Pesquisando por: "View of Rome (engraving)" - Fotoarena - Agência de fotojornalismo

3A0W5XK 16th Century map. Aerial view of the City of Rome by Georg Braun & Frans Hogenberg, circa 1572

2YAE8X4 A print coloured engraving A view of the Church and Hospital of the Holy Ghost Rome Italy Publisher Robert Sayer Printed by Henry Overton 18th century skyline and cityscape historical perspective etching watercolour old antique print 1750

2YAE66C A print coloured engraving of The temple of Hercules, Sybylls Temple, The arches of an ancient Roman aqueduct, Temple of Fortuna Viritis, Antique vase at the Villa Borgese Publisher Robert Sayer Printed by Henry Overton 18th century skyline and cityscape historical perspective etching watercolour old antique print

2Y3T4A5 The view of Viminal Hill in Rome from the slopes of Quirinal. It highlights the historical architecture and landscape typical of the early 19th century.

2XHPD7C A print coloured engraving of general view of the Villa Pamphili Rome Italy Publisher Giovanni Volpato skyline and cityscape historical perspective art etching watercolour

2XFMH5M Illustration of the View of Rome from the River Tiber from 19th Century The Imperial Illustrated Bible

2XMJ3X2 A very old portrait of General Hannibal aka Anibal (247BC -circa 181 BC) Carthaginian general and statesman who commanded the forces of Carthage against the Roman Republic (Second Punic War) - Ritratto molto antico del generale Annibale, detto Anibale (247 a.C. -circa 181 a.C.), generale e statista cartaginese che comandò le forze di Cartagine contro la Repubblica Romana (Seconda Guerra Punica).

3A3NP5G Tallest buildings in the world in 1905. 8, Rouen Cathedral, 150 m. 9, Pyramid of Cheops, 145 m. 10, Strasbourg Cathedral, 142.50 m. 11, Landshut Cathedral, 141 m. 12, St. Stephen's Cathedral, Vienna, 138 m. 13, St. Peter's Cathedral, Rome, 139 m. 14, Freiburg Minster, 130 m. 1, Park Row Building, 119 m. Above, general view of New York with all the skyscrapers. Old 19th century engraved illustration by Louis Poyet (1846 - 1913) from La Nature 1907

3A1A1P3 Tallest buildings in the world in 1905. 8, Rouen Cathedral, 150 m. 9, Pyramid of Cheops, 145 m. 10, Strasbourg Cathedral, 142.50 m. 11, Landshut Cathedral, 141 m. 12, St. Stephen's Cathedral, Vienna, 138 m. 13, St. Peter's Cathedral, Rome, 139 m. 14, Freiburg Minster, 130 m. 1, Park Row Building, 119 m. Above, general view of New York with all the skyscrapers. Old 19th century engraved illustration by Louis Poyet (1846 - 1913) from La Nature 1907

2WR926R View of ruins in Rome, Vestige du Temple de la Paix (...) (title on object), Numbered bottom right: 1., print maker: Nicolas Perelle, print maker: Adam Perelle, print maker: Gabriel Perelle, publisher: Paris, France, 1627 - 1655, paper, etching, engraving, height 222 mm × width 261 mm, print

2WR8GBD View of the ruins of the Baths of Caracalla, in Rome, Vestigi delle Terme di Antonino Caracala, in Roma (title on object), Numbered bottom right: 1., print maker: Nicolas Perelle, publisher: Daman, Franse kroon, 1640 - c. 1660, paper, etching, engraving, height 240 mm × width 304 mm, print

2WR8GB3 View of the ruins of the Colosseum, in Rome, Veduta del anfiteatro di Tito, edificato da Vespitiano suo padre (...) (title on object), Numbered bottom right: 3., print maker: Nicolas Perelle, publisher: Daman, Franse kroon, 1640 - c. 1660, paper, etching, engraving, height 236 mm × width 303 mm, print

2WR8GB8 View of the ruins of the Septizonium, in Rome, Vestigi del settizonio di seuero imperatore, detto la Scola di Vergilio in Roma (title on object), print maker: Nicolas Perelle, publisher: Daman, Franse kroon, 1640 - c. 1660, paper, etching, engraving, height 242 mm × width 301 mm, print

