Pesquisando por: ""editorias:arte - história"" - Fotoarena - Agência de fotojornalismo

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg5760994 Westafrikanisch, Yoruba, Nigeria. Figurenpaar Edan Ogboni, Mann und Frau mit einer Kette verbunden, mit jeweils kleinerer Figur desselben Geschlechts. Messing. Höhe (Mann) 25,5 cm und (Frau) 26,3 cm. Herkunft: vermutl. Abeokuta. Lagos (Nigeria), National Museum. Museum: Lagos (Nigeria), National Museum.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg5759926 Westafrikanisch, Yoruba, Nigeria. Helmmaske für den Epa-Kult mit Darstellung eines muslimischen Sklavenhändlers zu Pferd mit seinem Gefolge. Skulptur, 20. Jh., von Bamgboye aus Odo Owa (ca. 1893-1978), District Ilofa, Division Ilorin. Holz. Höhe 131 cm. Lagos (Nigeria), National Museum. Museum: Lagos (Nigeria), National Museum.

akg8222111 Chinese art, late Ming dynasty, c. 1600/1644. - Erotic scene. - Woodblock print. Private collection. Author: ANONYMOUS.

akg5760351 Westafrikanisch, Yoruba, Nigeria, 19. Jh. Frau, eine Deckelschale in Form eines Hahns haltend. Holz, bemalt. Höhe 42,5 cm. Herkunft: vermutl. Effon-Alaye, Ekiti. Lagos (Nigeria), National Museum. Museum: Lagos (Nigeria), National Museum.

akg264545 Afrikanisch, Kongo, Provinz Unterkongo, Demokratische Republik Kongo. Figur eines Nkisi (Personifizierte Macht aus dem Totenreich). Holz (Crossopterix febrifuga) und Kaurischnecke, Höh 29 cm. RG 51.31.288. Tervuren, Musée Royal de l'Afrique Centrale. Museum: Tervuren, Mus. Royal de l'Afrique Centrale.

akg217864 Venice (Italy), San Marco. "Return of the Horses of San Marco in 1815." (12. Dec. 1815: Return of the horses from Paris; on the platform Emperor Franz I. of Austria). Painting, contemp., by Vincenzo Chilone. (1758-1839). Oil on canvas, 60 × 85 cm. Venice, Baronessa Elsa Treves de Bonfini.

akg5760352 Westafrikanisch, Yoruba, Nigeria, 20. Jh. Frau, eine Deckelschale in Form eines Hahns haltend. Skulptur der Gbenagbena (Holzschnitzer) von Ekiti. Holz, bemalt. Höhe 41 cm. Lagos (Nigeria), National Museum. Museum: Lagos (Nigeria), National Museum.

akg941827 Horemheb; last Egyptian Pharaoh of the 18th Dynasty; reigned 1319-1292 BC.-Horemheb with a wine offering for the goddess Imentet.-Plaster relief, painted. Valley of the Kings / Biban el Moluk (Thebes West), tomb of Horemheb (KV 57), vestibule.

akg085900 Nefertiti, wife of the Egyptian Pharaoh Akhenaton. (Amenhotep IV). Bust. 18th dynasty, c. 1355 BC, Workshop of Thutmose. Limestone, height 50cm. (Photo of a replica). Original in. Berlin, SMB, Neues Museum. Museum: Berlin, SMB, Neues Museum.

akg196121 Traversi, Gaspare c. 1722/24 - 1776. "The concert", c. 1755. Oil on canvas, 130 × 145cm. Naples, Galleria Naz. di Capodimonte. Museum: Neapel, Galleria Naz. di Capodimonte.

akg200281 African, Kuba, Zaire. Mask "ngaady a mwaash". Wood with white and ochre colour painting, red fabric, leather, string, cowry shells, coloured glass beads. Height 32,4 cm. Genf, collection Barbier-Mueller.

akg207255 Graff, Anton 1736-1813. "Die Elbe bei Blasewitz oberhalb Dresdens am Morgen" (River Elbe near Blasewitz, Dresden, in the morning), c. 1800. Oil on canvas, 39.5 × 49.5cm. Dresden, Gemäldegalerie, Alte Meister. Museum: Dresden, Gemäldegalerie, Alte Meister.

