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orz164115 EDIFICIO COLON TAMBIEN CONOCIDO COMO TORRE MARITIMA - RASCACIELOS CONSTRUIDO EN 1970. Author: ANGLADA JOSEP / GELABERT DANIEL / RIBAS JOSEP. Location: EDIFICIO COLON. Barcelona. SPAIN.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg5966689 Italie, Turin, Musée égyptien, Museo Egizio, The Mine Payrus (verso), Cyperus papyrus, Nouvel Empire, 20eme dynastie, règne de Ramsès IV (1156-1149 av. J.-C.), Deir el-Medineh.
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akg5886982 USSR "Industrial and financial development continue for a long time! Let's do the Five Year Plan in four years! No to religion!" The weak threads pulled by the religious can not stop the convoy of development, launched in speed. Propaganda poster for the incitement to economic development, graphic design by Yuri Pimenov (26 November 1903 - 6 September 1977), USSR, 1930.
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akg893499 Black slaves hiding in southern swamps on their escape to the North. Handcolored woodcut of a 19thcentury illustration.
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akg206282 Musik / Rock- und Popgruppen:. The Beatles. Auftritt der Beatles in Madrid: Pressekonferenz im Hotel. Foto, 1965.
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akg940842 Griechisch, Athen, römische Zeit, 2./3.Jahrhundert n.Chr.-Die kalydonische Eberjagd (Meleager tötet den kalydonischen Eber).-Rückseite eines Sarkophages. Relief, Marmor, Höhe 84 cm, Breite 205 cm. Fundort: Apollonia (Marsa Susa, Cyrenaika, Libyen). Museum: Archäologisches Museum., FRANKFURT AM MAIN.
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akg306993 Melfi (Basilicata, Italy), Castello Normanno (Svevo). (built mid-11th Century; extended under Holy Roman Emperor Frederick II). Exterior. Photo, 2001.
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akg299039 Rome - Roma (Italy), Piazza Navona, Fontana del Moro - Fountain of the Moor. (basin 1575/76 by Giacomo della Porta; sculpture of the Moor aft. Bozzetto by Gian Lorenzo Bernini). Partial view: mask spouting water. Photo, 2001.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg471869 Soviet Republic 1920. "The Bolshevik". (Depicted as a colossus striding over Mosow, in the background the Lenin Library). Painting, 1920, by Boris Kustodiev. (1878-1927). Oil on canvas, 101 × 141 cm. Inv. Nr. JS-27, P-28723. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: BORIS KUSTODIJEW.
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akg1567565 Militär / Frankreich, Konsulat ( 1799-1804). /-"Les Chasseurs à cheval de la Garde. Trompette 1800. Tenue en campagne".-/ (Trompeter der berittenen Garde-Jäger in Felduniform 1800). Farblithographie, undatiert, nach Aquarell von Pierre Benigni (1878-1956) nach Louis-François Lejeune (1775-1848). Sammelbildchen aus der Serie: Les ... Museum: Private Collection., Paris.
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akg7871127 Zwei Goldbarren auf Münzen - two Gold Bars on Gold Coins.
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akg4446798 NERO (the 37-68) and fire of Rome. Painting of the shop of Giulio Romano (1449-1546), already in the Small room of the Cesari of Ducal palace to Mantova.
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alb2955626 The Lion of Saint Mark. Museum: PALAZZO FARNESE, LE HAVRE, ITALIA. Author: VITTORE CARPACCIO. SAN MARCOS.
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alb2036945 Pietro Perugino / 'The Virgin with Archangels Raphael and Raphael'. Museum: NATIONAL GALLERY, WASHINGTON D. C., USA. SAN MIGUEL. INFANT JESUS. RAPHAEL (ARCHANGEL). VIRGIN MARY.
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alb2033410 Giotto / 'Washing the Feet' (detail), 1304-1306, Fresco. Museum: Cappella degli Scrovegni, Pavoda. JESUS.
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alb2037213 Rogier van der Weyden / 'Seven Sacraments Altarpiece', 1445-1450, Oil on panel, 200 x 223 cm. Museum: Koninklijke Museum Shone Kunsten, TORRE DEL LAGO, Belgien. JESUS.
