Pesquisando por: ""editorias:arte - história"" - Fotoarena - Agência de fotojornalismo

alb30919887 Leaf with two Sibyls and two biblical scenes, Sibyls, print, From a series of seven leaves. Print, printed from multiple blocks, forms a single whole due to ornamental framing. Top left Madonna on the crescent moon, top right Christ descends into hell. Bottom left the Persian Sibyl with accompanying text, bottom right the Libyan Sibyl with accompanying text. In frame personification of Charity (Caritas) and Greed (Avaricia)., printmaker: Jacob Cornelisz van Oostsanen, Low Countries, after print by Lucas van Leyden (attributed to), printmaker: circle of Lucas van Leyden, publisher: Doen Pietersz., Amsterdam, 1520 - 1521, 1528 - 1532, after print by, Attributed to, paper, woodcut, height 380 mm x width 259 mm, Charity, 'Caritas', 'Carità' (Ripa), one of the Three Theological Virtues, Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla), Covetousness, 'Avaritia' (Ripa), personification of one of the Seven Deadly Sins, Christ in the underworld, harrowing of hell, Christ in Limbo, 'descensus ad inferos', 'Anastasis', Persian sibyl., The image shows a detailed black-and-white engraved panel divided into compartments with ornate architectural borders and scrollwork; the top row features three framed scenes including a robed figure holding a child, a central small scene of a seated figure with children beneath an ornamental cartouche, and a scene of standing nude and robed figures under a radiant burst; below these is a horizontal band with shell-like decorative niches and two cherubic figures flanking a central shield; the middle row presents two larger full-length figures in separate framed panels, one cloaked female figure kneeling beside a cylindrical object and one armored figure holding a long staff, with a narrow central panel between them containing a seated figure and additional ornament; a small cherub is positioned beneath this central column; the lower section contains decorative friezes and blocks of dense printed text framed by.

alb30919873 Expugnatio Sylvae-Ducis Ao 1629, Large map of the siege of Den Bosch by Frederik Hendrik (bottom left sheet), 1629, print, map, Large map of the siege of Den Bosch by the States Army under Frederik Hendrik, from May 1 to September 17, 1629. On either side of the map are 18 small illustrations with details of the city's fortifications and surrounding forts marked IZ.. Map composed of six plates and two - missing - text sheets. This is the bottom left sheet with a section of the map showing the encirclement and advancing armies and soldiers. In the foreground, the exodus of the Spanish garrison., printmaker: Balthasar Florisz. van Berckenrode, Northern Netherlands, printmaker: Salomon Savery, after drawing by Adriaen Pietersz van de Venne, cartographer: Theodorus Niels, publisher: widow Hillebrant Jacobsz. van Wouw (I), grantor of privilege: States General, Balthasar Florisz. van Berckenrode, Salomon Savery, Adriaen Pietersz van de Venne, Theodorus Niels, widow Hillebrant Jacobsz. van Wouw (I), States General, printmaker, after drawing by, cartographer, publisher, grantor of privilege, paper, etching, height 630 mm x width 465 mm, Person, Frederick Henry (Prince of Orange), maps of separate countries or regions, siege, position, Siege of Den Bosch (1629), Den Bosch, Period., A large engraved scene shows a crowded battle landscape with groups of soldiers, cavalry, and formations spread across rolling terrain and open fields. Along the left edge are a vertical series of framed vignettes, each depicting fortifications and small figures, and an ornate border with floral motifs runs down the margin. In the central and lower areas, mounted riders and troops move and cluster around tents and raised earthworks while individual soldiers march, stand, and engage; some figures lie on the ground and a few carry long poles or flags. In the foreground, a small group of men stand near horses and equipment, one figure leaning on a long staff, while nearby a cluster of reclining figur.

alb30919859 Music for the tragedy Gysbreght van Aemstel by Bernard Zweers (original title on object), print, book illustration, Above: an angel kneeling beside the Christ Child in a manger in a stable. Mary, Joseph, and two oxen look on. Below: a goddess of vengeance descending upon the walled city of Amsterdam. She holds a burning torch in her right hand with which she sets the city on fire. Behind her, Valkyries (goddesses of war) hurl themselves upon the city. Above the city: the text 'urbs antiqua ruit'. Surrounding the whole is a rectangular decorative border with floral and plant motifs., printmaker: Antoon Derkinderen, printer (person): Tresling & Comp., publisher: heirs of F. Bohn, 1894 - 1901, printer (person), paper, color lithography, proof print, height 414 mm x width 295 mm, angels, Mary, Joseph and the newborn Christ (Nativity), torch - BB - torch held upside down, Revenge, Requital, Retaliation, 'Vendetta' (Ripa)., A vertically oriented decorative print with an ornate floral and spiral border in muted green and pale gold tones surrounding three main panels; the top panel shows a semi-circular scene of a bed with draped curtains, a swaddled infant in a small cradle with a halo, figures kneeling and standing nearby including a person holding a lantern and an animal head visible at the right, all rendered in delicate linework and soft shading; beneath that is a wide rectangular band of stylized text-like lettering in the same colors, framed by decorative lines; below the lettering are two columns of smaller text-like blocks separated by borders; the central large panel features a flowing female figure with long hair and draped garments reaching toward a flame or torch with swirling smoke and rays of light behind her, set above a body of water and flanked by heraldic shields at the lower corners; the entire composition uses a limited palette of sage green and pale gold with repeated floral motifs and ornamental corner squares.

alb30919886 Mirror of Allusions, Specvlvm S. Scriptvrae, Duodecim Specula Deum, Twelve mirrors with which man tries to see God, print, book illustration, Series number, 11, 12, Three believers kneel before a nine-part mirror. The mirrors show allusions to the divinity of Christ and relate these to human life. Depicted, among others: Christ appearing as a gardener to Mary Magdalene, the Transfiguration, and the Disciples at Emmaus. The print has a Latin caption: 'Naturam iuvat artis opus, specvloque magistro, Praecipit arcans emaculare notas'. At the bottom is a legend of the scenes, which are numbered alphabetically in the image. The print is part of a twelve-part series (XI of XII prints) with the subject of twelve mirrors through which man attempts to see God., printmaker: Theodoor Galle, Antwerp, writer (clerical worker): Jan David, Kortrijk, publisher: Johannes Moretus (II), 1610, writer (clerical worker), paper, engraving, gravure, height 152 mm x width 89 mm, Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and, or a spade, 'Noli me tangere', mirror, the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13, Mark 9:2-13, Luke 9:28-36), Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)., A detailed engraved print showing a large vertical sheet divided into framed scenes and circular medallions, with three small rectangular vignettes across the top, a row of three circular scenes beneath them, another row of three circular scenes in the middle, and three kneeling figures at the bottom facing the medallions; the top center small vignette depicts a standing figure with outstretched arms above a group of reclining figures, the left and right small vignettes show standing men and an outdoor garden-like area; the circular medallions contain various group scenes on stylized cloud or interior settings, including clothed figures seated around tables, crowned figures and attend.