akg471567 Füssli, Johann Heinrich. 1741-1825. "Silence", c. 1788/1801. Oil on canvas, 63.5 × 51.5cm. Inv. Nr. 1976/25. Zurich, Kunsthaus. Museum: Zürich, Kunsthaus.

akg411485 Segovia / Vera Cruz , Apsisansicht © Markus Bassler Aufnahmeformat: 6 × 9 cm.

akg615682 Reliefs in the tomb of Ankhmahor at Saqqara. A scene on the left of the upper register depicts a manicurist or possibly a masseur tending the right hand of a seated customer. Detail. Country of Origin: Egypt. Culture: Ancient Egyptian. Date / Period: 6th dyn (..).

akg615681 Reliefs in the tomb of Ankhmahor at Saqqara. A scene on the left of the upper register depicts a manicurist or possibly a masseur tending the right hand of a seated customer. Country of Origin: Egypt. Culture: Ancient Egyptian. Date / Period: 6th dynasty c. 2 (..).

akg1000139 Ägyptisch, Neues Reich, 18.Dynastie, um 1300 v.Chr.-Darstellungen aus dem "Pfortenbuch": Totengericht des Osiris.-/ Vorzeichnung mit Korrekturen für die Wanddekoration der Sargkammer im Grab des Harehmab (KV 57). Tal der Könige / Biban el-Moluk (Theben-West).

akg4737448 Mont (Vallée du Louron, Département Hautes-Pyrénées, Region Midi-Pyrénées, Frankreich), Pfarrkirche / Église paroissiale Saint-Barthélemy (erbaut im 12. Jahrhundert), Kirchenschiff, Gewölbe, 1. Joch, Südseite. - Christus vor Kaiphas. - Ausschnitt. Fresko, 1565/1573, von Melchior Rodigis. Aus dem Freskenzyklus des Gewölbes mit Christus in der Glorie, den vier Evangelisten, zwei Passionsszenen, dem Propheten Jesaja und dem Apostel Paulus. Foto, 19. 6. 2009.

akg064884 Paderborn (Nordrhein-Westfalen), Dom, Kreuzgang. Sog. Dreihasenfenster. (Drei im Kreis springende Hasen mit insgesamt drei gemeinsamen Löffeln; Lichtsymbol, später auch als Symbol der Drei-faltigkeit gedeutet). Maßwerk, 15. Jahrhundert.

akg1567577 Lannes, Jean, (ab 1808) Herzog von Montebello; franz. Marschall; Lectoure ( Gers) 11.4.1769-bei Wien 31.5.1809.-"M.al Lannes, Duc de Montebello".-/ Farblithographie, um 1910, nach Aquarell von E. Bucquoy. Sammelbildchen aus der Serie: Les uniformes du Ier Empire, Folge 31, Les maréchaus. Museum: Private Collection., Paris.

akg462230 Jerusalem, c. 1135. Reliquary of the True Cross (Kaisheim). Wood, silver plate, gilded, rubies, saphires, 20.5 × 10.6 × 1.4cm. Inv. No. 1026. Augsburg, Städtische Kunstsammlungen. Museum: Augsburg, Städtische Kunstsammlungen.

akg4299917 Westafrikanisch, Yoruba, Benin. - Anthropomorpher Hocker (Am Rand der Sitzfläche Darstellung der mythischen Doppelschlange. Als Trägerfigur eine Mutter mit Kind auf dem Rücken). - Holz, geschnitzt, bemalt. Inv. Nr. 73.1966.22.1. Paris, Musée du Quai Branly. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.

akg4028825 Florence (Toscane), coupole de l'annexe de la Grande Salle de lecture de la Biblioteca Laurenziana, San Lorenzo (photo septembre 2015).

alb26377776 Jesus bidding farewell to his Mother in Nazareth, before leaving for Jerusalem accompanied by his disciples. Engraving by Henry Linton (1815-1899) after a painting by Bernhard Plockhorst (1825-1907). La Ilustración Española y Americana, 1879. Author: Henry Linton (1815-1899). British engraver.

alb26377782 Dante Alighieri (1265-1321). Italian poet. Engraving after a painting in 1864 by the French artist Jean-Léon Gérôme (1824-1904), known as "Dante (He Hath Seen Hell)". It depicts Dante walking pensively through Florence, alluding to his journey through Hell in The Divine Comedy (1307-1321). La Ilustración Española y Americana, 1879.

