Pesquisando por: "GIOVANNI B. PIRANESI" - Fotoarena - Agência de fotojornalismo

2T8F835 View of the Same Shrine, Giovanni Battista Piranesi, 1762, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 598 mm, Height (paper size) 770 mm, Width (plate size) 910 mm, Width (paper size) 1,020 mm, Prospettiva dello stesso, Delubro, A Residuo di Cornice già acceri, nato nella Tav. V pesso la, lett. A, B Muro ed arco fattivi dai, Moderni, Graphic Design, European, Enlightenment (1690 - 1800

2T8F82W Mausoleum of Cecìlia Metèlla, Giovanni Battista Piranesi, 1762, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 457 mm, Height (paper size) 530 mm, Width (plate size) 638 mm, Width (paper size) 770 mm, Sepolcro di Cecilia Metella, or detto Capo di bove, fuori della porta, di S. Sebastiano su l'antica via Appia., A. Costruttura co' merli aggiuntavi nel tempi bassi., B. Rovine di altre fortificazioni de' medesimi tempi., 112 XXVI, Piranesi F., Graphic Design, European

2T8F82G View of Colosseum, Giovanni Battista Piranesi, 1757, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size) 440 mm, Height (paper size) 530 mm, Width (plate size) 700 mm, Width (paper size) 770 mm, A. Archi del prim'Ordine dell' Anfiteatro, pe'quali il popolo ascendeva ai grandi degli Spettacoli., B. Recinti moderni. C. Numeri incisi negli stessi archi, forse per segno di chi desiderava d'esser rinvenuto, fra la moltitude degli Spettatori. D. Arco senza numero

2T8F837 Caryatids, Giovanni Battista Piranesi, 1778, Graphic Art, Copper Engraving, Etching, Paper, Color, Printer's ink, Copper engraving, Etching, Printet, Height (plate size?) 733 mm, Width (plate size?) 532 mm, 68, A Sua Eccelenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti, In alto osseqie il Cav. Gio. Batta. Piranesi D.D.D., Nel anno 1765 nella Vigna Strozzi su la Via Appia fuori di Porta San Sebastiano mezzo migilio, incirca passtrate capo di bove fireno ritrovate le Caritadi scanate A.B.C. in quella segnata ...., Cavalier Piranesi F., Graphic Design, European

2M8JNHW Piranesi (1720-1728). Engraving entitled 'Portrait of G.B. Piranesi in imitation of an antique bust, from Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect), by Felice Polanzani, 1750

2J004R8 A. View of the Tomb of Licinianus Piso on the ancient Appian Way...B. Tomb of the Cornelii.... Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1760-1778. Prints; etchings. Etching

2HWJB8B A., B. Vue des deux restes de rangs de colonnes qui étoient au Temple de Neptune qui latéralement formoient les portiques dans la celle, et soutenaient le comble de l’édifice… (A., B. View of the Remains of the Two Rows of Columns in the Temple of Neptune that Formed the Colonnades Along the Sides of the Cella and Supported the Uppermost Part of the Roof … ), from Différentes vues de … Pesto (Different Views of … Paestum). Artist: Giovanni Battista Piranesi, Italian, 1720–1778

2HWJB86 A., B. Vue des restes interieurs d’un des Pronaos du Temple de Neptune qui regarde du côté de la terre … (A., B. Interior View of the Remains of One of the Pronaoi of the Temple of Neptune that Faces Inland … ), from Différentes vues de … Pesto (Different Views of … Paestum). Artist: Giovanni Battista Piranesi, Italian, 1720–1778

2HWJB1N Veduta del Tempio ottangolare di Minerva Medica (View of the Octagonal Temple of Minerva Medica [now considered to have been a nymphaeum in the Horti Liciniani or Gardens of Licinius]), from Vedute di Roma (Views of Rome). Artist: Giovanni Battista Piranesi, Italian, 1720–1778

2HWJB15 A. Veduta del Sepolcro di Pisone Liciniano su l’antico via Appia .. B. Sepolcro della famiglia Cornelia … (A. View of the Tomb of Piso Licinianus on the Ancient Appian Way … B. Tomb of the Cornelii … ), from Vedute di Roma (Views of Rome). Artist: Giovanni Battista Piranesi, Italian, 1720–1778

