Busque também em nossas outras coleções:

Data da imagem:
Pauta
ver mais opções...
Agência
Fotógrafo
ver mais opções...
Estado
ver mais opções...
Cidade
ver mais opções...
Local
ver mais opções...
Tipo de licença
Orientação
Coleção

Total de Resultados: 10.000

Página 1 de 100

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
DC
akg5214309 Anonymous, 17th century. "Shepherd Playing the Pipe", 17th century. Oil on canvas, 98 × 137 cm. Inv. NM 156. Stockholm, National Museum.
DC
akg8200200 Chillida, EduardoSan Sebastián 1924 - 2002Gurutze gorria II. 1984. Lithografie auf ARCHES FRANCE (Wasserzeichen). 61,5 x 56,5cm (76 x 56,5cm). Signiert und bezeichnet. International Red Cross, Genf (Hrsg.). Ex. P.A. Rahmen. - Blatt unter dem Rahmen leicht gebräunt. Verso leicht gebräunt. Leichte Verschmutzungen. Reste und Spuren alter Montierung. Mit dem Trockenstempel des Herausgebers sowie des Druckers Erker Presse, St. Gallen. Außerhalb der Auflage von 150 signierten und arabisch nummerierten Exemplaren. WVZ. van der Koelen, WVZ.-Nr. 84012 (Maße hier: 66 x 56,5cm). . Kunsthandel, Van Ham. Copyright: © Eduardo Chillida. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.
DC
akg5612589 Thorn Prikker, Johan (Jan); 1868-1932. - Glass window design for the foyer of the museum kunst palast (?), 1925 (?). - Glass, image source without data of measures. Düsseldorf, Museum Kunstpalast.
DC
akg177686 Pre and early history / Weapons. "Swords of the Bronze Age". (After remains of lake dwellings found in Switzerland). Woodcut. From: K.Woermann, Geschichte der Kunst, vol. 1, Die Kunst der Urzeit, Leipzig. (Bibl. Institut) 1922, p. 38. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.
DC
akg250384 Malevich, Kasimir Severinovich. Russian painter. Kiev 23.2.1879 - Leningrad 15.5.1935. "Self-portrait", 1908 or 1910/11. Watercolour, Gouache, Ink and Gloss Paint on Paper, 46.2 × 41.3 cm. St Petersburg, Russian State Museum. Museum: St. Petersburg, Russian Museum.
DC
akg380737 Wtewael, Pieter, Attributed to 1596-1660. "A Shepherd Piper". Oil on canvas, 84 × 76cm. No date. London, Sotheby's. Lot 112, 11/12/96.
DC
akg197144 Piazzetta, Giovanni Battista peintre et graveur à l'eau-forte italien Pietrarossa 1682 - Venise 1754. "Promenade champêtre", vers 1745. Huile sur toile, H. 1,965; L. 1,460. Cologne, Wallraf-Richartz-Museum. Museum: Köln, Wallraf-Richartz-Museum.
DC
akg866985 Piazzetta, Giovanni Battista; 1683-1754. "Hirtenknabe", frühe 1720er Jahre. (Gegenstück zu "Schlafendes Bauernmädchen"). Öl auf Leinwand (oval), 66 x 82,5 cm. Inv. 476. Museum: Residenzgalerie., SALZBURG.
DC
akg196483 Monet, Claude 1840-1926. "La cathedrale de Rouen, le portail". (The Cathedral of Rouen, the portal), 1894. Oil on canvas, 100.3 × 65.5cm. Inv. No. G 541. Weimar, Staatliche Kunstsammlungen. Museum: Weimar, Staatliche Kunstsammlungen.
DC
akg608659 Man / Death / Death dance. The Basel Dance of Death. Detail: "Death of the Cook." / "Death of the Peasant.". Watercolour, 1806, by Johann Rudolf Feyerabend (1779-1814). Copy based on destroyed frescoes, c. 1440, at the cemetery of the Predigerkirche (predicant church), cemetery wall (interior), Basel. Basel, Historisches Museum Basel. Museum: Basel, Historisches Museum Basel.
DC
alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
DC
akg1848864 079_STELE-WAR PELOPO_#385.
DC
akg1556824 Arnould, Sophie (Madeleine-Sophie); French actress and singer; Paris 14.2.1744-22.10.1802.-"Buste de Sophie Arnould" (Bust of Sophie Arnould).-Sculpture, 1775, by Jean Antoine Houdon (1741-1828). White marble, hight 67 cm, width 51 cm, depth 29,5 cm. , Département des Sculptures, R.F. 2596. Museum: Musée du Louvre., Paris.