2WR8GBF View of the San Luigi dei Francesi, in Rome, Chiesa di S. Luigi de Francesi et Hospedale della Nationoe nell Rione di S. Eustachio / Die Fransösische Kirche des Heil Ludwigs (...) (title on object), Numbered top right: 76 ., print maker: anonymous, publisher: Martin Engelbrecht, unknown, Augsburg, 1708 - 1756, paper, etching, engraving, height 192 mm × width 293 mm, print

2WR8GAT View of the ruins of the Temple of Peace, in Rome, Vestige du Temple de la Paix, bâti par Vespasian et Tite empereurs (...) (title on object), Numbered bottom right: 1., print maker: Nicolas Perelle, after drawing by: Jan Asselijn, publisher: Pierre Ferdinand, Paris, 1641 - 1655, paper, etching, engraving, height 217 mm × width 252 mm, print

2WR8GAC View of the ruins of the Colosseum, in Rome, Ruines du Colisée (title on object), Numbered bottom right: 4., print maker: Nicolas Perelle, after drawing by: Jan Asselijn, publisher: Pierre Ferdinand, Paris, 1641 - 1655, paper, etching, engraving, height 210 mm × width 252 mm, print

2WR8GAB View of the ruins of Cicero's house, in Rome, Vestige de la maison de Ciceron (title on object), Numbered bottom right: 4., print maker: Nicolas Perelle, after drawing by: Jan Asselijn, publisher: Pierre Ferdinand, Paris, 1641 - 1655, paper, etching, engraving, height 216 mm × width 255 mm, print

2WR8GAE View of the Porta San Paolo and the Pyramid of Cestius, in Rome, Veüe de la Porte St. Paul, showing the surface of a pyramid antique (...) (title on object), Numbered bottom right: 5., print maker: Nicolas Perelle, after drawing by: Jan Asselijn, publisher: Pierre Ferdinand, Paris, 1641 - 1655, paper, etching, engraving, height 221 mm × width 254 mm, print

2WR8GAK View of the ruins of Santa Croce in Gerusalemme, Rome, Ruyne de Ste. Croix de Ierusalem (title on object), numbered bottom right: 6., print maker: Nicolas Perelle, after drawing by: Jan Asselijn, publisher: Pierre Ferdinand, Paris, 1641 - 1655, paper, etching, engraving, height 212 mm × width 250 mm, print

2WR8GAG View of the ruins of the Domus Aurea, in Rome, Vestige du Palais Major bati par Neron, a la construction duquel il (...) (title on object), Numbered bottom right: 2., print maker: Nicolas Perelle, after drawing by: Jan Asselijn, publisher: Pierre Ferdinand, Paris, 1641 - 1655, paper, etching, engraving, height 210 mm × width 250 mm, print

2WR85W4 View of Rome from a bird's-eye view, Antiquae urbis Romae image accuratiss (...) (title on object), View of the southern part of Rome from a bird's-eye view. In the bottom margin is a list of explanatory numbers, flanked on either side by a man with a book. Print is part of an album., print maker: anonymous, after print by: Pirro Ligorio, publisher: Georg Braun, after print by: Italy, publisher: Cologne, publisher: Cologne, The Hague, 1588 and/or 1693 - 1717, paper, engraving, height 355 mm × width 491 mm, print

2WR825X View of a square where a tournament is held for the Festa Fatta, in Rome, print maker: François Collignon, after design by: Andrea Sacchi, publisher: Vitale Mascardi, Rome, 1634 - 1649, paper, etching, engraving, height 384 mm × width 413 mm, print

2WR818K View of the interior of St. Peter's Basilica, Rome, Veduta interna della Basilica Vaticana / Vuë de l'interieur de l'eglise de St. Pierre au Vatican (title on object), print maker: anonymous, after drawing by: Jean Barbault, publisher: J. Bouchard & J.J. Gravier, (possibly), Rome, 1760 - after c. 1789, paper, etching, engraving, height 433 mm × width 570 mm, print

2WR818Y Map of Rome in Roman times (second part), Urbis Romae sciographia ex antiquis monumentis accuratiss delineata (title on object), Second part of a map of Rome in a bird's-eye view, consisting of eight parts. Numbered top right: 3., print maker: Etienne Dupérac, publisher: Giovanni Giacomo de'Rossi, Etienne Dupérac, Rome, 1639 - 1691, paper, etching, engraving, height 517 mm × width 422 mm, print

