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Página 1 de 100

akg8224188 Mongolia. - Map of Mongolia. - Detail. Mongolian, 19th century, inscribed in Uighur script. On canvas. Ulan Bator, State Central Museum. Author: ANONYMOUS.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg638283 Pollock, Jackson; 1912-1956. "The Tea Cup" (From Accabonac Creek Series), 1946. Oil on canvas, 102 × 70,5 cm. Baden-Baden (Germany), Museum Frieder Burda. Museum: Baden-Baden, Museum Frieder Burda. Copyright: © Jackson Pollock. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.
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akg174218 Miró, Joan Spanish painter, Montroig 20.4.1893 - Palma de Mallorca. 25.12.1983. Photo, without date or location details. (c. 1960?).
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akg191642 Warhol, Andy 1928-1987. "Two Gold Mona Lisa", 1980. Acrylics and silk screen print on canvas. 67.5 × 101.6cm. New York, Jose Mugrabi Collection. Copyright: © Andy Warhol / www. arsny. com.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg077944 Wagner, Richard; German composer; 1813-1883. Works: Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg), 1868. - Design for stage set IV "Festwiese" (fairground). BayreuthFestival production, Germany, 1933/34. - Drawing (in colour) by Emil Preetorius (1883-1973). Copyright: © www. preetoriusstiftung. de.
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akg077881 Wagner, Richard; German composer; 1813-1883. Works: Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg), 1868. Design for stage set IV "Festwiese" (fairground). Production at Deutsche Oper Berlin, Germany, (premiere: 17. 11.1935). Stege set design: Benno von Arent (19.7.1898 - 14.10.1956). Colour print after a watercolour. Copyright: Additional copyrights must be cleared.
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akg078634 Wagner, Richard, Composer, 1813-1883. Works: Götterdämmerung (Premiere 1874). Festival Bayreuth 1954: Scene in the 2nd act. (Produced by Wieland Wagner). Photo.
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akg3010423 Herter, Ernst; 1848-1917. "Sterbender Achilles", um 1880. Skulptur.
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akg3092080 Wübbel, Bernhard; 1921-2013. "Tossa - Castle". Photo, 1960.
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akg4445777 Sea battle of Lepanto, 1571. Naval crash between the fleet of Mehmet Alì Pasha and that of the alloy Saint, composed of papal Spanish, Venetians and to the commando of don Giovanni of Austria. the Turkish fleet was destroyed by the Christian forces, but that Victoria was not sufficient to block Turkish expansionism in the Mediterranean. Detail from painting of anonymous person of the 16th century.
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akg6550646 Andy Warhol, 1928-1987. "Four White on White Mona Lisas Four Gold on White Mona Lisa" (Four Mona Lisa in White on White Four Mona Lisa in Gold on White), 1980. Acrylic and silkscreen on canvas, 134 × 204 cm. Private collection. Copyright: © Andy Warhol / www. arsny. com.
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alb2019372 Antonello da Messina / 'The Antwerp Crucifixion', 1454-1455, Oil on wood, 59.7 x 42.5 cm. Museum: Koninklijke Museum Shone Kunsten, TORRE DEL LAGO, Belgien. JESUS. VIRGIN MARY. Juan el evangelista.
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alb9659013 Ilustración de August von Kreling de Fausto de Goethe.
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alb29109888 Amphora, unknown Cypriot workshop, Scen.Gal.Klass., Cyprus - partage. Geometric motifs, Cypriot pottery. Amphora with a low foot, wide neck, and upturned vices. Rounded belly. Surface covered with geometric decoration emphasizing the structure of the vessel; decoration composed of concentric bands and circles. 850-700 BC previously dated 750-600 BC; Cypriot-Archaic Period I. Cyprus, vessel. Height 54 cm, width 35 cm, weight 7.40 kg., An ancient pottery vessel with a flared rim and two small loop handles rising from the shoulder stands against a plain gray background; its surface shows a cream-colored base with bands and decorative patterns in black and reddish-brown, including concentric circle motifs and horizontal stripes that encircle the neck and shoulder, and the vessel shows areas of surface wear and variation in tone.
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alb29109887 Maison carrée à Nismes, Exterior of the Maison Carrée in Nîmes, France, print, page, inscription: 'Rittner & Goupil Boulevd Montmartre 15', inscription: 'Hr. Bossance Quai Voltaire 11', inscription: 'NP Lerebours Place du Pont Neuf 15', printmaker: J. Callow, after drawing by anonymous, after photo by Noël Marie Paymal Lerebours, Nîmes, publisher: Noël Marie Paymal Lerebours, Paris, publisher: Rittner & Goupil, publisher: Jean-Hector Bossange, in or after 1839 - in or before 1841, printer (person), paper, aquatint, height 149 mm x width 207 mm, temple, shrine, Roman religion, façade (of house or building), Maison Carrée, A large stone temple with a row of tall fluted columns topped by ornate capitals stands on a raised platform, its pediment and richly decorated frieze visible beneath a tiled roof; the façade shows worn blocks and sheltered niches, and a set of steps leads up to the platform. In front of the temple a metal fence runs along the sidewalk with lampposts placed nearby. Several people in period clothing stand or walk by the fence, including a small group conversing by a lamppost and others spaced along the pavement. Flanking buildings with multiple windows and sloped roofs are visible on either side of the temple. The scene is rendered in a monochrome, etched style with detailed shading.
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alb29102527 Two lions fighting over an antelope, print, annotation: '1st proof', printmaker: Eugène Van Hove (signed by artist), 1879 - 1910, paper, etching, intaglio printmaking technique, height 222 mm x width 303 mm, beasts of prey, predatory animals: lion, hoofed animals: antelope, A detailed monochrome etching shows two large big cats lying on the ground amid grasses and low bushes; one cat is on its side with a prominent flowing mane and a snarling facial expression, the other is positioned with muscles and limbs tensed and its mouth open as if vocalizing or lunging; their paws and claws are visible, and the scene includes textured rocks and tufts of grass in the foreground with dense, sketchy shrubbery and a distant low horizon in the background.
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alb29102506 Zermatt, View of Zermatt, Switzerland, page, photomechanical print, maker: L. Détard, maker: Institut Graphique de Zürich, c. 1892 - in or before 1897, paper, collotype, photoprint, height 117 mm x width 165 mm, prospect of village, silhouette of village, mountains, A sepia-toned mountain landscape showing steep, rugged peaks with patches of snow near their summits and forested slopes descending into a valley where terraced fields and scattered trees appear; a village sits in the valley foreground with clustered buildings including a structure topped by a steeple and other multi-story roofs, while rocky ridges and grassy slopes frame the scene and a small wooden shelter stands on a hillside at the right edge.
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alb29109889 German Village.- on the Midway, View of a recreated German village at the World's Columbian Exposition in Chicago in 1893, page, photomechanical print, number: 'Plate 100', photographer: Charles Dudley Arnold, Chicago, photographer: HD Higinbotham, cliché maker: anonymous, 1893, Charles Dudley Arnold, HD Higinbotham, photographer, cliché maker, North America, Illinois, paper, collotype, photoprint, height 133 mm x width 191 mm, world fair, world exhibition, World's Columbian Exposition, A panoramic view of timber-framed buildings with steep, multi-gabled roofs and ornamental spires, featuring dormer windows and decorative half-timber patterns on upper walls, a tall tower with a covered balcony and a pointed roof rising above the central structure, arched openings and rectangular windows on lower levels, a foreground wall with an arcade and a lamppost casting a shadow on the lawn, awnings over entrances, bare tree branches visible at the left edge, and a skyline of varied rooflines and finials against a pale sky.
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alb29102588 View of Crayestein House in Tricht, The Krajestijn House, in the County of Buuren, Village views across the Linge, print, Series number, 10, 12, Numbered top right: 10., printmaker: Antoine Radigues, after drawing by Jan de Beijer, publisher: Pierre Fouquet, Amsterdam, 1750 - 1764, paper, etching, height 149 mm x width 210 mm, This print first appeared in a series of twelve prints published by Pierre Fouquet junior in the second half of the eighteenth century. This series consisted of prints of: Spijk, Nieuwland, Heukelum (3x), Ensapijk, Leerdam, Deil, Gellicum, Asperen, Acquoy and Craijenstein (near Tricht). Later, these prints were used in: Gezigten van voornaame Hollandsche dorpen. Amsterdam: Evert Maaskamp, ca. 1775-1800., landscape with tower or castle, Tricht, A finely detailed black and white etching shows a riverside scene with a tall stepped-gable brick building rising from the water at the center, its roof pitched and topped by a small tower with a flag. A wooden bridge and sluice structure adjoin the building, spanning the water and reflecting in the river below. Trees with dense foliage frame both sides of the composition, with clusters of smaller houses and architectural elements partially visible among the trees. Figures in period clothing stand and converse near the riverbank and pathways, and a fenced garden area and a gate appear on the right. The sky is filled with layered, linear cloud formations rendered with parallel hatching.
