Pesquisando por: "JOSEPH FARINGTON" - Fotoarena - Agência de fotojornalismo

3BDDYH7 England, Somerset, Bath, Victoria Art Gallery, Painting titled 'The Fishing Party' by Joseph Farington and John Hoppner dated 1800

2WR94XJ Nocturnal landscape with a driver near rocks, The Waggoner (title on object), print maker: John Browne, after painting by: Peter Paul Rubens, after drawing by: Joseph Farington, London, 1776, paper, etching, engraving, height 478 mm × width 599 mm, print

2WR94XD Nocturnal landscape with a driver near rocks, The Waggoner (title on object), print maker: John Browne, after painting by: Peter Paul Rubens, after drawing by: Joseph Farington, London, 1776, paper, etching, engraving, height 478 mm × width 599 mm, print

2WR7ETJ View of Grasmere in the Lake District, Grasmere (title on object), Landscapes in the Lake District (series title), Views in the lake country (series title), Numbered top right: N. V., print maker: Benjamin Thomas Pouncy, after drawing by: Joseph Farington, publisher: William Byrne, London, Feb-1785, paper, etching, height 251 mm × width 366 mm, print

2WR7ETA View of Rydal Water, Rydal Mere (title on object), Landscapes in the Lake District (series title), Views in the lake country (series title), Numbered top right: N. VI., print maker: Benjamin Thomas Pouncy, after drawing by: Joseph Farington, publisher: William Byrne, London, Mar-1785, paper, etching, height 251 mm × width 365 mm, print

2T109BW Westminster Abbey and Bridge, painting in oil on canvas by Joseph Farington, 1794

2T8EGEN JOSEPH FARINGTON, ESQ. R.A. Engraved by H. Meyer, from an original Picture by T Lawrence Esq RA

2HJ20JX Cottage on the Road from Lausanne to Geneva ca. 1800 Possibly by Joseph Farington British. Cottage on the Road from Lausanne to Geneva 340875

2HHAEYJ At Nunnery in Cumberland August 20, 1786 Joseph Farington British Farington was a leading landscape draftsman who had trained under Richard Wilson then, as a mature artist, traveled and sketched throughout Britain every summer. Aquatint series based on his designs include 'Views of the Lakes in Cumberland and Westmorland' (1789), and 'An History of the River Thames' (1794-1796), and helped to form the taste for picturesque landscape. As an academician, Farington’s active networking played an important part in the election of new members, a process detailed in his now famous diary, written betw

2HH4FEH Corra Linn, the Falls of the Clyde 1788 Joseph Farington British This expressive study centers on a waterfall in Lanarkshire, Scotland (linn is Gaelic for 'falls'). Squared for transfer, the image must have been intended as the foundation of a finished work. It includes techniques that range from freely applied pen and ink (for foreground foliage), brush and wash (to indicate shade), and graphite (for the falls). Reserved paper suggests light falling from the left and represents patches of moving water. Few Englishmen ventured so far north at the time, but Farington sketched along the rivers F

2HH0M8W R.A.'s of Genius Reflecting on the True Line of Beauty, at the Life Academy Somerset House June 1, 1824 Thomas Rowlandson Plate 32 from Charles Molloy Westmacott's 'English Spy.' A nude model reclines on a draped chair at right while Royal Academicians seated in a semicircle sketch her on their easels. Each artist's easel is initialed for identification: B.R.H. for Benjamin Robert Haydon, M.A. Shee for Martin Archer Shee, T.L for Sir Thomas Lawrence, B.W. for Benjamin West, R.W. for Richard Westmacott, J.J. for John Jackson, J.F. for Joseph Farington, and F.C. for Francis Chantrey.. R.A.'s of

2HHY1GP Dumbarton Rock from the South 1788 Joseph Farington British Farington here describes a twin-peaked volcanic plug in southwest Scotland situated at the confluence of the rivers Clyde and Leven. This southern view includes the castle, garrison, and gun battery built near the shore to defend a key access point to the sea. One of the most adept and prolific landscape draftsmen of his generation, the artist traveled through Scotland between August and October 1788, to prepare designs for aquatints in a projected five-volume History of the Principal Rivers of Great Britain. The French Revolution sev

2K3ARDK Windsor Bridge, Windsor Castle, 1792, royal residence at Windsor, Berkshire, England, UK, after Joseph Farington