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alb2015917 Édouard Manet / 'Lunch on the Grass', 1863, Oil on canvas, 208 × 264.5 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.
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alb2068930 Roger van der Weyden / 'Pietà', ca. 1450, Flemish School, Oil on panel, 46,8 cm x 34,5 cm, P02540. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
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alb2119315 Prodigal son, scene in a bordello where the Prince of Wales lounges on a sofa next to a large, bare-breasted woman, probably representing Charles James Fox. A second bare-breasted woman,lounges at the feet of the Prince, while a third holds a man who is leaning on a chair vomiting.
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alb2069966 Roger van der Weyden / 'Descent from the Cross', ca. 1435, Flemish School, Oil on panel, 220 cm x 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
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alb2068506 Francisco de Goya y Lucientes / 'The Reading, or The Politicians', 1820-1823, Spanish School, Mural, 126 cm x 66 cm, P00766. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070821 Francisco de Goya y Lucientes / 'Saturn devouring one of his sons', 1820-1823, Spanish School, Mural, 143,5 cm x 81,4 cm, P00763. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068301 Francisco de Goya y Lucientes / 'The Drinker', 1777, Spanish School, Oil on canvas, 107 cm x 151 cm, P00772. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb9532128 Tiger with cubs and magpies. Date: 15th century. Period: Ming dynasty. Ink and color on silk. Origin: Possibly Zhejiang province, China. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
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alb212955 Roger van der Weyden / 'The Descent from the Cross', c. 1435, Oil on panel, 220 × 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN. SAINT JOSEPH. JESUS. MARY MAGDALENE. SAN JUAN EVANGELISTA.
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alb3718914 Bon Bock Café. Dated: 1881. Dimensions: overall: 26.6 x 34.9 cm (10 1/2 x 13 3/4 in.) framed: 47.3 x 55.2 x 7.3 cm (18 5/8 x 21 3/4 x 2 7/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Style of Edouard Manet.
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alb3716974 Riverscape with Rocks on the Right: pl.3. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Roelant Roghman and Melchior Küsel.
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alb3637107 Marble male portrait bust. Culture: Roman. Dimensions: Overall: 11 3/8 x 18 3/16 in. (28.9 x 46.2 cm). Date: ca. A.D. 130.The fragmentary bust of a man in a paludamentum (military cloak) was later hollowed out for use as a gutter spout. Museum: Metropolitan Museum of Art, New York, USA.
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alb3684384 Coffee Vendor. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: image: 9 x 7 1/8 in. (22.8 x 18.1 cm)sheet: 9 7/16 x 7 3/16 in. (24 x 18.2 cm). Series/Portfolio: Études Prises dans le Bas Peuple où les Cris de Paris: Cinquième Suite. Date: 1746. Museum: Metropolitan Museum of Art, New York, USA.
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alb3680435 The Molo, Venice, Looking West. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/8 in. (50.5 x 119.7 cm). Date: ca. 1709. Museum: Metropolitan Museum of Art, New York, USA.
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alb3631296 Roger van der Weyden the Younger, from the series Pictorum Aliquot Celebrium.. Artist: After Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). Artist and publisher: Hendrick Hondius I (Netherlandish, Duffel 1573-1650 Amsterdam). Dimensions: approx. 8 1/4 x 4 3/4 in. (21 x 12 cm). Sitter: Portrait of Rogier van der Weyden (Netherlandish, Tournai ca. 1399-1464 Brussels). Date: ca. 1610. Museum: Metropolitan Museum of Art, New York, USA. Author: after Cornelis Cort.
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alb3704942 Noble Woman in Profile with her Hands in a Muff. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3704484 The Hunchback with a Cane. Dated: c. 1622. Medium: etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d). Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3896019 Bufones jugando al cochonnet / Jesters Playing "Cochonnet". Date/Period: 1868. Painting. Oil on panel. Height: 460 cm (15 ft); Width: 356 cm (11.6 ft). Author: Eduardo Zamacois y Zabala.
