Pesquisando por: "HANS BELLMER" - Fotoarena - Agência de fotojornalismo

XRH1736613 Drawing by Hans Bellmer

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CH656612 Inarticulated Hands; Les Mains Inarticulees. Hans Bellmer (1902-1975). Gouache on canvas. Dated 1950. 73.8 x 87.7cm.

CH656651 Portrait of Hans Arp; Bildnis von Hans Arp. Hans Bellmer (1902-1975). Oil on paper laid on panel. 25 1/2 x 25 1/2 in

CH656752 Portrait d'Henri Michaux. Hans Bellmer (1902-1975). Oil on canvas board. 65 x 42cm.

CH988441 The Half Doll; La Demie Poupee. Hans Bellmer (1902-1975). Painted wood with assemblage. Executed in 1971 in an edition of nine. Length: 88.9cm.

CH826495 Pre-Natal Education; L'Education Prenatale. Hans Bellmer (1902-1975). Oil on panel. 99.7 x 100.3cm.

CH826167 Portrait of Max Ernst with Dorothea Tanning. Hans Bellmer (1902-1975). Oil on panel. Painted in 1958. 64.8 x 64.8cm.

JEB4876295 General view of the refectory decor of the fresco “Food and Liberte” and “The Harvest” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876423 View of a detail of the fresco “Food and Liberte”” decorating the refectory, collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876474 View of a detail of the fresco decorating the refectory “The cortege of service providers”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876264 General view of the refectory decorating the fresco of “The feast of peoples”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876456 View of a detail of the fresco decorating the refectory “Food et liberte”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876358 General view of the refectory decorating the fresco of “The Banquet of Nations”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876446 View of a detail of the fresco decorating the refectory “The cortege of service providers”” collective work of 1941. Tuilerie des Milles, former internment camp, Aix-en-Provence DR The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

JEB4876346 Detail of the fresco of “The Banquet of Nations”” collective work of 1941. Tuilerie des Milles, former internment camp, The wall paintings of the guard’s refectory are attributed to: Hans Bellmer, Max Ernst, Ferdinand Sringer, Wols and Gustave Erlich.

NUM111307 by Hans Bellmer

FAB20130 by Hans Bellmer

FAB20131 by Hans Bellmer

NUM115349 by Hans Bellmer

XIR16849 by Hans Bellmer

CHT473040 Hans Bellmer (1902-75) German artist. painter, sculptor, poet, photographer, best known for his surrealist and erotic art;

JLJ4656307 The doll Sculpture by Hans Bellmer (1902-1975) 1934 Private collection

JEB4899478 Doll, variations on the editing of an articulee minor. Sculpture by Hans Bellmer (1902-1975) Sun: 19,5x30cm. Musee Cantini, Marseille

XIR42509 internment camp where Ernst and Bellmer were imprisoned as hostile foreigners;

JEB4913039 Self-portrait. Mention written below: “” With my friendship and admiration for Cecile””” signs “” Bellmer”””. Engraving by Cecile Reims (born in 1927) after the drawing by Hans Bellmer (1902-1975), 20th century. Dim: 28x22cm. Engraving, chisel and drypoint. Engraving on paper. Musee de l'hospice Saint-Roch, Issoudun. Mandatory mention

CVL3321220 doll was the ideal surrealist object because of its conjunction of desire and revolt;

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OPL940285 editor Jean-Jacques Pauvert

CH5900694 One of 12 engraved plates from a first edition inscribed by Bataille, 'à Gilles de Rais, que je m'excuse d'avoir bleui'. Bataille inscribed his book, facetiously, to Gilles de Rais (1405-1440), companion-in-arms of Joan of Arc, and later executed as a serial killer. In later life Bataille wrote about Rais's trial, and his inscription ['bleui'] may refer to the belief that Charles Perrault based his Barbebleu on Gilles de Rais. AE and ABPC record no other copy inscribed by Bataille at auction. Number 28 of 50 copies issued with a duplicate suite of print, from an edition of 199 copies only. Histoire de l'oeil is the first work illustrated with Bellmer prints.

PWI91672 Private Collection, Paris, France

NUM166668

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XKH154879 Die drei madchen und der tod;

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DMA1070906 Striped Stockings

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XKH148249 head made up of naked women;

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MAY377672 Les Jeux de la Poupee;

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XKH148289 man hiding behind a tree;

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XIR279781 cast in 1965; fondue;

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MAY377671 Les Jeux de la Poupee;

LLM460885 The Rioter. 'For this witterly was his ful entente - To slen hem bothe, and never to repente.' Illustration for Canterbury Tales by Geoffrey Chaucer, arranged by H R Haweis (Chatto & Windus, c 1895).

CH1074659 L'Envers et L'Endroit by Albert Camus (1913-60), published 1937