Pesquisando por: "Blue Jay " - Fotoarena - Agência de fotojornalismo

UIG530654 Blue jay (Cyanocitta cristata).

PRX997523 From Bilderbuch für Kinder (Picture Book for Children) 1790-1830, published by Friedrich Justin Bertuch (1747-1822) Elstern und HäherDie europäische Elster, die Elster aus Senegal, der Häher, der blaue kanadische Häher, der sibirische Häher, der Häher aus Cayenne, der chinesische Häher, der peruanische Häher, VögelCorvus pica, Pica senegalensis, Corvus glandarius, Corvus cristatus, Corvus sibiricus, Corvus cayanus, Corvus erythrorynchos, Corvus peruvianus

FLO7233939 Eurasian jay, Garrulus glandarius 1, blue jay, Cyanocitta cristata 2, and Eurasian magpie or common magpie, Pica pica 3. Le geai, Corvus glandarius, le geai bleu de l'Amerique septentrionale, Corvus cristatus, la pie, Corvus pica. Handcoloured steel engraving by Legrand after an illustration by Jean-Gabriel Pretre from Achille Richard's Oeuvres Completes de Buffon, Pourrat Freres, Paris, 1839.

LLM5202639 The Blue Jay. Illustration for Cassell's Popular Natural History (c 1880).

PRX11860001 The sea-blue colored bird presents extraordinarily turquoise-green plumage with dark blue wings. Its curved, dark bill is typical of corvids. This historical depiction likely shows an exotic member of the crow family or an artistic interpretation of a European roller. The vibrant color tones and expressive look illustrate the fascination of 18th-century naturalists with colorful, exotic bird species. By . From Ornithologia methodice digesta, atque iconibus aeneis ad vivum illuminatis ornata. By Saverio Manetti (1723 - 1785). Published in Florence, at the house of Mouchiani, 1767–1776. [Blue bird, Pica glandaria marina, Corvus Caryocatactes, Ghiandaia marina, Coracias garrulus, European roller, corvid, exotic bird, artistic representation, ornithology, 18th century, natural history, Enlightenment, color brilliance, patronage]

UIG530656 California scrub jay (Aphelocoma coerulescens).

HIM4747976 Blue Jay, Corvus Christatus. From The Birds of America by John J. Audubon. Pub. 1827-1838 (colour lithograph)

PRX11861489 The Blue Jay presents itself with striking turquoise-blue plumage, a distinctive black necklace, and an elegant crest. It is native to the forests of eastern North America, particularly Canada and the northern United States. These intelligent birds are known for their versatility in foraging, pronounced territorial behavior, and complex calls. Blue Jays collect and hide acorns, thus contributing significantly to the spread of oak forests. By Martinet. From Histoire Naturelle des Oiseaux. Planches enluminées d'histoire naturelle, drawn and engraved by F.N. Martinet under the supervision of E.L. Daubenton, Paris 1770 - 1786. [jays, Blue Jay, Cyanocitta cristata, Canada, North America, Corvidae, corvids, forest birds, natural history, 18th century, ornithology, Enlightenment, nature research, songbirds, crest]

UIS5102657 Blue jay, c 1856-1859. Photograph using the oxymel process, by John Dillwyn Llewelyn (1810-1882). ©SSPL/NMeM/Royal Photographic Society

XOS2644324 Cyanocitta cristata, coloured engraving by Robert Havell Junior from 'Birds of America' published 1827-38

PRX11961825 The Commander or Plush-crested Jay (now Cyanocorax chrysops) presents itself with a striking blue crest, white face, and predominantly violet-blue plumage perched on a tree branch. This bird, belonging to the crow family (Corvidae), is native to South America, where it prefers forest edges and open woodlands. The Jay feeds on fruits, seeds, insects, and occasionally small vertebrates and is known for its loud, social behavior and intelligence. Neueste Volks-Naturgeschichte des Thierreichs für Schule und Haus by Anton Benedict Reichenbach. Published by Pönicke & Sohn 1850.

