Pesquisando por: "GIAN LORENZO BERNINI" - Fotoarena - Agência de fotojornalismo

RC29GAAMPWSL General view of a detail of the baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica as it undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane TPX IMAGES OF THE DAY

RC29GAATWKZL People walk past the baroque sculpted bronze canopy by Gian Lorenzo Bernini surrounded by scaffolding over the high altar of the basilica as it undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane

RC29GAA3LSJ3 General view of a detail of the baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica as it undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane

RC29GAA0SYR8 Media take videos and photos at the 'Chair of St.Peter' as the baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane

RC29GAA0J169 General view of the baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica as it undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane

RC29GAAR70UW General view of a detail of the baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica as it undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane

RC29GAAA2L8L General view of a detail of the baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica as it undergoes restoration at the Vatican, October 8, 2024. REUTERS/Guglielmo Mangiapane

LYNXMPEK560CX FILE PHOTO: The Baroque sculpted bronze canopy designed by Gian Lorenzo Bernini, over the high altar of St. Peter's Basilica, is covered during restoration, at the Vatican, March 29, 2024. REUTERS/Remo Casilli/File Photo

RC2QV6A8P7PR The Baroque sculpted bronze canopy designed by Gian Lorenzo Bernini, over the high altar of St. Peter's Basilica, is covered during restoration on the day of the Good Friday Passion of the Lord service to be presided over by Pope Francis, at the Vatican, March 29, 2024. REUTERS/Remo Casilli

RC2QV6AY8B7Q FILE PHOTO: The Baroque sculpted bronze canopy designed by Gian Lorenzo Bernini, over the high altar of St. Peter's Basilica, is covered during restoration, at the Vatican, March 29, 2024. REUTERS/Remo Casilli/File Photo

RC2VU6ACBBXG Baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica is covered during restoration, as Pope Francis attends the Chrism Mass in St. Peter's Basilica at the Vatican, March 28, 2024. REUTERS/Guglielmo Mangiapane

RC2X66AS09VE A view of scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi TPX IMAGES OF THE DAY

RC2X66APNJK6 Workers mount scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2Y66AUJU9E A view of scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2Y66AHPDI2 A view of scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2Y66A8Q0XY A view of scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2Y66A02I3P Workers mount scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2X66AX6TII A worker mounts scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2X66AO5GTX Workers mount scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2X66AWJTMC A view of scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2X66AKQBFO A view of scaffolding around a baroque sculpted bronze canopy by Gian Lorenzo Bernini over the high altar of St. Peter's Basilica in preparation for its restoration, at the Vatican, February 21, 2024. REUTERS/Yara Nardi

RC2XS1A8HUCX Visitors walk past "Cristo en la cruz" by artist Gian Lorenzo Bernini at the Gallery of Royal Collections in Madrid, Spain, June 29, 2023. REUTERS/Juan Medina

RC225M9185XZ Expert Patrick de Bayser poses next to Italian master Gian Lorenzo Bernini's (1598-1680) "Academie d'Homme" (Seated Male Nude), a recently discovered drawing representing a naked man, displayed during an interview with Reuters at Artcento offices in Paris, France, March 5, 2021. REUTERS/Christian Hartmann

RC225M9XGMV9 Italian master Gian Lorenzo Bernini's (1598-1680) "Academie d'Homme" (Seated Male Nude), a recently discovered drawing representing a naked man, is displayed during an interview with Reuters at Artcento offices in Paris, France, March 5, 2021. REUTERS/Christian Hartmann

RC225M9SKJ7V Expert Patrick de Bayser poses next to Italian master Gian Lorenzo Bernini's (1598-1680) "Academie d'Homme" (Seated Male Nude), a recently discovered drawing representing a naked man, displayed during an interview with Reuters at Artcento offices in Paris, France, March 5, 2021. REUTERS/Christian Hartmann

