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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg8193653 Männerporträt. "This is how I looked when I got out of the Hospital. Feb - 10th". Photomaton, Automatenfoto handschriftlich bezeichnet, undatiert um 1928. Aus: privates Album "Photographs" mit Amateurfotografien aus Deutschland und den U.S.A. Album um 1925. Fotos handschriftlich bezeichnet, aus den 1920-1930er Jahren. Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg092362 Dietrich, Marlene, 1901 - 1992, German-American actress and singer. Marlene Dietrich at a US Base during World War II. Photo, c.1945. Copyright: For editorial use only.
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akg194698 Néerlandais ou allemand, fin du 16e siècle. "Fleurs dans un vase wan-li et insectes". (Roses, oeillets, muguets, soucis, iris, pivoines, entre autres). Huile sur bois, H. 0,43 ; L. 0,31. Coll. privée.
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akg243702 Turner, William 1775-1851. "Venice: Going to the Ball (San Martino) ", 1846. Oil on canvas, 616 × 924 mm. Inv. No. 544. London, Tate Britain. Museum: London, Tate Britain.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg241927 Donatello (born Donato di Niccolò di Betto Bardi), c.1386 - 1466, Italian sculptor. "David", 1408. (Built for a buttress in the Duomo in Florence, since 1416 exhibited in the Sala dell'Oriuolo in the Palazzo della Signoria). Marble, 191 × 57.5 × 32cm. Florence, Museo Nazionale del Bargello. Museum: Florenz, Museo Nazionale del Bargello.
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akg1566429 Schiffahrt: Fischerei.-Traditionelle Schwertfischjagd in Kalabrien, Italien.-Foto, 1952.
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akg7959614 Gossin, Eugène (entre 1918 et 1919). Vue des bâtiments des Capucins, hôpital Ricord (actuellement hôpital Cochin), 14ème arrondissement, Paris, en 03-1906. Photographie, Tirage au gélatino-bromure d'argent. PH81910, Paris, Musée Carnavalet.
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akg7412597 2. Weltkrieg, Auszeichnung von Schwestern des DRK mit dem Eisernen Kreuz 2. Klasse, v.l. DRK - Generaloberin Luise von Oertzen, Schwestern Elfriede Wnuk, Marga Droste, der geschäftsführende Präsident des DRK Ernst-Robert Grawitz in Berlin- 12.12.1942OT: Die beiden mit dem EK II. Klasse ausgezeichneten DRK-Schwestern, Elfriede Wnuk und Marga Droste als Gäste des geschäftsführenden Präsidenten des Deutschen Roten Kreuzes, Professor Dr. Grawitz, in Berlin.
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akg7959628 Gossin, Eugène (entre 1918 et 1919). Départ d'escalier, 81 rue des Archives, 3ème arrondissement, Paris, en 1903. Photographie, Tirage au gélatino-bromure d'argent. PH81985, Paris, Musée Carnavalet.
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akg7412232 DRK - Schwester Grete Fock (erhielt das Eiserne Kreuz 2. Klasse)Portraet- Mai 1943OT: DRK-Schwester Grete Fock, die als 7. deutsche Frau vom Fuehrer fuer ihr tapferes und mutiges Verhalten bei ihrem Einsatz in Afrika mit dem EK II ausgezeichnet wurde.
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akg7412235 DRK - Schwester Magda Darchinger (erhielt das Eiserne Kreuz 2. Klasse)Portraet- 1943OT: DRK-Schwester Magda Darchinger, die als 5. deutsche Frau und 3. DRK-Schwester das EK II vom Fuehrer verliehen bekam.
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alb26515687 Johannes Vermeer/ Girl Reading a Letter at an Open Window, 2021 restoration. c. 1657-1659. Oil on canvas. 83 cm × 64.5 cm (33 in × 25.4 in). Museum: Gemäldegalerie Alte Meister., DRESDEN, DEUTSCHLAND.
