Pesquisando por: "JEAN MORIN AFTER PHILIPPE DE CHAMPAIGNE" - Fotoarena - Agência de fotojornalismo

2WR7RFM Portrait of Michel de Marillac, Marillac, Garde des Sceaux (title on object), print maker: Jean Morin, after painting by: Philippe de Champaigne, 1630 - 1790, paper, etching, engraving, height 296 mm × width 214 mm × height 171 mm × width 134 mm, print

2WR7JB9 Portrait of Carolus Borromaeus, print maker: Jean Morin, after painting by: Philippe de Champaigne, Franse kroon, France, 1640 - 1650, paper, etching, engraving, height 295 mm × width 235 mm, print

2TANDYJ Henri de Lorraine, comte d'Harcourt. Jean Morin (French, Paris ca. 1605-1650 Paris) After Philippe de Champaigne (French, Brussels 1602-1674 Paris) Et

2DCFMC2 Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Saint Charles, Cardinal Borromeo, etching, engraving, and stippling on laid paper, plate: 30.7 x 25.3 cm (12 1/16 x 9 15/16 in.), sheet: 32.5 x 26 cm (12 13/16 x 10 1/4 in

2DCFMBY Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Saint Charles, Cardinal Borromeo, etching, engraving, and stippling on laid paper, sheet (trimmed to plate mark): 30.8 x 24.4 cm (12 1/8 x 9 5/8 in

2DCFM6A Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Rene de Longueil, marquis de Maisons, etching, engraving, and stippling on laid paper, plate: 30.9 x 25.1 cm (12 3/16 x 9 7/8 in.), sheet: 32.2 x 26.5 cm (12 11/16 x 10 7/16 in

2DCFK4B Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Nicholas de Neufville, marquis de Villeroy, etching, engraving, and stippling, touched with black ink, on laid paper, sheet (trimmed to plate mark): 30.4 x 23.7 cm (11 15/16 x 9 5/16 in

2DCFFJA Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Henri de Lorraine, comte d'Harcourt, etching, engraving, and stippling on laid paper, sheet (trimmed to plate mark): 30.3 x 24.7 cm (11 15/16 x 9 3/4 in

2DCFEEK Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Francois Potier, marquis de Gevres, etching, engraving, and stippling on laid paper, sheet: 31 x 25.2 cm (12 3/16 x 9 15/16 in

2DCEWNM Jean Morin, (artist), French, c. 1600 - 1650, Philippe de Champaigne, (artist after), French, 1602 - 1674, Charles de Valois, duc d'Angouleme, etching, engraving, and stippling on laid paper, sheet (trimmed to plate mark): 29.6 x 23.8 cm (11 5/8 x 9 3/8 in

2HTXEJ1 Art inspired by L'Abbé de Saint Cyran, 17th century, Engraving, Sheet: 13 7/16 × 9 1/16 in. (34.1 × 23 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCBGHX L'Abbé de Saint Cyran, 17th century, Engraving, Sheet: 13 7/16 × 9 1/16 in. (34.1 × 23 cm), Prints, Jean Morin (French, Paris

2HW8DWD Art inspired by Jean-François-Paul de Gondi, Le cardinal de Retz, 1650, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 3/16 × 9 11/16 in. (31 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean Morin (French, Paris ca. 1605–1650 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCBGR8 Jean-François-Paul de Gondi, Le cardinal de Retz, Robert Nanteuil, 1650