DC
akg1034726 Ludwig II, King of Bavaria; Nymphenburg 25.8.1845 - (drowned) in the Starnberger See 13.6.1886. Undertow. "Imperial Letter" of Ludwig II of 30.11.1870 to King William I of Prussia: In the name of the German princes and free cities, Ludwig II Wilhelm offers the imperial dignity (third page). Polit. Archive of the Foreign Office, Berlin. Copyright: For editorial use only.
DC
akg1425372 Traversi, Gaspare. 1722-1770. "Hiob, von seiner Frau verspottet", um 1752. Öl auf Leinwand, 84 × 102 cm. Inv. Nr. NB 822. Warschau, Muzeum Narodowe. Museum: Warschau, Muzeum Narodowe.
DC
akg1426920 Grosz, George (born Georg Ehrenfried Groß), 1893-1959. German artist. "Der Liebeskranke" (The lovesick), 1916. (Self portrait in the role of "Graf Ehrenfried" im Cafe Größenwahn in Berlin). Oil on canvas, 100 x 78 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. Museum: Düsseldorf, Kunstsammlung Nordrhein-Westfalen. Copyright: © George Grosz. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.
DC
akg6376381 Holy Sepulchre Church. The Greek Orthodox catholicon. Orthodox mass. Jerusalem, Israel.
DC
akg7719428 Der Wunsch des Midas, Öl auf Leinwand, 98 x 135 cm, Nicht bezeichnet, Nicolas Chaperon, Châteaudun/Eure-et-Loire 1612-1652/53 Lyon.
DC
alb22875309 Askos with mould-made body and a satyr mask at the base of the handle, 150-86 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22869310 Codice Tudela. Mujer vendiendo chocolate. 1530 - 1554. Papel verjurado, Pigmentos naturales. Altura = 21 cm; Ancho, 15,5 cm. Museum: MUSEO DE AMERICA, MADRID, SPAIN.
DC
alb22875305 Bronze statuette of Aphrodite, 3rd century BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22869234 Carl Larsson/ traditional Christmas smorgasbord ('julbord'), showcasing the festive food customs in Sweden around 1904. The piece reflects Swedish culture and holiday traditions. Painting.
DC
alb22875306 Hydria of Hadra type with swans flanking a tripod, 230-210 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875304 Terracotta comic mask, 200-250 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875310 Terracotta figurine of Eros leaning on an inverted torch. 3rd century BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875300 Krater depicting an altar with horns of consecration and a double axe (labrys) flanked by palm trees. 1375-1350 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875308 Terracotta figurine of Aphrodite. 200-250 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875307 Red-figure kylix, ca. 510-500 BC. A mained is depicted holding a thyrsos. Painted by Chairias, Attic vase painter active between 510 BC and 490 BC. Detail. Museum of the Ancient Agora. Athens, Greece. Author: Chairias (fl. 510 BC-490 BC). Attic vase painter.
DC
alb22875301 Red-figure kylix. A young man is depicted crouching, holding a hare by the ears with his right hand and a knobby stick with his left. Attributed to Gorgos, an Attic vase painter who worked in Athens. 510-500 BC. Detail. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875302 Head of Victory (Nike), 420-415 BC. Bronze. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875303 Perfume bottle in the shape of a kneeling athlete, binding a ribbon around his head as a symbol of victory, ca. 540 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875286 Ancient Greece. Trefoil-mouthed vase in the shape of a boy's head. 3rd century BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875298 Fragment of a monument base featuring inscribed epigrams, erected by the Athenians in commemoration of victories over the Persians, 490-480 BC. Numerous monuments of this kind were set up afterwards the Persian Wars (492-449 BC), through which various cities attempted to stake a claim to the victory. It was found at the Ancient Agora Excavations. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875292 Red-figure kylix, ca. 510 BC. A hetaira is depicted bending over a basin while holding up a pair of boots. Painted by Epiktetos, Attic vase painter active between 520 BC and 490 BC. Museum of the Ancient Agora. Athens, Greece. Author: Epiktetos (fl. 520 BC-490 BC). Attic vase painter.
