhana: Mukan-no-tayu Atsumori, from the series "Japanese and Chinese Comparisons for the Chapters of Genji (Wakan nazorae Genji)". Utagawa Kuniyoshi; Japanese, 1797-1861. Date: 1855. Dimensions: . Color woodblock print; oban. Origin: . Museum: The Chicago Art Institute, USA.

alb4103694 Portrait of Jan Wagenaar, City Historian of Amsterdam. Dating: 1761. Measurements: h 82 cm × w 68 cm. Museum: Rijksmuseum, Amsterdam. Author: Tibout Regters.

akg173369 Verkehr / Automobil:. Maserati. Vorbereitungen für den Großen Preis von Deutschland auf dem Nürburgring am 24. Juli 1938: der Erfurter Gollin baut an dem Maserati-Rennwagen der Süddeutschen Renngemeinschaft. Foto, 19.7.1938.

akg125280 February Revolution, 12 March (27 Feb., O.S.) 1917:. The Petrograd Garrison joins forces with the Workers. Burning of Imperial emblems in front of Anitshkhov Palace, Petrograd. Photograph.

akg267107 Zoology / Duck-billed platypus. "The duck-billed platypus, Ornithorhynchus paradoxus". Pen-and-ink lithograph, coloured, anon. Plate 25 from: Schreiber's Bilder-Werke für den Anschauungs-Unterricht, 6 vols, Wilde Tiere aller Zonen, Esslingen (J.F. Schreiber) no date (c. 1850). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.

akg7786205 San Michele in Foro is dedicated to Archangel Michael and housed until 1370 also the most important city assembly, the Major Council (Consiglio Maggiore). An earlier church at this place was mentioned, in 795 AD. The main facade of 13th century includes a large series of sculptures and inlays and blind arcades in the lower part with the main portal. On top of the church, there is the almost 4 m high statue of St. Michael the Archangel. On the right corner of the facade, there is the statue of the Madonna salutis portis, made by Matteo Civitali in 1480 to commemorate the plague of 1476. The church is place at the former Roman and medieval market place, the forum. On its south facade to the market place, it has a series of graffitis and inscriptions of medieval times (13th to 14th century), showing castles, towers, city skylines, and ships, as well symbols and texts including some in Hebrew or Jewish language.

les60250103 During a nine-day state visit to Austria, Nikita Khrushchev paid an informal visit to a farm at Rust, Burgenland, which belongs to two brothers of President of parliament Leopold Figl. Khrushchev seems to enjoy the farm-food and local wine. Author: ERICH LESSING. Location: Rust, Burgenland,, Austria.

alb2068207 Vecellio di Gregorio Tiziano / 'Adam and Eve', ca. 1550, Italian School, Oil on canvas, 240 cm x 186 cm, P00429. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068937 Diego Rodríguez de Silva y Velázquez / 'Portrait of the man called ?The Pope's Barber?', ca. 1650, Spanish School, Oil on canvas, 50,5 cm x 47 cm, P07858. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069973 Francesco Bassano / 'The Traders Cast out of the Temple', ca. 1585, Italian School, Oil on canvas, 150 cm x 184 cm, P00027. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2012660 Raphael / 'The Marriage of the Virgin', 1504, Oil on panel, 174 x 121 cm. Museum: Galleria Brera, Milan, ITALIA. SAINT JOSEPH. VIRGIN MARY.

alb213929 Giotto / 'Kiss of Judas', 1303-1305, Fresco, 185 x 200 cm. Museum: Cappella degli Scrovegni, Pavoda.

alb3718839 The Bridge of Louis Philippe. Dated: 1875. Dimensions: overall: 45.8 x 60.5 cm (18 1/16 x 23 13/16 in.) framed: 61.9 x 75.9 cm (24 3/8 x 29 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Armand Guillaumin.

alb3711638 Christ Driving the Money Changers from the Temple. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

alb3899606 Vase with Chinese asters and gladioli. Date/Period: 1886. Painting. Oil on canvas. Height: 61 cm (24 in); Width: 46 cm (18.1 in). Author: VINCENT VAN GOGH.

