Pesquisando por: "Saint Luke painting the Virgin Mary (oil on panel)" - Fotoarena - Agência de fotojornalismo

3AJ61CY Maarten van Heemskerck’s ‘St. Luke painting the Virgin’ (1532) depicts the evangelist Luke painting a Madonna figure. The oil on panel work reflects Heemskerck’s religious focus and the symbolic role of St. Luke in art.

2T1E52G Joachim Patinir, The Assumption of the Virgin with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox, painting in oil on panel circa 1510

2R6RY94 Jan Gossaert, St Luke Painting the Madonna, painting in oil on panel, circa 1520

2HNEM1E Saint Luke Drawing the Virgin and Christ Child by the Italian artist, Girolamo Da Carpi (1501-1556), oil on panel, c. 1535

3A29HJ7 This painting by Jan de Beer shows Saint Luke painting the Madonna, a traditional Christian theme. The oil on panel is typical of the artist’s detailed style and reflects the reverence for the Virgin Mary.

KA0MXB Saint Luke Drawing the Madonna, copy after Rogier van der Weyden (c.1399-1464), oil on panel, c.1500. Rogier van der Weyden was an early Netherlandish artist and his work is classed as Flemish Primitive.

JX4RYE Saint Luke Painting the Virgin and Child, Master of the Holy Blood, Netherlandish, c 1520, oil on oak panel Fogg Art Museum, Harvard University DSC01020

JW4CRN Saint Luke Painting the Virgin and Child, Master of the Holy Blood, Netherlandish, c 1520, oil on oak panel Fogg Art Museum, Harvard University DSC01020

2B026K3 Belgium/Netherlands: 'Virgin and Child with St Anne'. Oil on panel painting by Antoon Claeissens (c. 1536-1613), 16th century. Anthuenis, or Antoon Claeissens, Claessens, or Claeissins was the son of Pieter Claes the elder and painted historical and allegorical subjects, and portraits. He was a native of Bruges and became a pupil of Pieter Pourbus. He entered the Bruges Guild of Saint Luke in 1575, and became its dean in 1586, 1590, and 1601. His works, several of which are in the Hôtel-de-Ville and churches of Bruges, are distinguished by their fine colouring and finish.

3BJP36M Nicolas van Houy (–1611) painted 'Saint Luke Painting the Virgin' in 1603. The oil on panel, now transferred to canvas, depicts the moment Saint Luke paints the Virgin Mary, showcasing religious artistry of the early 17th century.

3A29TWM Frans Floris I’s 1556 portrait of Saint Luke showcases the evangelist in a religious setting, emphasizing his role in Christianity. The depiction highlights the figure's piety and solemnity, with the Virgin Mary often symbolically placed nearby in the composition.

GBTFKK fine arts, Weyden, Rogier van der (1399 - 1464), painting, 'Saint Luke drawing the portrait of the Virgin', circa 1450, oil on wood panel, Alte Pinakothek, Munich, (one of four versions),

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3AJDD2T Jan Gossaert’s painting ‘Saint Luke painting the Virgin’ (circa 1520) is housed in the Kunsthistorisches Museum Wien. It depicts Saint Luke painting the Virgin Mary in exquisite detail on oak panel.

2YF9HCX Mabuse (Jan Gossaert) (ca. 1478-1532). Flemish painter. St Luke painting the Virgin, ca. 1520. Oil on panel. Detail. National Gallery Prague. Czech Republic.

3BMDJGC VOS, Marten de (b. 1532, Antwerpen, d. 1603, Antwerpen) St Luke Painting the Virgin Mary 1602 Oil on panel, 270 x 217 cm Koninklijk Museum voor Schone Kunsten, Antwerp Maarten De Vos, who founded the fraternity of Romanists in Antwerp, was Frans Floris' best pupil and successor. His works are clear precursors of the 17th century Baroque. The Saint Luke painting the Virgin Mary is a late work by De Vos who died in 1603. His rich and varied use of colour might be attributable to the six years he spent in Florence, Rome and Venice (where he studied with Tintoretto); his paintings are cle

3BJNPTC The 'Master of the Holy Blood'’s painting, 'Saint Luke Painting the Virgin and Child' (1510s), depicts the saint as an artist, painting the Virgin Mary and Christ Child, demonstrating a vivid example of early Northern Renaissance religious art.

