Pesquisando por: ""cidade_pt:London"" - Fotoarena - Agência de fotojornalismo

ny210424132206 David Lammy at Holcombe Market in Tottenham, the area of north London where he grew up and is now his parliamentary district, on April 19, 2024. ?I?m happy to talk to whomever the American people decide they want to run the country,? Lammy said in a recent interview. (Andrew Testa/The New York Times/Fotoarena)

ny210424132407 David Lammy, center left, at Holcombe Market in Tottenham, the area of north London where he grew up and is now his parliamentary district, on April 19, 2024. After Britain?s next election, Lammy is likely to be foreign secretary. He?s setting out a ?progressive realist? policy ? and forging ties on the U.S. right, just in case. (Andrew Testa/The New York Times/Fotoarena)

ny220424154707 A statue of Queen Elizabeth II, created by the British sculptor Poppy Field in 2023, outside the Royal Albert Hall in London, April 16, 2024. Sculptors have immortalized past British monarchs with imposing, stern-faced statues, but for Queen Elizabeth II, they?re taking a different approach. (Joshua Bright/The New York Times/Fotoarena)

ny220424155206 Photographs of Queen Elizabeth II used for reference in the studio of Hywel Pratley, who sculpted the 7-foot bronze statue of the monarch unveiled on Sunday, April 21, in the Oakham Library Gardens, in London, April 16, 2024. Sculptors have immortalized past British monarchs with imposing, stern-faced statues, but for Queen Elizabeth II, they?re taking a different approach. (Joshua Bright/The New York Times/Fotoarena)

ny220424155307 The sculptor Hywel Pratley uses ferric nitrate and a torch flame to add a patina to a limited edition maquette of his Queen Elizabeth II statue, at his studio in London, April 16, 2024. Sculptors have immortalized past British monarchs with imposing, stern-faced statues, but for Queen Elizabeth II, they?re taking a different approach. (Joshua Bright/The New York Times/Fotoarena)

ny020524141507 Inside Jonathan YeoÕs West London studio, April 9, 2024. Painting the kingÕs portrait marks a return to normalcy for Yeo, 53, who suffered a near-fatal heart attack last year that he attributes to the lingering effects of cancer in his early 20s. (Mary Turner/The New York Times/Fotoarena)

ny020524141706 The artist Jonathan Yeo working in his West London studio, with the back of the canvas with the as yet unveiled portrait of King Charles III on the left, April 9, 2024. The painting, which will be unveiled at Buckingham Palace in mid-May, is the first large-scale rendering of Charles since he became king. (Mary Turner/The New York Times/Fotoarena)

ny020524141306 The artist Jonathan Yeo in his West London studio, April 9, 2024. Yeo, about to unveil a major new painting of King Charles III, also counts Hollywood royalty and prime ministers as past subjects. (Mary Turner/The New York Times/Fotoarena)

ny030524111506 HEADLINE: A Portrait Artist Fit for a KingCAPTION: The artist Jonathan Yeo in his West London studio on April 9, 2024. Yeo?s rendering of Charles III is to be unveiled at Buckingham Palace in mid-May.CREDIT: (Mary Turner/The New York Times/Fotoarena)

ny020524164407 The artist Jonathan Yeo in his West London studio, with the back of the canvas with the as yet unveiled portrait of King Charles III on the left, April 9, 2024. The painting, which will be unveiled at Buckingham Palace in mid-May, is the first large-scale rendering of Charles since he became king. (Mary Turner/The New York Times/Fotoarena)

ny020524141906 Canvases stacked in Jonathan YeoÕs West London studio, April 9, 2024. YeoÕs privately commissioned works can fetch around $500,000 each. (Mary Turner/The New York Times/Fotoarena)

ny020524141807 A view of a work table in Jonathan YeoÕs studio, in front of his portrait of Giancarlo Esposito, in West London, April 9, 2024. Few famous Britons, it seems, can resist the chance to be painted by Yeo. (Mary Turner/The New York Times/Fotoarena)

