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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg5286983 Postwertzeichen / DDR 1968. "Am Strand" (Gemälde, 1962, von Walter Womacka (1924-2010)). Briefmarke über 10 Pfennig. Entwurf: Fritz Deutschendorf.
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akg898850 Französische Revolutionskriege: Kanonade von Valmy am 20.September 1792 (Das preußische Heer unter dem Herzog von Braunschweig beschießt die Stellung des franz. Revolutionsheers).-"Assemblée législative 1791-92".-Farblithographie, anonym, Frankreich, um 1890. Sammelbildchen aus einer Serie zur französischen Geschichte. Museum: Private Collection., Paris.
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akg281218 Marc, Franz. 1880-1916. "Large blue Horses", 1911. Oil on canvas, 104.8 × 181cm. Gift of the T.B.Walker Foundation, Gilbert M.Walker Fund, 1942, Minneapolis, Walker Art Center. Museum: Minneapolis, Walker Art Center.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg6474206 Max Beckmann, R. Piper and Company (German). The Large Operation, plate eighteen from Gesichter, 1914. Drypoint on ivory wove paper, 297 × 436 mm. Inv. No. 1938.131, Chicago, Art Institute. Author: ANONYMOUS.
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alb2037078 Hyacinthe Rigaud / 'Philip V of Spain', 1701, Oil on canvas, 130 × 91 cm, P02337. Museum: MUSEO DEL PRADO, MADRID, SPAIN. PHILIPP V. VON SPANIEN.
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alb2036797 Gabriël Metsu / 'Erasmus of Rotterdam', 16th, Oil on canvas. Museum: PALAZZO BARBERINI, Roma, ITALIA. Author: QUENTIN MATSYS.
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alb2033592 Leonardo Da Vinci / 'La belle Ferromiere', 1490-1495, Oil on panel, 63 x 45 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.
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alb2069879 Vicente Carducho / 'La Virgen, acompañada de San José y San Juan Bautista, ampara bajo su manto a la Orden Cartujana', 1626-1632, Spanish School, Canvas, 338 cm x 298 cm, P05243. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068191 Frans Snyders / 'Concert of the Birds', 1629-1630, Flemish School, Oil on canvas, 98 cm x 137 cm, P01758. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2045772 Le Chalet du cycle au bois de Boulogne, ac 1880, detail, Oil on canvas, 53, 5 cm x 65 cm. Museum: Musée de l'Ile de France. Author: JEAN BERAUD.
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alb2068112 Frans Snyders / 'Concert of Birds', 1661, Flemish School, Oil on canvas, 203 cm x 334 cm, P07160. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068777 Francisco de Zurbarán / 'Christ Blessing', 1638, Spanish School, Oil on canvas, 100 cm x 72 cm, P06074. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068424 Vicente Carducho / 'La muerte del Venerable Odón de Novara', 1632, Spanish School, Canvas, 337 cm x 299 cm, P00639. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068439 Vicente Carducho / 'Muerte de Landuino en los calabozos', 1626-1632, Spanish School, Canvas, 337,5 cm x 297,5 cm, P06651. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068558 Vicente Carducho / 'La Virgen se aparece a Juan Fort', 1632, Spanish School, Canvas, 336 cm x 297 cm, P05406. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068714 Francisco de Zurbarán / 'Saint Luke as a painter, before Christ on the Cross', 1650, Spanish School, Oil on canvas, 105 cm x 84 cm, P02594. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068839 Bernard van Orley / 'The Holy Family', 1522, Flemish School, Oil on panel, 90 cm x 74 cm, P02692. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068811 Vicente Carducho / 'Aparición de San Bruno a Rogerio Guiscardo, conde de Apulia y Calabria', 1626-1632, Spanish School, Canvas, 337 cm x 297,5 cm, P05458. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068857 Francisco de Zurbarán / 'Christ Crucified, with the Sponsor', 1640, Spanish School, Oil on canvas, 244 cm x 167,5 cm, P07707. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068058 Vicente Carducho / 'The Death of Saint Bruno', 1626-1628, Spanish School, Canvas, 337 cm x 298 cm, P05481. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069955 Vicente Carducho / 'San Bernardo de Claraval visita a Guigo I en la cartuja', 1632, Spanish School, Canvas, 337 cm x 298 cm, P03062. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069016 Frans Snyders / 'The Henhouse', First half 17th century, Flemish School, Oil on canvas, 99 cm x 144 cm, P01770. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069776 Pedro Pablo Rubens (and workshop) / 'Tereus' Banquet', 1636-1637, Flemish School, Oil on canvas, 195,5 cm x 266 cm, P01660. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PEDRO PABLO RUBENS (Y TALLER).