alb26377784 Tortosa, Catalonia, Spain. Paseo de la Ribera flooded by the waters of the Ebro River on 21 February 1879. Engraving by Vela. La Ilustración Española y Americana, 1879. Author: Eugenio Vela (d. 1895). Spanish engraver.

alb26377783 Wheelchair for injured or infirm who are unable to use their legs, manufactured by Lipowski, from Heidelberg (Germany), specialist in this field. Engraving. La Ilustración Española y Americana, 1879.

alb26377778 Dante Alighieri (1265-1321). Italian poet. Engraving after a painting in 1864 by the French artist Jean-Léon Gérôme (1824-1904), known as "Dante (He Hath Seen Hell)". It depicts Dante walking pensively through Florence, alluding to his journey through Hell in The Divine Comedy (1307-1321). Detail. La Ilustración Española y Americana, 1879.

alb26377780 Melbourne, Australia. Bourke Street, the commercial centre of the city. Engraving by Capuz. La Ilustración Española y Americana, 1879. Author: Tomás Carlos Capuz (1834-1899). Spanish engraver.

alb26377779 Coruña, Galicia, Spain. Collapse of the roof of the correctional prison. Tragedy occurred at 1 a.m. on 11 March 1879, when part of the wooden roof of the central nave of the building, where the dormitory was located, collapsed. The prison was housed in the former Convent of Saint Francis, seized in 1835 as a result of The ecclesiastical confiscations of Mendizábal. It served as a correctional facility for the province of Coruña and as a central prison for the four Galician provinces. The tragedy resulted in a total of 3 deaths and around 40 injuries. Collapse in the prison: the inmates working to rescue their comrades buried under the rubble. Sketch by L. Varela. Engraving by Rico. La Ilustración Española y Americana, 1879. Author: Bernardo Rico (1825-1894). Spanish painter and engraver.

alb26377781 Seville, Andalusia, Spain. The Giralda tower. Drawing by Martínez de Hebert. Engraving. La Ilustración Española y Americana, 1879. Author: Pedro Martinez de Hebert (1819-1891). Spanish artist.

alb26377777 Louis-Napoleon (Napoléon Eugène Louis Jean Joseph Bonaparte) (1856-1879). Prince Imperial of France. Prince Louis Napoleon embarking at the port of Southampton (England) on 27 February 1879, aboard the steamship "Danube", to take part in the military operations being prepared in Southern Africa against the Zulus of King Cetshwayo. He was accompanied to the ship by his mother, Empress Eugénie de Montijo. Engraving by Rico. La Ilustración Española y Americana, 1879. Author: Bernardo Rico (1825-1894). Spanish painter and engraver.

alb26377874 Ciudad Real, Spain. Solemn Chapter of the military orders, held on 3 February 1879 at the Church of Santa María del Prado, under the presidency of King Alfonso XII (1857-1885). Drawing from life by Juan Comba. Engraving by Bernardo Rico. La Ilustración Española y Americana, 1879. Author: Bernardo Rico (1825-1894). Spanish painter and engraver. Juan Comba García (1852-1924). Spanish illustrator.

alb26377875 Dante Alighieri (1265-1321). Italian poet. Engraving after a painting in 1864 by the French artist Jean-Léon Gérôme (1824-1904), known as "Dante (He Hath Seen Hell)". It depicts Dante walking pensively through Florence, alluding to his journey through Hell in The Divine Comedy (1307-1321). Detail. La Ilustración Española y Americana, 1879.

alb26377870 Zulu warriors preparing for battle. King Cetshwayo, with the aim of strengthening his army, required every soldier be equipped with a rifle. Engraving by Ovejero. La Ilustración Española y Americana, 1879. Cetshwayo (Cetshwayo kaMpande) (c. 1826-1884). King of the Zulus (1872-1879). Restoration of King Cetewayo. Return of the king to his former territories after his captivity in England, following his capture by the British at the Battle of Ulundi (July 4, 1879), and his subsequent exile to Cape Town. In July 1882, Cetewayo was authorized to travel to the United Kingdom to seek support from British politicians for the restoration of the Zulu monarchy. Queen Victoria allowed him to return to Ulundi in January 1883, to rule a part of his former kingdom, without being able to have an army and with the obligation to cede part of his territory to another Zulu. The day after the installation of Cetewayo in Intonyanene, about fifteen miles from Ulundi, numerous deputations of the interior of the kingdom appeared in the camp, for the accomplishment of the ceremony that the natives called Indaba. It was the recognition and congratulation as loyal subjects. Cetshwayo, dressed in British style and seated in a wide armchair, attending the tributes with great seriousness. Dances were improvised in honor of the sovereign. Ceremony called "Indaba", congratulation of the subjects to the monarch at Intonyanene. King Cetewayo receiving a deputation of his relatives at Intonyanene. Engraving. La Ilustración Española y Americana (The Spanish and American Illustration), 1883. Author: Andrés Ovejero. Spanish engraver,19th century.