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alb2019433 Francisco de Goya / 'The Burial of the Sardine', 1812-1819, Oil on wood, 82 x 60 cm. Museum: REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO, MADRID, SPAIN.
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alb3715918 Studies for a Boatman. Dimensions: overall (approximate): 33.6 x 48.1 cm (13 1/4 x 18 15/16 in.). Medium: black and blue chalk on red-brown paper. Museum: National Gallery of Art, Washington DC. Author: Otto Greiner.
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alb3709413 The Four Angels Holding the Winds. Dated: 1498. Dimensions: image: 39.2 x 28.5 cm (15 7/16 x 11 1/4 in.) sheet: 45.5 x 31.2 cm (17 15/16 x 12 5/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.
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alb3633915 Cover design for 'Klassischer Skulpurenschatz'. Artist: Otto Greiner (German, Leipzig 1869-1916 Munich). Dimensions: sheet: 25 13/16 x 17 11/16 in. (65.5 x 44.9 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3893555 Archers shooting at a herm. Date/Period: Ca. 1530. Drawing. Red chalk (two shades) on paper. Height: 219 mm (8.62 in); Width: 323 mm (12.71 in). Author: Michelangelo.
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alb3739006 Man with a Plumed Cap. Dated: after 1607. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Christoffel van Sichem I after Hendrik Goltzius.
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alb3738886 Studies of Men in Togas [recto]. Dimensions: overall: 51.1 x 35.6 cm (20 1/8 x 14 in.). Medium: black chalk on wove paper. Museum: National Gallery of Art, Washington DC. Author: Otto Greiner.
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alb3733100 The Opening of the Fifth and Sixth Seal. Dated: 1498. Dimensions: image: 39.2 x 28.6 cm (15 7/16 x 11 1/4 in.) sheet: 45.6 x 31.2 cm (17 15/16 x 12 5/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.
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alb3605854 The Resurrection, from The Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3620263 Sheet of studies for "Ex Libris Victor Graf von Rex". Artist: Otto Greiner (German, Leipzig 1869-1916 Munich). Dimensions: sheet: 12 15/16 x 17 13/16 in. (32.9 x 45.3 cm). Date: 1900. Museum: Metropolitan Museum of Art, New York, USA.
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alb3605520 The Adoration of the Lamb, from the Apocalypse series. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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alb3609720 The Beast with Two Horns Like a Lamb, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm)plate: 15 3/8 x 11 in. (39.1 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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alb3656511 The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm)image: 15 9/16 x 11 1/8 in. (39.5 x 28.2 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3651907 The Bostonians in Distress. Artist: Attributed to Philip Dawe (British, 1745?-?1809). Dimensions: plate: 14 1/16 x 10 in. (35.7 x 25.4 cm)sheet: 15 5/16 x 10 15/16 in. (38.9 x 27.8 cm). Publisher: R. Sayer and J. Bennett (London). Date: November 19, 1774. Museum: Metropolitan Museum of Art, New York, USA.
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alb3655026 The Seven Angels with the Trumpets, from The Apocalypse, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 5/16 x 11 1/16 in. (38.9 x 28.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3727390 Elegant Young Woman in Classical Drapery. Dated: c. 1895. Dimensions: overall: 62.2 x 47.4 cm (24 1/2 x 18 11/16 in.). Medium: black chalk heightened with white and gold on green paper. Museum: National Gallery of Art, Washington DC. Author: Otto Greiner.
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alb3669708 Four Horsemen of the Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: ca. 1497/1498.The third woodcut from Dürer's Apocalypse, the Four Horsemen presents a dramatically distilled version of the passage from the book of Revelation (6:1-8). Transforming what was a relatively staid and unthreatening image in earlier illustrated Bibles, Dürer injects motion and danger into this climactic moment through his subtle manipulation of the wood block. The parallel lines across the image establish a basic middle tone, against which the artist silhouettes and overlaps the powerful forms of the four horses and riders--from left to right, Death on his pale horse, Famine with his scales, War carrying a sword, and Plague (or Pestilence) with his bow and crown. The Mouth of Hell, ready for victims, opens up at bottom left. Museum: Metropolitan Museum of Art, New York, USA.