RC2UOH9X86Y5 Five-star Hotel Bernini remains closed due to a lack of tourists visiting Rome since the coronavirus disease (COVID-19) outbreak, in Rome, Italy, July 7, 2020. Rome's top five-star hotels would usually be fully booked, especially during the busiest summer season. But despite European countries reopening their borders and lockdowns easing, there are still very few people visiting the ancient city, and many of the luxury hotels have not yet reopened their doors. Tourism accounts for about an eighth of GDP in Italy, the world's fifth most visited country, and the industry has been one of the hardest hit by the pandemic. Sina Bernini Bristol opened in 1874, named after the first Baronet of Bristol and 17th century sculptor Gian Lorenzo Bernini, who sculpted the fountain at the centre of Piazza Barberini, where the hotel is located. A double room with a view of Rome costs around 310 euros. Picture taken July 7, 2020. REUTERS/Remo Casilli

RC2UOH9INF5U Five-star Hotel Bernini remains closed due to a lack of tourists visiting Rome since the coronavirus disease (COVID-19) outbreak, in Rome, Italy, July 7, 2020. Rome's top five-star hotels would usually be fully booked, especially during the busiest summer season. But despite European countries reopening their borders and lockdowns easing, there are still very few people visiting the ancient city, and many of the luxury hotels have not yet reopened their doors. Tourism accounts for about an eighth of GDP in Italy, the world's fifth most visited country, and the industry has been one of the hardest hit by the pandemic. Sina Bernini Bristol opened in 1874, named after the first Baronet of Bristol and 17th century sculptor Gian Lorenzo Bernini, who sculpted the fountain at the centre of Piazza Barberini, where the hotel is located. A double room with a view of Rome costs around 310 euros. Picture taken July 7, 2020. REUTERS/Remo Casilli

RC2UOH9EZI0T Five-star Hotel Bernini remains closed due to a lack of tourists visiting Rome since the coronavirus disease (COVID-19) outbreak, in Rome, Italy, July 7, 2020. Rome's top five-star hotels would usually be fully booked, especially during the busiest summer season. But despite European countries reopening their borders and lockdowns easing, there are still very few people visiting the ancient city, and many of the luxury hotels have not yet reopened their doors. Tourism accounts for about an eighth of GDP in Italy, the world's fifth most visited country, and the industry has been one of the hardest hit by the pandemic. Sina Bernini Bristol opened in 1874, named after the first Baronet of Bristol and 17th century sculptor Gian Lorenzo Bernini, who sculpted the fountain at the centre of Piazza Barberini, where the hotel is located. A double room with a view of Rome costs around 310 euros. Picture taken July 7, 2020. REUTERS/Remo Casilli

D1BESVHHMVAA Fountain of the four Rivers was designed in 1651's by Gian Lorenzo Bernini is seen in Navona's square downtown Rome, Italy, March 27. 2016. REUTERS/Stefano Rellandini

D1BESVHHMNAC Fountain of the four Rivers was designed in 1651's by Gian Lorenzo Bernini is seen in Navona's square downtown Rome, Italy, March 27. 2016. REUTERS/Stefano Rellandini

D1BESVHHMNAB Fountain of the four Rivers was designed in 1651's by Gian Lorenzo Bernini is seen in Navona's square downtown Rome, Italy, March 27. 2016. REUTERS/Stefano Rellandini

D1BESVHHMFAA Fountain of the Four Rivers by Gian Lorenzo Bernini's is seen in the center of the Navona's square downtown Rome, Italy, March 28, 2016. REUTERS/Stefano Rellandini

D1BESVHHMDAA Fountain of the Four Rivers by Gian Lorenzo Bernini's is seen in the center of the Navona's square downtown Rome, Italy, March 28, 2016. REUTERS/Stefano Rellandini

LR2E93A14EMQF Boston Cardinal Sean O'Malley (R) gives communion under Gian Lorenzo Bernini's 17th century sculpture "Ecstasy of Saint Teresa", while leading mass at the Santa Maria Della Vittoria church in Rome March 10, 2013. Roman Catholic Cardinals prayed on Sunday for spiritual guidance ahead of a closed door conclave to choose a new pope to lead the Church at one of the most difficult periods in its history. REUTERS/Chris Helgren (ITALY - Tags: RELIGION POLITICS)