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alb29102577 Portrait of Isaac da Costa, I. Da Costa, print, poet and prose writer, bareheaded. Knee-length, seated in a chair turned to the left., printmaker: Johannes Philippus Lange, after drawing by Coenraad Hamburger, publisher: JH Laarman, 1820 - 1849, paper, steel engraving, height 228 mm x width 147 mm, Person, Gijsbertus Martinus Cort Heijligers, A monochrome engraving shows a seated man wearing a dark, textured coat with wide lapels over a buttoned vest and a high-collared shirt with a cravat, his hair short and wavy with sideburns, his face turned slightly toward the viewer with a neutral expression, one hand resting on his knee and the other on the arm of an ornate upholstered chair with carved wooden frame and curved armrest, the figure positioned against a plain light background with soft shaded areas behind the chair and a large flowing signature-like flourish visible below the seated portrait.
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alb29102560 Ship in a ditch, The wreck of the 'Fata Morgana' (original title), print, printmaker: Willem Bastiaan Tholen (signed by artist), c. 1905 - c. 1920, paper, lithography, lithografie, height 350 mm x width 542 mm, sailing-ship, sailing-boat, small canal, ditch, A pencil sketch shows two moored boats resting along a calm shoreline, their hulls and superstructures rendered with varied shading and loose lines; one boat is tilted slightly toward the viewer while the other sits alongside it, masts and spars rising and ropes draping; dense foliage and trees fill the left background with scribbled leaves and textured trunks, and reedlike grasses appear at the right edge; a wide expanse of water stretches behind the boats toward a distant, low horizon with faint landforms and a small structure, and reflections and ripples are indicated near the boats and along the shore.
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alb29102574 Das Carls-Eisfeld von der Ochsenwieshöhe, View of the Hallstätter Glacier, page, photomechanical print, number: 'VIII.', photographer: Friedrich Simony, Salzburg (city), cliché maker: Friedrich Bruckmann, Vienna, publisher: Eduard Hölzel, c. 1879 - in or before 1889, Lower Austria, paper, collotype, photoprint, height 147 mm x width 187 mm, glacier, Hallstätter Gletscher, A monochrome landscape showing layered rocky terrain rising toward jagged mountain peaks, with textured rock faces and crevices in the foreground and midground, patches of lighter smooth surfaces suggesting snow or ice tucked between ridges, and a sky filled with soft, billowing clouds above the peaks.
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alb29102591 Prospect des Marcktes gegen Mittag, View of the Market, at Rothenbrug ob der Tauber, print, Numbered top right: 5., publisher: Adam Wolfgang Winterschmidt, 1758 - 1796, printmaker, paper, etching, engraving, height 198 mm x width 302 mm, square, circus, Bavaria, Rothenburg ob der Tauber, A spacious town square is bordered by tall, steep-roofed buildings with ornate gables and rows of windows, a multi-story structure with a tower stands to the right, and a large building with arched openings and steps occupies the near right corner; a fountain with a sculptural column sits near the center front of the square, and a well or covered shaft with a crank mechanism stands slightly left of it; people in period dress are scattered across the cobbled surface in small groups and pairs, some near horse-drawn carts and carriages, while riders on horseback appear on the square and at the street edges; narrow side streets extend between the clustered buildings toward the background, and distant rooftops and hilly terrain are visible beyond; the sky above is filled with layered, textured clouds.
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alb29102549 Buddhist text - Prayer for rebirth in the pure land of Sukhavati called Dechen Monlam, by master Raga Asja the first reincarnation of the Karma Chagme lineage Tib. rnam dag bde can zhing gi smon lam ra+a ga a syas mdzad pa bzhugs sto, unknown role of the creator / author, Buddhist art, Tibetan culture, prayer text, graphic print. Book in Tibetan pecha style, xylographic print in disciple script dbu can. Pages numbered on the recto side first page verso, 25 folios. 1 verso page and 2 recto illustrations. Edges tinted yellow. The original text of the prayer called Dechen Monlam Tib. bde chen smon lam, by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet. Graphic; width 25.5 cm, height 8.7 cm., A rectangular image showing two horizontal cream-colored paper sheets placed on a dark brown background, each sheet containing a framed block of hand-drawn dark gray markings arranged in lines; the top sheet is positioned above the lower sheet with a dark gap between them, and both sheets show narrow yellowed edges and slight smudges and worn corners in gray; the framed blocks have thin double borders and the paper surfaces display subtle off-white and beige variations.
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alb29102548 Mountain landscape with ancient buildings, print, printmaker: Christian Haldenwang, after design by Heinrich Theodor Wehle, publisher: Franz Nöldeke, Karlsruhe, 1804, Baden-Württemberg, paper, aquatint, height 127 mm x width 177 mm, A wide monochrome landscape showing distant mountains under a sky with layered clouds, a rocky plateau with classical temple ruins perched near the edge, steep cliffs dropping to a body of water, dense trees and shrubbery in the foreground, and two small human figures standing near the shore facing the scene.
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alb29102546 Farmer's wife of Walcheren, print, The head of a woman in Walcheren traditional costume., printmaker: Hendrik Johannes Haverman, printer (person): Lankhout & Co, Samuel, The Hague, 1897-10-17, Hendrik Johannes Haverman, Lankhout & Co, printmaker, printer (person), paper, lithography, lithografie, height 406 mm x width 302 mm, A detailed black and white portrait of an elderly woman shown in profile facing right, wearing a large triangular headscarf with a scalloped edge, a beaded necklace, and a simple garment; her face and neck show deep wrinkles and textured skin, her brow is furrowed and her nose is prominent, and the background behind her is dark and shaded.
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alb29102597 Eccho on the Precaution, And Allusions to the Inserted Plate, Echo accompanying the print with the allegory on the virtue of Austria, 1742, text sheet, Echo belonging to a separate edition of the print with the allegory on the virtue of Austria in the War of Austrian Succession, 1742. Folded sheet printed on four sides with an explanation of the allegory in verse form., writer (clerical worker): anonymous, Northern Netherlands, writer (clerical worker), paper, letterpress printing, text in letterpress, height 220 mm x width 145 mm, The accompanying print was also used as an illustration in: Willem van Haren. The four excellent poems, together with the Polybius, as well as all the poems of praise that appeared for and against them, with a fine title plate. Harderwijk: Dionies van Lennep and Amsterdam: Arnoldus Olofsen, p. 106, 107 with the explanation of the scene in verse form., War of Austrian Succession, Period, A sheet of aged, off-white paper with printed dark ink markings arranged in large spaced lines near the top and smaller lines of dense printed text filling the lower portion, showing varied typeface sizes and spacing, with some ink irregularities and slight smudging; the paper surface displays a subtle textured grain and faint discoloration spots, and there is a small decorative mark near the bottom edge.
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alb29102554 The seamstress (original title on object), print, printmaker: Philip Zilcken (signed by artist), after design by Jozef Israëls (signed by artist), 1890 - 1930, paper, etching, drypoint, intaglio printmaking technique, height 222 mm x width 182 mm, adult woman, sewing, A sepia-toned drawing shows a seated figure wearing a head covering and a simple dress, holding fabric and needlework in their hands while looking downward; the figure sits on a wooden chair with visible slats and a woven seat, and long folds of the skirt drape over the legs and feet. To the left there is a window with panes and a light curtain partially drawn, casting lighter tones against the darker interior wall panels behind the figure. The room is rendered with fine crosshatching and textured shading, creating contrasts between the illuminated window area, the mid-tones around the figure, and the deep shadowed corners of the space.
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alb29102545 Fountain, ornament print, Fountain with three female figures and three putti with shells. Part of 'Seconde livre d'architectvre' (1561): 64 etchings with ornamented architectural parts., printmaker: Jacques Androuet, Paris, after design by Jacques Androuet, publisher: Jacques Androuet, printer (person): Jacques Androuet, 1561, Jacques Androuet, printmaker, publisher, printer (person), paper, etching, height 270 mm x width 190 mm, height 410 mm x width 275 mm, piece of sculpture, reproduction of a piece of sculpture, garden fountain, architectural design or model, ornamental fountain, A finely detailed line drawing of a multi-tiered fountain featuring a central nude female statue standing on a pedestal with one hand near her chest and the other holding a jug, flanked by two draped female figures positioned within vertical architectural niches; ornate columns and decorative capitals support an upper tier with reclining cherubic figures and scrollwork, where water streams arc outward from stylized sea creature spouts and from the jugs, and a small ornamental finial with decorative animals crowns the top.
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alb29102509 Guanyin Giving Birth to a Son on a Rock; sculptor unknown. Figurine of the goddess made of light coffee-colored alabaster, on a stone base feldspar with red and pink spots, painted with black lacquer. Goddess holds a rosary in her right hand and a child in her left. Chinese; Qing dynasty 1644-1911; 18th-19th century. Sculpture; height 18.2 cm, width 13.8 cm., A carved figure in a warm beige color sits on a dark, glossy black base that resembles a rocky form; the figure appears draped in flowing robes with layered folds and holds a smaller figure on its lap, with a string of beads hanging from one hand and a headpiece with soft curls atop the larger figure's head; the background is a smooth gradient from deep charcoal at the top to pale gray near the bottom.
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alb29102539 Landscape with three sheep, print, printmaker: Simon van den Berg, Netherlands, 1822 - 1899, paper, chine collé, etching, proof print of etching on chine collé, height 93 mm x width 145 mm, sheep, A monochrome etching showing a pastoral scene with a large woolly sheep standing near a leafy bush at the left edge and two smaller sheep reclining on the ground to the right, rendered with fine crosshatching and line work; the standing sheep faces the bush with its head partially turned and its thick fleece detailed with dense strokes, while the reclining sheep show curved backs and relaxed poses; a textured foreground of grass and scattered small rocks extends beneath them and a distant, lightly sketched landscape with low hills occupies the background beneath a mostly empty sky.
