Pesquisando por: "S. W. FORES" - Fotoarena - Agência de fotojornalismo

2SXENXP Snip Anglois shows an English tailor holding cloth patterns and pointing them out to a customer. The satire compares English and French manners through humorous depictions of national dress.

2SXENTX Originals–A Hint to the Bon Ton features a contrast between French and Dutch fashion, with a tall French couple in exaggerated clothing styles next to a squat Dutch family. The satire comments on the social differences influenced by Parisian fashion during the early 1800s.

2SXENNX The Lilliputan Satirists depicts two ladies in Bath humorously commenting on people, with one holding a parasol and the other lifting her skirt. The satirical print includes the figure of John Wolcot, and the verse below highlights the power of women’s beauty and wit.

2T8GHKY The Martyr of Equality, Engraver, Fores or Forres, S.W., Publisher, In 1793, 18th century, Print, Graphic art, Print, Etching, Colored, London, London, Dimensions - Plate stroke:, Height: 24.9 cm, Dimensions - Work: Height: 27.2 cm, Width: 22.4 cm, Dimensions - Mounting:, Height: 50 cm, Width: 35 cm

2HH9PH0 The Muff February 16, 1787 Attributed to Henry Kingsbury British. The Muff. Attributed to Henry Kingsbury (British, active ca. 1775–98). February 16, 1787. Hand-colored etching. S. W. Fores (London). Prints

2HH6HM2 Comforts of Bath, Plate 12 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 12. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HH6AEM Comforts of Bath, Plate 2 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 2. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HH0XRD River Scene with Windmill (from Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners) January 20, 1791 Thomas Rowlandson. River Scene with Windmill (from Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners). Outlines. Thomas Rowlandson (British, London 1757–1827 London). January 20, 1791. Hand-colored etching. S. W. Fores (London). Prints

2HH0X6K Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 27, 1790 Thomas Rowlandson. Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757–1827 London). June 27, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0X51 Plate 6, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 20, 1790 Thomas Rowlandson. Plate 6, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757–1827 London). June 20, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0X4T Plate 12, Outlines of Figures, Landscape and Cattle...for the use of learners August 6, 1790 Thomas Rowlandson. Plate 12, Outlines of Figures, Landscape and Cattle...for the use of learners. Outlines. Thomas Rowlandson (British, London 1757–1827 London). August 6, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0X5R Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 27, 1790 Thomas Rowlandson. Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757–1827 London). June 27, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0X6H Plate 8, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 20, 1790 Thomas Rowlandson. Plate 8, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757–1827 London). June 20, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0X50 Plate 1, Outlines of Figures, Landscapes and Cattle...for the Use of Learners March 8, 1790 Thomas Rowlandson. Plate 1, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757–1827 London). March 8, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0PEA The Attack March 1, 1791 Thomas Rowlandson A young man and woman in a carriage are held up by a man on horseback, who points a gun at them.. The Attack. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1791. Etching and aquatint. S. W. Fores (London). Prints

2HH0PBT Damp Sheets August 1, 1791 Etched by Thomas Rowlandson A couple stands in night clothes with bare legs holding a sheet, while a chambermaid with a warming-pan enters at right. The man shakes his left fist at her while she gapes in shock.. Damp Sheets. Etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1791. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HH0PF3 Slugs in a Saw-Pit October 28, 1791 Thomas Rowlandson British A man in naval dress and one in military dress aim blunderbusses at one another in a pit a point blank range. Broken swords are strewn at their feet an a man gestures at them from above.. Slugs in a Saw-Pit. Thomas Rowlandson (British, London 1757–1827 London). October 28, 1791. Hand-colored etching. S. W. Fores (London). Prints

2HH0PB3 A Mahomedan Mouse Trap February 20, 1800 Thomas Rowlandson A Turkish man embraces a young woman with a large feather in her hair.. A Mahomedan Mouse Trap. Thomas Rowlandson (British, London 1757–1827 London). February 20, 1800. Etching. S. W. Fores (London). Prints