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alb3890964 West Indian Creole woman, with her Black Servant. Date/Period: Ca. 1780. Painting. Oil on canvas. Height: 305 mm (12 in); Width: 251 mm (9.88 in). Author: AGOSTINO BRUNIAS.
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alb3890842 A. Calderoni Gioielliere. Date/Period: 1898. Poster. Colour lithograph on paper. Height: 1,642 mm (64.64 in); Width: 966 mm (38.03 in). Author: ADOLF HOHENSTEIN.
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alb3890951 A Linen Market with a Linen-stall and Vegetable Seller in the West Indies. Date/Period: Ca. 1780. Painting. Oil on canvas. Height: 549 mm (21.61 in); Width: 762 mm (30 in). Author: AGOSTINO BRUNIAS.
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alb3735169 Village on the Island of Ischia. Dated: c. 1826. Dimensions: overall: 27 x 32.8 cm (10 5/8 x 12 15/16 in.) framed: 43.8 x 49.5 x 7.6 cm (17 1/4 x 19 1/2 x 3 in.). Medium: oil on paper on canvas. Museum: National Gallery of Art, Washington DC. Author: Sébastien-Louis-Guillaume Norblin de la Gourdaine.
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alb3679795 Jupiter embracing Juno, from the Farnese Palace. Artist: After Annibale Carracci (Italian, Bologna 1560-1609 Rome); After Agostino Carracci (Italian, Bologna 1557-1602 Parma); Jacques Belly (French, Chartres 1609-1674 Chartres). Dimensions: Sheet (trimmed): 8 7/8 × 5 7/8 in. (22.5 × 15 cm). Series/Portfolio: La Gallerie du Palais Farnaise de la ville de Rome. Date: 1641. Museum: Metropolitan Museum of Art, New York, USA.
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alb3734403 Noble Man with Folded Hands. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3734550 Madonna and Child. Dated: c. 1500. Dimensions: overall: 70.2 x 50 cm (27 5/8 x 19 11/16 in.) framed: 88.9 x 69.9 x 8.3 cm (35 x 27 1/2 x 3 1/4 in.). Medium: oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: PIETRO PERUGINO.
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alb3736478 Lady with Arms Folded, and Two Gentlemen. Dated: probably 1634. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3623316 Madame Manet (Suzanne Leenhoff, 1830-1906) at Bellevue. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 31 3/4 x 23 3/4 in. (80.6 x 60.3 cm). Date: 1880.Despite the seemingly rapid brushwork and the summary treatment of detail, this painting was preceded by at least two drawings and an oil sketch. This is Manet's last portrait of his wife; it was painted at Bellevue, a suburb of Paris, where they spent the summer of 1880. Museum: Metropolitan Museum of Art, New York, USA.
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alb3626521 Glass weight. Culture: Roman. Dimensions: 13/16 × 1/8 in., 0.1oz. (2.1 × 0.3 cm, 2g). Date: 6th-early 7th century A.D..Translucent pale yellow green.Circular disk with rounded edge; impressed upper surface; flat bottom.On obverse, stamp in low relief, comprising a cruciform monogram, encircled by a line.Intact; dulling and pitting, with traces of brownish weathering.The weight is stamped with a Greek monogram to guarantee its authenticity. Such small glass weights were used by the Byzantines and later by the Arabs to check the value of gold and silver coins. This example weighs the equivalent of a semissis (half of a solidus, the standard gold coin). Museum: Metropolitan Museum of Art, New York, USA.
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alb3626532 Piazza San Marco, Venice. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/4 in. (50.5 x 120 cm). Date: ca. 1709.Populating the Piazza with energetic Venetians, Carlevaris gives this rendering of the Piazza San Marco a lively cast. The Square is framed by the Procuratie Vecchie on the left, and the Procuratie Nuove on the right. The basilica of San Marco and Torre dell'Orologio rise in the distance. Carlevaris is known to have carefully studied his figures prior to laying them in on canvas, and while no such studies exist for the laborers and gondoliers in this painting, his numerous extant oil sketches of Venetian ladies and gentlemen in other museum collections attest to this practice. Museum: Metropolitan Museum of Art, New York, USA. Author: LUCA CARLEVARIS.