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alb11618308 Henri Matisse/ The Dream, 1940. Museum: PRIVATE COLLECTION.
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akg8222782 Chinese painting, 18th century. - Washing and drying the silk. - Opaque colours on rice paper. From a series on silk production in China. Lyon, Musée Historique des Tissus. Author: ANONYMOUS.
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akg8222794 Chinese painting, 18th century. - Combing the silk. - Opaque colours on rice paper. From a series on silk production in China. Lyon, Musée Historique des Tissus. Author: ANONYMOUS.
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akg881398 Cornwall, Mawnan Smith, Trebah botanical Garden, a subtropical ravine garden. Jochem Wijnands.
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akg881405 Cornwall, Mawnan Smith, Trebah botanical Garden, a subtropical ravine garden. Jochem Wijnands.
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alb9532872 The Caress. Date: 1902. oil on canvas. Museum: Smithsonian American Art Museum.
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alb2067635 The God Bacchus (Detail of fruits), ac 1596-1598, Oil on canvas. Museum: GALLERIA DEGLI UFFIZI, FLORENCIA, ITALIA. Author: CARAVAGGIO.
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alb3896577 Madonna and Child with Saint Martina and Saint Agnes. Date/Period: Between 1597 and 1599. Painting. Oil on canvas. Height: 193.5 cm (76.1 in); Width: 103 cm (40.5 in). Author: EL GRECO.
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alb3697849 A Nurse and a Child in an Elegant Foyer. Dated: 1663. Dimensions: overall: 81.5 × 66.8 cm (32 1/16 × 26 5/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jacob Ochtervelt.
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alb3906905 In the ploughed field. Spring. Date/Period: First half of the 1820s. Painting. Oil on canvas. Height: 51.2 cm (20.1 in); Width: 65.5 cm (25.7 in). Author: ALEXEY VENETSIANOV.
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alb3660268 Virgin and Child with the Young Saint John the Baptist and Angels. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Oval, 16 1/8 x 13 5/8 in. (41 x 34.6 cm). Date: 1765.Boucher was named director of the French Royal Academy in 1765, the year in which he painted the Virgin and Child. In this sprightly and accomplished picture, which is not overtly religious, he draws attention to the solemn innocence of infancy. Saint John the Baptist is shown as a very young child, his hands clasped in prayer, wearing a sheepskin and accompanied by a lamb. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.
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alb4131200 Virgin and Child with Two Angels. Sandro Botticelli (Alessandro Filipepi); Italian, 1444/45-1510. Date: 1465-1495. Dimensions: Diameter: 34.4 cm (13 1/2 in.)Painted surface: Diameter: 32.5 cm (12 13/16 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.
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alb11640621 Michelangelo Merisi de Caravaggio/ Bacchus, 1593/94. Oil on canvas, 95 × 85cm. Inv. No. 5312. Florence, Galleria degli Uffizi. Museum: GALLERIA DEGLI UFFIZI, FLORENCIA, ITALIA.
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akg7682729 Arnhem. The Palace of Justice, View of Paleis van Justitie in Arnhem, signed: C. Köhler (del.); F. Foltz (sculp.), After p. 222, p. 339, Köhler, C. (del.); Foltz, Friedrich (sculp.), 1863, Der Rhein und die Rheinlande in malerischen Original-Ansichten: Abtheilung 3, Section 2 / Holland. Darmstadt: Druck und Verlag von Gustav Lange, 1863.
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alb9532869 Circe. oil on canvas. Date: 1910. Museum: Smithsonian American Art Museum.