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alb29102551 Les deux Femmes au Zodiaque, Photo reproduction of an engraving of two young women with a zodiac in the background by Marcantonio Raimondi, Marc Antoine Raimondi, photograph, reproduction, page, photographer: Benjamin Delessert, after print by Marcantonio Raimondi, after design by Rafaël, c. 1848 - in or before 1853, Marcantonio Raimondi, after print by, paper, salted paper print, height 277 mm x width 193 mm, adolescent, young woman, maiden (two persons), zodiac, the twelve zodiacal signs together, A monochrome engraving showing two draped women standing outdoors beside a tree and a rectangular plinth; the woman on the left is seated on the plinth with one foot on it and holds an open book or tablet, her head bowed and hair braided back, while the woman on the right stands slightly turned toward the left with flowing hair and a draped garment, one hand resting on the edge of the plinth and the other holding a narrow object; foliage appears behind them and there are shaded rays or bands in the upper right of the image.
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alb29102573 Veduta di dentro del Palazzo de ss.ri Falconier, Facade of the courtyard of Palazzo Falconieri, Roman palaces, Palazzi di Roma, Palazzi di Roma dei più celebri architett, print, album page, Print is part of an album., number: '81', printmaker: Giovanni Battista Falda, Italy, after design by Francesco Borromini, Rome, publisher: Giovanni Giacomo de' Rossi, grantor of privilege: Papal Court, Vatican City, dedicated by: Giovanni Giacomo de' Rossi, dedicated to: Antonio Barberini (I), in or after 1655, Giovanni Giacomo de' Rossi, Papal Court, Antonio Barberini (I), printmaker, after drawing by, after design by, publisher, grantor of privilege, paper, etching, height 321 mm x width 359 mm, This print is part of the series titled: Palazzi di Roma. This series consists of two books. Book one, titled: Palazzi di Roma dei più celebri architetti..., consists of 44 prints attributed to Giovanni Battista Falda (name appears only on print 27) and published by Giovanni Giacomo de'Rossi. These 44 prints are known in two states (with and without number). Book two, titled: Nuovi disegni dell'architetture... libro secondo, contains 66 prints by Giovanni Battista Falda and Simone Felice. These 66 prints are known in two states (with and without number)., palace, façade (of house or building), inner court of palace or 'hôtel', Palazzo Falconieri, A detailed architectural elevation showing a facade with multiple horizontal bands and vertical pilasters, rows of rectangular window openings with decorative cornices above some, rounded arch recesses set into flat wall panels, fluted column-like elements and plain rectangular panels, a tiled roof with a pronounced cornice, and repetitive molding and shadow lines creating a sense of depth across the surface.
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alb29102571 You-type vessel with a lid on a stand, Chinese art, Qing dynasty 1644-1911, Qianlong period 1736-1795; cloisonné cellular enamel ritual/ceremonial vessel you decorated with images of birds and a taotie mask in powerful stylization; decorative motifs and plastic insets borrowed from archaic bronzes, with animal-head terminals on the movable handle; wooden elongated stand mattly polished rosewood decorated with bas-relief bats and spiral ornament; originally used as a vessel for storing alcoholic beverages during the Shang Dynasty. Dimensions - vessel: H 39.0 cm, W 24.0 cm, D 19.0 cm, weight 5.6 kg; stand: H 55.0 cm, W 30.0 cm, D 18.0 cm, weight 1.8 kg., A decorative vessel with a rounded body and a domed lid sits on an ornate carved wooden stand, the vessel suspended by a vertical carved wooden handle that rises above it; the vessel is richly patterned in bright blue and light blue with accents of gold and touches of red and green, and features symmetrical decorative motifs and gold ornamental fittings on its sides and rim; the wooden elements are deep brown with intricate carved details and the background is a neutral gray.
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alb29102529 Double-sided gingerbread mold; obverse: female figure in a hat and long patterned dress; reverse: baby in swaddling clothes richly decorated with geometric and plant ornament. Rectangular form, decorative folk-art style, 18th-19th century, Province of Silesia 1742-1918. Dimensions: height 23.5 cm, width 9.5 cm, depth 2.6 cm. Subjects: babies, customs, plant ornaments, female figures in rich dresses., A narrow vertical wooden plank centered against a plain light gray background, showing a light brown wood tone with a worn surface, several small dark round holes scattered along its length, some darker scuff marks and a faded oval patch of darker brown near the upper middle, and slight edge wear and chipping at the bottom.
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alb29102524 Teachers of Friend's School, Providence, R.I. Group Photo., 1850 - 1930, 1874, Rhode Island, Providence (R.I.), Quakers, Teachers, Albumen prints.
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alb29102583 The ruined cities of Ceylon, book, name: 'J. Hanley Power', writer (clerical worker): Henry William Cave, publisher: Sampson Low, Marston & Company, London, 1897, writer (clerical worker), textile materials, pasteboard, paper, linen (material), printing, Woodbury engraving, color on cut, Woodbury engraving and color on cut, height 285 mm x width 225 mm x thickness 33 mm, A light-colored page with ornate decorative lettering across the top center and left, a pair of large ornate initials with swirling leaf-like embellishments, smaller plain characters between and below them, a short horizontal rule near the middle, a faint vertical smudge near the left edge, a narrow darker strip along the left margin, a few small scattered brown spots on the paper, and light printed lines and small printed blocks of text near the lower half of the page.
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alb29102543 Jupiter and Juno, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, print, Series number, 6, 29, Jupiter sits on the bed with an eagle at his feet. Juno also climbs into the bed. Behind her stands a peacock. The print originally belonged to liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet book 10)., collector's mark: 'Hinloopen', printmaker: Carlo Cesio, Rome, after design by Annibale Carracci, Italy, publisher: François Collignon, grantor of privilege: Alexander VII, Vatican City, 1656, Carlo Cesio, Annibale Carracci, François Collignon, Alexander VII, printmaker, after design by, publisher, grantor of privilege, paper, etching, height 233 mm x width 217 mm, height 379 mm x width 360 mm, A detailed black and white engraving shows two partially draped figures seated on a cushioned surface with heavy drapery behind them; a muscular bearded man with long curly hair leans toward a standing woman, his arm around her waist and his head resting near hers, his eyes closed and his torso turned slightly forward, while the woman, with wavy hair pulled back, faces him with one hand holding a length of cloth and the other resting on his shoulder, her upper body exposed and a fabric belt around her waist; folds of cloth and textured shading define the bedding and garments, and an eagle with outstretched talons appears near the man's leg at the lower right, while a patterned vertical panel and woven textures fill the background.
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alb29102579 Young woman kneels before her mother, print, Surrounded by several men, a young woman sits with clasped hands in a kneeling position before her seated mother., printmaker: Reinier Vinkeles (I), Amsterdam, 1799, paper, etching, engraving, etching and engraving, height 239 mm x width 156 mm, Illustration from: Richardson, Samuel. History of Karel Grandison. Amsterdam: Johannes Allart, 1797-1802., picture, painting, mother and daughter(s) (family group), kneeling figure, A monochrome engraved interior shows a seated woman in a full dress holding the hands of a kneeling young girl in a flowing gown, with the girl's back to the viewer and her long hair visible; three standing men in period clothing and wigs look on from the right and left, two leaning forward and one with arms crossed, while one man rests a hand on the seated woman's chair; a window with draped curtains is visible at the left, a partially open door and framed picture hang on the wall behind them, and a single empty chair stands in the foreground.
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alb29102504 Wheatnut, drawing, draftsman (artist): Pieter Holsteyn (I), 1600 - 1662, draftsman (artist), paint (coating), watercolor (paint), paper, gouache (paint), gouache in colors, height 156 mm x width 198 mm, song birds: wheatear, A side view of a small bird standing on a pale, uneven surface with long thin dark legs and clawed feet, featuring a streamlined body with grayish upperparts, warm buff coloring on the throat and upper chest, white underparts, and darker brown wings and tail; the bird has a short pointed dark beak, a rounded head with a dark eye, and fine feather detail against a light, textured background.
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alb29102559 View of a state peat press machine in the low moor southeast of Amsterdam, In the low moor, Collection A, Geographical sculpture gallery, collected by MJ Broekhuijsen, headmaster of a school in Amsterdam, stereograph, inscription: SE of Amsterdam. The state peat press machine extracts the peat, presses it, and cuts peat blocks from it. See pl. 24.', number: 'A.23.', number: '23.', Amsterdam, publisher: Merkelbach & Co., compiler (person in literature): Martien Johan Broekhuijsen, 1900 - 1902, Merkelbach & Co., Martien Johan Broekhuijsen, photographer, publisher, compiler (person in literature), pasteboard, paper, albumen print, albumendruk, height 87 mm x width 176 mm, peat-cutting, world fair, world exhibition, A sepia-toned scene showing a body of water in the foreground and a narrow strip of land with grassy edges above it, behind which a working structure stands near the right edge; the structure has a tall vertical pole, a ladder-like frame, a small roofed section, visible machinery and pulleys, and several people clustered around its base, while the left background shows rounded haystacks on flat land under a pale sky.