PRX1110234 Seligmann was a German engraver, illustrator and art dealer from Nuremberg. Originally engraved by George Edwards in his works 'A Natural History of Uncommon Birds' and 'Gleanings of Natural History' Michael Seligmann re-engraved the plates and combined it with Catesby's work 'A Natural History of Carolina, Florida and the Bahama Islands' translating the names into German and adding some figures and plants not present in the originals.Der blaue Häher, Tiere, Vögel, Illustration, NaturgeschichtePica glandaria caerulea cristata

UIG5426771

LLP980037 Illustration for The Pictorial Museum of Animated Nature (Charles Knight, c 1850). Digitally cleaned image.

BL3310745 The Birds of America, from original drawings.Author: Audubon, John James / Illustrator: Audubon, John JamesLondon, 1827-38Language: EnglishSource/Shelfmark: N.L.TAB.2.(1) plate 102

FLO7237122 Blue jay, Cyanocitta cristata 1, king bird-of-paradise, Cicinnurus regius 2, and greater bird-of-paradise, Paradisaea apoda 3. Handcoloured lithograph by Bauerrichter from Adam White’s Popular History of Birds, Lowell Reeve, Covent Garden, London, 1855.

PRX1110554 Seligmann was a German engraver, illustrator and art dealer from Nuremberg. Originally engraved by George Edwards in his works 'A Natural History of Uncommon Birds' and 'Gleanings of Natural History' Michael Seligmann re-engraved the plates and combined it with Catesby's work 'A Natural History of Carolina, Florida and the Bahama Islands' translating the names into German and adding some figures and plants not present in the originals.Der blaue Häher, und der rothe Sommer Vogel, Tiere, Vögel, Illustration, NaturgeschichtePica Glandaria Carolinensis coerulea, Muscicapa rubra, s. Avicula aestivalis rubra Carolinensis

XBP236180 by JJ Audubon (1785-1851);

PRX1110641 Seligmann was a German engraver, illustrator and art dealer from Nuremberg. Originally engraved by George Edwards in his works 'A Natural History of Uncommon Birds' and 'Gleanings of Natural History' Michael Seligmann re-engraved the plates and combined it with Catesby's work 'A Natural History of Carolina, Florida and the Bahama Islands' translating the names into German and adding some figures and plants not present in the originals.Der blaue Ostindische Heher, Tiere, Vögel, Illustration, NaturgeschichteGarrulus caeruleas Indicus

LIP1613108 Recent Additions to the Zoological Society's Collection, Regent's Park. Illustration for The Illustrated London News, 23 July 1864.English School (19th Century)

LSE4088105 Natural History Plate: Birds: The Blue Jay of North America and the Common Jay - in “” Works of Buffon, T.5, ed. Fume Jouvet & Cie, 18th century

NHM1452328 Garrulus glandarius, Eurasian jay, Plate 162 from William MacGillivray's Watercolour drawings of British Animals (1831-1841). - BackLondon UK

NHM1459768 Garrulus glandarius, Eurasian jay, Watercolour by the German ornithologist, hunter and bird collector, Christian Ludwig Landbeck (c. 1833-4). - BirdLondon UK

PRX11861394 The Siberian Jay features a striking coloration with blue-gray wing coverts and orange-colored flanks and tail. Characteristic is the brown crown that contrasts with white cheeks. The bird is native to the boreal coniferous forests of Siberia, where it remains a resident species even through harsh winters. It feeds on seeds, berries, insects and preferably nests in coniferous trees. By Martinet. From Histoire Naturelle des Oiseaux. Planches enluminées d'histoire naturelle, drawn and engraved by F.N. Martinet under the supervision of E.L. Daubenton, Paris 1770 - 1786. [Siberian Jay, Perisoreus infaustus, Corvidae, corvids, Siberia, taiga, boreal coniferous forest, brown crown, orange tail, blue wings, ornithology, 18th century, natural history, systematics, taxonomy]

REV828637 From an account by Gouin de Beauchesne of an expedition to the South Atlantic Ocean, through the Strait of Magellan, and up the Pacific coast of South America, between 1698 and 1701.Oiseau proche du geai de France près du détroit de Magellan.