DC
alb22875290 Cylindrical terracotta dry measure. The official measure was used to regulate trade in grain and goods in the Athenian Agora, through standards approved by the state. The inscription means "official" (demosion), indicating that it was certified by the civic authorities of the Athenian polis. 350-300 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875294 Fragment of a monument base featuring inscribed epigrams, erected by the Athenians in commemoration of victories over the Persians, 490-480 BC. Numerous monuments of this kind were set up afterwards the Persian Wars (492-449 BC), through which various cities attempted to stake a claim to the victory. It was found in Adrianou Street. Athens, Greece. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875279 Red-figure kylix. A young man is depicted crouching, holding a hare by the ears with his right hand and a knobby stick with his left. Attributed to Gorgos, an Attic vase painter who worked in Athens. 510-500 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875296 Red-figure kylix, ca. 510 BC. A satyr is depicted riding a donkey. Painted by Epiktetos, Attic vase painter active between 520 BC and 490 BC. Detail. Museum of the Ancient Agora. Athens, Greece. Author: Epiktetos (fl. 520 BC-490 BC). Attic vase painter.
DC
alb22875285 Ancient Athens. West Slope style kantharos decorated with torches, grapes and cornucopia. 275-260 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875295 Red-figure kylix, ca. 510 BC. A satyr is depicted riding a donkey. Painted by Epiktetos, Attic vase painter active between 520 BC and 490 BC. Museum of the Ancient Agora. Athens, Greece. Author: Epiktetos (fl. 520 BC-490 BC). Attic vase painter.
DC
alb22875291 Ancient Greece. Fragment of a kleroterion, a randomization device used by the Athenian polis that allowed for the selection of citizens to hold various public offices. Marble. 2nd century BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875297 Ancient Greece. Trefoil-mouthed vase in the shape of a boy's head. 3rd century BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875282 Cylindrical terracotta dry measure. The official measure was used to regulate trade in grain and goods in the Athenian Agora, through standards approved by the state. The inscription means "official" (demosion), indicating that it was certified by the civic authorities of the Athenian polis. 450-425 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875299 Red-figure kylix, ca. 510 BC. A hetaira is depicted bending over a basin while holding up a pair of boots. Painted by Epiktetos, Attic vase painter active between 520 BC and 490 BC. Detail. Museum of the Ancient Agora. Athens, Greece. Author: Epiktetos (fl. 520 BC-490 BC). Attic vase painter.
DC
alb22875293 Head of Victory (Nike), 420-415 BC. Bronze. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875280 Red-figure kylix, ca. 510-500 BC. A mained is depicted holding a thyrsos. Painted by Chairias, Attic vase painter active between 510 BC and 490 BC. Museum of the Ancient Agora. Athens, Greece. Author: Chairias (fl. 510 BC-490 BC). Attic vase painter.
DC
alb22875288 Pyxis with lid, ca. 750 BC. Offering from a woman's grave in the family burial ground, to the south of the Tholos of Athens. Late Geometric Period. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875281 Protoattic Pottery. Sphinx amphora by the Nessos Painter (Athenian painter born before 625 BC). 620-610 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875287 Ancient Greece. Spouted casserole (lopas) with lid, on a brazier. 4th-6th century BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875284 Late Mycenaean amphora with twisted handles. From Mycenaean Fountain on the North Slope of the Athenian Acropolis. 1200 BC. Greece. Museum of the Ancient Agora. Athens, Greece.
DC
alb22875289 Lekythos decorated with a charioteer driving a winged four-horse chariot, c. 490 BC. Attributed to the Gela Painter, an Attic black-figure vase painter (fl. 510-490 BC). Museum of the Ancient Agora. Athens, Greece.
DC
alb22870862 Temple of the Sagrada Família, Barcelona. The four arms of the Tower of Jesus Christ, 9 March 2026.
DC
alb22875283 Protoattic Pottery. Olpe with depiction of a lion head, ca. 675 BC. Museum of the Ancient Agora. Athens, Greece.
DC
alb22870866 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870858 Expiatory Temple of the Sagrada Família, Barcelona. Nativity Façade. 9 March 2026.
DC
alb22870870 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870861 Expiatory Temple of the Sagrada Família, Passion Façade. Barcelona, 9 March 2026.
DC
alb22870860 Expiatory Temple of the Sagrada Família, Passion Façade. Barcelona, 9 March 2026.
DC
alb22870856 Expiatory Temple of the Sagrada Família, Barcelona. Nativity Façade. 9 March 2026.
DC
alb22870864 Cross of the tower of Jesus of the Sagrada Família, Barcelona, Spain. March 10, 2026.
DC
alb22870872 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870869 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870868 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870873 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870871 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870865 Upper section of the central tower of the Sagrada Família under construction, framed by two decorated spires of the Nativity Facade, in Barcelona, Spain.March 9, 2026.