alb26377877 Arsenio Martínez Campos (1831-1900). Spanish military and politician. Important figure in the military rebellion of Sagunto on December 29, 1874, after which the Bourbon dynasty was restored with King Alfonso XII. Prime Minister and Minister of War (March to December 1879). Portrait. Engraving by Carretero. La Ilustración Española y Americana, 1879. Author: Arturo Carretero (ca.1852-1903). Spanish engraver.

alb26377879 Miner wearing a Galibert's Apparatus and an electric lamp. Self-contained breathing apparatus used for search and rescue operations in mines during the 19th century. Orbó Mines (province of Palencia, Spain). Engraving. La Ilustración Española y Americana, 1879.

alb26377872 Belgium. Pavilion of Tervuren was a summer palace belonging to the Prince of Orange (the future King William II of the Netherlands), built between 1817 and 1823. It was located in Tervuren, on the outskirts of Brussels. Following the Belgian Revolution of 1830, it became part of the Belgian royal family. Charlotte (1840-1927), Princess of Belgium and Empress Consort of Mexico, inhabited the palace from 1867 until it was destroyed by fire in 1879. In the early hours of 2 March 1879, a violent fire broke out in the pavilion. Empress Charlotte managed to escape from the burning building, which was destroyed by the fire. Engraving by Rico. La Ilustracion Española y Americana, 1879. Author: Bernardo Rico (1825-1894). Spanish painter and engraver.

alb26377869 Juan de Mariana, also known as Father Mariana (1536-1624). Spanish Jesuit theologian and historian. Portrait. Drawing by Badillo. Engraving by Carretero. La Ilustración Española y Americana, 1879. Author: Félix Badillo (1848-1895). Spanish illustrator. Arturo Carretero (ca.1852-1903). Spanish engraver.

alb26377871 Cádiz, Spain. The arrival in the bay, on the morning of 27 February 1879, of the mail steamer "España, on which General Arsenio Martínez Campos (1831-1900) was returning from Havana. Sketch from life by Luis M. de Campos. Engraving by Rico. La Ilustración Española y Americana, 1879. Author: Bernardo Rico (1825-1894). Spanish painter and engraver.

alb26377876 Almería, Spain. Tragedy that occurred on Arraez Street on the morning of 9 February 1879. Collapse of the half-dome, which, days earlier, had been shored up on the side facing the house's courtyard as a precautionary measure. The domed roof collapsed onto the main room of the house, where the deputy Mr José Jover y Greppi was present. He died, along with his mother (Doña María Greppi), his wife (Doña Luisa Medinilla y Orozco) and a maid, all of whom were trapped under the rubble. View of the exterior façade of the Jover family home, moments after the collapse. Sketch by J. Moral. Engraving by Ovejero. La Ilustración Española y Americana, 1879. Author: Andrés Ovejero. Spanish engraver,19th century.

alb26377873 Juan de Mariana, also known as Father Mariana (1536-1624). Spanish Jesuit theologian and historian. Portrait. Drawing by Badillo. Engraving by Carretero. Detail. La Ilustración Española y Americana, 1879. Author: Félix Badillo (1848-1895). Spanish illustrator. Arturo Carretero (ca.1852-1903). Spanish engraver.

alb26377878 Madrid, Spain. Widening of Seville Street. It took ten years to complete. Demolition of the house at 1 Sevilla Street. Drawing by Juan Comba. Engraving by Vela. La Ilustración Española y Americana, 1879. Author: Eugenio Vela (d. 1895). Spanish engraver. Juan Comba García (1852-1924). Spanish illustrator.

akg5541758 Pope Benedict XVI received King of Spain Juan Carlos and Queen Sofia in his summer residence of Castelgandolfo, Italy on September 5, 2005. Photo by Eric Vandeville/akg-images.