2HH0PDE The Bank January 1792 (reissued) Thomas Rowlandson The interior of Sir Robert Taylor's rotunda in the Bank of England when it was used as a stock exchange. At right, a man wearing a cocked hat stands above a crowd of excited bidders. On the wall above his head is the notice: 'No Clerk to act as broker.'. The Bank. January 1792 (reissued). Hand-colored etching. S. W. Fores (London). Prints

2HH0PB8 A Little Bigger May 18, 1791 Thomas Rowlandson British A small tailor tries to encircle the waist of a huge man with a measuring tape. His patterns are on the floor at left. Gray wash mount painted around the central image.. A Little Bigger. Thomas Rowlandson (British, London 1757–1827 London). May 18, 1791. Hand-colored etching. S. W. Fores (London). Prints

2HH0P76 Four O'Clock in the Country October 20, 1790 Thomas Rowlandson Companion plate to 'Four O'Clock in Town.' A man is waking up early in the morning to prepare for hunting. His wife pours him a cordial at center, and their child sleeps in a bassinet at left.. Four O'Clock in the Country. Thomas Rowlandson (British, London 1757–1827 London). October 20, 1790. Hand-colored etching. S. W. Fores (London). Prints

2HH0P6B An Ordinance Dream or Planning of Fortifications March 7, 1786 Thomas Rowlandson The Duke of Richmond sleeps in an armchair at left. Atop the table at center are playing cards and bits of broken tobacco-pipes arranged to represent fortifications. At right, a cat sits atop a cannon.. An Ordinance Dream or Planning of Fortifications. Thomas Rowlandson (British, London 1757–1827 London). March 7, 1786. Etching. S. W. Fores (London). Prints

2HH0P65 The Hunter (from The Life of a Racehorse, or The High-Mettled Racer) July 20, 1789 Etched by Thomas Rowlandson. The Hunter (from The Life of a Racehorse, or The High-Mettled Racer). 'The Life of a Racehorse,' or 'The High-Mettled Racer'. Etched by Thomas Rowlandson (British, London 1757–1827 London). July 20, 1789. Etching and aquatint. S. W. Fores (London). Prints

2HH0P6X The Post Horse (from The Life of a Racehorse, or The High-Mettled Racer) July 20, 1789 Etched by Thomas Rowlandson. The Post Horse (from The Life of a Racehorse, or The High-Mettled Racer). 'The Life of a Racehorse,' or 'The High-Mettled Racer'. Etched by Thomas Rowlandson (British, London 1757–1827 London). July 20, 1789. Etching and aquatint. S. W. Fores (London). Prints

2HH0P6G Chaos is Come Again! February 4, 1791 Thomas Rowlandson British The interior of the Drury Lane Theatre, London collapses during a performance. The view is from the side of the pit with the stage and curtain at left. A gallery falls at right. A few months after this print was published the building designed by Robert Adam in 1776 was demolished and replaced by one designed by Henry Holland.. Chaos is Come Again!. Thomas Rowlandson (British, London 1757–1827 London). February 4, 1791. Etching. S. W. Fores (London). Prints

2HH0P6Y The Cart Horse (from The Life of a Racehorse, or The High-Mettled Racer) July 20, 1789 Etched by Thomas Rowlandson. The Cart Horse (from The Life of a Racehorse, or The High-Mettled Racer). 'The Life of a Racehorse,' or 'The High-Mettled Racer'. Etched by Thomas Rowlandson (British, London 1757–1827 London). July 20, 1789. Etching and aquatint. S. W. Fores (London). Prints

2HH0P67 Four O'Clock in Town October 20, 1790 Thomas Rowlandson Companion plate to 'Four O'Clock in the Country.' A young intoxicated man is seated in an armchair while two young maidservants help him undress for bed. His wife watches worriedly from bed at right.. Four O'Clock in Town. Thomas Rowlandson (British, London 1757–1827 London). October 20, 1790. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HH0P73 Dressing for a Masquerade April 1, 1790 Thomas Rowlandson Four young women are in different stages of getting dressed.. Dressing for a Masquerade. Thomas Rowlandson (British, London 1757–1827 London). April 1, 1790. Hand-colored etching and stipple. S. W. Fores (London). Prints