LR2E93A14C3QA Boston Cardinal Sean O'Malley (R) gives communion under Gian Lorenzo Bernini's 17th century sculpture "Ecstasy of Saint Teresa", while leading mass at the Santa Maria Della Vittoria church in Rome March 10, 2013. Roman Catholic Cardinals prayed on Sunday for spiritual guidance ahead of a closed door conclave to choose a new pope to lead the Church at one of the most difficult periods in its history. REUTERS/Chris Helgren (ITALY - Tags: RELIGION POLITICS TPX IMAGES OF THE DAY)

GM1E7220C6501 Cracks are seen in the ceiling of the sacristy in the San Francesco a Ripa church in downtown Rome February 1, 2011. The chapel containing one of the last masterpieces of 17th century sculptor Gian Lorenzo Bernini was closed to the public on Tuesday after cracks appeared in the ceiling, officials said. The statue of the Blessed Ludovica Albertoni in the church of San Francesco a Ripa was not in immediate danger but the access to the chapel was blocked by red and white warning tape. Another chapel was also put off limits, as was the sacristy, fire brigades said. The church was still open, meaning the statue could still be seen, although not as close up as before.The white marble statue, which shows Ludovica in a moment of religious ecstasy on her deathbed, was one of Bernini's last works. He began it when he was 71. REUTERS/Max Rossi (ITALY - Tags: RELIGION SOCIETY)

GM1E72209GO01 Red and white fire brigades' warning tape is seen at the entrance of the sacristy in the San Francesco a Ripa church in downtown Rome February 1, 2011. The chapel containing one of the last masterpieces of 17th century sculptor Gian Lorenzo Bernini was closed to the public on Tuesday after cracks appeared in the ceiling, officials said. The statue of the Blessed Ludovica Albertoni in the church of San Francesco a Ripa was not in immediate danger but the access to the chapel was blocked by red and white warning tape. Another chapel was also put off limits, as was the sacristy, fire brigades said. The church was still open, meaning the statue could still be seen, although not as close up as before.The white marble statue, which shows Ludovica in a moment of religious ecstasy on her deathbed, was one of Bernini's last works. He began it when he was 71. REUTERS/Max Rossi (ITALY - Tags: SOCIETY RELIGION)

GM1E72209GD01 The statue of the Blessed Ludovica Albertoni by Gian Lorenzo Bernini is seen in the San Francesco a Ripa church in downtown Rome February 1, 2011. The chapel containing one of the last masterpieces of 17th century sculptor Gian Lorenzo Bernini was closed to the public on Tuesday after cracks appeared in the ceiling, officials said. The statue of the Blessed Ludovica Albertoni in the church of San Francesco a Ripa was not in immediate danger but the access to the chapel was blocked by red and white warning tape. Another chapel was also put off limits, as was the sacristy, fire brigades said. The church was still open, meaning the statue could still be seen, although not as close up as before.The white marble statue, which shows Ludovica in a moment of religious ecstasy on her deathbed, was one of Bernini's last works. He began it when he was 71. REUTERS/Max Rossi (ITALY - Tags: SOCIETY)

GM1E72209G201 Red and white fire brigades' warning tape is seen at the entrance of a chapel in the San Francesco a Ripa church in downtown Rome February 1, 2011. The chapel containing one of the last masterpieces of 17th century sculptor Gian Lorenzo Bernini was closed to the public on Tuesday after cracks appeared in the ceiling, officials said. The statue of the Blessed Ludovica Albertoni in the church of San Francesco a Ripa was not in immediate danger but the access to the chapel was blocked by red and white warning tape. Another chapel was also put off limits, as was the sacristy, fire brigades said. The church was still open, meaning the statue could still be seen, although not as close up as before.The white marble statue, which shows Ludovica in a moment of religious ecstasy on her deathbed, was one of Bernini's last works. He began it when he was 71. REUTERS/Max Rossi (ITALY - Tags: SOCIETY)

PM1E5AJ0UOL01 The marble portrait bust of Louis XIV (1665) by sculptor Gian Lorenzo Bernini is set up in the exhibition "Louis XIV, the Man and the King" at the Versailles Palace, west of Paris, October 19, 2009. The exhibition reveals the little-known private and creative side of Louis XIV, the "Sun King" who remains one of France's most flamboyant monarchs. It opens on October 20 and runs until February 7, 2010. REUTERS/Jacky Naegelen (FRANCE ENTERTAINMENT)