2HW62EC Art inspired by Michel de Marillac, conseiller d'etat et garde des sceaux, Etching, sheet: 13 3/8 x 11 13/16 in. (34 x 30 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62DA Art inspired by Saint Charles Borromee, cardinal et archeveque de Milan, Etching, third state, image: 12 1/8 x 9 5/8 in. (30.8 x 24.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62CG Art inspired by La sainte Face couronnee d'epines, (grand format), Etching, second state, sheet: 20 x 13 3/4 in. (50.8 x 35 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62CJ Art inspired by Rene de Longueil, futur marquis de Maisons, Etching, image: 12 3/16 x 9 13/16 in. (31 x 25 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62C2 Art inspired by Michel de Marillac, conseiller d'etat et garde des sceaux, 17th century, Etching, image: 12 3/8 x 10 1/8 in. (31.5 x 25.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62C9 Art inspired by Jean Duvergier de Hauranne, abbe de Saint-Cyran, Etching, image: 13 9/16 x 9 7/16 in. (34.4 x 23.9 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A0 Art inspired by Jean Duvergier de Hauranne, abbe de Saint-Cyran, Etching, sheet: 13 x 10 7/16 in. (33 x 26.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AN Art inspired by Francois de Villemontee, conseiller d'etat ordinaire, Etching, image: 11 7/16 x 9 3/16 in. (29 x 23.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A9 Art inspired by Groupe de deux angelots (regardant vers la droite), Etching, sheet: 9 13/16 x 8 1/16 in. (25 x 20.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A7 Art inspired by Saint Charles Borromee, cardinal et archeveque de Milan, Etching, second state, sheet: 12 11/16 x 10 1/2 in. (32.3 x 26.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AD Art inspired by Francois Potier, marquis de Gesvres, marechal de camp, Etching, image: 11 7/16 x 9 3/16 in. (29 x 23.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AP Art inspired by Jean-Francois-Paul de Gondy, coadjuteur de l'archeveque de Paris, futur cardinal de Retz, Etching, image: 12 1/16 x 9 3/4 in. (30.7 x 24.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A6 Art inspired by Gilbert de Choiseul-Praslin, eveque de Comminges, Etching, sheet: 16 3/4 x 13 5/16 in. (42.5 x 33.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A2 Art inspired by Theophile Brachet de la Milletiere, conseiller du roi, Etching, third state, sheet: 12 5/8 x 10 3/8 in. (32 x 26.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A5 Art inspired by Robert Arnauld d'Andilly, conseiller du roi, Etching, second state, sheet: 15 3/16 x 11 11/16 in. (38.5 x 29.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AH Art inspired by Amador Jean-Baptiste de Vignerod, abbe de Richelieu, Etching, first state, Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AB Art inspired by Groupe de deux angelots (l'un regardant de face et l'autre vers la gauche), Etching, sheet: 9 13/16 x 8 7/16 in. (25 x 21.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AA Art inspired by Anne d'Autriche, reine de France, en habit de deuil, Etching, image: 11 11/16 x 9 1/4 in. (29.7 x 23.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62A4 Art inspired by Anne d'Autriche, reine de France, en deuil de cour, Etching, sheet: 14 15/16 x 11 1/2 in. (38 x 29.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW629Y Art inspired by Saint Charles-Borromee, cardinal et archeveque de Milan, Etching, second state, sheet: 12 3/8 x 9 13/16 in. (31.5 x 25 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AJ Art inspired by Nicolas de Neuville, marquis de Villeroy, Etching, sheet: 12 11/16 x 10 1/16 in. (32.2 x 25.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AC Art inspired by Cardinal Mazarin, ministre d'Anne d'Autriche et de Louis XIV, Etching, image: 11 9/16 x 9 1/4 in. (29.3 x 23.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62AE Art inspired by Amador Jean-Baptiste de Vignerod, abbe de Richelieu, Etching, third state, sheet: 12 3/8 x 9 1/8 in. (31.4 x 23.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6283 Art inspired by Michel Le Tellier, conseiller du roi, 1620–50, Etching, second state, image: 11 5/8 x 9 1/8 in. (29.5 x 23.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6282 Art inspired by Jacques Tuboeuf, intendant des finances, Etching, sheet: 13 3/16 x 10 1/2 in. (33.5 x 26.