2DRYN1K Mint: Samos, Tetradrachm from Samos, 500–490 B.C., Silver, 12.98 g, 8:00, 21.3 mm, Made in Samos, Ionia, Greek, 5th century B.C., Numismatics, Prints and Drawings, Artist: Giovanni Battista Piranesi, Italian, 1720–1778, Autre vue de l’interieure du Pronaos, qui a déjà été décrit, et dessiné, dans la planche précédente. (Another View of the Pronaos Described and Drawn in the Preceding Plate), from Différentes vues de … Pesto (Different Views of … Paestum), Etching, platemark: 48.8 × 66 cm (19 3/16 × 26 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints

2DNC87X Temple of Venus in Rome, Giovanni Battista Piranesi, Italian, 1720–1778, Etching, Horizontal rectangle. In mid-distance the ruins of the Temple of Venus; the apse at the right; marble pieces in foreground. A group of figures at left. Inscribed, lower right: 'G.B. Piranesi Archt. incise'; along lower margin: 'Veduta degli avanzi di due Tricliny ... Campo Vaccino'; lower left: 'Presso l'autore ... Mezzo', Italy, after 1759, Print

2DNBKFY The Arch of Marcus Aurelius, Giovanni Battista Piranesi, Italian, 1720–1778, Etching, Vertical rectangle. The arch is seen, partially in ruins, spanning a city street (the Corso, Rome). Below, the inscription: 'ARCUS MARCI AURELIT IMP. EX EJUS ARCHETYPIS, EFFORMATIS ANTE QUAM / DESTRUERETUR OB AMPLIANDUM HIPPODROMUM . A, B. ANAGLYPHI QUI ASSERVAN -/ TUR IN AEDIBUS CAPITOLINIS. C. COLUMNA COCHLIODES EJUSDEM MARCI'. Published in 'Il Campo Marsio dell'antica Roma', pl. 36 (See 1956-15-1). Calcographia Nazionale reprint., Italy, 1762, Print

2DN0Y77 Title page, 'Il Campo Marzio dell'Antica Roma,' from part 20 of 'The Complete Works of Giovanni Battista Piranesi', Giovanni Battista Piranesi, Italian, 1720–1778, Francesco Piranesi, Italian, about 1756 - 1810, Etching on off-white laid paper, Small section of the Campus Martius in vertical rectangle. At bottom right, a tablet overgrown with vegetation is inscribed with title of the section: 'IL CAMPO / MARZIO / DELL'ANTICA ROMA / OPERA / DI G B PIRANESI / SOCIO DELLA REAL SOCIETA DEGLI ANTIQVARI DI LONDRA., 1800, architecture, Print

3AYJP71 An imaginative landscape featuring grand, dilapidated architectural ruins amidst a serene natural environment, with lush greenery and dramatic cloud formations enhancing the timeless beauty of the scene. A. View of the Tomb of Licinianus Piso on the ancient Appian Way… B. Tomb of the Cornelii…, from Views of Rome, 1764, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9), Italy, Etching on heavy ivory laid paper, 405 x 603 mm (image), 413 x 611 mm (plate), 490 x 669 mm (sheet) Classic art

KCABK0 The so-called Grotto of Egeria (Veduta della fonte e delle spelonche d'Egeria fuor della Porta Capena), Giovanni B. Piranesi

EDPD59 Giovanni Battista Piranesi (Italian, 1720 - 1778). Title Page: Imaginary Prisons of G. Battista Piranesi, Venetian Architect

2JAKXJW A b View of the interior remains of one of the pronaos of the Neptune temple which looks on the side of the earth, which is that of the temple. Its d walls are now ruins. F. Pilasters .. CD Piranesi, Giovanni Battista (1720 1778)

3BJ5C0H The Colosseum at Rome, 1821. Page 226 of "Voyages and Travels of Her Majesty, Caroline Queen of Great Britain: including visits to various parts of Germany, France, Italy, Greece, Palestine, &c. ... By one of Her Majesty's suite [i.e. Louise Demon. [London, England, 1821]

3BF41K3 Rome, Piranesi, Giovanni Battista, Rome, Le Antichità Romane, Archaeological finds in and around Rome, Vincibus.et.protectoribus.bonarum.artium.I.B.Piranesius, Second frontispice of volume IV of 'Le Antichità Romane', Frontispice with monumental Roman port, Verso-stamped, Numbered top right: Tom. IV., print, frontispice, prints, height 406 mm, width 547 mm, Italian, 1720-10-04 - 1778-11-09, printmaker, 1756 - 1757, paper, etching, Work conception, according to his own design