2K3ARD9 Windsor Bridge, Windsor Castle, 1792, royal residence at Windsor, Berkshire, England, UK, after Joseph Farington

2K3ARAD Windsor Bridge, Windsor Castle, 1792, royal residence at Windsor, Berkshire, England, UK, after Joseph Farington

2HKRXJE Art inspired by Landscape with trees and figures, Joseph Farington, England, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HK8A7Y Inspired by Landscape with trees and figures, Joseph Farington, England, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HB3X44 Landscape with trees and figures, Joseph Farington, England

2DJ8CN3 A Church at Stanstead, Joseph Farington, 1747–1821, British, undated, Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to thick, moderately textured, beige laid paper, Sheet: 6 1/4 × 8 7/8 inches (15.9 × 22.5 cm), architectural subject, cemetery, church, fence, hill, trees, England, Europe, Hertfordshire, Stanstead Abbots, United Kingdom

2DJ8CN6 View of Taplow and Maidenhead from Cliveden, Joseph Farington, 1747–1821, British, 1792, Pen and black ink and gray wash on medium, slighlty textured, cream wove paper, Sheet: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm), boats, landscape, river, trees, Cliveden, England, Europe, Maidenhead, Taplow, United Kingdom

2DJ89GK Footbridge Over a Stream Near a Willow Tree, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/4 × 7 1/8 inches (18.4 × 18.1 cm), footbridge, landscape, stream, tree

2DJ89GP Trees and Hilly Landscape, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, and gray wash on medium, slightly textured, cream wove paper, Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm), clouds, hills, landscape, trees

2DJ89GG Castleton - The Peak, Joseph Farington, 1747–1821, British, 1801, Graphite, black chalk, and white gouache on moderately thick, slightly textured, brown laid paper, Sheet: 10 3/8 × 13 1/8 inches (26.4 × 33.3 cm), landscape, trees, Castleton, Derbyshire, England, Europe, United Kingdom

2DJ897F Castle with a Round Tower Above a River, Joseph Farington, 1747–1821, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 6 1/2 inches (18.1 × 16.5 cm), architectural subject, castle, river, round tower, trees

2DJ897D Trees and a Distant Castle, Joseph Farington, 1747–1821, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 7 7/8 inches (25.1 × 20 cm), castle, hills, landscape, trees

2DJ897E River with Castle and Bridge, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, brown wash, white gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm), bridge (built work), castle, clouds, landscape, river, trees

2DJ8979 Palace on a Cliff Above a River, Joseph Farington, 1747–1821, British, 1780-1789 (?), Pen and black ink on medium, slighlty textured, cream laid paper, Sheet: 6 1/4 × 7 1/2 inches (15.9 × 19.1 cm), architectural subject, cliff, cliffs, grotto, landscape, palace, river, trees

2DJ897G A Mill by a Waterfall, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, brown wash, gray wash, white gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 7 3/4 inches (14.6 × 19.7 cm), hills, house, landscape, mill, river, trees, waterfall

2DJ897H Windsor Castle, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm), bridge (built work), castle, landscape, stream, trees, England, Europe, United Kingdom, Windsor, Windsor and Maidenhead, Windsor Castle

2DJ8975 A Group of Trees, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper, Sheet: 3 3/8 × 4 7/8 inches (8.6 × 12.4 cm), landscape, trees

2DJ897C Trees with a Distant Church on the Right, Joseph Farington, 1747–1821, British, undated, Pen, brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper, Sheet: 3 7/8 × 6 3/4 inches (9.8 × 17.1 cm), church, landscape, trees

2DJ88YA Shakespearean Scene (?): A Pilgrim, Joseph Farington, (landscape), 1747–1821, British, Robert Smirke, (figures), 1752–1845, British, 1796, Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper, Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm) and Sheet: 16 × 13 1/8 inches (40.7 × 33.3 cm), capes, coats, costume, feathers, fire, gesture, landscape, literary theme, men, play, steps, trees, walking

2DJ88YR The Farm House, Joseph Farington, 1747–1821, British, after George Morland, 1763–1804, British, after 1813, Pen, brown ink, watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 12 5/8 inches (24.4 × 32.1 cm), architectural subject, chimney, cow, farm, fence, horse (animal), house, thatched roof