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alb2070845 Francisco de Zurbarán / 'Agnus Dei (The Lamb of God)', 1635-1640, Spanish School, Oil on canvas, 37,3 cm x 62 cm, P07293. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069704 Frans Snyders / 'Concert of the Birds', 17th century, Flemish School, Oil on canvas, 79 cm x 151 cm, P01761. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070245 Vicente Carducho / 'La fuente milagrosa de la tumba de San Bruno', 1626-1632, Spanish School, Canvas, 337,5 cm x 297,5 cm, P05232. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070383 Vicente Carducho / 'El prior Boson resucita a un albañil', 1626-1632, Spanish School, Canvas, 337,5 cm x 297,5 cm, P02227. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070962 Vicente Carducho / 'San Bruno se despide de San Hugo antes de su viaje a Roma', 1626-1632, Spanish School, Canvas, 336,5 cm x 297 cm, P05591. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070205 Frans Snyders; Pedro Pablo Rubens (Workshop of) / 'Ceres and Pan', ca. 1620, Flemish School, Oil on canvas, 178,5 cm x 280,5 cm, P01672. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070778 Pedro Pablo Rubens / 'Adoration of the Magi', 1609; 1628-1629, Flemish School, Oil on canvas, 355,5 cm x 493 cm, P01638. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.
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alb9532125 Summoning the Sage at Wei River. Date: 16th century. Origin: China. Period: Ming dynasty. Hanging scroll mounted on panel; ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
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alb2070677 Pedro Pablo Rubens / 'Saint James the Elder', 1610-1612, Flemish School, Oil on panel, 108 cm x 83 cm, P01648. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070104 David Teniers / 'Archduke Leopoldo Guillermo at his picture gallery in Brussels.', 1647-1651, Flemish School, Oil on copper, 104,8 cm x 130,4 cm, P01813. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER. LEOPOLDO GUILLERMO DE HABSBURGO (1614-1662).
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alb9531601 Blossoming wisteria on a bamboo trellis. Date: 16th-17th century. Origin: Japan. Period: Momoyama period. Color, gold, and silver on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
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alb3711686 Baker Sounding His Horn. Dated: probably 1664. Dimensions: plate: 10.1 x 8.6 cm (4 x 3 3/8 in.) sheet: 11.5 x 10 cm (4 1/2 x 3 15/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Adriaen van Ostade.
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alb3712565 At the Foot of the Hill. Dimensions: overall (approximate): 32.6 x 34.7 cm (12 13/16 x 13 11/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3719888 Peasant Women of Boulogne (Paysannes des environs de Boulogne). Medium: etching and drypoint?. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3713827 The Cult of Bacchus. Dated: 1596. Dimensions: plate: 44.3 x 32.3 cm (17 7/16 x 12 11/16 in.) sheet: 45.6 x 33 cm (17 15/16 x 13 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam, after Hendrik Goltzius.
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alb3713196 Cobbler. Dated: 1671. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Adriaen van Ostade.
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alb3711724 Head of a Man with Upturned Eyes. Dimensions: overall: 40.5 x 28.7 cm (15 15/16 x 11 5/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3716081 Judge. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.
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alb3712729 Portrait of an Old Man. Dimensions: overall: 46.7 x 38.5 cm (18 3/8 x 15 3/16 in.) framed: 66 x 55.6 x 6.4 cm (26 x 21 7/8 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3718484 The Spinner. Dated: 1652. Dimensions: sheet (trimmed to plate mark): 13.7 x 17.5 cm (5 3/8 x 6 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Adriaen van Ostade.
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alb3710072 Third View of the Colosseum. Dated: probably 1550. Dimensions: sheet (trimmed to plate mark): 23.9 x 33.9 cm (9 7/16 x 13 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Cock.
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alb3717950 Count. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.
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alb3715029 Centaur Woman. Dimensions: overall (approximate): 29.5 x 42.1 cm (11 5/8 x 16 9/16 in.). Medium: pen and brown ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3716096 Landscape (Paysage). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3713773 Jules Dalou, 2nd plate. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3681823 Christ and the Woman of Samaria among Ruins. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).
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alb3714382 Eighth View of the Colosseum. Dated: 1550. Dimensions: sheet (trimmed to plate mark): 21.9 x 30.7 cm (8 5/8 x 12 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Cock.
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alb3681958 Single Combat in Moor-Fields or Magnamimous Paul O' challenging All O'. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet (trimmed): 10 9/16 × 12 7/8 in. (26.8 × 32.7 cm). Date: January 30, 1801. Museum: Metropolitan Museum of Art, New York, USA.