2WR8199 Map of Rome in Roman times (seventh part), Urbis Romae sciographia ex antiquis monumentis accuratiss delineata (title on object), Seventh part of a map of Rome in a bird's-eye view, consisting of eight parts. Numbered bottom right: 10., print maker: Etienne Dupérac, publisher: Giovanni Giacomo de'Rossi, Etienne Dupérac, Rome, 1639 - 1691, paper, etching, engraving, height 521 mm × width 417 mm, print

2WR818T View of the Temple of Peace, in Rome, Templi Pacis a Vespasiano imperatore aedificati vestigia / Temple de la Paix (title on object), Numbered bottom right: XXXI., print maker: anonymous, publisher: Pieter Mortier (I), publisher: Rutgert Christoffel Alberts, (possibly), publisher: Amsterdam, publisher: The Hague, 1704 - 1724, paper, engraving, height 420 mm × width 526 mm, print

2WR818X View of the Roman Forum, Campo Vaccino à Rome (title on object), Numbered bottom right: IV., print maker: anonymous, publisher: Pieter Mortier (I), publisher: Rutgert Christoffel Alberts, (possibly), publisher: Amsterdam, publisher: The Hague, 1704 - 1724, paper, etching, engraving, height 415 mm × width 530 mm, print

2WR8191 Map of Rome in Roman times (sixth part), Urbis Romae sciographia ex antiquis monumentis accuratiss delineata, Sixth part of a map of Rome in a bird's-eye view, consisting of eight parts. Numbered bottom right: 9., print maker: Etienne Dupérac, publisher: Giovanni Giacomo de'Rossi, Etienne Dupérac, Rome, 1639 - 1691, paper, etching, engraving, height 524 mm × width 416 mm, print

2WR8198 Map of Rome in Roman times (fifth part), Urbis Romae sciographia ex antiquis monumentis accuratiss delineata (title on object), Fifth part of a map of Rome in a bird's-eye view, consisting of eight parts. Numbered bottom right: 5., print maker: Etienne Dupérac, publisher: Giovanni Giacomo de'Rossi, Etienne Dupérac, Rome, 1639 - 1691, paper, etching, engraving, height 519 mm × width 363 mm, print

2WR818W View of the Tiber, in Rome, Spiaggia del Tevere verso la Bocca della Verita / Vuë du Tybre vis-a-vis la Bouche de la Verité (title on object), View of the Tiber, with the Temple of Vesta and Santa on the right Mary in Cosmedin., print maker: anonymous, after print by: Giuseppe Vasi, publisher: J. Bouchard & J.J. Gravier, (possibly), 1760 - after c. 1789, paper, etching, engraving, height 396 mm × width 545 mm, print

2WR8192 Map of Rome in Roman times (third part), Urbis Romae sciographia ex antiquis monumentis accuratiss delineata, Third part of a map of Rome in a bird's-eye view, consisting of eight parts. Numbered top right: 4., print maker: Etienne Dupérac, publisher: Giovanni Giacomo de'Rossi, Etienne Dupérac, Rome, 1639 - 1691, paper, etching, engraving, height 520 mm × width 412 mm, print

2WR818F View of Palazzo Giustiniani, in Rome, Veduta del Palazzo Giustiniani / Vuë du Palais Justiniani (title on object), print maker: anonymous, publisher: J. Bouchard & J.J. Gravier, (possibly), J. Bouchard & J.J. Gravier, Rome, 1760 - after c. 1789, paper, etching, engraving, height 398 mm × width 543 mm, print

2WR818E View of the Santi Domenico e Sisto and the Santa Caterina a Magnanapoli, in Rome, Chiese e monasteri di S. Domenico e Sisto (...) / Eglises et Monasteres des S. Dominique et Sixte (title on object), print maker: anonymous, publisher: J. Bouchard & J.J. Gravier, (possibly), J. Bouchard & J.J. Gravier, 1760 - after c. 1789, paper, etching, engraving, height 393 mm × width 537 mm, print

