Pesquisando por: "THOMAS EAKINS" - Fotoarena - Agência de fotojornalismo

2WWD9XK The Biglin Brothers Turning the Stake. Thomas Eakins. 1873.

2WATFB9 Dallas Eakins (Trainer, Headcoach, Adler Mannheim ), Nuernberg Ice Tigers vs. Adler Mannheim, DEL, 35. Spieltag, 05.01.2024, Foto: Thomas Hahn/Eibner-Pressefoto

2WATFBE Dallas Eakins (Trainer, Headcoach, Adler Mannheim ), Nuernberg Ice Tigers vs. Adler Mannheim, DEL, 35. Spieltag, 05.01.2024, Foto: Thomas Hahn/Eibner-Pressefoto

2TBTKRP Dallas Eakins (Trainer, Headcoach, Adler Mannheim ), Nuernberg Ice Tigers vs. Adler Mannheim, DEL, 25. Spieltag, 08.12.2023, Foto: Thomas Hahn/Eibner-Pressefoto

2TBTKTC Dallas Eakins (Trainer, Headcoach, Adler Mannheim ), Nuernberg Ice Tigers vs. Adler Mannheim, DEL, 25. Spieltag, 08.12.2023, Foto: Thomas Hahn/Eibner-Pressefoto

2T5YEFF Monsignor James P Turner, portrait painting in oil on canvas by Thomas Eakins, circa 1906

2T2EW3T Thomas Eakins, The Concert Singer, portrait painting in oil on canvas, 1890-1892

2T2EW4G William Rush carving his allegorical figure of the Schuylkill River, painting in oil on canvas by Thomas Eakins, 1876-1877

2T1E5ED Thomas Eakins, Sailing, painting in oil on canvas, circa 1875

2T2F896 Roses in a Vase Mary Hiester Reid 1891 The Pennsylvania-born Canadian artist, Mary Hiester Reid, is widely celebrated in her adopted country, if less well known in the U.S. Relocating from Reading to Philadelphia for artistic training, she first studied at the School of Design for Women, before taking classes with Thomas Anshutz and his teacher, Thomas Eakins, at the Pennsylvania Academy of the Fine Arts. At the Academy, she met Canadian art student George Agnew Reid, whom she married in 1885. Following a four-month honeymoon in Europe, which included studies for Hiester Reid at the Academie C

2WWFHY2 Thomas Eakins' 'The Concert Singer' (circa 1890-1892): Held in the Philadelphia Museum of Art, this painting portrays Weda Cook, a celebrated singer of the time, in the act of performing, emphasizing the concentration and emotional intensity involved in her art. 'The Concert Singer' is celebrated for its detailed realism and depth of characterization, reflecting Eakins' contribution to American portraiture and his exploration of the relationship between art and music.

2RHEB1E Miss Amelia Van Buren, (circa 1856-1942), American Photographer, portrait painting in oil on canvas by Thomas Eakins, circa 1891

2R9HFXF Thomas Eakins, Starting Out After Rail, painting in oil on canvas mounted on masonite, 1874

2PGF3M9 The Concert Singer by Thomas Eakins (1844-1916), oil on canvas, 1890-92

2KYN90E Arcadia by Thomas Eakins (1844-1916), oil on canvas, c. 1883

2KYN90H The Writing Master by Thomas Eakins (1844-1916), oil on canvas, 1882

2JNPBE8 Thomas Eakins painting, Portrait Of Dr Samuel D Gross (The Gross Clinic), oil on canvas, 1875

2JNPBDT Thomas Eakins painting, The Chess Players, oil on panel, 1876

2JNPBDF Thomas Eakins, Between Rounds, painting in oil on canvas, 1898-1899

2JNPBDG Thomas Eakins, Taking the Count, painting in oil on canvas, 1898

2J02BT1 Wrestlers. Thomas Eakins (United States, Pennsylvania, Philadelphia, 1844-1916). United States, circa 1899. Paintings. Oil on canvas