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alb3737579 Plague Victims of Rome (Les pestiferes de Rome). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3892160 Portrait of Abraham del Court and his wife Maria de Kaersgieter. Date/Period: 1654. Painting. Oil on canvas. 146.5 cm (57.6 in). Author: Bartholomeus van der Helst.
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alb3899566 Self-portrait. Date/Period: 1887. Painting. Oil on artist's board, mounted on cradled panel Oil on artist's board, mounted on cradled panel. Height: 410 mm (16.14 in); Width: 325 mm (12.79 in). Author: VINCENT VAN GOGH.
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alb3656559 A hunting trophy: a quiver, two arrows, two bows, a deer head, two dogs, two spears, and the head of Diana at top, from 'Ornaments or Grotesques' (Ornamenti o Grottesche). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 7/16 × 2 7/16 in. (16.3 × 6.2 cm). Series/Portfolio: 'Ornaments or Grotesques' (Ornamenti o Grottesche). Date: ca. 1650-56. Museum: Metropolitan Museum of Art, New York, USA.
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alb3907299 New Cider. Date/Period: 1868. Painting. Oil on canvas. Height: 42.2 cm (16.6 in); Width: 32 cm (12.5 in). Author: Thomas Waterman Wood.
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alb3907294 The Orphans. Date/Period: 1830. Painting. Oil on canvas Oil. Height: 1,432 mm (56.37 in); Width: 1,054 mm (41.49 in). Author: JOHN WOOD.
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alb4105846 The Merry Family. Dating: 1668. Measurements: h 110.5 cm × w 141 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Havicksz. Steen.
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alb11631309 Le Vey / 'Maria Luisa Gabriella of Savoy'. 1700 - 1701. Oil on canvas. Museum: Museo del Prado, Madrid, España.
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alb11630855 Juan González; Miguel González / 'Series of the Conquest of Mexico'. 1698. Shell work, Oil on canvas mounted on panel, panel. Museum: Museo del Prado, Madrid, España.
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akg1349811 Religion / Kirche / Pilger:-El Rocío ( Huelva, Spanien): Wallfahrt nach El Rocío.-Foto, 1990.
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akg1030426 Hofmann, Ludwig von; 1861-1945. "Tänzerin", um 1900. Öl auf Leinwand, 37 x 45 cm. Inv.Nr. GEM 68/55. Museum: Stiftung Stadtmuseum., BERLIN.
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akg1350156 Religion / Kirche / Pilger:-Andalusien (Spanien): Wallfahrt von El Rocío.-Foto, 1988.
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akg7641424 Dogon, African, Funerary Mask, 1920s, wood and pigment, Overall: 34 × 22 × 9 inches (86.4 × 55.9 × 22.9 cm).
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alb2037663 Joseph Mallord William Turner / 'Going to the Ball (San Martino)', 1846, Oil on canvas, 61,6 x 92,4 cm. Museum: The Tate Gallery, LONDRES, UK.
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alb2036299 Leonardo Da Vinci / 'The Strangled Body of Bernardo Baroncelli'. Museum: MUSEE BONNAT, Bayona, France.
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alb57928 Leonardo Da Vinci / 'The Virgin and Child with Saint Anne and Saint John the Baptist', c. 1490. Museum: NATIONAL GALLERY, LONDRES, UK.
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alb370553 Cecilia Gallerani (lady with the ermine) portrait, c.1490. Museum: Czartorysky Museum, CRACOVIA, POLAND. Author: LEONARDO DA VINCI.
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alb3634732 View of Mount Fuji from Seven-ri Beach, Province of Sagami (Soshu: Shichi-ri ga hama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 27/32 x 9 1/4 in. (35.2 x 23.5 cm). Date: dated 4th month, Horse year 1858. Museum: Metropolitan Museum of Art, New York, USA.