2WR8195 Map of Rome in Roman times (eighth part), Urbis Romae sciographia ex antiquis monumentis accuratiss delineata (title on object), Eighth part of a map of Rome in a bird's-eye view, consisting of eight parts. Numbered top right: 11., print maker: Etienne Dupérac, publisher: Giovanni Giacomo de'Rossi, Etienne Dupérac, Rome, 1639 - 1691, paper, etching, engraving, height 530 mm × width 370 mm, print

2WR818H View of the Palazzo Mattei, in Rome, Veduta del Palazzo Mattei / Vuë du Palais Mattei (title on object), View of the Palazzo Mattei, with the Santa Caterina dei Funari on the right., print maker: anonymous, after drawing by: Jean Barbault, publisher: J. Bouchard & J.J. Gravier, (possibly), Rome, 1760 - after c. 1689, paper, etching, engraving, height 395 mm × width 542 mm, print

2WR7HFD View of the Roman Forum, Campo Vaccino à Rome (title on object), Numbered bottom right: IV., print maker: anonymous, publisher: Pieter Mortier (I), publisher: Rutgert Christoffel Alberts, (possibly), publisher: Amsterdam, publisher: The Hague, 1704 - 1724, paper, etching, engraving, height 417 mm × width 527 mm, print

2WR7H17 View of the Pyramid of Cestius, Views of Rome (series title), print maker: François Morel, after drawing by: Jean Jérôme Baugean, publisher: Agapito Franzetti, Rome, 1796 - 1798, paper, etching, engraving, height 368 mm × width 482 mm, print

2WR7H1E View of the Ponte Lucano, Views of Rome (series title), print maker: François Morel, after design by: Jacob Philipp Hackert, publisher: Agapito Franzetti, Rome, 1796 - 1798, paper, etching, engraving, height 370 mm × width 482 mm, print

2WR7EW1 View of Rome from the hills near the Baths of Caracalla, Rom im Jahre 1847 (title on object), Descriptive text in Latin in the bottom margin., print maker: Karl August Lindemann-Frommel, after drawing by: Karl August Lindemann-Frommel, publisher: Piloty & Löhle, publisher: München, publisher: London, 1851 - 1859, paper, engraving, etching, height 445 mm × width 555 mm, height 324 mm × width 473 mm, print

2WR7D3M View of the port of Posillipo, Vue de Pausilype près de Naples (title on object), print maker: Robert Daudet (II), after painting by: Claude Joseph Vernet, publisher: Basan et Poignant, after painting by: Rome, publisher: Paris, 1785, paper, etching, engraving, height 499 mm × width 646 mm, print

2WR7C9T View of the Old Rome inn west of Beverwijk, Out Roomen outside Haarlem (title on object), print maker: Izaak Jansz. de Wit, (possibly), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, (possibly), 1744 - 1822, paper, etching, engraving, height 162 mm × width 206 mm, print

2WR7AKR View of the Old Rome inn west of Beverwijk, Out Roomen outside Haarlem (title on object), print maker: Izaak Jansz. de Wit, (possibly), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, (possibly), 1744 - 1822, paper, etching, engraving, height 162 mm × width 206 mm, print

2WR75WK Map of Rome in Roman times (seventh part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Seventh part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top right: 7., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 496 mm × width 371 mm, print

2WR75WG Map of Rome in Roman times (fifth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Fifth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top right: 5., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 493 mm × width 373 mm, print

2WR75WP Map of Rome in Roman times (sixth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Sixth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top right: 6., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 496 mm × width 370 mm, print

2WR75WT Map of Rome in Roman times (tenth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Tenth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top left: 10., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 387 mm × width 370 mm, print

2WR75WH Map of Rome in Roman times (eighth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Eighth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top right: 8., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 496 mm × width 370 mm, print

2WR75W4 Map of Rome in Roman times (second part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Second part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top left: 2., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 412 mm × width 358 mm, print

2WR75W2 Map of Rome in Roman times (ninth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Ninth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top right: 9., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 386 mm × width 369 mm, print

2WR75WM Map of Rome in Roman times (twelfth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Twelfth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top center: 12., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 386 mm × width 370 mm, print

2WR75WD Map of Rome in Roman times (fourth part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Fourth part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts. Numbered top left: 4., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 413 mm × width 372 mm, print