2J018YN Wrestlers. Thomas Eakins (United States, Pennsylvania, Philadelphia, 1844-1916). United States, 1899. Paintings. Oil on canvas

2HX98H5 Portrait of the American author, Talcott Williams (1849-1928) by Thomas Eakins (1844-1916), oil on canvas, c. 1889

2HWKJDN General E. Burd Grubb (1841-1914). Artist: Thomas Eakins, American, 1844–1916

2HWJ59H Taking the Count, study. Artist: Thomas Eakins, American, 1844–1916

2HWCP79 Rail Shooting on the Delaware. Artist: Thomas Eakins, American, 1844–1916

2HWC5JA Taking the Count. Artist: Thomas Eakins, American, 1844–1916

2HWC58C Sketches for “Home-Spun”, (recto and verso). Artist: Thomas Eakins, American, 1844–1916

2HWC50A Maud Cook (later Maud Cook Reid, 1869–1956). Artist: Thomas Eakins, American, 1844–1916

2HWC4H4 The Oarsmen (The Schreiber Brothers). Artist: Thomas Eakins, American, 1844–1916

2HWC4AG John Biglin in a Single Scull. Artist: Thomas Eakins, American, 1844–1916

2HWC3A5 Trotting Horses: Fairman Rogers’ Four-in-Hand. Artist: Thomas Eakins, American, 1844–1916

2HWC30T Trotting Horses: Fairman Rogers’ Four-in-Hand. Artist: Thomas Eakins, American, 1844–1916

2HWC2KP John Biglin in a Single Scull. Artist: Thomas Eakins, American, 1844–1916

2HWBKXA William Rush Carving His Allegorical Figure of the Schuylkill River, Study. Artist: Thomas Eakins, American, 1844–1916

2HWBKPE Kathrin. Artist: Thomas Eakins, American, 1844–1916

2HWBKNW Dr. Agnew (Dr. D. Hayes Agnew) (1818–1892). Artist: Thomas Eakins, American, 1844–1916

2HWBK8G The Veteran (Portrait of George Reynolds). Artist: Thomas Eakins, American, 1844–1916

2HWBK1G Retrospection. Artist: Thomas Eakins, American, 1844–1916

2HWBEP5 Study for Girl with Cat- - Katherine. Artist: Thomas Eakins, American, 1844–1916

2HWBENT Study for Rail Shooting from a Punt. Artist: Thomas Eakins, American, 1844–1916

2HWBEK3 Arcadia. Artist: Thomas Eakins, American, 1844–1916

2HWBEGA Head of William Rush (1756–1833). Artist: Thomas Eakins, American, 1844–1916

2T2F0G4 Maggie Eakins with 'Harry' Thomas Eakins American 1880 View more. Maggie Eakins with 'Harry'. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1880. Albumen silver print. Photographs

2HKBWJ9 Arcadia, painting by Thomas Eakins, circa 1883

2HJPTRE Thomas Eakins, The Thinker: Portrait of Louis N Kenton (1865–1947), painting, 1900

2HJ35XA Cowboy Singing ca. 1892 Thomas Eakins American. Cowboy Singing 10814

2HJ3221 John Biglin in a Single Scull ca. 1873 Thomas Eakins American In 1873, when Eakins began painting watercolors for exhibition, he took up sporting scenes. This sheet is a replica of a watercolor (Yale University Art Gallery) that he sent to his Parisian teacher, Jean-Léon Gérôme, for criticism. His master wrote, 'Your watercolor is entirely good and I am very pleased to have in New York a pupil such as you who does me honor.'. John Biglin in a Single Scull 10818

2HJ2M14 [Thomas Eakins and John Laurie Wallace on a Beach] ca. 1883 Thomas Eakins American The great American painter and photographer Thomas Eakins was devoted to the scientific study of the human form and committed to its truthful representation. While he and his students at the Pennsylvania Academy of the Fine Arts were surrounded by casts of classical sculpture, Eakins declared that he did not like 'a long study of casts.. At best they are only imitations, and an imitation of imitations cannot have so much life as an imitation of life itself.' Photography provided an obvious solution.This photogra