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alb3620152 Medal Showing Frederick the Great. Culture: German. Dimensions: Diam. 1 5/8 in. (4.1 cm); thickness 1/8 in. (0.3 cm); Wt. 0.8 oz. (22.7 g). Date: 1758. Museum: Metropolitan Museum of Art, New York, USA.
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alb3624263 [Reproduction of Napoleon on the Battlefield of Eylau by Antoine-Jean Gros]. Artist: Unknown (French); After baron Antoine Jean Gros (French, Paris 1771-1835 Meudon). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.
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alb3888930 Descent from the Cross. Date/Period: From 1500 until 1510. Painting. Oil on wood. Author: UNKNOWN.
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alb3888395 Altar frontal from Avià. Date/Period: Ca. 1200. Painting. Tempera, parchment overlaps, stucco reliefs and remains of varnished metal plate on wood. Height: 1,070 mm (42.12 in); Width: 1,770 mm (69.68 in). Author: UNKNOWN.
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alb3747148 The Virgin Reading. Dated: c. 1505. Dimensions: overall: 78 x 51 cm (30 11/16 x 20 1/16 in.) framed: 119.7 x 86.4 x 10 cm (47 1/8 x 34 x 3 15/16 in.). Medium: oil on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.
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alb3744559 The Flight into Egypt. Dated: c. 1515. Dimensions: painted surface: 72 x 111 cm (28 3/8 x 43 11/16 in.) overall (including attached pieces): 74 x 113 cm (29 1/8 x 44 1/2 in.) framed: 122.9 x 160 cm (48 3/8 x 63 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.
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alb3743493 The Philosopher (Le philosophe). Dated: 1866. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.
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alb3745011 Le Juif Errant. Dated: c. 1856. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Georges Rouget after Gustave Doré.
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alb3609190 Moses Striking the Rock. Artist: Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht). Dimensions: 31 3/8 x 42 1/2 in. (79.7 x 108 cm). Date: 1596.Bloemaert worked in Utrecht and taught many of the leading artists of that city during the course of his long career. This painting is characteristic of the mannerist style which he adopted in the last decade of the sixteenth century. In the middle ground at the left Moses strikes the rock to provide water for the Israelites in the desert. The subject is an Old Testament prototype for salvation through baptism, and the woman with a jug may embody the saving properties of water. Museum: Metropolitan Museum of Art, New York, USA.
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alb3602960 The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 20 x 47 1/8 in. (50.8 x 119.7 cm). Date: ca. 1709.This veduta looking east along the Grand Canal shows the quay at the north side of the Dogana, itself surmounted by Bernardino Falcone's statue of Fortune on a globe. In the distance is the façade of the majestic San Giorgio Maggiore. Carlevaris animates the painting with scenes from Venetian life, a subject he first studies in preparatory oil sketches. This painting, together with three other paintins in the Robert Lehman Collection (1975.1.87, .89 and .90), form a series. Museum: Metropolitan Museum of Art, New York, USA. Author: LUCA CARLEVARIS.
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alb3605948 Slave Pen, Alexandria, Virginia. Artist: Andrew Joseph Russell (American, 1830-1902). Dimensions: Image: 25.6 x 36.5cm (10 1/16 x 14 3/8in.)Mount: 12 3/16 × 16 9/16 in. (31 × 42 cm). Date: 1863.Better known for his later views commissioned by the Union Pacific Railroad, A. J. Russell, a captain in the 141st New York Infantry Volunteers, was one of the few Civil War photographers who was also a soldier. As a photographer-engineer for the U.S. Military Railroad Con struction Corps, Russell's duty was to make a historical record of both the technical accomplishments of General Herman Haupt's engineers and the battlefields and camp sites in Virginia. This view of a slave pen in Alexandria guarded, ironically, by Union officers shows Russell at his most insightful; the pen had been converted by the Union Army into a prison for captured Confederate soldiers.Between 1830 and 1836, at the height of the American cotton market, the District of Columbia, which at that time included Alexandria, Virginia, was considered the seat of the slave trade. The most infamous and successful firm in the capital was Franklin & Armfield, whose slave pen is shown here under a later owner's name. Three to four hundred slaves were regularly kept on the premises in large, heavily locked cells for sale to Southern plantation owners. According to a note by Alexander Gardner, who published a similar view, "Before the war, a child three years old, would sell in Alexandria, for about fifty dollars, and an able-bodied man at from one thousand to eighteen hundred dollars. A woman would bring from five hundred to fifteen hundred dollars, according to her age and personal attractions." Late in the 1830s Franklin and Armfield, already millionaires from the profits they had made, sold out to George Kephart, one of their former agents. Although slavery was outlawed in the District in 1850, it flourished across the Potomac in Alexandria. In 1859, Kephart joined William Birch, J. C. Cook, and C. M. Price and conducted business under the name of Price, Birch & Co. The partnership was dissolved in 1859, but Kephart continued operating his slave pen until Union troops seized the city in the spring of 1861. Museum: Metropolitan Museum of Art, New York, USA.
