Pesquisando por: "FRIEDRICH OLIVIER" - Fotoarena - Agência de fotojornalismo

2T8HME6 FRIEDRICH OLIVIER, monastery church of Santi Quattro Coronati, Rome, October 1820, sheet, 163 x 242 mm, pen and brush in brown over pencil on paper, monastery church of Santi Quattro Coronati, Rome, FRIEDRICH OLIVIER, 19TH CENTURY, DRAWING, pen and brush in Brown over pencil on paper, INK?, INK?, GRAPHITE-CLAY MIXTURE, PAPER, PEN DRAWING, BRUSH DRAWING, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, Verso dated and inscribed: gli quatri Pauli October 1820

2T8ME41 Grain harvest in the Campagna near Caecilia Metella, Friedrich Olivier (Dessau 1791 - 1859 Dessau), 1820, drawing, pen and ink in grey-brown, washed, over pencil, painted grey-brown border in the manner of an illusionistic panel cut-out, 18.3 x 26.9 cm, verso R.R. (according to AK Vienna/Albertina 1958, no. 162): Prince Liechtenstein (collector's stamp), recto: center below the depiction: 'Bei Caecilia Metella' (pen in grey-brown) - verso: right. below: 'Friedrich Olivier' (pencil, unknown hand); l.b. '37re' (Leist., foreign hand

2T8MDY2 Landscape on the outskirts of Rome, in the background the Alban Hills and the Soracte, Friedrich Olivier (Dessau 1791 - 1859 Dessau), 1819-22, drawing, watercolour, over pencil, pencil framing line, 19.2 x 29 cm, verso r.r. Prince Liechtenstein (collector's stamp), recto: center right: 'Heugrün', pencil - verso: re. below: 'Friedrich Olivier' (pencil, by another hand); l.b. '38a' (lead

2HJ22R9 Portrait of Julius Olivier, the Artist's Son 1846 Friedrich Olivier German. Portrait of Julius Olivier, the Artist's Son 376659

2HHBY0E The Good Shepherd; verso: Cloud Studies late 18th–19th century Friedrich Olivier German. The Good Shepherd; verso: Cloud Studies 382506

2HH9NYJ Return of the Prodigal Son 1830–35 Friedrich Olivier German. Return of the Prodigal Son 366221

2HGYT73 Fighting Horsemen 1818 Friedrich Olivier. Fighting Horsemen. Friedrich Olivier (German, Dessau 1791–1859 Dessau). 1818. Watercolor. Drawings

2F676RY 323 FRIEDRICH Sandrine, DARRIEUMERLOU Olivier, LADA NIVA BMW, action during Rallye Tout Terrains Orthez Bearn 2017, August 4 to 6 at Orthez, France - Photo Antonin Vincent / DPPI

2F6768F 323 FRIEDRICH Sandrine, DARRIEUMERLOU Olivier, LADA NIVA BMW, 337 MONPLAISI Pierre, MONPLAISI Mathieu, LADA NIVA PRV, ambiance parc ferme during Rallye Tout Terrains Orthez Bearn 2017, August 4 to 6 at Orthez, France - Photo Antonin Vincent / DPPI

2F6768R 323 FRIEDRICH Sandrine, DARRIEUMERLOU Olivier, LADA NIVA BMW, ambiance during Rallye Tout Terrains Orthez Bearn 2017, August 4 to 6 at Orthez, France - Photo Antonin Vincent / DPPI

2F67611 323 FRIEDRICH Sandrine, DARRIEUMERLOU Olivier, LADA NIVA BMW, action during Rallye Tout Terrains Orthez Bearn 2017, August 4 to 6 at Orthez, France - Photo Antonin Vincent / DPPI

2F6740G 323 FRIEDRICH Sandrine, DARRIEUMERLOU Olivier, LADA NIVA BMW, action during Rallye Tout Terrains Orthez Bearn 2017, August 4 to 6 at Orthez, France - Photo Antonin Vincent / DPPI

