Pesquisando por: "JOHN FREDERICK LEWIS" - Fotoarena - Agência de fotojornalismo

2WEFCMD John Frederick Lewis painting, Study for The Courtyard of the Coptic Patriarch's House in Cairo, oil on panel, circa 1864

2M8YM68 Iskander Bey and His Servant ( Iskandar Bey or Mohamed el Mahdy) )ca. 1848 by John Frederick Lewis - This steely-eyed boy dressed in ceremonial Albanian military uniform was the son of Sulayman Pasha al-Faransawi (1788-1860)

2T90RT3 Murillo Painting the Virgin in the Franciscan Convent at Seville, 1838, John Frederick Lewis R.A., British, 1805 - 1876, 21 1/2 x 29 3/4 in. (54.61 x 75.57 cm) (sheet)30 1/2 × 38 1/4 × 1 1/2 in. (77.47 × 97.16 × 3.81 cm) (outer frame), Watercolor, gouache, scratching out, and gum arabic over graphite, on card, England, 19th century, The British artist John Frederick Lewis painted some of the most sophisticated watercolors ever produced. This elaborate example was executed in Paris during the winter of 1838. A well-traveled artist, Lewis had closely studied the paintings of Bartolomé Estebán

2KCY2MH The Harem, 1876 - John Frederick Lewis

2JF1F29 The Ramesseum at Thebes - John Frederick Lewis, circa 1850

2HH9MNM Arab School 1841–51 John Frederick Lewis British Lewis lived in Cairo for a decade, adopting local dress and customs and making drawings that record aspects of Egyptian life. He took this sheet back to London in 1851 and used it to develop an exhibited watercolor, Interior of a School, Cairo (1865, Victoria and Albert Museum). The artist responds to the routine of a Qur'an classroom, centering his sketch on a boy who prepares to recite for a bearded Hoja or teacher. Lewis describes faces and turbans, but indicates the setting broadly and uses the brown paper–now darkened–to suggest unadorned w

2HH89K7 Two Camels ca. 1843 John Frederick Lewis British Lewis sketched these camels draped in colorful, decorative trappings during a visit to the Sinai. The evocative study typifies the artist’s carefully detailed work in Egypt between 1841 and 1851, years during which he produced hundreds of drawings. Once back in England, Lewis used the studies to develop evocations of life in Egypt, Syria and Turkey in watercolor and oil, works that profoundly influenced British conceptions of that region. At least two later desert subjects rely on the present sheet.. Two Camels 355541

2HH7NFN Lewis Powell [alias Lewis Payne] April 27, 1865 Alexander Gardner American, Scottish At roughly the same time that John Wilkes Booth shot President Lincoln, Lewis Paine attempted unsuccessfully to murder Secretary of State William Seward. The son of a Baptist minister from Alabama, Paine (alias Wood, alias Hall, alias Powell) was one of at least five conspirators who planned with Booth the simultaneous assassinations of Lincoln, Vice President Andrew Johnson, and Seward. A tall, powerful man, Paine broke into the secretary's house, struck his son Frederick with the butt of his jammed pistol, b

2HH0967 Cottages in an Extensive Landscape late 1820s William Henry Hunt Hunt’s career forms a bridge between English watercolor painting of the later eighteenth century, and Victorian masters such as John Frederick Lewis, Myles Birket Foster and the Pre-Raphaelites. At sixteen, he began a seven-year apprenticeship with John Varley, became a sketching companion of fellow student John Linnell, and took classes at the Royal Academy Schools. Most significantly, Hunt joined the circle of young artists who gathered on winter evenings at the London house of Dr. Thomas Monro to copy drawings by Canaletto and

2HGT2WM [John Frederick Lewis] 1860s John and Charles Watkins British. [John Frederick Lewis]. 1860s. Albumen silver print. Photographs