akg8071740 Pope Benedict XVI received King of Spain Juan Carlos and Queen Sofia during a private audience in his summer residence of Castel Gandolfo, near Rome. (Le roi Juan Carlos et la reine Sophie d'Espagne rencontrent le pape Benoit XVI )Castel Gandolfo, Italy. 5 Sept. 2005Photo: Eric Vandeville.

akg863709 Mondrian, Piet 1872-1944. "Evolutie" (Evolution), 1911. Triptych. Oil on canvas, 178 × 85 cm. 183 × 87.5 cm; 178 × 85 cm. In. Nr. 03343067 / Sch-1971-0148A-C. The Hague, Gemeentemuseum. Museum: Den Haag, Gemeentemuseum. Copyright: Additional copyrights may need to be cleared on this image when licensed for use by clients in the USA. Please contact us for additional information.

akg178074 Francken, Frans. 1581-1642. "Jacob's Battle with the Angel.". (Genesis 32,23-33). Oil on wood, 49 × 64cm. Toledo, Museo de Santa Cruz. Museum: Toledo, Museo de Santa Cruz. Author: FRANS II. FRANCKEN.

akg201102 Aviation / Balloons. "Extraordinary Balloon Ascent. Ascent of M. Poiteven, on Horseback, in a Balloon, from the Champ de Mars, Paris". Woodcut, unsigned, coloured. Magazine illustration (fragment, bibliographical sources notknown). Author: ANONYMOUS.

akg967712 Lebasque, Henri 1865-1937. "Le jardin sur la baie de Morgat" (The Garden above the Bay of Morgat, Dép. Finistère, France), 1924. Oil on canvas, 50 x 61 cm. Genf, Galerie Reymondin.

akg020534 Tchaikovsky, Peter Ilich, Russian composer, 1840-1893. Works: Symphony No. 6 in B minor, op. 74. "Pathetique", FP 16.10.1893). Sketches to bars 88 to 96 and 152 to 163 of the second movement. Manuscript in his own hand.

akg145242 Urban studies. "Traffic on the streets.". Colour lithograph, unsigned. Pl. 19 from: Bilder zum Anschauungsunterricht für die Jugend, neu bearb. von Eduard Walther, 1. Teil, Eßlingen (J.F. Schreiber) 1890. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg616567 Bourdon, Sébastien. French painter, 1616-1671. "Liberating Andromeda" or "The Creation of the Coral", c. 1650. (Ovid, Met. IV, 740ff.). Oil on canvas, 111.3 × 140.8cm. Inv. No. 1290. Museum: München, Alte Pinakothek.

akg293709 Plague Epidemic 1349 / Flagellant Movement. "The Flagellnat Brahren". Woodcut, 1877, by Friedrich Hottenroth. (born 1840). From: W.Zimmermann, Illustrierte Geschichte des deutschen Volkes, vol. 3, Stuttgart (G.Weise) 1877. Coloured at a later stage. Author: ANONYMOUS.

akg239612 Stimmer, Tobias. 1539-1584. Jakob ringt mit dem Engel. (1. Mose 32,23-33). Holzschnitt. Aus: Johann Fischart, Biblische Historien, Basel (Thomas Guerin) 1576, Nr. 26.

akg110419 Carpaccio, Vittore c. 1455/65 - 1526. "Apotheosis of St. Ursula", 1491. Oil on canvas, 481 × 336cm. From the series of "Life of St. Ursula", formerly Scuola di S.Orsola, Venice. Inv. No. 576. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

akg3549512 Keller, Albert von. 1844-1920. "Zwischenfall bei einer Séance", 1887. Öl auf Karton, 112,5 x 83 cm. Zürich, Kunsthaus. Museum: Zürich, Kunsthaus.

akg6372167 Pope Benedict XVI at Cybeles square during World Youth Day 2011. Madrid, Spain.

alb26296839 Portrait of the modernist architect Josep Maria Jujol. JOSEP MARIA JUJOL I GIBERT.

alb26306719 Anna Boch/ In juni (1894).

akg2484336 Barbara Meier - das deutsche Fotomodell mit Elyas M'Barek, dem oesterreichischen Schauspieler mit tunesischen Wurzeln. bei Wetten, dass...? die TV-Show am 09.11.2013 live aus Halle (an der Saale). KEINE PERSOENLICHKEITSRECHTE VORHANDEN, NUR FUER REDAKTIONELLE VERWENDUNG, KEINE WERBUNG. KEINE WEITERGABE AN DRITTEñ. Copyright: For editorial use only.