GM1E56E1JL801 Advertisements from an electricity company covers scaffolding at one end of the Colonnade, as a crowd listens to Pope Benedict XVI performing his weekly Angelus prayers at the Vatican June 14, 2009. The Colonnade, designed by Gian Lorenzo Bernini in 1657, will undergo a four year long restoration according to Antonio Paolucci, director of the Vatican Museums. REUTERS/Chris Helgren (VATICAN RELIGION)

GM1DTZQDRVAA A marble bust titled "medusa" sculpted by Gian Lorenzo Bernini is exhibited, after a restoration, at the Capitolini Museums in Rome November 22, 2006. REUTERS/Tony Gentile (ITALY)

GM1DTZQCUVAA A marble bust titled "Medusa" sculpted by Gian Lorenzo Bernini is exhibited, after a restoration, at the Capitolini Museums in Rome November 22, 2006. REUTERS/Tony Gentile (ITALY)

GM1DTZQCMKAA A marble bust titled "Medusa" sculpted by Gian Lorenzo Bernini is exhibited, after a restoration, at the Capitolini Museums in Rome November 22, 2006. REUTERS/Tony Gentile (ITALY)

GM1DTZQCKGAA A marble bust titled "Medusa" sculpted by Gian Lorenzo Bernini is exhibited, after a restoration, at the Capitolini Museums in Rome November 22, 2006. REUTERS/Tony Gentile (ITALY)

PBEAHUKOLFA A statue of a bare-breasted woman, one of a pair of busts designed by Bernini, comes under close scrutiny at the Sant'Isidoro Church in central Rome October 22, 2002. The figures, representing truth and charity, designed by Gian Lorenzo Bernini and sculpted with his assistants in the 1660s for the Baroque church, were censored as they were considered too provocative for Victorians. The bronze corsets which have covered the nudes since 1863 have only now been taken off to reveal the true beauty of the work.

PBEAHUKOLEZ A statue of a bare-breasted woman, one of a pair of busts designed by Bernini, comes under close scrutiny at the Sant'Isidoro Church in central Rome on October 22, 2002. The figures, representing truth and charity, designed by Gian Lorenzo Bernini and sculpted with his assistants in the 1660s for the Baroque church, were censored as they were considered too provocative for Victorians. The bronze corsets which covered the nudes since 1863 have only now been taken off to reveal the true beauty of the work.

RP3DRICBHRAA A statue of a bare-breasted woman, one of a pair of busts designed byBernini, comes under close scrutiny at the Sant'Isidoro Church incentral Rome on October 22, 2002. The figures, representing truth andcharity, designed by Gian Lorenzo Bernini and sculpted with hisassistants in the 1660s for the Baroque church, were censored as theywere considered too provocative for Victorians. The bronze corsetswhich covered the nudes since 1863 have only now been taken off toreveal the true beauty of the work. REUTERS/Giampiero SpositoDJM/AH

RP3DRICAYDAA A statue of a bare-breasted woman, one of a pair of busts designed byBernini, comes under close scrutiny at the Sant'Isidoro Church incentral Rome October 22, 2002. The figures, representing truth andcharity, designed by Gian Lorenzo Bernini and sculpted with hisassistants in the 1660s for the Baroque church, were censored as theywere considered too provocative for Victorians. The bronze corsetswhich have covered the nudes since 1863 have only now been taken off toreveal the true beauty of the work. REUTERS/Giampiero SpositoDJM/WS

PBEAHUMEGEA A worker cleans one of the 284 columns which surround St. Peter's Square August 5. Kaercher, a German company which has cleaned [the statue of Christ the Redemeer in Rio de Janeiro, the Brandenberg Gate in Berlin and New York's Statue of Liberty,] promised the semicircular 17th-century structure by baroque master Gian Lorenzo Bernini would be white again when work was finished.