2HGNAE4 Iskander Bey and His Servant ca. 1848 John Frederick Lewis This steely-eyed boy dressed in ceremonial Albanian military uniform was the son of Sulayman Pasha al-Faransawi (1788-1860). The latter was born in France as Octave-Joseph-Anthelme Sève and served as a colonel under Napoleon. After the emperor's fall, he moved to Egypt by 1819 and helped the Ottoman viceroy, Muhammad Ali Pasha, modernize the army. Eventually, Sève converted to Islam, changed his name, and married a Greek woman, Maria Ellessi. This portrait of their son communicates pride in the family's status at the top of Egyptian so

2HHYP1Y Study for 'The Pipe Bearer' 1841–51 John Frederick Lewis British Lewis arrived in Cairo late in 1841 and stayed for nearly a decade, making hundreds of drawings and watercolors. This study of a Black Nubian servant wearing North African dress and holding a hookah was used, after the artist's return to London, to develop a figure in 'The Pipe Bearer' (1856, oil on canvas, Birmingham Museums & Art Gallery). The image demonstrates an interest in physiognomy, and the positions different ethnic groups occupied within upper class Egyptian households. Shown in profile, the main figure's head is compa

2HG1T0T January 17, 2022, Washington, District of Columbia, USA: Participants in the Deliver for Voting Rights March across the Frederick Douglass Bridge called for the passage of the John Lewis Voting Rights Act and raised the question of what has changed since Martin Luther King, Jr. was assassinated. The crossing was part of the annual D.C. Peace Walk: Change Happens with Good Hope and a Dream. (Credit Image: © Sue Dorfman/ZUMA Press Wire)

2DJ7YB6 On the Banks of the Nile, Upper Egypt, John Frederick Lewis, 1804–1876, British, 1876, Oil on panel, Support (PTG): 24 1/2 x 29 1/4 inches (62.2 x 74.3 cm), animals, basket, birds, blue, boat, camels (mammals), child, dog (animal), ducks, Egyptian, flowers (plants), jar, landscape, men, Oriental, poppies, resting, river, riverbank, riverbank, sky, sleeping, swallows, travel, women, Egypt, Nil, Nahr an

2DJ7Y11 A Lady Receiving Visitors (The Reception), John Frederick Lewis, 1804–1876, British, 1873, Oil on panel, Support (PTG): 25 × 30 inches (63.5 × 76.2 cm), couch, decoration, divan, etiquette, gender issues, interior, light, Orientalism, servants, society, visitors, woman, Cairo, Egypt, Urban

2DJ48X2 View of Fountain from the opposite side, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/4 x 22 5/8in. (43.8 x 57.5cm

2DJ48X1 View of the Island Pool in lower Thornery of Sezincot Mansion House, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm

2DJ48XR View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/2 x 22 9/16in. (44.5 x 57.3cm

2DJ48X4 Distant View of North side of Mansion House from the upper Thornery, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm

2DJ48R3 View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart., Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 13 5/16 x 18 5/16in. (33.8 x 46.5cm

2DJ48R7 East View of Mansion House, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm

2DJ48RB The Entrance Door of East Front of Mansion House, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm

2DJ48RA View of the Temple of Suryah & Fountain of the Maha Dao with a distant View of North Side of Mansion House, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 3/8 x 22 5/8in. (44.1 x 57.5cm

2DJ48R6 View of Temple Fountain & Cave, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm

2DJ48R5 South Front of Mansion House & Conservatory, Frederick Christian Lewis the Elder, 1779–1856, British, after John Martin, 1789–1854, British, c.1818, Aquatint, Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm

2DJ3PGR Study of a Crouching Fox, Facing Right, John Frederick Lewis, 1804–1876, British, undated, Watercolor, graphite and gouache on medium, slightly textured, beige, wove paper, Sheet: 6 3/4 × 10 1/8 inches (17.1 × 25.7 cm), animal art, fear, fox (animal), mammals, study (visual work), teeth

2DJ386B View of Old Aberdeen, Including King's College and the Cathedral, Frederick Christian Lewis the Elder, 1779–1856, British, after Alexander Nasmyth, 1758–1840, British, after John Thomas Seaton, active 1761–1806, British, 1808, Colored aquatint on moderately thick, moderately textured, beige, wove paper, Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm), Plate: 19 3/4 × 27 1/2 inches (50.2 × 69.9 cm), and Image: 16 13/16 × 24 1/2 inches (42.7 × 62.2 cm