2HH0P64 An Ordinance Dream or Planning of Fortifications March 7, 1786 Thomas Rowlandson The Duke of Richmond sleeps in an armchair at left. Atop the table at center are playing cards and bits of broken tobacco-pipes arranged to represent fortifications. At right, a cat sits atop a cannon.. An Ordinance Dream or Planning of Fortifications. Thomas Rowlandson (British, London 1757–1827 London). March 7, 1786. Hand-colored etching. S. W. Fores (London). Prints

2HH0P6E The Supplemental Magazine January 1, 1786 Attributed to Thomas Rowlandson British Room full of ladies being fitted out with padding and puffed-out gauze cages worn under outer garments to create fashionable profiles that include projecting breasts (a 'fortification bosom'), padded hips and huge hats. A dog has been shaved to achieve a similar silhouette.. The Supplemental Magazine. Attributed to Thomas Rowlandson (British, London 1757–1827 London). January 1, 1786. Etching. S. W. Fores (London). Prints

2HH0P6J The Race Horse (from The Life of a Racehorse, or The High-Mettled Racer) July 20, 1789 Etched by Thomas Rowlandson. The Race Horse (from The Life of a Racehorse, or The High-Mettled Racer). 'The Life of a Racehorse,' or 'The High-Mettled Racer'. Etched by Thomas Rowlandson (British, London 1757–1827 London). July 20, 1789. Etching and aquatint. S. W. Fores (London). Prints

2HH0P6N Showing Off March 25, 1787 Thomas Rowlandson A man at right falls head first from a horse which is falling on its head, while a dog lunges at it. Another rider at left slips from the saddle holding the animal's head.. Showing Off. Thomas Rowlandson (British, London 1757–1827 London). March 25, 1787. Hand-colored etching. S. W. Fores (London). Prints

2HH0P74 An Epicure January 1, 1801 Thomas Rowlandson. An Epicure. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1801. Hand-colored etching. S. W. Fores (London). Prints

2HH0P4P Polygamy [August 1, 1787], reissued July 1, 1802 Edward Williams the Elder An altercation between a man and two women, with one woman has her hand on the man's shoulder and pushing off her child at left. The other, fashionably dressed, woman, stands with her hands on her hips. The husband stands at center with his arms folded and eyes downcast.. Polygamy. Edward Williams the Elder (British, active London, ca. 1786). [August 1, 1787], reissued July 1, 1802. Etching with stipple and softground, printed in brown ink. S. W. Fores (London). Prints

2HH0P0R A College Scene, or a Fruitless Attempt on the Purse of Old Square-toes [August 1, 1787], reissued July 1, 1802 Edward Williams the Elder A scene of a young student in his study asking his father or friend to financially support him during his studies. The man on the left looks into the distance as he decides.. A College Scene, or a Fruitless Attempt on the Purse of Old Square-toes. Edward Williams the Elder (British, active London, ca. 1786). [August 1, 1787], reissued July 1, 1802. Etching with stipple and softground, printed in brown ink. S. W. Fores (London). Prints

2HH0P3F Interruption or Inconvenience of a Lodging House [April 1, 1789], reissued April 1, 1824 Thomas Rowlandson A man enters the dressing room of a dowager and her maid. The dowager covers herself and the maid throws her hands up in surprise.. Interruption or Inconvenience of a Lodging House. Thomas Rowlandson (British, London 1757–1827 London). [April 1, 1789], reissued April 1, 1824. Hand-colored etching. S. W. Fores (London). Prints

2HH0P1M Entertainment for Man and Horse October 25, 1788 Thomas Rowlandson A carriage stands outside of a 'Half-Way House.' A man and woman embrace inside at the window, while the horses eat hay outside.. Entertainment for Man and Horse. Thomas Rowlandson (British, London 1757–1827 London) ?. October 25, 1788. Etching. S. W. Fores (London). Prints

2HH0P0T Entertainment for Man and Horse October 25, 1788 Thomas Rowlandson A carriage stands outside of a 'Half-Way House.' A man and woman embrace inside at the window, while the horses eat hay outside.. Entertainment for Man and Horse. Thomas Rowlandson (British, London 1757–1827 London) ?. October 25, 1788. Hand-colored etching. S. W. Fores (London). Prints