2WR75WC Map of Rome in Roman times (eleventh part), Anteiquae urbis image, accuratissime ex vetusteis monumenteis formata (title on object), Eleventh part of a map of Rome in Roman times, in a bird's-eye view, consisting of twelve parts., print maker: anonymous, publisher: Carlo Losi, Rome, 1773, paper, engraving, etching, height 387 mm × width 370 mm, print

2X6GEA7 The Band-e Kaisar. Bridge of Valerian or Shadirwan was an ancient arch bridge in the city of Shushtar. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, Khuzestan province, Iran. Middle East. Drawing by Barclay. Persia, Chaldea and Susiana 1881-1882 by Jane Dieulafoy (1851 - 1916) Le Tour du Monde 1886

2X6GE9J The Band-e Kaisar. Bridge of Valerian or Shadirwan was an ancient arch bridge in the city of Shushtar. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, Khuzestan province, Iran. Middle East. Drawing by Barclay. Persia, Chaldea and Susiana 1881-1882 by Jane Dieulafoy (1851 - 1916) Le Tour du Monde 1886

2X20N50 The Band-e Kaisar. Bridge of Valerian or Shadirwan was an ancient arch bridge in the city of Shushtar. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, Khuzestan province, Iran. Middle East. Drawing by Barclay. Persia, Chaldea and Susiana 1881-1882 by Jane Dieulafoy (1851 - 1916) Le Tour du Monde 1886

2X20N47 The Band-e Kaisar. Bridge of Valerian or Shadirwan was an ancient arch bridge in the city of Shushtar. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, Khuzestan province, Iran. Middle East. Drawing by Barclay. Persia, Chaldea and Susiana 1881-1882 by Jane Dieulafoy (1851 - 1916) Le Tour du Monde 1886

2TCKWPG The explosion of palazzo Serristori on 22 October 1867 destroying a whole wing of the building and killing 23 Zouaves Engraving from 'Storia-d'Italia' di Luigi-stefanoni Private collection

2X8JMJY BALNEAE - CALDARIUM- A scene in an ancient Roman Baths. (A calidary was a boiler.)

2WJWA7G An old engraving of a Roman Plebeian wearing the Colobium a sleeveless or short-sleeved tunic. Also known as Colobium sindonis . The term is also used for an undergarment of a similar design by British monarchs during part of the coronation service. - Un'antica incisione di un plebeo romano che indossa il Colobium, una tunica senza maniche o con maniche corte. Conosciuto anche come Colobium sindonis. Il termine è usato anche per un indumento intimo di un modello simile da parte dei monarchi britannici durante parte del servizio di incoronazione. -

2T93AMK A 19th century engraving showing the spoils of war or spoils of honour in Roman times. It was set up in the Temple of Jupiter Fevetrius, According to legend it was the first temple ever built in Rome- un'incisione del XIX secolo che mostra il bottino di guerra o il bottino d'onore in epoca romana. Fu allestito nel Tempio di Giove Fevetrio. Secondo la leggenda fu il primo tempio mai costruito a Roma.

2T2N56P A 19th Century engraving showing the Mausoleum of Hadrian at Rome in its original state. - Un'incisione del XIX secolo che mostra il Mausoleo di Adriano a Roma nel suo stato originale.

2RWY2GT A unicorn featured on the device of the Orsini family an Italian noble family that was one of the most influential families in medieval Italy and Renaissance Rome and produced a number of popes, Thje motto means Poisonous skin in Latin - Un unicorno raffigurato sullo stemma della famiglia Orsini, una famiglia nobile italiana che fu una delle famiglie più influenti nell'Italia medievale e nella Roma rinascimentale e produsse numerosi papi, il motto del Thje significa Pelle velenosa in latino

2T8PDJN Rome: View of the 'Città Leonina' (Roma barocca), Giuseppe Vasi (Corleone 1710 - 1782 Rome), 1765, print, copper engraving, sheet: 100.7 x 68.5 cm

2T8PDJP Rome: View of the Roman Forum (Roma antica), Giuseppe Vasi (Corleone 1710 - 1782 Rome), 1765, print, copper engraving, sheet: 100 x 68.7 cm

2RJHPN4 View of the annual fireworks at the Castel Sant'Angelo, Rome. The fireworks concluded with the Girandola of 5,000 rockets. The Basilica of St. Peter is illuminated in the background. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1813. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

2RJHPN0 View of the Ponte Sant'Angelo and Castel Sant'Angelo, Rome. Pons Aelius was a Roman bridge completed by Emperor Hadrian leading to his Mausoleum. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1813. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

2RHNT95 Le palais (Villa) Medicis a Rome, gravure in 'Italie pittoresque', Amable Coste editeur, 1836. .