2HW6CH6 Art inspired by The Good Shepherd; verso: Cloud Studies, late 18th–19th century, Graphite, pen and brown ink, brown wash; verso: graphite. Framing line in pen and brown ink, possibly by the artist., sheet: 7 1/16 x 5 1/8 in. (18 x 13 cm), Drawings, Friedrich Olivier (German, Dessau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCA6JM The Good Shepherd; verso: Cloud Studies, Friedrich Olivier, late 18th–19th century

2HW67KC Art inspired by Portrait of Julius Olivier, the Artist's Son, 1846, Graphite, watercolor, white gouache. Octagonal framing lines, sheet: 5 5/16 x 4 7/8 in. (13.5 x 12.4 cm), Drawings, Friedrich Olivier (German, Dessau 1791–1859 Dessau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6054 Art inspired by Return of the Prodigal Son, 1830–35, Graphite; framing line in pen and black ink, sheet: 6 1/2 x 4 5/8 in. (16.5 x 11.8 cm), Drawings, Friedrich Olivier (German, Dessau 1791–1859 Dessau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC8FBC Return of the Prodigal Son, Friedrich Olivier, 1830–35

KC8FBD Portrait of Julius Olivier, the Artist's Son, Friedrich Olivier, 1846

MP4XRJ The Count of Habsburg . Deutsch: Olivier widmete sich in seiner Malerei Themen der Mittelalter-Romantik. Das Gemälde „Der Graf von Habsburg“ bezieht sich auf eine Ballade Friedrich Schillers von 1805, durch die sich bis in die Spätromantik eine Reihe von Malern anregen ließen. Es geht in der Ballade um die christliche Tugend des weltlichen Herrschers. So hatte der Legende nach einst Rudolf Graf von Habsburg einem Priester sein Jagdpferd zur Verfügung gestellt, damit er schnell und sicher einem Sterbenden das heilige Sakrament bringen konnte. Das Motiv war seinerzeit von politischer Brisanz. N

MP8K1B . Maria Heller (wohl nach Friedrich Olivier), 1821 . Julius Schnorr von Carolsfeld (1794–1872) Description German painter and printmaker Date of birth/death 26 March 1794 24 May 1872 Location of birth/death Leipzig Dresden Work location Vienna, Rome, Munich, Dresden Authority control : Q703458 VIAF: 27301812 ISNI: 0000 0001 1023 2110 ULAN: 500002319 LCCN: n85182194 WGA: SCHNORR VON CAROLSFELD, Julius WorldCat 1103 Schnorr von Carolsfeld - Maria Heller

2YJMY6H Friedrich Olivier, German, 1791 - 1859, A Corner of the Colosseum, 1820, pen and brown ink and brown wash over graphite on wove paper, overall: 18.2 x 24.9 cm (7 3, 16 x 9 13, 16 in

2WEGF9G Portrait van Olivier Cromwell, Johann Friedrich Bolt, 1797 print paper historical persons

2W8R6TC Woldemar Friedrich von Olivier Bayerische Landschaft.

2W8R6TF Woldemar Friedrich von Olivier Heimsuchung Mariä.

2W8R6R8 Woldemar Friedrich von Olivier - Heinrich Friedrich Karl Freiherr Vom Stein.

2W8R6P9 Woldemar Friedrich von Olivier - Gasse in Olevano.

2W8R6RY Woldemar Friedrich von Olivier - Fleeing Archers

2W5DPED Fighting Horsemen 2018 by Friedrich Olivier

2W5DPBF The Good Shepherd; verso: Cloud Studies 2008 by Friedrich Olivier

2W5DP3H Portrait of Julius Olivier, the Artist's Son 2007 by Friedrich Olivier

2W5DNTY Return of the Prodigal Son 2004 by Friedrich Olivier

2T7KY6N Friedrich Olivier Kornerves on der countryside drinks METELLA METELLA. Feder in gray -brown, lavated, over pencil, painted gray -brown border in the manner of an illusionist aperture section 1820 , 1820