alb3681815 Pietà. Artist: Carlo Crivelli (Italian, Venice (?), active by 1457-died 1495 Ascoli Piceno). Dimensions: Overall 28 1/4 x 25 3/8 in. (71.8 x 64.5 cm); painted surface 28 x 25 1/8 in. (71.1 x 63.8 cm). Date: 1476.Remarkable for its expressive intensity, this image of the Pietà belonged to an elaborate Gothic altarpiece widely considered Crivelli's masterpiece (National Gallery, London). Crivelli contrasts ornamental effects with details of extreme realism (or surrealism)--such as the hand with swollen wound and pronounced veins that hangs over the tomb's edge into the viewer's space. In the seventeenth century the picture belonged to the Barberini family in Rome: the frame is decorated with their emblem, the bee. Museum: Metropolitan Museum of Art, New York, USA.

alb3703724 Eight Studies of Figures and a Ship at Sea. Dimensions: sheet: 13.4 x 21.2 cm (5 1/4 x 8 3/8 in.). Medium: pen and black ink with brown wash on greenish laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude-Joseph Vernet.

alb3899137 Veduta del Palazzo Ducale di Venezia / View of the Ducal Palace in Venice. Date/Period: Before 1755. Painting. Oil on canvas. Height: 51 cm (20 in); Width: 83 cm (32.6 in). Author: CANALETTO.

alb3893069 The Adoration of the Magi. Date/Period: Ca. 1476. Painting. Tempera on panel. Height: 111 cm (43.7 in); Width: 134 cm (52.7 in). Author: SANDRO BOTTICELLI.

alb3896572 The Annunciation. Date/Period: Ca. 1576. Painting. Oil on canvas. Height: 117 cm (46 in); Width: 98 cm (38.5 in). Author: EL GRECO.

alb3894670 The four times of day: Morning. Date/Period: 1757. Painting. Oil on silvered copper. Height: 29.50 mm (1.16 in); Width: 43.50 mm (1.71 in). Author: Claude-Joseph Vernet.

alb3894668 The four times of day: Evening. Date/Period: 1757. Painting. Oil on silvered copper. Height: 29.50 mm (1.16 in); Width: 43.50 mm (1.71 in). Author: Claude-Joseph Vernet.

alb3894666 A Calm at a Mediterranean Port. Date/Period: 1770. Painting. Oil on canvas. Height: 113 cm (44.4 in); Width: 145.7 cm (57.3 in). Author: Claude-Joseph Vernet.

alb3894674 Summer Evening, Landscape in Italy. Date/Period: 1773. Painting. Oil on canvas Oil on canvas. Height: 890 mm (35.03 in); Width: 1,330 mm (52.36 in). Author: Claude-Joseph Vernet.

alb3894667 A Storm on a Mediterranean Coast. Date/Period: 1767. Painting. Oil on canvas. Height: 113 cm (44.4 in); Width: 145.7 cm (57.3 in). Author: Claude-Joseph Vernet.

alb3676268 Madonna and Child with Saints Francis and Jerome. Artist: Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: 29 1/2 x 22 1/2 in. (74.9 x 57.2 cm). Date: ca. 1512-15. Museum: Metropolitan Museum of Art, New York, USA. Author: FRANCESCO FRANCIA.

alb3894671 The four times of day: Night. Date/Period: 1757. Painting. Oil on silvered copper. Height: 29.50 mm (1.16 in); Width: 43.50 mm (1.71 in). Author: Claude-Joseph Vernet.