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alb29102578 Portrait of Willem Karel Hendrik Feuilletau de Bruyn, print, printmaker: Johan Hendrik Hoffmeister, Netherlands, printer (person): Koninklijke Steendrukkerij van E. Spanier, The Hague, c. 1851 - c. 1883, printer (person), paper, chine collé, lithography, lithography on chine collé, height 400 mm x width 285 mm, historical persons ((full) bust portrait), knighthood order, A monochrome portrait of a bearded man shown from the chest up wearing a dark military uniform with decorative shoulder epaulettes and a high collar, his hair neatly combed and a full beard framing his face, buttons running down the front of his coat and several ornamental medals on his chest, shaded sketching and fine dot work create highlights and shadows across his features and uniform against a pale background.
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alb29102530 View of the Roman Forum in Rome, album page, photograph, This photo is part of an album., inscription: '292 FORO ROMANO', Rome, 1870 - c. 1895, photographer, paper, pasteboard, albumen print, height 198 mm x width 257 mm, ruin of a building, architecture, Roman Forum, A wide sepia photograph of an archaeological site showing scattered stone ruins and fragmented columns across uneven ground, with three tall standing columns with carved capitals on the left and a large archway structure with decorative details on the right, a long multi-story building with many windows and a tower rising behind the central area, rows of arches and stone stairways amid the ruins, rubble piles and stone blocks arranged in the foreground, and two small human figures walking along a pathway near the center of the scene.
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alb29102533 Portrait of Henri d'Artois, print, : 'Déposée à la Direction générale', printmaker: Léon Mauduison, France, after drawing by Tassaert, publisher: Jean, Paris, 1848 - 1886, Léon Mauduison, Tassaert, Jean, printmaker, after drawing by, publisher, paper, stipplework, engraving, height 298 mm x width 210 mm, Person, Henri d' Artois (duc de Bordeaux, comte de Chambord), historical persons, armorial bearing, heraldry, A detailed monochrome engraving of a young person shown from the waist up wearing a military-style uniform with braided epaulettes and a sash crossing the chest, with ornate medals pinned to the coat and a decorative sword hilt at the waist, short wavy hair, a soft rounded face with wide eyes looking slightly to the side, and a lace collar at the throat; below the figure there is a circular emblem with a crown and laurel wreath and additional decorative elements and script partially visible at the bottom edge.
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alb29102532 Bottle, unknown eastern workshop, Goluchów Greater Poland Voivodeship, 3rd-4th century, vessel, height 10 cm, width 3.8 cm, A worn rounded vessel with a narrow neck and flared rim, shown against a light background; the surface is predominantly deep blue with areas of darker navy and patches of lighter blue, along with several irregular mottled spots of brown and tan discoloration and some textured rough areas; the rim and neck show darker blue and near-black tones; the base sits on a reflective surface that shows a pale gray reflection.
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alb29102500 A mold for making an amulet - Bes mask, Bes myth., mask amulet casting; mold, height 0.4 cm; 664-332 BC, Late Period, Egypt., A roughly spherical, textured object with a coarse, porous surface in shades of brown and tan, showing small pits and irregularities; a few small darker brown and black specks are scattered across the surface, and there is a faint area of darker grayish markings on one side against a plain light gray background.
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alb29102596 Double-sided gingerbread mould. Obverse: rectangular floral and geometric ornament; on one side a rectangular decorative motif containing a rosette and stylised plants; date engraved on the edge: 1806, in the middle of the date the letter S against the background of an anchor mark of the woodcarver or gingerbread maker. Reverse: image of the Archangel Michael in a long, patterned robe decorated with a plant twig motif, holding scales in his right hand and a sword in his left; at the feet of the figure a geometric-plant ornament. Materials/technique: wood, bas-relief. Style: folk art, religious motifs, figurative scene. Subject: Archangel Michael, angels. Origin: Silesia, Province of Silesia 1742-1918. Date: 1806. Dimensions: height 11.6 cm; width 30.5 cm; depth 3 cm. Creator: unknown woodcarver or gingerbread maker., A single long rectangular wooden beam is shown vertically against a plain light gray background, with a worn dark brown surface and lighter areas where the finish is scuffed, small circular holes along its length, and a few small patches of off-white wear near the ends.
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alb29102542 Print of Pastor Henri Thomas, print, The sitter is seated on a chair next to a table with a lectern on it. An open book lies on the lectern, above which stands a crucifix. The sitter has his left hand on his stomach. Below the portrait is a four-line Latin caption., printmaker: Johann Peter Berghaus, Leiden, 1860-07-14, printer (person), paper, chine collé, lithography, lithography on chine collé, height 371 mm x width 272 mm, height 358 mm x width 496 mm, historical persons, crucifix, personal devotion, book - MM - book open, lector, An elderly man with thinning hair sits in a carved upholstered chair wearing a dark buttoned robe with a wide textured sash around his waist, one hand resting on his abdomen and the other on his knee; to his right a small table holds an open book on a slanted lectern and a tall crucifix mounted beside it, and the scene is rendered in a detailed monochrome drawing with soft shading.
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alb29102522 Grabmal, Prudentia, Detail of the tomb of Pope Clement II in the cathedral of Bamberg, album page, photograph, This photo is part of an album., number: '135', Bamberg, 1900 - c. 1920, photographer, Bavaria, paper, baryta paper, gelatin silver print, developing gelatin silver print, height 166 mm x width 226 mm, Person, Clemens II, interior of church, Bamberg Cathedral, A grayscale photograph of a sculpted relief showing a seated nude figure viewed from behind and in profile, with a bobbed hairstyle and turned head, one arm bent and holding a large round vessel against the shoulder while the other arm rests downward, draped fabric cascading beside the figure, a textured stone background with diagonal streaking and surface blemishes, and the image bordered by a light brown mat.
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alb29102562 Vase, Chinese, Qing 1644-1911, ceramics; colored porcelain with landscape, architectural, and plant motifs; Bangping vase from the green family; cylindrical with a shortened neck on a wide, flat ring foot; decorated with the text by Wang Bo titled Prologue to the Poem on the Pavilion of Prince Teng and a landscape composition depicting the pavilion and its surroundings; 19th century, China; vessel; height 40.4 cm, diameter 17.8 cm, weight 2.7 kg., A tall ceramic vase with a cylindrical body and narrow neck standing against a neutral gray background; the vase surface is primarily white with a glossy finish and decorated with several bands of patterned ornament in green and reddish-orange near the neck and base, a group of dense vertical dark brushstrokes forming repeated columns across much of the body, and a few small red seals near the lower side; the top rim shows a decorative green scrolling motif and dotted border, the shoulder area has a green patterned panel with a small painted scene in muted colors, and the base features a green ribbed band above a thin brown foot ring.
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alb29102553 Descent from the Cross, print, printmaker: Christian Wilhelm Ernst Dietrich, Germany, 1730, paper, etching, height 275 mm x width 184 mm, descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached), A tall vertical etching shows a group of people clustered around a central figure being lifted near a wooden cross, with draped cloth hanging from the cross and a long pole leaning against it; the figures have varied postures and expressions, some supporting the central figure while others look upward, and one standing figure in profile is positioned to the right wearing a coat and boots; the composition is rendered in dense cross-hatching and fine lines creating deep shadow on the right side and lighter strokes on the left, with flowing garments and exposed limbs detailed throughout.
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alb29102503 Two men on a bench in the swimming pool, Les baigneurs, Men bathing, cartoon, print, Series number, 16, 30, printmaker: Honoré Daumier, printer (person): Aubert & Cie., Paris, publisher: Bauger, 1840-08-30, printer (person), paper, lithography, letterpress printing, height 244 mm x width 290 mm, Two thin, seated figures on a wooden bench face each other with hunched shoulders and expressive, gaunt faces; both wear minimal cloth wraps and have visible ribbing and muscle detail. The figure on the left sits with hands resting on the bench beside them, legs extended downward, and an anxious upward gaze. The figure on the right leans forward with one hand on the bench and the other raised near the chest, one leg bent with foot resting on the bench edge and the other leg hanging down with toes pointed. Behind them, a standing figure wrapped in a long garment is positioned near a vertical support beam and an arched structural element, while a small head appears above a lower platform at the right edge. The scene is rendered in monochrome pencil or charcoal with visible shading lines, wood grain on the floor and bench, draped cloth on the bench and floor, and vertical background markings suggesting a paneled interior.
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alb29102525 Medan. Medan Hotel, Garden and veranda of the Medan Hotel, photomechanical print, Part of Album with heliogravures of Sumatra's east coast., number: '9', photographer: Carl J. Kleingrothe, Medan, cliché maker: Johann Baptist Obernetter, Munich, in or before 1898, Carl J. Kleingrothe, Johann Baptist Obernetter, photographer, cliché maker, Bavaria, Sumatra, paper, photoaquatint, heliogravure, height 176 mm x width 290 mm, garden, trees: palm-tree, loggia, verandah, porch, A large building with a covered veranda is partly obscured by tall palm trees and other tropical foliage, with a wide driveway curving past manicured grass and planted borders, ornate columns and railings supporting the veranda, visible shuttered windows on the upper floor, a few potted plants and small decorative posts lining the lawn edge, and a person standing near the veranda under its shaded archways.