2HJ2G6P [Female Nude from the Back] ca. 1889 Thomas Eakins American This small platinum study shows a rare glimpse of Thomas Eakins' teaching studio. Posed on a low platform between Eakins, his camera, and a student sketching in the shadows, a nude model rests comfortably, the focus of all attention. In the 1880s and 1890s, Eakins integrated photography into his teaching of art, made photographic studies for his paintings, and also photographs intended as independent works of art.. [Female Nude from the Back]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). c

2HJ29MY James MacAlister (Sketch) ca. 1895 Thomas Eakins American. James MacAlister (Sketch) 10817

2HJ1B0P Mrs. Mary Arthur 1900 Thomas Eakins American This bust-length portrait depicts the seventy-six-year-old mother of Eakins’s artist-friend Robert Arthur. As a representation of an elderly model absorbed in an old-fashioned task, the work recalls Eakins’s The Writing Master, a portrait of his father, hanging nearby. Here, as in the earlier painting, the artist used strong contrasts of light and dark to define forms and highlight the hands and face, suggesting both manual dexterity and the wisdom of age. Its austere palette and quiet eloquence also reveal Eakins’s study of works by the seventeenth

2HJ0FT8 A Rose 1907 Thomas Anshutz American One of the most gifted American art teachers, Anshutz links the realism of his mentor Thomas Eakins with that of the Ashcan School, some of whom were his students. Perhaps because Anshutz spent so much time teaching, he painted only about 130 oils. Some of the most impressive belong to a series of images of Rebecca H. Whelen, daughter of a trustee of the Pennsylvania Academy of the Fine Arts, where Anshutz taught. The woman at leisure and the likening of a beautiful woman to a flower are common themes in late-nineteenth-century American painting. They reflec

2HHGHYB Perspective Drawing for the 'Chess Players' 1875–76 Thomas Eakins American. Perspective Drawing for the 'Chess Players'. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). American. 1875–76. Graphite and ink on cardboard

2HHFWRT The Pathetic Song 1881 Thomas Eakins American Eakins, the eminent Realist painter active in Philadelphia, apparently made only twenty-eight watercolors, of which all but three date from early in his career, between 1873 and 1882. During that time he was a frequent exhibitor at annual shows of the American Society of Painters in Water Colors and his work received favorable reviews. Eakins created this replica of his larger oil of the same title (1881; Corcoran Gallery of Art, Washington, D.C.) as a gift for the friend who posed as the singer.. The Pathetic Song 10822

2HHEXE7 The Chess Players 1876 Thomas Eakins American In this painting, the artist’s father watches a chess game between two friends in a Renaissance Revival parlor of a Philadelphia home. Eakins honored his father with a Latin inscription on the drawer of the chess table, which translates as “Benjamin Eakins’s son painted this in ’76.” A reproduction of a painting by Eakins’s principal French teacher, Jean-Léon Gérôme, hangs over the mantel. Eakins adhered to Gérôme’s academic lessons in his careful spatial construction and meticulous detail. In 1881 The Chess Players became the first work to be acce

2HHDJYA [Woman Playing Cello] 1880s Thomas Eakins American. [Woman Playing Cello] 271898

2HHBWEN [Female portrait] 1880s Thomas Eakins American. [Female portrait] 271905

2HHB5KT [Thomas Eakins in Swim Suit] 1880s Thomas Eakins American. [Thomas Eakins in Swim Suit] 271869

2HHB20X [Betty Reynolds with Doll on Lap] ca. 1885 Thomas Eakins American. [Betty Reynolds with Doll on Lap] 271854

2HHAYH6 [Mrs. Eakins or Her Sister Doll] 1880s–90s Thomas Eakins American. [Mrs. Eakins or Her Sister Doll] 271856