ny090424202406 Dr. Anna Hutchinson in her office in London on Monday, April 8, 2024. (Tori Ferenc/The New York Times/Fotoarena)

ny090424201907 The Tavistock Centre, the former site of the Gender Identity Development Service, in London on Monday, April 8, 2024. The GIDS was until recently the National Health ServiceÕs sole youth gender clinic. (Tori Ferenc/The New York Times/Fotoarena)

ny050424222807 **EMBARGO: No electronic distribution, Web posting or street sales before 3:01 a.m. ET Sunday, April 7, 2024. No exceptions for any reasons. EMBARGO set by source.** Headquarters of the British Broadcasting Corporation (BBC) whose popular ÒUniversity ChallengeÓ quiz show, now in its 53rd season, is a cultural institution, in London, March 23, 2024. Brandon Blackwell, a 30-year-old from Queens, helped turn Imperial College, a science and engineering school in London, into a powerhouse on the quiz show, and became a TV celebrity in the process. (Joshua Bright/The New York Times/Fotoarena)

ny070424185907 The Metropolitan Walkers toast with a drink at the end of their walk through London on March 21, 2024. In London, ramblers are finding friendship and fitness by strolling the city together. (Jess Cheetham/The New York Times/Fotoarena)

ny070424191106 Members of the Metropolitan Walkers keep a brisk pace as they make their way through London on March 21, 2024. In London, ramblers are finding friendship and fitness by strolling the city together. (Jess Cheetham/The New York Times/Fotoarena)

ny070424192507 Members of the Metropolitan Walkers keep a brisk pace as they make their way through London on March 21, 2024. The Metropolitan Walkers group is primarily geared at people in their 20s and 30s. (Jess Cheetham/The New York Times/Fotoarena)

ny070424191307 A variety of ages of members of the rambling group meet at a starting point and chat with one another before their walk in London on March 21, 2024. In London, ramblers are finding friendship and fitness by strolling the city together. (Jess Cheetham/The New York Times/Fotoarena)

ny070424190506 Members of the London Strollers embrace each other during their walk on March 21, 2024. Walking groups often end their strolls with a trip to the pub. (Jess Cheetham/The New York Times/Fotoarena)

ny070424190707 Members of the London Strollers are out for a walk on March 21, 2024. In London, ramblers are finding friendship and fitness by strolling the city together. (Jess Cheetham/The New York Times/Fotoarena)

ny070424190307 Members of the London Strollers are out for a walk on March 21, 2024. There are over 4,000 members of the Inner London community of the Ramblers. (Jess Cheetham/The New York Times/Fotoarena)

ny070424190107 The walking group makes their way through a tunnel with overhead lights and graffiti on the walls in London on March 21, 2024. Some people sought out walking groups after they retired, to help smooth their transition into the next phase of life. (Jess Cheetham/The New York Times/Fotoarena)

ny250324191807 Alistair Campbell, left, and Rory Stewart, second from right, hosts of "The Rest Is Politics," in a recording studio in London, March 21, 2024. The show is one of Britain?s most popular podcasts, in which they draw on their careers in government to explore the issues of the day. (Andrew Testa/The New York Times/Fotoarena)

ny250324192007 Alistair Campbell, left, and Rory Stewart, hosts of "The Rest Is Politics," in a recording studio in London, March 21, 2024. The show is one of Britain?s most popular podcasts, in which they draw on their careers in government to explore the issues of the day. (Andrew Testa/The New York Times/Fotoarena)