alb3677440 View of the Caelian Hill, Rome, with the church of Santi Giovanni e Paolo, seen from the Aventine, Rome. Artist: Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: Sheet: 11 7/8 × 17 5/16 in. (30.1 × 44 cm). Date: ca. 1750.Vernet was the most admired landscape specialist in eighteenth-century France. He traveled to Italy in the late 1730s, where he remained until 1753, when he was summoned back to France to for a commission from king Louis XV to paint a series of canvases depicting the Ports of France.His style was influenced by earlier masters, like Claude Lorrain, but also deeply indebted to the first-hand study of nature. This drawing of the Caelian Hill in Rome was made around 1750 and part of an album assembled probably in Vienna in the early 19th century. A meticulous distant view of the church of Santi Giovanni e Paolo is contrasted by the abstract treatment of rooftops in the foreground. Museum: Metropolitan Museum of Art, New York, USA.

alb3679140 Christ Driving the Merchants from the Temple, from The Passion of Christ, plate 3. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 1/2 × 14 1/16 in. (49.5 × 35.7 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

alb3739087 Figure Studies, Including One Man Sleeping on the Ground and Two Men Sawing. Dimensions: sheet: 12.8 x 23.3 cm (5 1/16 x 9 3/16 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude-Joseph Vernet.

alb3731059 Roses. Dated: 1890. Dimensions: overall: 71 x 90 cm (27 15/16 x 35 7/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: VINCENT VAN GOGH.

alb3737118 James, Earl of Morton. Dated: 1740. Dimensions: plate: 37.6 x 23.7 cm (14 13/16 x 9 5/16 in.) sheet: 40.8 x 25.5 cm (16 1/16 x 10 1/16 in.). Medium: engraving and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacobus Houbraken.

alb3623230 Bouquet of Flowers in a Vase. Artist: Vincent van Gogh (Dutch, Zundert 1853-1890 Auvers-sur-Oise). Dimensions: 25 5/8 x 21 1/4 in. (65.1 x 54 cm). Date: 1890.This still life is not mentioned in Van Gogh's letters and has puzzled scholars as to its place in his artistic production. The subject enjoys a certain rapport with the mixed bouquets of summer flowers he made in Paris; the quasi-abstract floral wallpaper design in the Berceuse of Arles (1996.435), and the white porcelain vase in the Irises of Saint-Rémy (58.187). However, the palette and style of this painting, especially its distinctive blues and ochers and graphic, brick-shape hatchings, link it firmly with the landscapes made just prior to his death in Auvers on July 29, 1890. Museum: Metropolitan Museum of Art, New York, USA.

alb3699607 Quayside Figures and a Length of Rope Attached to a Bollard. Dimensions: sheet: 13 x 23.3 cm (5 1/8 x 9 3/16 in.). Medium: pen and black ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude-Joseph Vernet.

alb3698776 Ten Men Pulling on Ropes. Dimensions: sheet: 13.3 x 21.3 cm (5 1/4 x 8 3/8 in.). Medium: pen and black ink with gray wash on pale greenish laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude-Joseph Vernet.

alb3625252 The Crucifixion with Donors and Saints Peter and Margaret. Artist: Cornelis Engebrechtsz (Netherlandish, ca. 1461-1527). Dimensions: 24 1/4 x 35 1/4 in. (61.5 x 89.5 cm). Date: ca. 1525-27.Engebrechtsz was the leading painter in Leiden in the early sixteenth century. In this strikingly symmetrical Crucifixion, piety and dramatic energy are combined, and emotional effect is pushed to an extreme. The figure of Christ is isolated against the darkened sky; his tormented, lifeless body is flanked on either side by the crucified thieves, whose forms are contorted in agony. While the mourning Virgin echoes the posture of her son, indicating her empathic suffering, Saint John gazes up in grief at Christ. The two unidentified donors, probably husband and wife, are physically close to but psychologically detached from the scene. Museum: Metropolitan Museum of Art, New York, USA. Author: Cornelis Engebrechtsz.

alb3888999 Eadmer of Canterbury Writing. Date/Period: Ca. 1140 - 1150. Folio. Tempera colors, gold paint, and ink on parchment. Height: 178 mm (7 in); Width: 108 mm (4.25 in).

alb3607428 The Castel Nuovo in Naples, with a View of Mount Vesuvius. Artist: Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: 13 1/8 x 19 7/16 in. (33.4 x 49.4 cm). Date: ca. 1737-53. Museum: Metropolitan Museum of Art, New York, USA.