akg210736 Brueghel, Pieter t. Y. 1564-1638. "Wide Country Road with Travellers", 1600/1610. (Copy of the painting "The Magpie on the Gallows", 1568, by Pieter Bruegel t. E.; 1520/25-1569). Oil on canvas, 66 × 76.8cm. Private collection. Author: THE YOUNGER PIETER BRUEGEL.

akg569998 Marinetti, Filippo Tommaso; co-founder of futurism; Alexandria, Egypt 22 December 1876 - Bellagio (Como) 2 Dec. 1944. "Ritratto di Marinetti". Painting by Carlo Carrà (1881-1866). Oil on canvas, 118 × 81 cm. Private Collection. Museum: PRIVATE COLLECTION. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Carlo Carrà.

akg192665 Mussolini, Benito Italian dictator; Fascist leader (Duce). Predappio 29.7.1883 - (murdered) Giulino di Mezzegra 28.4.1945. - Mussolini's study whilst party leader of "Fasci di Combattimenti" (from 1921 "Partito Nationale Fascista") in Mailand. Photo, 1919.

akg146002 Gambling:. Casino. "Winning the jackpot!". Colour woodcut after watercolour, 1899, by Edward Cucuel (1875-1954). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Copyright: Additional copyrights must be cleared.

akg071093 Zeitschriften. Die neue Linie (Verlag Otto Beyer, Leipzig / Berlin), Dezember 1932. Umschlagtitel "Weihnachten". Graphische Gestaltung: Otto Arpke (1886-1943).

akg299659 Schmidt-Rottluff, Karl. 1884-1976. "Mutter und Kind" (Mother and Child), 1933. Oil on canvas, 65.3 × 91cm. Chemnitz, Städtische Kunstsammlungen. Museum: Chemnitz, Städtische Kunstsammlungen. Copyright: © Karl Schmidt-Rottluff. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg248420 Barcelona (Catalonia, Spain), La Sagrada Familia (built 1883-1926; n architect: Antonio Gaudi; unfinished). Interior: spiral staircase in one of the towers. Photo, undated.

akg7260186 González Camarena, Jorge, 1908-1980. "El perico" (The Parrot), 1927. Oil on masonite, 90 × 122 cm. Mexico City, Museo Nacional de Arte.

akg7244713 Anonymous artist, 19th century. "The French artist mourns the changing fortune of war", undated. (Return of stolen art from the Louvre in Paris). Copper engraving, coloured, 19 × 13.3 cm. Inv.no. 68c 3387; Hennin 13832; Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg7244460 George Cruikshank; 1792-1878. "The departure of Apollo and the Muses, or: farewell to Paris", 1815. Etching, coloured, 27.7 × 43.4 cm. Inv.no. 34 8885; Collection Frédéric Masson, Paris, Fondation Dosne-Thiers. Museum: Paris, Bibliothèque Nationale.

alb26229436 Mark Rothko/ No. 2 (Blue Red Green), 1953. Oil on canvas, 205,7 × 170,5 cm; Collection Kenneth C. Griffin.

akg212259 Revolution 1848/49. Badischer Aufstand, Mai 1849, bis zu seiner Niederschlagung durch preußische Truppen, Juli 1849. Aufruf der Reichsregentschaft zur Verteidigung der revolutionären Errungenschaften vom 7. Juni 1849: "An das deutsche Volk (...) ". Flugblatt (?).

akg993711 Rome (Italy), S.Paolo fuori le Mura (Founded 386; rebuilt in 1823 after a fire by L.Poletti and others). Enthroned Christ between four Apostles. Apse mosaic, painted, c.1220 by Venetian mosaic artists.

akg111383 Boccherini, Luigi Italian composer Lucca 19.2.1743 - Madrid 28.5.1805. Portrait of Luigi Boccherini. Painting, c. 1765/68, by an unknown Italian painter. Oil on canvas, 133.3 × 90.7 cm. Everard Studley Miller Bequest 1961, Melbourne, National Gallery of Victoria. Museum: Melbourne, National Gallery Of Victoria. Author: ANONYMOUS.