2DJ3866 A Sketch for `Foresters Stalking Deer', John Frederick Lewis, 1804–1876, British, Formerly Sir Edwin Henry Landseer, 1802–1873, British, between 1824 and 1827, Oil over charcoal outline on panel, Support (PTG): 5 7/8 x 8 inches (14.9 x 20.3 cm), deer, dogs (animals), forest, foresters, horse (animal), rifle, sporting art, sportsmen

2DJ10HM View of Westminster from the East, Frederick Christian Lewis the Elder, 1779–1856, British, And John Thomas Smith, 1766–1833, British, after George Arnald, 1763–1841, British, 1806, Aquatint, hand-colored

2DJ0RKR Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office, Frederick Christian Lewis the Elder, 1779–1856, British, And John Thomas Smith, 1766–1833, British, after Canaletto, 1697–1768, Venetian, active in Britain (1746–55), And after John Thomas Smith, 1766–1833, British, 1805, Aquatint and etching

2DHWH5P “And the Prayer of Faith Shall Save the Sick”, John Frederick Lewis, 1804–1876, British, 1872, Oil on panel, Support (PTG): 35 3/4 x 27 7/8 inches (90.8 x 70.8 cm), Arabian, arch, bed, bowl, building, Christianity, costume, culture, customs, death, flowers (plants), flowers (plants), genre subject, ill, illness, illuminated manuscript, Islam, jug, light, man, manuscript (document genre), mosaics, Orientalism, people, prayer, prayers, Qu'ran, reading, religious and mythological subject, religious texts, servants, shadows, sick, slave, textiles, turban, vase, wall tile, women

2DHW104 A Young Roman Mother Admiring her Infant, Print made by Frederick Christian Lewis the Elder, 1779–1856, British, after John Flaxman, 1755–1826, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

2DHRY04 Sheik Hussein of Gebel Tor and His Son, John Frederick Lewis, 1804–1876, British, between 1842 and 1843, Watercolor, white gouache, red chalk, black chalk and graphite on medium, slightly textured, beige wove paper, Sheet: 20 1/8 x 14 1/2 inches (51.1 x 36.8 cm), beard, father, men, portrait, robes, sandals, sheikh, son, sword, turbans

2DHRXR2 A Bedouin Encampment; or, Bedouin Arabs, John Frederick Lewis, 1804–1876, British, between 1841 and 1851, Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper, Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm), Bedouin, camel (mammal), caravan, desert, genre subject, men, rugs, saddle, tents

2DHRXPP Gray Mare and a Chestnut Foal, John Frederick Lewis, 1804–1876, British, 1846, Watercolor, white gouache and graphite with scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/8 x 16 1/4 inches (28.9 x 41.3 cm), animal art, foals, horses (animals), mare, stables, trees

2DHRXPX Temple of Edfou, Upper Egypt, John Frederick Lewis, 1804–1876, British, between 1841 and 1851, Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper, Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm), architectural subject, desert, ruins, stones, temple, trees, Egypt, Idfu, Nile, Temple of Edfou

2DHRXPM Interior of the Great Mosque, (Ulucami) Bursa, Turkey, John Frederick Lewis, 1804–1876, British, between 1840 and 1841, Watercolor, gouache, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 x 17 inches (27.9 x 43.2 cm), arches, architectural subject, domes, mosques, muqarnas, Bursa, Bursa Grand Mosque, Turkey

2DHRWTY Roman Pilgrims, John Frederick Lewis, 1804–1876, British, 1854, Watercolor, gouache, gum and graphite on thick, moderately textured, cream wove paper mounted on board, Sheet: 21 7/8 × 30 1/8 inches (55.6 × 76.5 cm) and Frame: 28 3/4 × 36 3/4 × 1 3/4 inches (73 × 93.3 × 4.4 cm), books, bread, carpets, chair, children, church, columns, fabrics, feather, food, frescoes, interior, light, Madonna: i.e. Mary with the Christ-child, men, orange, peacock (bird), pilgrims, saints, stained glass, tapestries, the Virgin Mary, windows, women

