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Total de Resultados: 25

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XOS3058130
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MEL48645 by Willem Kalf
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NUM116845 by Willem Kalf
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XOS1109196 by Willem Kalf
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FIA5400888 By Willem Kalf (1619-1693) Oil on canvas, 52,5x41,8 - Fondation Custodia
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IMA1560461 Willem Kalf (1619-1693); Dutch166930 3/4 x 26 in.Visual Works: Paintingsoil on canvas
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IMA1560462 Willem Kalf (1619-1693); Dutch166930 3/4 x 26 in.Visual Works: Paintingsoil on canvas
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BAL226665
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XOS1121266
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AMO1217489
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MFA198313
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FIA5326355 ""Nature morte au gobelet nacre"" (Still life with a moother-of-pearl goblet) Peches, citron avec son epluchure (zeste) et verre de vin. Peinture de Willem Kalf (1619-1693) 1660 environ Musee Pouchkine, Moscou
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GHA34464 cleaned version;
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DTR363899
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STM621298
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XCS6201670
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XOS3087209 Magnificent (or 'Pronk') Still Life vanitas with luxury objects (the Holbein bowl was owned by Henry VIII) symbolising the transience and emptiness of wealth, possessions and earthly pleasures.
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JVH285698
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XCL499554 The porcelain bowl in this painting came from China, produced before 1620 under the Ming emperor Wanli. Political turbulence in China effectively eliminated ceramic imports to the West by the 1640s, so the object would have been considered at least as valuable as the gold and silver goblet beside it. The Chinese ceramics atop the piece of furniture to the right also speak to the trend for importing Asian goods to the Netherlands.
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XOS1765801
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ATT1272502
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ATT1272602
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MAM712644
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JVH398568
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TWC5906328 A young woman seated in a kitchen inspects herself for fleas, a scene intended primarily to titillate. The figure has been added by Lancret to an earlier, probably Flemish painting. It originally showed an interior with an empty chair and a dog that was examining the seat of the chair. Lancret added the female figure and the still-life on the table to the right and changed the back of the chair. Dendrochronological analysis of the board suggests that the original painting was not painted before the 1680s. An earlier attribution of the interior to Willem Kalf is unfounded. The figure can on stylistic grounds be attributed to Lancret. Similar cases of older (or, in fact, contemporary) paintings that were embellished by French figure painters were very common in eighteenth-century collections and are documented in numerous sale catalogues. In the late nineteenth and twentieth centuries, these figures were often removed, even if they had been painted by very important painters, because they were seen as later additions. The Wallace Collection painting is a rare survival of this once common practice.
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Total de Resultados: 25

Página 1 de 1