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alb3634906 The Gothic Arch, from Carceri d'invenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: plate: 16 1/4 x 21 7/16 in. (41.2 x 54.4 cm)sheet: 19 7/16 x 25 1/8 in. (49.4 x 63.8 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Carceri d'invenzione (Imaginary Prisons). Date: ca. 1749-50. Museum: Metropolitan Museum of Art, New York, USA. Author: GIOVANNI BATTISTA PIRANESI.
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alb3681147 Cuneiform tablet: administrative account of barley distribution with cylinder seal impression of a male figure, hunting dogs, and boars. Culture: Sumerian. Dimensions: 2.17 x 2.36 x 1.63 in. (5.5 x 6 x 4.15 cm). Date: ca. 3100-2900 B.C..Of the many legacies left by the ancient civilizations of southern Mesopotamia, the invention of writing is paramount. At the end of the fourth millennium B.C., written language developed in the region, first as pictographs and then evolving into abstract forms called cuneiform. The pictographs, like the ones on this tablet, are called proto-cuneiform and were drawn in the clay with a pointed implement. Circular impressions alongside the pictographs represented numerical symbols. Cuneiform (meaning wedge-shaped) script was written by pressing a reed pen or stylus with a wedge-shaped tip into a clay tablet. Clay, when dried to a somewhat hardened state, made a fine surface for writing, and when fired the records written on it became permanent.Early writing was used primarily as a means of recording and storing economic information. This tablet most likely documents grain distributed by a large temple, although the absence of verbs in early texts makes them difficult to interpret with certainty. In addition to the writing that appears on this tablet, the imagery of the cylinder seal, which was incompletely impressed on both faces and the edges of the tablet before it was inscribed, also records information. This seal apparently has not survived. The seal impression depicts a male figure guiding two dogs on a leash and hunting or herding boars in a reed marsh. He is the so-called priest-king, a male figure who can be identified by his dress and pose. Here he appears in his role as the good shepherd who protects flocks from wild predators.Adapted from, Art of the Ancient Near East: A Resource for Educators (2010). Museum: Metropolitan Museum of Art, New York, USA.
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alb3631682 Shozokuenoki Tree at Oji: Fox-fires on New Years Eve. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 14 1/16 x 9 1/2 in. (35.7 x 24.1 cm). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.
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alb3684521 The Breakfast (Le Gourmet en Compagne). Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 8 1/2 × 10 3/16 in. (21.6 × 25.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3639456 The Piazza Navona, Rome, above the ruins of the Circus of Domitian, the Church of Sant' Agnese to the right, Bernini's fountain in the centre, from the 'Vedute di Roma' (Views of Rome). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 19 1/2 × 23 1/4 in. (49.5 × 59 cm)Plate: 16 1/8 × 21 7/16 in. (41 × 54.5 cm). Date: 1760-1778. Museum: Metropolitan Museum of Art, New York, USA.
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alb3635614 The Blessing. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 6 1/4 × 5 1/4 in. (15.8 × 13.3 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.
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alb3631509 Manuel Osorio Manrique de Zuñiga (1784-1792). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1787-88.The sitter is the son of the Count and Countess of Altamira. Outfitted in a splendid red costume, he is shown playing with a pet magpie (which holds the painter's calling card in its beak), a cage full of finches, and three wide-eyed cats. In Christian art birds frequently symbolize the soul, and in Baroque art caged birds are symbolic of innocence. Goya may have intended this portrait as an illustration of the frail boundaries that separate the child's world from the forces of evil or as a commentary on the fleeting nature of innocence and youth. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).
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alb3637853 The Painter. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 9 5/8 x 7 3/16 in. (24.5 x 18.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3633537 Knight, Death, and the Devil. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 9 5/8 x 7 1/2 in. (24.5 x 19 cm). Date: 1513. Museum: Metropolitan Museum of Art, New York, USA.
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alb3709426 Simon Hayem. Dated: 1875. Dimensions: overall: 40.5 x 32.6 cm (15 15/16 x 12 13/16 in.) framed: 62.2 x 53.3 cm (24 1/2 x 21 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jules Bastien-Lepage.
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alb3709656 Triste sort des professeurs ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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alb3709650 Persische Nachtigallen (Persian Nightingales). Dated: 1917. Dimensions: overall: 22.8 x 18.1 cm (9 x 7 1/8 in.). Medium: gouache, watercolor, and pen and black ink over graphite on laid paper, mounted on cardboard; the sheet bordered at the top with yellow paper strip mounted to support. Museum: National Gallery of Art, Washington DC. Author: Paul Klee.