2DHRWW5 Venice: The Grand Canal and Rialto, John Frederick Lewis, 1804–1876, British, 1838, Watercolor, white gouache, pen and black ink and graphite on medium, slightly textured, beige wove paper, Sheet: 7 5/8 x 10 3/8 inches (19.4 x 26.4 cm), boats, bridges (built works), buildings, canals, cityscape, gondolas, Grand Tour, perspective, water, Grand Canal, Italy, Rialto, Veneto, Venezia, Venice

2DHRYPG Tyrolese Hunters, John Frederick Lewis, 1804–1876, British, between 1827 and 1828, Watercolor, white gouache, graphite with pen and brown ink on medium, slightly textured, beige wove paper mounted on heavy card, Sheet: 11 x 8 1/8 inches (27.9 x 20.6 cm) and Mount: 13 3/8 x 9 7/8 inches (34 x 25.1 cm), cliffs, customs, dogs (animals), Grand Tour, horses (animals), hunters, landscape, mountains, sporting art, Germany, Tyrol, Österreich

2DHRYG3 Study of a Lioness, John Frederick Lewis, 1804–1876, British, ca. 1824, Watercolor and gouache over graphite on buff wove paper, Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm), animal, animal art, lioness, mouth, study (visual work), teeth

2DHRYG5 Highland Hospitality, John Frederick Lewis, 1804–1876, British, 1832, Watercolor, gouache, gum and graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 22 1/8 x 29 7/8 inches (56.2 x 75.9 cm), dogs (animals), kilts, men, spinning wheels, women, Scotland

2DHRYG2 The Valley of Lutscheuen, John Frederick Lewis, 1804–1876, British, 1827, Watercolor, white gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm) and Mount: 9 3/4 x 13 5/8 inches (24.8 x 34.6 cm), geology, Grand Tour, landscape, mountains, rocks (landforms), science, trees, valley (landform), Grindelwald, Switzerland

2DHRYFG A Street Scene in Granada on the Day of the Bullfight, John Frederick Lewis, 1804–1876, British, 1833, Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper, Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm), bottle, costume, dogs (animals), genre subject, horses (animals), men, streets, wine, women, Granada, Spain

2DHRYFJ Study for the Proclamation of Don Carlos, John Frederick Lewis, 1804–1876, British, between 1834 and 1838, Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper, Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm), buildings, crowd, hats, historical subject, men, scarves, women, Europe, Madrid, Spain

2DHRY8C St. Goarhausen on the Rhine between Koblenz and Mainz, John Frederick Lewis, 1804–1876, British, 1827, Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm) and Mount: 8 1/2 x 9 3/4 inches (21.6 x 24.8 cm), boats, cliffs, geology, Grand Tour, landscape, mountains, river, rocks (landforms), science, trees, Germany, Koblenz, Mainz, Rhine, Sankt Goarshausen

2DHRY8D A Head Keeper, Windsor Castle, 1826, John Frederick Lewis, 1804–1876, British, 1826, Black chalk, red chalk, conté, graphite and white chalk on medium, slightly textured, beige wove paper, Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm), cloak, figure study, guns, keepers, man, top hat, whistle

2DHRY8F Study of a Lion and Study of a Lioness' Head, John Frederick Lewis, 1804–1876, British, ca. 1820, Graphite, black chalk, and white chalk on medium, slightly textured, beige wove paper, Sheet: 10 5/8 x 14 5/8 inches (27 x 37.1 cm), animal art, bone, eating, lion, lioness, sketches, sleeping

2DHRY8B The Via Mala, John Frederick Lewis, 1804–1876, British, 1827, Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper, Sheet: 8 5/8 x 5 3/4 inches (21.9 x 14.6 cm), canyons, cliffs, geology, gorge, Grand Tour, landscape, mountains, rocks (landforms), trees, Graubünden, Schweiz, Switzerland, Via Mala