PRX11860606 The Eurasian Jay displays distinctive plumage with pink breast, black malar stripe, and blue-turquoise wing coverts with black barring. It inhabits deciduous and mixed forests across Europe and parts of Asia. As an intelligent and adaptable bird, it feeds on acorns, nuts, berries, and occasionally small vertebrates. By Martinet. From Histoire Naturelle des Oiseaux. Planches enluminées d'histoire naturelle, drawn and engraved by F.N. Martinet under the supervision of E.L. Daubenton, Paris 1770 - 1786. [Eurasian Jay, Garrulus glandarius, corvids, Corvidae, Europe, forest bird, omnivore, acorns, songbirds, 18th century, natural history, ornithology, Enlightenment]

PRX11859989 The Common Jay displays reddish-brown plumage with striking blue wing patches. The bird has a strong black bill and gray head feathers. Jays are widespread in European forests and feed primarily on acorns, nuts, and berries, which they often cache for winter. These intelligent corvids play an important role in forest regeneration through their habit of storing and sometimes forgetting seeds. By . From Ornithologia methodice digesta, atque iconibus aeneis ad vivum illuminatis ornata. By Saverio Manetti (1723 - 1785). Published in Florence, at the house of Mouchiani, 1767–1776. [Jay, Garrulus glandarius, Pica glandaria vulgaris, Ghiandaia comune, corvid, forest bird, acorn storer, foraging, ornithology, 18th century, natural history, Enlightenment, Europe, patronage]

PRX11859977 The White Jay displays predominantly light gray to whitish plumage with characteristic blue feathers on the wings. This color variant of the common jay shows the natural variation within the species. Due to its light coloration, this bird is particularly conspicuous in nature. Like all jays, it is a skilled collector of nuts and seeds and contributes to the spread of forest trees through its hiding behavior. By . From Ornithologia methodice digesta, atque iconibus aeneis ad vivum illuminatis ornata. By Saverio Manetti (1723 - 1785). Published in Florence, at the house of Mouchiani, 1767–1776. [Jay, Garrulus glandarius, color variant, Pica glandaria alba, Ghiandaia bianca, leucism, corvid, forest bird, acorn storer, ornithology, 18th century, natural history, Enlightenment, Europe, patronage]

PRX11859238 The magnificently blue-colored bird sits on a branch amidst sketchily depicted foliage and flowers. With its striking crest, long tail, and powerful bill, it embodies the elegant appearance of kingfisher-like birds. The intense blue coloration of the plumage, particularly vibrant on the upper parts and tail, contrasts impressively with the white belly. By Travies pinx., Fournier sc. From Dictionnaire Universel d'Histoire Naturelle dirigé par M. Charles D'Orbigny. Paris, chez les Éditeurs MM. Renard, Martinet et Cie, 1849. [Azure-crested Jay, Pica collieri, kingfishers, passerines, Conirostres, rollers, hand-colored steel engraving, scientific illustration, ornithology, bird study, natural history, 19th century, tropical bird species]

NHM1459589 Garrulus glandarius, Eurasian jay, Plate 64 from John Gould's The Birds of Great Britain, Vol. 3 (1873). Hand coloured lithograph. - BirdLondon UK

PRX11861383 The Peruvian jay presents itself with striking plumage of contrasting colors: deep black throat, light blue head with blue crest, green back and bright yellow underside and tail feathers. This colorful bird inhabits the mountain forests and cloud forests of Peru's Andean region. Like other jay species, it shows complex social behavior and feeds on a mixture of plant and animal food, including fruits, seeds and insects. By Martinet. From Histoire Naturelle des Oiseaux. Planches enluminées d'histoire naturelle, drawn and engraved by F.N. Martinet under the supervision of E.L. Daubenton, Paris 1770 - 1786. [Peruvian jay, Cyanocorax, Andes, Peru, South America, Corvidae, tropical bird, mountain forest, cloud forest, historical bird illustration, ornithology, 18th century, taxonomy, Enlightenment, copper engraving, hand-colored]

BL3296070 Drawings of birds.Author: Edwards, George / Illustrator: Edwards, GeorgeFirst half of the 18th centurySource/Shelfmark: Add. 5263, f.70