ny050424191806 Painters work on a graffiti mural advertising UGG footwear in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324170507 Painters work on a graffiti mural advertising UGG footwear in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny290324191107 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny260324232907 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny290324190607 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny260324233506 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny290324190206 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny260324233206 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny290324185907 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny260324232407 **EMBARGO: No electronic distribution, Web posting or street sales before WEDNESDAY 12:01 A.M. ET, MARCH 27, 2024. No exceptions for any reasons. EMBARGO set by source.** The Chinese filmmaker Wang Xiaoshuai in Lewisham, London on March 15, 2024. The creative talent in China?s film industry is struggling under tightening censorship. The suffocating restrictions remind veterans like Wang of the harsher days when the Communist Party more strictly controlled speech and artistic expression. (Olivia Lifungula/The New York Times/Fotoarena)

ny050424192007 A mural by Mr Cenz on New Inn Yard in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324164206 A mural by Mr Cenz on New Inn Yard in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny050424192906 Diners at a restaurant in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324172406 Diners at a restaurant in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny050424193107 Painters Liam and Dave from Global Street Art paint a mural in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324170707 Painters Liam and Dave from Global Street Art paint a mural in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny050424191506 A view of newly built offices and apartments from Sclater Street near Brick Lane in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324165207 A view of newly built offices and apartments from Sclater Street near Brick Lane in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny050424192606 The Sky Guild Gaming Cenrtre in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324171907 The Sky Guild Gaming Cenrtre in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny050424191307 The Tea building in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324164007 The Tea building in Shoreditch, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny050424192207 Graffiti painter Julian Phethean AKA Mr Cenz in Peckham, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324171707 Graffiti painter Julian Phethean AKA Mr Cenz in Peckham, London, UK on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny120424101007 HEADLINE: Cashing In on GraffitiCAPTION: Julian Phethean, also known as Mr Cenz, paints a mural in London on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhoodÕs cultural cachet. CREDIT: (Sam Bush/The New York Times/Fotoarena)

ny050424192407 Graffiti painter Julian Phethean AKA Mr Cenz paints a mural in Camden, London, UK. on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny310324172207 Graffiti painter Julian Phethean AKA Mr Cenz paints a mural in Camden, London, UK. on March 14, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Sam Bush/The New York Times/Fotoarena)

ny170324161807 Visitors in the Chinese Pavilion at the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. Over 1,000 exhibitors from around the world hawked their wares. (Sam Bush/The New York Times/Fotoarena)

ny170324162907 A visitor sits on the floor and reads during the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. For those who werenÕt there to close deals, the fair offered the opportunity to map out the minutely graded power structure of the publishing industry. (Sam Bush/The New York Times/Fotoarena)

ny170324162107 A visitor at the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. For three days, agents, editors, publishers, scouts and others gather with the primary task of buying and selling foreign rights for English-language books. (Sam Bush/The New York Times/Fotoarena)

ny170324162508 A view of the purple-carpeted International Rights Section, where agents pitched books to foreign publishers, at the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. For three days, agents, editors, publishers, scouts and many other people whose jobs are harder to explain gather in a frenzied fashion, primarily to sell and buy foreign rights for English-language books, but also to take temperatures, observe prevailing winds and scheme. (Sam Bush/The New York Times/Fotoarena)

ny170324161907 The London Book Fair is held in the Kensington Olympia Exhibition Center in London, March 13, 2024. If you want to understand the power map of the publishing industry, just look at this eventÕs floor plan. (Sam Bush/The New York Times/Fotoarena)

ny170324162307 Attendees speak in the French Pavilion at the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. As well as individual publishersÕ stands, there were national pavilions, shared by several houses. (Sam Bush/The New York Times/Fotoarena)

ny170324162707 An attendee is given directions during the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. As an indicator of who mattered, or how much money they had, the floor plan was an excellent guide. (Sam Bush/The New York Times/Fotoarena)

ny170324161607 Attendees sit on the floor during the London Book Fair in the Kensington Olympia Exhibition Center in London, March 13, 2024. The fair, which this year had over 1,000 exhibitors and something like 30,000 visitors, is one of the biggest events of the international publishing calendar. (Sam Bush/The New York Times/Fotoarena)