alb3629556 Roses. Artist: Vincent van Gogh (Dutch, Zundert 1853-1890 Auvers-sur-Oise). Dimensions: 36 5/8 x 29 1/8 in. (93 x 74 cm). Date: 1890.On the eve of his departure from the asylum in Saint-Rémy in May 1890, Van Gogh painted an exceptional group of four still lifes, to which both the Museum's Roses and Irises (58.187) belong. These bouquets and their counterparts--an upright composition of irises (Van Gogh Museum, Amsterdam) and a horizontal composition of roses (National Gallery of Art, Washington, D.C.)--were conceived as a series or ensemble, on a par with the earlier Sunflower decoration he made in Arles. Traces of pink along the tabletop and rose petals in the present painting, which have faded over time, offer a faint reminder of the formerly more vivid "canvas of pink roses against a yellow-green background in a green vase.". Museum: Metropolitan Museum of Art, New York, USA.

alb3619468 Christ Driving the Money-Changers from the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3611339 Group at Secret Service Department, Headquarters, Army of the Potomac, Antietam, October 1862. Artist: Alexander Gardner (American, Glasgow, Scotland 1821-1882 Washington, D.C.). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA.

alb3656855 Moenippus (Menipo Filosofo). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 12 1/16 × 8 11/16 in. (30.6 × 22 cm)Sheet: 16 in. × 11 3/8 in. (40.7 × 28.9 cm). Series/Portfolio: Etchings after Velazquez. Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

alb3652599 Ponte Molle, Rome. Artist: attributed to Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: 8 5/16 x 11 7/16 in. (21.1 x 29.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3642422 Christ Purifying the Temple, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 9/16 × 6 1/2 in. (24.3 × 16.5 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

alb3903664 El descendimiento de la cruz. Date/Period: Ca. 1659. Painting. Oil on canvas. Height: 229 cm (90.1 in); Width: 173 cm (68.1 in). Author: LUCA GIORDANO.

alb3903952 Portrait of a Physician. Date/Period: Late 17th century. Painting. Oil on canvas Oil. Height: 759 mm (29.88 in); Width: 635 mm (25 in). Author: Attributed to Beale, Mary.

alb3900818 Louis XIV, roi de France (1638-1715) / Louis XIV, King of France (1638-1715). Date/Period: 1702. Painting. Oil on canvas. Height: 313 cm (10.2 ft); Width: 205 cm (80.7 in). Author: Hyacinthe Rigaud.

alb3907633 Portrait of Pope Julius II. Date/Period: 1511/1512. Oil on poplar wood. Height: 105.6 cm (41.5 in); Width: 78.5 cm (30.9 in). Author: Raphael.

alb3907566 Portrait of Louis XIV. Date/Period: 18th century. Painting. Oil on canvas. Height: 2,896 mm (114.01 in); Width: 1,591 mm (62.63 in). Author: after Hyacinthe Rigaud.

alb3722283 The Shipwreck. Dated: 1772. Dimensions: overall: 113.5 x 162.9 cm (44 11/16 x 64 1/8 in.) framed: 124.8 x 172.9 x 7.6 cm (49 1/8 x 68 1/16 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Claude-Joseph Vernet.

alb3726341 Christ Expelling the Moneylenders from the Temple. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

alb3724425 Saint John the Baptist. Dated: c. 1480. Dimensions: overall: 52 x 32.8 cm (20 1/2 x 12 15/16 in.) framed: 67.3 x 48.3 x 7.6 cm (26 1/2 x 19 x 3 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Jacopo del Sellaio.

alb3729469 Christ Expelling the Money Changers. Dated: c. 1519. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

alb4218882 'Expulsion of the Money-Changers from the Temple'. France, Circa 1620/1625. Dimensions: 192x266,5sm. Museum: State Hermitage, St. Petersburg. Author: Jean Valentin de Boulogne.