NHM1450554 Cyanocitta cristata, blue jay, Plate 15, hand coloured etching from The Natural History of Carolina, Florida and the Bahama islands (1731-43) Vol. 1 by Mark Catesby. - AmericaLondon UK

PRX11868647 The Eurasian Jay (Garrulus glandarius) with its pinkish-brown plumage, blue wing patches, and black beak perches on a branch amidst oak leaves. Above it sits the Common Redstart (Phoenicurus phoenicurus) with its characteristic rusty-red tail, greenish back, and gray head. Both bird species are widespread in European forests and gardens, with the jay being an omnivore that particularly collects and disperses acorns, while the redstart is known as an insectivore and migratory bird.. From Das Buch der Welt, ein Inbegriff des Wissenswürdigsten und Unterhaltendsten aus den Gebieten der Naturgeschichte, Naturlehre, Länder- und Völkerkunde, Weltgeschichte, Götterlehre etc. Mit vielen colorirten und schwarzen Abbildungen. Published by Julius Hoffmann, Hoffmannsche Verlags-Buchhandlung, Stuttgart, 1842 - 1868.. [Eurasian Jay, Garrulus glandarius, Common Redstart, Phoenicurus phoenicurus, corvids, Corvidae, flycatchers, Muscicapidae, woodland birds, European bird species, oak forest, migratory bird, resident bird, ornithology, natural history, zoology, hand-coloured copperplate engraving]

PRX11865610 Hand-colored copperplate engraving of an elegant blue-winged jay with a black crest;belonging to the crow family (Corvus). The bird is depicted in profile perched on a branch;showcasing its long blue and white tail feathers and light grey breast plumage. The detailed illustration highlights the taxonomic characteristics of this Chinese jay species. From Encyclopaedia Londinensis;or Universal Dictionary of Arts;Sciences and Literature. Comprehending;under one general alphabetical arrangement;all the words and substance of every kind of dictionary extant in the English language. Compiled;digested and arranged by John Wilkes. London;1810.

UDK5444728

UDK5005901

XEE4124305 Zoological chart (ornithology): male siam jay (blue jay or cyanocitta cristata) on a branch. Illustration in “The History of the Birds, Painted in Their Appearing and Sensitive Aspects” by Francois Nicolas Martinet (1731-1800). Private collection.

NHM1449360 Engraved, printed and coloured by R. Havell & Son, London.

BL5334828 Institution Reference: Shelfmark ID: 460.b.7

PIX4619726 Nebula of the Lagoon (M8) in Sagittarius - The Lagoon nebula (M8) in Sagittarius - View of the Nebula of the Lagoon (M8/NGC 6523). Located in Sagittarius, at a distance of 5800 years - light, it is visible to the naked eye in good conditions. It is a star-forming region illuminated by several large O-type stars that belong to the open cluster NGC 6530 visible in the center of the image. The brightest part of the nebula is called the hourglass nebula whose gases are excited mainly by two massive supergeant stars Herschel 36 and 9 Sagittarii. M8 has at least 60 Giant B stars, 3 to 4 times more than the Orion Nebula. The Lagoon nebula (M8), can be visible to the unaided eye as a small bright patch above the large Sagittarius star cloud in the Milky Way. The Lagoon nebula is a star - forming region about 5800 light years from us. The nebula is illuminated by several O - type giants within the open cluster NGC 6530 near the center of the nebula. The brightest part of the nebula is known as the “hourglass nebula”” and its gases are excited primarily by two massive O - type supergiants designated Herschel 36 and 9 Sagittarii. These two stars lie to the west of NGC 6530 and are separated from it by a dark lane dividing the nebula like a black lagoon, giving it its name. Twisted funnel shaped clouds are visible close to the illuminating stars, especially Herschel 36. They are due to shear forces between the hot excited gases at the surface and the cold interior of the clouds. At least 60 B - type giants are embedded in the nebula which make M8 3 to 4 times richer in massive stars than the Orion nebula

STC421779

STC421780

NHM102253 by John James Audubon

NHM1449355 Engraved, printed and coloured by R. Havell & Son, London.