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alb3628269 Seashore at Hoda, Province of Awa. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 1/4 x 8 3/4 in. (33.7 x 22.2 cm). Date: 1858-59. Museum: Metropolitan Museum of Art, New York, USA.
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alb3889443 Mosaic of the theatrical masks. Date/Period: 2nd century. Mosaic. Author: UNKNOWN.
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alb3906746 Riverbank at Sukiya in Edo (Toto Sukiya-gashi), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei). Date/Period: 1858 (Ansei 5), 4th month. Print. Woodblock print (nishiki-e); ink and color on paper. Author: Hiroshige.
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alb3906730 The Sea at Satta, Suruga Province, from the series "Thirty-six Views of Mount Fuji". Date/Period: 1858. Print. Color woodcut. Height: 370 mm (14.56 in); Width: 245 mm (9.64 in). Author: Hiroshige.
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alb3787720 Florentino Decraene (Lithographer) (After Rubens, Peter Paul); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Adoration of the Magi'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper; 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.
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alb3907655 An Allegory of Prudence. Date/Period: 1565. Painting. Oil on canvas. Height: 75.5 cm (29.7 in); Width: 68.4 cm (26.9 in). Author: TITIAN.
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alb4154267 Lake at Hakone (Hakone no kosui), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1858. Dimensions: 34.4 x 22.7 cm (13 9/16 x 8 15/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.
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alb4154065 The Sumida Embankment in the Eastern Capital (Toto Sumida zutsumi), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1858. Dimensions: 34.5 x 22.9 cm (13 9/16 x 9 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.
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alb4154082 Tama River in Musashi Province (Musashi Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1858. Dimensions: 36.5 x 25.5 cm (14 3/8 x 10 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.
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alb4154237 Shiojiri Pass in Shinano Province (Shinano Shiojiri toge), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1858. Dimensions: 37.1 x 25.5 cm (14 5/8 x 10 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.
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alb4156624 Angelica Kauffmann (Chur (Switzeland), 1741-Rome, 1807). Portrait of a Lady as a Vestal Virgin. Oil on canvas. 60 x 41 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
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alb4154501 Asuka Hill in the Eastern Capital (Toto Asukayama), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1858. Dimensions: 34.6 x 23 cm (13 5/8 x 9 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.
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alb4099752 Honmoku Cliff in Musashi Province, from the series Thirty-Six Views of Mount Fuji. Date: fourth month 1858. Dimensions: 34 cm x 22 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.
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alb4099755 Mount Fuji to the Left of the Tokaido, from the series Thirty-Six Views of Mount Fuji. Date: fourth month 1858. Dimensions: 34 cm x 22 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.
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alb4099754 The Sagami River, from the series Thirty-Six Views of Mount Fuji. Date: fourth month 1858. Dimensions: 36.4 cm x 25.5 cm, 34 cm x 22 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.
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alb4099756 Misaka Pass in Kai Province, from the series Thirty-Six Views of Mount Fuji. Date: fourth month 1858. Dimensions: 37.6 cm x 25.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.
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alb4116814 Los tres niños santos, oleo sobre lienzo. Author: BERNARDINO DE CONTI.
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akg390544 Franconian, 7th century. Large round brooch, disk-shaped. Gold and semi-precious stones. Collection Carrand, Inv. Nr. 949 c. Florence, Museo Nazionale del Bargello. Museum: Florenz, Museo Nazionale del Bargello.
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akg204663 re: Drais, Karl Friedrich, Baron von Sauerbronn; invented the Draisienne. (forerunner of the bicycle) 1817. 1785-1851. Draisienne (hobby horse), 1817. Jena, Museum.
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akg6002897 The Roman sarcophagus of Agape and CrescentianusNarration of biblical episodes330-360 ADinv. 31489-31490Vatican Museums (Pius Christian Museum) 2018.
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alb28595303 Maruyama Okyo/ Seated tiger. 1775 . Height: 128.70 millimetres Width: 14.90 centimetres. Museum: BRITISH MUSEUM, LONDRES, UK.