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6281 Art inspired by Jacques-Auguste de Thou, premier president au Parlement, Etching, sheet: 13 5/16 x 10 3/8 in. (33.8 x 26.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6284 Art inspired by Omer II Talon, avocat au Parlement et conseiller du roi, Etching, after first state, image: 12 1/16 x 9 3/16 in. (30.6 x 23.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH78 Art inspired by La Vierge de douleurs, Etching, image: 18 3/8 x 13 11/16 in. (46.7 x 34.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH81 Art inspired by Saint Pierre, 17th century, Etching, sheet: 18 3/16 x 13 1/2 in. (46.2 x 34.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH6Y Art inspired by L'Ecce Homo, Etching, sheet: 20 x 14 7/16 in. (50.8 x 36.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH6W Art inspired by Michel Le Tellier conseiller du roi, Etching, second state, image: 12 1/8 x 9 3/4 in. (30.8 x 24.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH70 Art inspired by Saint Pierre, Etching, sheet: 21 x 15 9/16 in. (53.3 x 39.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH6F Art inspired by Saint Bernard de Clairvaux, Etching, sheet: 20 x 13 3/4 in. (50.8 x 35 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH4W Art inspired by Saint Paul, Etching, sheet: 21 1/4 x 15 1/4 in. (54 x 38.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH57 Art inspired by Saint Pierre, Etching, sheet: 19 7/8 x 13 5/8 in. (50.5 x 34.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH59 Art inspired by Pierre Maugis, seigneur des Granges, Etching, sheet: 15 3/16 x 11 1/8 in. (38.6 x 28.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH5D Art inspired by Louis XIII, roi de France, Etching, image: 12 3/16 x 9 7/16 in. (31 x 24 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH5B Art inspired by Jacques Le Mercier, architecte du roi, Etching, image: 12 5/8 x 10 7/16 in. (32.1 x 26.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH5E Art inspired by Saint Paul, Etching, sheet: 19 7/8 x 13 9/16 in. (50.5 x 34.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH4D Art inspired by L'adoration des bergers, Etching, sheet: 20 1/16 x 13 3/8 in. (51 x 34 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH4H Art inspired by Sainte Julienne de Mont-Cornillon, Etching, sheet: 19 13/16 x 13 5/8 in. (50.3 x 34.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH4X Art inspired by L'Assomption de la Vierge, Etching, sheet: 17 1/2 x 14 7/16 in. (44.4 x 36.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH3A Art inspired by Henri de Lorraine, comte d'Harcourt, Etching, image: 11 13/16 x 9 1/2 in. (30 x 24.1 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH0J Art inspired by Pierre Bartier, eveque de Montauban, Etching, image: 12 1/8 x 9 3/16 in. (30.8 x 23.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH0G Art inspired by Cardinal de Richelieu, Etching, late state, sheet: 12 3/16 x 9 13/16 in. (31 x 25 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH0X Art inspired by La Vierge a l'enfant, Etching, sheet: 15 11/16 x 11 3/4 in. (39.8 x 29.9 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH13 Art inspired by Charles de Valois, duc d'Angouleme, Etching, image: 11 13/16 x 9 7/16 in. (30 x 24 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH1A Art inspired by Antoine Vitre, typrographe du roi, Etching, third state, image: 12 3/16 x 8 3/8 in. (31 x 21.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXGYY Art inspired by Cardinal de Richelieu, Etching, sheet: 12 1/16 x 9 11/16 in. (30.7 x 24.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH00 Art inspired by Jean-Pierre Camus, eveque de Belley, Etching, sheet: 12 3/16 x 10 1/8 in. (31 x 25.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXGYT Art inspired by Le petit saint Bernard, Etching, second state, sheet: 11 5/16 x 8 3/16 in. (28.8 x 20.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXH0M Art inspired by Nicolas de Netz, eveque d'Orleans, Etching, sheet: 12 3/8 x 10 1/16 in. (31.5 x 25.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCBDW3 La Vierge de douleurs, Etching, image: 18 3/8 x 13 11/16 in. (46.7 x 34.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650