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alb29102510 Diptych of Clementinus consul of the East AD 513, photograph, page, number: 'Plate XXIII', c. 1858 - in or before 1868, photographer, paper, albumen print, height 197 mm x width 64 mm, ruler, sovereign, sculpture (relief, sculpture), A tall carved stone panel is shown with a central seated figure wearing layered garments and holding a staff, flanked by two standing figures with ornate clothing and headpieces, all beneath a round emblem and a cross; above them are two circular portrait medallions, and below the seated figure are decorative lion-like legs and a stepped platform; the lower section depicts two small cherubic figures with raised arms standing among carved decorative elements and rounded objects, and the panel is mounted on a pale background with slight spotting.
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alb29102587 Robert Macaire posing as a banker, Caricatures, Caricaturana, cartoon, Series number, 85, 100, printmaker: Honoré Daumier, printmaker: Charles Philipon, printer (person): Aubert & Cie., Paris, 1838, printer (person), paper, lithography, letterpress printing, lithography with text in letterpress on verso, height 358 mm x width 238 mm, Print possibly from: Le Charivari, July 9, 1838., banker, A pencil sketch of a group of men standing close together, most wearing tall top hats and long coats, with visible facial hair and expressive faces; one man in front holds a hand to his chest and leans slightly back while another opposite him gestures with open hands and has a lined, open-mouthed expression; behind them are other figures peering forward, some with downturned or neutral mouths; clothing includes high collars, scarves, waistcoats, skirts or aprons on one figure, striped trousers, and shoes; the scene shows uneven cobblestone ground and a stone wall or doorway at the left edge.
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alb29102513 Vitae Gaudium, Ex libris of Maurits Mendels, print, bookplate, Three swallows by a sheaf of corn., number: '41', printmaker: Richard Nicolaüs Roland Holst, 1924, paper, line block, height 160 mm x width 141 mm, Person, Maurits Mendels, song-birds: swallow, sheaf, A circular black and cream graphic with a thick black ring surrounding a central illustration of a person wearing a textured hat and a scarf, rendered in bold black lines and stippling, with decorative radial shapes and curved black segments around the rim.
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alb29102538 River landscape with fishermen, Picturesque landscapes, Croquis pittoresques by Eugène Cicéri, print, Series number, 23, number: '2082', printmaker: Eugène Cicéri, Paris, printer (person): Joseph Rose Lemercier, publisher: Goupil & Cie., 1854, printer (person), paper, tone lithography, height 284 mm x width 400 mm, commercial fishery, river (landscape with figures, staffage), low hill country (landscape with figures, A wide riverside scene rendered in muted tones showing a calm body of water bordered by grassy banks and clusters of trees, with reflections of the trees visible on the water's surface; a small boat floats near the far bank among dense foliage and tall trees rising above lower shrubs, while on the near bank a figure stands holding a long pole and another figure sits nearby wearing a wide-brimmed hat, with gentle hills and distant vegetation forming the background under a pale sky.
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alb29102567 Table Rock, looking down, in winter. Additional, American view, Niagara Falls., 1850 - 1930. New York (State), Niagara Falls (N.Y. and Ont.). Albumen prints.
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alb29102528 Device on an electromagnet for the mechanical operation of induction currents, photograph, page, number: 'No. 195.', photographer: Fredrich Wilhelm Funckler, Netherlands, c. 1857 - in or before 1867, paper, albumen print, height 59 mm x width 52 mm, Photo on page 16., physics (tools, instruments, laboratory equipment, scientific research), A sepia-toned photograph of a mechanical device mounted on a round wooden table is centered on an aged, stained page; the device features a large circular wheel with spokes attached to a central hub and a lever-like arm with a rounded handle, all rendered in dark metal tones, and the table shows visible legs and surface wear, while the surrounding paper has foxing spots and faint shadowed impressions.
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alb29102585 Fisherman's family on board a ship, print, The man is sitting with his legs over the edge of the ship and has his fishing rod in the water. Next to him, a boy is watching the bobber. Behind them, a woman is sitting under a tarpaulin with a small child on her lap. She is pouring coffee., printmaker: Hendrik Adriaan Christiaan Dekker, Amsterdam, after painting by Hein Burgers, printer (person): Jan Dam Steuerwald, The Hague, 1846 - 1863, Hendrik Adriaan Christiaan Dekker, Hein Burgers, Jan Dam Steuerwald, printmaker, after painting by, printer (person), paper, tonal lithography, tonal lithography in black with tone block in beige, height 355 mm x width 545 mm, family group, especially parents with their child(ren), sailing-ship, sailing-boat, fisherman, A close view of a boat's bow with rigging and a curved hull set at the waterline, showing a man seated at the edge wearing a hat, a vest over a light shirt, and holding a long pole while looking downward; beside him a child leans on the gunwale with a hand to the face; behind them a seated woman wearing a headscarf and a dark dress pours liquid from a teapot into cups arranged on a small surface; ropes, pulleys, and blocks run along the mast and deck, and faint buildings appear across the water in the distant background.
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alb29102518 Necklace, repossession Radom. Egyptian deities, udjat eyes, beads, spherical beads, ornaments. Necklace consisting of 67 straw-shaped beads, 117 flat rings, 10 double flat rings with two holes, 4 balls, 2 udjat eyes 1 eyelet in 2 parts, 1 deity figurine without preserved feet. Predominant color: green; single beads brick-red, brown, and white. 664-332 BC, Late Period, Egypt. Amulet, jewelry; height 98 cm., A beaded necklace arranged on a flat gray background, composed of a string of small cylindrical and disc-shaped beads in pale green and off-white, with several beads in muted pink and some round beads in green and yellowish tones; a larger pale green pendant with an irregular shape is attached near the lower center, and there are a few small rough stone or clay beads in beige and brown along the strand.
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alb29102570 View along the IJssel at Middachten Castle and Doesburg, View along the Steeg and the Yssel towards the House, Vüe le long du Steeg et de la riviere vers le Chateau, Views of Middachten Castle, Various beautiful and entertaining views of the old noble House of Middachten, print, Series number, 15, Numbered lower right: 15., printmaker: Hendrik de Leth, Amsterdam, printmaker: Adolf van der Laan, publisher: Andries de Leth, c. 1725 - 1731, paper, etching, height 163 mm x width 209 mm, A detailed monochrome landscape etched scene showing a wide sky filled with layered, textured clouds above a low horizon; a river curves through the middle ground with a small sailboat on its surface and gentle ripples around it; trees and dense shrubbery line the riverbank and foreground, rendered with intricate crosshatching; a distant village with roofs, a steeple, and a larger building sits across open fields, connected by a small bridge and bordered by scattered trees; figures appear near the lower left, with seated and standing people and a table, accompanied by a dog, and a cart with horses and figures is visible farther back along a road.
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alb29102564 Title page for: Hendrik Frijlink, One Thousand and One Nights, 1848, Arab women, print, title page, Bust of an Arab woman with turban and jewelry, surrounded by angels and putti. At the bottom a group of Arab women with veils, standing on a lily., printmaker: Andrew, Best & Leloir, maker: Rousseau, printer (person): KJ Gieben, Utrecht, publisher: C. van der Post (II), printer (person), paper, etching, height 222 mm x width 148 mm, Title page for: Frijlink, Hendrik. One Thousand and One Nights, Arab Tales. Part One. Utrecht: Post, C. van der (jr.), 1848. Print from a scrapbook with title prints, ornaments, etc. on blue paper, disassembled in 1983. According to a note on the verso, the print was on p. 192 of this album., Asiatic races and peoples (with NAME), A tall vertical engraving shows a large central portrait of a woman's head wearing a headscarf and bead-like adornments, framed by an ornate arch filled with floral scrollwork. Above the portrait are two winged cherubic figures perched on the arch. Below the portrait a group of five women dressed in flowing garments stand and dance with raised arms and draped scarves, surrounded by smaller cherubs who climb and play among the decorative foliage. At the bottom an elaborate stylized lotus-like motif and scrolling acanthus ornamentation form a heavy base, with additional small figures and decorative flourishes filling the side borders. The entire composition is rendered in fine linework with detailed shading on a pale background.
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alb29102508 Landscape with sheep herders, Brin de causette, page, photomechanical print, inscription: 'Association Belge de photographie.', photographer: Abbé Motus, cliché maker: Jean Malvaux, Brussels, c. 1893 - in or before 1898, paper, autotypie, height 119 mm x width 168 mm, landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, sheep, A sepia-toned rectangular image with rounded corners shows a grassy hillside dotted with grazing sheep and a dog lying on the ground; two men in long coats and hats stand near the center facing slightly toward each other while overlooking a distant village with church spires and low buildings set against rolling hills under a pale sky.
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alb29102590 Praying nun visited by cloister members, print, printmaker: Reinier Vinkeles (I), Amsterdam, 1798, paper, etching, engraving, height 233 mm x width 154 mm, one person praying, A monochrome engraving shows an interior with a high beamed ceiling and stone walls. A barred window lets light into the room. In the foreground a woman in a long robe and head covering kneels with one hand on her chest and the other extended toward two standing figures. A robed man wearing ornate liturgical vestments and a cross around his neck stands near an arched doorway, holding a hat in one hand and gesturing with the other toward the kneeling woman. Another woman in a robe and head covering stands beside him holding a book and a rosary with a cross, her expression solemn. A fourth, partially visible figure stands behind them. A simple bed with a turned bedpost is visible to the left and the floor is made of rectangular tiles. The image is composed of detailed crosshatching and fine line work.