2T7KY42 Friedrich Olivier Landscape on the outskirts of Rome, the Albanian mountains and the Soracte in the background. Watercolor, over pencil, pencil detection line 1819-22 , 1819/1822

2T7K7AR Friedrich Olivier Roman sketchbook: standing on the head: two landscape drawings, separated by a line: above: tower in rugged hilly landscape; Below: View of the Porta S. Paolo and the Cestius pyramid. Pencil 10. Juni 1821 , 1821-06-10

2T7K7AD Friedrich Olivier Roman sketchbook: sketch of a woman with a child in a sling. Pencil 1820-1826 , 1820/1826

2T7K7B2 Friedrich Olivier Roman sketchbook: writing. 1820-1826 , 1820/1826

2T7K7C4 Friedrich Olivier Roman sketchbook: standing on the head: landscape strips with rocks and a flower in the foreground. Pencil 1822-26 , 1822/1826

2T7K7AB Friedrich Olivier Roman sketchbook: View over a wall with a gate at SS. Giovanni e Paolo, a group of pilgrims in the foreground. Feder in gray -brown, laved, over pencil 1. November 1820 oder 1821

2T7K7AC Friedrich Olivier Roman sketchbook: turned 90 ° to the left: fragment of a relief with a braiding from tapes; Three other small ornamental studies. Pencil 1820-1826 , 1820/1826

2T7K7B7 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: sketches of a capitals, two women, a man with hat, plus an indefinable object. Pencil 1820-26 , 1820/1826

2T7K7AY Friedrich Olivier Roman sketchbook: View of Sa. Maria in Aracoeli from Campo Vaccino. Feder in gray -brown, laved, over pencil 12. November (1820?)

2T7K7AM Friedrich Olivier Roman sketchbook: old tree on a bend, with a view of Ariccia. Pencil, wiped 24. August 1822 , 1822-08-24

2T7K7AF Friedrich Olivier Roman sketchbook: turned 90 ° to the left: Porta S. Paolo, in front of it an age and a young farmer with a mule. Feder in gray -brown, laved, over pencil 25. Juni 1821 , 1821-06-25

2T7K79X Friedrich Olivier Roman sketchbook: View of Ariccia with Palazzo Chigi and Sa. Maria Dell 'Assunzione. Pencil, wiped 20. August 1822 , 1822-08-20

2T7K79Y Friedrich Olivier Roman sketchbook: turned 90 ° to the left: the Porta S.Paolo and the Cestius Pyramid in Rome. Pencil 1820-1821 , 1820/1821

2T7K793 Friedrich Olivier Roman sketchbook: standing on the head: landscape with a farmhouse with a crested roof between trees and a distant view of a chain of hills. Pencil 1822-1826 , 1822/1826

2T7K79H Friedrich Olivier Roman sketchbook: turned 90 ° to the left: View of S. Saba, in the foreground a monk in front of a large cross. Pencil, in the treetops in places in gray -brown 31. März 1821 , 1821-03-31

2T7K79P Friedrich Olivier Roman sketchbook: turned 90 ° to the left: away at the Waldbrunnen in the Albanian mountains between Albano and Ariccia. Pencil, wiped 1. August (1822?)

2T7K78W Friedrich Olivier Roman sketchbook: writing. 1820-1826 , 1820/1826

2T7K78R Friedrich Olivier Roman sketchbook: turned 90 ° to the left: outline of the Porta S. Paolo and the Cestius pyramid in Rome. Pencil 1820-1821 , 1820/1821

2T7K7A6 Friedrich Olivier Roman sketchbook: study of a male model with classically draped coat. Pencil, wiped 10. April 1826 , 1826-04-10

2T7K75G Friedrich Olivier Roman sketchbook: start to the church of Sa. Maria dell'assunzione in Ariccia. Pencil 1822 , 1822

2T7K765 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: sketchy outline of an old tree on a bend, with a clear view the silhouette of the Palazzo Chigi and the dome of Sa. Maria dell'assunzione in Ariccia. Pencil 1822 , 1822