KCBDTE Saint Pierre, Etching, sheet: 19 7/8 x 13 5/8 in. (50.5 x 34.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

KCBDT7 La sainte Face couronnee d'epines, (grand format), Jean Morin

KCBDTT L'Ecce Homo, Etching, sheet: 20 x 14 7/16 in. (50.8 x 36.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After

KCBDTG Saint Paul, Etching, sheet: 21 1/4 x 15 1/4 in. (54 x 38.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

KCBDTA Saint Paul, Etching, sheet: 19 7/8 x 13 9/16 in. (50.5 x 34.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

KCBDW4 L'Assomption de la Vierge, Etching, sheet: 17 1/2 x 14 7/16 in. (44.4 x 36.7 cm), Prints, Jean Morin (French, Paris ca. 1605

KCBDTJ Saint Pierre, 17th century, Etching, sheet: 18 3/16 x 13 1/2 in. (46.2 x 34.3 cm), Prints, Jean Morin (French, Paris ca. 1605

KCBDTF Saint Pierre, Etching, sheet: 21 x 15 9/16 in. (53.3 x 39.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

KCBDRW L'adoration des bergers, Etching, sheet: 20 1/16 x 13 3/8 in. (51 x 34 cm), Prints, Jean Morin (French, Paris ca. 1605–1650

KCBDRP Sainte Julienne de Mont-Cornillon, Etching, sheet: 19 13/16 x 13 5/8 in. (50.3 x 34.6 cm), Prints, Jean Morin (French, Paris

KCBDR4 Michel de Marillac, conseiller d'etat et garde des sceaux, Jean Morin, 17th century

KCBDR7 Jacques Le Mercier, architecte du roi, Etching, image: 12 5/8 x 10 7/16 in. (32.1 x 26.5 cm), Prints, Jean Morin (French, Paris

KCBDPX Cardinal de Richelieu, Etching, sheet: 12 1/16 x 9 11/16 in. (30.7 x 24.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650

KCBDRH Cardinal de Richelieu, Etching, late state, sheet: 12 3/16 x 9 13/16 in. (31 x 25 cm), Prints, Jean Morin (French, Paris

KCBDR5 Michel de Marillac, conseiller d'etat et garde des sceaux, Jean Morin

KCBDT4 Saint Bernard de Clairvaux, Etching, sheet: 20 x 13 3/4 in. (50.8 x 35 cm), Prints, Jean Morin (French, Paris ca. 1605–1650

KCBDRG Nicolas de Netz, eveque d'Orleans, Etching, sheet: 12 3/8 x 10 1/16 in. (31.5 x 25.5 cm), Prints, Jean Morin (French, Paris

KCBDPT Pierre Maugis, seigneur des Granges, Etching, sheet: 15 3/16 x 11 1/8 in. (38.6 x 28.2 cm), Prints, Jean Morin (French, Paris

KCBDR2 Rene de Longueil, futur marquis de Maisons, Jean Morin

KCBDP8 Louis XIII, roi de France, Etching, image: 12 3/16 x 9 7/16 in. (31 x 24 cm), Prints, Jean Morin (French, Paris ca. 1605–1650

KCBDPE Saint Charles Borromee, cardinal et archeveque de Milan, Jean Morin

KCBDPF Jean-Francois-Paul de Gondy, coadjuteur de l'archeveque de Paris, futur cardinal de Retz, Jean Morin

KCBDP9 Michel Le Tellier conseiller du roi, Etching, second state, image: 12 1/8 x 9 3/4 in. (30.8 x 24.7 cm), Prints, Jean Morin

KCB4RD Jacques-Auguste de Thou, premier president au Parlement, Jean Morin

KCB4RA Nicolas de Neuville, marquis de Villeroy, Jean Morin

KCB4RW Antoine Vitre, typrographe du roi, Etching, third state, image: 12 3/16 x 8 3/8 in. (31 x 21.2 cm), Prints, Jean Morin (French

KCB4R5 Amador Jean-Baptiste de Vignerod, abbe de Richelieu, Jean Morin

KCB4PN Jacques Tuboeuf, intendant des finances, Jean Morin

KCB4R8 Francois de Villemontee, conseiller d'etat ordinaire, Jean Morin

KCB4R4 Amador Jean-Baptiste de Vignerod, abbe de Richelieu, Jean Morin

KCB4N0 Omer II Talon, avocat au Parlement et conseiller du roi, Jean Morin

KCB4MY Michel Le Tellier, conseiller du roi, Jean Morin, 1620–50

KCB4N5 Cardinal Mazarin, ministre d'Anne d'Autriche et de Louis XIV, Jean Morin