2HHA8NA The Thinker: Portrait of Louis N. Kenton 1900 Thomas Eakins American Louis N. Kenton (1865–1947) was Eakins's brother-in-law, having married Elizabeth Macdowell (1858–1953), sister of Eakins's wife Susan, in 1889. Elizabeth studied at the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibited professionally, and traveled widely. Her marriage to Kenton was stormy and apparently brief, and very little is known of it, or of Kenton. The title associated with this portrait, 'The Thinker,' was at one time based upon an inscription on the reverse that apparently was placed there by Susan Ea

2HHA664 Margaret Eakins 1880s Thomas Eakins American. Margaret Eakins 271904

2HH994A [Three Boys Wading in a Creek] 1883 Thomas Eakins American In 1882, Thomas Eakins was promoted to the post of director of schools at the Pennsylvania Academy of the Fine Arts, where he became known as a charismatic and innovative teacher who advocated intensive study of the nude figure. Committed to teaching close observation through every means possible, Eakins turned his school into a laboratory of photographic experimentation. He and his students (male and female) made negatives of each other-in lithe repose or in action, nude or in costume. At times, Eakins must have realized that he was p

2HH9735 [Woman in White Laced-bodice Dress in Studio of Thomas Eakins] 1880s Thomas Eakins American. [Woman in White Laced-bodice Dress in Studio of Thomas Eakins]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1880s. Platinum print. Photographs

2HH8XKM The Champion Single Sculls (Max Schmitt in a Single Scull) 1871 Thomas Eakins American Returning to Philadelphia from Europe in 1870, Eakins began a series of representations of the sport of sculling, a subject for which he is uniquely identified. This is the first major work in that series of paintings and watercolors. It is believed to commemorate the victory of Max Schmitt (1843–1900), an attorney and skilled amateur rower, in an important race on the Schuylkill River in October 1870. Also an avid rower, Eakins depicted himself pulling the oars of a scull in the middle distance.. The Champi

2HH8T0D Edmund Quinn Fencing 1880s Circle of Thomas Eakins American. Edmund Quinn Fencing. Circle of Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1880s. Gelatin silver print. Photographs

2HH8RGF Mr. MacDowell 1880s Thomas Eakins American. Mr. MacDowell 271855

2HH8PP7 Two Pupils in Greek Dress 1883 Thomas Eakins American Thomas Eakins employed photography as a way to imbue his paintings with increased naturalism. He used his students at the Pennsylvania Academy of the Fine Arts as models and began to compile a photographic catalogue that would aid his studies of the human form. This image is a study of pose and gesture in which the stance of the models consciously echoes that of the figures in Eakins' sculpted relief Arcadia (1883) seen resting on a worktable.. Two Pupils in Greek Dress. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadel

2HH8NT4 [Cornfield in Back of the Barn] 1883 Thomas Eakins American. [Cornfield in Back of the Barn] 271834

2HH8NF9 [Three Children and a Dog Playing in the Creek, July 4, 1883] 1883 Thomas Eakins American. [Three Children and a Dog Playing in the Creek, July 4, 1883] 271838

2HH8JF0 Homespun 1881 Thomas Eakins American. Homespun 10816

2HH8CTK [Man on a Ladder with Disected Horse's Leg] 1880s Thomas Eakins American. [Man on a Ladder with Disected Horse's Leg] 271903

2HH8A3T Carmelita Requena 1869 Thomas Eakins American After completing his studies in Paris, Eakins traveled to Spain in 1869. While in Madrid, he visited the Museo del Prado, where he admired the paintings of Diego Velázquez and Jusepe de Ribera. He then settled for the winter in Seville, from where he wrote to his sister that he was painting Carmelita Requeña, the seven-year-old daughter of street performers. This portrait sketch, made in preparation for a large multi-figure composition, reveals Eakins’s lessons in Paris under Léon Bonnat, who advocated the painterly tradition of the Spanish Baroque