2HH0P3R Going, A-Going [1785], reissued July 1, 1802 Thomas Rowlandson A young man stands with his arm around the waist of a young woman, and whispers in her ear while pointing to the left.. Going, A-Going. Thomas Rowlandson (British, London 1757–1827 London). [1785], reissued July 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

2HH0P07 By Authority. Persons and Property Protected November 24, 1785 Thomas Rowlandson A mail coach overturns because the back wheel has fallen off. The passengers fall out of the coach, and one of them accidentally shoots a pistol at an elderly woman's posterior.Possibly a reprint.. By Authority. Persons and Property Protected. Thomas Rowlandson (British, London 1757–1827 London). November 24, 1785. Etching. S. W. Fores (London). Prints

2HH0NTB An Essay on the Sublime & Beautiful; The Maiden Speech [October 1, 1785], reissued April 10, 1792 Thomas Rowlandson Two designs on the same plate: At left, a cobbler, with a shoe in his pocket, preaches to a crowd. At right, a new member of the House of Commons gives his first speech, while the other members watch amusedly.. An Essay on the Sublime & Beautiful; The Maiden Speech. Thomas Rowlandson (British, London 1757–1827 London). [October 1, 1785], reissued April 10, 1792. Etching. S. W. Fores (London). Prints

2HH0NRE Bookseller and Author [September 25, 1784], reissued July 1, 1808 Thomas Rowlandson British. Bookseller and Author. After Henry Wigstead (British, 1745?–1800 Margate). [September 25, 1784], reissued July 1, 1808. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HH0NTD By Authority. Persons and Property Protected November 24, 1785 Thomas Rowlandson A mail coach overturns because the back wheel has fallen off. The passengers fall out of the coach, and one of them accidentally shoots a pistol at an elderly woman's posterior.Possibly a reprint.. By Authority. Persons and Property Protected. Thomas Rowlandson (British, London 1757–1827 London). November 24, 1785. Etching. S. W. Fores (London). Prints

2HH0NT1 A Lady in Limbo, or Jew Bail Rejected [November 30, 1785], reissued July 1, 1802 Thomas Rowlandson A lady is seated at a table in a sponging house, surrounded by the sheriff's officers. A bondsman sits at left and contemplates the situation.. A Lady in Limbo, or Jew Bail Rejected. Thomas Rowlandson (British, London 1757–1827 London). [November 30, 1785], reissued July 1, 1802. Hand-colored etching and stipple. S. W. Fores (London). Prints

2HH0NPK Commanders Engaged at Sea [1785], reissued July 1, 1802 Thomas Rowlandson Two officers gamble in a ship cabin, while another man pours them tea at right.. Commanders Engaged at Sea. Thomas Rowlandson (British, London 1757–1827 London). [1785], reissued July 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

2HH0NJW The Margate Hoy January 12, 1795 Charles Catton, Jr. Image derived from Rowlandson's 'A Fresh Breeze' (Aug. 4, 1789) (the latter shows the royal family on board a vessel with the sail is inscribed 'Southampton Frigate,' and shows the king, queen, two princesses and beefeaters, all seasick.This variation was etched by Rowlandson's friend, the young artist Charles Catton, with the passengers transformed into non-royals (first pub. by W. Hinton , 1784).. The Margate Hoy. Charles Catton, Jr. (British, London 1756–1819 New Paltz, New York). January 12, 1795. Hand-colored etching. S. W. Fores (Londo

2HH0M91 The Guardian of the Night March 1823 Thomas Rowlandson A watchman walks towards the left with a lantern and a club. A man and a woman kiss in a booth behind him at right, and two men climb into a second story window with a ladder behind him at left.. The Guardian of the Night. Thomas Rowlandson (British, London 1757–1827 London). March 1823. Aquatint. S. W. Fores (London). Prints

2HH01C3 A Counciller [sic] January 1, 1801 Thomas Rowlandson A lawyer with a grotesque face argues from his brief. Another stands behind him.. A Counciller [sic]. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1801. Hand-colored etching. S. W. Fores (London). Prints

2HH01BG Diana in the Straw, or A Treat for Quornites January 1, 1804 Thomas Rowlandson. Diana in the Straw, or A Treat for Quornites. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1804. Hand-colored etching. S. W. Fores (London). Prints