3AJ75D9 Ambrosius Benson’s 'Saint Luke with Madonna Image' portrays Saint Luke painting the Virgin Mary and Christ Child. A 16th-century religious work, it exemplifies Renaissance religious art, combining sacred themes with lifelike depictions of the holy figures.

3AJ5NCH This 15th-century painting of Saint Luke, part of an altarpiece featuring the Apotheosis of the Virgin, dates between 1400 and 1499. The work is a significant example of late medieval religious art.

3A1WM6C VOS, Marten de (b. 1532, Antwerpen, d. 1603, Antwerpen) St Luke Painting the Virgin Mary 1602 Oil on panel, 270 x 217 cm Koninklijk Museum voor Schone Kunsten, Antwerp Maarten De Vos, who founded the fraternity of Romanists in Antwerp, was Frans Floris' best pupil and successor. His works are clear precursors of the 17th century Baroque. The Saint Luke painting the Virgin Mary is a late work by De Vos who died in 1603. His rich and varied use of colour might be attributable to the six years he spent in Florence, Rome and Venice (where he studied with Tintoretto); his paintings are cle

2SCPP7J Simeon's Song of Praise, 1631.

2SCMP50 The Annunciation, 1519.

2SCMP56 The Annunciation, 1519.

2SCMP4H Presentation in the Temple, 1510-1520.

2SCMP48 Christ's Dispute with the Doctors, 1510-1520.

2SCMNC1 Altarpiece of the Guild of Saint Luke, 1602.

2SCM9K5 Epiphany Triptych, c1510-1540.

2YX4BND The Annunciation, 4th quarter 14th century.

2YX4BN9 The Annunciation, 1495-1505.

2YX4ARB The Adoration of the Shepherds, 1555.

2YX4AMY Saint Luke Painting the Virgin, 1602.

2YX4AAD The People's Census at Bethlehem, c1580-1630.

2YJAENA Andrea del Sarto / 'The Virgin and Child between Saint Matthew and an Angel', 1522, Italian School, Oil on panel, 177 cm x 135 cm, P00334. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

2YHTX6F Title: Saint Luke Painting the Virgin Artist: Gabriel Mälesskircher Year: 1478 Medium: Oil on panel Dimensions: 77 x 32 cm Location: Museo Nacional Thyssen-Bornemisza

2YGD6C4 Mabuse (Jan Gossaert) (ca. 1478-1532). Flemish painter. St Luke painting the Virgin, ca. 1520. Oil on panel. Detail. National Gallery Prague. Czech Republic. Author: Jan Gossaert, called Jan Mabuse (1478-1532). Flemish painter.

2YBDF82 Immaculate Conception, about 1730. Additional Info: Placido Costanzi made this modello, or presentation sketch, in preparation for an apse fresco in a Roman church. He may have shown this highly finished oil study to his patrons for approval before embarking on the actual architectural decoration. Costanzi incorporated the curving ribs of the apse, which would have been carved or molded gilt plaster in the church itself, into the ornamental decoration as a frame for the Virgin. Above an elaborate sunburst with her monogram, the Virgin Mary dominates the central panel. Saint Luke, holding a sc

2X2329M The Annunciation, 1455.

2X231HF The Visitation, 1505.

2X2311A The Assumption of the Virgin, unknown date.

2X230B0 The Annunciation Diptych, 1433.

2X22YWY The Annunciation, 1520.

2X22YWJ Nunc Dimittis, 1505.

2GPPFEY Saint Luke Drawing the Virgin and Christ Child, c. 1535.

2AHPYGK Girolamo da Carpi. Saint Luke Drawing the Virgin and Christ Child. 1530–1540. Oil on panel Girolamo da Carpi was one of the most gifted artists at the court of the Este family of Ferrara, an important artistic center during the Italian Renaissance. This intimate work was painted for the Estes and adorned the oratory chapel of their palace. In the painting, Saint Luke draws the Virgin and Child while Saint Joseph watches unobtrusively from a doorway. As in many Renaissance works, Christ appears agitated—seemingly possessing foreknowledge of his death. He may be reacting to the spearlike yarnwin

PBBYF4 Vicente Macip / 'The Coronation of the Virgin'. After 1521. Oil on panel. Museum: Museo del Prado, Madrid, España.