Pesquisando por: ""editorias:arte - história"" - Fotoarena - Agência de fotojornalismo

akg8451998 Francisco de Goya. Caprichos: Pretty Teacher!, Date unknown. Print, Etching and aquatint. Inv. No. 1922.663, Cleveland, Museum of Art.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg331406 Religion / Church / Pilgrims:. Pilgrims leave behind their worldly possessions. Illumination, French, 15th Century.. From: Jacques Le Grant, "Le Livre des des bonnes moeurs". Ms. 297/1338, fol. 44. Chantilly, Musée Condé. Museum: Chantilly, Musée Condé. Author: ANONYMOUS.

akg863515 Befreiungskriege 1813-15 / Völkerschlacht bei Leipzig 16.-19.Okt.1813.-"Grand Entry of the Allied Sovereigns into Leipsic" (Einzug der verbündeten Monarchen in Leipzig, 19. Oktober 1813; Franz I. von Österreich, Alexander I. von Russland und Friedrich Wilhelm III. von Preußen).-/ Farbige Aquatinta, London (Robert Bowyer) 1815. Museum: Puschkin-Literaturmuseum., MOSKAU.

akg810081 Giseh / Giza (Ägypten), Große Sphinx (Altes Reich, 4.Dynastie, um 2590 v.Chr). /-"Pyramides de Memphis / Vue du Sphinx (..) prise du sudest" (Ansicht der Sphinx von Südosten; im Hintergrund die Cheopspyramdie).-/ Kupferstich von Schroeder nach N.J.Conté (1755-1805). Aus: Description de L'Égypte, Paris 1809ff., A.Bd.V, Tf.11. Museum: Private Collection., KAIRO.

akg880805 Santiago,the radio tower and main avenida Jochem Wijnands.

akg184097 Chirico, Giorgio de. 1888-1978. "L'enigma della fatalità" (The Enigma of Fatality), 1914. Oil on canvas, 138 × 95.5cm. Loan of the Emanuel Hoffmann Foundation. Basel, Öffentliche Kunstsammlung. Museum: Basel, Öffentliche Kunstsammlung. Copyright: © Giorgio de Chirico. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg235427 Pucon (Chile). View of the town with Villarrica volcano in the background. Photo, 1965.

akg727002 Befreiungskriege 1813-15 / Völkerschlacht bei Leipzig, 16.-19.Okt.1813.-"Meeting of the Emperors (..)".-. (18.Okt.: Fürst Karl zu Schwarzenberg bringt den Monarchen Alexander I.v.Rußland,Kaiser Franz II.v.Österr. u.Friedr. Wilh.III.v.Preußen die Siegesbotschaft). Aquatinta von Thomas Sutherland (geb. 1785) nach William Heath (1795-1840). Museum: Panoramamus. Schlacht v. Borodino., MOSKAU.

akg778693 Roure (Dép. Alpes-Maritimes, France). Chapel Saint-Bernardet-Saint-Sébastien (built in 1510 to commemorate the end of the plague).-Interior view: Saint Bernard of Menthon (Bernard of Montjoux) between Saint Sebastian and Saint Roch. Fresco, 1510 by Andrea Cella (active from 1510 to 1534).-Photo, 13.07.2007.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg1558854 Poussin, Nicolas. French painter; 1594-1665. "The Adoration of the Golden Calf", c. 1633/34. Oil on canvas, 153.4 × 211.8 cm. Inv. No. NG5597, London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg6083796 Francisco de Goya, 1746 - 1828. El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body), in or before 1816. Etching, burnished aquatint, drypoint and burin [first edition impression]. Inv. Nr. 1943.3.1634, Washington, National Gallery of Art.

akg6530393 Jean Baptiste Camille Corot, 1796-1875. Souvenir of Ostia, 1855. Cliché-verre in brown on photosensitive paper, 272 × 343 mm. Inv. No. 1965.527, Chicago, Art Institute.

alb15526373 Venice, Canaletto, Views of existing and imaginary places, View of a village on a river, View of a village along a river (possibly the Brenta). Houses and a bell tower on the other side of the river. In the foreground on the right a man at a wooden bridge., print, prints, height 298 mm, width 434 mm, Italian, 1697 - 1768-04-20, print maker, printmaker, 1707 - 1768, paper, papier, etching, etchings, Work conception, after own design by.