3BF41AX Rome, Piranesi, Giovanni Battista, Rome, Le Antichità Romane, Archaeological finds in and around Rome, Urbis aeternae salcia e r uderibus temporumque iniriis vindicata aeneis tabulis incisa I. B. Pranesius Venet Romae degens aevo suo posteris et utilizati publicae C.V.D., Frontispice of volume I of 'Le Antichità Romane', Frontispice with antique ruins and a triumph arch, vero - stamped, Numbered top left: I. Tom I., print, frontispice, prints, height 465 mm, width 680 mm, Italian, 1720-10-04 - 1778-11-09, printmaker, 1756 - 1757, paper, etching, Work conception, according to his own design

3B3EB7K Egyptian mural decoration for the Caffe degli Inglesi, Piazza di Spagna, Rome, 1769. Ancient Egyptian design with statues, hieroglyphics, and animals on the pediment above. From "Diverse manieri di adornare i cammini" by Giovanni Battista Piranesi.

3AYN9G2 A weathered monument stands amidst crumbling structures, entwined with overgrown foliage, evoking a sense of timelessness and forgotten histories against a swirling, ethereal backdrop. A. View of the Tomb of Licinianus Piso on the ancient Appian Way… B. Tomb of the Cornelii…, from Views of Rome, 1764, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9), Italy, Etching on heavy ivory laid paper, 405 x 603 mm (image), 413 x 611 mm (plate), 490 x 669 mm (sheet) Classic art with a modern twist

3AA85XJ An ancient structure stands in a desolate landscape, its once grand façade now crumbling and entwined with nature, while a nearby dome-like formation adds an element of mystery to the eerie scene. Twisted lines and abstract forms create a haunting atmosphere, suggesting a story of decay and forgotten history., Classic art with a modern twist reimagined by Artotop, Based on A. View of the Tomb of Licinianus Piso on the ancient Appian Way… B. Tomb of the Cornelii…, from Views of Rome, 1764, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-

3A7NNW0 An ornate, historical title page featuring intricate architectural motifs and classical symbols, highlighting the work of Giovanni Battista Piranesi. The design includes elements like columns, urns, and a prominent title that reflects the grandeur of ancient Rome., Classic art with a modern twist reimagined by Artotop, The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London, 1762, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Book with forty-nine etchings in black on ivory wove paper

3A7K5WC A detailed depiction of ancient ruins, featuring a weathered structure adorned with crumbling columns and overgrown vegetation, alongside a rounded tower with intricate patterns. The scene evokes a sense of history and the passage of time, surrounded by lush foliage and a dramatic sky., Classic art with a modern twist reimagined by Artotop, A. View of the Tomb of Licinianus Piso on the ancient Appian Way… B. Tomb of the Cornelii…, from Views of Rome, 1764, published 1800–07, Giovanni Battista Piranesi (Italian, 1720-1778), published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italia

3A1B5XY The Arch of Septimus Severus, 1772.

3A1B5X7 The Lion Bas-Reliefs, 1761.

3A1B4PD The Basilica of Constantine, 1757.

2YX4J31 Design for chimneypiece with Egyptian design, sphinxes, hieroglyphs and bulls, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)"

2YX4J1F Design for a chimneypiece with detailed moulded surround with figures, lattice-work, horses and tritons, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Gia

2YX4J1P Design for chimneypiece with ornate Egyptian design over mantlepiece, animals and figures at jambs, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambatt

2YX4J1K Different shells thought to inspire the forms of Etruscan vases, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovanni Ba

2YX4J11 Design for a chimneypiece with foliate ornamentation and medallions, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovann

2YX4J1A Various Etruscan architectural sculptural designs and carvings, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovanni Bat

2YX4J26 Different shells thought to inspire the forms of Etruscan vases, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovanni Ba

2YX4HRD Design for bureau with clock, vases and foliate ornamentation, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovanni Batt

2YX4HR0 Design for a chimneypiece with Egyptian figures, acrobats, hieroglyphs and medals over the mantlepiece, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giam

2YX4HT2 Designs for clocks, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovanni Battista Piranesi, [Rome, 1769].