ny130324174706 Keith Piper at Tate Britain, where his video, ÒViva Voce,Ó shares a new gallery space with a 1927 mural by Rex Whistler, in London, March 7, 2024. Activists urged Tate Britain to take an offensive artwork from 1927 off its walls, but the museum instead commissioned Keith Piper to create a response. (Kemka Ajoku/The New York Times/Fotoarena)

ny130324174907 ÒViva Voce,Ó a video created by Keith Piper, shares a new gallery space with a 1927 mural by Rex Whistler at Tate Britain in London, March 7, 2024. Activists urged Tate Britain to take an offensive artwork from 1927 off its walls, but the museum instead commissioned Keith Piper to create a response. (Kemka Ajoku/The New York Times/Fotoarena)

ny250324195407 The Last Dinner PartyÕs manifesto from 2019, written by Abigail Morris and Georgia Davies on a boozy night in Brixton, in London, March 6, 2024. At that point, the rock group, then called the Dinner Party, only had three members, and had never actually rehearsed any songs. (Ellie Smith/The New York Times/Fotoarena)

ny250324195607 From left: Aurora Nishevci, Georgia Davies, Abigail Morris, Lizzie Mayland and Emily Roberts of the Last Dinner Party in London, March 6, 2024. At a time when rock bands often struggle for attention, the Last Dinner Party has broken through by taking a surprisingly traditional route, prioritizing touring, rather than producing social media-targeted hits. (Ellie Smith/The New York Times/Fotoarena)

ny260324122906 Clockwise from left: Lizzie Mayland, Abigail Morris, Georgia Davies, Aurora Nishevci and Emily Roberts of the Last Dinner Party in London, March 6, 2024. The Last Dinner Party has rapidly built a following by meticulously planning its theatrical live shows, and ignoring viral fame. (Ellie Smith/The New York Times/Fotoarena)

ny250324194007 Clockwise from left: Lizzie Mayland, Abigail Morris, Georgia Davies, Aurora Nishevci and Emily Roberts of the Last Dinner Party in London, March 6, 2024. The Last Dinner Party has rapidly built a following by meticulously planning its theatrical live shows, and ignoring viral fame. (Ellie Smith/The New York Times/Fotoarena)

ny250324194507 Emily Roberts of the Last Dinner Party in London, March 6, 2024. The group has built a following through its theatrical live shows, which have sometimes featured a dress code for attendees. (Ellie Smith/The New York Times/Fotoarena)

ny250324194707 Lizzie Mayland of the Last Dinner Party in London, March 6, 2024. The group has built a following through its theatrical live shows, which have sometimes featured a dress code for attendees. (Ellie Smith/The New York Times/Fotoarena)

ny250324194307 Georgia Davies of the Last Dinner Party in London, March 6, 2024. The group has built a following through its theatrical live shows, which have sometimes featured a dress code for attendees. (Ellie Smith/The New York Times/Fotoarena)

ny250324194907 Abigail Morris of the Last Dinner Party in London, March 6, 2024. The group has built a following through its theatrical live shows, which have sometimes featured a dress code for attendees. (Ellie Smith/The New York Times/Fotoarena)

ny250324195007 Aurora Nishevci of the Last Dinner Party in London, March 6, 2024. The group has built a following through its theatrical live shows, which have sometimes featured a dress code for attendees. (Ellie Smith/The New York Times/Fotoarena)

ny170324172407 Anthony Boyle in London, March 5, 2024. The actor has broken out on TV this year in the historical series ÒMasters of the AirÓ and ÒManhunt.Ó (Max Miechowski/The New York Times/Fotoarena)

ny170324171907 Anthony Boyle in London, March 5, 2024. The actor has broken out on TV this year in the historical series ÒMasters of the AirÓ and ÒManhunt.Ó (Max Miechowski/The New York Times/Fotoarena)

ny190324111907 Anthony Boyle in London, March 5, 2024. The actor has broken out on TV this year in the historical series ?Masters of the Air? and ?Manhunt.? (Max Miechowski/The New York Times/Fotoarena)