2DJ88YK Landscape with Trees by a Lake, Joseph Farington, 1747–1821, British, 1780-1789, Pen and black ink on medium, slighlty textured, cream laid paper, Sheet: 5 7/8 × 7 5/8 inches (14.9 × 19.4 cm), abbey, boat, forest, lake, landscape, stream, trees

2DJ88YJ Caversham Bridge, Reading, Joseph Farington, 1747–1821, British, undated, Pen, in brown ink and graphite on moderately thick, slightlyt extured, cream, wove paper, Sheet: 17 3/4 × 13 3/16 inches (45.1 × 33.5 cm), architectural subject

2DJ88Y3 Waterfall in the Lake District, Joseph Farington, 1747–1821, British, ca. 1782, Pen, in brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 24 1/8 × 18 9/16 inches (61.3 × 47.1 cm), cliff, lake, landscape, waterfall

2DJ88YE Rustics and Cottages by a River, Joseph Farington, 1747–1821, British, undated, Pen and black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 1/16 x 18 1/8in. (30.6 x 46cm

2DJ88Y6 View of St. Nicholas Church at Valenciennes after the Siege, Joseph Farington, 1747–1821, British, 1793, Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm), Contemporary drawn border: 18 1/4 × 26 1/4 inches (46.4 × 66.7 cm), and Sheet: 16 1/4 × 24 5/16 inches (41.3 × 61.8 cm), architectural subject, church, Gothic, ruins

2DJ88KK View of Skiddaw and Derwentwater, Joseph Farington, 1747–1821, British, ca. 1780, Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, blued white, laid paper, Sheet: 19 3/8 × 26 inches (49.2 × 66 cm) and Image: 19 × 25 5/8 inches (48.3 × 65.1 cm), forest, lake, landscape, marine art

2DJ88KN A Sailing Dinghy with Three Men Leaving a Rocky Inlet, Joseph Farington, 1747–1821, British, undated, Watercolor, with pen in brown ink, black ink, and graphite; verso: graphite on moderately thick, moderately textuered, beige, wove paper, Sheet: 19 1/8 × 25 3/8 inches (48.6 × 64.5 cm), dinghy, inlet, landscape, marine art, rocks (landforms

2DJ87JT Stepping Stones on the River Duddon, Lake District, Joseph Farington, 1747–1821, British, undated, Pen, in brown ink, black ink, gray ink, gray wash and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm), river, riverbank, stones, trees, Cumbria, Duddon, England, Europe, Lake District, United Kingdom

2DJ87AY Cookham on the Thames, Berkshire, Joseph Farington, 1747–1821, British, 1792, Pen, brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm), fence, landscape, river, trees, Berkshire, Cookham, England, Europe, Thames, United Kingdom

2DJ87AX View of the Convent of the Clarisses at Valenciennes after the Seige, Joseph Farington, 1747–1821, British, 1793, Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream, wove paper, mounted on, medium, slightly textured, cream, wove paper, Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm), Contemporary drawn border: 15 3/8 × 22 inches (39.1 × 55.9 cm), and Sheet: 13 5/16 x 20 1/16in. (33.8 x 51cm), architectural subject, convent, ruins, siege

2DJ84GB Joseph Farington, William Daniell, 1769–1837, British, after George Dance RA, 1741–1825, British, between 1808 and 1814, Graphite and red chalk on moderately thick, moderately textured, cream laid paper, Sheet: 9 3/4 x 7 1/2 inches (24.8 x 19.1 cm), artist, chair, coat, collar, landscape painter, man, portrait, profile (figure), tie-wig

2DJ6JN2 View of London from Greenwich Park, Engraved by Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1796, Hand-colored aquatint, Sheet: 13 3/8 x 22 1/16in. (34 x 56cm

2DJ6DH9 View of Windsor, Joseph Farington, 1747–1821, British, undated, Pen and brown ink, with brown wash on medium, slightly textured, brown wove paper, Sheet: 9 3/8 × 14 5/8 inches (23.8 × 37.1 cm), landscape, shrubs, town, trees, view, Berkshire, England, Europe, United Kingdom, Windsor

2DJ65XR Africa, Print made by John Browne, 1741–1801, British, Drawn by Joseph Farington, 1747–1821, British, after Paul Bril, 1554–1626, Flemish, Published by John Boydell, 1720–1804, British, 1775, Line engraving on medium, slightly textured, cream wove paper

2DJ4GC4 Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal, Joseph Farington, 1747–1821, British, c.1798