2DHRY85 A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance, John Frederick Lewis, 1804–1876, British, 1856, Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board, Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm) and Frame: 32 x 59 x 2 3/4 inches (81.3 x 149.9 x 7 cm), birds, books, camels (mammals), carpets, convent, desert, dogs (animals), ducks, expedition, food, furniture, gazelle, genre subject, hunting, interpreter, map, men, monastery, newspaper, pilgrimage, rabbits, reclining, tea, tents, turbans, umbrella

2DHRY0K Figures and Animals in a Vineyard, John Frederick Lewis, 1804–1876, British, ca. 1829, Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper, Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm), dogs (animals), donkey, food, genre subject, grapes, harvest, horses (animals), men, priest, reading, village, vineyards

2DHRXR1 Game Keeper and Boy Ferreting a Rabbit, John Frederick Lewis, 1804–1876, British, ca. 1828, Watercolor, pen and brown ink, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 10 1/2 x 7 5/8 inches (26.7 x 19.3 cm), dogs (animals), donkey, genre subject, hunting, rabbits, sporting art, trees

2DHRXPW A Turkish Araba Drawn by Two White Oxen, Constantinople, John Frederick Lewis, 1804–1876, British, 1841, Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper, Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm), canopy, carriage, carts, genre subject, oxen, Turkish, Constantinople, Turkey

2DHRXRC The Ramesseum at Thebes, John Frederick Lewis, 1804–1876, British, between 1841 and 1851, Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper, Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm) and Frame: 23 1/4 × 29 1/4 × 1 1/4 inches (59.1 × 74.3 × 3.2 cm), architectural subject, cage, camel (mammal), desert, donkey, genre subject, hieroglyphics, men, ruins, temple, tent, Africa, Egypt, Qina, Ramesseum, Thebes

2DHRXR3 Main Entrance of Great Mosque, (Ulu cami) Bursa, Turkey,, John Frederick Lewis, 1804–1876, British, between 1840 and 1841, Watercolor, gouache and graphite on medium, slightly textured, beige wove paper, Sheet: 11 3/4 x 18 3/4 inches (29.8 x 47.6 cm), architectural subject, architecture, columns, curtains, men, mihrabs, mosque, study (visual work), turbans, Bursa, Bursa Grand Mosque, Turkey

2DHRX6B Head of a Young Woman, John Frederick Lewis, 1804–1876, British, between 1838 and 1840, Watercolor, gouache, black chalk, and graphite on medium, slightly textured, beige wove paper, Mount: 13 5/8 x 11 1/4 inches (34.6 x 28.6 cm) and Sheet: 10 5/8 x 8 1/8 inches (27 x 20.6 cm), figure study, headscarves, oval, portrait, profile, women

2DHRX6A The Torre de Comares, Alhambra, 1835, John Frederick Lewis, 1804–1876, British, 1835, Graphite, watercolor, and gouache, with scratching out on medium, slightly textured, gray wove paper, Sheet: 14 5/8 x 10 5/8 inches (37.1 x 27 cm), architectural subject, balconies, men, roofs, towers (building divisions), women, Alhambra, Comares Tower, España, Granada

2DHRX67 Interior of an Eastern House, John Frederick Lewis, 1804–1876, British, between 1840 and 1851, Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, beige wove paper, Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm), arches, architectural subject, beds (furniture), ceilings, houses

2DHRX65 Seated Turk, John Frederick Lewis, 1804–1876, British, between 1840 and 1841, Watercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper, Sheet: 17 x 11 5/8 inches (43.2 x 29.5 cm), fezes, men, moustache, portrait, robes, Turkish

2DHRWW2 A Greek Girl Standing on a Balcony, John Frederick Lewis, 1804–1876, British, 1840, Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount, Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm) and Mount: 17 x 11 3/4 inches (43.2 x 29.8 cm), architecture, balcony, beach, building, costume, dress, genre subject, Greek, light, woman