2HGYY17 The Margate Hoy January 12, 1795 Charles Catton, Jr.. The Margate Hoy. Charles Catton, Jr. (British, London 1756–1819 New Paltz, New York). January 12, 1795. Hand-colored etching; second issue. S. W. Fores (London). Prints

2HGYXWC Manager & Spouter July 1, 1802 After Henry Wigstead A stage manager (David Garrick), sits at a table and watches an actor perform a scene from a play. The title punningly compares the effusive performance to steam that issues from an urn on the table, next to tray with cups and a coffee or chocolate pot carried by a maid.. Manager & Spouter. After Henry Wigstead (British, 1745?–1800 Margate). July 1, 1802. Hand-colored etching, stipple and aquatint. S. W. Fores (London). Prints

2HGYW96 House-Breakers August 1, 1791 Drawn and etched by Thomas Rowlandson Two men holding pistols look around a partly open door at a couple in a bedroom at night. Stepping from the bed, the man wears a night shirt and aims a blunderbuss at the burglars, as his wife kneels behind him. A candle burns on a table at left and there is an overturned chamber pot on the floor. Within a printed aquatint border.. House-Breakers. Drawn and etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1791. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW5B The Jovial Crew October 1, 1786 Imitator of Thomas Rowlandson. The Jovial Crew. Imitator of Thomas Rowlandson (British, London 1757–1827 London). October 1, 1786. Hand-colored etching. S. W. Fores (London). Prints

2HGYW55 The Jovial Crew October 1, 1786 Imitator of Thomas Rowlandson. The Jovial Crew. Imitator of Thomas Rowlandson (British, London 1757–1827 London). October 1, 1786. Etching and aquatint. S. W. Fores (London). Prints

2HGYW7R Private Amusement January 1, 1786 Thomas Rowlandson. Private Amusement. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1786. Hand-colored etching. S. W. Fores (London). Prints

2HGYW7N Intrusion, or The Doctor Disturb'd January 1, 1786 Thomas Rowlandson An elderly spectacled doctor sits on a sofa beside a young woman. They look up startled at the sudden entrance of a man carrying a hat and cane through a door at right. The woman clutches at her skirt as though to pat it back into place. Shelves behind contain jars of specimens, a skeleton torso and skull.. Intrusion, or The Doctor Disturb'd. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1786. Hand-colored etching. S. W. Fores (London). Prints

2HGYW6P Comforts of Bath, Plate 11 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 11. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0G Traffic 1791 Thomas Rowlandson. Traffic. After (?) Henry Wigstead (British, 1745?–1800 Margate). 1791. Hand-colored etching with aquatint. S. W. Fores (London). Prints

2HGYW16 Traffic 1791 Thomas Rowlandson. Traffic. After (?) Henry Wigstead (British, 1745?–1800 Margate). 1791. Hand-colored etching with aquatint. S. W. Fores (London). Prints

2HGYW1A Benevolence November 25, 1792 Samuel Alken. Benevolence. After Thomas Rowlandson (British, London 1757–1827 London). November 25, 1792. Etching and aquatint. S. W. Fores (London). Prints

2HGYW19 City Courtship 1786 Imitator of Thomas Rowlandson. City Courtship. Imitator of Thomas Rowlandson (British, London 1757–1827 London). 1786. Etching. S. W. Fores (London). Prints

2HGYW0K The Breakfast February 1, 1789 Thomas Rowlandson. The Breakfast. Thomas Rowlandson (British, London 1757–1827 London). February 1, 1789. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW1Y At Dinner November 5, 1792 Thomas Rowlandson. At Dinner. Different Sensations, No. 3. Thomas Rowlandson (British, London 1757–1827 London). November 5, 1792. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0A Modish and Prudish December 1, 1791 Thomas Rowlandson. Modish and Prudish. Thomas Rowlandson (British, London 1757–1827 London). December 1, 1791. Hand-colored etching. S. W. Fores (London). Prints