akg1063229 Innsbruck (Tirol, Österreich), Hungerburgbahn (Standseilbahn, Neubau, Inbetriebnahme 2007; Arch.: Zaha Hadid).-Teilansicht: Station Hungerburg bei Nacht.-Foto, 2009.

akg4881585 Amaterasu, sometimes called by her full name Amaterasu-omikami, is one of the most important deities in the Shinto religion. Goddess of the sun and the universe, Amaterasu's name means 'shining in heaven', while her full name translates to 'the great august kami (god) who shines in the heaven'.Amaterasu was born from the left eye of the creator god Izanagi as he purified himself from his attempt to save his wife Izanami from the underworld, Yomi. Her brother and later husband, the moon god Tsukuyomi, was born from Izanagi's right eye, while her other brother, the storm god Susanoo, was born from washing the nose. She ruled the heavens alongside her husband until a dispute led to Tsukuyomi being split and sent away, separating night from day. She also had a great rivalry with her hotheaded brother Susanoo, and after he rampaged through her rice fields and tossed a flayed pony at her loom, as well as killing one of her advisors, Amaterasu fled into a cave and hid herself. With her gone, the sun disappeared and the people suffered, and she was eventually lured out of the cave, while Susanoo was banished from Heaven. Amaterasu had in her possession three items which she would bequeath to her descendant Ninigi, one of the first emperors of Japan. These items would become the Imperial Regalia of Japan. Amaterasu is still worshipped to this day, with shrines to her scattered throughout Japan.

akg7247459 Jérôme Bonaparte, King of Westphalia, (brother of Napoleon I), Ajaccio 15.11.1784 - Castle Villegenis 24.6.1860. - "Jérôme Bonaparte-Patterson at the bust of his father Jérôme". - (Jérôme Bonaparte-Patterson (1805-1870), first son of Jérôme Bonaparte). Painting, circa 1808-1810, by François Josèphe Kinson (1771-1839). Oil on canvas, 80.5 × 60.5 cm. Inv.no. 1875/837a. Kassel, Neue Galerie. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: FRANCOIS JOSEPH KINSON.

alb5431795 Folios f 44v-45r. Codex Madrid I (Ms. 8937) "Treaty of statics and mechanics", 192 folios with 384 pages. Internal format: 215 x 145 mm. APPLIED MECHANICS (COMPONENTS). APPLIED MECHANICS (MACHINES AND WITS). PRINCIPLES OF MECHANICS, CINEMATICS, DYNAMICS. Museum: BIBLIOTECA NACIONAL DE ESPAÑA, MADRID. Author: LEONARDO DA VINCI.

alb3621361 Self-Portrait. Dimensions: Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm). Draftsman: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Date: ca. 1795-97.Goya is highly regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. Between October 1792 and February 1793 Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Deprived of his hearing, the interior world that Goya must have inhabited is well expressed in this portrait, where the intensity of his thoughts seem manifest in his gaze. The head is the only carefully resolved part of the sheet, his garments are only lightly indicated. The badge attached to his lapel is inscribed with his name 'Goya'. The purpose of the drawing is not known. It might have been made purely through self-reflection and his desire to capture his physical likeness reflecting his psychological state, or possibly as a sheet to give to a friend or even, as an idea to later develop into a print. Museum: Metropolitan Museum of Art, New York, USA.

alb3610736 Shiba, Akabane no Yuki. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/8 x 14 15/16 in. (25.7 x 37.9 cm). Date: ca. 1837. Museum: Metropolitan Museum of Art, New York, USA.

alb3787110 Francisco de Goya y Lucientes / 'Folly of fear'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper. Museum: Museo del Prado, Madrid, España.

alb3669831 Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y á otra.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm)Sheet: 9 7/8 × 13 7/8 in. (25.1 × 35.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

akg2141909 Aznavour, Charles, born Shahnour Vaghinag Aznavourian. French chansonnier and film actor of Armenian origin. Paris 22 May 1924 - Mouriès 1 October 2018. In his house in Galluis (Dép. Yvelines, France): Charles Aznavour with his wife Ulla Thorsell in the living room. Photo, October 1967. Copyright: For editorial use only.

akg320628 Illumination, Burgos, 1175-1185. Illustration for apocalypse. Illustration for commentary of the Beato de Liebana on apocalypse and on book Daniel (In apocalypsin commentarius), written 786. Illuminiated in monastery San Pedro de Cardeña. On parchment, 445 × 330 mm. Fol. 108 r, Madrid, Museo Arqueologico Nacional. Museum: Madrid, Museo Arqueológico Nacional. Author: ANONYMOUS.