2YX4HTE Designs for clocks and candleholders, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovanni Battista Piranesi, [Rome, 176

2YX4HR4 Designs for mantlepiece clocks, ornamentation and decorative borders, 1769. From "Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apologia in defence of the Egyptian and Tuscan architecture, the work of Cavaliere Giambattista Piranesi)" by Giovan

2WRBHEG A B vue des restes interieurs d'un des pronaos du temple de Neptune ..., Piranesi del. et sculp., View of the interior of the temple of Neptune, with lettered key., Piranesi, Giovanni Battista, 1720-1778, artist, between 1740 and 1778, Temples, Greek, Italy, 1740-1780, Etchings, 1740-1780., Etchings, 1740-1780, 1 print: etching, 50.2 x 68.5 cm

2W9TRFF Portrait of G.B. Piranesi in imitation of an antique bust, from 'Opere varie di Architettura, prospetive, grotteschi, antichita; inventate, ed incise da Giambattista Piranesi Architetto Veneziano' (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect) 1937 by Giovanni Battista Piranesi

2TBM74G Illumination of the Cross in St. Peter's on Good Friday, 1787.

2TBM6K0 View of the Baths of Titus (image 2 of 2), c1775. From Vedute di Roma, plate 123.

2TBM6K1 Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square..., 1761-mid 1780s. From Opere varie, later Roman edition (circa 1761-late 1780s).

2TBM6JN Another view of the Temple of the Sibyl in Tivoli, c1761.

2TBM6JP Hall in the Corinthian Order, c1743. From Prima Parte di Architetture e Prospettive, plate 9.

2TBM6JX Ruins of Ancient Buildings, c1743. From Prima Parte di Architetture e Prospettive, plate 6.

2TBM6JY View of the Pantheon of Agrippa, today Santa Maria ad Martyres, c1761. From Vedute di Roma, plate 60.

2TBM6JW A. View of the Tomb of Licinianus Piso on the ancient Appian Way...B. Tomb of the Cornelii..., between 1760 and 1778. From Vedute di Roma, plate 72.

2TBM6JT Prisoners on a Projecting Platform, between 1749 and 1750. From Invenzioni Capric di Carceri.

2TBM6GR The Man on the Rack, 1761. From 5 of 6.

2TBM6GH The Round Tower, 1761. From Le Carceri d'invenzione, pl. III.

2TBM6GK The Smoking Fire, 1761. From Le Carceri d'invenzione, pl. VI.

2TBM6GN Ancient Tomb with Obelisks Surrounded by Sepulchral Urns, c1743. From Prima Parte di Architetture e Prospettive, plate 3.

2TBM6GP Imaginary Appearance of the Ancient Capitol, c1743. From Prima Parte di Architetture e Prospettive, plate 10.

2TBM6GJ Magnificent Architectural Space, c1743. From Prima Parte di Architetture e Prospettive, plate 11.

2TBM6GM Interior of a Prison, c1743. From Prima Parte di Architetture e Prospettive, plate 2.

2TBM6FG The Sawhorse, 1761. From Le Carceri d'invenzione, pl. XII.

2TBM6F7 The Well, 1761. From Le Carceri d'invenzione, pl. XIII.

2TBM6F0 Title Page, 1761. From Le Carceri d'invenzione, pl. I.

2TBM6F4 View of the Small Waterfall and Rapids, Tivoli, c1769. Series: Vedute di Roma, plate 126.

2T6CKR4 View of the Temple of Bacchus, now the church of San Urbano, two miles distant from Rome, beyond the Porta San Sebastiano..between c1760 and c1778.

2T6CKPX The Sawhorse, between 1749 and 1750. Series: Invenzioni Capric di Carceri; Edition: first.

2T6CKPT Imaginary ancient temple designed in the style of those built in honor of the Goddess Vesta: in the center is the great altar on which the Vestal Virgins preserved the inextinguishable sacred fire.. c1743. Series: Prima Parte di Architetture e Prospettive, plate 15; Edition: First edition, third issue.

2T6CKR5 The Giant Wheel, 1761. From Le Carceri d'Invenzione (II).

2T6CKNK Group of columns which support two arches of a great courtyard.. c1743. Series: Prima Parte di Architetture e Prospettive, plate 4; Edition: First edition, third issue.

2T6CKR2 Courtyard Surrounded by Porticoes, c1743. Series: Prima Parte di Architetture e Prospettive, plate 12; Edition: First edition, third issue.

2T6CKP8 The Lion Bas-Reliefs, 1761. Series: Le Carceri d'invenzione, pl. V.

2T6CKPM The Sawhorse, 1761.

2T6CKPJ View of the Baths of Titus (image 1 of 2), c1775. Series: Vedute di Roma, plate 123.

2T6CKNN The Staircase with Trophies, 1761. Series: Le Carceri d'invenzione, pl. VIII.