alb5036012 Francisco de Goya, (artist), Spanish, 1746 - 1828, El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body), Tauromaquia: pl.15, (series), in or before 1816, etching, burnished aquatint, drypoint and burin.

alb9530883 Gloria Swanson. Date: 1923. India ink on paper. Museum: NATIONAL PORTRAIT GALLERY. Gloria May Josephine Swanson.

alb9374537 Pretty Teacher!, Linda maestra!, Los Caprichos, Plate 68, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching, aquatint, and drypoint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, broomstick, creepy, death, Engraving, Etching, hag, Halloween, naked, night, owl, Print, Satire, Satirical, scary, Spain, Spanish, spooky, witch.

alb3714891 Souvenir of Antibes (Souvenir d'Antibes). Dated: 1874. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

alb3712089 Italian Prince before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

ado00067614 "Saint Jerome by a Pollard Willow". Engraving by Albrecht Drer (1471-1528). In 1512.

alb3713462 Spanish Duke before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3701648 Philip of Spain before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3714071 The Junction of the Thames and the Medway. Dated: 1807. Dimensions: overall: 108.8 x 143.7 cm (42 13/16 x 56 9/16 in.) framed: 148 x 180.3 cm (58 1/4 x 71 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

alb3711488 Margaret of Austria Giving Audience to a Nobleman [verso]. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3701936 Margaret of Austria Receiving the Homage of Cardinals and Prelates. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3702714 Meeting of Margaret of Austria and Philip III [recto]. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3708196 Marriage of Margaret of Austria and Philip III. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3730261 Margaret of Austria Being Carried in a Chaise. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3703511 Landscape with Brigands (Scène de brigands). Dated: 1633. Dimensions: sheet (trimmed within plate mark): 12.9 x 19.6 cm (5 1/16 x 7 11/16 in.). Medium: etching and drypoint on thin laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

alb3738732 The Betrothal of Margaret of Austria to Philip III, King of Spain. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3488109 Saint Jerome by the Pollard Willow, 1512, Drypoint; second state of three, sheet: 8 1/4 x 7 1/16 in. (21 x 17.9 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg).

alb3734437 El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body). Dated: in or before 1816. Medium: etching, aquatint, drypoint and burin [first edition impression]. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3627511 Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm)Sheet: 12 1/16 × 17 1/2 in. (30.6 × 44.5 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3741995 Margaret of Austria on Horseback. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3889682 Red ochre fish. Date/Period: 1860 - 1940. Painting. Author: UNKNOWN.

alb3623558 Saint Jerome by the Pollard Willow. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 1/4 x 7 3/16 in. (21 x 18.3 cm). Date: 1512. Museum: Metropolitan Museum of Art, New York, USA.

alb3653634 "Bahram Chubina Slays the Lion-Ape", Folio 715v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Qasim ibn 'Ali (active ca. 1525-60); Painting attributed to Mir Musavvir (active 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/16 in. (28.1 cm) W. 7 3/4 in. (19.7 cm)Entire Page: H. 18 1/2 in. (47 cm) W. 11 3/16 in. (28.4 cm)Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm). Date: ca. 1530-35.To thank the Khaqan of Chin for granting him safe haven, Bahram Chubina resolved to rid his host's land of Kappi the lion-ape, a ferocious creature that had devoured the Khaqan's daughter. Mir Musavvir delighted in the depiction of the red- and green-eyed monster, rendering every detail of its scaly skin and bloody wounds with fastidious care. The bystanders raise fingers to their lips in astonishment as Bahram Chubina delivers the coup de grace. Museum: Metropolitan Museum of Art, New York, USA.

alb3745849 View of a Town on a River Bank. Dated: c. 1735/1746. Dimensions: plate: 29.8 x 43.4 cm (11 3/4 x 17 1/16 in.) sheet: 45.9 x 65.2 cm (18 1/16 x 25 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: CANALETTO.