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alb3608293 The Siege of Fiesole by the Goths. Artist: Friedrich Sustris (Netherlandish (possibly born Italy), Venice (?) ca. 1540-1599 Munich). Dimensions: sheet: 10 1/4 x 15 in. (26 x 38.1 cm). Date: 1550-99. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659291 Small male figure in three-quarter view with outstreched left hand and right hand grasping sword at hip, from the series 'Varie figure gobbi'. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Plate: 2 9/16 x 3 3/8 in. (6.5 x 8.5 cm)Sheet: 3 3/4 x 5 3/8 in. (9.6 x 13.6 cm). Series/Portfolio: Varie figure gobbi. Date: ca. 1621-25. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653487 A dwarf (Un enano)Portrait of Sebastian de Morra. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 8 3/16 × 5 7/8 in. (20.8 × 14.9 cm)Sheet: 16 x 11 7/16 in. (40.7 x 29 cm). Series/Portfolio: Etchings after Velazquez. Sitter: Sebastian de Morra. Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.
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alb3651704 Spanish-Patriots Attacking the French-Banditti- Loyal Britons Lending a Lift. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet (trimmed to plate line): 10 3/4 x 15 1/4 in. (27.3 x 38.7 cm). Publisher: Hannah Humphrey (London). Date: August 15, 1808. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659768 The grape-picker, and elderly woman holding a basket of grapes, after Murillo. Artist: After Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville); Juan Antonio Salvador Carmona (Spanish, Nava del Rey 1740-1805 Madrid). Dimensions: Sheet: 10 3/8 × 6 13/16 in. (26.3 × 17.3 cm). Date: ca. 1780-1805. Museum: Metropolitan Museum of Art, New York, USA.
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alb3657838 Broadside with 48 scenes from the life of the Count of Monte Cristo. Dimensions: Sheet: 17 1/8 × 12 3/16 in. (43.5 × 31 cm). Publisher: José María Marés (Spanish, active ca. 1850-70). Date: 1860. Museum: Metropolitan Museum of Art, New York, USA.
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alb3650635 The "Kearsarge" at Boulogne. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 32 1/8 x 39 3/8 in. (81.6 x 100 cm). Date: 1864.During the American Civil War, the United States warship Kearsarge made headlines after sinking the Confederate raider Alabama off the coast of France. Manet did not witness firsthand the widely-covered event but devoted two paintings to the subject: a scene of the naval battle (Philadelphia Museum of Art) and this picture, prompted by his subsequent visit to the victorious ship at anchor near Boulogne. They were his first depictions of a current event. Museum: Metropolitan Museum of Art, New York, USA.
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alb3652319 The Introduction of the arts in German by Christianity. Artist: Eugen Eduard Schäffer (German, 1802-1871); After Philipp Veit (German, Berlin 1793-1877 Mainz). Dimensions: plate: 16 3/8 x 26 1/2 in. (41.6 x 67.3 cm)sheet: 23 1/2 x 35 in. (59.7 x 88.9 cm). Printer: Printed by Heinrich Felsing (German). Publisher: Published by J. Veith. Date: 1839. Museum: Metropolitan Museum of Art, New York, USA.