alb4219720 'Interior'. France, 1903-1904. Dimensions: 61,5x56 cm. Museum: State Hermitage, St. Petersburg. Author: FELIX VALLOTTON.

alb3722956 Portrait of a Boy. Dated: c. 1476/1480. Dimensions: overall: 41.9 x 35.9 cm (16 1/2 x 14 1/8 in.) framed: 57.5 x 52.1 x 6.2 cm (22 5/8 x 20 1/2 x 2 7/16 in.). Medium: oil and tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: BIAGIO D'ANTONIO.

alb4160918 Murderer. Félix Edouard Vallotton; French, born Switzerland, 1865-1925. Date: 1893. Dimensions: 147 × 247 mm (image); 249 × 329 mm (sheet). Woodcut in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4137855 Study of a Warship's Prow with British Warships and Naples Harbor Beyond. Claude-Joseph Vernet; French, 1717-1789. Date: 1748. Dimensions: 366 × 479 mm (primary support); 458 × 537 mm (secondary support). Pen and iron gall ink, with brush and dark gray, light gray and brownish gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4156377 Jan Wellens de Cock (Leiden (?), ca. 1490-Antwerp, before 19 January 1527). The Temptation of Saint Anthony (ca. 1520). Oil on panel. 60 x 45.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156318 Jan Gerrit van Bronchorst (Ultrecht, ca. 1603 - Amsterdam, 1661). Young Man Playing a Theorbo (ca. 1642 - 1645). Oil on canvas. 97.8 x 82.6 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156357 Paul Cézanne (Aix-en-Provence, 1839-1906). Seated Man (1905 - 1906). Oil on canvas. 64.8 x 54.6 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156843 Jean-Marc Nattier (Paris, 1685-1766). Portrait of Madame Bouret as Diana (1745). Oil on canvas. 138 x 105 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156916 Maurice Prendergast (Saint John's, 1859 -New York, 1924). Autumn (ca. 1918 - 1923). Oil on canvas. 49 x 62 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4151020 Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook. Italian (Siena); Martino di Bartolomeo (Italian, 1389-1434/5); 1394/95. Date: 1375-1399. Dimensions: 235 x 192 mm. Manuscript cutting with tempera and gold leaf, with rounded gothica textualis inscriptions in black ink, ruled in red, on parchment. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Martino di Bartolomeo di Biagio.

alb4156905 Frans Jansz. Post (Haarlem, c. 1612 -1680). Plantation Settlement in Brazil (1656). Oil on panel. 36.9 x 54 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4157099 Simon De Vlieger (Rotterdam, c.1601-Weesp, 1653). Thunderstorm off the Coast (ca. 1645 - 1650). Oil on panel. 41.6 x 55.2 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4157083 Willem van de Velde II (Leiden, 1633-London, 1707). The Dutch Fleet in the Goeree Roads (ca. 1672 - 1673). Oil on canvas. 69.5 x 97.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Willem van de Velde II.

alb4156964 Peter Paul (workshop of) Rubens (Siegen, 1577 - Antwerp, 1640). St. Michael expelling Lucifer and the Rebel Angels (ca. 1622). Oil on canvas. 149 x 126 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156536 Greco (Doménikos Theotokópoulos) (Candia 1541 - Toledo 1614). The Annunciation (ca. 1596 - 1600). Oil on canvas. 114 x 67 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156913 Maurice Prendergast (Saint John's, 1859 -New York, 1924). Beach at St. Malo (ca. 1907). Oil on canvas. 36.8 x 44.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156276 Albert Bierstadt (Solingen, 1830-New York, 1902). The Falls of St. Anthony (ca. 1880 - 1887). Oil on canvas. 96.8 x 153.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4150641 Abraham Lincoln, Springfield, Illinois. Alexander Hesler (American, born Canada, 1823-1895); printed by George B. Ayers (American, 1829-1905). Date: 1860. Dimensions: 22.7 x 17.7 cm (image/paper). Platinum print. Origin: United States. Museum: The Chicago Art Institute, USA. Author: Alexander Hesler.