HST2908130

PRX11859442 The plate shows six different bird species in their natural posture. The Black Woodpecker with its red head crest clings to a tree trunk. The Hoopoe presents its distinctive feather crest, while the blue jay bird with yellow beak sits on a branch. Two representatives of hummingbirds with their iridescent colors and the Green Woodpecker with its characteristic pattern complete this depiction of forest birds from different continents. By Joseph Brodtmann. From Naturhistorische Bilder-Gallerie aus dem Thierreiche. Gezeichnet von Carl Joseph Brodtmann (1787 - 1862). [Black Woodpecker, Picus martius, Hoopoe, Upupa epops, Green Woodpecker, Picus viridis, Jacamar, Galbula superba, Hummingbird, Trochilus, Bee-eater, Merops apiaster, Woodpeckers, Forest birds, Ornithology, Bird study, Natural history]

PIX4618712 S star Monocerotis and nebula - Fox Fur nebula in Monoceros - The region to the right of the bright star S Monocerotis is called Fox Fur nebula. This region where gas mixes with interstellar dust is located above the Cone nebula, about 2600 light years from Earth. Image obtained with a 50 cm telescope, composite of several images. The region around the 4.7 magnitude star S Mon is a fascinating mixture of red fluorescent hydrogen and dark, obscuring dust lanes. Some dust patches are close enough to bright stars to reflect light from them; these appear blue for the same reason that the day - time sky is blue - because some of the interstellar particles preferentially scatter blue light. The dust is mixed with gas and this affects the appearance of the emission nebulae, giving some of the faintest a curious 'fox fur' texture in this photograph. S Mon is part of a young open cluster of stars named NGC 2264 located about 2600 light years away, just north of the Cone nebula

PIX4619560 Nebula Trifide (M20) in the constellation Sagittarius - Trifid nebula (M20) in Sagittarius - View of the Trifide nebula (M20/NGC 6514) located in the constellation Sagittarius between 5000 and 10,000 years - light from Earth. Measuring some forty light years across, this nebula contains enough gas to make many thousands of suns. Within it a number of young hot stars have already formed. The hottest cause the gas, mostly hydrogen, to emit its characteristic red light. Around the red emission nebula the gas contains many dust grains which preferentially reflect the blue component of starlight, and to the north (top) of the nebula can be seen a bright star which illuminates part of the dust to create a region of blue reflection. In some parts of the nebula there are so many dust grains that they hide the glowing gas, producing the three dark lanes which give the object its name. Trifid is located in Sagittarius constellation between 5000 and 10 000 light - years away

PIX4565332 Persee Galaxy Cluster - Perseus galaxy cluster - The Persee galaxy cluster (Abell 426) contains at least 500 galaxies including the large elliptical galaxy NGC 1275. This galaxy (the galaxy with pink filaments to the left of the image) is located about 235 million years ago - light; it is a very strong source of radio wave transmission known as Perseus A. In the right center of the image, note the presence of a supernova, SN 2008fg, in a small blue spiral galaxy, NGC 1268. Perseus galaxy cluster (Abell 426) is a cluster of about 500 galaxies. The biggest (left) is NGC 1275, located 235 million light years away; it is a strong radio source known as Perseus A. The gravity exerted by the luminous parts of a galaxy cluster is insufficient to hold the cluster together. Thus, scientists have concluded the missing adhesive must be dark matter and since it's invisible to modern instruments - it can only be inferred. So, when one views the image of the Perseus Galaxy Cluster, ones sees only a small fraction of what's actually there. This image was serendipitously exposed during the brief appearance of a supernova, designated SN2008FG, in one of the small blue spiral galaxies caught in the field of view (center right). It was discovered on August 30, 2008 by the 30 - inch KAIT robotic supernova patrol telescope located at historic Lick Observatory near San Jose, California. The stellar explosion, characterized by its bright blue color, is located near the bottom right edge of the galaxy. This cataclysmic event easily outshines the combined light of its home star system, NGC 1268

PIX4568468 Open cluster M11 in the Sobieski ECU - M11 open cluster in Scutum - M11, NGC6705, is a particularly compact and star-rich open cluster (about 2900), located in the constellation Sobieski ECU. The image is of a young cluster of stars located in the direction of the constellation named Scutum. This tight gathering of stars, known as the Wild Duck Cluster or M11, features about 2,900 individual members - most of them are approximately 250 million years old - the newest stars appear white - blue, the older ones have a yellowed appearance. This group of stars hangs in space about 5,000 light - years from Earth