2HGYW02 After Dinner October 22, 1789 Thomas Rowlandson. After Dinner. Different Sensations. Thomas Rowlandson (British, London 1757–1827 London). October 22, 1789. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0P Waiting for Dinner October 22, 1789 Thomas Rowlandson. Waiting for Dinner. Different Sensations, No. 2. Thomas Rowlandson (British, London 1757–1827 London). October 22, 1789. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0X Comforts of Bath, Plate 1 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 1. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0C Comforts of Bath, Plate 4 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 4. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0Y Comforts of Bath, Plate 7 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 7. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW17 Comforts of Bath, Plate 8 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 8. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW0R City Courtship 1786 Imitator of Thomas Rowlandson. City Courtship. Imitator of Thomas Rowlandson (British, London 1757–1827 London). 1786. Etching. S. W. Fores (London). Prints

2HGYTYX Comforts of Bath, Plate 3 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 3. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYW18 Doctors Differ November 28, 1785 After Thomas Rowlandson A melee of wigged doctors with two opponents engaged in fisticuffs in the foreground, one astride a figure fallen onto his back on the floor. Two other figures fight in the right background, and a row of seated figures is visible in the left background, and a figure standing on a stool at left.. Doctors Differ. After Thomas Rowlandson (British, London 1757–1827 London). November 28, 1785. Hand-colored stipple engraving. S. W. Fores (London). Prints

2HGYTWR Beauties December 1, 1792 Thomas Rowlandson Two fashionable young women sit opposite one another, one fair haired, holding a fan, and wearing a full-skirted white dress with pink overshirt, ruffles at the neck, and bracelets on both wrists, as well as a large straw hat with blue bows. The figure at right has dark hair and wears a loose gown with a floppy collar, and deep decorative cuffs, and a oversize mobcap style hat.. Beauties. Thomas Rowlandson (British, London 1757–1827 London). December 1, 1792. Hand-colored soft ground etching and stipple engraving. S. W. Fores (London). Prints

2HGYTW0 A Lady in Limbo, or Jew Bail Rejected July 1, 1802 Thomas Rowlandson. A Lady in Limbo, or Jew Bail Rejected. Thomas Rowlandson (British, London 1757–1827 London). July 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

2HGYTRE Comforts of Bath, Plate 12 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 12. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYTTP Comforts of Bath, Plate 10 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 10. Comforts of Bath. Thomas Rowlandson (British, London 1757–1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYR3N English Curiosity or The Foreigner Stared Out of Countenance January 1, 1794 Thomas Rowlandson. English Curiosity or The Foreigner Stared Out of Countenance. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1794. Hand-colored etching. S. W. Fores (London). Prints

2HGYPXR Departure of Blanchard and Jeffries' Balloon from Dover, January 7, 1785 January 1794 Thomas Rowlandson On January 7, 1785, the French balloonist Jean-Pierre Blanchard and his American backer John Jeffries traveled from Dover to Calais in a gas balloon, becoming the first to cross the English Channel by air. Rowlandon shows spectators near the English coast excitedly watching their departure.. Departure of Blanchard and Jeffries' Balloon from Dover, January 7, 1785. Thomas Rowlandson (British, London 1757–1827 London). January 1794. Hand-colored etching. S. W. Fores (London). Prints

2HGYR0B The Comforts of High Living December 16, 1794 After Thomas Rowlandson. The Comforts of High Living. After Thomas Rowlandson (British, London 1757–1827 London). December 16, 1794. Hand-colored etching with stipple. S. W. Fores (London). Prints

2HGYJPT The Students January 1, 1793 Thomas Rowlandson. The Students. January 1, 1793. Hand-colored etching. S. W. Fores (London). Prints

2HGYJNT The Students January 1, 1793 Thomas Rowlandson. The Students. January 1, 1793. Hand-colored etching. S. W. Fores (London). Prints

2HGYJPM A Four-in-Hand, or The Runaway Carriage 1791–93 Thomas Rowlandson British. A Four-in-Hand, or The Runaway Carriage. Thomas Rowlandson (British, London 1757–1827 London). 1791–93. Hand-colored etching. S. W. Fores (London). Prints

2HGYJHP Stage Coach and Six 1786–93 Thomas Rowlandson. Stage Coach and Six. Thomas Rowlandson (British, London 1757–1827 London). 1786–93. Hand-colored etching. (?) S. W. Fores (London). Prints

