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DAI56876 by Georgina M. de l' Aubiniere
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LIP1100558 Lovesick Little Maiden. Illustration for The Illustrated London News, Christmas Number 1895.
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XIR352329
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SD3505445 Dimensions: 32x25.4
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LLM977957 Indiscreet.
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KWE323342 William Shakespeare (1564-1616);
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BAL106924
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LLH6032003 Lovesick man in the woods.
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LLM3098858 Viendra-t-il? (Will he Come?). Cover of Le Figaro Illustre, December 1897.
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LLH6031992 Cupid consoling a woman by showing her a portrait of her love.
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NUM121275 also known as 'The Courtesan and the old Man (La Courtisane et le Vieillard); in Germany this picture is known as Der Verliebte Alte' ('The Lovesick Old Man'); Cranach painted several versions of this theme; theme probably inspired by 'In Praise of Folly' by Erasmus, published in 1511; The Ill-Matched Lovers; see also 182170;
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XOS3493011 Doctors were familiar targets of parody in Steen's native Leiden, identified as a quack by his peculiar clothing, while the nature of the young lady's malady is suggested by the Cupid over the door, and other intimations like the open bed.
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LLM5996090 Thinking of you: lovesick man embracing a shop dummy. Postcard, early 20th century.
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LLH7153753 Paul, portrait of a lovesick youth with his dog. Illustration from Paul et Virginie, by French novelist Jacques-Henri Bernardin de Saint-Pierre.
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CBL226816
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XCF285196 Damon broods on his unrequited love; Damon takes his life; Thyrsis asks Damon the cause of his sorrow; Thyrsis finds the body of Damon; from the Eclogues of the Ferrarese poet Antonio Tebaldeo (1463-1537);
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UIG2656396
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HEH416361 Antiochus dying of love for his stepmother Stratonice;
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UIG2656502
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CBE392758 The Cauldron of Anwn;
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CIN402902 scene from Shakespeare's 'Hamlet' in which Ophelia's madness is lamented by her brother Laertes; William Shakespeare (1564-1616);
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DGC452050 from a collection of 40 traditional songs set to music by Theo Marzials (1850-1920); English ballad dating originally from 17th century;
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JVH261501
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STC740549
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KSL247453 Antiochus und Stratonike (Der kranke Koenigssohn);
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IL274113 Lancelot mourns for Elaine the lily maid of a Staolat otherwise known as the Lady of Shalott; from the poem 'Elaine';
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CH402085
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PHL747249
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XCL5672883 Engraved by Joseph Swain to illustrate a story in the London periodical "Once a Week" which supported the Pre-Raphaelite movementA young Englishwoman, Clara Vinrace, joins her parents in India and falls in love with an older man, here sitting wistfully on the deck of a departing steamship
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HEH416456
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LLM5996384 The Lass that Loved a Sailor. Illustration for A Gallery of Girls by Coles Phillips (New York, The Century Co, 1911).
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LLM5996399 The Sand Man. Illustration for A Gallery of Girls by Coles Phillips (New York, The Century Co, 1911).
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XIR182170 in Germany this picture is known as Der Verliebte Alte' ('The Lovesick Old Man'); Cranach painted several versions of this theme; theme probably inspired by 'In Praise of Folly' by Erasmus, published in 1511; see also 121275;
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BRA76578 Window from the Music Room, Harden Grange, nr. Bingley, Yorkshire; folie de Tristan; vitrail; Moyen Age; harpe; fou;
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BRA76577 Window from the Music Room, Harden Grange, nr. Bingley, Yorkshire;
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UIG5321782 The Parable of the Prodigal Son (also known as the Two Brothers, Lost Son, Loving Father, or Lovesick Father, digital improved reproduction of an original print from the year 1881
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MAN5642830 A mythological scene of Endymion lying asleep on Mount Latmos. Whilst he lies sleeping, the naked figure of Diana stands watching over him, framed by the full moon behind her and swathed in diaphanous robes that billow out behind her. He lies on furs under a blanket with a crook in his arm, bathed in the glow of the moon. The scene is framed by flowering poppies and the heavy dark trees of a forest.Poynter painted this scene from John Keats’ version of the Diana and Endymion myth: his poem ‘Endymion’. Keats was a Romantic poet. He emphasised the lovesick suffering of Endymion which began with this vision of his beloved Diana. The poet describes a magical carpet of flowers and gives the moon goddess a billowing blue scarf which Poynter faithfully represents. Poynter was commissioned to paint this picture by Agnew’s, a private picture gallery and dealer, for an exhibition of English contemporary art. It is based on one of his illustrations to ‘Endymion’, published in a luxury edition of Keats’ poem in 1873.
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Total de Resultados: 37

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