alb3659682 Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 7/16 in. (17.8 x 26.5 cm)sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1811.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819.To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to define rough seas pounding a dark, rocky stretch of Yorkshire coast where stranded passengers from a wrecked ship appeal for help to figures on shore, and men wade into a sheltered foreground cove. A lighthouse punctuates the skyline and the letter "M" in the top margin indicates Turner's category of Marine landscape. Museum: Metropolitan Museum of Art, New York, USA.

alb3653447 First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 8 in. (20.3 cm); W. 10 1/4 in. (26 cm). Date: ca. 1769. Museum: Metropolitan Museum of Art, New York, USA.

alb3619933 Chandelier. Culture: Netherlandish. Dimensions: H. 109.5 cm. Date: second half of 17th century.This chandelier has two series of eight S-shaped branches protruding from grotesque snakes' (or dolphins') heads around a baluster shaft resting on a massive globe. The branches and shaft have been correspondingly numbered from one to eight, with the exception of number three, indicated by three small bars, and number five, denoted by a crescent moon or the letter C. Museum: Metropolitan Museum of Art, New York, USA.

alb3124536 Diego Velazquez / 'María Teresa, Infanta of Spain', 1651-1654, Oil on canvas, 34,3 x 40 cm. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA.

alb3617502 Young Woman with a Water Pitcher. Artist: Johannes Vermeer (Dutch, Delft 1632-1675 Delft). Dimensions: 18 x 16 in. (45.7 x 40.6 cm). Date: ca. 1662.The essential subject of this serene picture is an ideal woman in an ideal home. Her head and elegant costume are covered by linen scarves, which with the silver-gilt basin and pitcher and the open window suggest ablutions at the beginning of the day. A string of pearls emerges from the jewelry box. Balanced shapes and colors (mainly the primaries) enhance the harmonious mood. Works by Vermeer were newly known and coveted by American collectors of the Gilded Age: this canvas was the first of thirteen to enter the United States between 1887 and 1919. Museum: Metropolitan Museum of Art, New York, USA.

alb3640794 Plate 68 'Los Caprichos': Pretty teacher! (Linda maestra!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/4 x 5 13/16 in. (20.9 x 14.8 cm)Sheet: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3902569 The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

alb3649659 Statuette of Anubis. Dimensions: H. 42.3 cm (16 5/8 in.); W. 10.1 cm (4 in.); D. 20.7 cm (8 1/8 in.). Date: 332-30 B.C..The god of mummification Anubis is shown here as a human with a jackal head and a long wig. He is wearing jewelry and a garment with an elaborate feather pattern. Anubis is probably depicted greeting the deceased in the afterlife and protecting him. The statuette is exquisitely carved and painted (note the painted pleating of the kilt). Museum: Metropolitan Museum of Art, New York, USA.

alb3646540 Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 8 1/4 x 11 1/2 in. (21 x 29.1 cm). Date: February 11, 1812.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where he also developed the layers of tone, using aquatint and mezzotint to describe the gloomy crypt of a ruined Norman (Romanesque) abbey in Yorkshire. Light streams from the left to reveal cattle resting around a pillar beneath round-arched vaults, with a pool of water at right. Trees are glimpsed through an open doorframe, and the "A" above the image indicates Turner's category of Architectural landscape. Museum: Metropolitan Museum of Art, New York, USA.

alb3907721 Venice, The Mouth of the Grand Canal. Date/Period: Ca. 1840. Painting. Watercolor. Height: 222 mm (8.74 in); Width: 318 mm (12.51 in). Author: J. M. W. Turner.

alb3902507 The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

alb3902503 The Channel Sketchbook. Date/Period: Ca. 1845. Drawing. Graphite and watercolor on medium, slightly textured, white wove paper. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

alb3907333 Two lovers. Date/Period: Ca. 1800-25. Print. Nishiki-e, oban, colour woodblock print. Height: 25 mm (0.98 in); Width: 37 mm (1.45 in). Author: YANAGAWA SHIGENOBU.

alb3902407 Dent de Lion, Margate. Date/Period: Ca. 1791. Painting. Watercolor. Height: 257 mm (10.11 in); Width: 346 mm (13.62 in). Author: J. M. W. Turner.

alb3902417 Fluelen: Morning (looking towards the lake). Date/Period: 1845. Painting. Watercolor. Height: 298 mm (11.73 in); Width: 479 mm (18.85 in). Author: J. M. W. Turner.