2RHAH00 Le port de Ripetta et le palais Borghese a Rome, gravure de Ch. de Vene, in 'Italie pittoresque', Amable Coste editeur, Paris, 1836. Collection Leonard de Selva. .

2RGER80 View of the Pantheon or Rotonda in Rome. Cylindrical domed temple with 16 Corinthian columns under a pediment, large bronze doors. Twin bell towers added in the 17th century. Fountain in front with Egyptian obelisk from the Temple of Ra in Heliopolis. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1810. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

2RGER7M View of the Theatre of Marcellus in Rome. Only 12 or 13 Doric arches remain of the ancient circus erected by Caesar Augustus for his nephew. The ruins of the Palazzo Savelli-Orsini above and dome of Santa Maria in Campitelli at right. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1810. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

2RECY8W Bouquinistes et brocanteurs en plein vent, pres de la place Montanara, sous une tente dressee, des amateurs et des clercs se disputent un bric a brac d'antiquites, certains lisent sur place, d'autres marchandent en gesticulant. Gravure pour illustrer le voyage a Rome, par Francis Wey, en 1864-1868, publie dans ' Le tour du monde' 1869, sous la direction d'Edouard Charton, edition Hachette, Paris.

2RWBABB View of St Peter's Square, St Peter's Basilica and the Vatican in the 17th century. After a print by Giovanni Battista Falda.

2R7JDPF Inside view of the restored church of Santa Maria in Monticelli, engraving, Rome, Italy 1800s

2R4WA6A Three Etruscan mimes or actors in winged boots (rear view). Possibly performing an obscene play about adultery. From a bronze seal found in a field. Histriones Etrusci. Pars posterior in eodem Museo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

2R4WA2X Interior view and plan of an Etruscan underground tomb or Hypogeum built of 27 large stones in Cortona, Italy. Sepulcri Etrusci Corton Pars Interna ex Magnis Lapidib Constructa. Mensura Brachior V Florentinor. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

2R31W2X View of Ponte Lugano on the Anio, from Views of Rome Date: 1763, published 1800–07 Artist: Giovanni Battista Piranesi (Italian,

2T8F908 View of the Non-Catholic Cemetery in Rome, Wilhelm Friedrich Gmelin, 1760-1820, 1809 - 1811, Graphic Art, Etching, Copper Engraving, The Protestant Cemetery in Rome was the final resting place for especially Germans, British, Russians and Scandinavians. In Thorvaldsen’s day there were, by orders of the Pope

2T8F8N8 View of the Huge Building of the San Michele Hospice in Rome, Vincenzo Feoli, Ca. 1750-1831, No later than 1827, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 590 mm, Height (paper size) 655 mm, Width (plate size) 980 mm, Width (paper size) 1,040 mm, Franc Pannini designi, Vinz Feoli inc, Graphic Design, European

2T8F8BC View of the Arch of Titus Restored by Pius VII, Antonio Acquaroni, Ca. 1825, Graphic Art, Copper Engraving, Pope Pius 7 (1740-1823) completed the restoration of the Arch of Titus in the Forum Romanum in Rome in 1823. Antonio Aquaroni was tasked with depicting the arch, for the papal printing press Calcografia Camerale having the wish to produce more views of Rome., Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 445 mm, Height (paper size) 495 mm, Width (plate size) 590 mm, Width (paper size) 635 mm, VEDUTA DELLA PARTE POSTERIORE DELL'

2T8F82H View of Santa Maria degli Angeli in Rome, Giovanni Battista Piranesi, 1776, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 482 mm, Height (paper size) 530 mm, Width (plate size) 710 mm, Width (paper size) 770 mm, VEDUTA interna della Chiesa della Madonna degli Angioli detta della Certosa, che anticam.e era la principal Sala delle Terme di Diocleziano. E stata nuova-, mente abbellita ed eguagliata quanto si è potuto all' antica Fabbrica, 25., 106., Cav. Piranesi f., Graphic Design, European