XOS8985999 Portrait of a young woman in a bluish mantleFrench schoolThe model is shown with her hair unpowdered, a custom that leads us to date this portrait circa 1780-1785.Inventory number: 1992.3

PIX4619512 Nebula Trifide (M20) in the constellation Sagittarius - Trifid nebula (M20) in Sagittarius - View of the Trifide nebula (M20/NGC 6514) located in the constellation Sagittarius between 5000 and 10,000 years - light from Earth. Measuring some forty light years across, this nebula contains enough gas to make many thousands of suns. Within it a number of young hot stars have already formed. The hottest cause the gas, mostly hydrogen, to emit its characteristic red light. Around the red emission nebula the gas contains many dust grains which preferentially reflect the blue component of starlight. In some parts of the nebula there are so many dust grains that they hide the glowing gas, producing the three dark lanes which give the object its name. Trifid is located in Sagittarius constellation between 5000 and 10 000 light - years away

PIX4609387 Spiral galaxy M74 in Pisces - Spiral galaxy M74 in Pisces - This galaxy measures about 80,000 years - light and is 30 million years away - light. Image obtained with a 50 cm telescope, composite of several poses. M74 is located roughly 30 million light - years away in the direction of the constellation Pisces, the Fish. It is the dominant member of a small group of about half a dozen galaxies, the M74 galaxy group. In its entirety, it is estimated that M74 is home to about 100 billion stars, making it slightly smaller than our Milky Way. Its perfectly symmetrical spiral arms emanate from the central nucleus and are dotted with clusters of young blue stars and glowing pink regions of ionized hydrogen (hydrogen atoms that have lost their electrons). These regions of star formation show an excess of light at ultraviolet wavelengths. Tracing along the spiral arms are winding dust lanes that also begin very near the galaxy's nucleus and follow along the length of the spiral arms

PIX4609403 Spiral galaxy M74 in Pisces - Spiral galaxy M74 in Pisces - Image of the spiral galaxy M74 (NGC 628). This galaxy is about 80,000 light years and is 30 million light years apart. Viewed face on, as it appeared about 30 million years ago, M74 is considered to be one of the most photogenic spiral galaxies in the sky. The galaxy is rich in young bright blue stars and glowing red regions of dust and molecular hydrogen where new stars are being created. M74, however, is quite camera shy - it has a low surface brightness that makes it challenging for both visual observers and astrophotographers to see it's entire form. The Chandra X - Ray observatory, discovered M74 to be the home of a super massive black hole, tucked away in one of it's outer arms. This black hole is one of the largest ever discovered and has the mass of over 10,000 suns. Thirty six, fifteen minute photographs were combined to create this picture, with a total exposure time of almost nine hours. The images were taken with a 20 inch Ritchey - Chretien telescope and an eleven mega - pixel camera at f/8 from high in the south central mountains of New Mexico

TEC4554692 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554694 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554705 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554689 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554698 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554701 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554700 Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

FLO7235362 Indian roller, Coracias benghalensis. East Indian blue jay, Coracias indica. From a specimen brought from Ceylon (Sri Lanka) by John Gideon Loten now in the British Museum. Handcolored copperplate engraving after an illustration by George Edwards from The Naturalist’s Pocket Magazine, Harrison, Fleet Street, London, 1800.