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alb29102576 Ma biography, book, writer (clerical worker): Pierre-Jean de Béranger, publisher: Charles Arthur Perrotin, Paris, 1857, writer (clerical worker), biological material, paper, leather, albumen print, engraving, printing, height 224 mm x width 150 mm x thickness 33 mm, A pencil sketch of a standing man in profile facing left, shown from head to feet, wearing a long coat with a high collar and hands tucked into the coat pockets, with curly hair at the sides of his head, a downturned gaze, and lightly shaded clothing and shoes on an off-white background with scattered foxing marks.
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alb29102593 25 portraits of Mitzi-Dalti and Dolley, Collection Nilsson - Nouvelle Série, page, photomechanical print, number: 'No 317', c. 1895 - in or before 1900, paper, collotype, photoprint, height 239 mm x width 155 mm, historical persons - BB - woman, A vertical sheet showing a grid of sepia-toned portrait photographs of women in vintage dresses and hats, each image framed with a margin, arranged in rows and columns across the page; the women display a variety of poses including seated, standing, leaning, and looking toward or away from the camera, with different hairstyles and accessories such as flowers, ribbons, and elaborate collars; some portraits show studio backdrops like curtains or painted scenery, while others include props such as chairs or tree trunks; the overall tone is aged and warm, with photographic contrast and soft focus typical of antique prints.
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alb29102511 Saint Cecilia, print, Cloud Cover with Saint Cecilia on it. To the right of her is a harp that she holds with her right hand., printmaker: Anna Cécile Wilhelmina Jeanette Jacqueline Nahuys, Northern Netherlands, 1841 - 1905, paper, etching, height 101 mm x width 62 mm, St. Cecilia making music and, or singing, A lightly shaded line drawing of a robed, long-haired woman standing beside a tall harp, her hands resting on the instrument and her head slightly tilted; faint radiating lines surround her head like a halo. The woman wears a flowing gown with draped sleeves and exposed shoulders, and her hair falls over her shoulders. The harp has a curved top with parallel strings and a broad base set on the ground. The figure stands on textured ground indicated by crosshatched lines and sweeping strokes, and the background is mostly blank with subtle horizontal scratches and light shading.
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alb29102512 Bombardment of Venlo, 1793, print, historical print, Bombardment of Venlo by the French army, February 17-20, 1793., printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, proof print, height 160 mm x width 100 mm, Illustration for: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 volumes. volume XXIV pl. III., bombardment, siege, Venlo, Period, 1793-02, A detailed monochrome engraving showing a wide sky filled with layered clouds, a large billowing plume of smoke rising from an area near a cluster of buildings, a waterfront with a long pier extending into the water, rows of small peaked-roof houses and larger structures along the shore, scattered bales or barrels near the water, textured waves in the foreground, and vegetated banks with grasses and low shrubs.
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alb29102582 Drop for Disintegrating Gravel and Undercurrent, View of a gravel collection point in a mine, page, photomechanical print, inscription: 'The material passing over the drop and that discharging from the undercurrent is taken up by sluices below.', California, c. 1885 - in or before 1890, North America, paper, collotype, photogravure, height 114 mm x width 87 mm, Print on the second unnumbered page after page 130., mine, A sepia-toned split image showing a rocky outdoor scene with wooden flumes and channels carrying water; the left side features a narrow wooden walkway along a steep rock wall, a rectangular wooden water trough with flowing water, dense trees and foliage on a hillside, and several figures standing on the path; the right side shows a wooden sluice structure with rails and a small shed-like enclosure set among rocks, a curved iron bridge arching overhead, and scattered lumber and stones along the ground.
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alb29102575 Portrait of Antoon van Straalen, print, Mayor of Antwerp. Below the portrait his execution, by order of the Duke of Alva., FMP 5164-a, printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, engraving, etching and engraving, height 164 mm x width 114 mm, Later state print used in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Part IV., Person, Antoon van Stralen, on the scaffold or place of execution, A framed oval portrait shows a profile of an older man facing right with a receding hairline, wavy hair, and a pointed beard, wearing a high ruffled collar and a dark cloak with visible fabric texture. The oval rests against a tree trunk with bark detail and surrounding foliage. Below the oval, a crowd scene depicts numerous small figures gathered around a raised platform or stage where a seated figure and attendants appear, with architectural elements and trees in the background. The image is rendered in fine monochrome engraved lines and hatching.
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alb29102521 Pavillon du parc, View of a pavilion in a park, probably in Stockholm, page, photomechanical print, number: 'N:o XVI.', maker: V. Wolfenstein, Karlberg Palace, maker: Johannes Jaeger, c. 1888 - in or before 1891, Solna, paper, collotype, photoprint, height 120 mm x width 188 mm, rural housing, eg country-house, villa, cottage, A wide wooden pavilion with a wraparound porch and decorative railing sits partially behind a large tree trunk in the foreground, with tall porch columns and a multi-tiered roof topped by a small cupola and a slender pole; leafy tree branches frame the scene at the top and sides, and a sloped dirt path leads up to the building past a grassy area.
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alb29102537 Portrait of Gotthilf Friedemann Loeber, print, printmaker: Johann Heinrich Lips, after painting by Johann Samuel Blättner (II), 1793 - 1817, paper, engraving, height 243 mm x width 181 mm, Person, Gotthilf Friedemann Loeber, historical persons, theologian, An engraved oval portrait of an older man with powdered, curled hair wearing clerical bands and a dark coat, set against a fine crosshatched background and framed by a decorative oval mat with a ribboned ornament at the top, all above a rectangular panel filled with dense cursive and calligraphic writing.
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alb29102555 Portrait of Nicolaas Pieneman at the age of 4, print, Portrait of Nicolaas Pieneman, son of the artist, at the age of 4., printmaker: Jan Willem Pieneman, Northern Netherlands, 1813, paper, etching, height 71 mm x width 48 mm, Person, Nicolaas Pieneman, historical persons, child, A black ink sketch on aged paper showing the upper body of a young person with short, wavy hair and a rounded face, looking slightly to the side; the figure wears a garment with a ruffled collar and a bow at the shoulder, and bold, varied ink strokes create shading and texture around the neck, shoulder, and behind the figure where hatched lines suggest a background element; the paper shows subtle stains, smudges, and faint vertical scratches.
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alb29102535 Censer, Chinese, Qing dynasty 1644-1911, 18th century; ceremonial/ritual vessel; backdated signatures; material not specified; height 8.5 cm, diameter 16.8 cm., A low, rounded metal vessel with a bulbous body and a slightly flared rim sits centered on a reflective surface; its exterior shows mottled tones of brown, dark green, and muted gold with a patinated finish, and a small curved handle-like projection is visible on the front, while the interior appears darker with grayish and black hues and the background is a soft pale gray.
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alb29102595 River landscape, Java, drawing, topographical view, draftsman (artist): Adrianus Johannes Bik, c. 1816 - c. 1846, draftsman (artist), inorganic material, paper, chalk, sketch in black chalk, height 173 mm x width 330 mm, A wide pencil sketch of a riverside landscape showing rolling hills with clusters of trees and bushes, shaded and textured with short strokes, a small building with arches and a sloped roof near the water, a tall flagpole beside the building with a waving flag, a simple pier or bridge structure extending toward the water, scattered rocks and stones along the shoreline, faint indications of water and ripples, and various light sketch lines suggesting distant vegetation and terrain.
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alb29102501 Bronze helmet with rectilinear cutouts for the eyes, nose, mouth, and chin. The helmet has two prominent reinforcements ribs. 550-500 BC, Italy, armament. Height 26 cm, width 19.3 cm, depth 25 cm, weight 0.994 kg., The image shows an aged metal helmet with a rounded crown and a forward-projecting nose guard, displaying a weathered, mottled surface in shades of green, turquoise, brown, and dark gray, with patches of lighter and darker discoloration and areas of subtle sheen; the helmet has an extended cheek and neck guard and a slight raised ridge along the top, all set against a plain medium-gray background.
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alb29102552 The right honorable the late lord Randolph Spencer Churchill, photograph, page, inscription: '25, Old Bond St, London, W.', annotation, photographer: Bassano & Co., c. 1890 - c. 1895, paper, carbon print, height 227 mm x width 171 mm, Person, Lord Randolph Churchill, historical persons (portraits and scenes from the life) ((full) bust portrait), A black-and-white portrait of a man shown from the shoulders up with a high forehead and closely cropped hair, a full beard and a prominent curled mustache, wearing a dark suit jacket, a white shirt with a visible stud, and a patterned bow tie; the image has a wide light-colored border around it.