2DJ42HJ Twelve Original Views in Italy, after Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Print made by James Gandon, 1742–1823, British, Print made by Michael 'Angelo' Rooker, 1746–1801, British, Print made by Edward Rooker, 1724–1774, British, Print made by Joseph Farington, 1747–1821, British, Print made by William Hodges, 1744–1797, British, 1776, Twelve etchings in a bound volume on moderately thick, moderately textured, cream laid paper, Spine: 10 inches (25.4 cm), Sheet: 9 3/4 x 13 1/2 inches (24.8 x 34.3 cm), and Plate: 7 1/4 x 10 1/8 inches (18.4 x 25.7 cm

2DJ3TFW Henry IV, Part I, Act II, Scene II: ' The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.', Samuel Middiman, ca. 1750–1831, British, after Robert Smirke, 1752–1845, British, and Joseph Farington, 1747–1821, British, 1803, Engraving, Sheet: 19 5/8 x 24 7/8in. (49.8 x 63.2cm

2DJ3TFY Henry IV, Part I, Act II, Scene II: ' The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.', Samuel Middiman, ca. 1750–1831, British, after Robert Smirke, 1752–1845, British, and Joseph Farington, 1747–1821, British, 1803, Engraving and etching, Plate: 20 x 25 1/8in. (50.8 x 63.8cm

2DJ3TEY Henry IV, Part I, Act II, Scene II: ' The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.', Samuel Middiman, ca. 1750–1831, British, after Robert Smirke, 1752–1845, British, and Joseph Farington, 1747–1821, British, 1803, Engraving, Sheet: 17 5/16 x 23 7/16in. (44 x 59.5cm

2DJ371K View of Lambeth from Milbank, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint

2DJ359C View of London from Lambeth, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint, hand-colored

2DJ359B View of London from Greenwich Park, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1796, Aquatint

2DJ1PXP Henry IV, Part I, Act II, Scene II: ' The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.', Samuel Middiman, ca. 1750–1831, British, after Robert Smirke, 1752–1845, British, And Joseph Farington, 1747–1821, British, 1797, Engraving and etching, Plate: 20 x 25 1/8in. (50.8 x 63.8cm

2DJ13NR The Tower, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint

2DJ0YYJ View of Westminster Bridge including Westminster Hall and the Abbey, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1790, Aquatint

2DJ0W2A Strawberry Hill, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1793, Aquatint, hand-colored

2DJ0MC1 View up the River from Millbank, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1793, Aquatint, hand-colored

2DJ0KNY View of Somerset Place, the Adelphi, and Church from the Temple-garden, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint

2DHYWJ5 Caernarvon Castle, Joseph Farington, 1747–1821, British, ca. 1780, Oil on canvas, Support (PTG): 20 3/4 × 28 3/4 inches (52.7 × 73 cm), architectural subject, boys, castle, crenellations, people, ruins, shovels, turrets (towers), workers, Caernarfon Castle, Caernarfonshire and Merionethshire, Caernarvon, Cymru, Gwynedd, Seiont, United Kingdom, Wales

2DHYNCX View of Greenwich and down the River, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint, hand-colored

2DHYN49 View of Greenwich and up the River, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint

2DHYD0C View of London from Lambeth, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint, hand-colored, Sheet: 16 5/8 x 24in. (42.2 x 61cm

2DHY9XR London Bridge, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Aquatint, Sheet: 9 1/4 x 13 1/2in. (23.5 x 34.3cm

2DHY60X Battersea, Chelsea and London from Mr. Rucker's Villa, Joseph Constantine Stadler, active 1780–1812, British, after Joseph Farington, 1747–1821, British, 1795, Hand colored aquatint on smooth, medium, cream wove paper, Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm), Plate: 10 1/8 × 14 3/16 inches (25.7 × 36 cm), and Image: 8 × 12 inches (20.3 × 30.5 cm

2DHY3T0 Roche Rocks, Joseph Farington, 1747–1821, British, undated, Graphite on thin, slightly textured, cream wove paper, Sheet: 10 5/8 × 13 1/2 inches (27 × 34.3 cm), architectural subject, castle, hill, rocks (landforms), Cornwall, England, Europe, Roche, United Kingdom