2HH89C7 The Dancing Lesson 1878 Thomas Eakins American This watercolor shows three male figures of different generations playing and responding to music. A framed copy of the famous photograph of Abraham Lincoln and his son Tad suggests the figures' familial relationships and emphasizes their emancipation. This watercolor gained Eakins his first award—a silver medal—at the Massachusetts Charitable Mechanic Association exhibition in Boston in 1878.. The Dancing Lesson 10821

2HH839D Arcadia ca. 1883 Thomas Eakins American Like other academically trained American artists in the 1880s, Eakins explored classical themes but without the typical narrative contrivances and idealized models. Dating from the time of his appointment as director of the school of the Pennsylvania Academy of the Fine Arts, Eakins’s series of Arcadian works declared his commitment to the nude as the basis of art and art instruction. To execute this work, he projected photographic images with a magic lantern onto the canvas, and incised reference marks into the pigment to guide his brush. The female fig

2HH7PNG [William H. Macdowell and Margaret Eakins in Saltville (or Clinch Mountain), Virginia] 1880–82 Attributed to Thomas Eakins American This view, perhaps one of the earliest photographs by Thomas Eakins, shows William H. Macdowell, the Philadelphia engraver (later Eakins' father-in-law), the artist's sister, and two boys on a casual outing to Clinch Mountain, Virginia. The sitters rest on a rough-hewn bench in the shadow of a quarried rock wall that serves like a neutral studio backdrop or curtain for the summer tourists.. [William H. Macdowell and Margaret Eakins in Saltville (or Clinch Mountain

2HH7GMF Frank MacDowell 1880s Thomas Eakins American. Frank MacDowell 271902

2HH714A Gross Clinic 1875–76 Thomas Eakins American. Gross Clinic 10815

2HH6HYA [Thomas Eakins, Nude, Playing Pipes] ca. 1883 Thomas Eakins American. [Thomas Eakins, Nude, Playing Pipes]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). ca. 1883. Platinum print. Photographs

2HH6H8D [Man Walking, 'Stroboscopic' Photograph] 1880s, printed 1930s–40s Thomas Eakins American. [Man Walking, 'Stroboscopic' Photograph]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1880s, printed 1930s–40s. Gelatin silver print. Photographs

2HH6G3G Two Pupils in Greek Dress 1880s Thomas Eakins American Eakins employed photography to imbue his paintings with increased naturalism. He used his students at the Pennsylvania Academy of the Fine Arts as models and began to compile a photographic catalogue that would aid his studies of the human physique. This image is an exercise in pose and gesture in which the stance of the models consciously echoes that of the figures in the sculpted relief beside them.. Two Pupils in Greek Dress. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1880s. Platinum print

2HH5NDF Katie Crowell in Avondale, Pennsylvania 1887 Thomas Eakins American. Katie Crowell in Avondale, Pennsylvania 271805

2HH55XY The Writing Master 1882 Thomas Eakins American Eakins probably had his first drawing lessons from his father, a professional calligrapher and teacher of penmanship at Friends’ Central School in Philadelphia. Here, Benjamin Eakins (1818–1899) is shown engaged in copying a document in an old-fashioned “copperplate” script. While the serious and affectionate portrayal of an aging craftsman is saturated with Rembrandtesque eloquence and nostalgia, Eakins’s delineation of his father’s head and hands reveals his skills of observation and description. Benjamin Eakins’s wise investments gave his son l

2HH4XD1 Pushing for Rail 1874 Thomas Eakins American Eakins enjoyed hunting waterfowl with his father and friends in the tidal marshes of New Jersey’s Delaware River. In addition to a severe case of malaria, the 1873 expeditions resulted in a series of works, including this painting. Hunting for rail—small game birds that populate marshes—is possible only at high tide, when the 'pusher' can propel the flat-bottomed boat through the thick reeds. Here, three pairs of sportsmen are shown in a frieze-like composition with nearly microscopic detail. Cleverly, Eakins depicts them in the successive phases of