2T7K761 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: garden at Sa. Balbina (drawn via a figure study). Feder in gray -brown, laved, over pencil 27. Oktober 1820 oder 1821

2T7K764 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: view over olive trees on Tivoli, reproduced in outline. Pencil 1822 , 1822

2T7K75T Friedrich Olivier Roman sketchbook: distant view through trees on the Albanian See and the silhouette by Castel Gandolfo. Pencil, slightly wiped 22. August 1822 , 1822-08-22

2T7K75X Friedrich Olivier Roman sketchbook: Letter to a following (lost) sheet. 9. Juli 1822 , 1822-07-09

2T7K760 Friedrich Olivier Roman sketchbook: wide landscape with hill chain in the distance, in the foreground jetty over a stream. Pencil 1822-1826 , 1822/1826

2T7K75W Friedrich Olivier Roman sketchbook: caricature Of a man sitting on a donkey from behind; Tree sketch; Turned to the left by 90 °: woman with a jug, sitting on a fountain or a stone wall. Pencil 2. August 1822 , 1822-08-02

2T7K75M Friedrich Olivier Roman sketchbook: Two small sketches of a female and male headgear. Pencil 1820 - 1826 , 1820/1826

2T7K758 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: landscape with a rider. Feder in gray -brown and brown, lavated, over pencil 15. April 1822 , 1822-04-15

2T7K75B Friedrich Olivier Roman sketchbook: standing on the head: two head studies of a man with a man with a man with a man with a mule. Pencil 1820-1826 , 1820/1826

2T7K763 Friedrich Olivier Roman sketchbook: sketches of a head with a hat and a bird in flight. Pencil 1820-1826 , 1820/1826

2T7K75C Friedrich Olivier Roman sketchbook: turned 90 ° to the left: view over olive trees on Tivoli. Pencil 15. Februar 1822 , 1822-02-15

2T7K759 Friedrich Olivier Roman sketchbook: five studies of a shoe with a hinted leg; Turned to the left by 90 °: delicate landscape strips with the silhouette of a church and a ruin. Pencil 1820-1822 , 1820/1822

2T7K75R Friedrich Olivier Roman sketchbook: turned 90 ° to the left: delicate sketch of a woman with apron and smaller sketch of a woman with a pack animal. Pencil 1820-1826 , 1820/1826

2T7K75A Friedrich Olivier Roman sketchbook: turned 90 ° to the right: landscape sketch with a detailed -executed foreground game and the silhouette of two mountains in the background. Pencil 1820-1826 , 1820/1826

2T7K753 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: Cypress avenue in the park of Villa d'Este in Tivoli. Pencil 15. Februar 1822 , 1822-02-15

2T7K754 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: entrance to Ariccia with a view to Albano, in the foreground figure of a hiker. Feder in brown, lavated, over pencil 1822 , 1822

2T7K74F Friedrich Olivier Roman sketchbook: turned 90 ° to the left: View over the Tiber at the Porta Portese. Pencil 16. August 1821 , 1821-08-16

2T7K75P Friedrich Olivier Roman sketchbook: turned 90 ° to the left: fragments of an old Roman aqueduct below the S. Bonaventura monastery on the Palatine; With sketches partly mounted and fighting men in delicate outline lines. Pencil 17. April (1820 ?)

2T7K75J Friedrich Olivier Roman sketchbook: turned 90 ° to the left: the Capitol with the Senator Palace, the emergence of Sa. Maria in Aracoeli, in between outlook the Torre Delle militia. Pencil 8. Mai 1822 , 1822-05-08

2T7K751 Friedrich Olivier Roman sketchbook: facade and forecourt by S. Michele in Sassia, Borgo S. Spirito. Pencil 1820-1822 , 1820/1822

2T7K74P Friedrich Olivier Roman sketchbook: turned 90 ° to the right: on the way from Rome to Tivoli with a view of the Alban mountains. Pencil, wiped 16. Februar 1822 , 1822-02-16

2T7K75N Friedrich Olivier Roman sketchbook: standing on the head: double -sided drawing: panorama view by Castel Gandolfo and the Albanian See. Pencil 22. August 1822 , 1822-08-22

2T7K75D Friedrich Olivier Roman sketchbook: at San Giorgio in Velabro. Pencil, wiped 28. Mai 1822 , 1822-05-28

2T7K75F Friedrich Olivier Roman sketchbook: turned 90 ° to the left: Roman tomb on the Via Appia. Pencil 25. September (1821?)