2DHY378 Windsor Bridge, Print made by Joseph Farington, 1747–1821, British, after Joseph Farington, 1747–1821, British, Published by John & Josh Boydell, 1720–1804, British, 1792, Etching, hand-colored on thick, slightly textured, cream laid paper, Sheet: 11 15/16 x 15 3/8 inches (30.4 x 39.1 cm) and Image: 7 7/8 x 11 13/16 inches (20 x 30 cm), architectural subject, barges, barrels, baskets, boats, boxes, bridge (built work), cargo, city, cityscape, docks, hats, labor, marine art, men, oars, punts, river, rowboats, rowing, sand, seamen, shore (landform), sticks, stone, tree, trees, women, working

2DHXHAY Westminster Abbey and Bridge, Joseph Farington, 1747–1821, British, 1794, Oil on canvas, Support (PTG): 36 3/8 x 28 inches (92.4 x 71.1 cm), abbey, boats, bridge (built work), buildings, churches, cityscape, people, river, rowboats, sailboats, City of Westminster, England, Europe, Greater London, London, Thames, United Kingdom, Westminster, Westminster Abbey, Westminster bridge

2DHXBKA The Happy Peasants, James Mason, 1710–1783, British, after painting Herman van Swanevelt, c.1600–1655, Dutch, after drawing Joseph Farington, 1747–1821, British, 1775, Engraving

2DHXB8R The Sportsman, Print made by John Browne, 1741–1801, British, after Gaspar Poussin, 1615–1675, French, after Joseph Farington, 1747–1821, British, Published by John Boydell, 1720–1804, British, 1775, Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper, Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm), Plate: 15 7/16 x 18 7/8 inches (39.2 x 47.9 cm), and Image: 13 11/16 x 17 11/16 inches (34.8 x 45 cm), buildings, dogs (animals), game (hunted animal), genre subject, gesture, gun (small arm), horse (animal), hunters, hunting, landscape, men

2DHWX25 Fruit Piece, Print made by Richard Earlom, 1743–1822, British, drawn by Joseph Farington, 1747–1821, British, after Jan van Huysum, 1682–1749, Dutch, Published by John Boydell, 1720–1804, British, 1781, Etching and stipple engraving on medium, slightly textured, cream laid paper, Sheet: 24 × 17 1/2 inches (61 × 44.5 cm) and Plate: 22 × 16 1/2 inches (55.9 × 41.9 cm

2DHWX1T A Flower Piece, Print made by Richard Earlom, 1743–1822, British, drawn by Joseph Farington, 1747–1821, British, after Jan van Huysum, 1682–1749, Dutch, Print made by John Boydell, 1720–1804, British, 1778, Etching and stipple engraving on medium, slightly textured, cream laid paper, Sheet: 23 × 17 5/8 inches (58.4 × 44.8 cm), Plate: 22 × 16 5/8 inches (55.9 × 42.2 cm), and Image: 20 1/2 × 15 1/2 inches (52.1 × 39.4 cm

2C02TAX Caernarvon Castle, painting by Joseph Farington, circa 1780

2BJRRP2 The Larder. From an engraving by Richard Earlom, after Maerten de Vos, after Joseph Farington. 18th century. Meat and game stored before cooking.

2HW5AEB Art inspired by Cottage on the Road from Lausanne to Geneva, ca. 1800, Pen, brown ink and gray wash on light green paper, 3-3/4 x 6-5/8 in. (9.5 x 16.9 cm), Drawings, Possibly by Joseph Farington (British, Lancashire 1747–1821 Lancashire, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC8FX6 Cottage on the Road from Lausanne to Geneva, Possibly by Joseph Farington, ca. 1800

2HW78G4 Art inspired by Corra Linn, the Falls of the Clyde, 1788, Graphite, pen and ink and wash, sheet: 14 1/8 x 20 7/8 in. (35.9 x 53 cm), Drawings, Joseph Farington (British, Lancashire 1747–1821 Lancashire), This expressive working drawing by Farington centers upon Corra Linn, one of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6BMF Art inspired by At Nunnery in Cumberland, August 20, 1786, Gray wash over graphite with pen and sepia ink, sheet: 15 7/8 x 14 3/4 in. (40.3 x 37.4 cm), Drawings, Joseph Farington (British, Lancashire 1747–1821 Lancashire), Farington was a leading landscape draftsman who had trained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCAWY6 Corra Linn, the Falls of the Clyde, Joseph Farington, 1788