XOS8985977 Portrait of a young blonde womanHallé, Nicolas; Vestier, AntoineInscription - On the back, inscription in blue: "Vestiers"Number - On back, number on label: "1046".Bequest number - On back, in red: "D 38".Inventory number: J 756

XOS8985602 Portrait of a Young Brunette Woman as FloreFrench school; Dumont, François (dit l'Ainé)Apocryphal signature - On the right, on the shoulder: "Dumont / 1789".Apocryphal date - Right, on the shoulder: "Dumont / 1789".Inscription concerning the author - On the back, on the mounting paper, floral decoration printed in black and old inscription in ink: "Dumont".Inscription - On the back, on a label, handwritten inscription "Jonas" and number printed in blue: "1062".Number - On the back, on a label, handwritten inscription "Jonas" and number printed in blue: "1062".Bequest number - On the back, in red: "D 40".Inventory number: J723

XOS8986375 Portrait of a young woman with a white fichu (Attributed title)French schoolBust-length portrait of a woman with a powdered wig, wearing a blue blouse with a white fichu crossed over it. The head is turned slightly to the left.Bequest number - On reverse, in red: "H 300 (4)".Inventory number: J 804

XOS8983977 Admiral Sir Sidney SmithAutissier, Louis-MarieSir William Sidney Smith (Westminster, 1764 - Paris, 1840), who joined the Royal Navy in 1777, was taken prisoner in 1795 and spent two years in the Temple after being commissioned by Admiral Hood to set fire to the French fleet in Toulon harbor. He led the defense of Saint-Jean-d'Acre against the French, forcing Bonaparte to withdraw (1799). Although he fought many battles against French forces, he was always a Francophile, and moved to Paris with his wife after the fall of the Empire. Admiral in 1821, he spent the rest of his life involved in philanthropy and freemasonry. He founded the Order of the Knights Liberators and was very active in that of the Knights Templar, a resurgence reported as early as 1805.Sidney Smith is shown here with all his military and civil decorations:- the red saltire of the Order of the Turkish Crescent- the blue-edged yellow cordon of Knight Commander and Grand Cross of the Swedish Order of the Sword, with its plaque (topmost)- the pink-edged blue cordon and plaque (leftmost) of the Order of St. Ferdinand of Sicily- barely visible, the blue cordon of the Portuguese Order of the Tower and Sword, with its plaque (rightmost)- partly concealed by the blue-edged yellow cordon, the plaque with the radiance of Knight Commander of the English Order of the Bath- at the neck, in the commandery, the cross of the TempleSignature - Signed on the left: "Autissier pt / Paris 182 [last digit illegible]".Date - Dated on the left: "Autissier pt / Paris 182[last number illegible]". [the date is truncated by a chip in the gouache on the last two digits].Inscription concerning the model - On the back, inscription in black ink: "amiral / Sir William / Sydney-Smith."Inscription concerning the model - On the back, pencil inscription: "S. William..." [the rest illegible]Number - On the back, number printed in blue on a label: "1003".Bequest number - On the back, in red: "D 28".Inventory number: J702

XOS8983715 Portrait of Henri-Gérard Fontallard playing the fluteFontallard, Jean-FrançoisHere the artist portrays one of his two sons, Henri-Gérard Fontallard, a future caricaturist, at the age of fifteen.Signature - Signed middle left, in red: "Fontallard".Inscription concerning date and author - On the back, handwritten inscription in pen: "Fontallard (Jean François Gérard) / Portrait of his son the caricaturist / Henri Fontallard (at the age of 15.) / This miniature, which won / a 1st class medal at the 1812 Salon, was exhibited / in 1906 at the Bibliothèque by / Mr Max Bugnicourt, a descendant of / Fontallard, and was sold at the Hôtel des Ventes / on April 20, 1907 (room N°6) by the / ministry of Me Lair-Dubreuil / (Paulme expert) it is reproduced / in natural size in / Mr Henri Bouchot's work / on French Miniature / (P.184)"Inscription concerning the model - On the back, handwritten inscription in pen: "Fontallard (Jean François Gérard) / Portrait of his son the caricaturist / Henri Fontallard (at the age of 15.) / This miniature, which won / a 1st class medal at the 1812 Salon, was exhibited / in 1906 at the Bibliothèque by / Mr Max Bugnicourt, a descendant of / Fontallard, and was sold at the Hôtel des Ventes / on April 20, 1907 (room N°6) by the / ministry of Me Lair-Dubreuil / (Paulme expert) it is reproduced / in natural size in / Mr Henri Bouchot's work / on French Miniature / (P.184)"Number - Number printed in blue on a label stuck on the rest of another label: "1014".Bequest number - On the back, in red: "D 42".Inventory number: J727

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