2HH4PD9 Signora Gomez d'Arza 1901–2 Thomas Eakins American Although Signora Gomez d’Arza did not belong to Eakins’s immediate circle, she inspired one of his most eloquent portraits. An actress of Italian ancestry, she was married to Enrico Gomez d’Arza, the impresario of a small theater that Eakins and his wife visited in the Italian quarter of Philadelphia. Susan Eakins recalled in 1927: “They were very poor, depending on their acting and Signora’s teaching young actors, for a living. They could not speak English. Mr. Eakins spoke Italian and learned from her that she had had tragic experiences in h

2HH4AC9 [Nude Men in the Garden] 1870s Thomas Eakins American. [Nude Men in the Garden]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1870s. Platinum print. Photographs

2HH4452 Bill Duckett Nude, at the Art Students’ League of Philadelphia ca. 1889 Thomas Eakins American In the 1880s and 1890s, Eakins explored various artistic applications of photography, from motion studies jointly produced with Eadweard Muybridge to an inventory of naturalistic poses referred to as the 'naked series.' He also used photography as a formidable tool in the classroom. Indeed, he was forced to resign as director of the Pennsylvania Academy of Fine Arts in 1886 after outcries arose against his use of nude male models in women’s classes. A group of loyal students rallied to his defense, h

2HH3YHK The Artist's Wife and His Setter Dog ca. 1884–89 Thomas Eakins American Eakins began this portrait shortly after his marriage in January 1884 to his former student, Susan Hannah Macdowell (1851–1938), a talented painter and photographer. The setting is his studio at 1330 Chestnut Street in Philadelphia, where the couple—and their dog, Harry—lived from 1884 to 1886. A photogravure of the painting from 1886 reveals a more robust woman, suggesting that Eakins reworked the portrait, amplifying the effect of the skylight’s illumination. The alterations may have reflected Eakins’s anguish over his c

2HH3YE0 [Mrs. Louis Kentin in Empire Dress] 1880s Thomas Eakins American. [Mrs. Louis Kentin in Empire Dress] 271857

2HH3THK Self-Portrait 1889–94 Thomas Eakins American. Self-Portrait 271813

2HGRXFT Young Girl Meditating 1877 Thomas Eakins American. Young Girl Meditating. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). American. 1877. Watercolor and gouache on off-white wove paper

2HHXJC6 Elizabeth MacDowell Kenton 1880s Thomas Eakins American. Elizabeth MacDowell Kenton 271879

2HHXJB0 Mary Macdowell 1880s Thomas Eakins American. Mary Macdowell 271878

2HHWBTX [Profile of a Seated African American Man] ca. 1884 Thomas Eakins American. [Profile of a Seated African American Man] 285842

2HHWBKR [Self-Portrait] ca. 1880 Thomas Eakins American. [Self-Portrait] 285754

2HHT00H Dinner dress 1875–78 Mon. Vignon French Uncannily like the dresses in the wonderfully presumptuous portraits of John Singer Sargent and Thomas Eakins of the same time, this 1870s evening dress extracts the full glitz and glamour of eighteenth-century fashion for a new epoch. Ornament crowds out other ornament; the configuration of the open robe is renewed; its silhouette is bold and begins to connect the eighteenth century with its Belle Époque revival.. Dinner dress. French. 1875–78. silk, glass

2HHRRH3 Taking Up the Net 1881 Thomas Eakins American. Taking Up the Net. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). American. 1881. Watercolor on off-white wove paper

2HHR857 [Thomas Eakins's Dog Harry and Another Setter] 1880s Thomas Eakins American. [Thomas Eakins's Dog Harry and Another Setter]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1880s. Platinum print. Photographs

2HHR84T [Frances Crowell with Unidentified Boy, Katie, James, and Frances Crowell] 1890 Thomas Eakins American. [Frances Crowell with Unidentified Boy, Katie, James, and Frances Crowell]. Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania). 1890. Platinum print. Photographs