KC8BGT At Nunnery in Cumberland, Joseph Farington, August 20, 1786

2HWA7FY Art inspired by Drawings and Prints, Drawing, Dumbarton Rock from the South, Artist, Joseph Farington, British, Lancashire 1747–1821 Lancashire, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCC1Y3 Drawings and Prints, Drawing, Dumbarton Rock from the South, Artist, Joseph Farington, British, Lancashire 1747–1821 Lancashire

3BJMJ75 Farington, Joseph; Three Boys in a Sailing Boat on a Lake with Durham (?) in the Distance ; National Trust, Hinton Ampner; http://www.artuk.org/artworks/three-boys-in-a-sailing-boat-on-a-lake-with-durham-in-the-distance-217001

3BJMBWN Farington, Joseph; The Oak Tree; Tate; http://www.artuk.org/artworks/the-oak-tree-198704

3BJM6YK Farington, Joseph; Deptford Dockyard; National Maritime Museum; http://www.artuk.org/artworks/deptford-dockyard-174539

3BJKKA0 Farington, Joseph; Chatham Dockyard; National Maritime Museum; http://www.artuk.org/artworks/chatham-dockyard-174538

2H0Y8C2 A Fruit Piece, 1776. Richard Earlom (British, 1743-1822), after Joseph Farington (British (modern), 1747-1821), after Michelangelo di Campidoglio (Italian, 1610-1670). Mezzotint;

EE00T7 Caernarvon Castle Signed in black paint, lower center: 'J [...] Farrington', Joseph Farington, 1747-1821, British

EE005B London, Westminster Abbey and Bridge Westminster Abbey and Westminster Bridge Seen from the South, Joseph Farington, 1747-1821

MP5D0E 700066 Royal Collection 1234 View of Reading from Caversham by Joseph Farington, 1793

HR87NH View of Reading from Caversham by Joseph Farington, 1793

2E44KXA Joseph Farington, 1747â€“1821, British, Caversham Bridge, Reading, undated. Pen, in brown ink and graphite on moderately thick, slightlyt extured, cream, wove paper. architectural subject

2E44KXJ Joseph Farington, 1747â€“1821, British, Stepping Stones on the River Duddon, Lake District, undated. Pen, in brown ink, black ink, gray ink, gray wash and graphite on moderately thick, slightly textured, cream, wove paper. river , riverbank , stones , trees. Cumbria , Duddon , England , Europe , Lake District , United Kingdom

2E44KXD Joseph Farington, 1747â€“1821, British, Rustics and Cottages by a River, undated. Pen and black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, slightly textured, cream, wove paper.

2WPHBYR Africa, fantastic landscape; Browne, John (1752-1787), Farington, Joseph (1747-1821), Bril, Paul (1554-1626), Boydell, John (1719-1804); 1775 (1775-00-00-1775-00-00);Africa, Dembiński, Stefan (1887-1972), Dembiński, Stefan (1887-1972)-collection, gift (provenance), hippos, lions, exotic landscapes, fantastic landscapes, pyramids, elephants, camels

2B01WY8 United Kingdom: Henry Salt (14 June 1780 - 30 October 1827), English artist, traveller, diplomat and Egyptologist. Engraving by John James Halls (1776-1853), c. 1815. Salt, the son of a physician, was born in Lichfield. He trained as a portrait painter, first in Lichfield and then in London under Joseph Farington and John Hoppner. In 1802 he was appointed secretary and draughtsman to George Annesley, Viscount Valentia. They started on an eastern tour, traveling to India via the Cape. Salt explored the Red Sea area, and in 1805 visited the Ethiopian highlands. He returned to England in 1806.

2B01YM8 Egypt: 'View of Grand Cairo'. Lithograph by Daniel Havell (1786-1822) from a painting by Henry Salt (1780-1827), 1809. Henry Salt, the son of a physician, was born in Lichfield. He trained as a portrait painter, first in Lichfield and then in London under Joseph Farington and John Hoppner. In 1802 he was appointed secretary and draughtsman to George Annesley, Viscount Valentia. They started on an eastern tour, traveling to India via the Cape. Salt explored the Red Sea area, and in 1805 visited the Ethiopian highlands. He returned to England in 1806.

2E4243B Joseph Farington, 1747â€“1821, British, Castle with a Round Tower Above a River, undated. Pen and brown ink on medium, slightly textured, cream laid paper. architectural subject , castle , river , round tower , trees