alb3902441 Llanthony Abbey, Monmouthshire. Date/Period: Ca. 1792. Painting. Watercolor. Author: J. M. W. Turner.

alb3902459 Newark Abbey. Date/Period: Between 1806 and 1807. Painting. Oil on canvas. Height: 914 mm (35.98 in); Width: 1,232 mm (48.50 in). Author: J. M. W. Turner.

alb3661660 "Rustam Brings the Div King to Kai Kavus for Execution", Folio 127v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Qasim ibn 'Ali (active ca. 1525-60); Painting attributed to Mir Musavvir (active 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 3/16 x W. 7 1/8 in. (H. 28.4 x W. 18.1 cm)Entire Page: H. 18 5/8 x W. 12 9/16 in. (H. 47.3 x W. 31.9 cm). Date: ca. 1525-30.Even with the death of the White Div and the Div General Arzhang, the demons of the Div King of Mazandaran continue to harry the Iranians. At last, Kai Kavus leads his army into battle gainst the divs. Rustam captures the Div King, who transforms himself into a stone. When Rustam lugs him to Kai Kavus and threatens to slice him up, he returns to div form and is executed on Kai Kavus's order. [A later hand blackened the face and hands of Kai Kavus.]. Museum: Metropolitan Museum of Art, New York, USA.

alb3721707 Philip as a Boy before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3900766 Nude reclining. Date/Period: 1901. Painting. Oil on canvas. Height: 1,185 mm (46.65 in); Width: 2,150 mm (84.64 in). Author: HUGH RAMSAY.

alb3787424 Gaspar Sensi y Baldachi (Lithographer) (After Sarto, Andrea del (Andrea d'Agnolo)); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Sacrifice of Isaac'. 1826 - 1829. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper; 1826 - 1829. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

alb3668680 Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Author: Giovanni Altoviti. Dimensions: sheet: 11 1/4 x 7 7/8 in. (28.5 x 20 cm)plate: 5 1/8 x 7 1/16 in. (13 x 18 cm). Publisher: Bartolommeo Sermartelli e Fratelli. Series/Portfolio: The Life of Margaret of Austria. Date: 1612. Museum: Metropolitan Museum of Art, New York, USA.

alb1537527 Francisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Tauromaquia" (aguafuerte). Plancha 15ª: El famoso Martincho poniendo banderillas al quiebro. Primera edición. Madrid, 1816.

alb3791119 Anonymous (Copy after Correggio (Antonio Allegri)) / 'The Descent from the Cross'. Mid-XVIcentury. Oil on walnut panel. Museum: Museo del Prado, Madrid, España.

alb3666015 Margaret of Austria on horseback, after Velázquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm)Sheet: 23 9/16 × 15 13/16 in. (59.8 × 40.1 cm). Sitter: Margaret of Austria, Queen of Spain (Spanish (born Austria), Graz 1584-1611 San Lorenzo de El Escorial). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

alb4134816 Fortitude, plate 36 from Genii and Virtues. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 × 100 mm (plate); 186 × 105 mm (sheet). Engraving in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4136387 Necklace with Three Round Pendant Disks. Near Guayaquil, Ecuador. Date: 1000-1400. Dimensions: . Gold. Origin: Ecuador. Museum: The Chicago Art Institute, USA.

alb4137632 Scene of Brigands. Claude Lorrain; French, 1600-1682. Date: 1633. Dimensions: 130 × 197 mm (image/sheet, cut within platemark). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4280552 Francisco de Goya y Lucientes (1746-1828). Spanish painter. La Tauromaquia (Bullfighting). The most skilled student of Falzes, covered, teases the bull with his dodges (El diestrisimo estudiante de Falzes, embozado burla al toro con sus quiebros). Number 14. Etching. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

alb4519883 Francisco Goya, Spanish, 1746-1828, The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with His Swerves, 1816, etching, aquatint, drypoint, and burin printed in brown ink on laid paper, Plate: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm).

alb4105093 Portrait of Margaret of Austria, Consort of Philip III. Dating: c. 1600. Place: Southern Netherlands. Measurements: h 28.5 cm × w 22.5 cm × d 0.3 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Frans Pourbus (II) (workshop of).