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alb3634522 Bamboo Market at Capital Bridge. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 14 1/16 x 9 1/2 in. (35.7 x 24.1 cm). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.
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alb3709449 Colosseum. Dimensions: plate: 23.4 x 33.5 cm (9 3/16 x 13 3/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.
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alb3706271 Joshua, King David and Judas Maccabeus. Dated: 1492. Dimensions: overall: 34.8 x 26.2 cm (13 11/16 x 10 5/16 in.). Medium: pen and black ink over traces of black chalk on on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.
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alb3707502 Sir Edward John Poynter. Dimensions: plate: 25.7 x 17.1 cm (10 1/8 x 6 3/4 in.) sheet: 35 x 25.8 cm (13 3/4 x 10 3/16 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3708875 A Chandelier with the Virgin Mary Holding the Christ Child. Dimensions: overall: 29.7 x 25 cm (11 11/16 x 9 13/16 in.). Medium: pen and brown ink with watercolor over graphite, heightened with white, on wove paper. Museum: National Gallery of Art, Washington DC. Author: Sir Frederic William Burton.
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alb3700358 View of the Ponte Quattro Capi and the Island of the Tiber. Dated: 1550. Dimensions: sheet (trimmed to plate mark): 22.9 x 32.6 cm (9 x 12 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Cock.
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alb3706057 Centaur with Branches. Dimensions: overall (approximate): 32.9 x 44 cm (12 15/16 x 17 5/16 in.). Medium: pen and brown ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3702354 American Ptarmigan and White-tailed Grous. Dated: 1838. Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.
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alb3702338 Christ Appearing to Mary Magdalene. Dated: c. 1480/1490. Dimensions: sheet (trimmed within plate mark): 16 x 15.8 cm (6 5/16 x 6 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.
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alb3707844 Memory Copy of Holbein's Erasmus. Dimensions: overall: 28.3 x 22.5 cm (11 1/8 x 8 7/8 in.) framed: 44.5 x 39.4 x 4.4 cm (17 1/2 x 15 1/2 x 1 3/4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3703560 Elevation of a Church. Dated: 1619. Medium: etching and engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3897051 Noli Me Tangere. Date/Period: 1680. Painting. Height: 130 mm (5.11 in); Width: 100 mm (3.93 in). Author: GREGORIO DE FERRARI.
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alb3707826 Perspective View of a Street. Dated: 1560. Dimensions: plate: 21 × 26 cm (8 1/4 × 10 1/4 in.) sheet: 25.5 × 36.3 cm (10 1/16 × 14 5/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lucas van Doetechum and Johannes van Doetechum, the Elder, after Hans Vredeman de Vries.
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alb3894824 Old Lady. Date/Period: Ca. 1630-35. Painting. Oil on canvas Oil. Height: 1,718 mm (67.63 in); Width: 1,064 mm (41.88 in). Author: Cornelis De Vos.
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alb3891084 Red Square in Moscow. Date/Period: 1801. Painting. Oil on canvas. Height: 81.3 cm (32 in); Width: 110.5 cm (43.5 in). Author: Fyodor Alekseyev.
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alb3895799 Animal Locomotion, Plate 686. Date/Period: 1887. Photograph. Collotype. Height: 457.20 mm (18 in); Width: 596.90 mm (23.50 in). Author: Eadweard Muybridge.
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alb3893040 Portrait of Fyodor Chaliapin. Date/Period: 1922. Painting. Oil on canvas Oil on canvas. Height: 990 mm (38.97 in); Width: 800 mm (31.49 in). Author: Boris Kustodiev.
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alb3891471 Holy Trinity (Troitsa). Date/Period: From 1425 until 1427. Painting / icon. Tempera on wood. Height: 141.5 cm (55.7 in); Width: 114 cm (44.8 in). Author: Andrei Rublev.
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alb3891473 Seventeenth-Century Moscow Street on a Public Holiday. Date/Period: 1895. Painting. Oil on canvas Oil on canvas. Height: 2,040 mm (80.31 in); Width: 3,900 mm (12.79 ft). Author: Andrei Ryabushkin.
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alb3893039 Merchant's Wife at Tea. Date/Period: 1918. Painting. Oil on canvas Oil on canvas. Height: 1,200 mm (47.24 in); Width: 1,200 mm (47.24 in). Author: Boris Kustodiev.
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alb3893042 The Emerald Necklace. Date/Period: From 1903 until 1904. Painting. Oil and tempera on canvas. Height: 125 cm (49.2 in); Width: 214.3 cm (84.3 in). Author: Victor Borisov-Musatov.