DC
alb22870867 Nativity Facade of the Sagrada Família in Barcelona, Spain. March 9, 2026.
DC
alb22870859 Expiatory Temple of the Sagrada Família, Barcelona. Nativity Façade. 9 March 2026.
DC
alb22870863 Glory Facade, Sagrada Familia in Barcelona, Spain. March 9, 2026.
DC
alb22870857 Expiatory Temple of the Sagrada Família, Barcelona. The four arms of the Tower of Jesus Christ, 9 March 2026.
DC
alb22870021 Josefa de Ayala (Josefa de Óbidos)/ Still-life (c. 1679), Santarém, Municipal Library.
DC
alb22875431 Colored drawing pasted on an album leaf. 'An Old and a Young Man and a Woman Having a Picnic.' Attributed to Muhammad Ali Iran, Isfahan; c. 1650 Drawing: 17.8 × 11.4 cm.
DC
alb22874119 Rosario Weiss/ La atención (autorretrato) 1841. Óleo sobre lienzo, 69 x 57,5 cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb22874118 José Bermejo Sobera/ El Cafetín. 1926. Óleo sobre lienzo, 200,5 x 244 cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2942055 King Louis XV of France and Navarre 1710-74 by Charles Van Loo (1705-65) painted c.1748. Museum: Musée de Versailles, Versalles, France. LUIS XV DE FRANCIA.
DC
alb2042774 Pope Urban II preaches for 1st crusade at Council of Clermont 18.11.1095 in cathedral to audience by Jean Fouquet. Museum: BIBLIOTHEQUE NATIONALE, BUDAPEST, France.
DC
alb2019400 Bacciarelli Stanislaus Augustus in coronation robes, 1764, Oil on canvas, 265 cm × 134,5 cm. Museum: GRIPSHOLM CASTLE, SWEDEN. Author: MARCELLO BACCIARELLI. ESTANISLAO II AUGUSTO PONIATOWSKI DE POLONIA.
DC
alb352331 Les tres riches heures du Duc de Berry. Museum: MUSEE CONDE, CHANTILLY, France. Author: JEAN COLOMBE POL DE LIMBOURG (15TH).
DC
alb3714647 A Young Man Holding a Staff. Dated: 1640. Dimensions: overall: 60.4 x 49.2 cm (23 3/4 x 19 3/8 in.) framed: 86.68 × 74.93 × 7.3 cm (34 1/8 × 29 1/2 × 2 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Pieter Claesz Soutman.
DC
alb3714988 The Martyrdom of Saint Bartholomew. Dated: 1634. Dimensions: overall: 104 x 113 cm (40 15/16 x 44 1/2 in.) framed: 134.6 x 143.8 x 10.2 cm (53 x 56 5/8 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jusepe de Ribera.
DC
alb3700098 Death of Seneca. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Lodovico Lana.
DC
alb3633549 Marble statue of a member of the imperial family. Culture: Roman. Dimensions: H. 47 in. (199.38 cm)Width: 24 1/2 in. (62.23 cm)Depth: 16 in. (40.63 cm). Date: 27 B.C.-A.D. 68.This statue and the similar work, 2003.407.9 were probably part of a statuary group portraying and honoring members of the Julio-Claudian dynasty that ruled Rome from the time of Augustus to that of Nero. The stance of these partially nude figures brings to mind the canonic works of Polykleitos, one of the most famous Greek sculptors of the fifth century B.C., and was almost certainly intended to give a heroizing aura to the statues. It has been argued that the draping of the mantle around the hips and over the arm was a specific iconographic indication that the individual being honored was already deceased. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3683733 Louis XV (1710-1774) as a Child. Artist: After Hyacinthe Rigaud (French, Perpignan 1659-1743 Paris). Dimensions: 77 x 55 1/2 in. (195.6 x 141 cm). Date: ca. 1716-24.Louis XV succeeded to the throne of France in 1715 upon the death of his great-grandfather, Louis XIV, who had reigned for more than seventy years. The five-year-old boy was the only surviving son of Louis, duc de Bourgogne, and Marie Adélaïde de Savoie, both of whom had died of smallpox in 1712. The canvas is one of many versions of Rigaud's first official portrait of Louis XV, which was commissioned by the regent, the duc d'Orléans, for the palace of Versailles. Museum: Metropolitan Museum of Art, New York, USA. Author: after Hyacinthe Rigaud.