RP1DRIFXJMAB A worker cleans one of the 284 columns which surround St. Peter's Square August 5. Kaercher, a German company which has cleaned the statue of Christ the Redemeer in Rio de Janeiro, the Brandenberg Gate in Berlin and New York's Statue of Liberty, promised the semicircular 17th-century structure by baroque master Gian Lorenzo Bernini would be white again when work was finished.PC/GB

RP1DRIFXIJAA A worker walks through some of 284 columns which surround St. Peter's Square August 5. Kaercher, a German company which has cleaned the statue of Christ the Redemer in Rio de Janeiro, the Brandenberg Gate in Berlin and New York's Statue of Liberty, promised the semicircular 17th-century structure by baroque master Gian Lorenzo Bernini would be white again when work was finished.PC/WS

PBEAHUMDDDP The statue of Apollo and Daphne by Italian baroque sculptor and architect Gian Lorenzo Bernini is shown in this handout picture. Bernini, the man whose vision is etched into almost every corner of Rome, is being celebrated with a major exhibition to mark the fourth centenary of his birth.

RP1DRIGCRLAD FOR RELEASE WITH FEATURE BC-ITALY-BERNINI - The statue of Apollo and Daphne by Italian baroque sculptor and architect Gian Lorenzo Bernini is shown in this handout picture. Bernini, the man whose vision is etched into almost every corner of Rome, is being celebrated with a major exhibition to mark the fourth centenary of his birth.PC

PBEAHUMOCCK Tourists look at the tail of a damaged dragon sculpture in the Four Rivers fountain in central Rome's Navona Square August 19. Rome's most famous fountain, by sculptor Gian Lorenzo Bernini, was damaged when three men bathed in the water to cool down on a hot and sticky day. The three men, splashing in the fountain, accidentally broke a meter long tail of a water dragon forming part of the decoration, using it as a platform to dive from.

PBEAHUMOCCF A view of the damaged dragon in the Four Rivers fountain in central Rome's Navona Square, August 19. Rome's most famous fountain by Gian Lorenzo Bernini, was damaged by three men bathing in the water to cool down on a hot and sticky day. The three men, splashing in the fountain, accidentally broke a meter long tail of a water dragon forming part of the decoration, using it as a plataform to dive from.

PBEAHUMOCCB Italian policemen show the tail of a damaged dragon which broke off the Four Rivers fountain in Rome's Navona Square August 19.The famous fountain by Gian Lorenzo Bernini, was damaged when three men bathed in the water to cool down on an hot day. The three men accidentally broke the meter long tail of a water dragon, forming part of the decoration, while using it as a platform to dive from.

PBEAHUMOCCA A tourist looks at the tail of a damaged dragon in the Four Rivers fountain in central Rome's Navona Square, August 19. Rome's most famous fountain by Gian Lorenzo Bernini, was damaged when three men bathed in its water to cool down on a hot and sticky day.The three men, splashing in the fountain, accidentally broke a metre long tail of a water dragon forming part of the decoration, using it as a platform to dive from.

RP1DRIDTWFAB Italian policemen show the tail of a damaged dragon which brok off the Four Rivers fountain in Rome's Navona Square August 19.The famous fountain by Gian Lorenzo Bernini, was damaged when three men bathed in the water to cool down on an hot day. The three men accidentally broke the meter long tail of a water dragon, forming part of the decoration, while using it as a plataform to dive from.ITALY FOUNTAIN

RP1DRIDTVRAA A tourist looks at the tail of a damaged dragon in the Four Rivers fountain in central Rome's Navona Square, August 19. Rome's most famous fountain by Gian Lorenzo Bernini, was damaged when three men bathed in its water to cool down on a hot and sticky day.The three men, splashing in the fountain, accidentally broke a metre long tail of a water dragon forming part of the decoration, using it as a plataform to dive from.ITALY FOUNTAIN

RP1DRIDTGBAC A view of the damaged dragon in the Four Rivers fountain in central Rome's Navona Square, August 19. Rome's most famous fountain by Gian Lorenzo Bernini, was damaged by three men bathing in the water to cool down on a hot and sticky day. The three men, splashing in the fountain, accidentally broke a meter long tail of a water dragon forming part of the decoration, using it as a plataform to dive from.ITALY FOUNTAIN

RP1DRIDTFMAC Tourists look at the tail of a damaged dragon sculpture in the Four Rivers fountain in central Rome's Navona Square August 19. Rome's most famous fountain, by sculptor Gian Lorenzo Bernini, was damaged when three men bathed in the water to cool down on a hot and sticky day. The three men, splashing in the fountain, accidentally broke a meter long tail of a water dragon forming part of the decoration, using it as a plataform to dive from.ITALY FOUNTAIN