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alb3890496 Yom Kippur Service Held by Jewish Soldiers in the German Army. Date/Period: 1870. Print on cotton. Author: UNKNOWN.
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alb3897427 Emperor Charles VI and Gundacker, Count Althann. Date/Period: 1728. Painting. Oil on canvas. Height: 3,090 mm (10.13 ft); Width: 2,840 mm (111.81 in). Author: Francesco Solimena.
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alb3899793 Parade Celebrating the End of Military Action in the Kingdom of Poland on Tsaritsa Meadow in St Petersburg on 6 october 1831. Date/Period: 1833 - 1837. Painting. Oil on canvas Oil on canvas. Height: 2,120 mm (83.46 in); Width: 3,450 mm (11.31 ft). Author: Grigory Chernetsov.
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alb3894642 Wisteria. Date/Period: Ca. 1925. Painting. Oil, canvas, Semi-circular,, frame. Height: 1,536 mm (60.47 in); Width: 2,035 mm (80.11 in). Author: CLAUDE MONET.
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alb3892464 The Marketplace at Pirna. Date/Period: 1762/1766. Painting. Oil on canvas. Width: 79.5 cm. Height: 48.3 cm (without frame). Author: BERNARDO BELLOTTO.
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alb3673617 Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque curâ in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit. Artist: David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). Dimensions: [8], 244 leaves of plates : chiefly illustrations (engravings), portrait ; Height: 18 1/2 in. (47 cm). Engraver: Jan van Troyen (Flemish, Brussels ca. 1610-after 1666); Lucas Vorsterman I (Flemish, Zaltbommel 1595-1675 Antwerp); Peeter van Lisebetten (Flemish, Antwerp 1610-1678 Antwerp); Jan Popels (Flemish, active Antwerp, 1633-63). Date: 1684.Engraved armorial title vignette: coat of arms of Leopold Wilhelm held by puttiTeniers made copies of the paintings from which the engravings were executedEngraved dedicatory page from a painting by Teniers is plate 1 dated 1658, calling the collection: Hoc Amphitheatrum pictuarumThe engravings of the paintings are from many engravers: I. Troyen, N. v. Hoij, L. Vosterman, P. Lisebetius, L. Popels, etc. Museum: Metropolitan Museum of Art, New York, USA.
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alb3675518 The Charming Doll. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.4 cm)Image: 8 3/4 x 6 13/16 in. (22.3 x 17.3 cm). Series/Portfolio: Cries of Paris: Fourth Set(Études Prises dans le Bas Peuple où les Cris de Paris: Quatrième Suite). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.
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alb3891138 Christ's Appearance to Mary Magdalene after the Resurrection. Date/Period: 1835. Painting. Oil on canvas Oil on canvas. Height: 2,420 mm (95.27 in); Width: 3,210 mm (10.53 ft). Author: ALEXANDER ANDREYEVICH IVANOV.
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alb3674984 "Jumantsubo Plain at Fukagawa Susaki," from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Fukagawa Susaki Jumantsubo). Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 14 1/16 x 9 1/2 in. (35.7 x 24.1 cm). Date: 1856.A hawk is diving for prey on the snowy marshes below. Renowned for its size, the marshland depicted here was known as Jumantsubo after its approximate area of one hundred thousand tsubo (about eighty acres). The awesome figure of the hawk seen from a peculiar angle emphasizes the severity of the snowy weather.Hiroshige, one of the two leading ukiyo-e landscape artists of the late Edo period (the other being Katsushika Hokusai), was the son of Ando Gen'emon, a low-ranking samurai who held a hereditary position in the Edo fire brigade. Hiroshige's prints are known for their bold, dynamic designs. Museum: Metropolitan Museum of Art, New York, USA.
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alb3679063 Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk. Artist: Anonymous, Italian, 16th century; After Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: mount: 22 1/8 x 16 13/16 in. (56.2 x 42.7 cm)sheet: 18 3/16 x 12 5/8 in. (46.2 x 32.1 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1543-70.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 1, plate 102 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
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alb3732560 Val Prinsep, R.A. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3735548 Adriaen van Stalbemt. Dated: probably 1626/1641. Dimensions: sheet (trimmed close to plate mark): 24.6 x 17.4 cm (9 11/16 x 6 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Paulus Pontius after Sir Anthony van Dyck.
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alb3731681 L'ancien négociant. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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alb3735516 After the Battle. Dimensions: Overall: 22.2 x 39.4 cm (8 3/4 x 15 1/2 in.) support: 23.7 x 40.9 cm (9 5/16 x 16 1/8 in.). Medium: pen and brown ink with brown wash over graphite on brown paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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