2PWA77H View of Piazza del Popolo in Rome, after engraving by Giovanni Battista Piranesi (1720-1778),

2WXBWPR Ruin of a roman temple with a latin inscription in Ostia Antica, Italy

PRF88K Original artwork of a Mausoleum of Hadrian, towering cylindrical building in Parco Adriano, Rome, Italy. Published in A pictorial history of the world

PRF82B Original artwork of Via Appia near Rome. Published in A pictorial history of the world's great nations: from the earliest dates to the present time (C

2T91PAA View of Flavian Amphitheater, called the Colosseum, 1776, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720–1778, 19 3/8 x 27 5/8 in. (49.21 x 70.17 cm) (plate)21 3/8 x 30 3/8 in. (54.29 x 77.15 cm) (sheet), Etching and engraving, Italy, 18th century, Gladiator combats, wild-animal hunts, executions—all manner of spectacle took place inside the Colosseum, which could hold up to 80,000 people. It was even filled with water to hold mock naval battles. After Rome’s decline, the Colosseum was seen as a ready source of building materials, and people plundered its great façade and interior

2T90ABH The Smoking Fire, 1749, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720–1778, 23 5/8 x 17 15/16 in. (60 x 45.5 cm) (sheet)21 1/16 x 15 5/8 in. (53.5 x 39.7 cm) (plate), Etching with engraving and sulfur tint, Italy, 18th century, In this view of a prison interior, Giovanni Battista Piranesi explored his imagination through architecture realized only on paper, unfettered by practical considerations. The scene revels in the sublime—the flipside of the Age of Enlightenment—in which Romantics opened themselves to the sensation of forces beyond human comprehension and control.

2T90754 Prospetto dell' alma citta' di Roma (Panoramic View of Rome), 1765, Giuseppe Vasi, Italian, 1710 - 1782, 39 13/16 x 27 1/2 in. (101.12 x 69.85 cm) (plate)40 1/16 x 27 13/16 in. (101.76 x 70.64 cm) (sheet), Etching and engraving, Italy, 18th century

2DHJG82 Original artwork of Circus Maximus, an ancient Roman chariot racing stadium and mass entertainment venue located in Rome, Italy.. Published in A picto

2T3RG2X Pantheon in Rome, Domenico Amici, 1845 View of the Pantheon and the Piazza della Rotonda in Rome.

2T3R4YM Temple of Diana, Hendrick Hondius (I), after Petrus Stephanus, 1600 View of the ruins of the Temple of Diana in Rome. With two seated figures in the f

2T2F1AB Compositions from the Tragedies of Aeschylus Various artists/makers 1831 View more. Compositions from the Tragedies of Aeschylus. 1831. Illustrations: line engraving. Miss Flaxman & Miss Maria Denman (London). Tommaso Piroli (Italian, Rome 1752–1824 Rome). Books

2F0JC36 Antique illustration of scenes from life in ancient Rome. From left to right: 1 - Roman woman, 2 - Ball game, 3 - Painter, 4 - Roman woman. Engraving

2F0JBXC Antique engraving of scenes from life in ancient Rome. From left to right: 1 - Actor, 2 - Gladiator, 3 - Court hearing, 4 - Sacrifice. Illustration pu

2F0J1GF Antique 19th-century engraving of an inside view of a house in Pompeii. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonograph

2F0J10Y 19th-century engraving of an inside view of a house in Pompeii. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische En

2F0HRDR 19th-century engraving of a house in Herculaneum. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Encyklopaedie de

2F0HHM2 Antique illustration of Gods from the classical period. From left to right: 1 - Rhea, 2 - Saturn, 3 - Cybele, 4 - Jupiter, 5 - Juno, 6 - Neptune, 7 -

2F0HHGC 19th-century engraving of Gods from the classical period. From left to right: 1 - Dionysian procession, 2 - Triton and the Nereids. Illustration publi

2F0HHE1 19th-century illustration of Gods from the classical period. From left to right: 1 - Asclepius, 2 - Hygieia, 3 - Vertumnus, 4 - Melpomene, 5 - Erato,

2F0HHB9 Antique engraving of Gods from the classical period. From left to right: 1 - Dionysus, 2 - Minerva, 3 - Apollo, 4 - Diana, 5 - Mars, 6 - Venus, 7 - Cu