akg383484 Timur, (Timur Lenk, Timur-i-Long, Tamerlan); Asian conqueror of Turco-Mongol descent; founder of the Timurid dynasty in Persia and Transoxiana; Kesh (Chagatai Khanate) 8.4.1336 - Otrar near Shymkent 19.1.1405. "Tamerlan has defeated the Turks at Angora and has Bajazet brought before him, 1402". Colour lithograph, 1905/06. Collectors' card from Liebig Company's Fleisch-Extract. From the series: Great Conquerors II. Printing: Liebich & Kuntze, Leipzig. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg078202 Columbus, Christopher Navigator, discoverer of America. 1451-1506. Page 13 of the book "Imago Mundi" by Kardinal Pierre d'Ailly (1350-1420) with original marginal notes by Columbus (including "The Earth is round and spherical"). Seville, Biblioteca Colombina. Museum: Seville, Biblioteca Colombina.

akg683322 Baselitz, Georg geb. 1938. "Der Wald auf dem Kopf", 1969. Öl auf Leinwand, 250 x 190 cm. Schenkung Ludwig 1976. Inv.Nr. ML 1254. Museum: Museum Ludwig., Cologne.

akg155687 Baselitz, Georg geb. 1938. "Ein moderner Maler", 1966. Öl auf Leinwand, 162 × 130 cm. Berlin, Berlinische Galerie. Museum: Berlin, Berlinische Galerie. Copyright: Additional copyrights must be cleared.

akg142159 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Abraham and the three angles. Woodcut. Folio 17 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg298891 Baselitz, Georg geb. 1938. "Der nackte Mann", 1962. Öl auf Leinwand, 114 × 146 cm. Sammlung Kleihues. Copyright: Additional copyrights must be cleared.

akg1426324 Baselitz, Georg; geb. 1938. "Sieben mal Paula", 1987/88. Öl auf Leinwand, 195,3 x 172 cm. Museum: Museum Slg. Frieder Burda., BADEN-BADEN.

akg1657591 Oscar Wilde, English writer of Irish origin. Dublin 16.10.1854 - Paris 30.11.1900. Portrait, New York, January. 1882, by Napoleon Sarony (1821-1896).

akg7413054 2. Weltkrieg, deutsche Besetzung von Griechenland: DRK Schwestern und Verwundete auf der Terrasse des Krankenhauses Sismanoglion in Attika, das als Lazarett für Soldaten der Wehrmacht dient. - Mai 1941. Zensurvermerk: Frei.

les60250104 During a nine-day state visit to Austria, Nikita Khrushchev paid an informal visit to a farm at Rust, Burgenland, which belongs to two brothers of President of parliament Leopold Figl. Khrushchev seems to enjoy the farm-food and local wine. Author: ERICH LESSING. Location: Rust, Burgenland,, Austria.

alb3653284 Armor (Yoroi). Culture: Japanese. Dimensions: as mounted: H. 58 1/2 in. (148.6 cm); W. 34 1/2 in. (87.6 cm); D. 28 in. (71.1 cm). Date: 18th century.During the eighteenth century, there was a revival of interest in medieval Japanese culture. As the demand for historical styles of armor began to increase among the wealthy lords, contemporary armorers studied the older forms and techniques in order to duplicate them. This example imitates a yoroi of the twelfth to thirteenth century. It is characterized by a helmet with prominent rivet heads and a wide, flaring neck guard and by a large cuirass with a separate panel on the right side, large square shoulder guards, and a deep four-sided skirt. Museum: Metropolitan Museum of Art, New York, USA.

alb4131897 Saint Jerome and the Lion. Master I.B. with the Bird (Giovanni Battista Palumba); Italian, active c. 1500-1525. Date: 1504-1514. Dimensions: 292 x 215 mm. Woodcut in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4157019 Ben Shahn (Kovno, 1898-New York, 1969). Carnival (1946). Tempera on masonite. 56 x 75.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4157137 Zurbarán (Fuente de Cantos, 1598-Madrid, 1664). Christ on the Cross (ca. 1630). Oil on canvas. 214 x 143.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: FRANCISCO DE ZURBARAN.