2T6CKNW Ancient Temple, c1743. Series: Prima Parte di Architetture e Prospettive, plate 13; Edition: First edition, third issue.

2T6CKPB View of the interior of the Tomb of Saint Costanza, built by Constantine the Great, and erroneously called the Temple of Bacchus, now the Church of Saint Costaza, c1760-1778. Series: Vedute di Roma, plate 25.

2T6CKN4 The Gothic Arch, 1761. Series: Le Carceri d'invenzione, pl. XIV.

2T6CKP3 The Grand Piazza, 1761. Series: Le Carceri d'invenzione, pl. IV.

2T6CKN3 Prisoners on a Projecting Platform, 1761. Series: Le Carceri d'invenzione, pl. X.

2P1BEY5 Prima Parte; Grotteschi; Carceri; Alcuna Vedute ...; Trofei di Ottaviano Augusto, published 1800/1809.

2P1BEX3 Varie vedute di Roma antica e moderna disegnate e intagliate da celebri autori, published 1748.Various views of ancient and modern Rome designated and carved by celebrated authors.

2P1BEXH Oeuvres des Chevaliers Jean Baptiste et François Piranesi, 1792.

2P1BE9X Antiquites de la Grande-Grece (volume I), published 1804.Antiquities of Greater Greece

2P1BEA7 Le Magnificenze di Roma Le Più Remarcabili Consistenti In Gran Numero di Stampe Nelle quali vengano rappresentate le più cospicue Fabbriche Di Roma Moderna, E Le Rimaste Dell' Antica, Anche Quelle, Che Sparse Sono Per L'Italia Con L'Aggiunta Ancora Di Molte Invenzioni Si Prospettiva Sulla Maniera Degl' Antichi Romani, Come Anche Di Molti Capricci Di Carceri Sotterranee. Il Tutto Com Singolar Gusto, E Studio Diligentemente Delineate, Inventate, Ed Incise Da Giambattista Piranesi Architetto Veneziano, E Raccolte Da Giovanni Bouchard Mercante Librajo Al Corso, published 1751.The magnifi

2P1BEA3 Prima Parte di Architetture, e Prospettive (First Edition, Third Issue), dated 1743 but printed 1747.First part of Architecture and Perspectives

2P1BE9W Lettere di Giustificazione scritte a Milord Charlemont e a' di lui Agenti di Roma, 1757.Letters of Justification written to Milord Charlemont and to Agents of Rome

2P1AMX1 Fantasy on a Magnificent Triumphal Arch, 1765.

2P1AMX7 A Fantastic Vase, 1746/1747.

2P1AM6J A Young Man with a Staff, c. 1765.

2P1AM2N Two Workmen at Tables (recto), early 1770s.

2P1AM30 An Old Man with a Cape and a Rustic with a Backpack, 1750s.

2P1AM41 A Gentleman with a Walking Stick, early 1750s.

2P1AM50 A Pregnant Young Woman and a Young Man with a Staff, 1750s.

2K09WAD Roman Prison, second half 18th century.

2GGBBXA Veduta dell'Anfiteatro Flavio detto il Colosseo, 1776. View of the Flavian Amphitheatre, known as the Colosseum. From: 'Vedute di Roma' (Views of Rome).

2GGBBX1 Ancient Egyptian ornament, 1769. [Altro spaccato per longo della stessa bottega, ove si vedono fra le aperture del vestibolo le immense piramidi, ed altri edifizi sepolcrali ne' deserti dell'Egitto]. From Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi Architetto (Diverse Ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture with an Apol

2GGBBX5 Chimneypiece in the Egyptian style: Giant figures supporting the lintel, flanked by chairs, 1769. From Diverse Maniere d'adornare i cammini... (Diverse Ways of ornamenting chimneypieces...).

2GGBBDK The Warwick Vase, 1778-80. Ancient Roman marble excavated in Italy by Gavin Hamilton, and later owned by Lord Hamilton. It was pieced together over a long period of time from a large number of fragments. From Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi).

2GGBBD2 Antique marble candleholder, 1778-80. Candlestick said by Piranesi to have been found in 1769 at Pantanello, two miles from Tivoli. From Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi).

2GGBBCW View of the so-called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus, 1760-78.

2GGBBDT Title page with eagle, coin showing image of Trajan's Column, classical sculptures, 1774-79. From Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte da Traiano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo Romano doppo i suoi trionfi..., The Trophy or Magnificent Spiral Column...a volume of prints depicting views and plans of Trajan's Column in Rome.