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alb3599614 Caricatures of paintings by Daubigny and others in Le Salon Pour Rire. Artist: André Gill (French, Paris 1840-1885 Paris); satirized painting by Charles-François Daubigny (French, Paris 1817-1878 Paris). Date: ca. 1868. Museum: Metropolitan Museum of Art, New York, USA.
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alb3618277 Portrait of J. Louis David. Artist: Eugène Bourgeois (French, Paris 1855-1909). Dimensions: sheet: 13 x 9 1/4 in. (33 x 23.5 cm). Date: 1814. Museum: Metropolitan Museum of Art, New York, USA.
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alb3614572 Jeanne. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: image: 6 1/8 x 4 3/16 in. (15.5 x 10.7 cm)sheet: 10 7/8 x 8 in. (27.7 x 20.3 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.
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alb3648128 Mademoiselle Isabelle Lemonnier (1857-1926). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 22 x 18 1/4 in. (55.9 x 46.4 cm). Date: 1879-82.Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite Charpentier, whose grand portrait by Renoir is also in the Metropolitan's collection (07.122). Between 1879 and 1882 Manet made several portraits of Isabelle, of whom he seems to have been fond; in the summer of 1880 he sent her a series of letters decorated with charming watercolor sketches. Museum: Metropolitan Museum of Art, New York, USA.
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alb3647634 Harper's Weekly: Midsummer Number. Artist: Edward Penfield (American, Brooklyn, New York 1866-1925 Beacon, New York). Dimensions: Sheet: 16 5/16 × 11 5/16 in. (41.5 × 28.8 cm)Image: 14 3/16 × 9 3/8 in. (36 × 23.8 cm). Publisher: Harper and Brothers, Publishers. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.
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alb3641269 Looking at a Manet painting, from 'Sketches from the Salon,' published in Le Charivari, June 19, 1865. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/16 × 7 7/16 in. (23 × 18.9 cm)Sheet: 11 13/16 × 11 5/16 in. (30 × 28.8 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Sketches from the Salon' (Croquis pris au Salon). Date: June 19, 1865.- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat. Museum: Metropolitan Museum of Art, New York, USA.
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alb3649778 A Swiss Foot Soldier. Artist: attributed to Niklaus Manuel Deutsch (Swiss, Bern 1484-1530 Bern). Dimensions: 11 1/4 x 7 1/8 in. (28.6 x 18.1 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3906349 Boyarina Morozova. Date/Period: 1887. Painting. Oil on canvas. Height: 304 cm (119.6 in); Width: 587.5 cm (19.2 ft). Author: Vasily Surikov.
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alb3903643 Regatta on the Grand Canal in Honor of Frederick IV of Denmark. Date/Period: 1711. Painting. Oil on canvas. Height: 135.3 cm (53.2 in); Width: 259.7 cm (102.2 in). Author: LUCA CARLEVARIJS.
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alb3907096 Portrait of a Lady. Date/Period: Ca. 1460. Painting. Oil on panel. Height: 340 mm (13.38 in); Width: 255 mm (10.03 in). Author: ROGIER VAN DER WEYDEN.
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alb3907033 Princess Reverie. Date/Period: 1896. Painting. Oil on canvas. Height: 750 cm (24.6 ft); Width: 1,400 cm (15.3 yd). Author: Mikhail Vrubel.
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alb3906914 The Apotheosis of War. Date/Period: 1871. Painting. Oil on canvas. Height: 127 cm (50 in); Width: 197 cm (77.5 in). Author: Vasily Vereshchagin.
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alb3900902 Altar frontal from Cardet. Date/Period: Second half of 13th century. Painting. Tempera, stucco reliefs and remains of varnished metal plate on wood. Height: 970 mm (38.18 in); Width: 1,620 mm (63.77 in). Author: IOHANNES.
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alb3903826 Rocky Island. Date/Period: 1515. Paper. Pen and brown ink Pen and brown ink. Height: 259 mm (10.19 in); Width: 199 mm (7.83 in). Author: Niklaus Manuel.
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alb3906525 Susanna and the Elders. Date/Period: 1555 - 1556. Painting. Oil on canvas. Height: 1,460 mm (57.48 in); Width: 1,936 mm (76.22 in). Author: Tintoretto.