ny170324172607 Anthony Boyle in London, March 5, 2024. The actor has broken out on TV this year in the historical series ÒMasters of the AirÓ and ÒManhunt.Ó (Max Miechowski/The New York Times/Fotoarena)

ny170324172207 Anthony Boyle in London, March 5, 2024. The actor has broken out on TV this year in the historical series ÒMasters of the AirÓ and ÒManhunt.Ó (Max Miechowski/The New York Times/Fotoarena)

ny120324162007 Daniel Ings in London on Feb. 21, 2024. Ings has built a career playing charming, posh men but his latest role is a chaotic aristocrat in Guy RitchieÕs series ÒThe Gentlemen.Ó (Suzie Howell/The New York Times/Fotoarena)

ny070324154607 Daniel Ings in London on Feb. 21, 2024. Ings has built a career playing charming, posh men but his latest role is a chaotic aristocrat in Guy Ritchie?s series ?The Gentlemen.? (Suzie Howell/The New York Times/Fotoarena)

ny120324162307 Daniel Ings in London on Feb. 21, 2024. Ings has built a career playing charming, posh men but his latest role is a chaotic aristocrat in Guy RitchieÕs series ÒThe Gentlemen.Ó (Suzie Howell/The New York Times/Fotoarena)

ny070324154806 Daniel Ings in London on Feb. 21, 2024. Ings has built a career playing charming, posh men but his latest role is a chaotic aristocrat in Guy Ritchie?s series ?The Gentlemen.? (Suzie Howell/The New York Times/Fotoarena)

ny030324133708 Milena Marszalek with a patient at her practice in East London, England on Feb. 20, 2024. After a national incident was declared in January, officials have been scrambling to address problematically low levels of immunization. (Andrew Testa/The New York Times/Fotoarena)

ny270224231305 Paapa Essiedu and Taylor Russell, who are reprising their roles as Tristan and Connie, for the New York run of ÒThe Effect,Ó in London on Feb. 19, 2024. Jamie LloydÕs revival of Lucy PrebbleÕs 2012 play, starring Essiedu and Russell, heads to the Shed after a celebrated run at the National Theater, in London. (Kalpesh Lathigra/The New York Times/Fotoarena)

ny270224231106 Paapa Essiedu and Taylor Russell, who are reprising their roles as Tristan and Connie, for the New York run of ÒThe Effect,Ó in London on Feb. 19, 2024. Jamie LloydÕs revival of Lucy PrebbleÕs 2012 play, starring Essiedu and Russell, heads to the Shed after a celebrated run at the National Theater, in London. (Kalpesh Lathigra/The New York Times/Fotoarena)

ny270224231506 Paapa Essiedu in London on Feb. 19, 2024. Jamie LloydÕs revival of Lucy PrebbleÕs 2012 play, starring Essiedu and Taylor Russell, heads to the Shed after a celebrated run at the National Theater, in London. (Kalpesh Lathigra/The New York Times/Fotoarena)

ny240224013406 Animal print and two checker prints are featured in the same outfit in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224011906 People wear coats on a street in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224013706 Minimalist attire in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224010507 Gold-blond braids and yellow-gold jewelry pop against black clothes in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224013007 A combination of plaids in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224011007 Attendees leave a fashion show in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224012806 Unique jeans in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224014006 A sweater that could double as a blanket in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny200224175007 A model presents a look at the Simone Rocha fall 2024 fashion show in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny200224174806 A model presents a look at the Erdem fall 2024 fashion show in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224013806 Susanna Lau, a fashion writer, tempers the heaviness of her patchwork coat with a dress that floats in the air in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224012407 A mix of colors and textures in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224012606 Tinted shades in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224011406 An outfit with a pop of green in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224010706 A column silhouette with many layers in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny240224011606 A simple-looking dress with a giant yellow flower on the back in London in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)