Pesquisando por: "SPINELLO ARETINO [SPINELLO DI LUCA SPINELLI]" - Fotoarena - Agência de fotojornalismo

CH659341 The Madonna and Child Enthroned. Spinello di Luca, called Spinello Aretino (1350/52-1410). Tempera on gold ground panel. 118.5 x 58.8cm.

LRI4576538 Pope Alexander III - History of Pope Alexander III (Orlando Bandinelli, 1105-1181): Pope Alexander III excommunies Emperor Barberossa (1160). Fresco by Spinello Aretino ne Spinello di Luca Spinelli (1350-1410), 1407-1408. Siena. Palazzo Pubblico

LRI4576521 History of Pope Alexander III (Orlando Bandinelli, 1105-1181): Emperor Frederic Barberossa (1122-1190) submits to Pope Alexander III, which leads to the 3rd Lateran Council of 1179. Fresco by Spinello Aretino ne Spinello di Luca Spinelli (1350-1410), 1407-1408. Siena. Palazzo Pubblico.

GRL6262949 Orvieto, MODO (Museo dell'Opera del Duomo di Orvieto): Gesù Crocifisso tra la Madonna, la Maddalena e S. Giovanni Evangelista, tempera e oro su tavola, di Spinello Aretino, ultimo decennio XIV secolo.

COU5892032 Spinello Aretinos treatment of this nativity scene is particularly tender. The Virgin Mary looks serenely towards her son Christ, as two midwives bathe him. Behind them an ox and an ass gaze out from their stable. Above, angels announce Christs birth to the shepherds, who can be seen in the rocks to the right. The panel is thought to be one of only two known surviving elements of a rare double-sided altarpiece. It was commissioned for the Franciscan church in Città di Castello, near to Spinellos home town of Arezzo.

BEN130904 by or Spinelli Aretino Luca Spinello

BAL130095 by or Spinelli Aretino Luca Spinello

BEN130903 by or Spinelli Aretino Luca Spinello

BAL54041 by or Spinelli Aretino Luca Spinello

BEN130900 by or Spinelli Aretino Luca Spinello

BEN130905 by or Spinelli Aretino Luca Spinello

BEN130901 by or Spinelli Aretino Luca Spinello

BEN130902 by or Spinelli Aretino Luca Spinello

FIA5408617 Julien l'hospitalier tue ses parents - Saint Julian Having Killed His Parents, by Spinello, Aretino (c. 1350-1410). Oil on wood. Dimension : 34x39 cm. Nationalmuseum Stockholm

LRI4576539 Naval battle in Punta Salvore in the Gulf of Trieste opposing the armour of Emperor Frederic I of Hohenstaufen known as Frederic Barberossa (1122-1190) to that of Venice Fresco by Spinello Aretino (1350-1410) Siena Palazzo Pubblico

LRI4648536 Naval battle in Punta Salvore in the Gulf of Trieste opposing the armour of Emperor Frederic I of Hohenstaufen called Frederic Barberousse (Barbarossa) (1122-1190) to that of Venice Detail of the exchanges of hostages - Fresco by Spinello Aretino (1350-1410) Siena Palazzo Pubblico

LRI4648547 Naval battle in Punta Salvore in the Gulf of Trieste opposing the armour of Emperor Frederic I of Hohenstaufen called Frederic Barberousse (Barbarossa) (1122-1190) to that of Venice Detail of the exchanges of hostages - Fresco by Spinello Aretino (1350-1410) Siena Palazzo Pubblico

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XOS3617952 Banner painted on both sides, commissioned by the Confraternity of Saint Mary Magdalen in Borgo Santo Sepolcro (a lay organization affiliated with a church or religious institution) to be carried in processions. Hooded members of the confraternity kneel before their enthroned patron saint.The reverse of the banner shows Christ beaten by two henchmen, see XOS 3617955

XAL178716 Histoire du pape Alexandre III; Construction de la ville d'Alexandrie;

XIR173250 possibly the end of conflict between Empire and papacy in 1177;

VLS875144

XOS3617955 Banner painted on both sides, commissioned by the Confraternity of Saint Mary Magdalen in Borgo Santo Sepolcro (a lay organization affiliated with a church or religious institution) to be carried in processions.Christ is beaten by two henchmen, his face is a photographic facsimile of the original which is now in the Camposanto Teutonico, Rome. The obverse shows hooded members of the confraternity kneeling before their patron saint, XOS 3617952

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BFM286528 Der heilige Benedikt, Christophorus und Katharina;

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XIR444288 Pope Alexander III (c. 1100-81); Sebastiano Ziani, Doge from 1172-78;

XIR217744 Vasari attributed the drawing to Giovanni Cimabue (1240-1302);

CH3741542

CMN3743803 On the left is a depiction of Saint Louis of Toulouse (1274–97): Neapolitan prince of the Capetian House of Anjou and Catholic bishop, often shown as a boy bishop. On the right is Saint Anthony of Padua (1195–1231), also known as Anthony of Lisbon: a Portuguese Catholic priest and friar of the Franciscan Order recognized as the patron saint of lost things. Above them sits Saint Stephen (c.AD5–c.AD34).

XPH311188 Friedrich I Barbarossa vor Papst Alexander III ; Frederick I Barbarossa, Holy Roman Emperor, kneeling before Pope Alexander III;

XIR217743 decorative frame by Giorgio Vasari (1511-74); portrait of the painter Giovanni Cimabue (1240-1302) by Vasari; Vasari attributed the drawing to Cimabue;

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FAF213912 Entree du Pape et de Barberousse; possibly the end of conflict between Empire and papacy in 1177;

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BAL130094 part of a fresco cycle depicting the Lives of Saints Ephysius and Potitus;