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alb29102572 Michal Kleofas Prince Oginski of Retowo 1765-1833, composer, statesman, politician; miniature portrait by Nanette Haas Windisch 1790-1820, three-quarters view; subject: male portrait of a composer/statesman/politician; related figures: Oginski, Grzegorz Antoni 1654-1709; stylistic/historical context: artists, aristocracy, portraits, foreign miniatures, composers, Bar Confederation 1768-1772; date/place: 1807, Vienna; medium/format: miniature; dimensions: height 4.7 cm, width 3.6 cm., A small oval portrait of a person with light skin and grayish hair set within an ornate rectangular frame; the frame is predominantly gold with worn areas showing a paler underlayer and small dark spots, and it features a raised beaded inner border and stepped moulding; the portrait shows the person wearing a dark blue coat and a white cravat, with visible facial hair along the jaw, and a neutral expression against a muted grayish background; the frame has hairline cracks and areas of chipped gold revealing lighter tones beneath.
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alb29102589 Three boats (original title), Boats in the IJ with the Lutheran church (original title), Three peat boats with rowing boats in the IJ, print, annotation: '14a, 14-7-78 in drawn triangle', printmaker: Willem Witsen, c. 1910 - c. 1911, paper, soft-ground etching, aquatint, drypoint, varnish made and aquatint and drypoint, printed in colors, from three plates, height 293 mm x width 400 mm, urban housing, rowing-boat, canoe, sailing-ship, sailing-boat, Amsterdam, IJ, A muted waterfront scene showing several moored boats with tall masts and rigging in the foreground, their hulls painted in muted greens and browns, with small rowboats tied alongside and reflections on calm water; a lone figure in a small boat paddles near the left edge while faint, hazy buildings and structures appear across the water in the background.
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alb29102566 A mold for making an amulet lion, lions, casting mold, Ptolemaic Period 332-30 BC, found in Edfu; mold; height 7.1 cm., A rectangular, worn clay object in shades of reddish-brown, tan, beige, and dark gray with an indented relief showing a reclining feline-like form; the surface is cracked and pitted with rough, uneven edges and several small chips, and there are darker smudges and patches across the lower and central areas.
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alb29102568 Built-in wardrobe front, gift, baroque, rococo, flowers, ribbon-pincer ornament, vases with flowers, pre-war, ca. 1762, Torun, fragment of furniture, height 138.5 cm, width 101 cm, depth 5.8 cm, A tall wooden door with a decorative curved pediment at the top, showing worn and weathered brown wood tones throughout; the door has a recessed central panel with visible wood grain and a vertical split, a simple frame with darker brown stiles and rails, and an old rectangular metal latch on the right side; the surface displays scratches, scuffs, and patches of lighter and darker brown, with a few small areas of beige and pale worn spots near the bottom and top edges, all set against a neutral gray background.
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alb29102550 Jug, excavations at Nea Paphos Cyprus - equivalent, Cyprus. Cypriot pottery, Bronze Age Cypriot White Painted I. Jug with a large, oval and flattened belly, an indistinct foot, sloping shoulders, a low and narrow neck with a thickened outer edge of the spout. A small, cylindrical vertical handle, attached to the shoulders of the vessel and to the spout, protrudes slightly above the upper edge of the spout. Orange-cream clay with cream engobe. Painted geometric decoration in brown: on the neck are zigzag bands of three parallel horizontal lines between each band the highest at the edge of the spout. Body decorated with vertical stripes bounded on both sides by lines; at the centers of the sides a single-line zigzag; between them two zigzags with a grid pattern four meshes wide. At the bottom, a continuous horizontal line intersects the lines delimiting the fields. Condition: slight loss at the rim; surface heavily worn and decoration poorly preserved in many places. Dated 1800-1650 BC, Middle Cypriot period II-III, Cyprus; vessel., A rounded ceramic vessel with a short narrow neck and small rounded lip, shown against a plain gray background, with a matte, sandy beige surface that has areas of pale peach and light tan; the vessel bears several faded decorative bands and lattice-like brush patterns in muted brown and gray, with scattered small darker speckles and blotches across the body, and a slightly rough, weathered texture visible on the surface.
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alb29102519 View of houses from Java at the World's Columbian Exposition in Chicago in 1893, Java village.- on the Midway, page, photomechanical print, number: 'Plate 103', photographer: Charles Dudley Arnold, Chicago, photographer: HD Higinbotham, cliché maker: anonymous, 1893, Charles Dudley Arnold, HD Higinbotham, photographer, cliché maker, North America, Illinois, paper, collotype, photoprint, height 133 mm x width 189 mm, world fair, world exhibition, World's Columbian Exposition, A wide scene showing a collection of thatched-roof pavilions and larger straw-covered structures behind a woven fence, with people walking and standing along a paved pathway in front of the enclosure; tall lamp posts line the path and flags fly atop tall poles near the buildings, and behind the village a multi-story brick building with decorative roof elements and trees is visible against a pale sky.
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alb29102584 Standing French soldier, French infantry in the Netherlands in 1795, print, A standing French soldier, facing left. Part of a series of fifteen plates of French infantry, mainly soldiers and a few officers, in irregular uniform or clothing, as it arrived in the Republic in 1795., printmaker: August Christian Hauck, Northern Netherlands, printmaker: Cornelis Bakker, 1795, paper, etching, engraving, etching and engraving, height 155 mm x width 105 mm, These plates belong to a larger group of which the Atlas van Stolk also has a part (colored)., clothes, costume, (military) uniforms (infantry), French period, infantry, Period, A delicate pencil drawing of a standing figure wearing a brimmed hat with a ribbon, a long coat with visible buttons, breeches, and buckled shoes, holding a long firearm slung over the shoulder and gripping its stock with one hand while the other arm crosses the chest, a knapsack or bag is strapped on the back and a sword or bayonet hangs at the side, all rendered in fine, light lines on a pale, slightly speckled background.
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alb29102534 Six scenes with various persons, Small scenes from daily life, Bluettes, print, Series number, 18, Print is part of a cover with eighteen prints., printmaker: Henri-Gérard Fontallard, printer (person): Victor Ratier, Paris, publisher: Dauty, publisher: Giraldon-Bovinet & Cie., 1829, printer (person), paper, lithography, hand coloring, hand-colored, height 278 mm x width 369 mm, various human types, The image shows a printed sheet with six small colored vignette illustrations arranged in two rows, each vignette depicting groups of people in period clothing; at the top center there is a decorative title in stylized lettering, and each vignette has a short caption beneath it in cursive script; the top row includes a pair of men in military-style coats and bicorne hats standing by a small building on the left, a couple seen from behind sharing an umbrella in the middle, and a woman pulling a small cart with two children led by a man on the right; the bottom row shows a tall woman in a flowing dress with a small figure beside her on the left, a crowded scene of kneeling and standing men around a central figure in a coat in the middle, and a seated woman in a yellow dress near water on the right; the sheet background is off-white with small scattered spots and the vignettes use pastel tones with hand-colored outlines.
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alb29102517 Triumph procession with prisoners, soldiers, lictors and priests, In vita Pauli aemilij Appianus Alexandrinus in Lijbico, Roman triumphs, Amplissimi ornatißimiq triumphi, uti. L. PAVLVS DE rege Macedonum Perse capto, P. Africanus Aemilianus de Carthage: nensibus excisis. C N. Pompeius Magnus ex oriente, Julius Augus: tus, Vespasianus, print, album page, Series number, 8, 11, Procession of prisoners, Roman soldiers, lictors and priests with smoking incense. Title in Latin in bottom margin. Print is part of an album., number: '108', inscription: 'lib. 1. fol. 24', printmaker: Onofrio Panvinio, Italy, after drawing by Jan Snellinck (I), Antwerp, after design by Maarten van Heemskerck, publisher: Govert van Schayck, Rome, 1618, paper, engraving, gravure, height 157 mm x width 363 mm, This print is part of a series of 11 prints (title print) depicting Roman triumphs. This series has been published in six editions (1 Gerard de Jode, 1577-85, 2 Cornelis de Jode, 1596, 3 Govert van Schayck, 4 Giacomo Lauro, 5 Giovanni Giacomo de' Rossi and heirs, 1664-1735, 6 Calcografia Camera Apostolica, after 1738)., the soldier, the soldier's life, prisoner of war (after the battle), priest, Roman religion, ceremonial procession, parade, pageant, installation of a ruler, A wide horizontal engraving showing a procession of groups of people walking from left to right across a flat ground, with clouds of smoke or incense held aloft at points above the marchers. On the left a group of clothed figures walk in close formation, some with draped garments and one carrying a shallow basket on the head. Toward the center a line of helmeted soldiers in armor and short tunics march, some holding crowns or branches and wearing plumed helmets. Further right another group of partially draped fi.
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alb29102563 Collection of portraits and a company of Indian men illustrating various types of turbans. Plain and colored, photograph, page, inscription: 'PL. I., Costume-Illustrations', collector's mark: 'Brooklyn Public Library', printer (person): William H. Griggs, c. 1861 - in or before 1866, William H. Griggs, photographer, printer (person), paper, albumen print, height 260 mm x width 207 mm, historical persons, head-gear: turban, A sepia-toned image sheet with faded portrait heads along the top and bottom edges and a larger central photograph showing a group of men seated and standing in front of a woven reed or thatch backdrop; in the central scene one man stands wearing a wrapped head covering and loose garments while three others sit on the ground in traditional wraps and turbans, one leaning on a stick and another holding a long curved pipe, with baskets and a hanging object visible against the backdrop; the sheet shows a circular stamp near the lower right of the central photograph.