2DD3PWE John Frederick Lewis 1805-1876. A Memlook Bey, Egypt

2DBBTDJ John Frederick Lewis 1805-1876. Edfou, Upper Egypt

2DBBT3T John Frederick Lewis 1805-1876. Edfou, Upper Egypt

2DB59T0 John Frederick Lewis 1805-1876. An Intercepted Correspondence, Cairo

2DB59D9 John Frederick Lewis 1805-1876. A Turkish School in the Vicinity of Cairo

2DB59B7 John Frederick Lewis 1805-1876. The Hosh of the House of the Coptic Patriarch ,Cairo

2DB592J John Frederick Lewis 1805-1876. The Bezestein Bazaar of El Khan Khalil, Cairo

2DB591A John Frederick Lewis 1805-1876. In the Bezestein. El Khan Khalil, Cairo

2CG23CD Lewis John Frederick - the Arab Scribe Cairo - British School - 19th Century

2CG23CN Lewis John Frederick - Suliote - British School - 19th Century

2CG23CE lewis, john frederick - The Bazaar of the Ghûriyah from the Steps of the Mosque of El-Ghûri, Cairo

2CG23CM Lewis John Frederick - the Bridge of Ronda - British School - 19th Century

2CG23CH Lewis John Frederick - the Bouquet - British School - 19th Century

2CG23CB Lewis John Frederick - the Caravan - an Arab Encampment at Edfou 1 - British School - 19th Century

2CG23BB Lewis John Frederick - St Goarhausen on the Rhine Between Koblenz and Mainz - British School - 19th Century

2CG23B9 Lewis John Frederick - Spanish Battle Scene - the Proclamation of Don Carlos - British School - 19th Century

2CG23B4 Lewis John Frederick - Study - British School - 19th Century

2CG23B6 Lewis John Frederick - Study of a Neopolitan Girl - British School - 19th Century

2CG23B8 Lewis John Frederick - Study of Three Arabs 1 - British School - 19th Century

2CG23AR Lewis John Frederick - Spanish Peasants at Ronda Spain - British School - 19th Century

2CG23AW Lewis John Frederick - Spanish Couple Riding a Mule - British School - 19th Century

2CG23B5 Lewis John Frederick - Study for the Pipe Bearer - British School - 19th Century

2CG23B7 Lewis John Frederick - Study of Three Arabs 2 - British School - 19th Century

2CG23AT Lewis John Frederick - Sheik Hussein of Gebel Tor and His Son - British School - 19th Century

2CG23B1 Lewis John Frederick - St Goarhausen - British School - 19th Century

2CG23B0 Lewis John Frederick - Study of a Seated Arab with Dead Game - British School - 19th Century

2CG23AY Lewis John Frederick - Study for the Proclamation of Don Carlos - British School - 19th Century

2CG239T Lewis John Frederick - Mehmet Ali Pasha - British School - 19th Century

2CG239P Lewis John Frederick - on the Banks of the Nile Upper Egypt - British School - 19th Century

2CG239D Lewis John Frederick - Rattler One of His Majesty's Staghounds 2 - British School - 19th Century

2CG239J Lewis John Frederick - Portrait of Halicoo Mirsa - British School - 19th Century

2CG239R Lewis John Frederick - Seated Arab Merchant at Suez - British School - 19th Century

2CG239E Lewis John Frederick - Rattler One of His Majesty's Staghounds 1 - British School - 19th Century

2CG239X Lewis John Frederick - Outdoor Gossip Cairo - British School - 19th Century

2CG239M Lewis John Frederick - Lord Ponsonby's Horses Held by Grooms - British School - 19th Century

2CG239G Lewis John Frederick - Patio De Los Arrayanes Palace of Charles V Granada - British School - 19th Century

2CG239H Lewis John Frederick - Roman Pilgrims - British School - 19th Century

2CG239F Lewis John Frederick - Main Entrance of Great Mosque (Ulu Cami) Bursa Turkey - British School - 19th Century

2CG239N Lewis John Frederick - Lilium Auratum - British School - 19th Century

2CG239A Lewis John Frederick - L 'avocetella Cava - British School - 19th Century