alb4105967 View of the Valkhof in Nijmegen. Dating: c. 1645 - c. 1650. Measurements: support: h 35.6 cm × w 58.3 cm; d 6.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans de Hulst.

alb4157602 Souvenir of Ostia. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1855. Dimensions: 272 × 344 mm (image); 293 × 363 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4936016 Camille Corot, Sappho, Camille Corot (French, Paris 17961875 Paris), 1871, Lithograph printed in orange-brown ink; second state of two, Sheet: 13 3/8 × 18 7/8 in. (33.9 × 48 cm), Image: 8 11/16 × 10 15/16 in. (22 × 27.8 cm), Prints.

alb4507159 Francisco Goya, Spanish, 1746-1828, The Famous Martincho Places the Banderillas While Swerving, 1816, etching, burnished aquatint, drypoint, and burin printed in brown ink on laid paper, Plate: 9 5/8 × 13 7/8 inches (24.4 × 35.2 cm).

alb4328584 The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, plate 14 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, aquatint, drypoint and burin on ivory laid paper, 201 x 305 mm (image), 248 x 355 mm (plate), 322 x 446 mm (sheet).

akg8210830 Shaobin, Yang1963 Tangshan/ChinaAus: ""The sleepwalkers' bloodied rites"" (2). 2008. Farblithografie auf BFK Rives. 84,5 x 78,5cm (119 x 79,5cm). Signiert und nummeriert. Delight Edition (Hrsg.). Ex. XIII/CXXX. - Blatt in sehr gutem Zustand. Bogen mit minimalen Knickspuren. Blatt mit dem Trockenstempel des Künstler. In originalem Faltbogen mit einem Gedicht von Fernando Arrabal montiert. Hier nochmals nummeriert sowie vom Autor signiert. Aus der 20-teiligen Mappe. . Kunsthandel, Van Ham. Copyright: Additional copyrights must be cleared.

akg8341604 Hunt, William Holman. 1827-1910. "The Shadow of Death", 1873. (Reduced-size version by the artist's own hand of the 1870-73 work of the same title). Painting. London, Sotheby's, November 2, 1994, Lot 172.

akg441141 Morocco / Rif War. The Rif War in Morocco, 1921-34, fight for independence of the Riffian people and other Berber tribes against the colonial power Spain (later joined by France). -'Helden des Sports!' ('Sportsheroes!').- German caricature targeting the uprisings and sports-loving US squadron supporting the French army. Colour print, 1925, after a drawing by Oskar Garvens (1874-1951). From: Kladderadatsch, 78. vol, no. 41, 11.10.1925. Berlin, collection Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Copyright: Additional copyrights must be cleared.

akg228690 Stuck, Franz von 1863-1928. "Bacchusknabe auf einem Panther" (The boy Bacchus on a panther), c.1901. Oil on wood, 69.3 × 69.9 cm. Private colection.

akg294665 Barlach, Ernst, 1870 - 1938, German expressionist sculptor, printmaker and writer. Magdeburg Cenotaph. Sculpture. Oak wood, 255 × 154 × 75 cm. Cathedral of Magdeburg, Low Saxony, Germany.

akg3004740 Abu Simbel (Nubien, Oberägypten), Felsentempel (seit 1979 UNESCO-Welterbe), Großer Felsentempel. (angelegt unter Ramses II., Neues Reich, 19.Dynastie, um 1260 v.Chr.; aus dem Sandsteinfels gehauen. 1964-68 beim Bau des Nasser-Stausees 65 m höher und 180m landeinwärts versetzt). - Fassade, Teilansicht: Oberkörper der linken äußeren Sitzstatue Ramses' II. (Höhe 22. m) mit Kinnbart, Chat-kopftuch, Doppelkrone und Uräusschlange. - Foto, 2005.

akg3727154 Religion / Christentum / Gottvater. - "Der liebe Gott geht druch den Wald". - Bildpostkarte. Farbdruck nach farbiger Zeichnung von Mathilde Ade (1877-1953). Privatsammlung. Museum: PRIVATE COLLECTION. Copyright: Additional copyrights must be cleared.