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alb29102502 Antependium by Anna Barbara Orliec embroiderer, 1693. Antependium embroidered with colorful silks on a creamy pink satin background, details worked with metal thread; techniques include flat, split, and knotted stitches and metal-braided threads laid flat. Size: height 90 cm, width 274 cm. In the center, within a wide ribbon wreath supported by four archangels in short armor holding palm leaves, is a walled city surmounted by Mary and Child, St. Peter, and St. Paul. Kneeling before the city are a bishop bearing the Junosza coat of arms three lambs, an abbot with the Brinken coat of arms three roses behind a shield resembling crossed crosiers, and an abbess with the Nowina coat of arms. Around them are flowers, a floral tendril, and six angel heads encircling Mary. On the sides are two figures in antique-style robes holding horns filled with flowers and heraldic shields - one possibly showing the coat of arms of Kraków a city gate with an eagle, the other illegible. At the bottom are two inscriptions: ANNO 1693 and ANNA BARBARA ORLIEC/NATA PROFESSA. Materials: silk and metal thread; function: church furnishing antependium; origin: Poland., A long embroidered textile panel with a pale beige background showing a central religious scene with several human figures seated on stylized cloud forms and surrounded by a host of smaller angelic figures; the central seated figure group includes a robed woman holding a child and flanked by two robed men, all rendered in muted tones. The lower register shows a scene with three larger robed figures positioned before a small stylized town or architectural motif, with a reclining figure to one side and a kneeling figure nearby. The border and field are filled with an overall pattern of winding leafy vines, large floral motifs, and scattered birds and angels, with ribbonlike garlands arching across the top. The embroidery uses colors including gold, cream, pale blue, soft green, brown, and touches of darker blue and black for outli.
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alb29102558 Lotus flower with Buddhist deities, 19th century, Nepal; bronze/lotus mandala depicting Hevajra and consort Nairatmya with bodhisattva iconography, pairs of lovers, lotus iconography; cult object; height 20.3 cm, width 8.0 cm; inscriptions: none specified; function: ritual/devotional., A metallic sculptural object with a central multi-armed figure seated on a raised circular platform, surrounded by a group of petal-like blades each bearing a seated figure in relief; the metal has a dark bronze to brown patina with areas of lighter, worn highlights and subtle greenish and reddish tones; the petals are pointed and arranged radially, creating an open flower-like form, with ornate curling supports and small decorative elements around the base and edges; the background is a smooth, neutral gray.
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alb29102599 Portrait of Ulrich Ludwig Friedrich Wolf, print, printmaker: Albrecht Wolf, Germany, after drawing by Ludwig Wolf, 1821 - 1835, paper, etching, height 260 mm x width 168 mm, Person, historical persons, A detailed oval engraving of a person shown from the shoulders up wearing round spectacles and a high-collared shirt with a tied neck cloth, a dark fur-lined coat draped around the shoulders, curly hair, and a neutral facial expression, set against a textured hatched background and surrounded by plain paper.
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alb29102592 Pointing soldier in conversation with a woman, Soldiers, print, Series number, 1, Numbered top right: 1., printmaker: Johann Georg Wille, Paris, after design by Charles Parrocel, 1753, paper, etching, height 194 mm x width 148 mm, This print is part of a series of at least twelve prints depicting soldiers., the soldier, the soldier's life, index finger forwards, pointing, indicating, A detailed black and white engraving shows a central figure wearing a plumed helmet and a cloak, standing with one arm extended and pointing while the other hand rests near his torso; his clothing and exposed torso are rendered with fine crosshatching and flowing drapery. Surrounding him are several other figures in various seated and crouched poses, some wearing helmets and one with a surprised facial expression looking toward the central figure. Architectural elements include a fluted column at the right and a low stone or platform at the left, and the background contains stylized clouds and a distant landscape. The composition emphasizes strong contrasts of light and shadow, intricate line work, and textured patterns on garments, armor, and skin.
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alb29102556 Bowl with a lid, decorated with ducks and peaches, colored porcelain. Chinese, Qing dynasty, Tongzhi period 1862-1874. Porcelain bowl on a ring foot with a lid-stand; exterior painted with a duck among reeds in delicate black line and an inscription. Lid decorated with a branch bearing peach fruit. Vessel, height 9 cm, diameter 10.3 cm., A white porcelain lidded cup with a shallow domed lid sits centered on a reflective surface against a gray background; the cup and lid have thin gold rims and delicate grayish-brown painted botanical and landscape motifs including slender leaves and a textured cluster resembling foliage, and the cup shows faint decorative marks in the same grayish-brown tone, with the reflection of the cup visible below.
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alb29102520 Trophy of a blacksmith's instruments, Trophies and festoons, print, ornament print, Vulcan sits on the cloud, forging wings for Amor. From a series of 6 sheets., printmaker: workshop of René Boyvin, after drawing by Rosso Fiorentino (possibly), after drawing by Léonard Thiry (possibly), publisher: Hans de Wael, c. 1551 - c. 1580, René Boyvin, Rosso Fiorentino, Léonard Thiry, Hans de Wael, after drawing by, publisher, paper, engraving, gravure, height 261 mm x width 76 mm, A vertical engraving showing a seated bearded man with muscular arms and a focused expression holding a hammer and tongs while working on a winged object, positioned on a cloud above a young nude child who stands beside a small anvil and tools; below them a dense cascading arrangement of various tools and hardware elements including saws, clamps, compasses, hammers, hooks, wedges, tongs, pliers, and curved metal pieces, all tightly interlocked into a pointed hanging cluster that terminates in a woven basket holding sharp fragments and a small suspended cup at the bottom.
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alb29102531 Landscape with old man with scythe, print, A landscape with ancient ruins and a river. In the foreground on the right sits an old man with a scythe (possibly Father Time or Death)., printmaker: Angelo Falconetto, Italy, 1527 - 1567, paper, etching, height 94 mm x width 130 mm, Father Time, man with wings and scythe, landscape with ruins - II - ideal landscapes, A landscape sketch in pale ink showing ruins of stone arches and columns on a hillside, with a seated bearded man holding a long staff in the foreground; layered clouds fill the upper area, and trees and low vegetation dot the slopes and valley; small human figures appear on the path near the ruins, and distant mounds or structures are visible on the horizon.
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alb29102565 Preaching of John the Baptist on the banks of the Jordan, print, book illustration, printmaker: Jan Luyken, Amsterdam, publisher: Jan Rieuwertsz. (II), publisher: Barent Visscher, 1706, paper, etching, height 90 mm x width 79 mm, Illustration for: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) and Barent Visscher, p. 346., John the Baptist disputing, A densely detailed black and white etching showing a large outdoor scene with a crowd of robed figures gathered on sloping ground. In the foreground several seated and standing people face toward a central standing man who is gesturing with an outstretched arm; his figure is placed near a tree with leafy branches that extend into the upper right. Behind the crowd the landscape recedes to hills and rocky outcrops under a sky filled with parallel horizontal lines and cloud forms. Small groups of figures and solitary walkers appear scattered along the midground path leading toward the distant hills, and vegetation such as grasses and small shrubs dot the terrain. The composition uses fine line work and crosshatching to render clothing folds, tree bark, facial features, and the textures of the ground and distant mountains.
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alb29102547 Letter to Ina van Eibergen Santhagens-Waller, letter, Dated 1935 in later hand., watermark, writer (clerical worker): Richard Nicolaüs Roland Holst, 1878 - 1938, writer (clerical worker), materials by function, paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Henriëtte Roland Holst-van der Schalk, Ina van Eibergen Santhagens-Waller, applied arts, arts and crafts, industrial design, passions, emotions, affections, diseases, Oegstgeest, A pale sheet of paper with a vertical crease down the center is covered in flowing cursive handwriting in a soft gray pencil that varies in darkness across the page, with a smudged bluish scribble near the upper right and a short vertical mark in red chalk along the right margin, the handwriting lines slant slightly and fill the page from near the top edge toward the bottom with irregular spacing and occasional darker spots where the pencil pressed harder.
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alb29102561 The death of Rear Admiral Lewe van Aduard, (12 December 1832.), Four plates of the defense of the Citadel 10-18 December 1832, print, Rear Admiral Jan Evert Lewe van Aduard is killed on board the ship Euridice at the Kruisschans on the Scheldt during a French bombardment, 12 December 1832. Part of a series of four plates of the Dutch defense during the siege of the Citadel of Antwerp by the French army, December 1832., : 'Registered', printmaker: Johannes Steyn, Netherlands, printer (person): Desguerrois & Co., Amsterdam, 1832 - 1833, printer (person), paper, lithography, lithografie, height 262 mm x width 353 mm, Person, Jan Evert Lewe van Aduard, bombardment, Battle for the Citadel of Antwerp (1832), Antwerp, Scheldt, Citadel of Antwerp (19th century), Period, 1832-12-12, A black and white engraving of a crowded ship deck showing many men in period clothing and naval uniforms clustered together with varied postures and expressions; some men are standing and pointing, others are bending over or kneeling beside wounded or collapsed figures on the wooden planks, and a few sit or lean against the ship's rail. Tall masts, rigging, and furled sails rise behind the group, and a large cannon is visible at the left edge of the deck. In the sky above and behind the ship there are clouds and smoke, and flaming spherical objects with trailing sparks are shown in midair heading toward the deck. The scene is framed by a decorative border and a blank margin surrounding the image.
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