2T7K75K Friedrich Olivier Roman sketchbook: turned 90 ° to the right: Tiber landscape at Aqua Acetosa. Pencil, wiped 27. Februar 1822 , 1822-02-27

2T7K756 Friedrich Olivier Roman sketchbook: turned 90 ° to the left: View of the S. Paolo monastery in Albano. Pencil, wiped 20. Juli (1822?)

2T7K762 Friedrich Olivier Roman sketchbook: Studies of a lamb. Pencil 1820-1826 , 1820/1826

2T7K757 Friedrich Olivier Roman sketchbook: sketch. Pencil 1820-1826 , 1820/1826

2T7K74X Friedrich Olivier Roman sketchbook: turned 90 ° to the left: at S. Pietro in Vincoli. Feder in gray -brown, laved, over pencil 1822 , 1822

2T7K74R Friedrich Olivier Roman sketchbook. Pencil 26. Oktober 1820 , 1820-10-26

2T7K73X Friedrich Olivier Roman sketchbook: turned 90 ° to the left: at S. Pietro in Vincoli. Pencil, wiped 21. Juli 1822 , 1822-07-21

2T7K74C Friedrich Olivier Roman sketchbook: narrow alley in Trastevere, Rome, at S. Cecilia. Feder in gray -brown, laved, over pencil 1821 , 1821

2T7K38J Friedrich Olivier Philippus and the treasurer. Watercolor, spring in brown, over pencil, with a brush in white, gold color, illusionistically painted wooden frame 1816 , 1816

2T7K37A Friedrich Olivier Wilkes leaf. Feder in gray -brown, over pencil, heighted with brush in white, primed white -gray 1817 , 1817

2T7K378 Julius Veit Hans Schnorr von Carolsfeld Friedrich Olivier am Königssee near Berchtesgaden. Pencil on brownish paper 1817 , 1817

2T7K375 Friedrich Olivier Friedhof am Kloster Nonnberg. Pencil, on brownish paper, on the sides of pencil border lines around the presentation 1817 , 1817

2RP6C8H Upper Bavarian foothills of the Alps from 1842 until 1845 by Friedrich von Olivier

2RP6C8E Fanny Olivier, geb. Heller 1827 by Friedrich von Olivier

2HGK3M0 Woldemar Friedrich von Olivier - Fleeing Archers

2F8MPD2 Olivier, Friedrich.

2C72060 Portrait of Julius Olivier, the Artist's Son, 1846.

2C72066 Fighting Horsemen, 1818.

2B0M5XB Friedrich Olivier, Fighting Horsemen, Friedrich Olivier (German, Dessau 1791–1859 Dessau), 1818, Watercolor, Sheet: 9 7/16 × 13 7/16 in. (24 × 34.2 cm), Drawings

2AE5JDJ Shriveled Leaves; 1817date Friedrich Olivier, Shriveled Leaves, 1817

2AE5JD4 A Corner of the Colosseum; 1820date Friedrich Olivier, A Corner of the Colosseum, 1820

R35K9T A Corner of the Colosseum. Dated: 1820. Dimensions: overall: 18.2 x 24.9 cm (7 3/16 x 9 13/16 in.). Medium: pen and brown ink and brown wash over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: FRIEDRICH OLIVIER.

R33P1K Shriveled Leaves. Dated: 1817. Dimensions: sheet: 21.9 x 16.4 cm (8 5/8 x 6 7/16 in.). Medium: pen and gray-black ink and pen and black ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: FRIEDRICH OLIVIER.