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alb3907702 The Deposition. Date/Period: Ca. 1490. Painting. Oil on panel. Height: 610 mm (24.01 in); Width: 997 mm (39.25 in). Author: Follower of Rogier van der Weyden.
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alb3902936 The Departure of the Prodigal Son. Date/Period: 1841. Drawing. Black chalk, brown and black ink. Height: 230 mm (9.05 in); Width: 179 mm (7.04 in). Author: George Friedrich Kayser.
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alb3905019 The Honble. Sr. Wm. Howe, Knight of the Bath, & Commander in Chief of his Majesty's Forces in America. Date/Period: 1777. Mezzotint. Width: 27.6 cm. Height: 41 cm (sheet). Author: RICHARD PURCELL.
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alb3901126 Napoleon Crossing the Alps. Date/Period: 1802. Painting. Oil on canvas. Height: 273 cm (107.4 in); Width: 234 cm (92.1 in). Author: JACQUES LOUIS DAVID. Jérôme-Martin Langlois.
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alb3901127 Sacre de l'empereur Napoléon Ier et couronnement de l'impératrice Joséphine dans la cathédrale Notre-Dame de Paris, le 2 décembre 1804 / Coronation of Emperor Napoleon I and Coronation of the Empress Josephine in Notre-Dame de Paris, December 2, 1804. Date/Period: Between 1808 and 1822. Painting. Oil on canvas. Height: 610 cm (20 ft); Width: 931 cm (10.1 yd). Author: JACQUES LOUIS DAVID. GEORGES ROUGET.
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alb3728199 The Foolish Virgin. Dated: 1518. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Niklaus Manuel I.
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alb3728441 Castor and Pollux Rescuing Helen. Dated: 1818. Dimensions: overall: 32.2 x 38.8 cm (12 11/16 x 15 1/4 in.). Medium: pen and ink with wash over graphite, heightened with white gouache on toned paper. Museum: National Gallery of Art, Washington DC. Author: Sébastien-Louis-Guillaume Norblin de la Gourdaine.
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alb3728273 Germania. Dated: 1833/1836. Dimensions: sheet: 42.3 x 28.9 cm (16 5/8 x 11 3/8 in.). Medium: pen and black, brown, and golden ink with watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Philipp Veit.
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alb3721495 Madonna and Child. Dated: c. 1505/1510. Dimensions: overall: 84.8 x 68.3 cm (33 3/8 x 26 7/8 in.) framed: 107.8 x 92.6 x 9.8 cm (42 7/16 x 36 7/16 x 3 7/8 in.). Medium: oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.
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alb23454137 Tacitus (Publius Cornelius Tacitus) (c. 56-c. 120). Roman historian and politician. C. Cornelii Taciti de situ, moribus, et populis Germaniae, libellum. Classic edition of the Germania which also includes compilations of other works by Tacitus. Second notes on the books of the Annals (Curae Secundae ad libros Annalium). Published in 1687 by Abbot Julien Pichon. Pichon was one of the "interpreters of the Dauphin" or "critics of the Dauphin" appointed by Montausier, Bossuet and Huet to present works by secular classical authors to Louis, Dauphin of France (1661-1711), son of Louis XIV and heir to the throne. Paris, printing house of the widow of Claude Thiboust (fl. 1667-1711?) and Pierre Esclassan (fl. 1666-1718), 1687.
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alb23454115 Tacitus (Publius Cornelius Tacitus) (c. 56-c. 120). Roman historian and politician. C. Cornelii Taciti de situ, moribus, et populis Germaniae, libellum. Classic edition of the Germania which also includes compilations of other works by Tacitus. Interpretation of The Life of Julius Agricola (Julii Agricolae vitam). Published in 1687 by Abbot Julien Pichon. Pichon was one of the "interpreters of the Dauphin" or "critics of the Dauphin" appointed by Montausier, Bossuet and Huet to present works by secular classical authors to Louis, Dauphin of France (1661-1711), son of Louis XIV and heir to the throne. Paris, printing house of the widow of Claude Thiboust (fl. 1667-1711?) and Pierre Esclassan (fl. 1666-1718), 1687.