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alb28596916 Leonardo da Vinci/ Madonna of the Yarnwinder", c. 1501. Oil on panel, 48.3 × 36.9 cm. (Duke of Buccleuch collection). Museum: NATIONAL GALLERY OF SCOTLAND, MUNICH, UK.
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alb9301847 Joaquín Sorolla/ Louis Comfort Tiffany, 1911. Oil on canvas, 150.5 x 225.4 cm. Museum: HISPANIC SOCIETY OF AMERICA, NUEVA YORK, USA. Joaquín Sorolla Bastida.
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alb3717170 Elevation of the Chapel of the Invention of the Cross. Dated: 1619. Medium: etching and engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3718352 The Catafalque of the Emperor Mathias. Dated: 1619. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3711570 Christ Nailed to the Cross. Dated: 1507. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Baldung Grien.
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alb3719580 Vue Particuliere de la Chapelle du Chateau deVersailles. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Rigaud.
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alb3715268 The Nativity. Dated: in or after 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3630878 Catafalque of the Emperor Mathias with performance of funeral inside the Church of San Lorenzo, Florence. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 11 x 8 1/4 in. (28 x 20.9 cm). Date: 1619. Museum: Metropolitan Museum of Art, New York, USA.
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alb3631701 Christ before Annas, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 7/16 × 6 1/2 in. (24 × 16.5 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.
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alb3714298 Portrait of a Man. Dimensions: overall: 17.7 x 13.4 cm (6 15/16 x 5 1/4 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Felipe Gomez de Valencia.
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alb3630517 Bowl. Culture: Coptic. Dimensions: Overall: 2 1/4 x 6 5/16 in. (5.7 x 16.1 cm). Date: 4th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3636505 Landscape with a Country Chapel. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: 4 3/4 x 9 5/16 in. (12.1 x 23.7 cm). Date: 1605-35. Museum: Metropolitan Museum of Art, New York, USA.
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alb3636412 Designs for the Front and Back Cover of "L'Evangile de Notre Seigneur Jesus-Christ selon Saint Pierre". Artist: Carlos Schwabe (German, Altona 1866-1927 Paris, (active Switzerland and France from 1884)). Dimensions: Sheet (Front Cover): 13 3/8 × 10 5/16 in. (34 × 26.2 cm)Sheet (Back Cover): 13 1/2 × 10 1/4 in. (34.3 × 26 cm). Date: 1895.The two drawings represent designs for the front and back cover of "L'Evangile de Notre Seigneur Jesus-Christ selon Saint Pierre". Carlos Schwabe was responsible for the illustrations in the book as well, but these designs represent a private commission for a patron's personal copy of the gospel. Both drawings show part of the spine on their left and right side respectively, indicating that they might have been conceived as one drawing originally. The design for the front cover shows the Virgin Mary and the Christ Child, standing in a yellow-gold swirling cloudscape with partial view of the earth below. Mary carries the child in her arms and kisses it gently on the lips. The design for the back cover shows a floral composition which forms an allegory of the Life and Passion of Christ. In the center of the design a lily, symbol of the Immaculate Conception, is depicted. The stem of the flower is encircled by the Crown of Thorns which in turn is surrounded by flames. The flames connect to a border of passiflora along the edge of the sheet. Each flower contains a burning heart pierced by three nails, as a reference to the Arma Christi. Museum: Metropolitan Museum of Art, New York, USA.
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alb3636928 Footless Cup or Lid. Culture: Coptic. Dimensions: Overall: 1 11/16 x 3 9/16 in. (4.3 x 9 cm). Date: 4th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3635479 Speculum Romanae Magnificentiae: Council of Trent. Artist: Anonymous, Italian, 16th century. Dimensions: sheet: 13 3/16 x 19 9/16 in. (33.5 x 49.7 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1565.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 3, plate 70 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
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