2HGYFDG A Visit to the Uncle December 20, 1794 Thomas Rowlandson. A Visit to the Uncle. Thomas Rowlandson (British, London 1757–1827 London). December 20, 1794. Etching and aquatint. S. W. Fores (London). Prints

2HGYFEB A Visit to the Aunt December 20, 1794 Thomas Rowlandson. A Visit to the Aunt. Thomas Rowlandson (British, London 1757–1827 London). December 20, 1794. Etching and aquatint. S. W. Fores (London). Prints

2HGYFE9 A Visit to the Uncle December 20, 1794 Thomas Rowlandson. A Visit to the Uncle. Thomas Rowlandson (British, London 1757–1827 London). December 20, 1794. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYFE5 A Visit to the Aunt December 20, 1794 Thomas Rowlandson. A Visit to the Aunt. Thomas Rowlandson (British, London 1757–1827 London). December 20, 1794. Hand-colored etching and aquatint. S. W. Fores (London). Prints

2HGYFE3 How d'ye do? April 10, 1792 Earlier state, possibly by Thomas Rowlandson. How d'ye do?. Earlier state, possibly by Thomas Rowlandson (British, London 1757–1827 London). April 10, 1792. Hand-colored etching. S. W. Fores (London). Prints

2HGYFE2 Road to Ruin! April 1, 1803 After Thomas Rowlandson. Road to Ruin!. After Thomas Rowlandson (British, London 1757–1827 London). April 1, 1803. Etching. S. W. Fores (London). Prints

2HGYE36 The Comforts of High Living December 16, 1794 Thomas Rowlandson. The Comforts of High Living. December 16, 1794. Hand-colored etching. S. W. Fores (London). Prints

2HGYDHY The Flying Breakfast August 1, 1782 [G.L.S.] Anonymous, British, 19th century This satire shows coach passengers eating an early morning meal at an inn. The coachman stands at right with his hat and whip, and those seated include a woman who wears a hooded cape and yawns, a crying child, a man who leans back in his chair, a man who has taken off his wig and cap to yawn, and a man who drinks tea. A grandfather clock records the time as 5 am.A later state of the print was published by S. W. Fores in 1792 (67.539.63), titled 'The Flying Breakfast, or Contents of a Night Coach.' In that work, the

2HGYDF2 Newmarket: A Shot at a Hawk August 1, 1801 James Bretherton. Newmarket: A Shot at a Hawk. After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland). August 1, 1801. Etching. S. W. Fores (London). Prints

2HGYDDF Newmarket: A Shot at a Pigeon August 1, 1801 James Bretherton. Newmarket: A Shot at a Pigeon. After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland). August 1, 1801. Etching. S. W. Fores (London). Prints

2HGWNF2 Diana in the Straw, or A Treat for Quornites January 1, 1804 Thomas Rowlandson. Diana in the Straw, or A Treat for Quornites. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1804. Hand-colored etching. S. W. Fores (London). Prints

2HGWMJ7 A Counciller [sic] January 1, 1801 Thomas Rowlandson. A Counciller [sic]. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1801. Etching. S. W. Fores (London). Prints

2HGWMDE A Counciller [sic] January 1, 1801 Thomas Rowlandson British. A Counciller [sic]. Thomas Rowlandson (British, London 1757–1827 London). January 1, 1801. Hand-colored etching. S. W. Fores (London). Prints

2HGWM9H An Old Member on his Road to the House of Commons September 1, 1802 Thomas Rowlandson. An Old Member on his Road to the House of Commons. Thomas Rowlandson (British, London 1757–1827 London). September 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

2HGWFK3 Symptoms of Sanctity February 28, 1800 Thomas Rowlandson. Symptoms of Sanctity. Thomas Rowlandson (British, London 1757–1827 London). February 28, 1800. Etching. S. W. Fores (London). Prints

2HGWCM1 A Dutch Abbess and her Nymphs April 4, 1796 Thomas Rowlandson. A Dutch Abbess and her Nymphs. Thomas Rowlandson (British, London 1757–1827 London). April 4, 1796. Etching. S. W. Fores (London). Prints