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alb23454120 Pliny the Elder (Gaius Plinius Secundus) (ca. 23-79). Roman politician, historian and naturalist. Natural History (Naturalis Historia). The work is divided into 37 books, organised into 10 volumes. Book XV (botany, the olive tree, olive oil and its uses, fruit and walnut trees). 1686 classic edition.
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alb23454116 Tacitus (Publius Cornelius Tacitus) (c. 56-c. 120). Roman historian and politician. C. Cornelii Taciti de situ, moribus, et populis Germaniae, libellum. Inner page. Classic edition published in 1687 by Abbot Julien Pichon. Paris, printing house of the widow of Claude Thiboust (fl. 1667-1711?) and Pierre Esclassan (fl. 1666-1718), 1687.
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alb23454136 Tacitus (Publius Cornelius Tacitus) (c. 56-c. 120). Roman historian and politician. C. Cornelii Taciti de situ, moribus, et populis Germaniae, libellum. Classic edition of the Germania which also includes compilations of other works by Tacitus: "The Life of Julius Agricola" (Julii Agricolae vitam) and "Dialogue on Orators" (De oratoribus dialogum). Volume IV. Published in 1687 by Abbot Julien Pichon. Pichon was one of the "interpreters of the Dauphin" or "critics of the Dauphin" appointed by Montausier, Bossuet and Huet to present works by secular classical authors to Louis, Dauphin of France (1661-1711), son of Louis XIV and heir to the throne. Paris, printing house of the widow of Claude Thiboust (fl. 1667-1711?) and Pierre Esclassan (fl. 1666-1718), 1687.
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alb23454142 Tacitus (Publius Cornelius Tacitus) (c. 56-c. 120). Roman historian and politician. C. Cornelii Taciti de situ, moribus, et populis Germaniae, libellum. Classic edition of the Germania which also includes compilations of other works by Tacitus. Interpretation of The Life of Julius Agricola (Julii Agricolae vitam). Inner page. Published in 1687 by Abbot Julien Pichon. Pichon was one of the "interpreters of the Dauphin" or "critics of the Dauphin" appointed by Montausier, Bossuet and Huet to present works by secular classical authors to Louis, Dauphin of France (1661-1711), son of Louis XIV and heir to the throne. Paris, printing house of the widow of Claude Thiboust (fl. 1667-1711?) and Pierre Esclassan (fl. 1666-1718), 1687.
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alb23454113 Pliny the Elder (Gaius Plinius Secundus) (ca. 23-79). Roman politician, historian and naturalist. Natural History (Naturalis Historia). The work is divided into 37 books, organised into 10 volumes. Book XVIII (farm management). 1686 classic edition.
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alb23454111 Pliny the Elder (Gaius Plinius Secundus) (ca. 23-79). Roman politician, historian and naturalist. Natural History (Naturalis Historia). The work is divided into 37 books, organised into 10 volumes. Book XIV (botany, the vine and wine). 1686 classic edition.
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alb23454138 Pliny the Elder (Gaius Plinius Secundus) (ca. 23-79). Roman politician, historian and naturalist. Natural History (Naturalis Historia). The work is divided into 37 books, organised into 10 volumes. Book XIX (plant cultivation, ornamental plants, other plants and shrubs). 1686 classic edition.
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alb23454140 Tacitus (Publius Cornelius Tacitus) (c. 56-c. 120). Roman historian and politician. C. Cornelii Taciti de situ, moribus, et populis Germaniae, libellum. Classic edition of the Germania which also includes compilations of other works by Tacitus. Dialogue on Orators (Dialogus de oratoribus, sive de causis corruptae eloquentiae). Published in 1687 by Abbot Julien Pichon. Pichon was one of the "interpreters of the Dauphin" or "critics of the Dauphin" appointed by Montausier, Bossuet and Huet to present works by secular classical authors to Louis, Dauphin of France (1661-1711), son of Louis XIV and heir to the throne. Paris, printing house of the widow of Claude Thiboust (fl. 1667-1711?) and Pierre Esclassan (fl. 1666-1718), 1687.
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