DC
alb3700115 The Martyrdom of Saints Peter and Paul. Dated: c. 1530. Dimensions: sheet: 29 x 48.2 cm (11 7/16 x 19 in.). Medium: chiaroscuro woodcut printed from three blocks in ochre and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antonio da Trento after Parmigianino.
DC
alb3704653 Blacksmith Shop. Dated: c. 1880. Dimensions: overall: 59.1 x 81.6 cm (23 1/4 x 32 1/8 in.) framed: 73 x 96.5 x 8.3 cm (28 3/4 x 38 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Francis A. Beckett.
DC
alb3893656 Two Horses. Date/Period: Before 1722. Painting. Oil on panel Oil. Height: 290 mm (11.41 in); Width: 404 mm (15.90 in). Author: Abraham van Calraet.
DC
alb3895563 The Executioner with the Head of John the Baptist. Date/Period: Ca. 1640 - 1643. Painting. Oil on canvas. Height: 1,105 mm (43.50 in); Width: 302 mm (11.88 in). Author: William Dobson.
DC
alb3895102 Saint James Major, part of an altarpiece. Date/Period: 1472. Painting. Tempera and tooled gold on panel. Height: 97.2 cm (38.2 in); Width: 32.1 cm (12.6 in). Author: Carlo Crivelli.
DC
alb3892049 Sampler. Date/Period: 1802. Sampler. Medium: silk embroidery on linen foundation. Technique: embroidered in satin, cross, back, chain, running, four-sided, and buttonhole stitches on plain weave foundation. Height: 690 mm (27.16 in); Width: 675 mm (26.57 in). Author: Augustina Barero.
DC
alb3890070 The Adoration of the Magi. Date/Period: Ca. 1240. Detached leaf. Height: 178 mm (7 in); Width: 135 mm (5.31 in). Author: UNKNOWN.
DC
alb3893945 Louis XV of France (1710-1774) as Dauphin. Date/Period: 1720 - 1721. Painting. Height: 505 mm (19.88 in); Width: 385 mm (15.15 in). Author: ROSALBA CARRIERA.
DC
alb3899445 Tapestry showing Don Quixote Guided by Folly, Setting Forth to be a Knight-Errant. Date/Period: From 1780 until 83. Textiles. Wool and silk; woven on a low-warp loom Wool and silk; woven on a low-warp loom. Height: 3,708.40 mm (12.16 ft); Width: 3,556 mm (11.66 ft). Author: Paris Woven at the Gobelins tapestry manufactory.
DC
alb3671502 The Death of Seneca, standing at center with his feet in a basin of water, supported by a disciple at left while another takes down his last words at right. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Alexander Voet II (Flemish, Antwerp ca. 1635-after 1695 Ghent). Dimensions: Sheet (Trimmed): 15 3/4 × 10 11/16 in. (40 × 27.1 cm). Publisher: Cornelis Galle II (Flemish, Antwerp 1615-1678 Antwerp). Date: ca. 1655-78. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3672800 Plate 21: Emperor Charles V being offered the keys of Saxony and Hesse; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Artist: Anton van der Does (Flemish, 1609-1680). Dimensions: Sheet (Trimmed): 15 1/2 × 11 15/16 in. (39.3 × 30.4 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3894599 La Pie The Magpie Die Elster. Date/Period: 1868 - 1869. Painting. Oil on canvas. Height: 890 mm (35.03 in); Width: 1,300 mm (51.18 in). Author: CLAUDE MONET.
DC
alb3897657 Sampler. Date/Period: 1826. Sampler. Medium: silk embroidery on linen foundation. Technique: embroidered in satin, stem, and cross stitches on plain weave foundation. Height: 595 mm (23.42 in); Width: 630 mm (24.80 in). Author: Francisca Montero.
DC
alb3678703 Christ Presented to the People. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 14 5/16 x 17 7/8 in. (36.4 x 45.4 cm). Date: 1655. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).
DC
alb3674863 Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars'. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 7/8 × 8 7/8 in. (30.1 × 22.6 cm). Publisher: Giovanni Battista di Lazzaro Panzera da Parma (Italian, born 1541, active Rome 1577-98). Date: 1596. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3675997 Speculum Romanae Magnificentiae: Great Hall within the Villa of Pope Julius. Artist: Anonymous. Dimensions: sheet: 13 5/8 x 18 1/8 in. (34.6 x 46 cm)plate: 11 5/8 x 16 1/8 in. (29.5 x 41 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 3, plate 52 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
DC

Total de Resultados: 10.000

Página 1 de 100