akg075628 Cuba, 17 April 1961: Fiasco at the Bay of the Pigs, span. Bahia Cochinos. (Failed attempt of exiled Cubans to invade Cuba supported by the USA). The American aircraft carrier "Randolph" in the waters around the USA- Marine base Guantanamo in Cuba. Photo, 24.4.1961.

akg1573703 Harbke (Sachsen-Anhalt, Deutschland), Schloss Harbke (erbaut 1572-86 auf den Grundmauern einer Rundburg aus dem 14.Jh.; im 18.Jh. nach Brand umfangreiche Wiederherstellungsarbeiten; Hauptbau heute Ruine; Umgestaltung des Schlossparks ab 1740).-Ansicht der Schlossruine.-Foto, 8.10.2010.

alb21528324 Giorgio Vasari / Lives of the Most Excellent Painters, Sculptors, and Architects by Cristofano Gherardi.

alb21526388 Giorgio Vasari / Lives of the Most Excellent Painters, Sculptors, and Architects. Taddeo Zuccari.

alb13501966 Gustav Klimt/ Buchenwald (Beech trees). Oil on canvas (1903). Museum: Oesterreichische Galerie im Belvedere, VIENA, AUSTRIA.

alb13724789 Peter Paul Rubens/ Minerva protects Pax from Mars ('Peace and War'), 1629-30.Oil on canvas. 203.5 × 298 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

alb17287187 Vincent van Gogh, (1853-90)/ Mulberry Tree, 1889. Oil on canvas. Museum: Norton Museum of Art, West Palm Beach, USA.

alb15449699 Dalen, Cornelis van (II), Rubens, Peter Paul, Amsterdam, Allegory of Nature, verso - stamped, Allegory of Nature with nymphs honoring bust of Diana with many breasts. In front of the plinth of the statue sit Bacchus, nymphs and female and male satyrs who pick vegetables and fruit from a large garland from which animals also eat., print, prints, height 636 mm, width 431 mm, Noord-Nederlands, 1638-12-28 - 1664-10-09, print maker, printmaker, 1648 - 1664, paper, papier, engraving, engraving (printing process), Zuid-Nederlands, 1577-06-28 - 1640-05-30, after, after a painting by, Publication (Event), Publication, publisher.

alb5517289 Andrea Mantegna / Ecce homo, tempera on canvas. around 1500. 72.0 cm x 54.0 cm. Museum: Musée Jacquemart André, BUDAPEST, France.

alb5151540 Andrea del Sarto: Holy Family (Sacra Famiglia Medici). Galleria Palatina, Palzzo Pitti, Florence, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 19.30 cm, FIRENZE - Galleria Pitti. Santa Famiglia (Andrea del Sarto.) Verso round stamp, painting, Mary with Christ Child (Madonna), Elizabeth, John the Baptist (life and deeds).

alb5310154 Paul Signac / The milliners. Museum: SAMMLUNG BÜHRLE (ART MUSEUM), Zurich, Switzerland.

alb5564892 Caravaggio/ Retrato de una cortesana (1597). Óleo sobre lienzo; 66 cm × 53 cm.

alb2036959 Pablo Picasso / 'Guernica', 1937, Oil on canvas, 351 x 782 cm. Museum: Museo Nacional Centro de Arte Reina Sofía (MNCARS), MADRID, SPAIN.

alb2021815 Guido Reni / 'Saint Sebastian', 1617-1619, Oil on canvas, 170 x 133 cm, P00211. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAN SEBASTIAN.

alb2002346 Salvador Dalí, 'Leda Atomica', 1949, Oil on canvas, 61.1 × 45.3 cm. Museum: Teatre Museu Dalí, Figueras, SPAIN.

alb2037625 Martin Schongauer / 'The Deposition from the Cross', 1475. Museum: MUSEE D'UNTERLINDEN, Colmar, France. JESUS. MARY MAGDALENE. JOSEPH OF ARIMATHEA.

alb2037623 Andrea del Sarto / 'Portrait of a Young Man', 1517, Oil on canvas, 71 x 54 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

alb2033420 Henri Matisse / 'Entrance to the Kasbah', 1912, Oil on canvas. Museum: Pushkin Museum of Fine Arts, MOSCU, RUSSIA.